Interviews: J. Michael Straczynski Answers Your Questions
Recently you had a chance to ask the writer and creator of Babylon 5, J. Michael Straczynski, about the state of sci-fi, his body of work, and collaborating with Netflix. Below you'll find his answers to those questions.
Re:Pleeeeeeeease?
by Unknown Lamer
I'd like to add to this question, since I missed my chance last time and I'm a huge B5 fan (it was on PTEN when I was a kid, and we didn't have cable so it was UHF channels for me... and then I missed season 5 entirely which led to rewatching it a couple of years ago... and hooking plenty of other people since then).
Would it be possible to have the portions that were not composited retransfered in HD, progressive scan video? And maybe the CGI portions upscaled and transferred as full frames at the original frame rate instead of being converted to interlaced/24fps video? Running a version of the filter at the previous link does result in a noticeable quality improvement, and it would be great if officially released versions didn't have to be ripped/filtered to restore the quality.
Availability in DRM-free formats (Bluray and GNU/Linux aren't really friends, and it sucks having to break the law to watch video you paid for) would be awesome too.
Of course, I hear that the rights situation with the whole PTEN explosion is likely what is preventing any of this from being possible.
JMS: In reverse order: no, you hear wrong, there's no issue with rights on the show. It's owned by Warner Bros. Always has been, always will be.
The problem is that the show was shot 16-9 but the efx were rendered in regular aspect ratio due to an issue that I was unaware of at the time. I'd assumed all cgi and comp shots were being rendered at full size. So transferring isn't a solution as they would have to be cropped and re-sized and that simply doesn't work as we've seen. (As I understand it, the DVDs are actually copies from PAL/laserdisc transfers because WB didn't want to pay for another run.) The only way to get HD versions of the episodes would be to re-render every single CGI and comp shot, and Warners will never, ever pay to have that done.
Any "loose B5 ends" that bug you?
by Opportunist
I know that there are a few things in B5 that were mentioned, maybe touched briefly, that were hinted at and that did eventually not get the attention that I felt they were supposed to get, either because of time constraints, because actors decided to jump ship or because of reasons that I (or even we, as a whole) don't know about.
Are there any plot ideas that you were quite fond of that you could not flesh out the way you wanted them to? Any "loose ends" that you really wanted to tie up and give closure but couldn't during the series run? And, of course, why couldn't you?
JMS: I didn't look to give closure to every strand or story thread, and wouldn't do so in any event. My theory on the show as that it was a five-year timeline of this particular portion of history, much the same as you might do a documentary about the five years leading up to World War Two. The threads continue onward beyond the scope of the show because that's how life works. There are no clearly defined endings. Yes, jumping ahead, WW2 ended...but the threads in that set the stage for the cold war and everything that followed. So yes, some things in B5 got resolved, some didn't, and I'm pretty much okay with all of that.
Vorlon Takeshi's Castle is a three-edged sword
by hawkinspeter
How about doing a spin-off from Babylon 5 involving a Vorlon game-show? I'm thinking of something like Takeshi's Castle.
JMS: Put your face in the book.
Jeremiah
by beukerc
So, what is the story with Jeremiah? I only saw the first season and haven't been able to track down the 2nd, but I rather enjoyed what I saw of the show.
I read an interview you did where you mention that you finished the 2nd season and wrapped up what you could as best as you could and then ran like hell. What happened?
JMS:The experience shooting Jeremiah was probably the worst, most awful experience of my career, for a variety of reasons not worth getting into here, without a lawyer present. We managed -- barely -- to tell some good stories, but the day to day working on the show part was horrific beyond description. The day I delivered the last finished, mixed episode and was officially done with it I went down into the parking lot at the Vancouver stages and yelled out "Free at last, free at last, thank god almighty, I'm free at last" at the top of my lungs.
Lensman movie
by grylnsmn
Years ago, you mentioned that you signed on with Ron Howard to write a screenplay for a movie based on E. E. "Doc" Smith's Lensman series. Is that project still in the works?
JMS: No. Universal looked at the cost of the film, which would've been close to 130M, compared it to the name value of the books to a mainstream audience, and decided it didn't justify the cost. I believe the rights have reverted back to the estate.
Doctor Who
by jasper160
Would you ever take on running Doctor Who if it were offered to you?
JMS: Totally.
actors across series
by doas777
I've often noticed that if an actor played a speaking character in one scifi series, while looking mostly humanish, any other series they are in they have a pretty concealing costume. For Instance Mr Katsulas played a rather humanish Tomalok on Star trek, whereas his G'Kar had a pretty intense costume.
Is this done intentionally, or just coincidence?
JMS: We never looked to what was being done on other shows in that regard. So that has nothing to do with anything.
What do you think about the state of scifi on TV?
by mrxak
When I look back at the 90s, there was so much good science fiction on TV, Babylon 5 included. The writing was good, the stories were human and often inspirational, and above all they required a thinking audience. Nowadays, science fiction on television has become mainly action fantasy more than anything. Most of it takes place in the present day rather than the future. The shows that do start get quickly canceled off, and it seems like they're mostly pessimistic and dumbed-down. I seriously doubt a show like Babylon 5 could ever get made today, much less last more than a single season.
How do you view the current state of science fiction on television, and why has it become this way?
JMS: t's pretty abysmal, overall. The largest part of the problem is the assertion by networks that unless a story is taking place in a recognizable present, the audience can't relate to it and won't care. You can tell them this simply isn't true until you're blue in the face, it won't matter, because a prejudicial perspective isn't based in argumentation or logic, it simply is, and doesn't yield to facts.
Social TV
by hhawk
For me, you are the father or grandfather of social TV, meaning the way you promoted Bab 5 (before, during and after) the series is more or less the methodology that many TV shows and movies have adapted. You maybe have been using NNTP (Network News) instead of Facebook or Twitter, but for me you are the first.
My question: in that context: What are show producers/runners not doing today with Social Media that they could or should be doing to engage and interact with fans?
JMS: More selfies.
Working with Netflix and the Wachowskis?
by PortHaven
Sense 8 brings together one of my favorite creators of worlds, with one of my favorite authors, and one of my favorite companies.
What has it been like to work with the Wachowski siblings and Netflix? Has working with Netflix provided a freer avenue for creativity than a traditional television network experience offers?
JMS: It's been a terrific experience thus far, and the show is going to be unlike anything you've ever seen before. Which is all I can say about it at this time.
A Man of Many Mediums
by ThomasBHardy
It's probably safe to say that you have a broader range of mediums (comics, network TV, movies, and now non-network TV) than most if not all modern content creators. What would you say the best (and worst) parts of each medium are for you as a creator?
JMS: They're all of a piece to me, in the sense that the best parts are where I'm given the freedom to tell the sorts of stories I want to tell whatever the medium happens to be, and the worst parts are when I get hemmed in or gang-banged by executives. This can happen in comics or television as much as it can happen in features or fiction. For many years, writing Spider-Man was unabashed fun and creatively rewarding; the end point, when many editorial mandates were shoved down my throat, and caused it to end in ash and anger, made that part of it one of the least rewarding experiences. I'm not a "content creator," I'm a writer, and to the degree that I can tell stories with, as Balzac said, "clean hands and composure," I am happy, regardless of genre or medium. To the degree that I cannot, I am a cranky pain in the ass
by Unknown Lamer
I'd like to add to this question, since I missed my chance last time and I'm a huge B5 fan (it was on PTEN when I was a kid, and we didn't have cable so it was UHF channels for me... and then I missed season 5 entirely which led to rewatching it a couple of years ago... and hooking plenty of other people since then).
Would it be possible to have the portions that were not composited retransfered in HD, progressive scan video? And maybe the CGI portions upscaled and transferred as full frames at the original frame rate instead of being converted to interlaced/24fps video? Running a version of the filter at the previous link does result in a noticeable quality improvement, and it would be great if officially released versions didn't have to be ripped/filtered to restore the quality.
Availability in DRM-free formats (Bluray and GNU/Linux aren't really friends, and it sucks having to break the law to watch video you paid for) would be awesome too.
Of course, I hear that the rights situation with the whole PTEN explosion is likely what is preventing any of this from being possible.
JMS: In reverse order: no, you hear wrong, there's no issue with rights on the show. It's owned by Warner Bros. Always has been, always will be.
The problem is that the show was shot 16-9 but the efx were rendered in regular aspect ratio due to an issue that I was unaware of at the time. I'd assumed all cgi and comp shots were being rendered at full size. So transferring isn't a solution as they would have to be cropped and re-sized and that simply doesn't work as we've seen. (As I understand it, the DVDs are actually copies from PAL/laserdisc transfers because WB didn't want to pay for another run.) The only way to get HD versions of the episodes would be to re-render every single CGI and comp shot, and Warners will never, ever pay to have that done.
Any "loose B5 ends" that bug you?
by Opportunist
I know that there are a few things in B5 that were mentioned, maybe touched briefly, that were hinted at and that did eventually not get the attention that I felt they were supposed to get, either because of time constraints, because actors decided to jump ship or because of reasons that I (or even we, as a whole) don't know about.
Are there any plot ideas that you were quite fond of that you could not flesh out the way you wanted them to? Any "loose ends" that you really wanted to tie up and give closure but couldn't during the series run? And, of course, why couldn't you?
JMS: I didn't look to give closure to every strand or story thread, and wouldn't do so in any event. My theory on the show as that it was a five-year timeline of this particular portion of history, much the same as you might do a documentary about the five years leading up to World War Two. The threads continue onward beyond the scope of the show because that's how life works. There are no clearly defined endings. Yes, jumping ahead, WW2 ended...but the threads in that set the stage for the cold war and everything that followed. So yes, some things in B5 got resolved, some didn't, and I'm pretty much okay with all of that.
Vorlon Takeshi's Castle is a three-edged sword
by hawkinspeter
How about doing a spin-off from Babylon 5 involving a Vorlon game-show? I'm thinking of something like Takeshi's Castle.
JMS: Put your face in the book.
Jeremiah
by beukerc
So, what is the story with Jeremiah? I only saw the first season and haven't been able to track down the 2nd, but I rather enjoyed what I saw of the show.
I read an interview you did where you mention that you finished the 2nd season and wrapped up what you could as best as you could and then ran like hell. What happened?
JMS:The experience shooting Jeremiah was probably the worst, most awful experience of my career, for a variety of reasons not worth getting into here, without a lawyer present. We managed -- barely -- to tell some good stories, but the day to day working on the show part was horrific beyond description. The day I delivered the last finished, mixed episode and was officially done with it I went down into the parking lot at the Vancouver stages and yelled out "Free at last, free at last, thank god almighty, I'm free at last" at the top of my lungs.
Lensman movie
by grylnsmn
Years ago, you mentioned that you signed on with Ron Howard to write a screenplay for a movie based on E. E. "Doc" Smith's Lensman series. Is that project still in the works?
JMS: No. Universal looked at the cost of the film, which would've been close to 130M, compared it to the name value of the books to a mainstream audience, and decided it didn't justify the cost. I believe the rights have reverted back to the estate.
Doctor Who
by jasper160
Would you ever take on running Doctor Who if it were offered to you?
JMS: Totally.
actors across series
by doas777
I've often noticed that if an actor played a speaking character in one scifi series, while looking mostly humanish, any other series they are in they have a pretty concealing costume. For Instance Mr Katsulas played a rather humanish Tomalok on Star trek, whereas his G'Kar had a pretty intense costume.
Is this done intentionally, or just coincidence?
JMS: We never looked to what was being done on other shows in that regard. So that has nothing to do with anything.
What do you think about the state of scifi on TV?
by mrxak
When I look back at the 90s, there was so much good science fiction on TV, Babylon 5 included. The writing was good, the stories were human and often inspirational, and above all they required a thinking audience. Nowadays, science fiction on television has become mainly action fantasy more than anything. Most of it takes place in the present day rather than the future. The shows that do start get quickly canceled off, and it seems like they're mostly pessimistic and dumbed-down. I seriously doubt a show like Babylon 5 could ever get made today, much less last more than a single season.
How do you view the current state of science fiction on television, and why has it become this way?
JMS: t's pretty abysmal, overall. The largest part of the problem is the assertion by networks that unless a story is taking place in a recognizable present, the audience can't relate to it and won't care. You can tell them this simply isn't true until you're blue in the face, it won't matter, because a prejudicial perspective isn't based in argumentation or logic, it simply is, and doesn't yield to facts.
Social TV
by hhawk
For me, you are the father or grandfather of social TV, meaning the way you promoted Bab 5 (before, during and after) the series is more or less the methodology that many TV shows and movies have adapted. You maybe have been using NNTP (Network News) instead of Facebook or Twitter, but for me you are the first.
My question: in that context: What are show producers/runners not doing today with Social Media that they could or should be doing to engage and interact with fans?
JMS: More selfies.
Working with Netflix and the Wachowskis?
by PortHaven
Sense 8 brings together one of my favorite creators of worlds, with one of my favorite authors, and one of my favorite companies.
What has it been like to work with the Wachowski siblings and Netflix? Has working with Netflix provided a freer avenue for creativity than a traditional television network experience offers?
JMS: It's been a terrific experience thus far, and the show is going to be unlike anything you've ever seen before. Which is all I can say about it at this time.
A Man of Many Mediums
by ThomasBHardy
It's probably safe to say that you have a broader range of mediums (comics, network TV, movies, and now non-network TV) than most if not all modern content creators. What would you say the best (and worst) parts of each medium are for you as a creator?
JMS: They're all of a piece to me, in the sense that the best parts are where I'm given the freedom to tell the sorts of stories I want to tell whatever the medium happens to be, and the worst parts are when I get hemmed in or gang-banged by executives. This can happen in comics or television as much as it can happen in features or fiction. For many years, writing Spider-Man was unabashed fun and creatively rewarding; the end point, when many editorial mandates were shoved down my throat, and caused it to end in ash and anger, made that part of it one of the least rewarding experiences. I'm not a "content creator," I'm a writer, and to the degree that I can tell stories with, as Balzac said, "clean hands and composure," I am happy, regardless of genre or medium. To the degree that I cannot, I am a cranky pain in the ass
The massive thread about World War Z is missing.
No one asked him about The Office, that shitty whale movie, or the annoying esurance insurance commercials?
The only way to get HD versions of the episodes would be to re-render every single CGI and comp shot, and Warners will never, ever pay to have that done.
I just want to say one word to you, just one word.
Plastics.
I mean Kickstarter.
Are we ever going to see the answeres to the RMS and Theo da Farther interview from February and March?
---Saying gnome 3 is better than windows 8 not so much a compliment as it is damning with light praise.
What's with the stall... man?
Glad to have lived in a time when great writers like JMS passed this way.
Only 2 questions asked him were worth asking, everything else was the crap that would make him stand up and scream. "GET A LIFE PEOPLE!" This is why I feel really bad for any speakers at comic con, all they get are the retarded, "what is Character X had sex with character Y would you have a spin off game show with the child?"
You guys had one of the best writers/producers/directors out there and most of the questions chosen to present to him were clunkers or wierd nerdgazim crap.
I knew Slashdot was declining, but not this fast.
Do not look at laser with remaining good eye.
After the failure to honor the promise made to the Veronica Mars movie funders, I would hope that the community would have the good sense to not fund the projects of multi-million dollar studios that would gladly screw them.
I'm an American. I love this country and the freedoms that we used to have.
What's all this talk about Babylon 5? We need more Rising Stars! Bring em to netflix!
There is one absolute and unconditional truth in the universe, Babylon 5 is the greatest television show ever.
Short, and a shame I missed the call for question submissions, I was reading rec.arts.sf.tv.b5 back when JMS was posting as the episodes aired, would've liked to get in a few reminisces.
Still one of the best science fiction television series' of all time, IMHO. Unfortunately, Warner is still one of the aforementioned network studios - the rights will probably never be granted to anybody, and I'm sure the executroids at WB won't see a way to make money from it while simultaneously acting to see to it that nobody else does.
I was brought up on Star Trek. Surely someone out there in TV land must have the means of brining a decently plotted and good looking Space Opera back to our screens?
Never email donotemail@WeAreSpammers.com
This place is full of douchia.
It's because the invested people went to soylent. The majority of those who are left here are passive consumers, not participants, exactly as Dice meant when they called you guys an audience.
While I would love to see the Lensman series made into movies, it's got some major hurdles to overcome. Hollywood and steampunk so far have not gotten along (and the series is basically steampunk in space to modern sensibilities) - Sky Captain and the World of Tomorrow tanked, as did Sucker Punch. Then as it is written from a 1930's - 1940's perspective it is deeply misogynistic all throughout. Women are largely window dressings except for one major character who is ignored or used as a damsel in distress as much as possible. Also deeply ironic would be all the CGI required to pull off production of it when computers are mentioned a total of once in the series, and no character is seen using them.
I recently rewatched "Jeremiah" streaming online, and finally got to see the second season.
The tone of the story changed from season 1 to season 2. I enjoyed season 1 more, but I liked them both.
"Jeremiah" was a pretty decent show.
In the early days of the web, the Lurker's Guide to Babylon 5 was among a handful of sites I visited regularly (along with this one). Probably my first "wiki"-experience.
I'm not sure the show would have done as well as it did, if internet growth hadn't started exploding right along the same time. Net activists pulled that show back from the brink of cancellation several times.
"...The only way to get HD versions of the episodes would be to re-render every single CGI and comp shot, and Warners will never, ever pay to have that done..."
Considering the processing power today in 2014 vs 1994-1998 (series run years), fans could probably render all the CGI scenes into HD on their Ipads between watching videos of cats over the span of a weekend:
For example:
Intel Pentium 90 (March 1994)
Transistor Count: 3.2 million
Clock Speed: 90 MHz
Process Scale: 600 nm
Thermal Design Power: 9 Watts
CTP Benchmark: 90 MTOPS
Benchmarks: 0.09 GFLOPS
Dhrystone: 107 DMIPS
Core i7-3770 (Ivy Bridge) (April 2012)
Transistor Count: 1,400~ million
Clock Speed: 3,400 MHz
Process Scale: 22 nm
Chip Size: 160 mm2
Thermal Design Power: 77 Watts
CTP Benchmark: 136,000 MTOPS (Base)
Benchmarks: 108.8 GFLOPS (Base)
-Styopa
Needs more Ewoks and cowbell.
Availability in DRM-free formats, GNU/Linux aren't really friends
Babylon is good, but I like Goldendict better, especially when your proprietary format BGL was reversed engineering! haha...bhawahaa
Oh, wait...
Not counting soap opera vamps anyways. Not really sci-fi since monsters of that type are folkloric in orginin, not scifyee. So, if we agree to exclude vamps and zombies (tiresome boring buggers), is there a single actual scifi show on TV? I honestly wanna know. I've been looking for one for a while now.
I like my dinosaurs feathery, and my pterosaurs hairy (or is it pycnofibery?)
...as I write this as replies to this thread.
I don't know exactly what that means, but I know that it shows that even among the nerd-centric how short our memories are for off-camera media production folks, even when the shows that those people worked on are certainly nerd-centric. I wonder if Chris Carter or even Ron Moore would do much better.
Do not look into laser with remaining eye.
More selfies? Really? That's his answer to the one good question here? Quite frankly, as much as I love B5 and much of the other work that JMS has done, the fact that every single thing he's worked on seems to end badly due to conflict with supposedly "awful producers" and so forth has led me to believe that he's probably almost impossible to work with. After all, the one thing all those shows, comics, and movies had in common was him.
After reading the answers, I have two theories, either JMS is an arrogant egotistical a__hole, and as you would expect from nerds their awareness of such people that they idolize do not exist.
Or he is just brutally honest, but still has a large ego. The guy really hasn't done anything ground breaking, in fact he pretty much took the ideals and fundamentals from previous shows, including adding story-lines with context.
I also notice he continues to deal with monopolistic evil empires such as Warner Bros. and the like, and expects his next studio experience to be different. As opposed to just staying independent, or going with independent studios, I can name several people that after one experience with corporate studios they pretty much walked away, and decided to stick with independent studios. Even those people knew what they were going to be in a bad spot joining up with a corporate studio but hoped it would help them gain notoriety and respect to go off and do their own thing.
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