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Restaurateur Loses Copyright Suit To BMI
Frosty P writes: BMI claims Amici III in Linden, New York didn't have a license when it played four tunes in its eatery one night last year, including the beloved "Bennie and the Jets" and "Brown Sugar," winning $24,000 earlier this year, and over $8,200 in attorney's fees. Giovanni Lavorato, who has been in business for 25 years, says the disc DJ brought into the eatery paid a fee to play tunes. "It's ridiculous for me to pay somebody also," he said. "This is not a nightclub. This is not a disco joint . . . How many times do they want to get paid for the stupid music?"
How many times do they want to get paid for the stupid music?"
As many times as they possibly can.
Obviously.
How many times do they want to get paid for the stupid music?
Infinite.
Artists need to hop on the CC bandwagon. Things have changed drastically since the music industry started strangling them as well as consumers.
If we had a sizable pool of popular CC licensed music, this kind of thing would be less of an issue because establishments like this could simply use it instead. There are tons of new ways for artists to get paid via CC licensed music. Maybe we can brainstorm on ideas and models for this to become a reality? I'm thinking some sort of croudfunding model might be a good first step.
It is pitch black. You are likely to be eaten by a grue.
I am pretty sure you serve the same meal once, you cannot serve it 2 or more times, unless you are waiting in the bathroom to get what comes out the other end.
When you cant win, ad hominem.
EXACTLY. What if the DJ had played the songs in a park? Would the city have to pay BMI's licensing shakedown fee?
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Gordon Ramsey?
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. Stories like this one is why I will never feel bad about piracy.
It should make you feel bad about being a pirate. By pirating music, you let the company know that you enjoy their music and are too cheap to pay for it. Instead, you should abstain from it altogether. If nobody bought it and nobody pirated it, they would get a clue.
If you are not allowed to question your government then the government has answered your question.
So most establishments have a defense. Maybe this one did. But the judge heard from only one side since the restaurant never showed up to court. Too bad.
If you are going to mix physical and intellectual property rights, let's do it properly.
If you go to McDonalds and buy a big mac, and go home to eat it, but aren't actually that hungry and decide to share it with a family member, McDonalds should be able to sue you for unauthorized distribution of their property. When you purchased your big mac you were only purchasing the right for yourself to eat it, not the public at large. When you shared your big mac with someone who did not pay for it, you deprived McDonalds of a potential big mac sale, and are therefore culpable for restitution owed to McDonalds.
Well, that's the problem about comparing music with, well, pretty much anything else: Everything else gets consumed and has to be replaced when it's being, well, consumed.
When he serves a meal, it's eaten and he has to redo it to sell it again (provided he doesn't engage in disgusting practices like "recycling" uneaten food). When my bartender serves me a cocktail, he has to make another one if he wants to sell it again. Pretty much anyone but content providers have to manufacture something again after they sold their original one if they plan to sell another one.
That's not the case with content. Content can be reproduced ad infinitum at little to no cost. There is very little else that you could use as a commodity that shares this trait.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
It's not like the license is all that expensive or hard to obtain or that services to pipe in music don't exist. I don't feel bad for this guy, likely all he needed to do is stop playing copyrighted stuff when he was made aware of the violation and then obtain a license as required if he needed to continue.... Or, BUY a music service for his business from somebody and let them keep up with the licenses.
If you would RTFA, or even the summary, you'd notice that he already did that. He hired a DJ, who had already paid licensing fees to play the music.
At issue here is that the licenses were already paid through the DJ, and BMI was demanding that they get paid again because ... well, that's the question, really ... why should he pay the licensing fees again when the music is already licensed?
Former Restautantosaur here. These BMI/ASCAP people are thugs. They cold call random businesses, threatening potential legal penalties if you don't buy a blanket license. They basically say, 'if you don't buy a license now, one of our inspectors might come out to your shop, and if we hear any of our music playing we're gonna sue your ass.' Then they go after random people like the guy in the article 'to set an example.' Thugs, it's all extortion.
One license for transferring music data off a storage medium. One license for converting digital music data to an analog form. One license for each speaker reproducing the sound, including woofers and tweeters. One license per 10m^3 of space where the mean audio is within two deviations of the average loudness of the music.
If you are listening to said music, you need a license for that, and another if you are planning on remembering listening to the music, plus a re-performance license if you are going to hum a substantial portion of the primary melody in the shower later.
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