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Anti-piracy Group Fined For Using Song Without Permission

zacharye writes "Oh, the irony. A musicians' rights group in the Netherlands was fined this week for stealing music from a client, using it without his permission and failing to pay royalties. Music royalty collection agency Buma/Stemra approached Dutch musician Melchior Rietveldt in 2006 and asked him to create a composition that would be used in an anti-piracy advertisement, which the group said would be shown exclusively at a local film festival. One year later, Rietveldt purchased a Harry Potter DVD only to find that his piece was being used on DVDs around the world without his permission..."

220 comments

  1. Top points by Anonymous Coward · · Score: 0

    What a name, Melchior.

  2. Another case of "do what i say, and not what I do" by starworks5 · · Score: 5, Insightful

    Perhaps its time that we realize that intellectual property is not in the best interests of society

  3. Just goes to show by detain · · Score: 5, Insightful

    the music industries attack on piracy is often about a new way to extort easy money more than an actual concern for the musicians they are supposed to represent

    --
    http://interserver.net/
    1. Re:Just goes to show by starworks5 · · Score: 2, Insightful

      Which is a secondary function of all forms of governance, corporate and civil.

    2. Re:Just goes to show by ackthpt · · Score: 1

      the music industries attack on piracy is often about a new way to extort easy money more than an actual concern for the musicians they are supposed to represent

      Music & Entertainment Industry are their own worst enemies.

      --

      A feeling of having made the same mistake before: Deja Foobar
    3. Re:Just goes to show by QuantumRiff · · Score: 2

      If it were us, we would be looking at "infringment penalties" of many, many dollars for every copy we "distributed".. yet they have to pay a 20k Euro fine, and his court costs.. Wow.. the downside is really not a downside, is it?

      --

      What are we going to do tonight Brain?
  4. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 2

    For the record i would also like to say that both intellectual property law and current forms of governance are out dated.

  5. Not to be annoying, but... by Anonymous Coward · · Score: 0

    ...that's not irony.
    Irony is when you say something and mean the opposite.

    1. Re:Not to be annoying, but... by teaserX · · Score: 1

      Thought that was sarcasmny

      --
      We really need your help
      http://www.gofundme.com/help-sherry
    2. Re:Not to be annoying, but... by Anonymous Coward · · Score: 0

      GP was obviously being sarcastic.

    3. Re:Not to be annoying, but... by teaserX · · Score: 1

      GP was obviously being sarcastic.
      No way! Really?

      --
      We really need your help
      http://www.gofundme.com/help-sherry
    4. Re:Not to be annoying, but... by InvisiBill · · Score: 4, Informative

      Irony can be either "the use of words to express something other than and especially the opposite of the literal meaning" or "incongruity between the actual result of a sequence of events and the normal or expected result". While /. might not be surprised by a musicians' rights group violating their client's music rights, it could generally be said that this is an ironic situation since the claimed protector is one committing the violation.

    5. Re:Not to be annoying, but... by gnick · · Score: 1

      How ironic...

      --
      He's getting rather old, but he's a good mouse.
    6. Re:Not to be annoying, but... by Anonymous Coward · · Score: 0

      I, for one, revel in the irony of people arguing that "irony" is misused.

    7. Re:Not to be annoying, but... by Anonymous Coward · · Score: 0

      Correct, just as the original poster was being ironic in his subject line.

    8. Re:Not to be annoying, but... by JustOK · · Score: 1

      NO ONE FUCKING GIVES SHIT!

      Yet, ironically, lotsa people do give a shit.

      --
      rewriting history since 2109
    9. Re:Not to be annoying, but... by Anonymous Coward · · Score: 0

      I, for one, revel in the irony of people arguing that "irony" is misused.

      Nested irony detector explodes!

    10. Re:Not to be annoying, but... by acid_andy · · Score: 1

      Goddamn I hate the fucking irony threads on Fark, goddamn pedantic fucks need to SHUT THE FUCK UP BECAUSE NO ONE FUCKING GIVES SHIT!

      If you care about the proper use of irony, strap a lot of bombs to you and find someone in marketing and blow yourself up.

      Thank you.

      Err, sorry, were you being ironic?

      --
      Your ad here.
  6. Re:Another case of "do what i say, and not what I by BitHive · · Score: 5, Funny

    Thank you, the record will benefit immensely from your important ideas about law and government.

  7. €164,974? by Anonymous Coward · · Score: 2, Insightful

    That seems low for when someone steals music. Shouldn't that be more like €100,000,000 by the MAFIAA calculating ways?

    1. Re:€164,974? by fuzzyfuzzyfungus · · Score: 2

      Every infringing DVD should probably also be hunted down and destroyed by armed ICE agents or their local equivalents....

    2. Re:€164,974? by Anonymous Coward · · Score: 1

      That seems low for when someone steals music. Shouldn't that be more like €100,000,000 by the MAFIAA calculating ways?

      Actually? A problem there. The **AAs see TEH INTARNETS as some vast, infinite, uncontrolled wild. Focus on "infinite". Since they can't track how many times someone downloaded something and they can assert an infinite potential for intarnetting (largely by waving their hands frantically to distract people from paying attention to anyone who protests this assertion), they figure the $4.8 skrumillion or whatnot they're suing for is actually a really huge bargain compared to infinity, especially when brought up with stupid judges on the take.

      But, when it comes to DVD sales, they most likely have chillingly meticulous statistics on how many discs they pressed, how many each store got, and exactly how they can Hollywood Account their way into claiming they lost $9.8 fuckdillion on the bestselling DVD of all time, thus they don't have to pay any lowly artists for their bottom-feeding noise-making. The nerve of some people, thinking they can get PAID for doing work!

      So, unfortunately, without the vast scariness of infinity to count on, they probably can knock the payout down a lot.

    3. Re:€164,974? by Adrian+Lopez · · Score: 1

      That seems low for when someone steals music. Shouldn't that be more like â100,000,000 by the MAFIAA calculating ways?

      No. Such high damages are only appropriate in cases involving non-commercial infringement.

      --
      "In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
  8. DVD Ad by Bigby · · Score: 4, Insightful

    So there was a DVD advertisement that pirated music about not pirating music?

    1. Re:DVD Ad by OldSport · · Score: 2

      Haha, yeah, I was going to ask, did the pirated song appear before or after the three unskippable anti-piracy ads?

    2. Re:DVD Ad by tapspace · · Score: 2

      Well, that's the problem. A lot of terms are lobbed around which insight more emotion than understanding. Did they pirate it? Not really. They had permission to exhibit the song in a specific way and broke the terms of the license. Constantly using analogues to physical things ("piracy", "property", "theft") is just dumb. We need to realize that this stuff isn't property and this isn't theft. Should content creators be protected? Yes. Are they currently? IMO way more than is necessary.

    3. Re:DVD Ad by Anonymous Coward · · Score: 0

      We need to realize that this stuff isn't property and this isn't theft

      Wait, what? If it is created by someone, and that someone can say, "HEY, I MADE THAT." Then doesn't that really make it property? Even if it's a song, or a collection of electricity?

    4. Re:DVD Ad by Anonymous Coward · · Score: 0

      ... Pirating (stealing) your time ...

    5. Re:DVD Ad by Anonymous Coward · · Score: 0

      Read the summary - the pirated song appeared *during* one of the anti-piracy ads.

    6. Re:DVD Ad by tapspace · · Score: 1

      You raise an interesting point. And, I am forced to agree with you. I guess I should modify my argument. My problem is that these terms are used by the industry (NOT usually the content creators themselves, don't get that confused with the industry) in ways that are extremely emotionally and intellectually manipulative. I don't want to stoop to their level and call this a case of theft or piracy, because that's dishonest. This was a license overstep. You can call it theft or piracy if you want, but I think that's just lending credibility to the way the industry misuses these terms, which is counterproductive to the cause of fair use.

  9. According to the FBI it is "THEFT" by kotku · · Score: 3, Interesting

    So we don't need to discuss this anymore. Copyright infringement is "THEFT"

    http://www.fbi.gov/about-us/investigate/cyber/ipr

    Preventing intellectual property theft is a top priority of the FBI’s cyber program. We specifically focus on the theft of trade secrets and infringements on products that can impact consumers’ health and safety, such as counterfeit aircraft, car, and electronic parts. Key to our success is linking the considerable resources and efforts of the private sector with law enforcement partners on local, state, federal, and international levels.

    --
    The bikini - security through obscurity since 1943
    1. Re:According to the FBI it is "THEFT" by Transkaren · · Score: 0

      So we don't need to discuss this anymore. Copyright infringement is "THEFT"

      http://www.fbi.gov/about-us/investigate/cyber/ipr

      Preventing intellectual property theft is a top priority of the FBI’s cyber program. We specifically focus on the theft of trade secrets and infringements on products that can impact consumers’ health and safety, such as counterfeit aircraft, car, and electronic parts. Key to our success is linking the considerable resources and efforts of the private sector with law enforcement partners on local, state, federal, and international levels.

      No, according to the FBI theft of trade secrets is theft. Trade Secrets are on a completely different (and pretty much reasonable) level than simple copyright infringement. In fact, infringement on movies & music isn't even listed there - counterfeit parts are again a legitimate concern. Not that I believe they won't go after music & movie infringers, but that claiming that they call it "theft" is incorrect.

      --
      -If it's worth doing, it's worth doing well.
    2. Re:According to the FBI it is "THEFT" by h4rr4r · · Score: 4, Interesting

      When did the FBI get to decide that?

      Under US law it is clearly not theft.

    3. Re:According to the FBI it is "THEFT" by mcgrew · · Score: 4, Informative

      Don't get your definitions from a law enforcement agency. I mean, the none of the FBI's Law Enforcement Officers are in LEO. In fact, don't let government define anything; PATRIOT act, anyone?

      Here's the difference between stealing music and infringing copyright.

      Sealing music: you walk into WalMart and shoplift a CD. WalMart is out the value of the CD. If you're caught, it's a misdemeanor and a small fine.

      Copyright Infringement: You BUY that CD form WalMart and put it on the Pirate Bay. Nobody has lost anything, and the label may actually gain sales from your "piracy". If caught, it will cost you thousands of dollars and maybe jail time.

      Not the same at all. I wouldn't steal a car, but I'd accept a copy of a car someone GAVE me.

    4. Re:According to the FBI it is "THEFT" by MobileTatsu-NJG · · Score: 1

      So we don't need to discuss this anymore. Copyright infringement is "THEFT"

      Are you talking about people downloading music?

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    5. Re:According to the FBI it is "THEFT" by kotku · · Score: 3, Informative

      RTFL before replying buddy. They clearly claim music and media as theft.

      everything from trade secrets and proprietary products and parts to movies and music and software.

      --
      The bikini - security through obscurity since 1943
    6. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      The FBI doesn't make the laws, it executes them (the Executive Branch). Sadly, people on a power trip often forget to pack reality and intelligence.

    7. Re:According to the FBI it is "THEFT" by misnohmer · · Score: 2

      "nobody has lost anything"?!? Is your basic premise is that intellectual property has no value whatsoever? Something tells me if you were the musician whose paycheck was directly proportional to the number of CD's sold you may have a different opinion.

    8. Re:According to the FBI it is "THEFT" by bennomatic · · Score: 1

      In the context of TFA, there is an effective theft in that there was a contractual agreement based on IP laws that the composer would get money for distribution of his work. The work was distributed and the composer was not given his due and was thus deprived of something of material value (money).

      That's what it all comes down to when they're talking about copyright violations being theft, isn't it? Depriving someone of funds which they theoretically should have received.

      In the case of poor college students, I'm actually totally with you. They wouldn't have bought the music anyway, and them having the music turns them into fans who might eventually buy the music or go to shows or introduce other people to the music who will in turn become paying customers.

      But in the case of a corporation--especially one whose sole existence is based on profits from collecting payment for use of copyrighted material--not paying for their own use of copyrighted material, I'm quite happy to vilify that act with the oversimplified term, "theft".

      --
      The CB App. What's your 20?
    9. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      You own property, not the ability to profit. Should we outlaw automobiles so you can still sell buggy whips?

    10. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      "nobody has lost anything"?!? Is your basic premise is that intellectual property has no value whatsoever? Something tells me if you were the musician whose paycheck was directly proportional to the number of CD's sold you may have a different opinion.

      No, the poster is merely using the English language correctly. No tangible object, no "thing", has been lost. Music was copied without authorization from the copyright holder, but the copyright holder still has the same stuff they had before. It's not a matter of opinion, it's a matter of using correct language instead of twisted propaganda like "piracy" and "theft" that describe acts other than those under discussion.

    11. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      That's the stupidest analogy I have read all day.

    12. Re:According to the FBI it is "THEFT" by starworks5 · · Score: 1

      Perhaps he should not rely on a model which is contingent on the number of cd's sold, like for instance doing performances for the general public... you know "work".

    13. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      And the people in charge of saying just how much this form of theft costs the world have been caught red handed suppressing studies they paid for because they proved the exact opposite! Just suppose that's true as a thought experiment. In that case, pirates shouldn't be prosecuted for doing harm to someone, they should be rewarded for the free advertising they are doing (which is the only effect that's ever been proven successfully so far).

    14. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      You also can own rights.

    15. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      He isn't using language correctly in the example. Taking a CD is not the same as taking a music. Music is stored on a CD, but it is not itself music. Music is always intangible. Always. Just like software. Also theft isn't about tangibles, it's about taking property and you can have a property interest in intangibles. For instance, you have property rights in the writing contained in an unpublished manuscript that are separate from any copyrights you have.

      "That an author, at common law, has a property in his manuscript, and may obtain redress against any one who deprives him of it, or by improperly obtaining a copy endeavours to realise a profit by its publication cannot be doubted; but this is a very different right from that which asserts a perpetual and exclusive property in the future publication of the work, after the author shall have published it to the world." -- Wheaton v. Peters

    16. Re:According to the FBI it is "THEFT" by mark-t · · Score: 4, Insightful

      Copyright Infringement: You BUY that CD form WalMart and put it on the Pirate Bay. Nobody has lost anything

      Correction... nobody has lost anything that anyone other than the copyright holder may perceive as valuable. Or, to be more specific, nobody has lost anything tangible.

      The point of copyright is that it is supposed to be an *exclusive* right to control copies of the work. If somebody just goes any makes copies of such a work without getting that permission, then that exclusivity has been compromised, and is actually lost to the copyright holder.

      Whether you want to argue that this exclusivity should be of no value is immaterial to the notion that it is not an inexhaustible resource (it runs out completely once the work has reached a saturation limit that is specific to both the nature and widespread appeal of the work), and so can arguably have some financial value associated with it.

    17. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      Perhaps he should not rely on a model which is contingent on the number of cd's sold, like for instance doing performances for the general public... you know "work".

      I generally try not to go all like grammar Nazi but your mostly thoughtful and seemingly intelligent comments lose their value for me because of your inability to correctly capitalize, punctuate, and otherwise use the English language correctly. In addition to the previously mentioned issues, "your" is not the contraction for "you are" (at least two instances noted so I'm guessing it's not a typo). Also, run-on sentences are often difficult to try and decipher. We're not texting here dude. You might try and help us old folks who have to do a double-take when you mangle written communication. its not 2 difficult 2 make a few xtra keystrokes so we can better no wht your trying to say w/out having to reread wut you typed bcuz its mostly jibbberish.

    18. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      The point of copyright is that it is supposed to be an *exclusive* right to control copies of the work

      Indeed, which makes it a ridiculous concept. Why does someone else get to prohibit the owner of a hard disk drive (for example) to prohibit storing certain binary numbers just because he stored that number first? In any other context, this would be regarded as completely unacceptable. Monopolies are bad for society. Monopolies on storing certain numbers even more so.

      If you do not want someone to do as he pleases with an object (e.g., copy, play the stored video and/or sound), then do not sell it. It works that way with every other object, why should data carriers with media be any different?

    19. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      No, it's not theft of monies. This would be copyright infringement, violation of contract, and remediation. I am sure the losing party would love to call this theft cause then they don't need to worry about the PER infringement penalty that lawyers throw at the college kids.

    20. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      But Ignore the Chinese, who buy a couple of originals to take home and copy/mass produce en mass to sell back to USA.
      Then we have US car companies eying Toyota to see what they are doing right.
      But nobody doing anything about foreign companies buying bankrupt firms and their IP (and know how) to move over to China (Rare earths anyone). Solar Cells, Windmills. Seems to some USA is one big prototype factory, and anything that is accidentally profitable
      will get farmed out and made in Asia anyway. As these targets are too hard, the FBI concentrates on small targets to look busy, while the big picture national infrastructure and factories rot to the ground.

    21. Re:According to the FBI it is "THEFT" by mark-t · · Score: 1

      If you do not want someone to do as he pleases with an object (e.g., copy, play the stored video and/or sound), then do not sell it

      It's funny that you should say that, because that is *EXACTLY* the reason that copyright was invented.... so that the creators would be able to retain their control over the work even though it was being published, and thus be encouraged to do so, instead resorting to self-censorship, or not publishing at all. In exchange for this, the public obtains some cultural enrichment from the publication of the work. when the public does not respect copyright, then confidence in the ability for copyright to adequately protect a content creator's interests is shaken, and the risk increases that creators will self-censor, or resort to other means in an attempt to protect their interests - means that will, in the end, only be wholly counter to the purpose of copyright, which is to create cultural enrichment through the encouragement of publication, by offering a legally recognized notion of exclusivity on the work that is an extension of the natural control they would have had if they had simply never published at all.

      Of course, this exclusivity of control is supposed to be for a specific, and finite duration, and I won't argue that copyright terms are *FAR* too long right now. These long durations are opposing the primary purpose of copyright, because they do not do anything to encourage creators to constantly publish new works, and the general public does not get any further enrichment from arbitrarily long copyright periods. I would personally argue that absolutely *NO* copyright should have a term longer than, maybe, 15-20 years... with no opportunity for extension.

    22. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      Between 2004 and 2007 the Bureau of Alcohol Tobacco and Firearms considered a length of shoestring to be a machine gun. The notion is asinine on its face, and yet for 3 years they stuck by their ridiculous decision. Federal agencies are piss-poor authorities on these matters. They will always willfully bend the meaning of words to further their goals, without regard to the specific wording of the law.

      The actual definition of theft is in 18 US Code 31. Note the distinct lack of reference to copyrighted works. Infringement of copyright is under 17 USC 5

      No matter how much you wish it was the case, copyright infringement simply is not theft. Words mean things, particularly in the case of legal terminology, and theft does not change its meaning simply because you wish to use a more pejorative and emotionally charged label for copyright infringement.

    23. Re:According to the FBI it is "THEFT" by mcgrew · · Score: 1

      In the context of TFA, there is an effective theft in that there was a contractual agreement

      I'm not part of the contract. The contract is between artist and publisher.

      Depriving someone of funds which they theoretically should have received.

      I could theoretically win the lottery by finding a winning ticket on the ground. I'm deprived of my theoretical winnings. The fact is, if I wouldn't have paid for the work, you've lost nothing.

      But in the case of a corporation--especially one whose sole existence is based on profits from collecting payment for use of copyrighted material--not paying for their own use of copyrighted material, I'm quite happy to vilify that act with the oversimplified term, "theft".

      If you're referring to using an unlicensed song in a commercial endeavor, I agree. In that case the money is real, not theoretical, and they have been deprived of it. It's actual money that was stolen, not IP.

    24. Re:According to the FBI it is "THEFT" by mcgrew · · Score: 1

      If someone gives you a file of mine when you've never heard of me (and therefore would never have bought it) I have not only lost nothing, I may in fact gain. You might like the file and buy more.

      You do realize that studies show that music pirates spend more money on music than non-pirates, don't you? In fact, all the studies back me up.

      Its easy to see how you fall for the fallacy, since it seems logical and reasonable, but it is a fallacy. A couple of years ago, a book publisher believed the same fallacy, so he commissioned a study to see how much in sales was lost when the book hit the internet. Unlike music and movies, it tales a couple of weeks for books to hit the net, so they looked at sales figures to see how much of a drop in sales there was. The publisher and researchers were astounded to find that there was a sales spike, rather than a dip, and attribute it to the added buzz.

      As Doctorow notes in one of his books (free at BoingBoing and for sale at Amazon), nobody ever lost money from piracy, but many artists have gone hungry from obscurity.

      Nobody's going to buy your stuff if they've never heard of you. The war on piracy is really a war on independant artists.

    25. Re:According to the FBI it is "THEFT" by Travelsonic · · Score: 1

      That doesn't make a lick of sense. If not making the money you wanted to was theft, then people window shopping, seeing something they want and simply deciding not to buy it, or those who open up shop to compete legitimately with another would be theft. The fact is, that is absurd since you can't have money stolen from you that you don't even have, and not making money is not the same as having money you have taken from you.

      --
      If you believe in privacy, and believe you have "nothing to hide" at the same time, you're a goddammed idiot
    26. Re:According to the FBI it is "THEFT" by bennomatic · · Score: 1

      I think we're in agreement.

      --
      The CB App. What's your 20?
    27. Re:According to the FBI it is "THEFT" by bennomatic · · Score: 1

      I think we're in agreement, although I think your "finding a winning lottery ticket" is not exactly an accurate parallel.

      --
      The CB App. What's your 20?
    28. Re:According to the FBI it is "THEFT" by bennomatic · · Score: 1

      OK, let me clarify. In the context of the article, the composer was contractually bound to receive payment for use of his work, and it was used without remuneration outside of the terms of that contract. That's theft.

      In the more general sense, e.g. college kids doing file sharing, the money is theoretical, and while I don't think your window-shopping example is apt--after all, people don't get to take home and use a free copy of, for example, furniture that they see in while doing the window-shopping--I think we're in general agreement that it should not be considered theft.

      In an ideal world, content creators (and their overlords, such as the labels) would allow free personal distribution of content. And in that same world, in the cases when artists chose to limit distribution, fans would respect it. And nobody would get sued.

      --
      The CB App. What's your 20?
    29. Re:According to the FBI it is "THEFT" by Anonymous Coward · · Score: 0

      I guess the difference is that music cannot be classed under the same rule of economics in that - if I have a car and I give it to someone else I no longer have it - mp3s are a little different in that I can make a copy and send it to someone else whilst stil retaining my own copy. In the new model we need to stop thinking in terms of music as a product but as information - established industries have always resisted change to working models - of course - but resistance is futile and as a working musician myself i have had to embrace this change, give away my music for free and monopolise on new revenue streams available. I didn't like it - but thats the way it is.

  10. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 4, Funny

    Your welcome, but they were not originally my ideas, i copied them from others.
    We all stand on the shoulders of giants ;-)

  11. Creative Commons pilot by Krishnoid · · Score: 1

    They refer to a Creative Commons pilot program on their website, but it's in Dutch, and the translation is a little hard to understand. Can someone describe what this is about a bit more clearly than Google Translate?

    1. Re:Creative Commons pilot by Anonymous Coward · · Score: 1

      Previously, any artist that signed up with BUMA/STEMRA would not be allowed to distribute their own music using a creative commons license (well, they were, but BUMA/STEMRA would bill *the artist* for each downloaded song).

      Now with this new program, that particular act of low-sea piracy of BUMA/STEMRA seems to have stopped.

  12. File Suit Next by Anonymous Coward · · Score: 0

    The MAFIAA would follow this up with a major lawsuit, so I would encourage this guy to do the same. Start an online donation drive for legal fees - I'd kick in $5-10 bucks.

  13. Musicians only get paid once work is profitable by DickBreath · · Score: 0, Troll

    Musicians only get paid when the music makes a profit. Since his music on an anti-piracy promo will never be "sold" and thus never make a profit, he will never get paid. Sucker -- for working with the music/movie industry.

    Similarly writers and actors only get paid once a movie is profitable. (aka Never)

    The most successful movies and records of all time strangely never seem to be profitable and thus royalties are not owed.

    --

    I'll see your senator, and I'll raise you two judges.
    1. Re:Musicians only get paid once work is profitable by Anubis+IV · · Score: 4, Informative

      I can't find a single thing you said that is factual. His music was sold with copies of Harry Potter DVDs, which I'm fairly certain were rather profitable.

      Writers Guild of America members do not get paid exclusively based on profit, but rather based on the size of the budget of the production. See pages 1-4 of the document specifying their pay scale. They get a minimum pay for specific tasks for works with a budget under $5M USD, and a higher minimum pay if the budget is over $5M USD. They can negotiate a contract that additionally includes profit-sharing, of course, but they are guaranteed the minimum amounts, regardless of profitability of the work.

      Similarly, actors who are in the Screen Actors Guild have a similar document with similar terms. Profit-sharing comes in addition to it, meaning that they should not face a situation where they go unpaid because the work was a flop.

      And at this point, I'm too lazy to correct you for musicians, but it's the same deal there too. In fact, something like 90% of musicians lose money for the studios, yet they still get paid anyway. That's part of the cost of being a studio.

      Now, that's not to say that all of those folks can't get screwed over by Hollywood accounting and other legalese, but that has to do with any pay that's in addition to the minimums specified in those documents. Their minimum pay is always guaranteed, and they always get paid.

    2. Re:Musicians only get paid once work is profitable by Wain13001 · · Score: 2

      This is not how composers get paid. They get royalties from performances (broadcast on TV and radio) that are gathered by ASCAP and BMI, and then when it comes to DVD and media they can (attempt to) negotiate receiving mechanical royalties (good luck). Either way, I at least get paid anytime the film I've scored is played on TV no matter how much money it made...even if it was a complete loss through hollywood accounting...and if I manage to get through the nightmare of trying to get my much deserved mechanicals I get a royalty for every disc regardless again of the studios net.

    3. Re:Musicians only get paid once work is profitable by SuricouRaven · · Score: 1

      Depends on their deal. The royalty is the most common form of payment, yes, but not the only one. They can also negociate a fixed fee - the no-risk option. They won't rake in the big bucks, but they won't make nothing either. And even if the music does make a profit, that doesn't mean they get paid - both movie industry and record labels have well-documented methods of playing accounting games, to the point where every movie makes a loss on paper and even successful albums rarely make enough royalties for the artists to pay off the loans the label provided to cover production costs.

    4. Re:Musicians only get paid once work is profitable by Anonymous Coward · · Score: 0

      Similarly writers and actors only get paid once a movie is profitable. (aka Never)

      Wait, what? Am I right in thinking you're saying actors never get paid?
      Is Tom Cruise just getting along with the help of the Scientologists?

    5. Re:Musicians only get paid once work is profitable by magarity · · Score: 1

      Musicians only get paid when the music makes a profit. Since his music on an anti-piracy promo will never be "sold" and thus never make a profit, he will never get paid.

      You totally missed even the summary: he made it for a one-time anti-piracy promo which was not being sold and for which he didn't expect to be paid BUT he found it on a DVD which *was* being sold.

    6. Re:Musicians only get paid once work is profitable by Anonymous Coward · · Score: 0

      The most successful movies and records of all time strangely never seem to be profitable and thus royalties are not owed.

      http://www.forbes.com/sites/zackomalleygreenburg/2010/12/23/paul-mccartney-continues-to-have-a-wonderful-financial-christmas-time/
      http://www.vanityfair.com/hollywood/features/2011/03/hollywood-top-earners-201103

    7. Re:Musicians only get paid once work is profitable by Anonymous Coward · · Score: 1

      they always get paid

      Not quite so:

      http://www.theatlantic.com/business/archive/2011/09/how-hollywood-accounting-can-make-a-450-million-movie-unprofitable/245134/

    8. Re:Musicians only get paid once work is profitable by Anonymous Coward · · Score: 1

      Even if what you said about no profit involved were true (which it isn't), the artist's rights have still been violated here. Whether or not there would be any royalties owing from profits, there are now punitive royalties up for grabs because, profit aside, the work was used without permission.

    9. Re:Musicians only get paid once work is profitable by Anubis+IV · · Score: 1

      I explicitly mentioned "Hollywood accounting" in my last post, precisely because of situations like these, and if you read your own link you'll find that it only pertains to the profit-sharing side of the equation, which is exactly what I said Hollywood accounting has an impact on. And, as you'll recall, I also pointed out that the profit-sharing side is in addition to any other payments that are made. That actor got paid. He just didn't get paid as much as he should have.

    10. Re:Musicians only get paid once work is profitable by Anonymous Coward · · Score: 0

      Similarly writers and actors only get paid once a movie is profitable.

      I've never heard of an actor ever working on a profit-only wage for a studio. Most other artists get a retainer. And few writers have sued their studio for hiding the profit royalties.

    11. Re:Musicians only get paid once work is profitable by Anonymous Coward · · Score: 0

      Musicians only get paid when the music makes a profit. Since his music on an anti-piracy promo will never be "sold" and thus never make a profit, he will never get paid. Sucker -- for working with the music/movie industry.

      No no no. the music is in an anti-piracy promo on a DVD that sells. The dvd is a compilation of several pieces. The bigger one is "Harry Potter" 97% or so. The anti-piracy song is 1%, and 2% is other small items.

      If such a DVD profits, the anti-piracy song is certainly part of that.

  14. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Clap clap

  15. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    My welcome? Hardly.

  16. Re:Another case of "do what i say, and not what I by MobileTatsu-NJG · · Score: 5, Informative

    Perhaps its time that we realize that intellectual property is not in the best interests of society

    Eh... I cannot say I agree with you. I mean if the IP system was being used properly, the composer would be getting paid for the use of his work.

    That said, would totally agree that cases like this prove that people are abusing it. I mean, if you're going to hoot and holler over people using your content without permission, you should be the last person to do the same. This example doesn't really exlcaim "IP is bad for everybody!"

    --

    "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

  17. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Just so long as you're not Yurtle.

  18. This doesn't surprise me at all. by wierd_w · · Score: 5, Insightful

    Its real simple to understand these asshats. They hold the following constellation of views:

    1) if we have licensed it, it's ours.
    2) if we comission it, it's ours.
    3) if one of our signed artists makes it, it's ours.
    --
    4) if it's ours, we can do whatever we damned well want with it.
    5) if somebody is violating their limited license for something that is ours, we will squash them.

    The conflict between "You were given limited rights. You may not redistribute however you like!" And their internal rose-colored view of how copyright should work never crosses their mind. They operate under the blanket policy that anything they license, comission, or sponsor is their full, exclusive right. That's why they make stupid blunders like this, time and time again.

    It's also why they get cranky like a baby with diaper rash when they can't get full, exclusive rights to properties. Their business model revolves around having exclusive power, and dolling out highly nonexclusive licenses.

    To defeat them, we need to cut off their supply of exclusives. Nothing short of oxygen deprivation will kill them. Like ants though, they have quite a bit of bottled air, and will take decades to kill off.

    Big media was a bad idea for everyone involved except government, middlemen, and lawyers.

    1. Re:This doesn't surprise me at all. by Anonymous Coward · · Score: 0

      All that will happen, should the poor of the world revolt against them and all of their holdings, is that they will diversify. They're actually doing that at the moment - into politiics, for example.

      You can't win against them. Their money and spin are so much more than you can imagine that they'll just have a chat with a politician and get a percentage of taxation paid to them. Someone's stealing from them - if you're not buying, you're stealing! Whether by not paying for something they feel is theirs, or by not buying something of theirs, you're stealing from them.

    2. Re:This doesn't surprise me at all. by Anonymous Coward · · Score: 0

      Don't forget: If we don't own it, license it, or commission it, it's STILL ours, and we'll collect for it, and defend our need and right to collect for it with all the lawyers we have. We can't keep track of all the works we have rights to when it's time to actually pay the artist, until someone violates our rights.

      I think that's about right.

  19. Re:Another case of "do what i say, and not what I by gnick · · Score: 2

    Well said. "Yertle the Turtle". Dr. Seuss's take on Mussolini, but for kids!

    --
    He's getting rather old, but he's a good mouse.
  20. Re:Another case of "do what i say, and not what I by MobyDisk · · Score: 1

    I am confused. This is a case of IP law working very well. Are you suggesting that this person should receive no payment for their music?

  21. For once I can agree with the "stealing" term... by Anonymous Coward · · Score: 0

    ...live by the sword, die by the sword, "thieves!"

    They deserve to be tried for their theft in a sharia court and their hands removed for it. :P

  22. How did it wind-up on a Harry Potter DVD? by MobyDisk · · Score: 1

    One year later, Rietveldt purchased a Harry Potter DVD only to find that his piece was being used on DVDs around the world without his permission.

    I can't access the TorrentFreak link from my office. How did it wind-up on a Harry Potter DVD? Did the anti-piracy group get their message as a special feature on the DVD somehow?

    1. Re:How did it wind-up on a Harry Potter DVD? by gl4ss · · Score: 1

      One year later, Rietveldt purchased a Harry Potter DVD only to find that his piece was being used on DVDs around the world without his permission.

      I can't access the TorrentFreak link from my office. How did it wind-up on a Harry Potter DVD? Did the anti-piracy group get their message as a special feature on the DVD somehow?

      presumably yes. if that sounds far fetched then I suppose you haven't seen any legit(non blackmarket/torrent) dvd's or blurays ever.

      --
      world was created 5 seconds before this post as it is.
    2. Re:How did it wind-up on a Harry Potter DVD? by Anonymous Coward · · Score: 0

      We always buy legit DVDs (from the supermarket usually :-) ), and we never see those messages, because vlc under Linux starts with the actual film menu and leaves all the crap to be displayed *AFTER* the film.

  23. Re:Another case of "do what i say, and not what I by wonkey_monkey · · Score: 5, Funny

    We all stand on the shoulders of giants ;-)

    Not me. I stand on a stack of midgets.

    --
    systemd is Roko's Basilisk.
  24. Re:Another case of "do what i say, and not what I by CanHasDIY · · Score: 1

    I am confused. This is a case of IP law working very well. Are you suggesting that this person should receive no payment for their music?

    I believe this to be a case of a person making a generalization based upon what they perceive to be popular opinion (Ugh think copyright/IP/patents BAD, Ugh no need know reason why), with zero regard for reality or logical thought processes. Common practice on the 'net these days, what with the apparent obsession with peer acceptance and approval as a means of self-realization.

    Otherwise, one would assume they would have realized, prior to posting, that the concept of "not in the best interest of society" is a completely subjective opinion, not fact, and as such, is non sequitur at best and a blatant straw-man argument at worst.

    One could posit the argument that the right to free speech is "not in the best interest of society," because bigots use that right as a platform for spreading hate, but you won't see any rational folks calling for its repeal.

    --
    An enigma, wrapped in a riddle, shrouded in bacon and cheese
  25. Re:Another case of "do what i say, and not what I by fuzzyfuzzyfungus · · Score: 5, Informative

    There is a second extra-classy angle in this story.

    When the composer discovers his song has been used more widely than agreed, he goes to his music royalty collecting agency, an entity ostensibly representing those starving artists out of whose mouths pirates are stealing delicious crumbs.

    They stonewall him. Hard.

    Then, in a conversation that turned out to be recorded, causing a bit of a scandal, "The case caused a scandal in the Netherlands last year following discussions Rietveldt had with Buma/Stemra[the collecting agency] board member Jochem Gerrits about getting the money he was owed. In order to help, Gerrits suggested that the composer should sign his track over to High Fashion Music, a label owned by Gerrits himself and one that would take 33% of Rietveldt’s royalties for its trouble."

    So, yeah, if he was merely willing to play ball with the label owned by a board member of the collecting agency, his little problem could be made to go away, for a modest price. If he preferred not to sign, well, perhaps he might continue to have trouble?

    This isn't exactly news; but the de-facto Intellectual 'Property' system appears to operate on the basis that peasants might have the right to sell their little scraps of it; but only people who matter are accorded any serious protection.

  26. No surprise by mbone · · Score: 1

    Anyone surprised by this is truly clueless.

    1. Re:No surprise by Mashiki · · Score: 1

      Oh I'm not surprised. But I think the author of the music should sue them for oh...what's the going rate these days? $250k/infringement? Man that's going to be a lot of cases per DVD isn't it? Oh and I bet it's on Bluray, and digital distribution too.

      Man, this guy is going to be rolling in so much money that that he could bankrupt them...wait just a tick. Everyone support this guy, quick!

      --
      Om, nomnomnom...
    2. Re:No surprise by metacell · · Score: 1

      Unfortunately, this was in the Netherlands, so different laws apply.

      On the other hand, downloading copyrighted material for personal use is legal there.

  27. Poetic Justice by TemperedAlchemist · · Score: 1

    I'm sure it's a misunderstanding because these agencies are just so concerned about those poor starving artists.

  28. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 2, Interesting

    The composer should have been paid for the of work he performed, as the function of the investment it takes to perform the work and value, not for how useful the work ended up being. He may be hired to work again if it was a good performance, otherwise you tax and unempower other people and musicians, so you get to be fat and lazy off of their hard wor.

    Likewise I have a hard time developing devices without running afoul of someone's patent, even though what I did was developed in a clean room process, so they can sit fat and lazy off of my hard work. The problem with finding funding for the work is another social problem, but perhaps that means that we should reward people like farmers and factory workers, more than we reward the creative class who don't have it so bad anyhow.

  29. Re:Another case of "do what i say, and not what I by ackthpt · · Score: 1

    Perhaps its time that we realize that intellectual property is not in the best interests of society

    Oh, it is, it is! You just have to be a big company to try to get away with it.

    --

    A feeling of having made the same mistake before: Deja Foobar
  30. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 1

    One with a more open mind might consider that groups of content distribution businesses just like this one have always been behind every "advance" in copyright law; when creating copyright, they demanded that it should be vested in the publisher, not the author. They have at every turn tried to enrich themselves at both consumers' and creators' expense. And this is far from the first time we've heard of them flagrantly violating copyright.

    Maybe, just maybe, all those bits about it being "in the interest of society" (which is why the concept was created and promoted by society at large, not the content-distribution industry... oh wait.) and the supposed extent to which content creation (not distribution!) depends on copyright, could be a lie? No, no, businesses would never tell a lie to make more profit, and legislators would never pass laws to help their friends in business if they had such a facade to hide the intent from voters.

  31. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 2

    Or it could be based on a nuanced study of capital flows to IP thugs, and the lack of investment in other human resources (people), which in turn harms the ROI on other human labor (farming, manufacturing). Thereby reinforcing a class system in which people are unable to escape.

    Hardly as subjective as your subjective analysis of "he probably just wants free stuff".

  32. 1 gazzillion Euros by houghi · · Score: 4, Funny

    That is what they should pay.

    Take their own calculation and use that on how much he should get. So how many billion copies have been sold? Those were clearly missed sales for him. Then add the number of illegal downloads that they made possible by putting it on those DVDs and you get to a gazillion pretty quickly.

    --
    Don't fight for your country, if your country does not fight for you.
  33. Re:Another case of "do what i say, and not what I by cpu6502 · · Score: 5, Insightful

    >>>This example doesn't really exlcaim "IP is bad for everybody!"

    Yeah it does. It shows how the law is used for the benefit of the rich, not the people it supposedly protects. WE steal money, we get punished. MF's Jon Corzine steals money, he gets called "the honorable" in Congress and that's about it. RIAA/MPAA get caught pirating songs and selling them to the tune of 1.5 billion dollars, but nothing happens. WE do that and we get hit with multimillion dollar fines that make us lifelong wage slaves (see Jamie Thomas).

    Ultimately We the People would be better off without these laws, since they don't benefit us. They only benefit the fucking rich (corporations/CEOs) and/or the well-connected (politicians and polticians' friends).

    --
    My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
  34. Re:Another case of "do what i say, and not what I by MobileTatsu-NJG · · Score: 5, Insightful

    The composer should have been paid for the of work he performed, as the function of the investment it takes to perform the work and value, not for how useful the work ended up being.

    Why? His unique contribution helped bring in a good deal of money, so much so that they enter into agreements that basically equate to profit sharing. Your approach would just mean the big nasty corp gets all the dollars.

    Likewise I have a hard time developing devices without running afoul of someone's patent...

    This really is a different topic from patents and, as such, a separate discussion. I would like to point out, though, that it's implied that the people you're accusing of sitting fat and lazy off your work did that work before you got to it. You're being encouraged to either license their work or try another approach. That means rewarding the inventor who sunk the time into it (like you do for a living) or developing the technology even further by trying other approaches. That actually is how the patent system is supposed to work and I'm willing to bet that's helping the company you work for out. Getting back on topic, if your complaint about their patent is that it's overly broad, then we're back to the problem not being with the system, but how its enforced. That is a legitimate complaint, but it takes a different approach to get something done about it.

    --

    "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

  35. Dear Buma/Stemra by Ralph+Spoilsport · · Score: 2

    Fuck You.

    --
    Shoes for Industry. Shoes for the Dead.
  36. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 2

    I generally believe that if his work was important enough to be made, than he should have been paid for the amount of work performed, not based on how much it benefited society.

    Do you think a tractor company should get "license" and charge royalties (however the amount) on the the food the tractor produces?

  37. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Ultimately We the People would be better off without these laws, since they don't benefit us. They only benefit the fucking rich (corporations/CEOs) and/or the well-connected (politicians and polticians' friends).

    Tell that to the composer this article is about.

  38. Every discussion on copying by Stirling+Newberry · · Score: 1

    Should come with a short summary of the difference between Malum in Se and Mallum Prohibitum.

    1. Re:Every discussion on copying by Anonymous Coward · · Score: 0

      Maybe you could start the trend instead of just saying that?

    2. Re:Every discussion on copying by Freddybear · · Score: 1

      That would be "Wrong in itself" versus "Wrong because it's against the law".

  39. Ha, ha! by misnohmer · · Score: 1

    I hope they are ordered to pay maximum damages per Harry potter DVD sold!

  40. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 0

    Why? His unique contribution helped bring in a good deal of money, so much so that they enter into agreements that basically equate to profit sharing. Your approach would just mean the big nasty corp gets all the dollars.

    Not really, because they would not get to make any money off the content! A better model would be a set of 501c3's that are highly regulated and donated to. People can send money to these 'creative' charities if they want to, who then have an obligation to spend the money on creative endeavors, and of course a world where personal income is capped at some reasonable level.

    This really is a different topic from patents and, as such, a separate discussion. I would like to point out, though, that it's implied that the people you're accusing of sitting fat and lazy off your work did that work before you got to it. You're being encouraged to either license their work or try another approach. That means rewarding the inventor who sunk the time into it (like you do for a living) or developing the technology even further by trying other approaches. That actually is how the patent system is supposed to work and I'm willing to bet that's helping the company you work for out. Getting back on topic, if your complaint about their patent is that it's overly broad, then we're back to the problem not being with the system, but how its enforced. That is a legitimate complaint, but it takes a different approach to get something done about it.

    That's supposing that
    A) they actually did any work whatsoever, or its non trivial work "one click", "round corner tablet device"
    B) they are willing to license the work at all, instead of suing me to an oblivion.
    C) that people should be rewarded from ideas, instead of the labor time they spent in implementing ideas.

  41. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Good for him, he is getting hundred of thousands of dollars for a very minimal amount of work!
    Bad for everyone else, that are expected to pay $25 + his royalties for a harry potter DVD.

  42. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 1

    Chelsea, is that you?

  43. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    It's not always that it's overly broad either. A lot of times, they're mind-numbingly obvious to the point that it should never have been granted in the first place, frequently boiling down to "doing something the same way it's been done for hundreds, if not thousands of years...on a computer."

  44. Re:Another case of "do what i say, and not what I by cpu6502 · · Score: 1

    Those Lilliputians are really useful in the lab for crawling inside my devices and debugging those teeny-tiny parts.

    --
    My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
  45. Re:Another case of "do what i say, and not what I by X0563511 · · Score: 1

    A) they actually did any work whatsoever, or its non trivial work "one click", "round corner tablet device"
    B) they are willing to license the work at all, instead of suing me to an oblivion.
    C) that people should be rewarded from ideas, instead of the labor time they spent in implementing ideas.

    A) "Getting back on topic, if your complaint about their patent is that it's overly broad, then we're back to the problem not being with the system, but how its enforced. That is a legitimate complaint, but it takes a different approach to get something done about it." ... try reading more carefully.

    B) "Getting back on topic, if your complaint about their patent is that it's overly broad, then we're back to the problem not being with the system, but how its enforced. That is a legitimate complaint, but it takes a different approach to get something done about it." ... try reading more carefully, AGAIN.

    C) Your opinion. Can't say much here. This is a valid discussion point.

    --
    For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
  46. Re:Another case of "do what i say, and not what I by MobileTatsu-NJG · · Score: 1

    People can send money to these 'creative' charities if they want to, who then have an obligation to spend the money on creative endeavors, and of course a world where personal income is capped at some reasonable level.. ...

    C) that people should be rewarded from ideas, instead of the labor time they spent in implementing ideas. .

    What exactly is better about this model? Now the little guy still doesn't get rewarded and the entire content industry would get dunked into the toilet, taking lots of employed people with it. What is the problem you're trying to solve and why would it be better than just shortening the length of copyright?

    --

    "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

  47. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    This isn't exactly news; but the de-facto Intellectual 'Property' system appears to operate on the basis that peasants might have the right to sell their little scraps of it; but only people who matter are accorded any serious protection.

    I thought this rule applied to most things in life.

  48. Stealing their music by ThePeices · · Score: 1

    So now that they have been caught stealing the music, did they return the music to the artist they stole it from?

    No?

    Because they used the music without the proper permission, the artist no longer had their music anymore...

    Oh hang on, what I just said makes no sense at all.

    Thats because COPYRIGHT INFRINGEMENT IS NOT STEALING!!!

    Why do people perpetuate this fucking insidious myth?

    1. Re:Stealing their music by Master+Moose · · Score: 1

      Dear Recording Industry,

      I am terribly sorry for the music I have stolen from you, please accept your items returned in an "as new" state as recompense.

      11001 1110000101010110010 00011100110001111 00001111001110011000001 000110101010 0101 1010100001 0101010001 0101 0101 010 00011110101010101010 01011101001010 0 10 10 01 0110110100110 10101001010100 0101010101010 100111111 010010101010101 01010 0100101010....

      I hope that now your property has been returned to you in perfect condition that you will not pursue any further action.

       

      --
      . . .gone when the morning comes
    2. Re:Stealing their music by Stirling+Newberry · · Score: 1

      For the same reason that you perpetuate the myth that copyright infringement is a victimless crime: for personal economic advantage.

    3. Re:Stealing their music by Travelsonic · · Score: 1

      Um... he never suggested that. Try reading the post without whatever glasses turn "X and Y are not the same" into X is victimless because it isn't the same as Y"

      --
      If you believe in privacy, and believe you have "nothing to hide" at the same time, you're a goddammed idiot
  49. He didn't write that... by Anonymous Coward · · Score: 0

    So what's the big deal? Obama says he didn't write that song himself, it took the whole government to enable him to do it, so it's not really his.

  50. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Actually, "on a computer" prevents a patent from being overly broad. That's why the puzzle game you wrote for the iPhone wouldn't get you sued because Nike has a patent on threading needles to mass-produce shoes.

    You actually do want that "on a computer" distinction in there more than you don't.

  51. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    So did they get fined a million, billion dollars? HA thought not.

  52. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 2

    There are entire industries that are dunked into the toilet, many of the employees of whom live in tiny huts/dorms with hardly more than the clothes on their backs, why should your industry benefit at the expense of all others?

    Because your from the bourgeois class, which is able to force the balance of power your way, and thus keep out the competition?

  53. Re:Another case of "do what i say, and not what I by CanHasDIY · · Score: 2

    Or it could be based on a nuanced study of capital flows to IP thugs, and the lack of investment in other human resources (people), which in turn harms the ROI on other human labor (farming, manufacturing). Thereby reinforcing a class system in which people are unable to escape.

    Yea, no.

    Look, it's perfectly reasonable to claim that the current iteration of IP/copyright/patent law is fucked, namely because it is. But that is by no means a blanket condemnation of the tools themselves; in fact, to claim the tools are the problem is to show an abject lack of critical thinking ability, as any child could tell you it's not the hammer which ultimately drives the nail, but the man holding the hammer. Yes, the system is oft abused by powerful groups, but that doesn't mean the system itself in inoperable - there are also instances, such as that brought forth by TFA, in which IP/copyright/patent law actually does work to protect the artist/inventor from whom the product originated.

    Hardly as subjective as your subjective analysis of "he probably just wants free stuff".

    Funny, I don't recall making that statement... *re-reads previous post* Nope, nothing even close to the assumption you've made here. In fact, you're the only one who has broached the idea of wanting something for nothing... perhaps you yourself are unaware of your actual agenda? One has to wonder why a person would be so adamantly opposed to the mere concept of IP, especially when discussing a rare instance in which IP law actually works out in the best interest of the creating artist...

    What's your angle here? If you're not attempting to posit the idea that you should have access to other people's creative works without payment, then what are you trying to say?

    --
    An enigma, wrapped in a riddle, shrouded in bacon and cheese
  54. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Good for him, he is getting hundred of thousands of dollars for a very minimal amount of work!

    The studio is getting millions of dollars for mass-producing content people wish to buy. His 'minimal work' assisted in reaching those earnings. You're saying you'd rather Warner Brothers just get more money rather than spreading that amongst the people who made it possible. The oddball thing is you're proposing a greater harm to society!

    Bad for everyone else, that are expected to pay $25 + his royalties for a harry potter DVD.

    Those people pay the $25 regardless of whether or not that royalty is paid.

    Some day you need to learn that hours on a time-card do not reflect value of the work.

  55. Re:Another case of "do what i say, and not what I by JAlexoi · · Score: 1

    A fine is not royalties. A fine is a fine.

  56. Re:Another case of "do what i say, and not what I by MobileTatsu-NJG · · Score: 1

    There are entire industries that are dunked into the toilet, many of the employees of whom live in tiny huts/dorms with hardly more than the clothes on their backs, why should your industry benefit at the expense of all others?

    We can't have this conversation yet until you answer the question I originally posed: What exactly is better about your model?

    --

    "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

  57. Re:Another case of "do what i say, and not what I by Joce640k · · Score: 4, Insightful

    Perhaps its time that we realize that intellectual property is not in the best interests of society

    Intellectual property is in the interests of society, it stops big companies from using people's music on top-selling DVDs all around the world.

    The problem with intellectual property is when individuals are being fined millions of dollars for sharing half a dozen songs, when the internet is being wrecked in the name of preventing piracy even though anybody with half a brain knows it can't be stopped, when consumers are being screwed over by DRM, when young artists are being ripped off by experienced con-men in suits, etc.

    ie. There's no sense of proportion in the laws, they're going way too far in the direction of the corporations instead of towards the consumers.

    --
    No sig today...
  58. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    The composer should have been paid for the of work he performed, as the function of the investment it takes to perform the work and value, not for how useful the work ended up being.

    Well, I think it's reasonable to most people that you should be paid for the work you performed. The question is how to value that work. I take that you you prefer a labor theory of value over a subjective theory of value, right?

  59. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Yea, no. Look, it's perfectly reasonable to claim that the current iteration of IP/copyright/patent law is fucked, namely because it is. But that is by no means a blanket condemnation of the tools themselves; in fact, to claim the tools are the problem is to show an abject lack of critical thinking ability, as any child could tell you it's not the hammer which ultimately drives the nail, but the man holding the hammer. Yes, the system is oft abused by powerful groups, but that doesn't mean the system itself in inoperable - there are also instances, such as that brought forth by TFA, in which IP/copyright/patent law actually does work to protect the artist/inventor from whom the product originated.

    What IP/copyright/patent law actually does is protect the artist/inventor, at the expense of both the consumers, producers and competition, and that is whats inherently unethical about it. Any laws that exist should be applied universally (Immanuel Kant), tractor manufacturers should be alllowed to license and charge royalties on food production, production workers should be able to license and charge royalties as well.

    Funny, I don't recall making that statement... *re-reads previous post* Nope, nothing even close to the assumption you've made here. In fact, you're the only one who has broached the idea of wanting something for nothing... perhaps you yourself are unaware of your actual agenda? One has to wonder why a person would be so adamantly opposed to the mere concept of IP, especially when discussing a rare instance in which IP law actually works out in the best interest of the creating artist...

    What's your angle here? If you're not attempting to posit the idea that you should have access to other people's creative works without payment, then what are you trying to say?

    Yes. I am saying that the person who created the work should be paid according to their labor or skill, and the results of their labor should be available for free because it increases the utility of their work. It also disincetivizes them from working, because they are able to live comfortably without doing so, and deprives others of the fruits of their labor. A good example of this: college textbooks.

  60. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Yes, i believe in labor theory of value, I just didn't use the jargon. That is not to say subjective value theory is wrong, but subjective value theory doesn't work on intellectual property.

  61. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Yes. I am saying that the person who created the work should be paid according to their labor or skill, and the results of their labor should be available for free because it increases the utility of their work. It also disincetivizes them from working, because they are able to live comfortably without doing so, and deprives others of the fruits of their labor. A good example of this: college textbooks.

    So...keep people hungry so they have to keep working for the general benefit of others? Sounds like slavery to me.

  62. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    The studio is getting millions of dollars for mass-producing content people wish to buy. His 'minimal work' assisted in reaching those earnings. You're saying you'd rather Warner Brothers just get more money rather than spreading that amongst the people who made it possible. The oddball thing is you're proposing a greater harm to society!

    Those people pay the $25 regardless of whether or not that royalty is paid.

    Some day you need to learn that hours on a time-card do not reflect value of the work.

    I'm saying that warner brothers model is broken as well, and they should work on the charity/patron/client model. If his work isn't worth the amount he wants for it, then the "content distribution 501c3" will choose someone else, and if "content distrubtion 501c3" doesn't produce work I like (emo metal hiphop) I'll donate to someone else who does.

  63. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Intellectual property is in the interests of society, it stops big companies from using people's music on top-selling DVDs all around the world.

    Except that they wouldn't be able to actually sell the content all around the world

  64. Re:Another case of "do what i say, and not what I by Radtastic · · Score: 2

    For the record companies i would also like to say that both intellectual property law and current forms of governance are out dated.

    ftfy.

    --
    You stereotypers are all the same...
  65. Re:Another case of "do what i say, and not what I by tomhath · · Score: 2

    Do you think a tractor company should get "license" and charge royalties (however the amount) on the the food the tractor produces?

    No, but we're talking about creative works here, not labor. If the company makes an improvement in the tractor that increases its usefulness they should benefit from the idea. A perfect example is the three point hitch which Harry Ferguson invented. It revolutionized how tractors were used.

  66. Re:Another case of "do what i say, and not what I by tomhath · · Score: 1

    He spent his entire life developing a unique skill in creating and performing music. If all they wanted was a fifteen minute studio session of crap sounds they could've bought a porn backtrack..

  67. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Whats better about it:

    The intellectual property realizes maximum utility
    It increases competition in the market place by removing protectionism
    It cant be used as economic/geographical/class warfare
    Intellectual property cannot be leveraged to help increase wealth inequality
    Wealth inequality causes inherent economic inefficiencies

    Where wealth inequality is less efficient because:
    1. The law of diminishing returns occurs, say for example the ROI on college education VS a traditional investment vehicle.
    2. The utility per opportunity cost is lower, for example a Lamborghini vs several entry level sedans.
    3. The total factor productivity of labor time falls, because what good is a bunch of factories, when nobody even knows how to read the instructions.
    4. It increases levels of crime, stress, health problems, lack of trust, social malaise.
    5. The amount of time performing work decreases, for example its hard to find time for school or work, when your sick or dumpster diving.
    6. It increases the amount of non productive consumption, poor people spend money on things they need, wealthy on things they want.

  68. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Posted to grandparent.

  69. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    "on a computer" is still overly broad, your not entitled to money, just because you had a good idea.

    "we currently do this thing, so im going to patent doing it on a computer".

  70. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Yes. thats what college textbooks and the college loans to pay for them, have done to the college students and people who cant afford it, thereby creating a class division of "haves" and "have not's"

  71. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Or not. If a person gets paid the same for working at Wally World as they do for making an album you won't have anything to pirate.

  72. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    What is the difference between creative works and labor ? And by patenting it or some other benefit, does it prevent it from realizing its maximum usefulness?

  73. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    And the payment should reflect the amount of labor or investment went into creating and performing the music, not as the means to live without having to work ever again, and not as a means to extract wealth from other creative types wanting to enjoy/learn from his work.

  74. Bumma? Irony by Anonymous Coward · · Score: 0

    God is an Iron ... Spider Robinson

  75. Re:Another case of "do what i say, and not what I by drkstr1 · · Score: 3, Interesting

    We are at a point in time where the sharing of ideas is almost instantaneous, and internationally reaching. Eliminating the concept of idea ownership will allow people to innovate at a faster pace, creating a richer (not necessarily wealthier) society. This of course would happen at the expense to business models that rely entirely on the concept of IP, and do not create any actual value in the process.

    Artists, inventors, and creators, would still provide a service like any other profession. They can choose to start a business that utilizes their skill set, or go work for a company that knows how to efficiently capitalize on those skills. Your claim is that in either model, these people would [get the shaft]. If they are getting screwed in either model, why not choose the one that allows society to progress faster?

    I would even go as far to say that without IP ownership, more artists would be able to earn a living wage. Why you ask? Because their sole means of income would no longer be in the hands of a monopolistic media empire which controls the entirety of mainstream distributions channels. That's a doubleplusgood for the model without IP.

    --
    Fanboy Status: Apache Flex, C#, Eclipse, KDE, Pirate Party, Ron Paul, Slackware, Windows 7
  76. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    I always found labor theory of value to be silly because it implies that inefficient people make more valuable products (i.e. it takes an inefficient person more work to make the same thing) Why do you think subjective value theory doesn't work on IP? Are you saying a video clip put together in a day by a five year old is going to be as valuable as a video clip put together in a day by a professional artist? The value of creative works lies in how other people collectively judge the work, no?

  77. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    While I agree with some of your sentiment, some of your argument smacks of fallacy. While it is undeniably true that a lot of the benefit accrues to the rich folks who put money into the development and production, there are also a lot of other benefits that you are not capturing. Since you brought the MPAA into it, let's give an example there since there is more involved in a major studio production there than there currently is with music. So, you want to make a movie. OK, you need funds. Get those from some company / some individual who want to be a "producer". Those folks expect ROI. Now, comes the benefits. Folks like craftsmen get hired to build sets. Craft services gets hired to bring in food. Makeup artists, property managers, casting people, legal folks, hell even the pet people that make sure animals weren't harmed. All of these folks owe their jobs to the fact that there are IP laws here. Yes, hollywood accounting is bogus and seems shady. But - the honest truth is that you would never get anything better than The Blair Witch Project if you didn't have copyright protecting movies. I may be the only one, but I do like going to the movies and seeing something like Star Trek or The Avengers. Complain about them all you want, but production like that - and ALL of the non-rich people that they support with jobs would not be around without copyright. Is copyright too long? Damn right it is. Is it currently slanted too far? Sure enough. Should people like Jamie Thomas Rassert have to pay millions? Hell no, that is a miscarriage of justice and calls out that our laws need to change. But copyright needs to remain around - just in a modified form with smaller penalties for individual offenders, shorter terms, etc.

  78. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    wow. You need smarter people to cheat off of. Consider finding new friends.

  79. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    If they are getting screwed in either model, why not choose the one that allows society to progress faster?

    Because they can still elevate themselves to 'not get screwed'. Go look up the author of Harry Potter some time.

  80. Re:Another case of "do what i say, and not what I by TapeCutter · · Score: 1

    This is a case of IP law working very well

    No, this is a case of someone forcing the MAFFIA a eat their own dog food.

    --
    And did you exchange a walk on part in the war for a lead role in a cage? - Pink Floyd.
  81. Re:Another case of "do what i say, and not what I by slick7 · · Score: 1

    Perhaps its time that we realize that intellectual property is not in the best interests of society

    Yo Ho, Yo Ho, the pirate life for me. Take everything you can, give nothing back. Arrrgh!

    --
    The mind conceives, the body achieves, the spirit manifests.
  82. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    No, that is the opposite of overly broad. You accidentally supported my point so you may wish to re-read the example.

    > your not entitled to money, just because you had a good idea.

    The money from that good idea is still coming in, so where does it go?

  83. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    I am confused. This is a case of IP law working very well. Are you suggesting that this person should receive no payment for their music?

    As long as the copyright law stands, the composer should be compensated for the use of his music.

    However, I think the copyright law should be abolished. Then, the composer wouldn't be entitled to a compensation but anybody would be free to copy anything without restrictions.

  84. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    I stand on a stack of recording artists. Who give me lots and lots of your money,

  85. correction to the summary by slashmydots · · Score: 1
    The summary seemed to suggest his music was ripped off and used as background music in a Harry Potter movie. Not exactly so. They "MSNBC-ed" a couple words in that sentence to make it sounds more outrageous:

    when Rietveldt bought a Harry Potter DVD in 2007, he discovered his music being used in the anti-piracy ad without his permission

    Now it makes a bit more sense.
    By the way, pretty sure this is not the one they're talking about but I have to post it. I HAVE TO!
    http://www.youtube.com/watch?v=ALZZx1xmAzg

  86. You would be higher on by Anonymous Coward · · Score: 0

    You would be higher on Tyrion Lanister's cock.

  87. Re:Another case of "do what i say, and not what I by next_ghost · · Score: 4, Insightful

    This example doesn't really exlcaim "IP is bad for everybody!"

    The example screams this: "The copyright system is so ridiculously complicated that even its biggest supporters can't follow the rules properly." (Or worse, they don't even bother to.)

  88. Yo dawg by gorgonymus+gorgward · · Score: 1

    I heard you wanted to sue pirates so I put I pirated song on this DVD so you can sue us while we sue them.

  89. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    If I swiped one of your napkin doodles and sold it for a million dollars, would you just want me to pay you for five minutes at your hourly rate?

  90. Re:Another case of "do what i say, and not what I by ghostdoc · · Score: 4, Insightful

    IP laws do not provide 'protection' for anyone, they just provide the grounds for a court case.

    Because court cases are generally won by the side with the best lawyers, unless they're complete idiots as in TFA, laws generally favour corporations rather than consumers, and larger corporations rather than smaller ones.

    This, obviously, is a generalisation and there are always counter-examples of the little guy winning. But if IP laws can be said to protect anyone, then they generally protect the rich against the poor.

    --
    Business/App ideas are like arseholes: everyone's got one, they're mostly shit, but very rarely they contain a diamond
  91. Re:Another case of "do what i say, and not what I by nedlohs · · Score: 4, Insightful

    No, his payment should reflect whatever he agreement he and the buyer agreed to.

    If they can't come to an agreement then they should fall back to the ever popular: have the other guys find and destroy every single unauthorized copy they created in existance.

  92. Re:Another case of "do what i say, and not what I by thebigmacd · · Score: 1

    Well no, that's theft and you should be charged as such.

    If he sold you the doodle for five minutes of his hourly rate then you went and sold it for a million bucks, that's his problem and he needs to suck it up: obviously you were a better salesman.

  93. Re:Another case of "do what i say, and not what I by chrismcb · · Score: 0

    Yes because not creating things is obviously in the best interests of society.

  94. Re:Another case of "do what i say, and not what I by chrismcb · · Score: 1

    So what you are saying is there is a problem with the justice system. Not sure I see how this equates to "IP is bad for everybody"

  95. Re:Another case of "do what i say, and not what I by chrismcb · · Score: 2

    Copyright is simple. Do you have permission to copy it? No... then you can't copy it. It isn't complicated. Does it last too long? yes, but it isn't complicated.

  96. Re:Another case of "do what i say, and not what I by Kjella · · Score: 1

    Do you think a tractor company should get "license" and charge royalties (however the amount) on the the food the tractor produces?

    Well, do you think it should be illegal for me to buy some tractors and lease/rent them out to farmers, charging either for time or miles driven or both? Maybe I want to run some kind of Tractors as a Service (TaaS) system providing tractor capacity on demand the way I find best and charging by the food produced. Maybe that's the only kind of service the tractor company wants to offer. You make it sound like you have to sell your work and I disagree, you just shouldn't be able to have it both ways. Today you have licenses that look and act like a sale except the consumer gets less rights and the corporation selling it more rights. Why should we move away from an age-old, balanced, simple and understandable form of commerce towards one where we're constantly forced to agree to 100-page EULAs full of incomprehensible legalese?

    The courts actually beat down the "this book is licensed, not sold" bullshit and they ought to do the same for CDs, DVDs, software, ebooks and whatnot else too. If it has the characteristics of a sale then it's a sale and the laws governing sales apply and nothing else. It's not going to happen but it's one of the things that makes me want IP reform and a return to when you owned your own stuff. Or if you didn't, well then it was at least blindingly obvious that it was someone else's. They've sold people on a false sense of ownership which there is no longer any legal reason to say they have and it's probably the biggest ripoff of the digital age.

    --
    Live today, because you never know what tomorrow brings
  97. Re:Another case of "do what i say, and not what I by chrismcb · · Score: 2

    >

    Do you think a tractor company should get "license" and charge royalties (however the amount) on the the food the tractor produces?

    So what you are saying is, if I'm a farmer and I rent a tractor for a week... Then I can just keep using that same tractor forever?
    That is basically what happened here. He made a song, they could use it for a week. But then they kept using it.

  98. Re:Another case of "do what i say, and not what I by drkstr1 · · Score: 1

    If they are getting screwed in either model, why not choose the one that allows society to progress faster?

    Because they can still elevate themselves to 'not get screwed'. Go look up the author of Harry Potter some time.

    More artists would be able to do so if we took the power away from the media monopolies (EG. get rid of, or severely limit the scope of IP).

    --
    Fanboy Status: Apache Flex, C#, Eclipse, KDE, Pirate Party, Ron Paul, Slackware, Windows 7
  99. Re:Another case of "do what i say, and not what I by MobileTatsu-NJG · · Score: 1

    Hmmm... okay. So let me ask you this: If your way suddenly happened overnight, what all do you think we would lose?

    --

    "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

  100. Re:Another case of "do what i say, and not what I by GigaplexNZ · · Score: 1

    Copyright is simple. Do you have permission to copy it? Maybe, I'm not sure... then you possibly can't copy it. It isn't complicated. Does it last too long? yes, but it isn't complicated.

    FTFY

  101. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    The composer should have been paid for the of work he performed, ....

    I don't think you understand what a composer does. Composers WRITE music, like authors write books. Now musicians perform music like voice actors read spoken word books.

    Like an author the composer gets paid royalties for every copy made IE every performance performed.

  102. Re:Another case of "do what i say, and not what I by Gr8Apes · · Score: 1

    Whats better about it:

    The intellectual property realizes maximum utility It increases competition in the market place by removing protectionism It cant be used as economic/geographical/class warfare Intellectual property cannot be leveraged to help increase wealth inequality Wealth inequality causes inherent economic inefficiencies

    Where wealth inequality is less efficient because:

    You know, I believe they tried this a couple of times - Russia, China, N Korea, Vietnam.... There's only one system left out of those still using it - N Korea, and they're just the most productive group of people ever. </sarcasm>

    There has to be a degree of wealth inequality, otherwise most people won't expend the extra effort. There will be some, but as history has shown, they cannot compete with a society that rewards its creative and innovative elements. I'll repeat here what others have stated - your problem isn't with IP, but how it's been mutated from its original intentions and the current enforcement. Our current problem is that the inequality has exceeded all reasonable levels, which is another problem not directly related to your initial point, but influential to it.

    --
    The cesspool just got a check and balance.
  103. Re:Another case of "do what i say, and not what I by Kalriath · · Score: 1

    Don't bother, he's a nut. Notice that he honestly believes that personal income should be capped?

    Yeah, we're better off in a world without his ideas.

    --
    For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
  104. Re:Another case of "do what i say, and not what I by MobyDisk · · Score: 1

    Actually, lots and lots and lots of companies work that way. For example: Suppose that the tractor is so good it costs $250,000 to build: parts and labor. And the R&D to develop it was $50 million. No farmer could afford that. But they might be able to afford paying a per-crop fee so long as they used the tractor. And it might still wind-up with them saving money because it cuts their work down.

    Medical devices work this way, as one example. So do inkjet printers & ink. And movies. And restaurant franchises.

  105. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Turtles. It's turtles all the way down.

  106. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 1

    actually, that music royalty collecting agency has gone on record that they do not come up for the artists right, they are only there for the publisher.
    Which means that you have to be an publisher (a big one) before you can collect from this agency.

    Did you know that by law this specific agency is the only one allowed to collect royalties on songs?

    Did you know that all songs made in the Netherlands are by default entered into the catalogue of this agency (also by law), you will need to explicitly take it out of the catalogue (before it enters it) by saying that you will collect royalties by yourself (the only exception on the monopoly of collecting royalties).

    Did you know that if you play a song that you have written that is in their catalogue, you as the artist will have to pay this agency, which they are then supposed to give back after taking some 'administration' costs of the top.

  107. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    ... then they generally protect the rich against the poor.

    That's what all laws do. Ownership, the principle of capitalism and common law is most relevant when you have something everybody else has to keep their hands off.

    That creates two positions: I have this and nobody else can have this. Or, I don't have that and you have to share.

  108. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 1

    And as everyone knows, nothing was ever created before the advent of copyright.

  109. Nothing to do with copyright by Anonymous Coward · · Score: 1

    Actually, the problem with this is not so much that they violated his copyright, but that they signed a contract and they violated the terms. Without copyright, the situation would not have been any different.

  110. Re:Another case of "do what i say, and not what I by metacell · · Score: 1

    With most ideas, the money isn't coming in because someone came up with a good idea, but because someone sat down and worked out the details, came up with a business plan, invested capital, hired the right people, laid down many hours of hard work organising it all, etc.

    Ideas are over-rated -- even the non-obvious ones.

  111. Re:Another case of "do what i say, and not what I by metacell · · Score: 1

    True, if copyright was removed, a lot of the traditional Hollywood studios might disappear, and a lot of people could be out of jobs.

    But you're forgetting that people still have a need for entertainment, and the money they don't spend on Hollywood films would be spent on something else. Like low- and medium-budget films. Or live performances. Or tv shows distributed directly over the Internet. And those also require writers, actors, sound tecnicians and so on.

    In the end, it'd be like when horse carriages were replaced by automobiles. All the people who made buggy whips were out of a job, but they got jobs in the automobile industry instead. In the end, just as many people were employed, but they were making more useful products.

  112. Re:Another case of "do what i say, and not what I by metacell · · Score: 1

    The practical reality of copyright compliance lies far, far from that.

    First, every copyrighted work potientially has a different license agreement, that specifies how many copies you may make, which geographic region you may distribute them in, for what purpose you may do it, during which time period you may do it, how and when you're allowed to display the work publicly, etc.

    Second, different countries have different copyright terms, different rules for fair use, and so on.

    Third, a work may have several creators, and it may not be clear which of them have a claim to the copyright, and which of them you need to get permission from. This is frequently the case with film and music.

    Fourth, a single work may consist of a large number of works by other authors. In the case of documentaries, there may be hundreds of phographs and film clips from different sources, all of which you have to get the realease rights for.

    It's not strange that even the anti-piracy origanisations sometimes slip up and think they have "permission to copy" something, just because at one time they paid the creator for it.

  113. Re:Another case of "do what i say, and not what I by metacell · · Score: 1

    That's different, because if you keep the tractor, you're depriving the tractor company of one tractor.

    On the other hand, if you COPIED the tractor, the tractor company would be no worse off than before, and you'd be richer by one tractor.

  114. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    It is capped, for the lower end. I'm a manager, I work for a multi-million dollar organisation. I'm paid for 40 hours a week, but I have to work until all the work is done - which is illegal, I might add, but only for non-multi-millionaires.

  115. Re:Another case of "do what i say, and not what I by electrofelix · · Score: 1

    They did pay him for the work he did, but they attached that it would only be played at one event to the terms and conditions, ostensibly to keep the price down.

    They could have negotiated an agreement to be able to reuse his composition as often as desired, anywhere in the world for a flat initial fee. Obviously that would have been more expensive, but it was an option they decided not to take.

    In lieu of such a world wide reuse as needed agreement, the default is that they pay royalties. There is nothing and has been no restriction against groups hiring musicians and composers for work that is signed over to the payee for a flat fee. But since in most cases they don't know if it will be worth the investment, the companies involved generally don't and instead opt for paying royalties. After all what would have been the point of paying a significant fee for a worldwide infinite reuse (sign over copyright) on his work if it did only end up being used at a small event.

  116. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    True, if copyright was removed, a lot of the traditional Hollywood studios might disappear, and a lot of people could be out of jobs.

    How and why is that my concern? Nobody else was concerned when my last workplace went under, nor was anybody else particularly concerned when my investments were lost by businesses going under. When one rich guy invested in a bad business and lost $168 million, the tax payer thought it was enough to give him his $168 million back, though...

  117. The current implementation has issues by Anonymous Coward · · Score: 0

    IP is a broad category of legal powers.

    Some of it is clearly in the public interest, some is not.
    Some concepts have been stretched and expanded over time so the balance is no longer in our favour.

    Lets say you want sustainable seafood, you can look for the appropriate marking, IP prevents others from using the same or similar marking on their product.

  118. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Or they thought the rules did not apply to the people that write the rules.

  119. Download a car by Cyfun · · Score: 0

    The anti-piracy advertisements are so misleading. I'm still waiting on this car that I can supposedly download...

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  120. Re:Another case of "do what i say, and not what I by Pieroxy · · Score: 1

    Copyright is simple. Do you have permission to copy it? No... then you can't copy it. It isn't complicated. Does it last too long? yes, but it isn't complicated.

    That's until you realize that a CD is first copied to memory before being sent to your speakers.

    According to your model, only the copyright holder can listen to his own songs, because we underlings do not have the permission to "copy" the information.

    Copying of information (we can also call it transmission of information) is something that has become universal and ubiquitous with the internet. Remove that ability and the internet dies right there.

    BTW, do you know I violated your copyright by quoting you on the top of my comment? I should be sent to jail...

  121. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    Your [sic] giants need better grammar/spelling before they are out dated [sic].

  122. Re:Another case of "do what i say, and not what I by Kalriath · · Score: 1

    Ah, that old chestnut. Yes, same here. I'm not a manager (nor would I want to be) but my pay also halts at 40 hours worth. Strangely, they still require us to submit timesheets - so they can bill the customers for our actual hours worked while not paying us past the salaried hours worked.

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  123. Re:Another case of "do what i say, and not what I by SuiteSisterMary · · Score: 1

    On the other hand, if you COPIED the tractor, the tractor company would still be out R&D, engineering, prototyping, mass production, and so on, with nothing to show for it, and you'd be richer by one tractor.

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  124. Re:Another case of "do what i say, and not what I by cusco · · Score: 1

    Same here, but what annoys me the most is that no matter how many hours I work this week I still am required **by law** to work 40 or more hours next week if I want to get full pay for both weeks. My employer isn't even allowed to give me extra time off since I'm salary, unless it's in the form a a vacation day or some such (and the bookkeeping for something like that is a nightmare). Yet another thing we have St. Ronnie Raygun to thank for, along with essentially legalizing the busting of unions that might have been able to get that changed to make comp time legal again.

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  125. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    the same way it's been done for hundreds, if not thousands of years

  126. Re:Another case of "do what i say, and not what I by RobertLTux · · Score: 1

    one might assume that as a manager they have set your salary to actually pay for the "extra" time you put in or that you delegate some stuff down (or should be). now if you are being required to put in 90 hours a week (does your actual WALL time cause you to be paid less than your people??) then i would say you need to object.

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  127. Re:Another case of "do what i say, and not what I by RobertLTux · · Score: 1

    what is being lost in the dust is

    He agreed to create a song FOR A LIMITED DISTRIBUTION and they then used his song for a wider distribution.

    if you rent a car FOR IN TOWN USE and then drive that car to Alaska (and back) expect to see a rather large bill when you bring that car back (assuming you don't have to tow it back).

    in this case being fined for 150% of the correct scope of distribution is correct

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  128. Re:Another case of "do what i say, and not what I by mdielmann · · Score: 1

    No, his payment should reflect whatever he agreement he and the buyer agreed to.

    If they can't come to an agreement then they should fall back to the ever popular: have the other guys find and destroy every single unauthorized copy they created in existance.

    You forgot the part where the organization should be sued for criminal copyright infringement (copyright infringement with the intent to profit). This includes some horrendous fines, per count, and possible jail time, per count. I wonder just how many of those DVDs they sold...

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  129. According to the Supreme Court, it is not theft by Anonymous Coward · · Score: 0

    So we don't need to discuss this anymore. Copyright infringement is not "theft"

    http://en.wikipedia.org/wiki/Dowling_v._United_States_(1985)

    interference with copyright does not easily equate with theft, conversion, or fraud.

    Supreme court case law trumps FBI internal policy.

  130. Re:Another case of "do what i say, and not what I by cpu6502 · · Score: 1

    No I'm saying there's a problem with the LAW, because it's supposed to benefit the people but is instead harming the people, and only benefitting the corporations/CEOs/rich. Therefore the copyright law is unjust and should be abolished, because it's causing more harm than good. (Just as saner countries have abolished the death penalty from the law, because it caused more harm than good.)

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  131. Re:Another case of "do what i say, and not what I by Toad-san · · Score: 1

    Burn 'im!

  132. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    You're also easily replaceable, which is why you accept your cap.

  133. Re:Another case of "do what i say, and not what I by Travelsonic · · Score: 1

    Yes, because all creativity will screech to a halt if these laws were revoked, or more reasonably, overhauled to be more like they were originally intended *rolls eyes*

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  134. Disappointing! by oldmac31310 · · Score: 1

    Still no mention of a policeman's helmet.

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  135. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    You really should learn about a topic before posting about it. You clearly have not the slightest clue what you are talking about.

  136. Re:Another case of "do what i say, and not what I by Anonymous Coward · · Score: 0

    is time to jail these assholes that do this. perhaps some bubba time in a crowded cell will make these a$$hole music execs think twice before trying to extort.

  137. Re:Another case of "do what i say, and not what I by Kalriath · · Score: 1

    Ok, well I definitely thank the deities that I am not in your country and/or state then. Around here there is no bookkeeping considerations to that sort of thing, and even if there were, most employers just do it off the books anyway.

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  138. Re:Another case of "do what i say, and not what I by catprog · · Score: 1

    By quoting you provide context to the discussion and it can be argued it falls under fair use.

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  139. Re:Another case of "do what i say, and not what I by metacell · · Score: 1

    Yes. But the tractor company would be first to market and have an effective monopoly until its competitors had reverse engineered their design, incorporated it into their own design, and modified their production lines to make the new type of tractor.

    During the time it took for the competitors to catch up with the new design, the tractor company would have the opportunity to do more R&D and fine-tune their design (or cut production costs). They'd be forced to keep investing in R&D to keep their lead.

    Under the current system, a company that makes a highly profitable innovation can sit on its ass for almost 20 years, since the competitors are legally prohibited from catching up.

  140. Re:Another case of "do what i say, and not what I by SuiteSisterMary · · Score: 1

    I agree completely that the American patent and copyright system is nuts, and needs an overhaul. It is, however, utter bullshit to state that a company suffers no loss if you magically duplicate their goods, and thereby have them without paying for them.

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  141. Re:Another case of "do what i say, and not what I by starworks5 · · Score: 1

    Your missing an important point of labor theory of value. The price/value of the good is based upon the socially necessary labor time, as in the average amount of time it takes to create the product. If you can create in less than the socially necessary labor time, you can sell it at the same price and make more profit, and the other people may lose money on unsold goods once the price lowers.

  142. Re:Another case of "do what i say, and not what I by metacell · · Score: 1

    I agree in the case of competitors duplicating your goods and competing with you on the market. That forces you to lower your prices and gives you a shorter time frame in which to recover your development costs.

    However, there's evidence that illegal file sharing has no impact on music sales, or maybe even a small positive impact. (Industry Canada)

    If that seems paradoxical, consider that the money people don't spend when they download a pirated song must go somewhere -- like buying another song. And indeed, there are numerous studies showing that the people who pirate the most, are also the ones who buy the most music. (TechDirt)

    It seems like people pirate music to get access a wider selection for the same amount of money, not to save money.

  143. intellectual property by Anonymous Coward · · Score: 0

    Being a musician I am certainly happy for my intellectual property rights, but I am a little uncertain that they were conceived with my interests at heart - given that the majority of western music utilizes a VERY select set of chordal relationships it becomes a bit difficult to justify that any artist can really say that their particular handling of chords I , IV & V warrants such exclusive compositional rights. Reading between the lines, intellectual property sounds like something the labels dreamt up to ensure the above chords continue to pay. Maybe slightly cynical and definitely generalist but it begs the question.