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Even In Digital Photography Age, High Schoolers Still Flock To the Darkroom

v3rgEz writes: In the age of camera-equipped smart phones and inexpensive digital cameras, many high schoolers have never seen a roll of film or used an analog camera — much less developed film and paper prints in a darkroom. Among those that have, however, old school development has developed a serious cult following, with a number of high schools still finding a dedicated audience for the dark(room) arts.

7 of 240 comments (clear)

  1. Re:It's the darkness... by fleabay · · Score: 5, Funny

    How about you and I find a dark room, and see what develops?

  2. It's an artform by al0ha · · Score: 4, Insightful

    I began a career in photography in the 80s and as such I can definitely understand the kid's appeal to traditional photographic methodology, it is a true art form where skill and knowledge must be developed over time in order to achieve spectacular results. It is very gratifying to manipulate both film and chemistry in order to achieve the image you have imagined, and watch it unfold slowly in real time on paper as you swirl the chemistry over it. Good times for all, keep it up kids!

    --
    Did you ever wake up in the morning, with a Zombie Woof behind your eyes? -- FZ
    1. Re:It's an artform by Solandri · · Score: 4, Informative

      I learned photography in a darkroom in the 1980s too. Film and prints/slides are a terrible way to learn photography. You take the photo, then several days later you see the results and how you screwed up. When I went on trips, I had to keep a notebook where I wrote down the exposure settings for every photo I took, and weeks later I would cross-reference the prints with my notebook to figure out what worked and what didn't. The time constant for the feedback loop is too long for any useful learning unless you spend years at it.

      It is much better to learn with a digital camera. You take a shot, then instantly see the results. If you notice a flaw after you've downloaded the pics to your computer, you can call up the exposure information and figure out what you did wrong. Feedback is immediate and all your settings are automatically recorded for you to learn from.

      Once you've got that down, then you can fool around with old analog photography.

  3. Ansel Adams by westlake · · Score: 4, Informative

    Schools are probably teaching it because their staff knows how and they have the equipment. Not because it's a useful, saleable, or even particularly interesting skill.

    Allow me to introduce you to one of the great masters of the darkroom and analog photography:

    Ansel Adams, "The Tetons - Snake River"

  4. Re:It's the chemicals.. by relisher · · Score: 4, Interesting

    I find this really offensive. I love to use film because of the imperfection that's so natural, not the chemicals. Not all high schoolers are druggies

  5. The actual appeal by fyngyrz · · Score: 5, Insightful

    It's comparable to the resurgence of interest in vinyl records. The only worthy attraction is in the sheer retro-ness of it. It certainly isn't in the quality; a good DLSR today is an amazing tool, capable of far more than yesterdays SLRs in every area but outright spectral retargeting (IE, you can put IR film in an SLR and go -- an IR sensor of equal quality, not so much), and that includes in ultimate image quality in normal regimes. Even as far as developing goes, modern software has made the range of actions and remediation one can pull off in the darkroom look like a tiny collection of beginner's moves.

    I do not regret, not even one little bit, no longer having to do the tray-and-line dance with my work. Furthermore, I shoot more, and better, with my DSLR than I could ever have hoped to accomplish with any SLR I ever owned.

    Up until the current generation of DSLRs, I always felt that I wasn't *quite* there. But today, I literally have no reason to look back. I have to hand it to Canon, Nikon, etc... they've done a great job. Between the quality obtainable, the ability to go out and shoot a thousand *good* images without changing "film", the incredible range of usable ISO (sensitivity to light), in-camera preview -- and disposal -- so you actually know what you have while you're still on-site and able to try again, to readily available histograms and after-the-fact white balance... and then "developing" with Aperture or Lightroom... I'll take a DSLR every time.

    --
    I've fallen off your lawn, and I can't get up.
  6. Re:It's the chemicals.. by Anonymous Coward · · Score: 4, Funny

    I think the chemicals have affected your joke detection.