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Why More 'Star Wars' Actors Don't Become Stars
HughPickens.com writes: When you become an actor, landing a role in a movie as big as Star Wars may seem like a dream come true. But Tatiana Siegel and Borys Kit report at The Hollywood Reporter that six movies in, the Star Wars franchise has only spawned one megastar: Harrison Ford, unusual for a series of this magnitude. Neither Ewan McGregor nor Liam Neeson was helped by the franchise and the list of acting careers that never took off is even longer, from original stars Mark Hamill and Carrie Fisher to Jake Lloyd (young Anakin Skywalker) and most notably Hayden Christensen, whose star was on the rise when he nabbed 2002's Attack of the Clones. Even Natalie Portman, who already had a hot career before Episodes I-III, admitted she struggled after the exposure. "Everyone thought I was a horrible actress," says Portman. "I was in the biggest-grossing movie of the decade, and no director wanted to work with me."
So what's the problem? "When you sign up for this, you're signing your life away, and you're keeping yourself from any other franchises out there," says an agent whose client is one of the stars of Episode VII. "They will not let you be in another franchise. They're going to be cranking out a new movie every year. These actors never get to read the script before signing on. They don't even know which [subsequent] one they are in. And then they become known for that role, and it's hard to see them in [another] kind of movie." Still, agents keep pursuing roles in the upcoming films even though newcomers can only command a meager $65,000 to $125,000 for Episode VII. "It secures all involved a place in film history," says agent Sarah Fargo, "and guarantees a huge global audience, enhancing an actor's marketability."
So what's the problem? "When you sign up for this, you're signing your life away, and you're keeping yourself from any other franchises out there," says an agent whose client is one of the stars of Episode VII. "They will not let you be in another franchise. They're going to be cranking out a new movie every year. These actors never get to read the script before signing on. They don't even know which [subsequent] one they are in. And then they become known for that role, and it's hard to see them in [another] kind of movie." Still, agents keep pursuing roles in the upcoming films even though newcomers can only command a meager $65,000 to $125,000 for Episode VII. "It secures all involved a place in film history," says agent Sarah Fargo, "and guarantees a huge global audience, enhancing an actor's marketability."
Lucas and Spielberg made the decision to use non-union actors in the first movie because the union demanded certain types of intro-credits which was believed would spoil the feel of the movie.
So the rest of the industry informally blacklisted the actors. The only actor to survive the blacklist was Harrison Ford because Spielberg also used him in Indiana Jones, and the industry wasn't going to balk at a guy that could bring in hundreds of millions for every movie he was involved in. Even Billy Dee Williams, who already had made a rather big name for himself, couldn't survive the blacklist.
"His name was James Damore."
It's not a contradiction at all. The agent works for the agent's benefit primarily. The vast, vast majority of actors never land a role where the agent can take a significant cut. So, to them, it's like a "bird in the hand vs. two in the bush" type of thing. They can get a few bucks out of the actor, who cares if their long-term prospects are stunted. Fact is, they most likely wouldn't get anywhere anyway. Remember, the agent works for the agent. There is always another good-looking young actor coming along to represent.
To say Mark Hamill (for instance) would have been more successful without being in Star Wars is ridiculous. While he didn't hit it big like Harrison Ford, he certainly had a career that was more successful than 99% of people who try to act.
More specifically, the actors weren't so great. Hot grits are happy to note that Natalie Portman has had plenty of roles in movies since then, but she was one of the best actors in the series (not great, but still). Same with Harrison Ford: he was in a league above everyone else in Star Wars 4-6.
I don't think the summary is right either....what actor launched their career from Harry Potter? What actor launched their career from Twilight? What actor launched a career from Transformers? It seems like blockbuster movie series normally don't launch huge acting careers, so how is Star Wars really different? Maybe because Carrie Fischer wrote a book about how her career didn't take off?
Really though, #firstWorldProblems. Actors have trouble becoming 'stars,' have trouble making millions. This is so sad I'm about to cry.
"First they came for the slanderers and i said nothing."
Well I guess its a contradiction from a certain point of view.
I gotta disagree with you on Hamill. Every person I personally know who tried acting got a comercial or a traveling stage show or something a few times but ended up quitting after 5 years or less and now has a different job.
Mark Hamill did a lot better than just sign autographs. He had a good number of small roles in the 80s and 90s (check imdb) and most actors would kill to have a bit part on a few shows. He is also a pretty successful voice actor.
His career is in the top 1% of people who try to be actors. Harrison Ford's career is in the top 0.00001%. That's the difference, in my opinion.
Lucas was fantastic at world building, but absolutely horrible at directing actors, and even worse at writing emotionally engaging characters. He happened to luck out with Harrison Ford, who pretty much carried the weight of the series through his own gravitas and made everyone else look good as well. There were also other places he lucked out, like with Anthony Daniels. C3PO was originally envisioned as a smooth-talking, oily (not literally), used-car-salesman type character, but Daniels had an enormous influence on the character that he fundamentally changed the role.
If you listen to some "behind the scenes" from Star Wars, you'll hear the actors talking about how Lucas never really understood how to motivate or even talk to actors. He'd give them the lines, tell them where to stand, and just expect them to "do their thing". What's painfully obvious is that he couldn't really tell good dialogue from bad, or good character writing from bad. It's really too bad he didn't collaborate with and trust someone to override some of the worst aspects of the first trilogy - mainly the awkward love affair and the questionable motivations of Anakin. Critically, he ended up breaking that fundamental maxim of movies time after time in terms of character development: "Show, don't tell."
Irony: Agile development has too much intertia to be abandoned now.
The problem here is not the franchise, but the director. George Lucas has an uncanny ability to get the worst possible performances out of good actors. Look no further than Samuel L. Jackson, who's a talented individual, but came off as stiff and wooden in the Star Wars movies. It's well known that George Lucas doesn't direct actors at all, and often shoots just a single take of the performance. Then he invests massive time and energy into the visual effects, making the CG artists re-do their work multiple times for questionable reasons. He's more of a technology evangelist than a filmmaker.
...full of Star Wars toys.
That guy he plays in that Amazing Stories episode - that's him in real life + acting career. 268 credits on imdb.
Anyway... It was mentioned in one of Kevin Smith's "Fatman on Batman" podcasts.
Hamill asked if he could have one of every toys they were going to make. He thought it would be kinda cool.
Imagine that, you know. You're in a movie, and they make a toy that's you in a movie... Crazy, I know!
Nobody gave it a second thought, so they included that bit in his contract.
One of every Star Wars toys. Ever.
Mit der Dummheit kämpfen Götter selbst vergebens
Harrison Ford: he was in a league above everyone else in Star Wars 4-6.
I think you underestimate Sir Alec Guinness, Peter Cushing and James Earl Jones. They were certainly top league.
He really deserves a lot of credit - look at Jar Jar.
That could EASILY have been how C3P0 went if it were not for Daniels understanding how to play a comedic role properly.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
Alec Guinness was already big before this movie, at least in the UK.
Seriously? Lawrence of Arabia? The Bridge on the River Kwai? Doctor Zivago? Great Expectations? Our man in Havana? I think Sir Alec was big all over the place, even before Star Wars. He just offered to help, because he was their only hope.
-- Make America hate again!
Actors only appear as good as the writers write them,
Explain "the Patrick Stewart show" er, I mean ST:TNG. There was some pretty ropey writing in there at times. I mean really pretty ropey indeed. Patrick Stewart was much, much more capable in carrying even terribly writing than any of his co-stars.
He crtainly acted far better than the writing in some episodes, but nonetheless despite the writing he was still able to carry the role.
SJW n. One who posts facts.