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Famous Paintings Help Study the Earth's Past Atmosphere

houghi (78078) writes "From European Geosciences Union: 'A team of Greek and German researchers has shown that the colours of sunsets painted by famous artists can be used to estimate pollution levels in the Earth's past atmosphere. In particular, the paintings reveal that ash and gas released during major volcanic eruptions scatter the different colours of sunlight, making sunsets appear more red.' The original paper can be found here. In the last 150 years, the sunsets have become redder, likely reflecting increased man-made pollution."

126 comments

  1. News? by Anonymous Coward · · Score: 0

    the paintings reveal that ash and gas released during major volcanic eruptions scatter the different colours of sunlight, making sunsets appear more red.

    It's a good thing we have these paintings, or we wouldn't know this kind of thing!

    1. Re:News? by kmoser · · Score: 2

      If it weren't for Seurat, we wouldn't have known that 19th century people were made of tiny dots.

  2. Stars have also gotten smaller. by generic_screenname · · Score: 5, Funny

    At least, according to Van Gogh.

    1. Re:Stars have also gotten smaller. by houstonbofh · · Score: 1

      At least, according to Van Gogh.

      But due to the prevalent light pollution, from our perception they actually have gotten smaller.

    2. Re:Stars have also gotten smaller. by Ken_g6 · · Score: 1

      At least, according to Van Gogh.

      Or eyeglasses have gotten better.

      --
      (T>t && O(n)--) == sqrt(666)
    3. Re:Stars have also gotten smaller. by K.+S.+Kyosuke · · Score: 3, Funny

      At least they are not rectangular anymore, as they used to be in the cubist era. Imagine the weather changes caused by a non-isotropic rotating Sun! I imagine the only reason why they didn't complain and got used to it was because WW I and the post-war depression were worse.

      --
      Ezekiel 23:20
  3. artistic licence... by buzzsawddog · · Score: 5, Insightful

    Because we know they never used artistic license to paint something that is less than realistic...

    1. Re:artistic licence... by Anonymous Coward · · Score: 0

      Maybe if they used all paintings (famous or not), they could average out artistic styles and get a more reliable measure.

    2. Re:artistic licence... by Anonymous Coward · · Score: 0

      Because we know they never used artistic license to paint something that is less than realistic...

      Same with historians, most likely.

    3. Re:artistic licence... by PolygamousRanchKid+ · · Score: 3, Interesting

      . . . so let me take a quick look at my works from Mark Rothko, Jackson Pollock, Roy Lichtenstein and Rene Magritte . . .

      Rothko - There's pollution in the atmosphere, but it gives you a warm, fuzzy feeling.

      Pollock - The world's fucked.

      Lichtenstein - The atmosphere is comical.

      Magritte - The sky looks fine . . . but it is in the face of a scary looking guy in a black suit.

      Science and art . . . quite a powerful combination! What do creationist believe about the world's atmosphere . . . did God create it polluted? Or did it start with that eviction deal over a terms of use dispute with the Garden of Eden . . . ?

      --
      Schroedinger's Brexit: The UK is both in and out of the EU at the same time!
    4. Re:artistic licence... by Applehu+Akbar · · Score: 1

      And from JMW Turner, we learn that Mt Toba was in continuous eruption during Victorian times.

    5. Re:artistic licence... by bluegutang · · Score: 4, Insightful

      And because we know artists from past centuries had access to exactly the same paints and color ranges that we do today...

    6. Re:artistic licence... by s.petry · · Score: 3, Interesting

      This!!

      One of my many studies in life has been art. I paint in oils and acrylics, and even took a few college courses. Very few painters are "realists" and even back 3000 years ago we knew about how to use colors for effect, not realism.

      Sure, sculpting was one of those things where the ancient Greek artists tried to be as realistic as possible. At the same time, paintings of Hermes and Zeus indicate that not everything required the same level of realism (unless of course someone wishes to argue that the Ancient Greeks "saw" their gods.). Trying to measure the atmosphere based on pictures of Hermes seems pretty silly to me.

      Lets also not forget that even with realism, many things can give the sunset or sunrise in a nice red hue (storm on the horizon anyone?). The pollution in the atmosphere is just one of countless things that could cause the sky to have a red hue. I really hope that people are not calling this "science".

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    7. Re:artistic licence... by s.petry · · Score: 2

      You should have had Dali there too.

      Dali - The world is full of hidden vaginas

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    8. Re:artistic licence... by Anonymous Coward · · Score: 1

      And the pigments, they have changed. Industrial tube colors came about 150 years ago as well. The amount of aerosols have reduced significantly during the last decades over Europe due to environmental regulation, while in some other places they have likely increased quite significantly.

    9. Re:artistic licence... by DerekLyons · · Score: 2

      And we know that pigments and binders are completely stable across decades and centuries...

    10. Re:artistic licence... by Sardaukar86 · · Score: 2

      Dali - The world is full of hidden vaginas

      Geiger - The world is full of not-at-all-hidden vaginas

      --
      ..Mullah or Pope, Preacher or Poet, who was it wrote: "Give any one species too much rope and they'll fuck it up"?
    11. Re:artistic licence... by fufufang · · Score: 1

      And because we know the artistic style for sunsets remain stable over the years...

    12. Re:artistic licence... by PolygamousRanchKid+ · · Score: 1

      Dali - The world is full of hidden vaginas

      . . . Georgia O'Keeffe . . . the world is a vagina . . .

      --
      Schroedinger's Brexit: The UK is both in and out of the EU at the same time!
    13. Re:artistic licence... by Agent0013 · · Score: 1

      >

      Lets also not forget that even with realism, many things can give the sunset or sunrise in a nice red hue (storm on the horizon anyone?). The pollution in the atmosphere is just one of countless things that could cause the sky to have a red hue. I really hope that people are not calling this "science".

      Plus, the artist would probably be expected to choose a scene they felt warranted the time and effort to paint it. Boring dull horizon. . . yeah, I'll paint that one! Bright colorful horizon. . . naw, why waste my time! If there was same reason to expect that every type of sky was equally represented in the paintings then this theory could hold some water, but I don't see how you could expect that to be. If they were constantly running weather cams or something, then it would work.

      --

      -- ssoorrrryy,, dduupplleexx sswwiittcchh oonn.. -Quote found on actual fortune cookie.
  4. Dear Hippies, by Anonymous Coward · · Score: 1, Interesting

    "Pollution" is what happens when living things do stuff. Pollution is not bad, per se... it is a fact of life. Demonizing "pollution" is the way of the intellectually unsophisticated or lazy. It is how we deal with pollution that is ever the issue.

    1. Re:Dear Hippies, by Opportunist · · Score: 1

      Our goal should still be to limit pollution to what is absolutely necessary and not overdo it. Along the golden rule that your actions should not impose more harm upon others than entirely necessary (because by the very nature of existence it is impossible to have no negative impact on everyone all the time).

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:Dear Hippies, by Anonymous Coward · · Score: 0

      A lot of what people do is mildly polluting and not entirely necessary, so you might want to rephrase your golden rule, otherwise you're implying that we should ban things like leisure travel.

    3. Re:Dear Hippies, by Opportunist · · Score: 1

      I'm not talking about banning something. I don't feel it's my prerogative to tell anyone how to lead their lives. But I'd expect people to understand that resources are limited and that responsible use thereof is in order.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    4. Re:Dear Hippies, by K.+S.+Kyosuke · · Score: 2

      I'm pretty sure that 80 % of all the world's total happiness is achievable with 20 % of the world's resources, or something like that.

      --
      Ezekiel 23:20
    5. Re:Dear Hippies, by ganjadude · · Score: 2

      im pretty sure 90% of statistics on the internet are simply pulled out of peoples asses 73.7% of the time

      --
      have you seen my sig? there are many others like it but none that are the same
    6. Re:Dear Hippies, by Anonymous Coward · · Score: 0

      Our goal should still be to limit pollution to what is absolutely necessary and not overdo it. Along the golden rule that your actions should not impose more harm upon others than entirely necessary (because by the very nature of existence it is impossible to have no negative impact on everyone all the time).

      Okay let's exterminate every human in the every country except the First World. There would be many benefits the least of which is less foreign aid to these "culture of dependency" types. Which country's population do you propose we eliminate first Herr Opportunist?

    7. Re:Dear Hippies, by s0nicfreak · · Score: 1

      Why shouldn't leisure travel be required to be non-polluting, or at least, as little polluting as possible?

    8. Re:Dear Hippies, by Anonymous Coward · · Score: 0

      Which is why environmental regulations usually contain the clause of "using the best commercially available technology", commercially available meaning affordable to the industry in question, sufficiently unencumbered by licensing and patents, and existing on the related market instead of in a research stage or under some kind of political embargo.

    9. Re:Dear Hippies, by Anonymous Coward · · Score: 0

      As long as you don't pollute in my neighborhood, your in good standing.

  5. Wouldn't photography be a better reference? by Mr0bvious · · Score: 1

    Surely photography would be a better reference - I'm assuming that the vast majority of 'globally influencing' pollution would have occurred after colour photography became popular.

    --
    Never happened. True story.
    1. Re:Wouldn't photography be a better reference? by houstonbofh · · Score: 2

      Surely photography would be a better reference - I'm assuming that the vast majority of 'globally influencing' pollution would have occurred after colour photography became popular.

      "King Edward I of England banned the burning of sea-coal by proclamation in London in 1272, after its smoke became a problem."
      So how far back to you think color photography goes?


      (1) http://en.wikipedia.org/wiki/P...

  6. Not just Man-made... by The-Bobmeister · · Score: 0

    Let's not discount natural events either. A few months ago, I wrote a blog post about the deep reddish and orange hues of the Oslo sky in Edvard Munch's painting, The Scream - they were a manifestation of the 1883 Krakatoa volcanic eruptions (http://bobyewchuk.wordpress.com/2013/10/01/the-scream/).

    1. Re:Not just Man-made... by houstonbofh · · Score: 1

      That was the first painting that came into my mind when I read the summery. I did not know the back story on it either.

    2. Re:Not just Man-made... by aaron4801 · · Score: 2, Insightful

      Paraphrasing the summary: 'Volcanic eruptions make sunsets more red, therefore, redder sunsets in paintings reflect man-made pollution.' WTF?

    3. Re:Not just Man-made... by houghi · · Score: 1

      The natural events are not forgotten. In fact they let a modern painter paint while they KNEW there had been a volcanic eruption.

      --
      Don't fight for your country, if your country does not fight for you.
  7. Starry Night! by Anonymous Coward · · Score: 0

    Starry Night is proof that that stars were once much closer together!

  8. Clutching at straws by LongearedBat · · Score: 2, Interesting

    The climate debate is pretty much settled: humans are responsible for (at least) most of the current climate shock.

    But this is just silly. Art is subjective, even for the artist. And even if all artists always painted with perfect colours that don't change over time, artists don't paint sunsets on a regular basis, but rather irregularly, such as when they're extra pretty.

    This sort of study makes AGW proponents look desperate, and that's not a good way to convince people who prefer to stick their heads in the sand.

    1. Re:Clutching at straws by marcgvky · · Score: 0, Insightful

      No, it's not settled. If you actually READ the literature with an honest mind, you would see that there is no proof that we are having a major influence on any part of things. "Climate Change" is the new socialist religion.... you can't really prove it using scientific method, ergo it's more of a faith than a science.

    2. Re:Clutching at straws by Antique+Geekmeister · · Score: 1

      > But this is just silly. Art is subjective, even for the artist. And even if all artists always painted with perfect colours that don't change over time, artists don't paint sunsets on a regular basis, but rather irregularly, such as when they're extra pretty.

      Do read the article. They measured red-green _ratios_. Since much of color vision is based on the contrast between objects, and since they measured changes in the same artist's work from year to year, this seems a very reasonable way of measuring contrasts in sunset coloring from year to year. I applaud the scientists for doing this very well, to normalize the comparisons they made for the aging of the paint, the cost or tint of locally available paint dyes, and other factors that would skew results.

      Even if the artists chose to paint particularly striking sunsets, the existence of those striking sunsets is, in itself, often a sign of artificial or natural pollution altering the sunsets.

    3. Re:Clutching at straws by Stumbles · · Score: 3, Insightful
      "... the existence of those striking sunsets is, in itself, often a sign of artificial or natural pollution altering the sunsets."

      Or just their fucking imagination, geesh what mental gyrations "scientists" and the holy believers will go through to "support" their religion.

      --
      My karma is not a Chameleon.
    4. Re:Clutching at straws by Immerman · · Score: 4, Interesting

      Climate change is a scientific proposition, and has absolutely nothing to do with "literature", unless you're referring to research papers that have been peer-reviewed and repeated by others. In which case the overwhelmingly consensus is that yes, fossil fuel CO2 emissions are very much in danger of tipping the the planet into a runaway climate shift that will end the ice age that is all our species has ever known.

      Take a look at this video series - he does a pretty decent job in he first couple videos of stripping away all the hypes and disingenuousness of both sides of the political debate, and gets down to the actual science and scientific debate. Yes, there is some scientific debate, but no, it has nothing to do with any of the tripe you've heard on the "news". He then spends many, many more episodes tearing apart the mountain of lies politicians and talking heads have piled on the issue.

      http://www.youtube.com/watch?v...

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    5. Re:Clutching at straws by marcgvky · · Score: 2
      Starting to like Immermans tone. Yes, I was referring to journals. And a proposition is not a proven fact, by definition.

      Since the tone of this conversation has shifted to one of debate (which is welcomed), most of the science that has been published is NOT repeatable, due to two factors: 1) to the confidence intervals when taken in 2) combination with the way the study data must be flogged and contorted, in order to produce a reasonably acceptable CI. This fact is never in dispute, even with most frequently cited authors. Ergo, extrapolating or deriving a clear and repeatable conclusion is theoretically impossible.

      One of my early mentors once said, "If you torture the numbers and cohorts enough, they will say anything that you want them to say." Climate change "science" falls into this category, until you can make a model that anyone can observe and test and say, "yep, that's it."

    6. Re:Clutching at straws by Smauler · · Score: 1

      Everyone seems to be assuming that this paper is about global warming. It's not.

      The pollutants that they are talking about generally lead to cooling of the climate, as evidenced by the climate change observed after major volcanic eruptions. Just because it talks about pollution, does not necessarily mean it's equatable to global warming. In most of the western world, these airborne pollutants are now at a much lower level than they were a hundred years ago.

    7. Re:Clutching at straws by Immerman · · Score: 3, Informative

      Observational science is by it's nature difficult to repeat, and when discussing changes on a global scale the necessary period of repeatability is by necessity thousands, if not millions of years - which doesn't help us at all. So we're force to extrapolate from small-scale knowledge.

      Known - no significant debate among scientists.
      - atmospheric CO2, methane, and water vapor all slow the rate of thermal loss into space by making the atmosphere less transparent to IR, with water vapor and CO2 capturing relatively independent parts of the infrared band.
      - historical temperature reconstructions show that the combination of solar variation, atmospheric CO2 levels, and ice-cap extents (and a few other much less significant factors) appear to completely explain all major historical thermal fluctuations.
      - atmospheric CO2 monitoring shows steadily accelerating increases consistent with known human CO2 emissions
      - observations of the atmosphere at all levels show warming consistent with even decades-old models of AGW
      - over extremely long timescales the global climate oscillates between two metastable positions - ice ages, with their oscillations between deep freezes and temperate interglacial periods that we're in today, and warm periods (where oscillations seem to be instead between tropics and deserts).
      - at some point in every transition from an ice-age to a warm period a runaway process appears to take over, where melting ice caps, permafrost, and oceanic methane hydrates release ever-increasing amounts of greenhouse gasses into the atmosphere in a self-reinforcing cycle, until those reserves have been completely spent and the planet is firmly established in a warm period

      Unknown:
      - exactly where the "tipping point" is that causes runaway warming to take over (but all our best estimates are that with current fossil fuel consumption trends we'll cross it with ease by the end of the century, if we haven't done so already)
      - exactly how fast things can change, and how fast the biospere can adapt - i.e. just how bad the associated mass extinctions from a particular transition might be.
      - exactly what sorts of weather changes to expect during the centuries of transition.

      If you can throw some additional unknowns out that call into question the reality of the problem we're facing I'd be glad to hear it.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    8. Re:Clutching at straws by phantomfive · · Score: 2

      In which case the overwhelmingly consensus is that yes, fossil fuel CO2 emissions are very much in danger of tipping the the planet into a runaway climate shift that will end the ice age that is all our species has ever known.

      Except there's no consensus about a tipping point pushing into runaway climate change. I don't even know why you think there is a consensus on that. There is one very vocal scientist who is certain it will happen (James Hansen), and there are certainly others who agree with him, but it is far from a consensus. Seriously, where did you hear that?

      --
      "First they came for the slanderers and i said nothing."
    9. Re:Clutching at straws by __aanbvm4272 · · Score: 0

      Dick Cheney once said "All we have to do is create a sense of uncertainty about global warming." So why would we go on listening to the nay sayers? Go AWAY! and keep buying your oil stock... We are We have We will try to do something before we kill our future home...

    10. Re:Clutching at straws by Anonymous Coward · · Score: 0

      They heard it from the news. I would bet the parent never even cracked an IPCC report, yet is attempting to claim the intellectual high ground..

    11. Re:Clutching at straws by phantomfive · · Score: 1

      I would bet the parent never even cracked an IPCC report,

      You bet wrong.

      --
      "First they came for the slanderers and i said nothing."
    12. Re:Clutching at straws by Immerman · · Score: 3, Informative

      No, there's definitely a consensus on a tipping point - every major climate shift for which we have data shows evidences of a runaway positive feedback loop where atmospheric CO2 levels climb precipitously when leaving an ice age (which we're currently in an interglacial period within), and there's no longer any serious debate about the warming effects of atmospheric CO2. Typically the process lags behind the temperature by several hundred years, this is the first time on record where it would be CO2 changes acting as the forcing factor rather than just positive feedback, but the warming effects of atmospheric CO2 are well understood and accepted. Normally something else happens that sets the planet to warming - orbital shifts increasing solar energy being one of the major ones. but then the CO2 feedback loop kicks in and carries the warming far beyond what the forcing factor alone could have done.

      Where there's not a broad consensus is on just how much warming has to happen before the positive feedback loop becomes unavoidable without massive risky geoengineering projects. Historic CO2 emissions (if we cut them to zero today) however are estimated to be sufficient to raise the global temperature by at least a couple degrees C, we're almost there already, and it'll be decades before current atmospheric CO2 levels can fall back to 1900 levels and stop warming the planet further. Meanwhile more realistic estimates based on current fossil-fuel consumption trends are estimating closer to a 4-10 degree change by the end of the century, and most climatologists believe that will be more than sufficient to cross the tipping point. We are after all starting from the position of a nice warm interglacial period.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    13. Re:Clutching at straws by Anonymous Coward · · Score: 0

      By parent I referred to Immerman.

    14. Re:Clutching at straws by Antique+Geekmeister · · Score: 1

      > Or just their fucking imagination, geesh what mental gyrations "scientists" and the holy believers will go through to "support" their religion.

      Well, yes. That's why the researchers looked for artists who tried to do "realistic" work, and compared over years of work by the same artist, and checked for the contrast levels, rather than the direct color. It's actually quite good work based on how human eyes and minds perceive color, as _contrasts_ rather than as absolute values.

    15. Re:Clutching at straws by phantomfive · · Score: 1

      No, there's definitely a consensus on a tipping point - every major climate shift for which we have data shows evidences of a runaway positive feedback loop where atmospheric CO2 levels climb precipitously when leaving an ice age (which we're currently in an interglacial period within), and there's no longer any serious debate about the warming effects of atmospheric CO2. Typically the process lags behind the temperature by several hundred years, this is the first time on record where it would be CO2 changes acting as the forcing factor rather than just positive feedback, but the warming effects of atmospheric CO2 are well understood and accepted. Normally something else happens that sets the planet to warming - orbital shifts increasing solar energy being one of the major ones. but then the CO2 feedback loop kicks in and carries the warming far beyond what the forcing factor alone could have done.

      Ok, I think you are confused here. I asked why you thought there was consensus on a certain point, and you responded by describing the hypothesis in greater detail. Which is cool, but it doesn't answer the question in any way........

      --
      "First they came for the slanderers and i said nothing."
    16. Re:Clutching at straws by Immerman · · Score: 2

      My mistake, I figured you maybe wanted more information to assuage your ignorance. Here:
      http://lmgtfy.com/?q=climate+c...

      Go ahead, find me some credible links there calling into question the existence of such a thing.

      The global climate is a metastable system on geologic timescales - there's no serious question about that. And *every* metastable system has tipping points - that's the defining quality of metastability.
      http://en.wikipedia.org/wiki/M...

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    17. Re:Clutching at straws by phantomfive · · Score: 1

      So.......there have been attempts to identify consensus on climate change. A typical method is presented here, which finds that most scientists agree that the earth is getting warmer, and that humans have contributed, for example. That is one method of measuring consensus.

      Do you notice they didn't ask whether the scientists are worried about a 'tipping point?' Looking at a Google search is not the same as showing that there is consensus. Is that the reason you think there is a consensus, counting Google search results? I hope not.

      --
      "First they came for the slanderers and i said nothing."
    18. Re:Clutching at straws by phantomfive · · Score: 1

      Incidentally, if you're interested in a movie that addresses the 'debate', here is Lindzen presenting his own view.

      Or if you'd prefer it in debate form, here he is debating the topic.

      --
      "First they came for the slanderers and i said nothing."
    19. Re:Clutching at straws by Immerman · · Score: 1

      No, it is because a tipping point is implied by every climate model in existence that is capable of describing the transitions between ice ages and warm periods - i.e. pretty much all of them. To deny the existence of a tipping point is to deny the nature of metastable systems and eons of geologic history that show our planet to be one such. Nobody is doing research to measure the degree of consensus about a tipping point for the same reason nobody is researching the degree of consensus about the existence of gravity or the fact that the Earth is round(ish) - there is no meaningful disagreement to measure. On the exact nature and position of the tipping point sure, there's lots of disagreement, in fact AFAIK there's currently no meaningful consensus - it's recognized that there's still too much we don't understand about the exact mechanisms in play to make precise predictions. But on it's existence? Go ahead - find me a handful of independent climatologists even calling it into question, otherwise I have nothing more to say on this topic.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    20. Re:Clutching at straws by phantomfive · · Score: 1
      So.....your argument is that there is consensus on the point because it is scientifically established truth? And that's why no one felt the need to measure it?

      If that is your argument, I'd be interested in seeing why you felt that other aspects of climate science, which are in fact more scientifically established, did need consensus established.

      Go ahead - find me a handful of independent climatologists even calling it into question, otherwise I have nothing more to say on this topic.

      Frankly what you have to say on the topic seems to be entirely based on a crappy series of movies you found on youtube by some anonymous guy.

      --
      "First they came for the slanderers and i said nothing."
    21. Re:Clutching at straws by dryeo · · Score: 2

      You left out one driver of climate change over geologic time scales. Continental drift which over the eons might be the largest driver of climate change. Relatively recent examples could be the closing of the isthmus of Panama stopping currents between the Pacific and Atlantic and the opening of the straight between Antarctica and S. America.
      Of course this is long term affects and obviously has nothing to do with historical climate.

      --
      https://en.wikipedia.org/wiki/Inverted_totalitarianism
    22. Re:Clutching at straws by Sardaukar86 · · Score: 1

      Thanks, that was a lucid and easily-digestible summary of the matter.

      The media and industry shills have managed to really cloud this issue.

      I wonder how people would feel about the loud and ever-present AGW deniers if they realised the full extent of the scientific 'debate' amounted to determining

      1) exactly how badly screwed we all are,
      - and
      2) exactly when the screwing begins

      --
      ..Mullah or Pope, Preacher or Poet, who was it wrote: "Give any one species too much rope and they'll fuck it up"?
    23. Re:Clutching at straws by TranquilVoid · · Score: 1

      observations of the atmosphere at all levels show warming consistent with even decades-old models of AGW

      This is surprising as old models cannot take into account recent efforts to reduce emissions, or at least reduce the rate of increase of emissions.

      Unless of course all that policy has had a negligible effect, but that can't be right - a quick scan of my local supermarket reveals that 90% of products are now environmentally friendly.

    24. Re:Clutching at straws by Anonymous Coward · · Score: 0

      www.climatedepot.com

      Why didn't you use the term 'catastrophic man-made global warming'? Why are you talking about 'climate? To hide the truth. To stifle debate. That's why.

    25. Re:Clutching at straws by Immerman · · Score: 1

      Despite all our efforts to reduce emissions, they are still increasing faster than the worst-case "alarmist" scenarios in historical predictions. The models are consistent in the sense that you plug in actual CO2 emissions (one of the inputs) they predict the atmospheric warming we're seeing.

      That is why climate change prediction graphs usually branch into multiple lines on "today" - you usually get a best-case "if we stopped emissions today" line, a worst case "if we continue to increase fossil carbon use like we have been" (which usually catches a lot of flack for being alarmist), and a few more "realistic" estimates. A model on it's own isn't a prediction, it's a tool to generate predictions from assumed inputs. If you go back after the fact and plug in the actual measured inputs, you can see how good your model was by getting a "retro-prediction" of today. So things like actual CO2 emissions, actual solar variance, etc. - stuff that can't be meaningfully predicted - go into the model, and we see how close to measured reality the prediction is. A good prediction means there's a decent chance the model is basically sound.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    26. Re:Clutching at straws by LongearedBat · · Score: 1

      Point taken. I wish someone would mod your post + informative.

  9. Enough with the Climate Change Articles Slashdot by marcgvky · · Score: 2, Insightful

    We get it, you are climate change believers.... can we move on.... please.

  10. history of WMD hysteria makes future look short? by Anonymous Coward · · Score: 0

    atmostfear is the color of our sky now? http://www.youtube.com/results?search_query=weather+weapons&sm=3 our legacy & leavings for our kids..

  11. It's not pollution... by Overzeetop · · Score: 1

    ...it's Instagram filters.

    I guess either way the planet is going to end up uninhabitable - we may not choke to death on smog, we'll be overrun by hipsters. God, what an awful way to go.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  12. "Climate Change" has become modern myth by marcgvky · · Score: 1

    John Christy, Professor of Atmospheric Science at the University of Alabama in Huntsville, who has written: “I’m sure the majority (but not all) of my IPCC colleagues cringe when I say this, but I see neither the developing catastrophe nor the smoking gun proving that human activity is to blame for most of the warming we see.”

  13. wow by Charliemopps · · Score: 4, Insightful

    When I read the title I thought to my self "That's a clever way to word something, so people will be outraged, read the article and then find that it's really about them sampling paint and finding pollutants there." But no, it was as ridiculous as the title suggested. Can we revoke their science card?

    1. Re:wow by wonkey_monkey · · Score: 1

      Can we revoke their science card?

      You'd revoke their science card for what the authors freely admit is a "tentative proposal"? And based on, what, your hunch that what they describe is too good to be true?

      They sampled red-green ratios from various painters, compared it to historical pollution data and found a correlation. They got an artist to paint before and after a dust event (of which he was unaware) and found a similar correlation. Doesn't sound that far-fetched to me. Will it "help study the Earth’s past atmosphere" as the headline suggests? Perhaps not - I'm sure there are probably much better ways. But I don't see why it has to be dumped in the pseudo-science bin.

      --
      systemd is Roko's Basilisk.
    2. Re:wow by Pino+Grigio · · Score: 0

      They sampled red-green ratios from various painters, compared it to historical pollution data and found a correlation.

      Good God. Seriously? Really wonkey_monkey? You're willing to give these idiota the benefit of the doubt because... they found a correlation? I know what happens next: The correlation becomes a model, the model predicts utter doom for mankind, possibly, but first more money is needed to fund further research!

      They should be fired for brining science into disrepute. I bet their "correlation" doesn't have any error bars because, well, they have no idea how accurate their measurement is.

    3. Re:wow by wonkey_monkey · · Score: 1

      No, I'm going to give them the benefit of the doubt because the only reasonable information I've seen on what they've achieved suggests they've got something interesting, and also because it a) doesn't seem that ridiculous to me and b) doesn't really matter enough to me personally to go and investigate further. They haven't claimed the sky is falling. Why are you, and others, going ape-shit (as so often happens on Slashdot) just because someone's dared to suggest - tentatively suggest, at that - something that you (and I'm going to go out on a limb and assume, by the law of averages only, that you're not actually a climate scientist) think sounds implausible?

      The authors call it a "tentative proposal." It's not like they've claimed they can read the future in tea leaves, is it?

      I don't think it sounds far-fetched. You, clearly, do. That's great, because the pursuit of differing ideas and opinions is how we get anything solved. But why are you so annoyed that my opinion - based, let's be honest, as yours was only on the article and possibly the abstract of the paper - differs from yours?

      I personally try to avoid claiming people are idiots unless I know more about their subject than they do.

      --
      systemd is Roko's Basilisk.
    4. Re:wow by Pino+Grigio · · Score: 1

      The reason I'm going "ape shit" is because this is one story in a continual stream of complete bollocks the press releases from which get recycled into the "media" on a regular basis, making scientists look truly stupid and helping to destroy public trust in science, the scientific method and scientists as a whole.

    5. Re:wow by wonkey_monkey · · Score: 1

      which get recycled into the "media" on a regular basis

      This is a new paper, isn't it? On what basis are you lumping this particular study in with the rest of the bollocks?

      --
      systemd is Roko's Basilisk.
    6. Re:wow by s.petry · · Score: 1

      No, I'm going to give them the benefit of the doubt because the only reasonable information I've seen on what they've achieved suggests they've got something interesting, and also because it

      Interesting != Science

      a) doesn't seem that ridiculous to me

      So Zeus was a historical figure and the Greeks painted him while he posed? He's just one of many of their gods painted.

      I believe it's obvious that this is like reading tea leaves. When you start with a unrealistic premise it's nearly impossible to get to a realistic solution. Perhaps because of your "b" you just don't care to scrutinize the logic.

      I'll agree with you that it's interesting, but it's not science. It would be impossible to try and make any type of measurement for what they are trying to measure based on paintings, when the majority of those paintings contain mythical and unrealistic objects. If you believe that their goal is possible, do me a favor and visit a few art museums and just look at the paintings. I'd refuse to believe that Poseidon swallowed ships for the same reason I would refuse to claim that the colors the artist chose for the sky indicate how much air pollution there was.

      Quite frankly, you don't even need to make a trip to a museum and look at more modern paintings. Just Google search "Ancient Greek Paintings" and have a look at what someone is claiming can be used to determine air pollution levels base on pain hue and RGB content.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    7. Re:wow by wonkey_monkey · · Score: 1

      It would be impossible to try and make any type of measurement for what they are trying to measure based on paintings, when the majority of those paintings contain mythical and unrealistic objects.

      Just Google search "Ancient Greek Paintings"

      Perhaps you should try reading the article properly. I think I see where you went wrong:

      A team of Greek and German researchers [...] analysed hundreds of high-quality digital photographs of sunset paintings done between 1500 and 2000.

      --
      systemd is Roko's Basilisk.
    8. Re:wow by s.petry · · Score: 1

      You are correct, I didn't read the article. No need though, because the article won't change my logic at all. Paintings and Canvas are not done to be exact replicas of nature, but are painted to be appealing to the eye. Even if an artist attempted to replicate a particular color he saw in the sky, there are thousands of reasons for the sky to be that color. Pollution is not the only, or even the best, explanation for the colors the artist chose.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    9. Re:wow by wonkey_monkey · · Score: 1

      Paintings and Canvas are not done to be exact replicas of nature

      They don't have to be exact to bear some relation to reality, and it wouldn't be unremarkable to discover that some painters would take pride in capturing the beauty of nature as exactly as possible.

      Pollution is not the only, or even the best, explanation for the colors the artist chose.

      The abstract doesn't mention pollution, per se (man-made or otherwise). Still, the authors have found a correlation, albeit a slight one which they only tentatively propose to be of limited utility. Yes, many things will have a bearing on how an artist paints his pictures. But it hardly seems outside the realm of possibility to me that when the sky is redder, artists will tend to paint redder paintings. That's all you need for there to be a correlation. You could give an artist a choice of two shades of red to paint his from-life sunsets, and only allow him to paint entire canvases in solid colour, and you could still find a correlation given enough paintings.

      Monet didn't set out to paint photo-realistic paintings of waterlilies, and yet you can chart the progression of his cataracts (and their subsequent surgical removal) by the general colour tone of this paintings during that period.

      Will this finding actually be of any future scientific use? I find that hard to believe, and I suspect any suggestion of that is more to do with the article's writers than the paper's.

      --
      systemd is Roko's Basilisk.
    10. Re:wow by s.petry · · Score: 1

      What you seem to miss completely is that an artist does not choose colors by the colors they see, or that someone else saw. Colors are chosen more for providing an emotion, or to have continuity in the painting, or to emphasize a color in the focus area, or to help move a persons eye to a different region of the painting, or countless other things. It also has to do with the paint being used, how the color is added to the paint and what is used to make the color. None of that is "realism".

      Of course these people could come up with correlation, especially given the broad and bad criteria. For every painting they claim backs their theory how many don't? I"m betting the numbers would be extraordinary. They intentionally limited the paintings and artists reviewed to back their poor logical correlation (which never equals causation).

      Your Monet example is not quite right, you are giving a specific artist and a specific illness to the eyes that impacted his paintings. You are not generalizing that we can know how bad everyone's cataracts are by looking at all paintings of waterlilies made over the last X amount of time. I think you would agree that me making a claim that I could, would be extremely foolish. Yet if I change cataract to pollution and waterlily to sunset you claim it's plausible.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    11. Re:wow by wonkey_monkey · · Score: 1

      What you seem to miss completely is that an artist does not choose colors by the colors they see

      If that was literally true, every painting would be random colours, wouldn't it?

      Colors are chosen more for providing an emotion, or to have continuity in the painting, or to emphasize a color in the focus area, or to help move a persons eye to a different region of the painting, or countless other things.

      I disagree. Colours in art are chosen primarily for what things actually look like, otherwise we'd have paintings of Elizabeth I with blue hair and red skin. But for some reason everyone painted her as pasty and redheaded, because she was. In almost all cases, those things you've mentioned are secondary factors. I don't think you'd find many artists who'd paint a clear daytime sky as hot pink just because they'd have an argument with their significant other.

      And those other things will be far more randomised than the "real colour" factor. That could, in theory, lead to an averaging, noise-reducing effect as you take more and more examples into account. If it's safe to assume that nearly all artists start with "real colour" as their starting point - and what else could they start with when painting from life? - then, unless artists have colluded over the centuries, all those other factors would be more-or-less random noise which could be averaged out.

      If a sky is redder, an artist is far more likely, on average, to paint redder than he otherwise would at that moment - would you dispute that? Is that enough to overcome the noise of all the other influences? I don't know, though I suspect it is. Unless you've researched it, I'm going to assume that you don't know either. The authors, at least, think they've come to a tentative conclusion via scientific methods. Have they succeeded? Eh, the jury is still out as far as I'm concerned. But I won't dismiss the idea out of hand on a hunch.

      They intentionally limited the paintings and artists reviewed to back their poor logical correlation (which never equals causation).

      How do you know they did that? I'm not saying you're wrong, but is that your hunch (in which case, why state it as a fact?) or do you actually know it to be so?

      You are not generalizing that we can know how bad everyone's cataracts are by looking at all paintings of waterlilies made over the last X amount of time. I think you would agree that me making a claim that I could, would be extremely foolish.

      Actually I do find it plausible that you could find evidence of a correlation between progression of cataracts and the colouring of paintings in a number of artists' works. Other artists who didn't suffer cataracts might reduce the correlation, but they wouldn't undo it.

      I'll gladly admit that it may be that these guys got a little too excited about their "tenuous proposal" while they were working on it. But, to be honest, one of the reasons I'm defending the possibility so strongly is exactly because of those people who are always itching to dismiss just about anything remotely interesting simply because they can't believe it.

      --
      systemd is Roko's Basilisk.
    12. Re:wow by s.petry · · Score: 1

      If that was literally true, every painting would be random colours, wouldn't it?

      Random? No, and the statement is an absurdity (intentional or otherwise). For example: If I paint a horse blue, it's not going to look much like a horse. I don't go measure horse RGB values of real horses, but I stay within browns, blacks, whites, and grey colors. I may put spots in a pattern that is intended to move your eyes in one direction or another, I don't necessarily use an exact pattern found on a real horse somewhere. If I wanted viewers to feel more tranquil, I'll probably use lighter colors. If I want them to feel more sullen I would use darker colors. This is what an artist thinks of, in addition to the colors of paints on hand and how to mix so that I can stretch paint to more areas of the canvas.

      I disagree. Colours in art are chosen primarily for what things actually look like, otherwise we'd have paintings of Elizabeth I with blue hair and red skin. But for some reason everyone painted her as pasty and redheaded, because she was. In almost all cases, those things you've mentioned are secondary factors. I don't think you'd find many artists who'd paint a clear daytime sky as hot pink just because they'd have an argument with their significant other.

      Using my horse example above I'll agree with you to some extent. To claim you can measure the evolution of horse hair color based on my, and various other artists renditions of horses is not possible. Colors chosen have something to do with reality, but are not like photos that you can measure reality with. Take an art class for pity sake, or even a basic psychology course can tell you how colors impact our emotions.

      Further, you do realize that the paintings of Elizabeth have a historical context which is not "reality". It was considered noble and respectable to be pale skinned, so even if she had a tan the artist would have lightened the skin tone. Just like he would not have painted a run in her stockings even if she was posing with such an item. If she had a blemish on her skin that would not have been painted either, even if the blemish was staring the artist in the face the whole time he was painting. Painting != Picture, never has been and never will be. Paintings are art. Paintings are depicted to tell a story, not to create and present a photo. In the case of your Elizabeth example, the artist would have done things he was told to do, such as make hair color uniform and lighten skin tones or add blush or ignore blemishes, or put a dragon in the background, or paint flowers that she was allergic to.

      Actually I do find it plausible that you could find evidence of a correlation between progression of cataracts and the colouring of paintings in a number of artists' works. Other artists who didn't suffer cataracts might reduce the correlation, but they wouldn't undo it.

      Wrong generalization. Can you use the waterlily paintings to determine _all_ cataracts and their progression based on just water lily paintings? Hell no!

      But, to be honest, one of the reasons I'm defending the possibility so strongly is exactly because of those people who are always itching to dismiss just about anything remotely interesting simply because they can't believe it.

      As I said way up in the posts, interesting != science. I find a whole lot of stuff 'interesting' that I don't consider science, even when I can make loose correlations between my interests and a real science. For example, I find alchemy fascinating but don't believe fish oil and lead makes gold. If someone told me that they could do so and that the Government should give them lots of our tax dollars to study the process I'd say "NO" to them too.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    13. Re:wow by wonkey_monkey · · Score: 1

      but I stay within browns, blacks, whites, and grey colors.

      Exactly. Your primary influence is the actual colour of horses, and so it will be for the majority of artists.

      Let's simplify things and discuss zebras. If zebras in the 18th century were 25% white and 75% black, but those in the 19th century were 50% white and 50% black, you would expect paintings to reflect this quite well, wouldn't you? What if they were once 40% white and 60% black, but now 50-50? That information would also seem likely to be recoverable, especially given a variety of paintings by a variety of artists.

      So where do you draw the line were suddenly it becomes impossible to determine any useful information on historical zebra colour from paintings? You can't. It's arbitrary. There are a huge number of factors in play, I don't dispute that. The noise can swamp the signal such that it would be impossible to read it given your limitations on measuring the noise. But you can't firmly reach that conclusion in any particular case on a hunch.

      If I wanted viewers to feel more tranquil, I'll probably use lighter colors. If I want them to feel more sullen I would use darker colors.

      If you were a sullen painter, all of your paintings would be influenced in that direction. If your mood was variable, your paintings would vary in both directions from reality. Either way, your later paintings of real zebras would still, on average, be more likely to show zebras with more evenly balanced stripes (and the same goes for horses of, for simplicity's sake, a single but varying-over-the-centuries colour).

      Using my horse example above I'll agree with you to some extent. To claim you can measure the evolution of horse hair color based on my, and various other artists renditions of horses is not possible.

      It's perfectly possible, given enough data, and I'd go so far as to say that my hunch is that it's probably possible in the real world in this specific case of horse colour. Everything else is just a matter of arguing over degrees and amounts of noise.

      Colors chosen have something to do with reality, but are not like photos that you can measure reality with.

      Yes, you can. You just can't measure it as accurately. It's the difference between monitoring temperatures using a thermometer and going out into the street every day and asking fifty people to rate the heat on a scale of 1 to 10, where 1 is "nippy" and 10 is "toasty". The latter will still give you information on temperature changes, it's just nowhere near as accurate.

      Take an art class for pity sake, or even a basic psychology course can tell you how colors impact our emotions.

      None of those things undermine the basic concept that artists' choice of colours is primarily influenced by the actual colour of an object. If something is blue, an artist is far more likely to paint it as blue than red. That's all you need to recover useful information.

      If you asked 10 artists to paint a bowl of fruit (possibly using a pre-drawn outline if you were actually to undertake this experiment) why would you expect the average of their paintings to be anything but a more accurate reflection of reality than any one individual painting?

      For example, I find alchemy fascinating but don't believe fish oil and lead makes gold. If someone told me that they could do so and that the Government should give them lots of our tax dollars to study the process I'd say "NO" to them too.

      What these authors are proposing (tentatively) is nothing like alchemy. They're not claiming to have invented a process; they're claiming to have found a signal in amongst the noise - a single that must have had some influence, no matter how small, on how these artists painted their paintings. Have a hunch that there's too much noise for them to have found the real signal, by all means. But it's a big step from "extremely unlikely" to "physically impossible," and the latter is a more extraordinary claim than it being possible.

      --
      systemd is Roko's Basilisk.
    14. Re:wow by s.petry · · Score: 1

      Let's simplify things and discuss zebras. If zebras in the 18th century were 25% white and 75% black, but those in the 19th century were 50% white and 50% black, you would expect paintings to reflect this quite well, wouldn't you? What if they were once 40% white and 60% black, but now 50-50? That information would also seem likely to be recoverable, especially given a variety of paintings by a variety of artists.

      If I look at various paintings of Zebras, I'm not going to be able to do any such measurements. I'll find Zebras that appear to be 6" tall, and others that look like mountains. I'll find Zebras with 2 strips, and Zebras that have hundreds. I'll find Zebras with unicorn horns and monkeys riding them. I'll find Zebras with long hair, and short hair, grey hair and red lips, purple eyes, and all sorts of hoof colors. At no point do any of those pictures reflect reality, they reflect the story the artist was telling in the painting.

      This is where our two view points differ rather drastically.

      How do you know which of the painters that are long dead were trying to capture an actual Zebra with the actual amount of stripes in the exact pattern and colors they saw? These people did not all have photographs to go by. How do you know who had to change their zebra to look more unicorn like to appease the guy paying them to pain the picture? You don't, I don't, and neither does a team of so called 'scientists'.

      None of those things undermine the basic concept that artists' choice of colours is primarily influenced by the actual colour of an object. If something is blue, an artist is far more likely to paint it as blue than red. That's all you need to recover useful information.

      They all do, please do some study of artists and art. The great majority of artists strive for emotion, not realism, because emotion sells and realism is what you get every day. Certain colors are also expensive, read up on how paints are and were made. Ingredients were critical and not always available. This changes color and hue drastically, especially when you are mixing your own paints.

      What these authors are proposing (tentatively) is nothing like alchemy. They're not claiming to have invented a process; they're claiming to have found a signal in amongst the noise - a single that must have had some influence, no matter how small, on how these artists painted their paintings

      Sounds just like alchemy to me, or maybe snake oil and charms.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    15. Re:wow by wonkey_monkey · · Score: 1

      How do you know which of the painters that are long dead were trying to capture an actual Zebra with the actual amount of stripes in the exact pattern and colors they saw?

      Statistically, it doesn't matter. When people run polls, how do they know how many people are lying to them? That's why they use large samples, so the signal can rise above the noise.

      I'll find Zebras with unicorn horns and monkeys riding them.

      You'd be extremely unlikely to do so, and even if you did, as long as you sample enough zebra paintings, its noise would be swamped by the signal. Most zebra paintings would show a realistic, if not 100% accurate, size and number of stripes, especially if the artist could look out of his window and see a zebra.

      The great majority of artists strive for emotion, not realism

      The other inputs still don't matter in a large enough sample. Grass (on average) will be green. Clear daytime skies (on average) will be blue. Leaves on trees in autumn (on average) will be golden brown. Zebras (on average) will have black and white stripes and be horse-shaped.

      These people did not all have photographs to go by.

      They had real sunsets to go by (a photograph, particularly a digital one, wouldn't capture the full range of colour visible to the human eye, so in that sense a sunet is better). Even if they didn't paint them "live" - though it's not unreasonable to suspect that most did, at least in part - they would still have been influenced by true sunset colours around that time.

      This changes color and hue drastically, especially when you are mixing your own paints.

      My understanding of the paper is that they looked not only at red/green ratios per painting, but also red/green ratio changes within the painting. That will have removed some of the kind of uncertainty you're talking about.

      On the one hand there are these scientists, presumably well educated in their field, who have spent days and weeks poring over data and making calculations, and have come up with what they freely admit is a tentative proposal. On the other hand there are the people who declare it to be strictly impossible after reading an article about the study. Why should I side with the latter over the former?

      --
      systemd is Roko's Basilisk.
    16. Re:wow by s.petry · · Score: 1

      Statistically, it doesn't matter. When people run polls, how do they know how many people are lying to them? That's why they use large samples, so the signal can rise above the noise.

      Interesting point, but let's be clear. If I happen to be a politician and want to make the economy look good, would I poll every citizen in the US for their feelings on the economy? I believe that I would I target people that are employed, working in particular fields, living in certain types of neighborhoods. This is how statistics are done used to present an invalid/biased view of the world. Anyone believing that the economy is healthy in the US is an idiot, but politicians can show you this all day long with statistical backing. Statistics rarely show the truth of things, so invalid example all the way around.

      You'd be extremely unlikely to do so, and even if you did, as long as you sample enough zebra paintings, its noise would be swamped by the signal. Most zebra paintings would show a realistic, if not 100% accurate, size and number of stripes, especially if the artist could look out of his window and see a zebra.

      Nope, sorry. You seem to be very ignorant about art and a quick Google search yields how wrong you are. "Realism" is not even audible noise in the traffic, it barely exists.

      My understanding of the paper is that they looked not only at red/green ratios per painting, but also red/green ratio changes within the painting. That will have removed some of the kind of uncertainty you're talking about.

      Did you do any of my suggested study on paints? Here is a primer, then go look at Audion's paintings and see how the colors vary from picture to picture. Dilution causes variances as does ingredients. This is not the artist capturing the 'real color of the sky', but the artist mixing paints for the effect they desire.

      There are thousands of references to why artists strive for emotion in paintings, not realism. There is almost no information on why artists strive for realism without emotion. People that teach artists will tell you never put realism above emotion. This is not just the abstract, but people painting family pictures. Here is yet another quick Google result.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

  14. Shop smart by Nidi62 · · Score: 1

    In other news, researchers examining medieval paintings announced that they believe walking skeletons were much more prevalent 700 years ago than they are today. Bruce Campbell was unavailable for comment.

    --
    The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    1. Re:Shop smart by iggymanz · · Score: 1

      and people with halos, which might have been an early form of what we now call a glowstick, bent into circle and levitating above the wearers head by yet unknown means.

  15. just ask noam promotion going well by Anonymous Coward · · Score: 0

    he has no motive to lie about anything https://www.youtube.com/watch?v=9CKpCGjD8wg&list=PL456D453B409DF8D1

  16. Competition by Pino+Grigio · · Score: 1

    This is by far the stupidest "climate" story published on slashdot this week. And as you can imagine, that's up against some pretty stiff competition.

  17. Red fades. by Anonymous Coward · · Score: 0

    Red fades. Was this accounted for?

  18. Re:Enough with the Climate Change Articles Slashdo by marcgvky · · Score: 1

    I am happy to have my views and data tested and confirmed by others, are you? You post is laughable. Go get into your Prius, drive to Whole Foods and buy some free-range-non-GMO-fair-trade-organic food that only elitists can afford...

  19. Re:Enough with the Climate Change Articles Slashdo by iggymanz · · Score: 2

    the climate has never been "stable" on this globe. We are not in an "ice age", you'll notice the lack of kilometer or two of ice over N. America. We are in an "interglacial" that is 12,000 years old, and that has nothing to do with humans. All that time the sea level has been rising, and if you look it up charts you'll see even the rate of rise for much of that time has been much faster than today's rate

    Really, get a grip on your imagined phobias.

  20. The moon has absolutely gotten smaller. by Lumpy · · Score: 1

    It get's farther away every day.

    --
    Do not look at laser with remaining good eye.
    1. Re:The moon has absolutely gotten smaller. by wjcofkc · · Score: 1

      The moon does not physically shrink in size just because it moves further away from the Earth. Also, it moves away from the Earth at a mere rate of 1.5 inches per year.

      --
      Brought to you by Carl's Junior.
    2. Re:The moon has absolutely gotten smaller. by Anonymous Coward · · Score: 0

      Why did you put an apostrophe before the 's'?

      Duh.

  21. Chromatic change over time? by argStyopa · · Score: 1

    Setting aside artistic license, and the possibility that any artist may well have had chromatic aberrations in their vision, didn't we JUST have a story in the last month or two specifically discussing the changing of colors used in rennaissance paintings, and how displaying them in different colored lighting environments would likely allow us to see the pictures in (something more like) their original hues?

    Seems like another effort to "prove" how the sky is falling, climatologically speaking.

    --
    -Styopa
    1. Re:Chromatic change over time? by Anonymous Coward · · Score: 0

      I vaguely remember something, somewhere years back that talked about how some artists, as their vision deteriorated with age, started to favour redder hues in their paintings. Assuming this is true, then I don't see how the colour of painted skies can be any sort of reliable measure.

  22. Re: crazy by AudioEfex · · Score: 1

    It's how it is with so many things. Grains of truth may be there, but those who protest the loudest always have to go too far and come off with ridiculous crap like this so people like you and I just end up being disillusioned to the entire movement. It's like the "Woman in the Refridgerator" comic book stuff - sure, could women be better represented in comics? Of course. But when every little thing is brought forth and used as de facto evidence of something, it just makes you shake your head and walk away (for example, you cannot complain that too many female villains are too pretty and then complain when the "ugly" one is evil).

    The folks that perpetrate this type of rhetoric think they are serving the greater good (think: Al Gore) but in the end they make even open minded people turn off totally because they think they have to overstate and inflate things to get our attention. According to Al Gore's statements a decade or so ago we are only what, five or six years from Manhattan being under the ocean? Please.

    It has reached these religious levels where you cannot even have a rational discussion about it. It's also hypocritical - not to beat on Al Gore again, but how many private plane flights has that guy taken? I don't see him using a bicycle to get everywhere and he's probably one of the folks that drives an electric car and doesn't realize the environmental impact of the limited-lifespan batteries in them are no better for the overall environment than burning fossil fuels (the pounds of nickel in the batteries is devastating, dangerous, and rare to mine, usually by child labor).

  23. Re:Enough with the Climate Change Articles Slashdo by Immerman · · Score: 2

    Interglacial periods are part of an ice age - note the thick year-round ice caps on the poles? A sure sign we're still in an ice age, and one that estimates are will be gone within a few centuries at most if we don't drastically reduce fossil carbon emissions very quickly.

    No, the climate has never been stable, but it seems to have two meta-stable states around which it oscillates - ice ages, with their associated deep-freezes and temperate interglacial periods, and "hot Earths" where deserts and tropics battle for domination of the globe. Tropics we could live with, but planetary deserts would devastate our population, and are hardly a rare scenario under hot-Earth conditions. More importantly the unstable centuries of transition to a hot Earth will be extremely hard on agriculture of all kinds, and the speed of transition, which appears likely to be one of the fastest in geologic history, will usher in a new mass extinction, just as all the previous transitions have done. The climate line is already moving at an average of 1/4 mile per year, considerably faster than even the fastest-spreading plants can reliably "travel", and things are only just beginning to get moving. Combine that with what is already one of the larger mass extinctions the planet has seen due to human predation, pollution, and environmental destruction, and it may take the biosphere millenia to recover, even with all the help we can give it. And if the planetary carrying capacity were to fall precipitously we've got the added risk of global warfare as nations struggle for survival. But hey, at last all that nuclear fallout should boost mutation rates dramatically, so biodiversity may have a chance to return on a faster timetable. It'll kinda suck for the individuals dealing with it though.

    --
    --- Most topics have many sides worth arguing, allow me to take one opposite you.
  24. Re:Enough with the Climate Change Articles Slashdo by Immerman · · Score: 1

    Absolutely. Now show me some serious research that suggests we aren't responsible for global warming and perhaps I'll take you seriously. Because the overwhelming consensus among the actual researchers qualified to have an opinion is that we are in serious trouble. The opinions of engineers, doctors, biologists, english literature professors, etc. are irrelevant. Much less the opinions of industry-sponsored talking heads barely qualified to wipe their own asses.

    --
    --- Most topics have many sides worth arguing, allow me to take one opposite you.
  25. Too many layers of abstraction by blindseer · · Score: 1

    We take a painting of a sunset from someone that died 500 years ago, maybe we have several paintings to remove some variation, but still this is where they start. Now they have to account for the shifting of the color due to aging of the paint. They they have to account for the paints that were even available to the artist.

    Presumably they can determine date, time, and location from the scene begin depicted but I recall that some of these artists at that time would paint a single scene over the span of a month. It's not like they were taking a photograph, the time to paint the image could take a considerable amount of time. Then maybe I know nothing about painting, perhaps they did this in one sitting over the span of minutes, or even seconds.

    What do the people studying these paintings know about the vision of the person that painted it? I recall hearing of several famous artists that were colorblind. A colorblind artist could paint a very detailed paining of a fruit bowl, for example, and it would look completely natural to someone with normal vision. The painting may show red apples but the real ones used for inspiration may have been green. The oranges, bananas, and grapes could all look equally natural in the painting but also have obvious deviations from the real fruit if placed side by side.

    I want to know who is paying for this so called scientific analysis. This research does not seem to be driven by someone with a deep understanding or respect for science.

    I recall some interesting studies of paintings in the past where people would look for scenes depicting times and places for clues of climate change. They'd look for things like plant life, when snow was on the ground, and so on, where the color accuracy would not be a significant matter. One particular example I recall was of people ice skating on the River Thames, this is significant because the river does not typically freeze in modern times. There were also images of grapevines growing in places where they do not today. These paintings can give some very interesting and quite conclusive evidence of the climate in historic times and not rely so much on the interpretations, visual acuity, and materials available to the artist at the time.

    This study does not sound like science to me.

    --
    I am armed because I am free. I am free because I am armed.
  26. Re:Enough with the Climate Change Articles Slashdo by phantomfive · · Score: 1

    This has nothing to do with climate change. Climate change is focused on CO2. This study is focused on dust (aerosols) and other things that we know are in the air.

    Really, 'air pollution' is not equivalent to 'climate change.' The pollutants mentioned here will actually cool the earth.

    --
    "First they came for the slanderers and i said nothing."
  27. In related news ... by PPH · · Score: 1

    ... medical researchers are studying the prevalence of congenital physical disorders in the early 20th Century by studying Picasso's paintings.

    --
    Have gnu, will travel.
  28. Daily slashdot rothschild "man made global warming by Anonymous Coward · · Score: 0

    Don't enrich the rothchilds with their schemes anymore:

    https://www.youtube.com/watch?v=FdqNds9pNuI

  29. Re:What a JOKE by Shompol · · Score: 0

    Well, when I was a 5-6 years old child, we used to have -20 C (-4 F) every frigging winter morning, and +24 C in the summer. As of late it became -5C in winter and +35 C in summer. I don't need nobody's propaganda to tell the difference, and I am not alone. You can ask ski resourt owners about receding snow line, or use the new shipping lane Canada to Russia via the North pole. How about you educate yourself first?

  30. Re:Enough with the Climate Change Articles Slashdo by KeensMustard · · Score: 1

    We get it, you are climate change believers.... can we move on.... please.

    That's an awkward turn of phrase - 'climate change believer' , like calling someone who drives a car an 'oxidation believer' or someone who is careful on a ladder a 'gravity believer'.

    In any case, no, we won't stop discussing an important topic just because it makes you uncomfortable. And it will continue to have import for hundreds of years, although I suspect if we bit the bullet and did something now the discussion later would be less fraught - like pulling a painful tooth.

    Ironically of course, the reasons this topic appears so often on Slashdot are (a) because it's science and we left brainers tend to be interested in sciencey things (b) Because the efforts of major vested interests to generate discord + some curious psychology has created a community of people who think climate change is a conspiracy , and the discourse between this latter group of conspiracy theorists and those that accept the science makes for many page views.

    So, somewhat ironically, it's the remnant controversy that makes it a popular topic for slashdot editors.

  31. Re:Enough with the Climate Change Articles Slashdo by marcgvky · · Score: 1
    "The overwhelming consensus" is blather, my uneducated friend. The "overwhelming consensus" is simply mass faith based on myth. Getting a group of people to believe in a myth is easy. The fact that billions of people believe in God or Allah, doesn't make "god" or "allah" anymore tangible and provable... it just makes billions of people terribly misinformed, but "faithful" people. Not unlike you.

    The fact that you must resort to ad-hominem attacks directed at people that disagree with you, only further reinforces my central thesis; that it's impossible to differentiate man-made climate change (if it exists) from any normal cyclical event.

    Now go away, or I shall taunt you a second time, you silly wiper of other peoples bottoms. *raspberry sounds*

  32. Another explanation by GPS+Pilot · · Score: 1

    In the last 150 years, the sunsets have become redder, likely reflecting increased man-made pollution.

    It's also possible that red pigments break down, decompose, fade, and become less brilliant as decades and centuries go by; especially red pigments that were manufactured before colorfastness and other chemical properties were well understood.

    --
    That that is is that that that that is not is not.
  33. Oh Dear by Anonymous Coward · · Score: 0

    How embarrassing. And this exercise in art was payed by taxes.

    If they examine religious paintings (iconography) they will 'discover' that people were smaller when the world was colder. Surely a sign of the calamity to come.

    No wonder those pesky mammoths looked so big.

    Ha ha. LOL

  34. Re:Enough with the Climate Change Articles Slashdo by Immerman · · Score: 1

    You are quite correct, except for one key detail - I said "the overwhelming consensus among the actual researchers qualified to have an opinion"

    That is to say pretty much *everybody* who has spent the tens of thousands of hours of time and energy necessary to actually understand the issues in question agrees that we have a problem. Just about the only people arguing against it are those who have major business interests in protecting the status quo, or are being paid to come up with pseudo-scientific bullshit to cloud the issues among the masses. And of course all the arguing among armchair intellectuals such as ourselves, none of whom are actually qualified to have an independent opinion on the subject.

    Could the researchers all be wrong? Certainly. But on one hand we've got the combined mass of the vast majority of the researchers in the field, people who've spent their careers exploring the details of a complicated system, who are armed with mathematical models capable of describing the Earth's climate for as far back as we have data, and reams of data showing that their predictions of planetary changes have been accurate for several decades. On the other hand we've got a bunch of business tycoons yelling "Nuh-uh!". I know which group I would bet on being correct.

    Check out this video series - the first couple are concerned with stripping away all the bullshit spouted by the "cheerleader squads" on both sides and exposing the actual scientific climate debate - which bears precious little resemblance to what the media portrays. Then he goes on for many more specifically trashing the various major lies and propaganda campaigns that have been drummed up around the science. http://www.youtube.com/watch?v...

    --
    --- Most topics have many sides worth arguing, allow me to take one opposite you.
  35. Re:Enough with the Climate Change Articles Slashdo by Patent+Lover · · Score: 1

    The god shiit isn't science. A Holy Grail reference, really?

  36. Hallaluah Brother by Anonymous Coward · · Score: 0

    It is god come to smit man for all his sins, Repent while there is still time (or pay your carbon tax while you still have money)

  37. Please help me with this... by Anonymous Coward · · Score: 0

    when climate scientists study old paintings and take the colors they find there as both accurate and, in effect, "literally true" this is SCIENCE and must be respected as such.... but when religious people take their "holy book" (which, whether it's "Holy" or not is at least a written document whose many chapters can be documented to be unchanged over thousands of years) seriously in the field of archaeology to aid in the interpretation of things like the locations of ancient cities and the identification of objects etc (not even the religious claims of the book) this is ANTI-SCIENCE and labelled as "dubious" because "everybody KNOWS" the document is just allegory and artistic and should "obviously" not be taken literally... hmmmmmmm...

    I would like to submit another piece of art to demonstrate that climate was much better in the 1980's (in the super-polluted days of the evil Reagan) than it was in 1912: Consider Duchamp's Nude Descending a Staircase, No. 2 and compare with, for example this example of 1980's art. Clearly the climate of the 1980's, even with all of its corrupt capitalist pollution was far better for the health of female humans.

    Climate science has become the state-sponsored religion of the left. We must all listen to the preachers, our children must all attend the state-run seminaries and recite the liturgies. We must all pay a portion of our incomes (both in direct taxes and in increased costs of goods and services), some of which fund the scholars, scribes and keepers of the holy texts. We must restrict our behaviours to obey the required moral codes (gay sex may now be OK, but don't you DARE toss a log on the fire! i.e. we've not reduced the religious rules, only changed them to conform to the new religion). Anybody who dissents will be labelled as a heretic and be driven from the public square, whilst the more-earnest follwers call for them to be jailed, "re-educated", or killed. Oh, and given that most people are never going to do any of the climate science themselves (just as most never became theologians in the old religions), for the vast majority of adherents this "new" religion (which is really only the newest form of earth-worshiping paganism) is taken on blind faith.

  38. Um, you are TOTALLY missing the POINT by Anonymous Coward · · Score: 0

    This is an ACTUAL paper, not some farce piece... these ARE climate science people.

    The problem is NOT that the press reported on it and that the press, therefore, is to blame for destroying "public trust".

    The PROBLEM is that the climate scientists themselves are whackos who are taking an axe to SCIENCE and destroying credibility

    To the extent that the people in this narrow and highly-political field do anything that impacts the trust of the public in ANY other field of ACTUAL science, the fault for THAT lies in the way that actual highly-qualified and meticulous people in the "hard sciences" have allowed these quacks and charlatans into the tent with them, thereby conveying legitimaxy onto them where it was never earned. The "climate science" community does not play by the same rigorous rules that the hard sciences do (you never caught Einstein or Saulk hiding data, rigging the peer review process, rigging the paper publishing process, etc) and therefore never earned that embrace and borrowed legitimacy. The "climate science" people are the only ones in science I can think of at the moment who have gotten away with a massive game of apples-and-oranges data and instrument mixing that would be tolerated in none of the hard sciences; they are trying to predict the future, in part by claiming to be able to accurately measure events and conditions in the distant past with high precision (which is IMPOSSIBLE). The problem they are encountering, and which will only get worse for them, is that fraud never withstands the passage of time

  39. Color Accuracy by Anonymous Coward · · Score: 0

    I can't even print a decent photo from my Epson printer, WTF are they thinking looking at paintings?

    I'll tell you what, it's probably our tax dollars paying for the study.

  40. Reached a New Low... by Anonymous Coward · · Score: 0

    Climate change has now officially reached rock bottom.

  41. striking sunsets by CmdrTamale · · Score: 1

    The old masters painted "striking sunsets" because the sunsets were 'striking' - unusual, not your average ordinary sunset.

    Could some statistician or philosopher of science please supply the appropriate term for the bias not recognised by TFA.
    --
    Intelligence is realizing that nobody knows what they're talking about. Wisdom is realizing that you don't, either.

  42. Re:Enough with the Climate Change Articles Slashdo by marcgvky · · Score: 1

    Dude, sorry, there isn't any "bs" being spouted. But good try. You just keep digging your hole deeper.

  43. Re:Enough with the Climate Change Articles Slashdo by marcgvky · · Score: 1

    Ummm Patent Lover, please uninstall your browser. I was using "logic", something the apparently eludes you. How did your comment score get so high? Oh that's because Slashdot reviewers are mind-numbed liberal zombies.

  44. Re:Enough with the Climate Change Articles Slashdo by Immerman · · Score: 1

    My mistake - politicians, corporations, and the media always discuss the unvarnished truth without hyperbole or hypocrisy. How could I have forgotten?

    --
    --- Most topics have many sides worth arguing, allow me to take one opposite you.
  45. Sardaukar86's version of lucid by Anonymous Coward · · Score: 0

    Witness the SHEER INTELLIGENCE (lol - NOT) of Sardaukar86 http://news.slashdot.org/comme... & http://news.slashdot.org/comme...

  46. Full of profane trolls like you too by Anonymous Coward · · Score: 0

    Witness the SHEER INTELLIGENCE (lol - NOT) of Sardaukar86 http://news.slashdot.org/comme... & http://news.slashdot.org/comme...