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UK Passes "Instagram Act"

kodiaktau writes "The UK govt passed the Enterprise and Regulatory Reform Act which effectively makes so-called 'orphaned' content posted on social media sites public domain. Corporations now only need to have made a "diligent search" to find the owner of the content before use. From the article: 'The Act contains changes to UK copyright law which permit the commercial exploitation of images where information identifying the owner is missing, so-called "orphan works", by placing the work into what's known as "extended collective licensing" schemes. Since most digital images on the internet today are orphans - the metadata is missing or has been stripped by a large organization - millions of photographs and illustrations are swept into such schemes.'"

230 comments

  1. hint.... by Anonymous Coward · · Score: 4, Informative

    don't post shit you want kept to yourself online

    1. Re:hint.... by Anonymous Coward · · Score: 1

      or... post it for the lulz?

    2. Re:hint.... by omnichad · · Score: 5, Insightful

      No...it means don't allow anyone else in the world to find/scan/copy your work and post it online or they own it. You don't have to ever post something online yourself to be affected by this.

    3. Re:hint.... by interval1066 · · Score: 1

      Or make it so banal, stupid, tasteless or non-sequitur no one will want to rip it off. Oh, mission accomplished.

      --
      Python: 'And then suddenly you have a language which says "we're all stuck with whatever the whiniest coder wants".'
    4. Re:hint.... by Runaway1956 · · Score: 3, Funny

      This is why I post everything online with disappearing ink. When I close my browser it all disappears.

      Oh - wait - I guess it only works if we all close our browsers at the same time? Dang - that sucks!

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    5. Re:hint.... by CanHasDIY · · Score: 1

      Or make it so banal, stupid, tasteless or non-sequitur no one will want to rip it off.

      I don't think advertising types believe in such a thing.

      --
      An enigma, wrapped in a riddle, shrouded in bacon and cheese
    6. Re:hint.... by jedidiah · · Score: 2, Insightful

      If it's not worth enough to go to the bother of registering it then it's not worth adding to the legal quagmire that is default copyright.

      Although the notion of "personal papers" has been lost in this modern era where every worthless scrap of paper is treated like some masterpiece. That shouldn't be the case at all.

      The current copyright regime really isn't useful for defending against the loss of personal data either.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    7. Re:hint.... by Anonymous Coward · · Score: 0

      What keeps you then from just taking a properly tagged image, downloading it, removing the tags, re-posting, and then calming as your own?

    8. Re:hint.... by mwvdlee · · Score: 2, Interesting

      In fact, posting it yourself means it would be more likely to be traceable to the copyright owner.

      I just wonder what definitions of a "social media site" and "orphaned" they'll be using. Is your blog a social media site? Is a forum a social media site?
      For any site I'd consider social media (facebook, twitter, linkedin, google+, myspace, etc.), content is easily traceable to the copyright owner; it's the person posting it. It's only orphaned when somehow the profile is deleted yet the content remains.

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    9. Re:hint.... by eth1 · · Score: 5, Insightful

      If it's not worth enough to go to the bother of registering it then it's not worth adding to the legal quagmire that is default copyright.

      The problem with this is that a picture I take might be worth something, but that worth is less than what it would cost me in time/effort to get the money out of it (as opposed to an established publisher or news organization), so I don't. This legislation basically lets those established players hoover up that stuff and get money out of it, but without ever having to compensate the author.

    10. Re:hint.... by Khyber · · Score: 3, Insightful

      Everyone else that removes identifying info from the EXIF so they can claim it's theirs.

      --
      Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
    11. Re:hint.... by AmiMoJo · · Score: 2

      No... you should post it on your own web site with clear copyright information and metadata. That way there is no way any company can claim that they made a reasonable effort to find the owner and couldn't get the information.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    12. Re:hint.... by Anonymous Coward · · Score: 5, Interesting

      Anything I post is small and watermarked. It is a sad statement about our online society. This means I do not participate in sites like Flikr and many others - too many tales of stolen images, copyright nightmares, etc. A lot of the sites are one0sided in their terms - suddenly THEY own your pictures, forever.
      In October last year there was this article about this issue:
      http://petapixel.com/2012/10/10/what-famous-photos-would-look-like-if-their-photogs-used-ugly-watermarks/
      The UK has not made any friends by passing this law.

    13. Re:hint.... by gsnedders · · Score: 3, Informative

      There's no concept of copyright registration in the UK.

    14. Re:hint.... by Anonymous Coward · · Score: 0

      OR it means post it and the LET THEM BACK IT UP for you?

    15. Re:hint.... by jareth-0205 · · Score: 1

      don't post shit you want kept to yourself online

      Also, don't be a photographer or a musician or filmmaker and put any of this on the internet.

    16. Re:hint.... by Samantha+Wright · · Score: 5, Interesting

      I feel oddly compelled to point out that self-destructing documents were one of the proposed uses of DRM.

      --
      Bio questions? Ask me to start a Q&A journal. Computer analogies available for most topics!
    17. Re:hint.... by Anonymous Coward · · Score: 1

      don't post shit you want kept to yourself online

      Hint: Don't allow others to strip the copyright off your shit and post it online.

      Oh wait, it's impossible to prevent that. In fact, it happened to me personally and dozens of others I know when Head Games Publishing removed the copyright notices from hundreds of Quake levels and published a CD as their own work. Hint: The UK law is flawed, and flies in the face of the Berne Convention.

    18. Re:hint.... by paddysteed · · Score: 4, Funny

      Perfect destruction is assured by snapchat, they have done what the NSA couldn't.

    19. Re:hint.... by Samantha+Wright · · Score: 2

      I would bet good money that the NSA can get a permanent copy of all Snapchat data if they so choose.

      --
      Bio questions? Ask me to start a Q&A journal. Computer analogies available for most topics!
    20. Re:hint.... by Anonymous Coward · · Score: 0

      Actually, no. The law reflects the fact that most copyrighted work has zero or near zero market value and the cost of granting licenses is much higher than zero, so nothing is lost except a lot of needless expense. Big companies might use these works, but not for anything that bears direct compensation, largely because, again, these works have zero value by themselves. They might have value as part of a conglomeration, but any author compensation will still be effectively zero--as it is today. You can fantasize all day about annectdotal cases, but on balance the reduced costs and reduced risk of litigation makes such efforts worthwhile.

    21. Re:hint.... by Anonymous Coward · · Score: 2, Interesting

      If it's not worth enough to go to the bother of registering it then it's not worth adding to the legal quagmire that is default copyright.

      In lots of countries where your rights are not fucked up, you get automatic copyright on things you produce without the need to register/pay the gov't.

    22. Re:hint.... by hairyfeet · · Score: 1

      Sorry but while you can bitch about the copyright issues those shareware discs helped a LOT of people back in the day. I know I wouldn't have gotten to play any of those levels at all if it weren't for Head Games putting them on CD, in a way I look at them no differently than those sites that sold Linux ISOs in the mail for those who were like me stuck on dialup at the time.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    23. Re:hint.... by Anonymous Coward · · Score: 0

      Actually, I think the takeaway is that you should post your stuff in as many places as possible with all the relevant contact metadat intact.

      If your photo is all over the internet with your contact info embedded into it, it won't matter that BigGiantCo.co.uk "found" a stripped version to steal, because even a cursory search (and image search tech is getting pretty good) would turn up you as the owner.

    24. Re:hint.... by tubs · · Score: 1

      Except for Google
      Or advertising agencies
      Or, well, anyone who wants to use a picture/photo for free

      --

      try to make ends meet, you're a slave to money, then you die

    25. Re:hint.... by Spamalope · · Score: 3, Informative

      No... you should post it on your own web site with clear copyright information and metadata. That way there is no way any company can claim that they made a reasonable effort to find the owner and couldn't get the information.

      Incorrect. In the US right now it's not uncommon for newsrooms to strip metadata and use photography even taken from professionals then claim ignorance or worse that they have a license (from a never specified third party). Corporations stealing photography for advertising, websites and promotional print media is common too.

      Media companies own the big stock photography houses. The purpose of this law is to devalue photography for anyone but themselves, and to make sure that perpetual copyright isn't a two edged sword for them. The same legislation has been floated in the US.

    26. Re:hint.... by ObsessiveMathsFreak · · Score: 1

      The UK has not made any friends by passing this law.

      Well, the media companies are delighted with it.

      --
      May the Maths Be with you!
    27. Re:hint.... by AmiMoJo · · Score: 2

      The whole point of my post is that it doesn't matter if they strip metadata. They do a reverse image search and you site comes up, complete with copyright information. If they still decide to rip you off they won't have a leg to stand on in court.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    28. Re:hint.... by Captain+Hook · · Score: 1

      It would just need your own website (so you trust the operator not to strip metadata) being indexed by Google. It wouldn't need to be all over the web.

      --
      These comments are my personal opinions and do not necessarily reflect the opinions of the other voices in my head.
    29. Re:hint.... by tehcyder · · Score: 1

      There's no concept of copyright registration in the UK.

      Just because this is a story about the UK doesn't mean that slashdot's US readers are going to start applying some foreign vlaue system to their posts, especially not when the country is still ruled by King George III.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    30. Re:hint.... by tehcyder · · Score: 1

      don't post shit you want kept to yourself online

      Also, don't be a photographer or a musician or filmmaker and put any of this on the internet.

      It's OK, you can still make money by doing live shows and giving your digital productions away for free.

      Or something.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    31. Re:hint.... by tehcyder · · Score: 2

      Sorry but while you can bitch about the copyright issues those shareware discs helped a LOT of people back in the day. I know I wouldn't have gotten to play any of those levels at all if it weren't for Head Games putting them on CD, in a way I look at them no differently than those sites that sold Linux ISOs in the mail for those who were like me stuck on dialup at the time.

      I would accept that as an argument if Head Games sold the CDs at cost. If there was any profit made, it is simply illogical for them to earn it at the expense of the creators, however convenient it may have been for you.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    32. Re:hint.... by Anonymous Coward · · Score: 0

      Could have been worse. The act could have stated that the copy right flows to the person in possession of the orphaned work. This act lets me or you use the images as well. The hard part is for individuals to identify orphaned work. A lot easier for social media companies to id orphaned accounts.

      This also has an interesting effect on those that join under pseudonyms. Pretty easy to fail at best efforts if you don't have the persons correct name.

    33. Re:hint.... by hairyfeet · · Score: 1

      The problem is the definition of the word cost. After all their time isn't worthless, you gotta have somebody make the things, take them to the post office and mail 'em off, and then there is shipping cost...so I don't see how one could really say that the $10 I paid for mine is out of line when you are talking about something so niche as fan made Quake levels, especially when IIRC they had built a nice GUI that made installing the levels easy peasy.

      And again like Linux ISOs I personally didn't see a problem with that, I was stuck on dialup that on a good day hit a blistering 23k so if it weren't for them i wouldn't have gotten to play the levels at all. Sure you can complain that the guys making the levels and just slapping them on a server somewhere didn't get a cut but if they wanted to all they would have had to do is get together and make their own CDs, but they didn't.

      --
      ACs don't waste your time replying, your posts are never seen by me.
  2. This could go both ways by Reverand+Dave · · Score: 5, Interesting

    Now does this mean that big corporations can scoop up these so-called "orphaned works" and then place their own copyright on them, or do they stay in public domain in perpetuity? If so that wouldn't be so bad, other than "diligent search" sounds like sending my teenage daughter into the other room to find something sitting behind something else.

    --
    I got here through a series of tubes
    1. Re:This could go both ways by narcc · · Score: 4, Informative

      Once it's in the public domain, that's where it stays.

        Copyright law isn't that absurd ... yet.

    2. Re:This could go both ways by ByOhTek · · Score: 2

      IANAL, but I suspect it's a case where a public domain work is still public domain, even if used in a copyrighted work, however the copyrighted work, including the disposition of the public domain items within it, is still copyrighted.

      For example, if you take each individual character or word, by itself, to be public domain, a copyrighted novel contains nothing but public domain bits, it's how they are organized that makes is copyrightable.

      --
      Self proclaimed typo king, and inventor of the bear destroying coffee table (patent not pending).
    3. Re:This could go both ways by FrYGuY101 · · Score: 4, Interesting

      I imagine they would get a copyright on the derivative work, but not the original image. This seems to me like a good idea, with two caveats: 1 - If, after a diligent search, the owner comes forward and is able to prove they own the copyright, they should be able to receive a fair, standard rate compulsory license fee. 2 - If, after a search designed to not find the real owner, the owner comes forward, the compulsory license should have a much higher punitive rate. Also, keep in mind that just because you can use a picture, doesn't mean you have the likeness rights to the people in that picture. That's bit a few companies with Creative Commons licensing.

      --
      "If we let things terrify us, life will not be worth living."

      - Seneca
    4. Re:This could go both ways by h4rr4r · · Score: 5, Informative

      Not in the USA.

      Works may be moved back into copyright so sayeth SCOTUS.
      http://www.wired.com/threatlevel/2012/01/scotus-re-copyright-decision/

      Fritz Lang's Metropolis was one big one moved back into copyright by Congress.

    5. Re:This could go both ways by Anonymous Coward · · Score: 0

      In the USA it's called the bedrock principle.

      http://en.wikipedia.org/wiki/Golan_v._Holder

    6. Re:This could go both ways by gl4ss · · Score: 1

      Once it's in the public domain, that's where it stays.

        Copyright law isn't that absurd ... yet.

      no, you can re-copyright it and license it forward.

      --
      world was created 5 seconds before this post as it is.
    7. Re:This could go both ways by Anonymous Coward · · Score: 0

      That is not entirely true.

      Congress has the power to take works out of the public domain in the US.

    8. Re:This could go both ways by davester666 · · Score: 2

      The original file that was on Facebook, yes.

      The slightly retouched file from the big corporation, no.

      Sure, if you are the original owner of the file, and you find the use by the big corporation, you can sue and claim that the file is yours, but that only costs you a zillion dollars. Or you use the file from big-corp on your web site, and find that it's taken down by your host, and you have spend a zillion dollars to establish the file is still in the public domain.

      --
      Sleep your way to a whiter smile...date a dentist!
    9. Re:This could go both ways by narcc · · Score: 4, Informative

      For clarity, in case no one reads your link:

      Congress has the power to take works out of public domain. You can't just re-copyright any public domain work you run across.

    10. Re:This could go both ways by SuricouRaven · · Score: 2, Interesting

      Almost true, but there is a narrow exception: Even non-creative reproductions can qualify as a new work, in the right circumstances. So, for example, if you have a a long-expired piece of artwork hanging up, you can take a photo of it and copyright that - then you have effective copyright to the work, so long as you can keep the original securely locked away so no-one else can get a photo too. Similar situation with classical music: The composer might have been dead for a few centuries, but any performance and recording is a new work.

    11. Re:This could go both ways by Anonymous Coward · · Score: 5, Informative

      In the US, photos meant to reproduce a 2-dimensional out-of-copyright work cannot be copyrighted. Bridgeman Art Library v. Corel Corp established that even difficult reproductions of 2D works are not original (this does not apply to photographs of sculpture, which has some degree of artistry to it).

      Any classical performance and recording is a new work, but the original remains public domain. If you go secure some copies of the original sheet music (much of what is actually used today has been cleaned up more recently, and isn't actually out of copyright), you can perform any sufficiently old piece of music without any concern for royalties.

    12. Re:This could go both ways by Darinbob · · Score: 1, Informative

      The issue there is about works that were public domain only in the US but were still under copyright in their foreign countries of origin. As a signer of the Berne Convention these works need to be treated as still under copyright, and treaties have force of law in the US. These are typically foreign works copyrighted after 1923. Nothing is going to re-copyright Beethoven's works for example.

    13. Re:This could go both ways by Anonymous Coward · · Score: 0

      As someone with little creative ability and even less original thought, I support this message.

    14. Re:This could go both ways by Anonymous Coward · · Score: 0

      MPAA and RIAA do it all the time.
      Its just with Little Guy's photos that Big Corp can strip the copyright and force it into Public Domain.

    15. Re:This could go both ways by Anonymous Coward · · Score: 0

      Can't a corporation take a newly public domain work that only they have access to, make some minor edits and copyright that though. Are they under any obligation to make the original public domain work accessible. If you can't get the public domain work verbatim then it doesn't do you any good to have it declared public domain.

    16. Re:This could go both ways by pieterh · · Score: 1

      The original work can't be privatised but derived works can be, and the original can be lost or made inaccessible.

      Public domain doesn't guarantee access. For that you need a remixing license like cc-by-sa or GPL.

    17. Re:This could go both ways by Anonymous Coward · · Score: 0

      I understand this is UK law, but what are likeness rights like in the US?

    18. Re:This could go both ways by wvmarle · · Score: 1

      Thinking about it, I more and more wonder what works are really orphaned.

      When posted on Facebook, I'd say the account that posted it should be the one contacted: can't say this work is totally orphaned. All photos on Facebook, as on Flickr and many other photo sites, are linked to an account. Then of course the obvious course of action is to contact that account.

      And then there is no reply. How long to wait for a reply? Maybe the person is on holiday. Maybe account holder is active but registered e-mail is invalid, so they don't get the enquiry mail. What else to do to contact this person? How much effort to put in it?

      It's really tricky. While I understand the idea - and basically support it for truly orphaned works, where the copyright holder died without leaving an heir, for example - it's not easy to implement properly.

    19. Re:This could go both ways by Chrisq · · Score: 1

      Can't a corporation take a newly public domain work that only they have access to, make some minor edits and copyright that though. Are they under any obligation to make the original public domain work accessible. If you can't get the public domain work verbatim then it doesn't do you any good to have it declared public domain.

      That's where lawyers come in ... with somewhat contradictory results

    20. Re:This could go both ways by h4rr4r · · Score: 1

      Either way, public domain works were stolen back.
      The Berne Convention is a tool to steal from the public, by making copyright so long that measured in human lifetimes it might as well be forever.

    21. Re:This could go both ways by Anonymous Coward · · Score: 0

      Basically, your image can't be used to endorse something without your permission.

      So, if you're in the background of a news broadcast, that's fair use. If you're front and center in an advertisement without your permission, your likeness rights have been infringed. And that's about what I know about it, a lawyer would likely be able to provide more detail.

    22. Re:This could go both ways by Anonymous Coward · · Score: 0

      Yes, it is in the UK. It's occurred on a few works when 'standardizing' with European law.

  3. they are doing it backwards! by Anonymous Coward · · Score: 0

    they are supposed to make more content privately owned! not the other way around... silly brits.

    1. Re:they are doing it backwards! by robot256 · · Score: 3, Insightful

      They're making YOUR content usable by corporations. What they are NOT doing is applying the same standard to works of corporations that no longer want your money so that Google Books et. al. can serve them up to the masses. Not surprising at all, really.

      Wouldn't it be awesome if as soon as the original rights holder stopped offering a work for convenient sale, it entered the public domain? Sure, there are a zillion loopholes in that idea, but still...

    2. Re:they are doing it backwards! by Anonymous Coward · · Score: 0

      Like when Disney puts a title "into the vault"? If they won't sell it to you, then you should be able to obtain it for free?

    3. Re:they are doing it backwards! by Catmeat · · Score: 1

      Can you imagine how pissed-off Disney would be if Song of the South , the full version of which has never been released on US home media, suddenly went public domain because it had never been released?

      While that idea means companies wouldn't necessarily lose profit, the fact they would lose control (and the ability to suppress undesirable works) would mean they'd hate it and lobby heavily against it.

  4. Great an image laundering scheme for big business by RichMan · · Score: 5, Insightful

    a) find image you want to use at site X
    b) have someone strip the the image of identifying information and repost it at site Y
    c) discover image at site Y lacking traceable information
    d) do "due dilligence" based on image from site Y
    e) declare image from site Y as 'orphaned'

    f) PROFIT

  5. Re:Great an image laundering scheme for big busine by master5o1 · · Score: 2

    My first thought, also.

    --
    signature is pants
  6. Re:Great an image laundering scheme for big busine by ericloewe · · Score: 4, Interesting

    With some luck, Google's "search similar images" function may make that scheme much harder

  7. Re:Great an image laundering scheme for big busine by Loether · · Score: 4, Informative

    I also like tineye.com for image search based on an image. The database size isn't the biggest but I like the engine a lot. It can find photoshopped images too.

    --
    TODO create witty sig.
  8. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    exactly. how could anyone not realize this was the intent?

  9. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    Same, this is exactly what came to mind.

  10. lol wut? by MickyTheIdiot · · Score: 3, Insightful

    So does this go both ways... can individuals claim orphaned corporate content or do the corporates have YET ANOTHER special right?

    1. Re:lol wut? by Anonymous Coward · · Score: 1

      They've doubtless included large registration and insurance fees to price it out of reach of individuals. It isn't so much that the corporates have special rights, it's that those rights have been priced out of the hands of the masses due to the requirement that you have a staff of lawyers on hand in order to access these rights.

    2. Re:lol wut? by Reverand+Dave · · Score: 3, Informative

      Basically, if you don't know the source then you wouldn't know if it is a corporate work or a private work, that's an orphaned work.

      --
      I got here through a series of tubes
    3. Re:lol wut? by Anonymous Coward · · Score: 0

      Nope, if it belongs to a big corporation, you should have known. Big Corps are not going to let the laws take any of their rights.

      See, there is a registry of copyrighted works that you have to sort through. Big corps will always register their images/videos/writings and even if they don't, can argue that their work is so well known that the user is merely claiming ignorance (e.g. try sharing some mp3s with the metadata stripped off).

      Single obscure contributors to the internet on the other hand, frequently don't bother to jump through the hoops to get their stuff registered and can not claim that a corporation should have known who made it, and will therefore not be able assert rights over their content when it gets used without their permision.

      It looks like sharing is going to be rather directional to me.

    4. Re:lol wut? by Simply+Curious · · Score: 4, Interesting

      I would love to see this used as a legal basis for abandonware.

    5. Re:lol wut? by PhilHibbs · · Score: 1

      Most abandonware is still under copyright, and it's not that hard to trace the ownership. Most defunct game studios were acquired by bigger studios, and they own the copyright.

  11. Does this work for individuals too? by Anonymous Coward · · Score: 0

    Can a user use "orphaned-works" from companies too?

  12. Reverse image search by Anonymous Coward · · Score: 0

    This is going to get so many people and companies in trouble.

    So many of them won't even bother, or won't even know how, to do a simple reverse image search which can typically find out the location of any random persons image.
    I found an image from a screencap of a FLASH FILE earlier today. How was I to know that there would be a picture of that exact scene on any site?
    You can find damn near anything with reverse image search.

    And there are quite a few sites that do it now, so they'd have no excuse.

    Shall be interesting to see the first case of this. And likely hilarious.

  13. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0, Troll

    English people aren't very smart.

  14. Re:Great an image laundering scheme for big busine by IndustrialComplex · · Score: 2, Funny

    I'll have to post an image I made when tineye.com was launched.

    The error message it generated was something along the lines:

    "We are sorry, TinEye did not return any results for 'tineye.jpg'

    --
    Out of modpoints but really liked a post? 1BDkF6TtmmeZ3yqXbz9yhdYVqRYnwFoXDj
  15. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 5, Interesting

    My first thought was that happening on accident. I've had text and code copied and posted with no attribution before, which would now make it public domain if in the UK? Doing that on purpose is easy though, and perhaps more of an issue.

    Does this only apply to works where the copy right holder (which must be unknown) is in the UK? If so, this law means nothing. If not, it violated the international copyright treaty requiring respecting the copyright in the country of origin. Seems broken either way.

    Anyway, someone please seed anonymized torrents in the UK. As long as its properly anonymized, we can all reseed it legally, since it a orphaned works from the UK, right? Just do a "diligent search", which finds no owner, and you're set!

  16. Re:Great an image laundering scheme for big busine by Synerg1y · · Score: 1

    can't you pretty much do the same thing nowadays anyways...?

  17. This just makes no sense by dmomo · · Score: 1

    Suppose I upload content that is copyrighted, and I do not own. I then orphan the account. Obviously, that cannot be brought into the public domain this way. Why should copyright be any different for content that I own and post. It just makes no sense. Wouldn't the person using this newly "public" content have to prove that the abandoned account was mine? This whole idea just baffles me.

    1. Re:This just makes no sense by BasilBrush · · Score: 5, Informative

      It doesn't make any sense because The Register is full of shit as usual. This isn't a free for all. This is enabling legislation for one or more future (or present) licensing bodies to search for owners of apparent "orphan works" - works that at the moment cannot be used by anyone - and issue licenses.

      There's pros and cons to that. With the biggest question, does the licensing body charge for licenses, and if so who gets the money.

      What this is not is a law that will make it legal for any person, company or corporation to decide themselves that a work is an orphan, and so do what they want with it.

    2. Re:This just makes no sense by Anonymous Coward · · Score: 0

      This agency will eventually be piratized, so the loot will go to the poitically connected CEO

    3. Re:This just makes no sense by Anonymous Coward · · Score: 5, Informative

      http://www.out-law.com/en/articles/2013/april/copyright-law-reforms-in-pipeline-after-royal-assent-given-to-enterprise-and-regulatory-reform-bill/

      "Under the Government's plans, organisations that wish to use orphan works would have to conduct a 'diligent search' for the owner of orphan works before they could use the material. The searches would have to be verified as diligent by independent authorising bodies. In addition, organisations would have to pay a "market rate" to use orphan works so as rights holders could be recompensed for the use of the works if they were later identified."

    4. Re:This just makes no sense by Anonymous Coward · · Score: 0

      It doesn't make any sense because Orlowski is full of shit as usual.

      Fixed that for you.

  18. Re:Great an image laundering scheme for big busine by gl4ss · · Score: 1

    surely this can't affect re-posting?
    aaanyhow. since it enables sub licensing of the content, then twitter is likely to install a notice on their content that _they_ own the UK content and will license it forward(of course you could argue that they know who the copyright holder is.. and come to think of it, twitter probably already has that rule).

    and it's just the britons who are fucked. it's not like you could take american content, download it in britain and claim immunity from court cases in USA. otherwise I have some t-shirts to print.

    --
    world was created 5 seconds before this post as it is.
  19. Great! by zmooc · · Score: 2

    It's about time somebody legalized 9gag, failblog, kuvaton, fukung and all those other great sites that make up the apex of the internet;-)

    --
    0x or or snor perron?!
  20. Ban on stripping metadata? by TimTucker · · Score: 2

    Sounds to me like a pretty clear case where something like this really needs to be balanced by heavy penalties for stripping metadata without permission.

  21. Breach of Berne convention by Anonymous Coward · · Score: 0

    Basically seems that unless you register your work, you get no copyright.

  22. What the hell is going on here? by DigitAl56K · · Score: 5, Insightful

    How is it possible that copyright not only keeps being extended to prevent works of corporations from entering the public domain, but now other laws start stripping rights of the public for their own works for the benefit of corporations?

    1. Re:What the hell is going on here? by Anonymous Coward · · Score: 0

      I guess the UK are leaving the Berne convention then as it demands "a minimum term of 25 years from the year the photograph was created".

    2. Re:What the hell is going on here? by Mitreya · · Score: 2

      How is it possible that copyright not only keeps being extended to prevent works of corporations from entering the public domain, but now other laws start stripping rights of the public for their own works for the benefit of corporations?

      The article is rather vague on details, but I see no rules that make it exclusive to corporations. Wouldn't individuals be able to apply the same strategies??

      the Act will permit the widespread commercial exploitation of unidentified work - the user only needs to perform a "diligent search". But since this is likely to come up with a blank, they can proceed with impunity.

      I just performed a very short "diligent search" and Mickey Mouse does not appear to be owned by anyone. So... can I now use it commercially in UK?

    3. Re:What the hell is going on here? by sconeu · · Score: 1

      Isn't he cute? He thinks that the law is supposed to protect ordinary people. Well, corporations are people too, my friend. And they pay for those copyright laws. What have you paid for lately?

      --
      General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
    4. Re:What the hell is going on here? by Anonymous Coward · · Score: 0

      http://youtu.be/vajWsEBQ-D8

      Corporations are people. Greedy, cynical, evil people.

    5. Re:What the hell is going on here? by Anonymous Coward · · Score: 0

      Because it's cheaper to bribe a representative than all of his constituents.

    6. Re:What the hell is going on here? by Lehk228 · · Score: 1

      Because people are typically not willing to erect guillotines over copyright law corruption

      --
      Snowden and Manning are heroes.
    7. Re:What the hell is going on here? by Anonymous Coward · · Score: 0

      Shut up slave!

  23. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    Yes, but when you're found out, the author can collect his license fee from you. With this scheme, the license is paid for collectively and the author can only recover a pittance from the collective licensing agency, and has to become a member of that organization to get anything at all.

    It is now pointless to publish works if you're a small artist. This only leaves the option of working for hire.

  24. And yet... by PortHaven · · Score: 5, Interesting

    We can't get access to orphaned films that are not available for sale?

    I believe that should be part of ANY copyright law. In order for copyright to be maintained. A work of art must be available for sale within a 5 year period. Stop selling it, and you lose your copyright.

    1. Re:And yet... by sribe · · Score: 3, Interesting

      I believe that should be part of ANY copyright law. In order for copyright to be maintained. A work of art must be available for sale within a 5 year period. Stop selling it, and you lose your copyright.

      Absolutely. Especially now that advances in technology have made small-run distribution much more affordable, from on-demand printing to e-books.

    2. Re:And yet... by c · · Score: 4, Interesting

      I believe that should be part of ANY copyright law. In order for copyright to be maintained. A work of art must be available for sale within a 5 year period. Stop selling it, and you lose your copyright.

      So, if I buy a one-of-a-kind painting and hold on to it for 5 years and one month, the original artist loses his/her copyright (since it's no longer being sold) and I can sell as many copies as I like?

      --
      Log in or piss off.
    3. Re:And yet... by realsilly · · Score: 1

      But with that logic, if one person makes a purchase, then it stays copyrighted, there is nothing stopping the industry from buying the work of art from itself.

      --
      Life takes interesting turns, but the most interest is when you're off the beaten path.
    4. Re:And yet... by Anonymous Coward · · Score: 0

      === AUTOMATED POST ===
      This post hereby offers to sell post "Re:And yet..." for one billion dollars. Please send inquiries to 1349716455@AutoCopyOffer.com.

      This post brought to you by AutoCopyOffer. Offer to sell your copyrights for obscene prices every 5 years with AutoCopyOffer!

    5. Re:And yet... by Attila+Dimedici · · Score: 1

      I would make one exception to that. I can refuse to allow my work to be published/distributed for seven years.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    6. Re:And yet... by Nemyst · · Score: 2

      Post the image frames of the orphaned films on the Internet. "Stumble" upon them while browsing. Job done.

    7. Re:And yet... by Solandri · · Score: 4, Interesting

      I believe that should be part of ANY copyright law. In order for copyright to be maintained. A work of art must be available for sale within a 5 year period. Stop selling it, and you lose your copyright.

      No you don't want that. If that's how the law worked, every open source project would lose their copyrights after 5 years, and the GPL, BSD license, etc. would become pretty useless. Likewise, if you and your wife videotaped yourselves having sex 6 years ago, and someone repairing your home found it and copied it, they'd be free to release it to the public with no repercussions because it was public domain.

      Copyright is for controlling distribution of a work you've created. Not necessarily making money off of it.

    8. Re:And yet... by AmiMoJo · · Score: 2

      That would disadvantage ordinary people without affecting corporations. Businesses would simply offer to custom print a one-off copy for $1,000,000. Most individuals never offer their work for sale at all, they just don't want other people making money from it.

      Imagine the ramifications for open-source. Copyleft relies on copyright ownership to work, yet the work is not sold in most cases.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    9. Re:And yet... by Anonymous Coward · · Score: 1

      The artist can make copies and sell them as they choose while you are holding on to original the painting. Unless you have a copyright. If the artist can't reproduce the image with out the original and wanted to make copies, they probably shouldn't of sold it to you as a one-of-kind original. In fact selling copies of your one of a kind original devalues your copy. If you want to sell copies after 5 years, that's up to you, what loss will the artist incur from you selling copies (as long as you state that they are copies)

    10. Re:And yet... by Sloppy · · Score: 1

      there is nothing stopping the industry from buying the work of art from itself.

      Of course there's something stopping them: laziness, knowing they have it and need to renew it, and finding their copy to sell to themself. Believe it or not, back when copyright used renewal, some works didn't get renewed! Why? I don't know, but it really did happen.

      If I wanted to sell myself a computer program that I wrote in 1986, I might actually have a hard time finding the media, or remembering to do it every 5 years. Just because it's a low bar, doesn't mean everyone can (or will) jump over it.

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    11. Re:And yet... by Anonymous Coward · · Score: 0

      Yes

    12. Re:And yet... by rsborg · · Score: 1

      We can't get access to orphaned films that are not available for sale?

      I believe that should be part of ANY copyright law. In order for copyright to be maintained. A work of art must be available for sale within a 5 year period. Stop selling it, and you lose your copyright.

      When you have a kleptocracy ruling you, you don't get rights, you get thefts. Consider this a part of the current copytheft rubric, wherein the few connected players get to fleece the entire rest of the world.

      Of course, the UK is late to this party - the USA had a kleptocracy for many years now and look at all the wonderful employment-free recovery we've had here!

      --
      Make sure everyone's vote counts: Verified Voting
    13. Re:And yet... by mhotchin · · Score: 1

      For software, that would only be true if it was unmodified for 5 years - each modification caries its own copyright, correct? In that case, it's basically abandon-ware, so perhaps not a problem.

      For the sex tape, I'm sure there's some way of noting that it was never 'released' by the original copyright holders, so other are not allowed to release it either.

    14. Re:And yet... by cpt+kangarooski · · Score: 2

      In fact selling copies of your one of a kind original devalues your copy.

      Tell you what: Give me a nice original painting -- Pollock's "No. 5, 1948," say -- and you go and sell postcards of it, and we'll see if that significantly lowers the price of the original.

      For you see, in the world of fine arts, provenance is more important than copyright as a rule.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    15. Re:And yet... by wvmarle · · Score: 1

      Then all five year old software would fall out of copyright. Any version of Linux released >5 years ago would be affected. I don't see that as a good thing, as a five year old piece of software is still very valuable in many ways.

    16. Re:And yet... by Anonymous Coward · · Score: 0

      But it's still being made available. In this case the monetary prices is simply $0, but new copies are still being 'sold' or given to others or made available to others. Obviously the OP was referring to a situation where new copies are not being made available.

    17. Re:And yet... by Xest · · Score: 2

      Yes absolutely, if someone has sold you a one of a kind painting then it's yours and should be entirely up to you what you do with it then.

      If it's a painting that money can be made from by selling duplicates then it's not unfair on the artist if you do that - the artist could just as well have done it themselves but they opted to sell it you.

      I don't see the problem with your hypothetical scenario to be honest.

    18. Re:And yet... by Xest · · Score: 1

      "Likewise, if you and your wife videotaped yourselves having sex 6 years ago, and someone repairing your home found it and copied it, they'd be free to release it to the public with no repercussions because it was public domain."

      Yeah except for the small problem of them being liable for invasion of privacy and theft or unauthorised use of your equipment to make a copy.

      This sort of thing would be blocked by other laws, copyright is irrelevant to it as it's never really copyright that's brought into question for stolen sex tapes anyway - usually just outright theft of the original recording, trespassing on top if they went somewhere they had no permission to go to acquire it, or simple invasion of privacy and the reputational damages done to you you could sue them into the ground for.

    19. Re:And yet... by c · · Score: 1

      If it's a painting that money can be made from by selling duplicates then it's not unfair on the artist if you do that - the artist could just as well have done it themselves but they opted to sell it you.

      Actually, the artist could have made a scan before the sale, and as the copyright owner (unless the sale involves an explicit rights transfer) they would always have the right to crank out copies. Might be useful if the buyer's cheque bounces...

      So what if neither the artist nor the owner are the ones who decide to make the copies? What if the cleaner snaps a high res photo, uploads it to a stock photo site, and someone else makes the copies?

      I'm not entirely opposed to the idea of a shorter term, but the problem with the GP's solution is it appeared to assume that copyrighted goods are continuously marketed and copied throughout their lifetime, and as soon as the creator stops cranking out copies it goes public domain. It's actually not a bad idea if you can somehow figure out how to apply it to Disney without essentially destroying the market for unique or limited run pieces.

      --
      Log in or piss off.
    20. Re:And yet... by Xest · · Score: 2

      "It's actually not a bad idea if you can somehow figure out how to apply it to Disney without essentially destroying the market for unique or limited run pieces."

      The issue here is that as has been alluded to in both our posts is that unique or limited run needn't be given the ease of creating high quality duplicates of each nowadays.

      I don't think such markets are worth protecting if the only reason they exist is because we all just have to pretend there's something special or magical about them when in reality anyone could knock off an identical quality copy for next to nothing.

      I'm not really an extreme free market advocate in that I think anything that can't stand on it's own two feet doesn't deserve to exist or anything like that, but I do think there are limits to how much support should be given to artificially created markets. In the case of single run or limited edition items I don't really have a problem if duplicates are made - people can still opt to pay for the originals if that's their thing, but anyone else who also wants one can also acquire one as a copy.

      The problem with artificial markets is that you inevitably have to spend a fortune continuously propping them up. You only have to look at the methods used to try and keep the existing music recording business afloat in the last few decades - the amount of police, legislative and other public money that has been blown trying to keep that industry going under it's existing model across the globe is absurd. It would've been far better to just let the existing music industry with it's bloated monolithic organisational model collapse and newer models arise naturally (contrary to popular belief, music wouldn't just vanish - it's always existed, since man first learnt to make noise). I'd have no problem with artificial markets if they came at no cost, but when you create and maintain them you're basically using tax payers to subsidise their existence indirectly through legislative time and law enforcement - you're basically getting the many to pay so that the few who partake in such artificial models can continue to get rich. That's really not acceptable, even though that's what happens, fundamentally artificial markets bring out the worst in people.

      Somewhat amusingly just this last week I've been watching the drama unfold as Lego decided to release a special edition gold lego man as part of their new range of figures and people are feeling the packets to see if there's a gold one hidden inside, and scratching and damaging the contents in the process, as well as tales of people buying 7 entire boxes ($800 or so worth and something like 400 packets) to feel through them and then return them to walmart when they don't get them. It's sad and pathetic when we're just talking about a plastic toy that isn't real gold and that could instead just be mass-produced for peanuts, the adults have gone mad and are spending hundreds each searching for the things which is great for Lego's financials, but it's a bit shit for the kids who find their toys broken and scratched, or sold out after the adults have spent a fortune and fucked around with them looking for a rare "Mr Gold". Another example is for music concert tickets, we always hear about how they sold out in seconds and how vultures then sell tickets on ebay for a fortune when they never had any intention of actually going because they're not fans. Then to make things worse, you get the stars complaining they don't make enough money because of piracy expecting copyrights to protect their ability to get rich - here's an idea, the demand is obviously there for your concerts given the speed they sell out and the amount people buy second hand tickets for, so why not fucking work for a living by doing more concerts and filling the demand miss prissy layabout popstar (or whoever) who wants to be rich for doing a few hours work a year?

      If the demand can be filled it should be, it stops people getting rich off other's misery and helps ensure people don't act like dicks to obtain someth

    21. Re:And yet... by PortHaven · · Score: 1

      Well, lets say that every open source work lost their copyright after 5 years. What is the big focus of those copyrights? To ensure that the code is available to all... not sure if they would really be needed if our patent system was not so broken.

      But this would be more in regards to publicly sold (licensed as RIAA likes to say) works. If someone found a private home video of my wife, well....that's not a published work. I could sue them for theft. And cease and desist the work as not a publicly available work..

      "Copyright is for controlling distribution of a work you've created. Not necessarily making money off of it."
      We can argue that....but I'll grant it. And I should have clarified, this is for works published for sale to the public.

    22. Re:And yet... by PortHaven · · Score: 1

      So you could use older versions of software...why not. Okay, 7 years...

      But this would allow all those old Atari games from being lost forever.

    23. Re:And yet... by PortHaven · · Score: 1

      Agreed....

      The point is public availability of publicly available works.

      (In house software for a company, a painting you made, your family video, are not considered works made available to the public.)

      But if you wrote a book, and it's no longer being published for sale. Then it becomes okay for others to share it.
      (There'd be some tweaking, because perhaps it would be something like 5 years + 2 years. So that a publisher who hasn't published a book/album/etc in 5 years loses their rights back to the author/artist, who then has 2 years to release it to the public. Be it print on demand, download for donation, etc.

    24. Re:And yet... by PortHaven · · Score: 1

      No, there would be processes that would assess fair market value. In other words, a CD is usually a $10-$20 price. So $30-$40 might be tolerated, but anything beyond that could have a complaint filed with the copyright office.

  25. That's great by guruevi · · Score: 3, Interesting

    One can now post images of music, movies, software etc and have it be instant public-domain!

    No more copyright in UK which means ThePirateBay could legally operate there (if they jump through the hoops correctly)

    --
    Custom electronics and digital signage for your business: www.evcircuits.com
    1. Re:That's great by gman003 · · Score: 1

      Clever thought. Only downside is that, to keep it plausible, all the stuff has to be unlabelled or creatively mislabeled. If you download a bunch of MP3s with ID3 tags, you can't exactly claim they have no tracing information.

      But rip out the artist and publisher info, and you're back in business.

    2. Re:That's great by jxander · · Score: 2

      Yup. Give it a few months to soak in, and everything on TPB will have the bumpers, credits and metadata stripped.

      So when someone downloads Adventure of Big-Chair season 3, the fact that it looks surprisingly like some HBO series is irrelevant if I haven't seen said series. I diligently searched for the name in question, and was not familiar with anything else. Thus I am free and clear.

      --
      This signature is false.
    3. Re:That's great by Anonymous Coward · · Score: 0

      I've said it all along: the future of sharing multimedia files of questionable legality is going to be a giant repository creatively mislabeled and stuffed with 99% white noise. Those on the 'inside' will have hashbooks to determine what Adventure of Big-Chair maps to, and if they want to watch it or not.

    4. Re:That's great by Anonymous Coward · · Score: 1

      But rip out the artist and publisher info, and you're back in business.

      Yeah, and since all of today's music sounds the same, what with the kids and the dubbity-step and their monster rap and their jailbait manufactured singers, without any artist info, nobody would ever be able to tell who sang it and thus owns the copyright! Brilliant!

    5. Re:That's great by Macgrrl · · Score: 1

      You could market it as a multi-media lucky dip - download RNG.file and who knows what you'd get. Maybe people could upvote or down vote tracks they'd liked, but don't give the option to add comments - so that way no one can identify the track after upload.

      It could be a really interesting way to experience new media.

      --
      Sara
      Designer, Gamer, Macgrrl in an XP World
    6. Re:That's great by TheBogBrushZone · · Score: 1

      Considering how many on-line references there are for music lyrics, old games and movies it would be very difficult for any moderately popular work to become orphan. Stripping meta-data off, say, an MP3 of Wonderwall by Oasis wouldn't make it suddenly unidentifiable. Nor would removing the credit sequence at the end of Blade Runner.

      --
      And behold, a command prompt and he who sat upon it, his name was shutdown and -h 3:11 followed with him
  26. Publish anonymously = get exploited by corporation by Anonymous Coward · · Score: 2, Insightful

    great.

  27. Re:Great an image laundering scheme for big busine by Remus+Shepherd · · Score: 1

    What's preventing us -- normal people -- from doing the same thing with corporate-created images? Just the threat of lawyers?

    It seems to me that watermarking is about to be much more prevalent. That's the only way to make metadata that can't easily be stripped off.

    --
    Genocide Man -- Life is funny. Death is funnier. Mass murder can be hilarious.
  28. Re:Great an image laundering scheme for big busine by Mitreya · · Score: 4, Insightful

    With some luck, Google's "search similar images" function may make that scheme much harder

    It's almost like you think corporations (that have interest in declaring the item "abandoned") will do a diligent search. Google "search similar images" function will be helpful if the searcher is trying to find the owner.

    And if someone falsely declares an image to be "abandoned", what are the penalties, I wonder? Would the owner have to sue to recover his or her image ownership?

    The abuse possibilities (for someone who has a legal department at ready) are practically endless!

  29. Oh! Oh! Music and videos too, please!!! by ehartwell · · Score: 1

    This totally makes sense, but not if you restrict it to photos. When you find an audio or video file online where information identifying the owner is missing, all you have to do made a "diligent" search for the original owner and it's yours for free to use, resell, or whatever. No more lawsuits! Everybody's happy!

  30. Protects individuals from copyright trolls by coldsalmon · · Score: 3, Insightful

    TFA's author uses only examples of corporations using content created by natural persons, but I see nothing in TFA so suggest that the law only operates in this direction. According to TFA, the law permits "commercial exploitation of images where information identifying the owner is missing, so-called 'orphan works'." This would also protect an individual or small business which innocently uses an orphaned image. The legislation makes it possible to use orphaned works, which otherwise would be impossible to use legally, as it is impossible to obtain permission from the copyright holder. Wikipedia's summary of the problem is here: https://en.wikipedia.org/wiki/Orphan_works

    This legislation could also prevent "copyright troll" situations like this: http://www.ryanhealy.com/getty-images-extortion-letter/

    1. Re:Protects individuals from copyright trolls by Anonymous Coward · · Score: 0

      No, it does not. Individuals who fall victim to copyright trolls don't do "due diligence" before reposting stuff online. They will be as vulnerable as ever. This is indeed a get-out-of-jail-free card for corporations, you know, the ones who "repost" for profit. And that is why the law is how it is: To keep the money flowing upwards.

      Personally I have lost all respect for copyright. It's a rigged game.

    2. Re:Protects individuals from copyright trolls by Xest · · Score: 1

      "created by natural persons"

      Is there such thing as an unnatural person?

    3. Re:Protects individuals from copyright trolls by coldsalmon · · Score: 1

      A "natural person" means a human being, as distinct from other entities such as corporations, partnerships, LLCs, etc. which are usually included in the legal definition of "person" or "individual."

    4. Re:Protects individuals from copyright trolls by Xest · · Score: 1

      Ah yes, usually meaning "Only in the US". I forgot they made that braindead decision.

    5. Re:Protects individuals from copyright trolls by coldsalmon · · Score: 1

      The US doctrine of corporate personhood is actually derived from the British common law tradition. The concept was originally introduced during the industrial revolution, and most countries now share this doctrine. See Wikipedia: http://en.wikipedia.org/wiki/UK_company_law#Corporate_personality and http://en.wikipedia.org/wiki/Separate_legal_personality

      The recent US Supreme Court decision in Citizens United considered the degree to which the 1st Amendment right of free speech applies to an artificial person, as opposed to a natural person. It did not, as is sometimes believed, establish the doctrine of corporate personhood.

  31. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    With some luck, Google's "search similar images" function may make that scheme much harder

    No problem, just make the new image "sufficiently different" so Google's bot doesn't see the connection. Cut off something you weren't going to use, add a stupid frame into the jpeg itself . . .

  32. Re:Great an image laundering scheme for big busine by ron-l-j · · Score: 1

    Take a screen shot of the image. Now save as 1.jpeg, and you could start a hobby of taking pictures of pictures.....

  33. Easy work-around. by Anonymous Coward · · Score: 0

    Any publishing company would just print up a few copies every year on a laser printer, put them on a shelf in the warehouse, and price them at $100 on their website. Voila, it's "still available for sale".

    1. Re:Easy work-around. by PortHaven · · Score: 1

      No, available for sale would mean that the work has to be available to the broad public. As in anyone can buy copies.

      You couldn't print one copy and auction it....

    2. Re:Easy work-around. by PortHaven · · Score: 1

      Well, you could...but that would not count as "available" for purchase by the public.

  34. So my image may be sold because... by realsilly · · Score: 1

    .... some a$$hat took a photo of me, posted it on the web and didn't ask for my permission. Now it's potentially orphaned, and Wham I'm the face on the ads for selling selling A$$ cream for Joe Schmoe over in the UK and I can't stop it? /facepalm

    --
    Life takes interesting turns, but the most interest is when you're off the beaten path.
    1. Re:So my image may be sold because... by LihTox · · Score: 1

      .... some a$$hat took a photo of me, posted it on the web and didn't ask for my permission. Now it's potentially orphaned, and Wham I'm the face on the ads for selling selling A$$ cream for Joe Schmoe over in the UK and I can't stop it? /facepalm

      Instead, Joe Schmoe can send a photographer out and take your picture as you walk down the street, and use your face to sell A$$ cream. It's not this law that's the problem (in this case).

    2. Re:So my image may be sold because... by magic+maverick+ · · Score: 2

      Actually, in this case you can. Because in the majority of places (including, afaik, the UK), there are things called artist rights. Your image can't be used to sell or promote something without your permission. (Make sure to never sign a model release allowing the photographer to use the image for any purpose.)

      Well, when I say you can stop it, you can't. But after the fact you can spend loads of money to sue the corporation (and in the UK, if you win, you might even get all that money back!).

      --
      HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
    3. Re:So my image may be sold because... by Jason+Levine · · Score: 1

      Or, worse, I post an image online. Someone grabs it, posts it to their Facebook account without attribution (no link back and perhaps any watermark cropped). Maybe they add some funny text to the image as well. Now, Person #2 likes that and reposts it to THEIR account with the "attribution" of "saw this online somewhere."

      Company X sees this image and decides it'll be perfect for their ad campaign. They do a "search" for the author of the image. (Where "search" = "does ti say on the web page where it's from? No? Ok, we're good to go.") Then they use the image. I see the ad with my image, but am SOL because some other folks copied my image over and over to the point that any link back to me was destroyed. Thanks to this act, I have no grounds to sue.

      Not being able to find the author of an image to ask for permission *IS* a valid problem online. The solution isn't to just declare those images "free for the taking" so long as you do a "search".

      Also, since the act "fails to prohibit sub-licensing", Company X can - instead of using my image for an ad - sell MY image to Companies Y, Z, and Q for use in THEIR ads. Company X profits and I'm given zip.

      However, use any of Company X's Intellectual Property without asking permission....

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    4. Re:So my image may be sold because... by zwarte+piet · · Score: 1

      There is a thing called portrait rights, that enables you to veto any publication of your portrait (not a photo you appear on accidently but clearly a photo of you).

    5. Re:So my image may be sold because... by Cederic · · Score: 1

      Not in the UK. It's legal for me to walk up to you in the street, take a photograph of you, walk down the street and start selling it as a framed print.

      You get no say in this. The new law has no bearing either way.

    6. Re:So my image may be sold because... by Cederic · · Score: 1

      Because in the majority of places (including, afaik, the UK)

      Nope, not the UK

      Your image can't be used to sell or promote something without your permission.

      Uncertain territory in the UK. Generally speaking, it would be dodgy for someone to attempt to use your image in such a way, particularly if the implication was that you endorsed the product/service.

      I kind of investigated this shit, I take a lot of photographs of people without their permission and publish them online. That's very legal in the UK.

    7. Re:So my image may be sold because... by magic+maverick+ · · Score: 1

      Yeah, what I meant by artist rights (& IANAL, in the UK or anywhere else) is more model rights I guess. Specifically, that you can't use someone's image or likeness to imply that they endorse your product/service without their permission.

      I don't know any place where it is not legal to simply take someone's picture and put it online. However, it can certainly fall on the other side of the ethical thing to do. For example, at protests and demos (actually, in almost all situations) it is polite to ask someone if you can take their picture, and don't do it if the person would rather you didn't. Moreover, if you are taking pictures at protests and demos, it is quite impolite to post a picture online without first blurring faces. But then again, that's something that relates to specific subcultures and milieu, and is because of potential negative consequences for the people attending those events.

      --
      HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
    8. Re:So my image may be sold because... by Cederic · · Score: 1

      because of potential negative consequences for the people attending those events

      Shrug, the police video and photograph us, I'm going to photograph them back :)

    9. Re:So my image may be sold because... by magic+maverick+ · · Score: 1

      Ha. Yeah, Cop Watch is nothing wrong, I'm sure you know exactly what I mean though.

      --
      HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
  35. Re:Great an image laundering scheme for big busine by SuricouRaven · · Score: 1

    Yes, the legitimate holder would indeed have to sue. Just as they have to sue under existing law. The procedure might have changed a bit, but the process isn't fundamentally different.

  36. Re:Great an image laundering scheme for big busine by Golddess · · Score: 1

    It's almost like you think corporations (that have interest in declaring the item "abandoned") will do a diligent search. Google "search similar images" function will be helpful if the searcher is trying to find the owner.

    The way I read the post, it sounded more like ericloewe was suggesting that that would be a method the owner might use to prove in a court of law that due diligence was not performed.

    --
    "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
  37. Re:Great an image laundering scheme for big busine by parkinglot777 · · Score: 1

    Sharing is good. Copyright is bad.

    I half agree with you. The problem is that you assume that everyone will give in an equal (or close) amount in the sharing. In reality, this rarely happens and it usually ends up some taking advantages of the situation -- only take but not share or mostly take and very little share. The Copyright is supposed to protect from those who only take (or steal). Again, nothing is perfect. A few others found a loop hole and exploit the Copyright protection -- trolls -- and that is the issue we are facing anywhere right now.

    So complaining about copyright is purely bad is extreme; whereas, saying copyright is totally good is the other extreme. I believe copyright is neutral but good or bad comes from how people use it to their own advantages.

  38. But. . . But. . . by Anonymous Coward · · Score: 0

    They're only electronic bits. Just a collection of 1's and 0's. So, it really shouldn't be a big deal if a corporation borrows it from you, right? They didn't actually steal anything, because you can still use it. . . . . .

    1. Re:But. . . But. . . by Anonymous Coward · · Score: 0

      The difference is that I would be irritated if somebody took a photo of me without my permission. Normally this would probably be some kind of crime, but I wouldn't bother prosecuting because it's irritating, not worth my time, and would almost certainly be quickly lost to time.

      The analogy would be better made as if I were William Randolph Hearst and Orson Welles made an indie flick about my life that got shown in three or four arthouses. That would be irritating, but not as much as if RKO then picked up the 'orphaned' film with the credits filed off and turned it into a blockbuster. It's not my work I'm complaining about, it's the works in which I am an unwilling subject.

  39. Not just photos by Anonymous Coward · · Score: 0

    Create an image representing some binary information. Repeat this process a billion times. Load these images into a program, compress them and call the resulting file .mp3.

    All binary data could be 'orphaned' this way.

  40. Re:Great an image laundering scheme for big busine by houghi · · Score: 4, Insightful

    Well, the point is not to find the real copyright owner. The idea is to NOT find the copyright owner. "due diligence" means a lot of things if you have enough money to pay lawyers.
    Shouting "Anybody here knows who this belongs to?" from behind your desk might be enough (again IF you have the right amount to pay lawyers. Don't try this if you are not a company.)

    --
    Don't fight for your country, if your country does not fight for you.
  41. Open goal for pirates? by mutube · · Score: 1

    So, I download the latest Hollywood blockbuster, re-title it giving it an absurd name, removing credits/publisher marks and maybe blurring/replacing the lead's face. Then I re-upload 'Deep Groat: Sub-Prime Deposit' (a.k.a Catwoman -it's a modern classic) on the Pirate Bay.

    Our good UK subject comes along, downloads it and thinks 'Never heard of this!?' No idea who made it, no way of finding out.

    That 'film' is now in the public domain?

    1. Re:Open goal for pirates? by Macgrrl · · Score: 1

      I'm not sure about whether it would be in public domain, but it sounds like it would be an improvement.

      --
      Sara
      Designer, Gamer, Macgrrl in an XP World
  42. Killing open source in 3....2.... by mark-t · · Score: 2

    Since locating the authors of any particular open source project is not always easy, one could claim very plausibly that they had attempted to track down the original copyright holder, and failed.

    On the plus side, it also probably means that abandonware effectively automatically becomes public domain. Whether or not the original entity still controls it.

  43. Everything for "big boys" by Pecisk · · Score: 1

    So......when Google tries to publish orphaned works for everyone to read, copyright owners cry bloody river, but when user who doesn't know nothing about copyright law or how properly add copyright clauses adds a beautiful picture to social network, it's suddenly very legitimate for corporation to exploit this work.

    Ok, this will bring socialism faster than any previous attempts. It's amazing how greed makes so much people plainly stupid.

    --
    user@ubuntubox:~$ stfu This server is going down for shutdown NOW!
  44. One sided rule by Anonymous Coward · · Score: 0

    In other words, copyright law applies to their shit, but not ours...

  45. Re:Great an image laundering scheme for big busine by Registered+Coward+v2 · · Score: 1

    a) find image you want to use at site X b) have someone strip the the image of identifying information and repost it at site Y c) discover image at site Y lacking traceable information d) do "due dilligence" based on image from site Y e) declare image from site Y as 'orphaned'

    f) PROFIT

    While IANAL and my ignorance of UK law exceeds that of US law; I doubt such a scheme would work. Due diligence would require at least a reasonable amount of effort searching for ownership information. It would seem to me if someone went before a court and should how a Google search could easily locate the image with ownership info or a copyright registration it would be hard to argue you performed due diligence. This act should be named the IP Lawyer Full Employment Act since it will no doubt result in court cases. I would venture most big corporations would be hesitant to rely on it to avoid any lawsuits. It is more likely the cheap ripoff artist companies that would try to use it as a defense and since they already rip off Luther's material I see little practical hangs if this become law.

    --
    I'm a consultant - I convert gibberish into cash-flow.
  46. All your base are belong to whom? by tepples · · Score: 3, Insightful

    So how would one go about looking up who owns the copyright in Zero Wing, a video game published by Toaplan, which is now a defunct company?

    1. Re:All your base are belong to whom? by Anonymous Coward · · Score: 0

      I thought 4 chan owned that.

    2. Re:All your base are belong to whom? by wvmarle · · Score: 1

      Tricky.

      The obvious course should be to look at the companies registry, dig up the old records, and contact the registered directors. They may be able to tell you who the copyright was transferred to.

      What is more interesting: if copyright is held by a company, and that company is wound up, without the copyright being legally transferred to someone else (person or company), who ends up owning the copyright?

      When a person dies it's easy. A copyright is part of that person's estate, and there are all kinds of legal frameworks on who owns it: usually their next of kin, if no such person alive, it goes to the state. Unless a will indicates otherwise.

      But for a company that "dies" (wound up, bankrupted - in the latter case all assets are supposedly sold, including copyrights, but it's easy to imagine that some copyrights are forgotten about), there is no such thing as a legal heir, or is there?

    3. Re:All your base are belong to whom? by Anonymous Coward · · Score: 0

      Taito was the original publisher which probably makes it their IP and they are owned by Square.

    4. Re:All your base are belong to whom? by Anonymous Coward · · Score: 0

      Either the shareholders or creditors.

    5. Re:All your base are belong to whom? by Anonymous Coward · · Score: 0

      So, our first motivation should be to make companies go bankrupt, as then we can go looting?

    6. Re:All your base are belong to whom? by Anonymous Coward · · Score: 0

      For the longest time the movie "Night of the Comet" was in copyright limbo, no one knew who owned the copyright.
      It got even so far that a movie studio thought of making a remake and pitched it to a director, accidentally they pitched it to the director who made the original movie.

  47. *cough* Disney *cough* by Overzeetop · · Score: 1

    You'd be messing with the time-honored tradition of The Vault and all the panic buys that occur as a result.

    --
    Is it just my observation, or are there way too many stupid people in the world?
    1. Re:*cough* Disney *cough* by Anonymous Coward · · Score: 1

      You'd be messing with the time-honored tradition of The Vault and all the panic buys that occur as a result.

      Does that still seriously happen? Or do I just not see the advertisements that would bring it to my attention?

      "That', in this case, includes both Disney using that strategy AND the resulting panic buys.

  48. Re:Great an image laundering scheme for big busine by Darinbob · · Score: 1

    Look at it from a different angle. How is this very different from the people who've gone and declared some game as "abandonware" and decided that it's ok to pirate it?

  49. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 1

    Yes. Use any of the various image search engines and if the owner can be traced within first 1000 results, due diligence was not performed.

    Also, even if due diligence was performed the violator should have to pay reasonable royalty fees. If dues diligence was not performed, then they have to pay punitive damages on top of royalties. /dream

  50. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    Yea but the day that I did my search that search didn't show anything. So there!

  51. Re:Great an image laundering scheme for big busine by robot256 · · Score: 5, Funny

    That is a good point about the treaties. Thus the law is only applicable in the hilarious circumstance where they can say to a judge, "We know the owner is a U.K. citizen, but we don't know who."

  52. Re:Publish anonymously = get exploited by corporat by Anonymous Coward · · Score: 0

    Wait, wait, hold on. Did you honestly think that wouldn't happen? Were you seriously tricked THAT easily into believing "im anonymuss lol" is a magic bullet against corporations, the government, society, your school, your parents, or whoever else you think is evil this week? If not, why are you acting so surprised? If nobody steps up to take responsibility, nobody's able to defend anonymously-published stuff, and past that, you've lost all control over what you put out there.

  53. Re:Great an image laundering scheme for big busine by AmiMoJo · · Score: 2

    Would the owner have to sue to recover his or her image ownership?

    Yes. In that sense nothing has changed. If someone ripped off your work yesterday you would have to sue them. Now they have an additional defense of claiming the work was orphaned, but at best it might get them off the hook for deliberate infringement. They would still have to compensate you to the amount you would have received for licensing the image.

    For this reason I don't think companies will be too quick to start using random images they find online. The risk of being sued and having to pay out if the copyright owner comes forward makes it unattractive.

    --
    const int one = 65536; (Silvermoon, Texture.cs)
    SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
  54. most digital images on the internet by Sloppy · · Score: 1

    Since most digital images on the internet today are orphans - the metadata is missing or has been stripped by a large organization - millions of photographs and illustrations are swept into such schemes.

    Sure, that happens to be true for most of the digital images on the Internet, but what about all the other images on the Internet?

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  55. European Union. by limaCAT76 · · Score: 1

    If it's not shot down by the first trials the European Union will eventually bitchslap this. It's not like UK can say that a single bit of data being read in the UK or traveling on English servers is free for grabbing, expecially data that was not generated within the UK. Also this is going to pose problems for every-fucking-one, including advertising agencies.

  56. Re:Great an image laundering scheme for big busine by david_thornley · · Score: 1

    There's laws around here about money that might be claimable. The people responsible are supposed to do a diligent search. Somehow, they often manage to not find any contact information for, say, "University of Minnesota". What this means is that there will be full uncompensated commercial use of any picture on the Internet not copyrighted by somebody with deep pockets.

    --
    "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  57. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 1

    No, the problem is, this is the same fucking argument GPL advocates have been using for years to justify their attempts to force everybody to share source code, and pirates have been using for years to justify their attempts to take copies of shit without offering anything of value in return. People here on Slashdot love to argue how broken copyright is, and how sharing is good, and information wants to be free... but when suddenly it's THEIR precious, grainy, smudged, out of focus photographs that somebody might get some value out of without paying them millions in royalties, suddenly it's the end times and we're being turned into digital slaves.

    I've been modded down, I can only assume that "-1, Overrated" is only because "-1, Uncomfortable Truth We'd Rather Pretend Didn't Exist" isn't an option on Slashdot. If you want to force everybody to share with you, don't be surprised when they demand backsies.

  58. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    It need not be that complicated... check the Google cache. They remove the metadata for you. Watermark everything, or you may find grandma's picture in an ad for viagra.

  59. Article is wildly exaggerated by Andy_R · · Score: 3, Informative

    As always when it comes to IP, the Register is wildly exaggerating to the point of trolling.

    What this bill will actually do is allow museums to use orphan works, but only if they put the market value of a licence to use them into escrow, in case the owner is found later.

    The details of how this will work haven't been published, but there's going to be a very interesting legal minefield in there.

    What's a fair market value for a modern image where CC0 alternatives exist?

    What they will do if an image is highly likely to be out of copyright? For example photo of Queen Victoria is almost certainly out of copyright, because the photographer probably died over 70 years ago. What's a fair market value for the rights to use one of the rare ones that isn't out of copyright because the photographer was young when he took it, and lived to a ripe old age, if plenty of public domain ones also exist?

    --
    A pizza of radius z and thickness a has a volume of pi z z a
    1. Re:Article is wildly exaggerated by gronofer · · Score: 1

      Why would the museum use an orphan work if plenty of CC0 or public domain alternatives existed?

  60. No, Google Books could do it. by Anonymous Coward · · Score: 0

    But what would happen is that the *USA* would complain (even if it were only available under google.co.uk) about the works being used "without explicit agreement" (impossible for orphaned works).

    Of course, you could complain that it is a breech of USA copyright yourself.

  61. Re:Great an image laundering scheme for big busine by hobarrera · · Score: 2

    "But your honour, we did a diligent search first. We used /bin/false, and found no results!"

  62. worst of both worlds by stenvar · · Score: 1

    This means that corporations can steal from individuals and make money from works that should be in the public domain via these "collective licensing" schemes, yet orphan works are still not usable by the public at large.

    Collective licensing is one of the biggest frauds and rip-offs of the 20th century. These organizations should be abolished completely.

  63. Re:Great an image laundering scheme for big busine by cpt+kangarooski · · Score: 2

    Don't look at me; I'm fine with orphan works bills, although I'd prefer to just have registration, fee, notice, and deposit as strict formalities upon publication, public display, or public performance (possibly with a short grace period), so that most works, where the author doesn't care about a copyright, enter the public domain immediately.

    Copyrights should be easy to get and extremely affordable, but not granted automatically, as that is quite harmful.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  64. Legal presedent by currently_awake · · Score: 1

    This would be great if it was applied to all copyrights. Orphaned books and music and movies. Unfortunately i don't think that's what they have planned.

  65. Re:Great an image laundering scheme for big busine by wvmarle · · Score: 2

    I'm really glad it's automatic, and don't see any harm in that part of copyright, on the contrary. I make it, so I own it, what's harmful there? That you can't take it and use it as you like, unless I actively take precautions?

    I don't care too much about re-use of my works that I post online, but at the very least I'd like to be credited for it. And that's what automatic copyright allows me to require without hassle. It allows me to post my stuff online knowing there is at least some basic legal protection active. Having to register copyright for everything I post online just to get credit for it in case someone wants to re-use my photos or my ramblings, is a chore at best. It'd stop me from posting as much as I do. And that likely accounts for many many more people.

  66. This goes both ways, right? by Cyfun · · Score: 1

    I found an MP3 of this song, but it didn't have the artist listed on it. That means I can keep it without paying for it, right?

    --
    In Soviet Russia, dot slashes YOU!
  67. Why are corporations allowed to rape the public? by Nyder · · Score: 1

    Corporations rarely give to the public domain (look at Disney), yet we are allowing them to take what they want from it? Seriously?

    Honestly, I think corporations shouldn't be allowed to use the public domain. Non Profit Companies should be allowed to.

    Or here's a better idea, put copyright back to reasonable times (14 years) and then it can be free game for anyone or corporation.

    --
    Be seeing you...
  68. I have a bad feeling about this... by Anonymous Coward · · Score: 0

    Why do I suddenly feel like I'm gonna see coolface on the side of cereal packets, with some real bad 'le meme' text?

  69. Re:Great an image laundering scheme for big busine by cpt+kangarooski · · Score: 2

    I'm really glad it's automatic, and don't see any harm in that part of copyright, on the contrary.

    We should at most only grant copyrights when necessary to encourage an author to create and publish a particular work. If the author would've created and published anyway, the incentive is unnecessary and should not be provided. The best way to determine whether the copyright was needed or not is to let authors self-identify. An opt out system wont work, since authors who don't care about copyright won't care to disclaim it in almost all cases. An opt in system will work, since authors who so care will take at least modest action.

    A system of formalities has other benefits too. Registering the work and providing notice in published copies places the public on notice and provides greater certainty: marked works and works found in the registry are claimed; others are fair game. Deposit of several high quality copies helps increase the size of the collection of our national library, and provides a few copies of last resort in case others are lost, damaged, or so rare as to be nigh impossible to use. Registration also solves the orphan works problem at issue here: by requiring copyright holders to provide updated contact information during the copyright period, it's easy to find the rights holders to seek their permission to use works; without an up to date registry, they can be very hard to track down. Likewise, it helps people know who the true rights holders are, so that deals aren't accidentally struck with the wrong people due to mistake or fraud.

    And we know this works okay, because the US required registration for published works, and formalities, for a very long time, and it didn't cause any problems.

    I make it, so I own it

    That's not a good enough reason.

    I don't care too much about re-use of my works that I post online, but at the very least I'd like to be credited for it.

    Do you care enough to fill out a very simple form and pay a very modest fee? If you don't care to take such a small step, why should the rest of society care to grant you a copyright?

    It'd stop me from posting as much as I do.

    I do not believe that for an instant. Remember, copyright is an economic incentive, but it's not the only incentive to create works, nor even the most important one most of the time. You posted here because you had something to say, not because you thought you could make money off of a mere Slashdot post. Copyright should be limited to the things you think you can make money from, since that's all it's good at. It's a waste against the public to use it for anything else.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  70. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    You need to be a corporation to pull that off.

  71. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    Excuse, me, but there is no such a thing as UK "citizen"
    Her Majesty Elizabeth II

  72. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    It can also be argued that, if you have enough lawyers and resources, due diligence from you should require more.

  73. Re:Great an image laundering scheme for big busine by wvmarle · · Score: 2

    I make it, so I own it

    That's not a good enough reason.

    Why not? Why should something I create by nature be fair game, for anyone else to profit of? If I explicitly place it in the public domain or release it with a free license - then they can go ahead.

    I don't care too much about re-use of my works that I post online, but at the very least I'd like to be credited for it.

    Do you care enough to fill out a very simple form and pay a very modest fee?

    Yes, I do. I would have to for everything I write - and that sucks big time.

    First of all, I'm not in the US, so it'd have to be some institution local to me. Now, copyright is international (this in great contrast to patents, btw). It would suddenly become local - I would register in Hong Kong (where I live and where my creations are made nowadays). Or should I have to register in every single country I want my work protected?

    I've published stories on a US based web site. Free to read for anyone; not free for others to take and publish on their own site. That's thanks to automatic copyright protection. Or would I have to register those in the US then? And what if I couldn't speak the local language there?

    Also if you would require someone to check "the registry" to see if a work is copyrighted or not, they'd have to check all registries in all countries, one by one. And while matching text is relatively easy, matching images is getting harder and matching video or music is even worse.

    Many of the stories mentioned above I published anonymously, and I like it that way. Yet anonymous doesn't mean no copyright - there are ways to contact me (via anonymous e-mail - well with enough effort probably traceable but anonymous enough for me), if someone really wants to use my story elsewhere. And then I may or may not give them permission.

    And to come back on you not believing me on less publishing: well these slashdot posts indeed are not influenced by copyright. Photos that I post online, or stories that I post online, source code that I've published on github and sourceforge, even though I don't expect any economic benefit, I like to have copyright protection for. If only to keep my name attached to my work - in future those posts may become a reference for a job. I don't know now, but I'd like to keep the option open.

    The current registration system in the US may work nicely for those that register their work - I've no idea how much work that is published, is actually registered. And that includes those huge amounts of holiday pictures posted online, all those web site templates released under CC licences, source code released under GPL or BSD licenses, etc. Or does Linus really updates his copyright registration for te ever changing Linux kernel (if he has this) for every single commit that's added?

  74. Re:Great an image laundering scheme for big busine by kayoshiii · · Score: 1

    I don't think so - I think that using something like google image search must be part of a diligent search. In which case image would show up at site X would show up with the relevant copyright information.

  75. Well DUH, remember who is in power in the UK by SmallFurryCreature · · Score: 1

    For those who don't follow UK politics, it is very important to remember who is in power to understand laws being introduced. What party is in power? One of the three corrupt ones. There are also only really three parties so it really doesn't matter. They are all corrupt and UK elections are really about voting for the party that people hate the least.

    And this isn't just meant to be funny, the libdems were usually thought of as the nice but dim party, the moment they get a tiny sliver of power and come under some real scrutiny, the sleaze comes out.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:Well DUH, remember who is in power in the UK by Chrisq · · Score: 2

      For those who don't follow UK politics, it is very important to remember who is in power to understand laws being introduced. What party is in power? One of the three corrupt ones. There are also only really three parties so it really doesn't matter.

      The only reason the minor parties are not corrupt is that nobody thinks it worth bribing them ... if they ever did get in power they'd be just as bad

  76. Re:Great an image laundering scheme for big busine by dave420 · · Score: 2

    No, the work must be entirely anonymous - that is, no copy of it with attribution can exist within reasonable reach of the person looking for it. Just stripping metadata isn't enough if the work exists elsewhere with proper attribution. If you have made an awesome picture and have it on your blog - that's enough to protect it. If you make an awesome photo and upload it to some website anonymously with no contact information, then it's public domain. That seems fair enough to me.

  77. Re:Great an image laundering scheme for big busine by dave420 · · Score: 1

    It takes more than the metadata being stripped - the content in question has to be removed from the author's site or all attributions of the media to the author have to be removed from across the internet. Just stripping the metadata isn't enough, clearly.

  78. Re:Great an image laundering scheme for big busine by Phillip2 · · Score: 1

    Get sued because your dilligence wasn't very due, given that the same image was available at site X with declared metadata.
    People seem to be getting confused here because they think that it is the FILE that is copyright; it is not. It's the image.

    Of course, if you then have to sue the large company for copyright violation, this might be quite hard, because they have
    more money and lawyers than you. But this is not substantially changed by this act; the law is a game for the rich now,
    as it was yesterday.

  79. Possible solution by Mantrid42 · · Score: 1

    Could steganography be the answer?

  80. Re:Great an image laundering scheme for big busine by Phillip2 · · Score: 2

    Due diligence has many, many years of case law behind it. Before this bill, the likely damages to someone popping up
    and saying "hey that is my photo", after an organisation had made extensive searches for use of some material would
    be small. Especially compared to the damages to someone who, for example, had their photo taken, the metadata
    deliberately removed, then the image used without compensation.

  81. Re:Great an image laundering scheme for big busine by Chrisq · · Score: 1

    Yes. Use any of the various image search engines and if the owner can be traced within first 1000 results, due diligence was not performed.

    I think that due diligence would depend on the size of the company, as it does now. If a Google or Microsoft want to use an image in a campaign that costs millions then sure they should check tractability in at least the first 1000 results. If a mom & pop guesthouse puts an image on their website that has a total budget of $50 a year then checking the first page of results would probably do.

  82. Re:Great an image laundering scheme for big busine by Chrisq · · Score: 1

    Excuse, me, but there is no such a thing as UK "citizen" Her Majesty Elizabeth II

    Wrong, since the British Nationality act of 1981 we have been citizens. I may have been born a subject but I will die a citizen.

  83. Re:Great an image laundering scheme for big busine by Builder · · Score: 1

    For this reason I don't think companies will be too quick to start using random images they find online. The risk of being sued and having to pay out if the copyright owner comes forward makes it unattractive.

    Why would you think this? Companies regularly steal images online today even with full attribution, knowing that they are violating copyright. In light of that, why do you think that they would stop when it's become even easier for them ?

  84. metadata by Tom · · Score: 1

    In case you didn't know already:

    Facebook strips all metadata from all images that you upload. It's the reason a fairly well-known professional photographer I happen to know doesn't use it for anything, up to and including not having any pictures of himself on Facebook and asking his friends to not post pictures of him.

    It's disrespectful. For some exif data like location, it's actually nice, but there should be an "I know what I'm doing" option.

    --
    Assorted stuff I do sometimes: Lemuria.org
  85. Re:Great an image laundering scheme for big busine by gronofer · · Score: 1

    Seems like it's images only, accoring to the Register? Also a work becoming public domain in the UK doesn't automatically become public domain anywhere else in the world. It would still be eligible for copyright protection in the USA, for example.

  86. Re:Great an image laundering scheme for big busine by cpt+kangarooski · · Score: 2

    Why not? Why should something I create by nature be fair game

    You've actually hit the nail on the head -- there is no natural right of copyright. In fact, copyright is in direct conflict with the natural right of free speech (which encompasses the verbatim repetition of what someone else has previously said). A copyright is nothing other than a privately-held but government-enforced right to censor other people. It shouldn't be granted lightly, and should be granted only when, and to the degree that, it produces some benefit for the public that outweighs the harm that it necessarily causes. (Ideally, only when the benefit is greatest and the harm is least)

    Yes, I do. I would have to for everything I write - and that sucks big time.

    Well, it would be your choice of course, but I find it unlikely you'd bother.

    First of all, I'm not in the US, so it'd have to be some institution local to me. Now, copyright is international (this in great contrast to patents, btw). It would suddenly become local - I would register in Hong Kong (where I live and where my creations are made nowadays). Or should I have to register in every single country I want my work protected?

    Copyrights are not, currently, international. There's just a lot of reciprocity. It's one of the things that needs to be dismantled in time. I'm really only interested in what the US does, but what we ought to do is to withdraw from the various copyright treaties and instead offer national treatment to the world, unilaterally. So if you want a US copyright, you wouldn't be discriminated against merely because of your nationality, residence, etc. (unlike the old days, when we didn't grant copyrights to foreigners) but you would have to do the same filings that our copyright applicants do. Between providing the forms in a wide variety of languages, accepting payments in foreign currencies, local support through our embassies and consulates, and the Internet, it shouldn't be too difficult.

    Also if you would require someone to check "the registry" to see if a work is copyrighted or not, they'd have to check all registries in all countries, one by one.

    No, only in the jurisdictions where they wanted to act. Just as most businesses don't bother getting patents in every country in the world (because they know that the amount of business they do in Burkina Faso, or Disputed Zone is too little to justify it), authors who don't bother getting a copyright in the US (or other places that adopt a similar policy) are allowing the work to enter the public domain there. So if you print books, you really only need to check your country's registry, and maybe only others if you ship abroad.

    And while matching text is relatively easy, matching images is getting harder and matching video or music is even worse.

    That's the notice formality. As with patents, copies should bear a visible notice somewhere indicating at least the year the term began and the rights holder's name. If an application or registration number has issued, that should be present too, if the rights holder wants to keep his rights.

    Many of the stories mentioned above I published anonymously, and I like it that way. Yet anonymous doesn't mean no copyright

    Why not? If you're truly anonymous, and not merely using a psudeonym, how would you have filed? Land can't be owned anonymously, nor licensed vehicles, nor patents, nor registered trademarks. That's just the nature of the beast. You'll have to decide whether your secrecy outweighs your desire for a copyright.

    Photos that I post online, or stories that I post online, source code that I've published on github and sourceforge, even though I don't expect any economic benefit, I like to have copyright protection for

    Oh, I'm sure. It's because there's no downside for you, so you can mooch off of the public

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  87. That's not the worst of it by ixuzus · · Score: 1

    While this is undoubtedly bad for author/artist/etc rights I see the far greater attack being on anonymous speech. There are many, many really good reasons why someone would speak anonymously through a variety of mediums.

    Consider a woman who writes satirical prose on female rights from Saudi Arabia, a citizen attempting to bring down a despotic government, a person who happens to photograph a powerful person doing something they shouldn't or a three letter agency involved in arguably treasonous activities, or simply a person who would be fired if their boss found out about the views they were expressing; should they lose the right to control their work to a commercial free-for-all simply because it wasn't prudent for them to identify themselves as the creators of their work at the time?

  88. Re:Great an image laundering scheme for big busine by wvmarle · · Score: 1

    Why not? Why should something I create by nature be fair game

    You've actually hit the nail on the head -- there is no natural right of copyright.

    There are plenty of rights we enjoy that are not "natural" rights.

    Copyrights are not, currently, international.

    Under the Berne convention, copyright IS international. As soon as a work is published in any of the signatory countries, which includes the US. And the few countries that did not sign the treaty don't matter much from an economic point of view.

  89. Re:Great an image laundering scheme for big busine by cpt+kangarooski · · Score: 1

    There are plenty of rights we enjoy that are not "natural" rights.

    That's true, but there may be various strings attached when it comes to those. Today, if you want to drive a car, you have a right to, provided you can get a license, the car passes inspection, etc. If you want to open a restaurant, you have a right to, but you'll have to comply with applicable health and food safety regulations, you'll need a business license, you'll have to deal with the tax issues that arise, and so on. If you want to become a doctor or a lawyer, you have a right to, but you'll need to meet certain educational prerequisites, pass exams, pay dues periodically to licensing boards, and that sort of thing. If you invent some invention, you have a right to a patent, but you'll have to fill out an application and pay a few, and you may have to engage in some correspondence with the patent office in the process.

    So there's nothing at all unusual about copyright formalities, or predicting grants of copyright on whether or not, and if so, how we'll, copyright serves the public. Bad drivers and uneducated doctors and filthy restaurants are bad for the public, so we try to cut down on those things. Some amount of copyright might be good for the public, but too much would be bad, and so we'll want to tailor it carefully to serve the public interest.

    Under the Berne convention, copyright IS international

    No, Berne isn't self executing. It merely obligates the member states to pass copyright legislation which complies with Berne's minimum standards. If you came to the US and tried to sue someone under Berne itself, you'd get thrown out of court. Copyright is national, and varies from nation to nation even despite Berne. Don't mistake national treatment and minimum standards for actual international laws.

    And the few countries that did not sign the treaty don't matter much from an economic point of view.

    The US didn't join until twenty odd years ago. We don't actually comply with Berne. And we can withdraw from it any time we like. Which we ought to do immediately. I've got nothing against national treatment, but I'm adamantly against minimum standards for copyright.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  90. Re:Great an image laundering scheme for big busine by cellocgw · · Score: 1

    a) find image you want to use at site X
    b) have someone strip the the image of identifying information and repost it at site Y
    c) discover image at site Y lacking traceable information
    d) do "due dilligence" based on image from site Y
    e) declare image from site Y as 'orphaned'

    f) PROFIT

    I was starting to think of steganographic information, but even that won't help, since a simple re-compression or imagetype conversion will blow that away, too.

    --
    https://app.box.com/WitthoftResume Code: https://github.com/cellocgw
  91. Good news by bitterblackale · · Score: 1

    This could be a good thing. By acknowledging the impotence of current copyright law and the futility of current ideas about intellectual property, this could represent a much-needed shift in the way we deal with public domain and copyright. One day, everybody will realise that their most precious commodity is an idea, and that it's an ethical dilemma to make a profit from an idea that could bring happiness to people or even save someone's life.

  92. Photos jn Instagram, Flickr, et al all are not orp by davesag · · Score: 1

    Any photos in *your* Instagram feed, Flickr library, etc are not orphaned under the terms of this act as they are explicitly associated with a user account and, in the case of Flickr have one or more of several licenses already attached to them. The article is the usual Register FUD.

    --
    I used to have a better sig than this, but I got tired of it
  93. Re:Great an image laundering scheme for big busine by Anonymous Coward · · Score: 0

    The best part is now the infringer has an excuse (and a way out that costs them nothing if the judge agrees).

    "They /did/ search diligently, and therefore the work is in the public domain, even though the court now concedes you are the copyright holder; the law says they don't owe you anything because you were too hard to find at the time."

  94. extensions on the way?? by guinea+pig+C · · Score: 1

    I wonder how long it will take for this to be extended to even more valuable 3D files such as .stl files

  95. Re:Clueless AC. by Anonymous Coward · · Score: 0

    RMS says that if there were no copyrights, that's fine for him and the GPL.

    maybe fine for RMS. not fine for the GPL, because without "copyrights," the GPL doesn't exist. Nobody can stop you from making a copy of their source code, but you can't *force anybody to share their source code with you,* either. And if you hack into someone's systems to get at their source code, you'd probably still run afoul of trespass laws.

    You're just a leech and hate being told you can't just take what you want and not give it away yourself.

    Yeah, you got me. Because my point about how this is a logical consequence of all the leeching freetards' rhetoric clearly identifies me as someone who wants to take anything I want, whenever I want.

    In FACT, I am a proponent of copyrights: I think if you want a copy of something, you owe it to the person who created that copy to reach a consensual agreement with them about the terms of them giving you a copy, and then you being an honorable person and abiding by those terms - or refusing the terms and doing without the copy of the work if the terms are objectionable to you.

    Even your made-up GPL'er wants to share and wants everyone to share, which isn't hypocrisy.

    it IS hypocrisy. Because the GPL purports to be about freedom, and then states a clear goal of making everybody abide by those licensing terms for all software. In other words "We're going to enslave people and FORCE them to be free!" The companies affected by this bill are simply applying the lessons they've learned from the freetards: "if it's not bolted down, it's mine if I want it. I'm not harming anybody by taking a copy, the person who posted the original copy still has theirs!"