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Your Online TV Watching Can Now Be Tracked Across Devices

itwbennett (1594911) writes A partnership between TV measurement company Nielsen and analytics provider Adobe, announced today, will let broadcasters see (in aggregate and anonymized) how people interact with digital video between devices — for example if you begin watching a show on Netflix on your laptop, then switch to a Roku set-top box to finish it. The information learned will help broadcasters decide what to charge advertisers, and deliver targeted ads to viewers. Broadcasters can use the new Nielsen Digital Content Ratings, as they're called, beginning early next year. Early users include ESPN, Sony Pictures Television, Turner Broadcasting and Viacom.

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  1. All the more reason to get an antenna. by BarbaraHudson · · Score: 3, Informative

    For some reason, people haven't cottoned on to the fact that HD content can be received over the air with an old pair of rabbit ears or a more modern $20 antenna.

    Sure, it's not 500 channels, but how many of those 500 channels do you watch anyway? And how many of them are just dupes?

    --
    "Transparent" is a shit show that trades on every stereotype going. A man in drag is NOT a transsexual.
    1. Re:All the more reason to get an antenna. by enjar · · Score: 4, Informative

      I live in the Boston metro area about 25 miles away from the broadcast towers and I get ABC, CBS, NBC, CW, FOX, two PBS and a couple independents. There are a couple Spanish channels and a shopping channel. There are subchannels on each so it ends up being something like 25 channels available. Some of them run reruns and old movies, for sure, but I get first run of anything on broadcast (goes into the TiVo), plus PBS has a lot of decent programming.

      We also have Netflix and Amazon Prime but if you do your homework using sites like antennapoint.com and antennaweb.com you can get an antenna that's correctly sized and point it in the right direction, in addition to getting a rough idea of what you should be able to receive from your location.

  2. Re:Sounding another death knell for cable companie by tlhIngan · · Score: 5, Informative

    I don't mind analytics in general, but don't assume that they will help rescue your favorite show by proving that there is a big following. Managers will just slice and dice the analytics until it "proves" that the show doesn't have a big enough viewership to continue.

    Even worse, it doesn't matter if 10,000,000 watch a show.

    The Neilson numbers come in several forms. The ones you see daily are called "Live and Same Day" (L+SD), which counts views that watched the show live and within 24 hours of airing. Other numbers you can easily find are Live+3 days (L+3) and Live+7 (L+7).

    But none of those numbers are actually used by anyone. That's why Neilson gives them out for free. No one's paying for that information, nor will they ever. And that's not where they make their money.

    The real money is in the C3 number, or if you're CBS, you convinced advertisers to take C7 numbers. What are these? They're commercial ratings (for programming watched live to 3 days later). Basically you take the L3/L7 numbers, strip out the numbers while the program is showing, and you're left with just the numbers related to the advertising. And that's the number that makes Neilson money and the number stations pay money for. And yes, you skip ads on your DVR, which pull down those C3 numbers because it lowers the viewers for the advertising.

    And that's because the largest source of income is advertising. Sure they get some through cable fees and Hulu and iTunes/Amazon/DVD etc. sales, but that's a tiny fraction of advertising.

    CBS managed this season to convince advertisers to pay the C7 rate rather than C3, because well, it more accurately reflects today's lifestyle of people who record a show and watch it later in the week.

    And that's all that matters. It doesn't matter if you can find 100,000,000 people to watch a show - if it's not reflected in those 100,000,000 people watching the ads.

    It also brings up cord cutters who prefer to download their TV programming from torrents and such - as far as the industry is concerned, they don't care because those people don't add to advertising ratings.

    Even under the new system - the new system just means that Neilson can more accurately measure their ratings, but if you're not watching the ads, it means jack squat to the producers.

    So that super popular show people pirate? Guess what, the TV industry really doesn't care - you never were a "customer" and it doesn't matter if only 1M people watched it on TV while 100M people watched it off torrents - if those 1M people can't justify the ad rates and production costs, it's getting canned. The 100M other people? Too f'in bad - if it was that good, they should've watched it with ads.

    If you ever wondered why worrying over TV piracy has subsided, that's one reason (who cares about pirates - they obviously don't care about their TV show), the other is they've found legal streaming to be even better. Because if they put a stream online to watch programming, they can make it such that you can't skip ads, and that's actually worth something - enough to pay for the effort of putting an online stream up. So you beat both DVR owners and appear as a hero for making a legal source available.

    Bonus material - 2014-2015 TV season ad rates (30 second spot). This is what brings in the money.
    http://variety.com/2014/tv/new...

  3. Re:Ahh but by khellendros1984 · · Score: 4, Informative

    I'm paying some god-awful amount of money for satellite every month (my wife handles the exact amount, but it comes out of my paycheck). It includes a DVR. Fairly often, I forget to record something that I could've recorded and watched legally. Streaming on Netflix? No. Hulu? No. The network's site? No. The satellite's On Demand service? No. Hmmm, sounds like it's torrent time, if I want to watch whatever it was. Of course, most of the time it's not worth the effort. I'll wait a few months for a rerun, or a few years for it to show up on Netflix, or something.

    --
    It is pitch black. You are likely to be eaten by a grue.