Judge Posner Muses on Excessively Strong Patent and Copyright Laws
Ars Technica reports on Judge Posner's weblog, and in particular a recent post on the excessive strength of U.S. copyright and patent law: "The problem of excessive patent protection is at present best illustrated by the software industry. This is a progressive, dynamic industry rife with invention. But the
conditions that make patent protection essential in the pharmaceutical industry
are absent. Nowadays most software innovation is incremental, created by teams
of software engineers at modest cost, and also ephemeral—most software
inventions are quickly superseded. ... The most serious problem with copyright law is the length of copyright protection, which for most works is now from the creation of the work to 70 years after the author’s death. Apart from the fact that the present value of income received so far in the future is negligible, obtaining copyright licenses on very old works is
difficult because not only is the author in all likelihood dead, but his heirs
or other owners of the copyright may be difficult or even impossible to
identify or find. The copyright term should be shorter."
Reader jedirock pointed to a related article on how the patent situation got so out of hand in the first place.
Just as must of the nobility live of the income of lands that were granted to them in distant times, corporations like Disney want a perpetual and eternal income Mickey Mouse and other ideas that would have previously gone into the public domain. You can see that 70 years after death has been extended to 120 years after creation, and looking at the trends it is clear that the aim is to keep this moving so nothing enters the public domain again. Should something written by your great great grandfather still give you income?
I do agree that copyright terms are ludicrous at the moment, and really only a cash grap by the likes of Disney, but the power to create and spread that creation is rapidly moving away from large companies and into the hands of individuals. A decent DSLR can create very acceptable HD movies with good lighting, sound gear is dirt cheap, home studios are springing up everywhere, graphic design programs are becoming simpler to use and master with every passing decade, it all adds up. I can see things reaching a stage where nobody really cares about copyright lengths because they'll be too busy making their own stuff.
Doesn't mean they should be changed of course, the big fish will still try to trip people up, but we're moving from "consumers" to "competition". The only question is how long they'll take to realise it and try to patent "sci-fi".
He also wrote a good piece back in July:
http://www.theatlantic.com/business/archive/2012/07/why-there-are-too-many-patents-in-america/259725/ ...where he repeats most of the arguments that people use to ask for abolishing software patents, but he stops short and instead muses on a few reforms (that probably wouldn't have much of an effect).
Here's my views on his July piece:
http://news.swpat.org/2012/07/posners-problem/
And there're a few more links about his positions here:
http://en.swpat.org/wiki/Richard_Posner_on_software_patents
Abolition seems like the logical conclusion of his musings. I can't see why he doesn't discuss it.
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You have a great idea for making TV shows and movies about Asimov's Foundation series? Sorry, you can't, his widow won't let you.
While I agree on principle, sometimes it's a good thing.
First, I whole heartedly agree is a horrible candidate to do the Foundation series justice. But the only reason Emmerich can do Foundation and some indie group can't is because of copyright. The people with big bucks can do pretty much whatever they want whereas indies can't afford to even think about getting rights to do so. I'm sure there are studios sitting on books/stories they've purchase just so other studios can't do them (with no plans to ever produce movies out of them).
That's the reality we live in right now with our mega corps. Not sure what to do with that singer you have in your rosters, but afraid she'll become a superstar elsewhere? Just make sure to have her tied down with a contract and run her in circles. Don't have time, interest or appropriate talent to produce a film? Buy the rights so someone else can't make it into the next blockbuster that over shadows your next formulaic super-action-rom-com-3D.
Copyright wasn't created to be used that way, just as patents weren't made to prevent innovation, but that's how they are being used by our "do anything to make bigger profits" corporations.
"If you are going through hell, keep going." - Winston Churchill