Bogus Takedown Notice Lands $150k Settlement In Australian Court
Fluffeh writes "Richard Bell, an Australian Film Maker, on a fellowship in New York, produced and directed approximately 18 hours of raw footage for a film with the help of an assistant called Tanya Steele and paid her for these services. Ms Steele, through her American lawyers, sent letters to Mr Bell and his agent claiming that she owned the copyright in the footage and demanding that the trailer be removed from the Internet. She also caused the Vimeo website to remove the trailer. In response, Bell went to the (Australian) courts, which declared him the owner of the copyright in the film, and deemed Steele's threats "unjustifiable". Bell then asked for damages. These were granted in the latest judgment because Bell had lost the opportunity to sell some of his works, which typically cost tens of thousands of dollars, as a result of Steels' threats. The Australian judge awarded over $150,000 in damages plus another $23,000 costs against her."
Now THAT is how copyright law is supposed to work! So refreshing to see it actually properly applied.
I work for the Department of Redundancy Department.
Don't file bogus lawsuits unless you're a big corporation suing somebody too poor to sue back.
<xml><I><am><so><damn>Web 2.0</damn></so></am></I></xml>
A settlement involves an agreement between two parties. Nothing of the sort happened here. The Australian court said this woman had to pay the money. Thats a "judgment". Its quite irritating that immediately after this verdict, the relisted trailer on YouTube got blocked by the same person again...
While we're at it....
Noted woo-woo and anti-vaccination crank, Meryl Dorey of the AVN (Australian Anti-Vaccination Network), uses blizzards of fake DCMA takedown notices to harass and annoy people criticising her harmful propaganda, and gets away with it, ostensibly because despite being American, she's out of reach of the US courts, because she lives in Australia.
Does this mean that karma will catch up with this idiot too?
One of the comments to the Techdirt FA links to a lawsuit Steele filed against Bell in US Federal Court last December. Unfortunately, it costs money to get much in the way of details, but apparently it hasn't been resolved yet.
I could swear I've seen this earlier, like a week ago? Maybe my jet lag is worse than I thought!
I come out of the film industry and my saying is "some one always gets greedy". I told this to my expartner on my last film and he claimed that wasn't the case. Just to prove my point he stole the film literally from my home and to this day it's gone unfinished and is effectively worthless. I've seen it happen time after time that some one involved gets greedy and often the films get shelved because of it so no one benefits. The oddest thing it tends to be the person least involved that thinks they deserve it all which is what happened to me. On my previous film an actor sued the distributor because he thought he should get a share of the profits in spite of the fact the film broke even and his contract didn't grant him profits. He lost the first lawsuit and got a $25,000 judgement against him so what did he do? He sued a second time and lost again. It's shocking how greedy people get when they think they can make a quick buck.
Try this against sound exchange. lol
Fine, copyright law works between two nobodies. Ain't never seen it "work" whenever anyone big got involved.
The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
False copyright claims happen all the time in the USA.
I've even had my own work removed due to someones copyright claim. And the lawyer told me i'm mostly SHIT OUT OF LUCK all the way around.
So a penalty for false claims only happens when its some individual and not a company shotgunning all content they can find?
So what happens when the target just changes to an outside-the-USA host to avoid filing counter-claim to the DMCA? The person who reported the violation is left without their contact info to pursue further legal action... (as I see it, the main purpose of the DMCA is to get access to the infringer's legal name/address, which they must provide to legally get the contnet back online). Plus, what about copyright holders who can't afford to keep paying this theoretical DMCA takedown cost when it gets eaten?
I speak as an open source developer who has used the DMCA to take down scammers who were violating the terms of the MIT license on my code (they basically stripped the entire copyright notice).
from the let-the-dingos-eat-her dept.
The plural of dingo is dingoes, not dingos.
I believe it's the same person.
http://blogs.indiewire.com/shadowandact/who-gets-to-tell-our-stories-great-conversation-on-the-business-of-black-cinema-w-tanya-steele
My other account has mod points!
If you win, they get paid.
If you lose, they walk away unscathed.
You get stuck with the counter-judgement - not them!
That's why greedy lawyers encourage everyone to sue.
Australian Federal Court Awards Damages To Artist For False Copyright Claim
Posted by Soulskill on Fri Mar 30, '12 10:08 PM
from the it's-a-start dept.
New submitter BarryHaworth writes
"In a decision handed down earlier this month, the Australian Federal Court awarded damages to Aboriginal artist Richard Bell over a false claim of copyright infringement. The claim related to a take-down notice claiming copyright infringement from film footage used in a trailer for a film being made by the artist. The court declared Mr. Bell the owner of the copyright and awarded him $147,000 in damages for lost sales of paintings and catalogues. At time of writing, YouTube does not appear to have caught up with the decision."
------
Exactly the same story.
Both reference the judgement made 16 March, no new developments.
You get more timely news from the Pony Express.
18 hours of raws for a porno? U mad bro?
FC Closer
This is an example of the courts throwing things the other way every once in awhile to keep everyone guessing and everyone knowing they are still a player.
This is not snow rolling down a hill in avalanche conditions.
$150,000 for blocking http://media.smh.com.au/entertainment/trailer-park/blackfellas-guide-to-new-york--trailer-3148656.html ???
It looks like something made by a sincere but completely untalented college freshman.
Slashdot: providing anti-social weirdos a soapbox, since 1997.
From the top links from Google's video search:
Blackfella's Guide to New York - The Age
Blackfella's Guide to New York - Brisbane Times
Blackfella's Guide to New York - The Sydney Morning Herald
Apparently they all come from the same source, but well, let's look if Miss Tanya Steele now have the courtesy of showing herself in australian courts if she wants it removed from their servers.
Mexico: 100% conservative's America now!
This exact same story was posted Wednesday, almost word for word:
http://slashdot.org/submission/2008151/bogus-takedown-notice-lands-150k-settlement-in-australian-court
After 18 hours, she would certainly be raw.
At the end of the article, it states that the trailer is available again on You Tube and gives a link. However when you go to that link, there's a takedown message saying that the video is no longer available per the copyright owner Tanya Steele.
The US are planning an invasion as we are typing this!
If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
Having just gone to see my copyright lawyer (in the UK) there is nothing in the summary of this dispute to understand where copyright lies.
There are a couple of example situations from the last month that may give you pause:
* we hired a photographer to take some photographs of the team in the office for a new website
* we paid 3 design companies to come up with concepts for the above website
In each case, who do you think copyright rests with? The answer, quite simply, is with the creator. You will find that we have some sort of limited license to use the works created but in some nebulous "limited use" scenario.
If you do not have an explicit clause in an agreement in which title absolute to the created works and makeup files (Illustrator/Photoshop files etc) are transferred to you/your company you simply don't own the work.
I now ask my subcontractors to put an IP assignment statement in their invoices. That is a nice clean way of knowing what you are paying for.
CAVEAT EMPTOR.
Now THAT is how copyright law is supposed to work! So refreshing to see it actually properly applied.
Not really. If you go back to the original decision, you find that Tanya Steele never appeared in court, never communicated with the court, and the plaintiff totally swears that he mailed her two letters demanding that she appear in Australia, to which she never responded. This was a default judgement, and those almost always get reversed if the defendant later appeals. Bell may still win eventually, but this judgement is just a rubber stamp and has no actual precedential value.
Additionally, there are jurisdiction and venue problems. The events took place in New York. The defendant lives in New York. Any witnesses are in New York, and the real subject of the dispute - whether this was a contractual work for hire or what - is under New York state law. So why was this case filed on literally the other side of the world? The court may have jurisdiction over the plaintiff, but it has none over the defendant. She has no need to appear, and this judgement is unenforceable.
And finally, she's filed a suit in federal court in New York. If Bell fails to show up for that one, she'll get the exact same summary judgement, but with one difference - Vimeo, Inc., who hosted the video, is based in New York, too, and she could get an enforceable court order to keep them from reposting it.