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Adobe Creative Suite Going Subscription-Only

First time accepted submitter JDG1980 writes "According to CNET and various other sources, CS6 will be the last version of Adobe's Creative Suite that will be sold in the traditional manner. All future versions will be available by subscription only, through Adobe's so-called 'Creative Cloud' service. This means that before too long, anyone who wants an up-to-date version of Photoshop won't be able to buy it – they will have to pay $50 per month (minimum subscription term: one year). Can Adobe complete the switch to subscription-only, or will the backlash be too great? Will this finally spur the creation of a real competitor to Photoshop?"

29 of 658 comments (clear)

  1. I love it... by click2005 · · Score: 5, Interesting

    For this to work Adobe will have to 'break' older versions with patches.

    Adobe beat Microsoft to it... Adobe Rent for $50 per month.

    Microsoft said they would be doing this years ago (after people found ways to avoid paying MS Tax).
    I wonder how much Microsoft Rent will be for Windows & Office.

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    1. Re:I love it... by cdrnet · · Score: 5, Informative

      They are doing this already, e.g. Office 365 for $9.99 per month (includes licenses for up to 5 PCs)

    2. Re:I love it... by Joce640k · · Score: 4, Interesting

      Adobe Rent for $50 per month.

      Where's the incentive to improve the software on a subscription model? Once they have your money they can just sit around without adding new features, or add features nobody really wants, or...basically whatever they feel like doing. There's no pressure at all to make new versions which are good enough to make people part with more many.

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    3. Re:I love it... by Anonymous+Brave+Guy · · Score: 5, Insightful

      For professional users a subscription makes a lot of sense

      Why?

      We're already seeing the usual rip-off pricing for non-US customers: Creative Cloud is currently just shy of £50/month in the UK, which works out at about two years to break even compared to the current advertised price for buying the key applications in CS6 outright (a little under £1,200).

      I don't want to have my UI move around arbitrarily. I hate it when browsers do that. I hate it when mobile apps do that. I use Creative Suite to earn a living, and I won't tolerate those kinds of tools doing it.

      I don't want to work more in the cloud. I have invested a considerable amount of money in building a high performance system here, with robust storage, networking, back-ups etc. And my system and devices don't trust anyone outside my company with access to material I'm working on for clients.

      And most of all, I don't trust Adobe not to screw me. When my boot drive failed, they were the only company whose DRM couldn't figure it out and reinstall cleanly after the replacement was installed. It took weeks (and their tech support people who could barely speak English or understand the problem calling me literally in the middle of the night and then wondering why I wasn't impressed, and ultimately the first step toward formal legal action) to get them to fix the problem. As far as I can tell, that problem turned out to be due to completely fictional records somehow magically becoming linked to the serial number of our legitimate, legal copy of the product in their database, which sounds a lot like either an admin screw-up or someone's key generator coincidentally hitting our number, but certainly no fault of ours either way.

      I predict with 100% confidence that none of my companies will be giving any more money to Adobe if they go ahead with this. They aren't trustworthy, their pricing model is predatory, and their track record of improvements/bug fixes -- or rather the unspectacular lack thereof -- doesn't speak well of how much value any of us are going to get out of renting our software. If we need more copies of CS for new people, we'll just source legal but second-hand permanent copies of the same version we've already got, as the courts in Europe seem happy that we are perfectly entitled to do.

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    4. Re:I love it... by MoGrapher · · Score: 5, Informative

      It seems you don't understand how this model works. I have been operating with Creative Cloud for over a year now and it's nothing like you've described.

      I don't want to have my UI move around arbitrarily.

      Don't click the update button then... no one is forcing you to take the updates, you're just a luddite if you don't.

      I don't want to work more in the cloud. I have invested a considerable amount of money in building a high performance system here, with robust storage, networking, back-ups etc. And my system and devices don't trust anyone outside my company with access to material I'm working on for clients.

      I still burden my "high performance system" every day, and even expanded my system to take advantage of the new RayTracing features in After Effects with great results. The software runs locally it's just licensed in the cloud.

      Oh theres another huge benefit... the license is platform agnostic. So for the artist who has Windows and Apple they don't have to get screwed by buying two completely different software packages that never stay in sync.

      If you can predict anything with 100% confidence it is that you don't know as much as you think you know.

    5. Re:I love it... by Anonymous+Brave+Guy · · Score: 4, Interesting

      You have no choice. What are you going to do, stop using Photoshop?

      No, but luckily, we already bought enough copies and ours don't stop working at the end of the month.

      And as I noted, buying legal buy second-hand copies is also a possibility, and nothing Adobe does is likely to change the legal position on that in Europe on the evidence so far.

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    6. Re:I love it... by Serious+Callers+Only · · Score: 5, Interesting

      You have no choice. What are you going to do, stop using Photoshop? I don't think so.

      There are plenty of choices - some only perform a subset of the work that photoshop does, but for many professionals that will be enough. Some examples:

      For many professional photographers, Lightroom (available separately) provides better tools for photo manipulation and cataloging.
      For many image manipulators, other software like Pixelmator or Seashore/GIMP would provide enough control at a fraction of the price. It's missing some features like layer styles, but it has the basics, and comparing 'cloud' pricing to buying and owning software would make many people consider living with the lost features.
      For many designers, they don't need the many features of photoshop and would be happy with more basic tools for image adjustments.
      For many illustrators, a tool like Inkscape might be a better fit

      Adobe could very easily lose this market within a few years - they've already lost the trust of most of their professional customers, and for many this move will be the last straw. It's a gift for their competitors, this is the perfect time for them to step up a gear and poach a lot of the userbase of Adobe software. I know I'll be looking at competitors with renewed vigour and am not in any way interested in subsidising Adobe's middle-managers with a monthly subscription. The CS suite in general as become more bloated, and less user-friendly with every release, and Creative Cloud is a joke - as a customer I have *zero* interest in automatic updates from Adobe, and I want to be in control of when I give them money - as do many huge institutional buyers/customers - many skip versions for example if the features are not compelling enough. This quote from the OP sums up my attitude to them (as a current customer) too:

      They aren't trustworthy, their pricing model is predatory, and their track record of improvements/bug fixes -- or rather the unspectacular lack thereof -- doesn't speak well of how much value any of us are going to get out of renting our software.

      The lack of backwards/forwards compatability in their file formats is also an issue which illustrates the contempt they hold their customers in - it's a blatant attempt to force upgrades (as is Creative Cloud) - there is nothing in it for customers, so why should they play along?

      I remember a little over a decade ago Adobe came from nowhere to own the desktop publishing market with InDesign, against an entrenched challenger which had a virtual monopoly at the time (Quark) - nowadays Quark software is the legacy software which everyone loves to hate and hardly anyone uses, and InDesign is the incumbent, that happened very quickly over the space of 5-10 years. They won because their software was better, they listened to customers, and they built a great product which had features (like transparency) that customers had been crying out for. The contrast to the Adobe of today could not be more marked.

      The near monopoly they have on image manipulation can easily change, and I suspect it will, as Adobe have already lost touch with their customers, and are adding all sorts of crap to their products and switching the UI round every year (as a professional user, I wish they'd take half the features out, and focus on making them rock solid and performant). They've started to see their customers as a cash-cow too stupid to look at competition, and that's very dangerous for them - sure they'll coast for the next decade on old customers too lazy to upgrade and repeating revenue fro upgrades, but they've started the downhill slide of spending more effort on wringing money out of customers than on making good products.

    7. Re:I love it... by Dynedain · · Score: 4, Informative

      I remember a little over a decade ago Adobe came from nowhere to own the desktop publishing market with InDesign, against an entrenched challenger which had a virtual monopoly at the time (Quark)... The contrast to the Adobe of today could not be more marked.

      They won because they came to market with a fully-functional new product that had no legacy holdovers, and most importantly ran on OSX. Quark was refusing to build an OSX version of their product, completely alienating their core customer base. Of course it also helps that InDesign could be bundled with and integrated well with Photoshop and Illustrator, which almost every Quark user had running on their desktop as well. Adobe's previous product in the marketplace (PageMaker) had long since died off.

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    8. Re:I love it... by zdepthcharge · · Score: 5, Insightful

      >>You are now stuck on the current version of PS
      So what? I use CS2 and while some of the new toys are cool, they're still just toys. There a some tools that might make my workflow a little faster, but nothing that is revolutionary. Certainly nothing that's worth the cost.
      Also, the OP isn't betting his company on luck/hope. The software he purchased works. So where's the bet?

    9. Re:I love it... by Anonymous+Brave+Guy · · Score: 4, Insightful

      Don't click the update button then... no one is forcing you to take the updates, you're just a luddite if you don't.

      The Luddites were against improvements in technology that would save lots of effort, increase efficiency, and therefore potentially make them redundant. I see no evidence that any recent "upgrades" in Creative Suite have had that kind of effect. They do seem fond of redoing their entire UI theme every couple of years, but there haven't been any must-have new features that were of more than niche interest for quite a while.

      And that's the biggest problem with this whole scheme. We're talking about a pricing model where you basically have to pay the equivalent of full price every couple of years. Even on the old, one-off purchase model with a substantial up-front price, you only paid that once and you paid a much lower price if you wanted to upgrade to the next version. Something that is going to work out that much more expensive, not to mention having the risk of breaking at least once a month, has to have something serious in it for the market to make them want to shift, and I just don't see that happening given Adobe's track record lately. As the likes of Microsoft have found out recently, there is always at least one viable alternative for large, profitable customers who don't like your new offering: stick with the old one they already have.

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    10. Re:I love it... by Ralph+Spoilsport · · Score: 4, Informative
      There won't be a $499 student version. Our department is flipping out - if you think the small fry designer is getting screwed on this, it ain't nothing compared to academia seat licensing. The last I heard was Adobe wants to shake us down for $587,000 ***A YEAR***.

      We feel screwed. Pros use Adobe software, but where the fuck are we going to get the $$$ for that? The administration is saying they want to download the expense to the departments. That would be catastrophic to our already stretched budgets. My guess is we'll bite the bullet for a year while we scramble to find alternatives. Photoshop will be hard to get around...

      RS

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  2. Corporate suicide Microsoft style by sinij · · Score: 5, Informative

    Corporate suicide Microsoft style, only they are not nearly as entrenched.

    1. Re:Corporate suicide Microsoft style by mrchaotica · · Score: 5, Insightful

      Considering AutoCAD's licensing, if Autodesk created a Photoshop competitor you'd wish they'd let you have it for $50/month!

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  3. Piracy by Hatta · · Score: 5, Insightful

    Adobe underestimates how much it benefits from piracy. If poor college students can't cut their teeth on the full Adobe suite, they're likely to learn how to use something else. When those students go out and get jobs, they're more likely to use what they're used to than drop a bundle on Adobe software they've never used before.

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  4. Piracy by Dancindan84 · · Score: 4, Informative

    My guess is this is a move to combat widespread piracy among home users. The benefit to home user's pirating your software is that people get to know your product, and then want to use it at work. That's one of the big reasons why MS has turned a blind eye to small time home piracy. Those home users aren't going to pay a $200+ license (or a $50/month subscription) so allowing them to pirate doesn't equate to a lost sale, it encourages companies to stick with a product their workforce is familiar with, and it ultimately get the vendor sales through those companies.

    Basically I think they may be shooting themselves in the foot, but not in the way the summary implies. The companies who buy adobe products probably aren't going to baulk at the switch (and in fact a subscription makes things easier on start-ups since they don't have the overhead of a much more expensive license). It's going to hurt them because there will likely be less people familiar with their product in/entering the workforce. They can offset that somewhat by giving it away/giving heavy discounts to education sectors, but at the end of the day if the person can't fire it up on their home computer free/cheap it's going to make a difference.

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  5. Really interesting part by CastrTroy · · Score: 4, Insightful

    The really interesting part of this seems to be that Adobe gets to keep all the money from the licensing. Previously, if you wanted a license, you'd go to some reseller, and they'd get part of the money, as would a distributor, and maybe ever a couple other companies along the way. This is basically a game changer. Adobe believes (and it's probably true) that it's popular enough that they don't need resellers and other people pushing their products, and that they can do good enough business just selling direct to the end user. As much as I like the idea of subscription software, I do like the idea of the middle man being cut out, since most of the time they offer very little value to the end customer, and can only really make prices higher, or at the very best, bleed out money from the process would have been better served going back to the people creating the product. It's the equivalent of music labels selling directly to end users without going through the music stores (be they online or physical stores/records)

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  6. Biggest concern by falcon5768 · · Score: 4, Insightful

    We need to have version control for some plugins we use. If there are no controls to prevent new versions from being loaded then it will be imposible to version control

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  7. Re:Already there by JDG1980 · · Score: 5, Informative

    The main one From Apple itself is Aperture. It's not really a photoshop competitor exactly, but where it does become one is the range of plugins that support it now - pretty much most of the powerful image editing tools have Aperture plugins, so I can do fairly advanced editing in Aperture without ever touching Photoshop.

    Aperture is competitive with Adobe's Lightroom, not Photoshop. Neither program supports even basic features like layers, which are necessary for many types of graphical manipulation work. Instead, they're meant as the first step of the workflow for raw image files that have just been taken off the camera.

  8. Pricing by proxima · · Score: 5, Informative

    This means that before too long, anyone who wants an up-to-date version of Photoshop won't be able to buy it – they will have to pay $50 per month (minimum subscription term: one year).

    This pricing seemed off. Sure enough, TFA:

    For those who don't want the entire suite, Adobe offers subscriptions to individual programs. And now they're cheaper, down from $20 a month to $10 a month, Morris said.

    So if you want Photoshop, Illustrator, etc. etc., the suite will be $50/mo. If you only want Photoshop, it's $10/mo. Furthermore, if you really only need software for a month, you can rent the suite for $75.

    I can't say I'm a big fan of subscription only (even MS is keeping some purchase options for Office), but pricing like this does create some winners (besides Adobe). Short term projects, for example, may benefit from being able to purchase what was a $2500 package for only a month or two at $75/month. The losers, of course, are those that purchase upgrades infrequently and use their software for years.

    Frankly, I'm tempted by $10/mo for Illustrator. The retail box of CS6 is $540, and I have no product from which to upgrade. So for the cost of the boxed version (with its potential resale or upgrade value factored in), I get 4 1/2 years of use of the latest version. One key difference is I can easily drop it after 1 year (and $120), if I don't need it any more. Still, I understand how abandoning box sales will make some people unhappy.

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  9. Re:I tried this... by terjeber · · Score: 4, Insightful

    GiMP should be looking more and more attractive to professionals as this sort of thing goes

    No, not to professionals.

  10. Re:I tried this... by JDG1980 · · Score: 5, Insightful

    GiMP should be looking more and more attractive to professionals as this sort of thing goes.

    GIMP isn't even competitive with Photoshop CS2 (you know, the one Adobe has available for free downloading on their website...) It's a joke. Still no support for 16-bit per channel after all these years. (And before someone says that you can't see the difference, that's not the point at all – you need 16 bpc to avoid getting banding and other artifacts after repeated transforms. The final output can be 8 bpc, but editing/processing needs to be done at a higher depth for solid results. And even a $499 DSLR can shoot 14 bpc these days.)

    The worst thing about GIMP is that its existence leads the FOSS community into complacency. People need to realize that there really is no good open-source competitor to Photoshop and start working on one, rather than pretending that GIMP fits the bill and then arguing with creative professionals who repeatedly point out why it doesn't.

  11. Opportunity to showcase GIMP by dbhost · · Score: 4, Insightful

    I think this is a great opportunity for the Open Source Community to showcase what really can be done with apps like The GIMP. There is admittedly work to be done for vector apps, but they are coming along.... Other than using Photoshop specific filters, there really isn't anything Photoshop can do that I can't do in GIMP... Why pay Adobe for their overpriced bloatware?

  12. Re:I tried this... by lemur3 · · Score: 5, Insightful

    yeah.

    why dont the mechanics just drive the racecars, too ?

  13. Re:A question for Slashdotters. by cayenne8 · · Score: 4, Insightful
    I guess I'll be bying CS6, and staying with that for awhile.

    I don't want to 'rent' software.

    I'd heard that Adobe had just recently stopped selling their products on CD/DVD's and only had downloadable. I don't really like that as that I really prefer to keep physical install media, but I can live without if need be.

    But, renting software, is unacceptable to me.

    What happens after awhile if for some reason, I can't or don't wish to connect said computer to the internet to check in? I just go dark and that's acceptable?

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  14. $50 per month for the Master Collection by rayharris · · Score: 5, Informative

    It seems there's a lot of confusion as to what the Adobe Creative Cloud is. I currently subscribe to Adobe Creative Cloud at the $50 per month rate. Here's what I get...

    Adobe CS6 Master Collection
    -- Everything, not just Photoshop
    -- Usually around $2600 when purchased as a standalone program
          -- At $50 per month, I could only upgrade every 4 1/3 years
          -- But I get continuous updates
    -- I can install ACC on two computers
          -- One can be OSX and the other Windows
          -- You can't do this with purchased apps
    -- Apps are installed locally
          -- Don't have to be online to use apps
          -- Unless you're past the current expiration of your subscription
    -- Data files are stored locally
          -- Don't have to use cloud storage

    Subscription options:
    -- $20/month - One Application, No Commitment
    -- $20/month - All Applications, Annual Commitment, Students and Teachers (K-12 and College)
    -- $50/month - All Applications, Annual Commitment (What I have)
    -- $75/month - All Applications, No Commitment

    So, while you may still have some qualms about a subscription model, remember not to spread FUD or inaccurate information.

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  15. Re:I tried this... by KiloByte · · Score: 4, Insightful

    When GIMP finally has a single-window UI

    It has. And fortunately you can disable that. Seriously, single-window sucks so bad only a Windows user (ie, without proper window management) could want it.

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  16. Re:But who are their competitors? by LVSlushdat · · Score: 4, Interesting

    Or how about this one.. Somebody with lots of $$$ (or lots of backers with $$$$) decides to get with the GIMP crew and fund them to develop/add to GIMP the features/tools that make professional users of Photoshop stick with Photoshop, even though GIMP has, what? 80% of the features of Photoshop?? These somebodies who perhaps are fed up with Adobe and its bullshit antics, and wants to give them a comeupance???? It would be fun to watch...

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  17. Re:I tried this... by Khopesh · · Score: 4, Informative
    For that list, you've only got a year or two left to wait:

    1. 16bpc (and 32bpc) (native, pending for GIMP 2.9+)
    2. CMYK (Plugin, supporting GIMP 2.4+)
    3. Single-window mode for GUI (native, GIMP 2.7.3+)

    You only used one out of three, you guys are putting less effort into this as the years go by. Guess Gimp has been winning for a while now :)

    Now who's not putting in enough effort? ;-)

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  18. Re:I tried this... by im_thatoneguy · · Score: 4, Insightful

    Yea, it isn't a professional grade graphics tool unless you paid an obscene amount of money for it.

    Obscene? $49.99 per month? Most people pay twice that per month for Cable.

    If you're a graphic designer you can get by with just the creative suite for all of your software needs. That works out to about 31 cents per hour for Adobe software. You're probably charging your client $50-$100 per hour. So that means the software which enables your entire business to run is as little as 0.3%-0.6% of your billable rate.

    Credit card servicing fees are 2.5% of a retail business' overhead. So to all the whining I just yawn. Does Creative Suite offer 31 cents an hour in value? Of course. The reason you won't see any backlash is because Creative Suite is ridiculously cheap even on subscription. @ $2.5 per day, it only has to save you $2.5/$75hr * 60 = 2 minutes of productivity per day. Using photoshop probably saves me 2 *hours* of productivity per day over gimp. It definitely saves me 2 minutes. So I could stop paying Adobe and lose 2 hours of productivity per day... or I could pay Adobe the equivalent of 2 minutes of productivity.

    Using GIMP is incredibly expensive. It costs way more than $49.99 a month in lost productivity.