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Grooveshark Found Guilty of Massive Copyright Infringement

An anonymous reader writes: If you're a Grooveshark user, you should probably start backing up your collection. In a decision (PDF) released Monday, the United States District Court in Manhattan has found Grooveshark guilty of massive copyright infringement based on a preponderance of internal emails, statements from former top executives, direct evidence from internal logs, and willfully deleted files and source code. An email from Grooveshark's CTO in 2007 read, "Please share as much music as possible from outside the office, and leave your computers on whenever you can. This initial content is what will help to get our network started—it’s very important that we all help out! ... Download as many MP3’s as possible, and add them to the folders you’re sharing on Grooveshark. Some of us are setting up special 'seed points' to house tens or even hundreds of thousands of files, but we can’t do this alone." He also threatened employees who didn't contribute.

38 of 171 comments (clear)

  1. Their hard drives didn't crash? by DaHat · · Score: 5, Funny

    Clearly the management of Grooveshark didn't have the forethought of those at the IRS did to ensure that hard drives containing potentially incriminating emails disappear.

    1. Re:Their hard drives didn't crash? by ArcadeMan · · Score: 3, Insightful

      The one time IBM Deathstars would have been useful, and they didn't have any.

    2. Re:Their hard drives didn't crash? by Darinbob · · Score: 2

      More proof that you don't need to be smart or have common sense to be a CEO or CTO. Sending out emails to every employee demanding that they break the law? These are the sorts of boneheaded mistakes you expect to see on the "stupid criminals of the month" column.

  2. Re:Class justice by DaHat · · Score: 5, Insightful

    YouTube responds to takedown requests thus helping it stay within the safe harbor provision of the DMCA. The emails from Grooveshark do seem to suggest they activly participated in infringement rather than just being a medium which infringers happened to use.

  3. Why? by OzPeter · · Score: 3, Interesting

    Why did I have to google the name to figure out WTF Grooveshark was?

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    I am Slashdot. Are you Slashdot as well?
    1. Re:Why? by Anonymous Coward · · Score: 2, Funny

      Why did I have to perform a search on Bing to figure out WTF "google" was?

    2. Re:Why? by Minwee · · Score: 5, Funny

      Why did I perform a search on Yahoo!?

      At all?

    3. Re:Why? by pushing-robot · · Score: 5, Funny

      Because my Altavista bookmark is forwarding me there now. When did this happen?

      Oh well, I guess I'll try that new "Hotbot".

      --
      How can I believe you when you tell me what I don't want to hear?
    4. Re:Why? by geekoid · · Score: 4, Insightful

      Because you are way out of the loop?

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    5. Re: Why? by mchugh · · Score: 2

      Here in Pawnee we all use Altavista.

    6. Re:Why? by OzPeter · · Score: 2

      Because you are way out of the loop?

      I could rattle off the names of a half a dozen programs used by people all over the world that you probably know nothing about. Does that make you out of the loop?

      But if I was posting a story on /. I'd at least say what domain the subject worked in.

      --
      I am Slashdot. Are you Slashdot as well?
    7. Re:Why? by sound+vision · · Score: 3, Informative

      It was the hyped-up streaming music service that came after Pandora but before Spotify.

    8. Re:Why? by Patent+Lover · · Score: 2

      Wow I'm old when I recognize every name above without googling it.

  4. If your actions will draw powerful opponents ... by davidwr · · Score: 5, Interesting

    ... you can't afford to do anything that will give them a knockout blow.

    How would things have turned out differently if the founders of Grooveshark had started off the way they started off - with some illegal uploading and other things - but instead of "carrying on" they closed down their operation then started a whole new "legally clean" one and make 100% certain that neither they nor their officers or employees ever did anything that would give the opposition any ammunition other than, of course, providing a neutral platform for end users to use their services.

    Yes, the opposition could claim "willful blindness" regarding what their customers were doing but their lawyers could reasonably counter-claim that the DMCA specifically allows or even requires hosting providers to be "willfully blind" to infringement unless they receive a specific notification of a specific violation. Thanks to the "dirty hands" of the officers and management, the company will probably never get a judge to rule on that part of the case.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
  5. Re:Now sharing music is illegal? by tomhath · · Score: 4, Insightful

    Only copyrighted music. Or copyrighted anything else to which you don't have distribution rights.

  6. Re:Now sharing music is illegal? by gstoddart · · Score: 3, Insightful

    Now sharing ANY music is illegal?

    If the copyright cartel had their way, any piece of technology which could possibly be used for things they don't approve of would be illegal.

    They've been trying very hard to get that for years. If they keep bribing the right people, they might eventually get it.

    --
    Lost at C:>. Found at C.
  7. Re:huh? by suutar · · Score: 3, Informative

    They get their music by having their customers upload it.

  8. Some content should be avoided... by __aaclcg7560 · · Score: 5, Funny

    When I worked at a video game company prior to the dot com bust, one of the QA supervisors kept pestering me to contribute to the internal MP3 server. So I did. I brought in my collection of Patsy Cline CDs, ripped on my workstation, and transferred to the MP3 server. My contribution to the communal music collection was deleted within five minutes and the supervisor stopped pestering me.

    1. Re:Some content should be avoided... by __aaclcg7560 · · Score: 3, Informative

      Mickey Mouse was invented in 1928, after that there is no public domain.

      Unless Congress extends the copyright law for another 20 years, the Mickey Mouse copyright is scheduled to expire in 2023. Unless the Disney CORPORATION lobbies Congress again and/or files a trademark application, Mickey Mouse will enter the public domain.

    2. Re:Some content should be avoided... by tepples · · Score: 3, Informative

      No musical recordings have entered the public domain due to expiration of copyright. Ever. When the U.S. Congress expanded copyright to sound recordings in 1972, it allowed existing sound recording copyright laws at the state level, some of which provide for a perpetual term, to continue for one full work-made-for-hire copyright term. This means all sound recordings produced before 1972 are under copyright in at least one U.S. state until 2067 (17 USC 301(c)). If the songs were first published on or after January 1, 1923, the songs are not in the public domain in the United States. If at least one songwriter was surviving on or after January 1, 1944, the songs are not in the public domain in the European Union.

    3. Re:Some content should be avoided... by Michael+Woodhams · · Score: 2

      I really don't think trademark and copyright are mutually exclusive. Please provide evidence.

      --
      Quattuor res in hoc mundo sanctae sunt: libri, liberi, libertas et liberalitas.
  9. Re:Class justice by Anonymous Coward · · Score: 2, Funny

    They did get sued... in 2007. Their response was to license and implement YouTube Content ID, which got Viacom and everyone else to drop their suits against YouTube.

    BTW, any time Google says they can't do automated copyright filtering, keep in mind that they can... because they already do. And it's as terrible as they say it is. Some idiot with a CMS account uploads his "epic mix" of "music" consisting entirely of otherwise public-domain or royalty-free sound effects, and suddenly all of YouTube has to fill out disputes, appeals, and counter-notices which are mediated by the same kinds of low-level support employees that tell you to press the Start Menu and type "ipconfig" on your Linux box when you say your cable modem is broken. It's a bureaucratic nightmare.

  10. Funny, however.. by s.petry · · Score: 3, Insightful

    First a disclaimer, I don't feel like reading everything TFA links. Perhaps there is something incriminating in the details, but at least what the summary states is hardly illegal.

    "Please share as much music as possible from outside the office, and leave your computers on whenever you can. This initial content is what will help to get our network started—it’s very important that we all help out! ... Download as many MP3’s as possible, and add them to the folders you’re sharing on Grooveshark. Some of us are setting up special 'seed points' to house tens or even hundreds of thousands of files, but we can’t do this alone." He also threatened employees who didn't contribute.

    I don't see any statement about stealing MP3s to share, ignoring copyright claims by artists, or copying personally purchased music into the service. Those things would surely be illegal, and perhaps that is in the evidence somewhere and just didn't make the summary.

    --

    -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    1. Re:Funny, however.. by Anonymous Coward · · Score: 2, Insightful

      Yeah, except he just authorized that shit! Your move, Kasparov.

    2. Re:Funny, however.. by alexander_686 · · Score: 2

      It is in there. The plan was to violate copyright holders today, build up the business, ask for forgiveness, and then negotiate licensing fees.

    3. Re:Funny, however.. by BronsCon · · Score: 3, Informative
      Who said anything about "without authorization"? Some artists don't mind it one bit.

      I hadn't realized this track was posted on YouTube. It was a collaboration between me and the enchanting Jo Gabriel, and never actually officially released anywhere. Or at least I thought...

      And, rather than suing, they post a link to the video.

      They're not alone, either. A *ton* of artists would love that kind of exposure. Especially for *free*.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    4. Re:Funny, however.. by Bill,+Shooter+of+Bul · · Score: 4, Insightful

      Most often overheard quote indie band quote " I can't eat exposure" .

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    5. Re:Funny, however.. by BronsCon · · Score: 2

      And the indies I know *personally* sell CDs at gigs, primarily because the only people who even know who they are are people at their gigs. One in particular sells TONS of CDs at each of their gigs, they've sold a total of 5 on their website, 4 of which left notes with their orders saying they bought the CD based on a bootleg they found on YouTube.

      That might only be 5 sales, but it's 5 more than they'd have had; with more exposure, that number would be higher.

      Anecdote != data, but there you have it, the reasoning behind my logic.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    6. Re:Funny, however.. by Darinbob · · Score: 2

      So therefore we conclude what? Massive copryight infringement should be allowed because someone sold an extra 5 CDs? If someone wants more exposure, then they can grant permission. It should never be assumed a-priori that you have permission to take without asking.

    7. Re:Funny, however.. by s.petry · · Score: 2

      From further reading, the ruling is based largely on the Chairman's testimony. There is some corroborating testimony from other employees backing requests from executives to upload "popular" music to their service to seed. Logs and actual evidence are not provided, and searching a bit found nothing. I'm not digging through PACER for this, be my guest if you are inclined :)

      Transcripts are not available so it's impossible to know if context, however the Chairman is quoted stating they "bet the company on the fact that [it] is easier to ask forgiveness than it is to ask permission” to use plaintiffs’ content. Id. Escape discussed the possibility that its strategy of illegally growing its user base before settling with plaintiffs might permit it to collect information about Grooveshark users’listening habits, which it could then sell to plaintiffs for more than Escape."

      This would put liability on the company, but I would suspect that it would require backing evidence which we can't see. Considering that there are personal charges brought against 9 other employees, there is an obvious concern that a plea bargain could contaminate testimony of the Chairman. That said, backing testimony does exist.

      The plaintiffs claim that logs and source code were destroyed in discovery, but this is a normal claim by RIA lawyers when facts don't yield what they want. Of course the RIA is mentioned all over the court findings, including the initial lawsuit started by UMG and RIA. The initial law suit was over material that was recorded prior to 1972 and was not subject to copyright protection.

      I'm so glad that the Copyright laws are here to ensure that the Hendrix family receives money from Jimmy's works. Oh wait, they fuck over everyone they can and pocket everything.. nevermind.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    8. Re:Funny, however.. by Bill,+Shooter+of+Bul · · Score: 2

      Well, then why the hell do they sell their cds and the shows? Why don't they give them away? Or better yet, pay people to take them. then they'd have all the exposure in the world!

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    9. Re:Funny, however.. by BronsCon · · Score: 2

      Wow, missing the boat, really. Some fan puts a bootleg from one of their gigs on YouTube, where someone who *never otherwise would have found them* finds them and, a a result, buys a CD. I can understand why *some* artists wouldn't want this, what with their label taking care of that for them (along with the lion's share of the profits), but that doesn't preclude artists who see the value from deciding to allow it. How many people did the 5 people who bought CDs as a result of the bootleg introduce to their music? How many of them wen to see them play? How many of them bought CDs at the show? In fact, how many saw the bootleg on YouTube and went to a show? And, of them, how many bought CDs at the show? I'd venture to say the number is greater than zero.

      Fans buy CDs. The bootlegs on YouTube expose indie artists to more fans, who then buy more CDs. If an artist wants to stand against that, that's fine, more power to them, my point was that *some* artists are okay with it. Can you refute that, in the face of two examples?

      Before you answer, keep in mind that *two* fits the definition of *some*.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    10. Re:Funny, however.. by Richard_at_work · · Score: 2

      If that were to happen, you could say good bye to more than 99% of all mass produced content as most is created for the non-commercial consumer and has no comparable alternative commercial consumer.

    11. Re:Funny, however.. by Firethorn · · Score: 2

      I believe some of those performances are old enough to have made it into the public domain, and some of those old masters are pretty good.

      It's not 2067 yet.

      It would have had to have been produced in 1922 or earlier.

      Works published between 1923 and 1978 are protected for 95 years from date of publication. After 1978 it's 'Life of the longest surviving Author plus 70 years', which works out to 2049 at the earliest. Now consider for classical music that every musician in the symphony can be considered an 'author'. That can be hundreds of people, including a person in their teens. Hell, put a preschooler on the triangle or something. Still, consider that some are probably in their twenties and will survive into their 90s. That's 140 years.

      Anyways, consulting the timeline of audio formats..., it looks like the 'best' recordings you'd have would be wire recordings, and the phonograph records/tubes could hold only about 4 minutes of sound.

      So in order to exploit this you'd need to find an intact record produced before 1923(until next year), scan it and convert it to digital, as well as putting up with the fact that in many cases you'd be lucky to find a single song given the limitations.

      It would almost be easier to pay a symphony to produce songs to be put into the public domain 'for the good of mankind'.

      --
      I don't read AC A human right
  11. Pre-1972 sound recordings by langelgjm · · Score: 2

    You're assuming that sound recordings are treated in the same manner as other copyrighted works. They're not. Read up on pre-1972 sound recordings. They're covered by a messy patchwork of state laws, with the result that probably neither you nor I nor anyone here can know exactly how long those recordings are protected by copyright law.

    Welcome to the wacky world of intellectual property.

    --
    "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
  12. Re:Now sharing music is illegal? by geniice · · Score: 2

    "mp3". The six copyright purist nerds in existance who might take such an instruction to mean you should do it while respecting copyright would have insisted on ogg vorbis or FLAC.

  13. It is the creation of artifical property by bigsexyjoe · · Score: 2

    The whole intellectual property thing is government regulation and it is all outside of any kind of free market.

  14. Having read TFA... by AC-x · · Score: 2

    perhaps that is in the evidence somewhere and just didn't make the summary.

    Yes, there are some statements that ex-employees made:

    The opinion also took note of the testimony of ex-Grooveshark employees who testified on behalf of the record companies. They explained how their bosses ordered them to acquire "the most popular and current songs" and upload them into the Grooveshark system.

    As well as this:

    "Escape openly acknowledged that their business plan was to exploit popular label content in order to grow their service and then 'beg forgiveness' from the plaintiffs and seek licenses," wrote Griesa.

    So that coupled with the email seems to make it beyond reasonably doubt that the email was referring to downloading copyrighted music rather than looking for public domain music.