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One Musician's Demand From Pandora: Mandatory Analytics

jfruh writes "Most Slashdotters have been following the debate among the various players in the music industry about how much money artists (and their labels) get from traditional music outlets like radio and newer services like Pandora or Spotify. But Zoë Keating, a professional cellist who has a professional interest in the outcome of this argument, thinks there's one thing missing from all the proposals: more data on who her audience is. Even digital services can't tell her how many people heard her songs or where they're most popular. 'How can I grow my business on this information?' she asks. 'How do I reach them? Do they know I'm performing nearby next month? How can I tell them I have a new album coming out?'" She proposes mandatory reporting of information on listeners as part of royalties.

11 of 227 comments (clear)

  1. Whose Data Is It? by sdoca · · Score: 5, Interesting

    The last line of the article is a quote from Zoe (emphasis mine):

    “I want my data and in 2012 I see absolutely no reason why I shouldn’t own it,” she wrote.

    Which begs the question in my mind, whose data is it? The stations' to whom listeners tune into and collect the data or the artists' whose music is played? I would argue its the stations as they're the ones collecting it.

    Another question is what is the data? I don't listen to any satellite or internet radio stations so I could be wrong, but I suspect that in the case of internet radio you can get the number of feeds and their location but that's about it. Is there any listener data that can be collected by satellite? How can that data be used to help artists market themselves better?

    1. Re:Whose Data Is It? by Anonymous Coward · · Score: 5, Informative

      It's MY data. She got MY money in trade for the music. Is that not enough? Is this going to be another reason to drive people to piracy? She didn't get this kind of detailed information when her song was delivered over radio waves, why should she she demand my information now that it is over IP?

    2. Re:Whose Data Is It? by TheLink · · Score: 5, Insightful

      Bullshit. Why should getting something in exchange for the money automatically mean the data is half hers?

      She's got the data on whatever she has sold directly.

      If she doesn't want to incur the costs of selling directly then why should she automatically get the benefits of selling directly to the customers?

      The supermarket and grocery store knows who is buying their stuff and where. If the farmer wants to know where each tomato is going, the farmer is going to have to pay for it. Or set up his/her own store.

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    3. Re:Whose Data Is It? by Anonymous Coward · · Score: 5, Insightful

      You got something in exchange for your money, so arguably the data is half hers.

      She got money, I got music. There was no agreement to get my data. 0% is hers.

      Also, the data she's requesting still leaves you anonymous, but would allow her to be able to know what age ranges like her music

      Just age? Or my full birthday? How about my IP address? Or my real address? Or my credit card number? Does she get to say which information and where the line is drawn? Which "HALF" of MY data does she get exactly?

      Exactly what are you fighting against here? Allowing people to give you what you want?

      That just because I trade my money for something doesn't mean they can get my personal information "just because it's the internet".

  2. I think not by SSpade · · Score: 5, Insightful

    Geographic distribution and some basic demographics is one thing, and quite a reasonable one, but combine "How do I reach them? How can I tell them I have a new album coming out?" and “I want my data and in 2012 I see absolutely no reason why I shouldn’t own it.” and it sounds like the worst sort of stalkery marketer who'll abuse the hell out of your personal information for a buck.

    1. Re:I think not by Jafafa+Hots · · Score: 5, Interesting

      Not necessarily.
      Think about YouTube analytics.

      I find out that certain videos are a hit with certain blogs, that's where my traffic comes from. So I make sure to give them more of what they want, PLUS I struck up a relationship of sorts with the blog owners which is mutually beneficial.

      I let them know when I have new content, which helps them. They give me a wider platform, info that helps me learn the subculture, etc.

      I am NOT a networker kind of person, I'm a "do every last thing yourself" kind of person, but analytics let you know when you're wasting your time, let you know where your "friends" and compatriots are, etc.

      For a musician, it could even help them know what cities they might try booking an appearance in, because they discover they have a fan base there.

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    2. Re:I think not by girlintraining · · Score: 5, Interesting

      it sounds like the worst sort of stalkery marketer who'll abuse the hell out of your personal information for a buck.

      Whoa there partner, back up. What this artist is asking for is entirely reasonable because this information is already available to the distributor. And offering additional information from the artist like when and where shows are happening is not only reasonable but the main method by which independent artists make their money! Radio was given free license to air music precisely because air time led to increased ticket sales, and they're very pro-active about announcing concerts that are coming up; It's typically part of the contract.

      This person isn't asking for the personal details of every listener, but rather information on when and where those listeners are -- something that would be needed to audit the distributor and ensure their contractual agreement is being upheld, and something that a court order would easily be granted for. And it's just good business anyway. There's nothing "stalkery" about this. Or would you prefer the artist take it on faith that the distributor isn't screwing them over? As I understand it, there's something of a commotion over contractual obligations of certain 4-letter acronym'd agencies that often talk about "artists' rights", though they afford none to those who sign contracts with them. Shouldn't we be wanting the industry to be moving away from this kind of vendor lock-in?

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  3. Google. by vovick · · Score: 5, Informative

    How do I reach them? Do they know I'm performing nearby next month? How can I tell them I have a new album coming out?

    They can look you up if they like your performance on the radio. If they like it, they can look you up and probably subscribe to your RSS feed with all your new updates. If they are not doing so, they don't like you and your songs. Duh.

  4. Oh why is even THAT reasonable? by SmallFurryCreature · · Score: 5, Insightful

    She sells a product, TO THE RADIOSTATION, who then sells it to us. I am quite sure that say, Hostess, would like to have the demographic data from each supermarket, but they can't have it because it is NOT their data.

    It is only the odd nature of content (infinitely replicatable unlike physical products) and bought laws that even has music being counted (number of times played). Physical product makers sell X amount to resellers and that is all the data they get. Why do you THINK they hold product promotions requiring you to send in your address? To get some data on were their products end up because the supermarkets are NOT just going to tell them for the fun of it. The product maker delivers his goods to the supermarket and his involvement ends there. He wants more, he pays for it. Through the nose.

    A supermarket has no obligation, legal or moral to even record, let alone report, how that pallet of cookies was distributed amongst its shops let alone its customers. The amount of entitlement in this Zoe the Freeloading cellist demand is staggering. You want to get in touch with your customers, engage them yourself. It is NOT a broadcasters job to do that for you. Setup a youtube channel or whatever and get people to give them your details, expecting a radiostation to do that for you is everything that is wrong with the content industry today.

    Content is a product nothing more, I buy it the same as toilet paper and frankly I be a lot more upset running out of toilet paper then out of commercial content.

    What next, MP3 players have to upload logs of the play history, so the bills can be send correctly? She wants to force the use of kinect with Pandora to count the number of listeners?

    She wants private consumer data from a commercial entity for free. If it wasn't the content industry this would be instantly discarded in the waste basket of bloody stupid ideas. Really, would you be okay with Hostess getting your address from the supermarket that they got from your credit card?

    NO! Hell, in Holland at least, the supermarket itself ain't even allowed to use its payment data to find out peoples addresses, they have the bank numbers but are not allowed to match them in anyway. That is why loyalty cards are not simply tied to your bank pas which would be far simpler then having a separate card and give far more reliable tracking data (you didn't think loyalty cards existed for any other reason did you).

    But this bitch wants that data. Fuck OFF.

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  5. Re:Middle-man Fee ! by icebike · · Score: 5, Insightful

    That is not the biggest problem I see here.

    The biggest problem is that she still doesn't understand the first sale doctrine. I bought a recording, not a relationship.

    If I want to attend a concert i am perfectly capable of seeking that Information or joining a fan club. Any information she get from me should be at my decision.

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  6. Re:Middle-man Fee ! by Jumperalex · · Score: 5, Insightful

    Specifically you are correct with regards to "first sale". Generally you are not with regards to the "relationship". That is to say, I paid the rights to have music streamed to me in consideration for monies paid. What I did not pay for is a relationship. What's more, if that data IS provided then I expect some consideration in return. Pandora should not have to provide it free of charge, so they should get a discount on royalties paid, and in return I should not have to pay as much for the service be it fewer ads or lower fees.

    I get her point. She is an artist trying to make a living. As an artist (her not me) I believe she genuinely wants to know who her fans are so she can engage with them more and expand her fan base. Artists want to be seen/heard/etc. That is a very personal thing for an artist. As a person trying to make a living out of it, I also understand her desire to use that very same data to help her market herself.

    What she doesn't get is that it isn't her "right" to know who I am without my explicite agreement. She doesn't have to sell to me, and I don't have to buy from her. We BOTH have the right to demand terms bilaterally.

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