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Birds Found Using Human Musical Scales For the First Time

sciencehabit writes The flutelike songs of the male hermit thrush are some of the most beautiful in the animal kingdom. Now, researchers have found that these melodies employ the same mathematical principles that underlie many Western and non-Western musical scales—the first time this has been seen in any animal outside humans. It's doubtful that the similarity is due to the physics of the birds' vocal tract, the team reports. Rather, it seems male hermit thrushes choose to sing notes from these harmonic series. It may be that such notes are easier for the males to remember, or provide a ready yardstick for their chief critics—female hermit thrushes. The study adds to other research indicating that human music is not solely governed by cultural practices, but is also at least partially determined by biology.

12 of 80 comments (clear)

  1. That explains it... by cayenne8 · · Score: 5, Funny
    ..I could have sworn I heard Whole Lotta Love blasting out of the magnolia tree across the street.

    Turns out, it might have been a couple of bluejays getting horny!!!

    The only thing missing was the sound of the thermin...

    --
    Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    1. Re:That explains it... by PPH · · Score: 2

      And that explains the magpie saying, "Needs more cowbell."

      --
      Have gnu, will travel.
  2. Meanwhile in bird news... by Narcocide · · Score: 5, Funny

    Bird Reporter: This just in! Humans now claiming ownership of our musical scales.

  3. The extent hearing is determined by physics... by Anonymous Coward · · Score: 2, Insightful

    The extent hearing is determined by physics is largely ignored. Musical theory is, in its most literal form, about matching waveforms. They harmonize because the waveforms are in harmony, literally. That such a physical point exists outside of human cognition allows it to be an emergent point for evolution, easier to learn how to detect through the white noise than patterns that fail to resonate coherently in the listener's environment.

    Frankly, duh.

    1. Re:The extent hearing is determined by physics... by acroyear · · Score: 2

      Indeed. The nature of the relationship between the 'first' and 'fifth', the first harmonic overtone, is inherent in the actual physics of sound itself. The order of 'discovery' of the other notes of the scale inherently result from developing an ear to notice the other harmonics - it only takes finding 8 harmonics to end up with a pentatonic scale, found in almost every historical culture in the world.

      It does, however, take a matter of conscious choice to actually develop the whole circle of fifths, the idea of modulation, and then the necessity of tempering the instrument - all aspects strictly of western tonality (with the resulting western a-tonality that followed in the 20th century: our atonality is actually still a limitation of our instruments of choice and the temperament they inherited).

      I don't expect the birds to actually get that far...and even if they did, we'd just be accusing them of impersonating Messiaen's works.

      --
      "But remember, most lynch mobs aren't this nice." (H.Simpson)
      -- Joe
    2. Re:The extent hearing is determined by physics... by acroyear · · Score: 2

      That may be a fact, but we didn't need to know any of that. And neither do the birds.

      That's the whole point of the harmonic series: our ears, in their ability to hear, can hear the overtones in a note because they are there *physically* in the sound. It is unavoidable.

      "Dissonant" notes, such as a tritone or a minor 2nd, aren't dissonant because of some sine wave detail: that's just a matter of mathematical transposition and simplification. The notes are dissonant because their collective overtones within them are clashing all the way up the harmonic series as well. We hear ALL of those harmonic clashes, even if we're not conscious of it. The sine wave isn't why they are dissonant: the harmonics are.

      --
      "But remember, most lynch mobs aren't this nice." (H.Simpson)
      -- Joe
    3. Re:The extent hearing is determined by physics... by jblues · · Score: 2

      > I don't expect the birds to actually get that far...and even if they did, we'd just be accusing them of impersonating Messiaen's works. So we will have: Prelude and Fugue No. 1 in C major for the well-tempered hermit thrush . . . but if an equal tempered Hermit Thrush ever comes along and uses a dominant 7th to modulate to the key of G we'll all be flabbergasted.

      --
      If it acquires resources on instantiation like a duck, then its a shared_ptr<Duck>
  4. I'm sure I heard by Threni · · Score: 2

    a bird singing some Messiaen the other day. The resemblance was uncanny.

    1. Re:I'm sure I heard by PopeRatzo · · Score: 4, Interesting

      When I used to live in the foothills of the Ozark Mountains some decades ago, there was a bird whose song I could hear right about dusk every night. It would sing the first few notes of "The Way You Look Tonight". I was even able to pick out the exact pitches on my chromatic harmonica. The song is in Eb and the bird was in perfect tune. Bb, Eb, F.

      I never did find out what bird it was, and only lived there for a matter of months. There were so many songbirds around there, it really did sound like Messiaen sometimes. And then all of a sudden...it would get absolutely quiet. Then they'd come back little by little.

      There was also a rooster that would wake me up at daybreak, but I didn't appreciate that nearly as much.

      The last few times I was in Europe, I noticed a significant absence of songbirds (and birds in general, in fact). Of course there are pigeons all over the cities, but very few songbirds.

      Regarding birds, and offtopic, if you want to read a really interesting book, I recommend A Feathered River Across the Sky: The Passenger Pigeon's Flight to Extinction, by Joel Greenberg. I'm not a birder or even much for nature, having grown up in downtown Chicago, but this book, which someone gave me as a gift, blew my mind. It's a hell of a story. Here, if anyone is interested:

      http://www.amazon.com/Feathere...

      It was so interesting that I'm thinking about reading another book that I heard was about the now-extinct passenger pigeon, The Silent Sky, which is actually about the last of the species that died in the early part of the 20th century..

      --
      You are welcome on my lawn.
  5. Re:Musical scales based on math, not on culture by ExecutorElassus · · Score: 2, Informative

    Pedagogy time. Vibrating bodies of any physical type will vibrate at an infinite ascending series of whole number multiples of the base frequency f (so, f, 2f, 3f, etc.) in decreasing -- but not linearly or regularly decreasing -- amplitude (the exact difference in the proportions of the various overtones, among other factors, is why different instruments sound different).

    The musical scale used in most music in the Western tradition, however, does not use anything like a harmonic series. Rather, it (presently) uses an equal-tempered scale, such that each note is the same distance from the next. This is a convention adopted to make keyboard music in many different styles and keys more practical to play, but has almost no musical basis per se. To a sensitive ear, a lot of the intervals in an equal-tempered system (most notably the major third) are starkly out of tune from their harmonic manifestations.

    Bach did not use, nor attempt to use, equal-tempered scales. This is an error of historical writing that was introduced by a poorly-informed musicologist into the 1890 edition of the Grove Dictionary of Music, and has persisted ever since. Bach not only could not have tuned his instruments to a truly equal temperament (the technology to do so was not available until the 1820s), almost everybody of his time agreed that more-equal temperaments sounded generally awful and unmusical. Bach used "Well Temperament," which is a distinct system of temperament (of which there are many variants; just which one he used is subject to debate), that kept most intervals in most keys acceptably approximate, while allowing each key to have a slightly different flavor/color.

    I imagine the birds sing notes out of a harmonic series because the intervals are much easier to hear.

  6. Re:Musical scales based on math, not on culture by AthanasiusKircher · · Score: 2

    Pedagogy time. Vibrating bodies of any physical type will vibrate at an infinite ascending series of whole number multiples of the base frequency f (so, f, 2f, 3f, etc.) in decreasing -- but not linearly or regularly decreasing -- amplitude (the exact difference in the proportions of the various overtones, among other factors, is why different instruments sound different).

    False. Your description is only true of very even (theoretical) one-dimensional vibrating bodies. Thin strings and thin columns of air (think some brass instruments) come closest to this, but those are generally not naturally occurring.

    Even other human instruments display a much greater variety of potential harmonics -- if you introduce a conical bore instead of a cylindrical one into a wind instrument, for example, some harmonics will be emphasized over others, and the "infinite ascending series" of continuously decreasing amplitude becomes less and less true.

    But if you look at other vibrating bodies that have more than one dimension -- which is actually of course true of ANY real thing in the real world -- the set of overtones produced will be quite irregular and not generally relatable to one single fundamental frequency.

    Even among human societies, ethnomusicological studies have shown that cultures which tend to use a lot of instruments which are NOT one dimensional often have scales that diverge greatly from the "normal" construction using "standard" intervals. (For example, traditional Javanese music, which is often based around gongs and other instruments with irregular 3-D shapes.)

    So, there's nothing "natural" about the harmonic series except when you construct an instrument to specifications which are somewhat rare in nature. (That doesn't mean they do not occur in nature, but among the variety of sounds produced in the world, they are only a small part...) Which means, of course, that acceptable "musical" scale and sounds are shaped by our cultural expectations.

    I imagine the birds sing notes out of a harmonic series because the intervals are much easier to hear.

    For birds or for humans? Having read a lot of the previous literature on animal and music studies, it's not at all clear that birds hear anything like humans or react to elements in a harmonic series in anything like the way humans do. I'm not saying it's impossible, but people have been looking at this stuff for MANY years (including quite a few previous bird studies that have found NO evidence of this), and there is a reason this study is claiming to be the "first" to show anything like this.

    So, unless all the previous literature is flawed, or unless this particular species somehow "hears more like humans" than other birds, I'm not sure what general conclusions can be taken away from this one study.