HBO Says Game of Thrones Piracy Is "a Compliment"
An anonymous reader writes "HBO programming president Michael Lombardo not only says that illegal downloading of Game of Thrones isn't hurting the show, but goes so far as to say it's 'a compliment' and worries about the image quality of pirated copies"
Finally a suit that understands piracy HELPS more than it hurts, especially when the legal means of consuming the content is limited to few regions of the world.
HBO should put top quality torrents on TPB
I'd sign up for HBO if there was a way to do so without paying my cable provider an obscene amount of money for Flip This Nanny and Douchebags Live Together 14 as well.
Maybe I'll mail them a donation.
And we should reward them. This is EXACTLY what we want content producers to say. Let's buy the shit out of their DVD's, and publicize the series even more. Let's support companies that take the right stance.
Funny that, someone I know got this...
Honestly, if it weren't for downloading, I don't think I would have even heard of the show.
Dear Michael Lombardo,
I watch pirated copies of the show in 1080p, the quality is just fine.
Thank you,
AC
Wish I'd known they felt so charitable before I ordered HBO specifically for the GoT season. :/
The difference is that some people actually look at the facts first, like this guy. He is not the first to notice that with a good product aimed at a target audience that can pay does not suffer from unauthorized noncommercial (!) copying, but profits.
The typical attitude is the greed-inspired "This is ours! They are stealing!", reinforced by stupidity. The fact of the matter is that "copyright" is an artificial construct. The only thing that is an actual natural right is to be identified as the creator of a work. Copyright was introduced in England, because commercial piracy, perpetrated by printers and publishers lead to the actual creator of works not making money anymore. As to whether creators of works should be compensated at all, the time-honored answer is that if the audience liked it, some of them will give. And that has to be enough. It was for countless centuries. Turns out that in the Internet age, it is even easier to find people that are willing to pay for works of art when not forced to. And there are (by now pretty strong) indicators that not forcing people to pay actually increases total revenue for works of good quality. There are also indicators that works of bad quality suffer, and that is the real beef of the copyright fascists: They have gotten so used to be able to force bad quality on people and have them pay-before-consume (an entirely unnatural model for entertainment) that they want to keep that despicable model at all cost.
Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
They are showing the full S2 on of the free trail of HBO today on HBO2.
And you can DVR it and view it on your time even after the end of free trail.
Not everybody has access to HBO in the first place.
I'd sign up for HBO if there was a way to do so without paying my cable provider
That's why I buy Game of Thrones on iTunes. HBO gets money, and morally I am justified in downloading shows before they are released on iTunes.
It's a more direct form of donation as I don't really watch the other HBO content at this time. If they ever did unleash HBO GO to anyone that wanted to pay for it I might subscribe that way.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
That's still giving money to a cable provider for a ton of shit that I'll never watch. No thanks.
It's not a free trial, it's a free trail. You need to go on Route 66, and make a LEFT turn at Albuquerque.
Otherwise you end up watching Honey-Boo-Boo.
That's still an extra $30-40 a month beyond the $15-20 HBO subscription for crap they don't want...
I would pay to watch the show. I would pay for an HBO subscription to watch the show. I WON'T pay for a cable subscription just to get an HBO subscription just to watch the show.
"The only normal people are the ones you don't know very well."
Here in Sweden, I pay a TV tax. This tax goes to paying for state owned TV channels. They broadcast Game of Thrones without commercials. There are no advertisers being hurt, and my TV tax goes to paying HBO for the syndication rights. The issue is I do not like seeing the subtitles that are burned in. I also like my show at the highest resolution with surround sound.
So is it piracy when I download it rather than watching it directly from syndication?
If it wasn't for finding Game of Thrones on the internet, I would have never found the show.
Being that its on HBO, a premium channel, I would never have never even know about it.
But is it immoral for you to take a (very detailed, for the sake of analogy) picture of someone else's car and build your own similar car at your own cost?
The media industry's problem is the same problem the car industry would have if everyone could afford a car-sized star-trek style replicator that runs on 100W of electrical power.
The question is, if such a replicator existed, would you make it illegal for the sake of the car industry? If people used it to produce their own food, would you have that device banned for the sake of farmers? Content distribution, as an industry, is growing obsolete.
If carriage makers had the same kind of lobbying power as the media industry, you wouldn't be on the computer reading this right now, you'd be tending to your horses.
Mind the frickin' laser...
Umm... a threat I got from my cable company saying a report from HBO puts one strike on my account... leads me to believe the opposite. They almost certainly do have a team sniffing torrents and issuing complaints with internet service providers.
Doesn't make it any more morally right to steal one.
When I steal a car, the owner of the car loses one car that he could drive or sell to someone else. When I copy a TV show, what analogous thing does the owner of copyright in the TV show lose? And let's pretend I had the technical ability to make a perfect copy of a car with a replicator. Would the owner of a car mind?
I can't get HBO, for various reasons. So I download Game of Thrones. When the DVDs are available, I buy them. Actually. 95% of the things I download I buy... It may be interesting to see how much media I purchase that I haven;t downloded... I am thinking that most of it I've already downloaded.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
"First things first -- but not necessarily in that order"
-- The Doctor, "Doctor
Actually, he does. An analogy is a matching inference or relation, not an equivalency.
"day : light :: night : dark" doesn't mean day == night.
Doesn't matter what the illegal activity is, when the person committing it blames the victim it's wrong. Using a hyperbole to make the analogy is a common rhetorical device. Obviously there is no equivalent harm, that's why I said so IN MY POST. Sigh.
Wow, that hypothetical argument was really out there. The issue that Hollywood has with copyright infringement deals with distribution of content and the revenue that consumer demand for that content generates. Is it immoral to take a picture of a car and replicate it for your own personal use? No. Mostly because cars aren't copyrightable to begin with (Google the difference between copyright and patent). But, if you take a picture of a work of art and replicate 10,000 of them and sell them (or even give them away) then you're breaking the law if that work of art wasn't yours to begin with. I can produce my own episodes of Game of Thrones if I so desire, I just can't distribute/sell them or show them in public. Copyright doesn't always have to deal with duplication per se, it has to deal with distribution of a copyrighted work/idea/format that wasn't yours to begin with. I can make as many copies of things as I want so long as they are for my personal use and I'm not selling them or showing them off in public as my own original work.
A car is a bad analogy. You don't drive a car once, then stick it in the garage.
If you're referring to the fact that a short film is consumable while an automobile is durable, then pretend I said "pizza" instead of "car" (and "eat" instead of "drive") or pretend I said some animated movie that a single-digit-year-old child likes to watch and re-watch instead of Game of Thrones.
Other ways they might lose the opportunity to make money out of you include if you watch the first part of a season and decide it's not worth watching.
How would I do that if pay TV involves a 12-month commitment, as well as a commitment to several other services that are traditionally tied to HBO?
And I'm fairly certain that Ford would come smacking down hard on anyone making perfect Ford knockoffs.
For one thing, you can pretend I said stealing from a car dealer. For another, under what law? In context, we're debating the merits of the very law that grants exclusive rights. Otherwise you're saying "because patent law exists, copyright law must also exist," which shifts the debate to one of the merits of patent law.
I don't have a problem with paying for the DVDs or the subscription fee to the channel that gives me what I want. What I have a problem with is getting what I want.
What I want should be easy to do, from a technical point of view: Watch the show in its original makeup. Sadly, it's near impossible to get that here. Because, you see, everything gets dubbed here. Everything. There's a whole industry built around dubbing foreign shows. And considering just how many movies are made domestically, I'd dare say it's bigger than the "real" movie industry. The big problem around it now is that they seem to lump every actor too bad for actual acting and every writer too stupid to actually come up with scripts into it. What this results in is ATROCIOUS dubbing. Scripts the butcher every joke or simply make no sense whatsoever. And wooden voice acting that can actually make you think Keanu Reeves isn't such a bad actor because EVERYONE is about as expressive as he is. Not to mention this unspeakable urge to translate EVERYTHING, which leads to some rather ... odd situations until you finally get to see the original and why something "works". You don't even want to know what they did to "Soft Kitty" from the Big Bang Theory...
It's also a given that this dubbing takes time. To give you an idea, just recently the 11th Doctor reincarnated.
So, long story short, I want to watch the shows undubbed. But that's apparently some kind of sacrilege. I must be the heretic for wanting to bypass the "local culture" or something like that. There is exactly NO channel whatsoever, not even one I could subscribe to for extra money, that would present those shows in their original making. So my best bet right now are DVDs, even though I'll have to order them abroad since it's surprisingly hard to find undubbed DVDs or at least some with an original track. Though for some bizarre reason, the sound quality of the original track is by default inferior to the dubbed one.
So take a wild guess why torrents are so popular around this area.
Just give people what they want! Most people I know would gladly pay good money for a simple, undubbed version of a show, just broadcast the same content you broadcast in the US and we're very happy.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Well, I'm already a Dish sub. I started a chat with an online rep, asked if I could get HBO at half price for 6 months and they said ok. I almost crapped when I saw HBO pckg reg price is $18/month. I can stomach $9/month to get the new season of GoT.
Still not as good as free, tho. :)
Yes, it sucks, but no, that's not HBO's fault
Yes it is. HBO could have offered a stand-alone subscription to HBO Go.
Talk about total false equivalence. First not only are they completely different kinds of acts, rape has a real victim, piracy does not, but indeed the business model can very well induce piracy.
Let me give you an example: I discovered some little French cartoons called Minuscule. It is some funny anthropomorphic 3D rendered insects overlaid on live photography extremely well. I found it charming, and knew my mother would be delighted. That it was French in origin matters not at all as there is no speech, just sound effects. The rights were owned by Disney, by the way.
So I set out to buy her a DVD for Christmas. It was not for sale, DVD or download, anywhere in the US or Canada. Apparently it has never been redone in NTSC format, it was PAL only. Not a problem, I have the video software necessary to do such a remaster. So I found it in France on their site. No English anywhere, the whole site was in French. With the help of Google, I translate it and give it my info. It is going to be stupid expensive to get, like 10 Euro from the DVD but then 20 Euro to ship it. Fine, I'm ok with that, mom will love it.
I hit checkout and the first English ever pops up, it says basically "We are not allowed to sell this to your country."
So fuck them, I pirated it. I went out of my way to buy a copy, far more than was reasonable, and still got shut down. They had decided this "wasn't for the US market" and I wasn't allowed to have it.
That is what people are talking about. Now Game of Thrones is a somewhat lesser case, but still. To watch it, online or not, you have to have an HBO subscription. To have an HBO subscription you have to have cable TV, and a pretty expensive package at that. The minimum here is $60/month before taxes to get the package needed to have HBO, which is then an additional fee. That's a lot of damn money.
What if someone does not need or want (and maybe can't afford) cable TV, but would be willing to pay for an HBO subscription, or be willing to pay to get episodes of the show? Nope, sorry, they won't do that. You shell out a ton for cable or you go to hell.
So it is very realistic to talk about that pushing people to pirate. Compare that to, say, South Park. Here when an episode launches on TV, you can view it free (with ads) online. You can also buy the episodes ala carte at Amazon, or get everything but the most current season as part of a Netflix subscription. They make it very easy to watch it, even if you do not wish to have a cable plan that includes Comedy Central.
Some people pirate things just because they can, or because they won't pay for anything. However others pirate because getting it legit is very expensive, or perhaps flat out impossible legally.
You also can't really argue any harm when someone pirates something that they could not buy otherwise. There isn't even any theoretical harm: They could not spend money on it, so there isn't even a theoretical loss.
HBO's CEO has hinted at the possibility of a standalone HBO GO subscription... It's probably coming. One of the challenges to this is the way that deals are structured, and this isn't a bunch of executives sitting around wringing their hands and twirling their mustaches. There are certain agreements that content providers have made with carriers because they didn't initially have as many options for distribution as the internet has made possible in today's world.
The other challenge is... so you've got these existing revenue streams out there. How do you structure your content distribution in a way that doesn't cannibalize the sales that will piss off the carriers who depend on a cut of the monthly fees they charge?
While Lombardo understands that "free" isn't an option, he's as shrewd as Steve Jobs in treating "free" as a competitor and trying to figure out what they need to do to make paid HBO as compelling. What the iTunes model did was treat "free" as a competitor and then go after a more convenient user experience and one-touch purchasing.
The point that's often missed in a lot of the moaning about "users want free so it should be free"... no. Free is not the thing that the users want. If I gave you a pile of trash for free, would that satisfy your appetite for Game of Thrones? It's the content they want. But all of these defined revenue streams instead of an ad-based model (which is the "free" alternative in the pragmatic world of content production) are a large part of why HBO can produce the extremely expensive-budget shows with fewer episodes and better writing than the ad-based models that have to appeal to the broadest, dumbest audience possible.
If those revenue streams are eliminated, there's no cushion for them to commit to shows that would never survive on network television. The only thing they need to do here is to research just how much their cable subscriptions would be affected by online, and perhaps make a deal with the cable companies to compensate their existing agreements the way Apple paid the content producers upwards of $150 million to secure unlimited cloud streaming.
Something will get worked out because every party has an interest... HBO could very well serve up a pile of crap and not care as long as they got their fees. That's how subscription cable works, and through advertising it's how networks work. But they're not the Wal-Mart of television programming nor do they want to be. If they were, none of us would be here talking about wanting TV shows that some nonexistent premium channel doesn't produce that you've never heard of.