Slashdot Mirror
Project To Turn Classical Scores Into Copyright-Free Music Completed
yourlord writes "Just under two years ago Musopen launched a Kickstarter campaign covered here on Slashdot. Today that project is complete with the release of a large amount of classical recordings into the public domain. This brings an extensive collection of high quality classical music into the public domain. The project music is hosted on the Musopen site, and on archive.org."
I invested in this. Great idea to set music free. Enjoy the downloads.
Do anything, anywhere, anytime.
Fantastic. Now let's do it again until more classical works are liberated. And visit their "donate" button.
Help stamp out iliturcy.
The great weakness with this is that the value of sheet music is in the edition. Just as books benefit from a good editor, so does music.
My girlfriend has a music degree, and is an accomplished teacher of piano. She pulls her hair out whenever a student shows up with something downloaded from the Internet, or even worse, one of those oddball cheap Chinese editions. How the music is edited really does affect how it is played.
Aside from that, it's weird that the music listings aren't by composer. Do these folks not know how many "String Quartets in C major" have been written?
Three Squirrels
I thought the recording industry had definitively proved that if you didn't assert copyrights, there was no possible way for the starving artists* to be compensated for their hard work, and it would spell the end of recorded music?
* all artists are starving. That's why they look good in music videos.
Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
A number of people seem to be confusing the overall musopen library with the recently completed project.
Musopen has been around for some time collecting non-copyrighted performances of various classic works from whatever source was available. For example, you'll note from the musopen page that the Pictures at an Exhibition was performed by the Skidmore College Orchestra.
The Kickstarter project musopen undertook was to professionally record a few of the classics. On the Musopen site, you'll see "Musopen Symphony Orchestra" listed as the performer -- those pieces are listed here: http://musopen.org/music/by/performer/Musopen-Symphony-Orchestra
Two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions."
Reading the criticisms levied against the site is like listening to those two elderly women who just like to complain: "Boy, the music at this place is really terrible." "Yeah, I know; and there isn't nearly enough of it!"
I think quantity needed to be more important than quality for this project. Sure, they need to have a minimum standard of quality, but the idea was to free as much music as possible. Some kid somewhere in the world would never have heard this music because he's not going to pay $1.29 for some music he's never heard (that they're not playing on the radio) and the sheet music isn't exactly jumping off the page to ensnare his imagination. However, something that's well-written and decently-performed on this site may get his attention and maybe someday he'll perform a better version and give back to us all. But that won't ever happen if he never hears it. That first exposure is key.
The first time I heard Scheherazade it was in a movie (The Man With One Red Shoe). I didn't know what it was, but it got my attention. I was about seven. Years later I came across it again as a track that was tacked onto a $3 budget classical CD, and it got my attention again. I suggested it to the orchestra director in my high school and hundreds of people got to hear it. It's all about the exposure.
If you want to be a snob about the quality, go pay for a performance and share it with the rest of us so we won't have to live our lives not knowing what good music sounds like. Frankly, I prefer the Scheherazade recording on that budget CD to any I've found on iTunes. The first performance of a piece is often the one you like best, because it's the one you fell in love with. I have a very old recording of Stokowski and the NY Philharmonic performing Stravinsky's Firebird suite that is full of hiss and crackle, but I prefer it over a clean-sounding recording of Bernstein and the Israel Philharmonic performing the same piece. Bernstein's performance, which is well-done, just doesn't sound urgent enough to me because I heard Stokowski's first. Perhaps what you're really concerned about is the possibility that the masses may come to prefer a version other than what you like.
There's still a lot to be added, so go ahead and donate. Sure, they've got Stravinsky's Firebird, but not The Rite of Spring. The Rite of Spring was so radical and jarring to the ears of the "more cultured representatives of society" at its 1913 premiere in Paris that the audience began yelling so loudly no one could hear the music. Eventually the scene devolved into chairs being thrown and fires set. So go ahead, throw your chairs at this new site in disgust because it doesn't agree with your notion of how the music should sound. The music that stripped away the cultured veneer of those Parisans is worth hearing, and a public domain music site that so-ruffled the feathers of the "free-as-in-beer" and "information wants to be free" slashdot crowd is worth visiting.
http://www.blockmrecords.org/bach/ Played by James Kibbie, and as a quote from the website: "This project is sponsored by the University of Michigan School of Music, Theatre & Dance, with generous support from Dr. Barbara Furin Sloat in honor of J. Barry Sloat, and with additional support from the Office of Vice-President for Research, the University of Michigan."
I'd like to add that the Musopen Symphony Orchestra is, in essence, the Czech National Sympony Orchestra. They're a very solid commercial symphony orchestra (i.e, mostly playing for films and commissioned concerts, as opposed to being attached to an institution or subscription program).
xkcd is not in the sudoers file. This incident will be reported.
What a big label would do is go and use better quality equipment to record the track. It isn't even that expensive these days. Then they would record multiple takes as necessary and edit those together.
You are correct, I've actually played in professional orchestra's and solo piano performances that had been professionally recorded. Usually you play the song through a few times normally then someone, usually a conductor picks a few spots where mistakes were made. You then start the song a few measures before the mistake to let allow the acoustics and such play out as they recorded it again. Then some poor editor spends hours and hours piecing it back together the good parts and adjusting levels. Neither experience is very fun, after awhile all parties get sick of the song but the quality is there.
That all said there's something special and beautiful about mistakes and imperfections, its what makes a live concert better than listening to the recording and professional recordings of them kind of squeeze some of that magic out for the sake of perfection.