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Restaurateur Loses Copyright Suit To BMI
Frosty P writes: BMI claims Amici III in Linden, New York didn't have a license when it played four tunes in its eatery one night last year, including the beloved "Bennie and the Jets" and "Brown Sugar," winning $24,000 earlier this year, and over $8,200 in attorney's fees. Giovanni Lavorato, who has been in business for 25 years, says the disc DJ brought into the eatery paid a fee to play tunes. "It's ridiculous for me to pay somebody also," he said. "This is not a nightclub. This is not a disco joint . . . How many times do they want to get paid for the stupid music?"
How many times do they want to get paid for the stupid music?"
As many times as they possibly can.
Obviously.
How many times do they want to get paid for the stupid music?
Infinite.
When I go to a restaurant I want food, not music.
It sounds like BMI tried to be reasonable and get him to license the music but he ignored them. From his quotes it sounds like he probably pissed them off and they decided to go after him.
Artists need to hop on the CC bandwagon. Things have changed drastically since the music industry started strangling them as well as consumers.
If we had a sizable pool of popular CC licensed music, this kind of thing would be less of an issue because establishments like this could simply use it instead. There are tons of new ways for artists to get paid via CC licensed music. Maybe we can brainstorm on ideas and models for this to become a reality? I'm thinking some sort of croudfunding model might be a good first step.
It is pitch black. You are likely to be eaten by a grue.
You probably owe something to Warner Brothers now. (Or was it EMI?)
Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
I am pretty sure you serve the same meal once, you cannot serve it 2 or more times, unless you are waiting in the bathroom to get what comes out the other end.
When you cant win, ad hominem.
Infinite plus one.
"How many times do they want to get paid for the stupid music?"
Dunno. How many times do you want to get paid for serving the same stupid meals?
Sure, we all hate the MAFIAA, but it's rather odd how you feel capitalism is suddenly a one-way street.
Not exactly an apples-to-apples comparison.. Each new meal requires new material, each play of a song does not.
If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.
It must have been something you assimilated. . . .
I was just reading about Jurassic world, so when I looked at the headline I thought it said Restautantosaur. How cool would that be?
Looks to me like the judge overlooked "double-billing" in this case.
If the DJ paid for a license as part of his business, then the restaurant owner hired him, then BMI is double-billing.
The licensing of the music is intrinsic to the DJs business.
Looks like someone ( judge, jury?, lawyers...) will get a trip to disneyland.
Oh - IANAL. So this really is an opiniom that smells better than the case described in the summary.
EXACTLY. What if the DJ had played the songs in a park? Would the city have to pay BMI's licensing shakedown fee?
sig: sauer
Wouldn't the logical extension of this logic be that if a bar has the TV on a station, and that station plays content that contains a song, then BMI can go after the bar for unlicensed reproduction?
The TV content provider paid a license for redistribution, just like the DJ did. Is there a difference I am missing?
you forgot "child sexual predator"
Can someone explain how this shit works?
I thought the whole idea behind copyright was that it allows the author (err, I mean, rights-holder) to license the production of copies, which leads to the term *copy*-right. Thus, since the disc is licensed, the copy-right has already been enforced.
Now I suppose what people may argue is "but you create another copy of the music in the air and in people's heads when you play the disc." However, we've already been over this. Last century, this was one of the arguments that software publishers used to force you to agree to their shrink-wrap licenses, e.g. "if you don't agree to this license, then you can't use this software, because using it copies it into your computer's RAM and without this license you cannot legally make that copy." However, the courts rightfully decided this was complete bullshit, and that any copies of the data on a distribution medium that are necessary for the normal use of a work are automatically permitted. This is why publishers have resorted to "you must check this box before the software will function" instead, as the courts have yet to tell them that that too is complete bullshit.
Thus, what argument do the music publishers have? If playing a music disc is indeed any sort of copy, it's already permitted simply because of the fact that the disc itself is already a licensed copy and it is impossible to utilize that licensed copy without playing the disc. So what is thier argument that they are somehow entitled to further compensation?
That's not a reason to call it good, this is anything but reasonable.
If you're inconvenienced by music, I suggest you pick one of the >90% of restaurants that don't play any.
Are you serious? I can't think of the last time I have been in a restaurant where there wasn't music playing. Usually through crappy, tinny speakers into a cavernous room with 30 foot high ceilings made out of metal, and bouncing off of all the exposed ducting and metal girders.
Trying to have a conversation over a dinner outside of the home is not even a remote possibility anymore.
If you are not allowed to question your government then the government has answered your question.
. Stories like this one is why I will never feel bad about piracy.
It should make you feel bad about being a pirate. By pirating music, you let the company know that you enjoy their music and are too cheap to pay for it. Instead, you should abstain from it altogether. If nobody bought it and nobody pirated it, they would get a clue.
If you are not allowed to question your government then the government has answered your question.
So most establishments have a defense. Maybe this one did. But the judge heard from only one side since the restaurant never showed up to court. Too bad.
and they wonder why people feel no guilt about pirating music. the BMI/RIAA/MPAA/most record labels are corporate middleman thugs who care nothing about the content they are "licensing" but only about how many $$ they can extract out of the pipeline.
how many of those $24k went to the 4 ARTISTS who's work was "infringed"? probably about 0.7 microcents.
how much "damage" was actually done to those artists by the infringement? they probably actually made money as likely somebody at that restaurant that night heard the songs, was reminded of a happier time in their life and went on iTunes and bought a Rolling Stones or Elton John CD.
The difference between Theory and Practice is greater in Practice than in Theory.
"How many times do they want to get paid for the stupid music?"
Every time you play it.
Every time you hear it.
Every time you hum it.
Every time you think it.
Refrain: Greedy buggers bugger you every time they can!
It's an old blues song and BMI owes a lot of people a lot of money
-- Tigger warning: This post may contain tiggers! --
Stories like this one is why I never feel bad about not using music those parasites have any finger in.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
BMI regularly sues eateries, bars and other businesses for playing music without coughing up licensing fees, which range from $357 annually for a jukebox to $5.85 per audience member for a week's worth of live performances.
Do they mean live performances by the artist that recorded the song? If so, that's an even bigger scam than I would have guessed.
If it's for a band that is covering the song, WTF? back when I played in various bands, you could cover anything you wanted to live. It was only an issue if it was newer than 20 years (or whatever the period of time was) and sold it on a recorded format. As far as I can recall, once it was past a certain age, anyone could make money off of recording their own version of it. You only got sued if you didn't license a newer song or get permission from the rights holder.
> I can't think of the last time I have been in a restaurant where there wasn't music playing.
Yep, I can't remember any place I've been in the last few years that didn't have some crap blasting through their $5 speakers.
Jimmy Johns sub or whatever has the music so loud you literally have to shout to order food. We got sick of that shit real fast and left before the food came. It was just too damn loud, and the music was some mindless pop-horsecrap.
Seriously, restaurant owners, TURN THAT SHIT DOWN. It's background music, not a f*cking mosh pit.
Just cruising through this digital world at 33 1/3 rpm...
If you are going to mix physical and intellectual property rights, let's do it properly.
If you go to McDonalds and buy a big mac, and go home to eat it, but aren't actually that hungry and decide to share it with a family member, McDonalds should be able to sue you for unauthorized distribution of their property. When you purchased your big mac you were only purchasing the right for yourself to eat it, not the public at large. When you shared your big mac with someone who did not pay for it, you deprived McDonalds of a potential big mac sale, and are therefore culpable for restitution owed to McDonalds.
If I request that the authors and musicians perform their same old song once more, and they do in fact show up, then they can expect to get paid again. If I play the damn recording that I paid for on equipment that I paid for in an establishment that I rent, decorate and heat, then they can fuck the hell off.
Well, that's the problem about comparing music with, well, pretty much anything else: Everything else gets consumed and has to be replaced when it's being, well, consumed.
When he serves a meal, it's eaten and he has to redo it to sell it again (provided he doesn't engage in disgusting practices like "recycling" uneaten food). When my bartender serves me a cocktail, he has to make another one if he wants to sell it again. Pretty much anyone but content providers have to manufacture something again after they sold their original one if they plan to sell another one.
That's not the case with content. Content can be reproduced ad infinitum at little to no cost. There is very little else that you could use as a commodity that shares this trait.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
food cost is typically going to be 10% yes, but labor is going to be 20-40%, then rent, electricity, etc. You will be lucky if you get a 20% profit margin. BMI gets 100% profit off this.
When you cant win, ad hominem.
>If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.
I doubt the DJ did pay the correct commercial performance royalty fee in the first place (in fact, I bet lots of them are not paying the correct fees). Although I don't see how that could make the RESTAURANT liable, it would make the DJ liable, if he was hired. I read the article and it is not well written and lacks key information necessary to form any real conclusions.
No, I think the atoms are usually recycled.
Any sufficiently unpopular but cohesive argument is indistinguishable from trolling.
I look forward to a world were nobody can usurp ownership of 'ideas' from others.
Yeah, that trickles down into no copyright of any form, no patents, nothing.
People were able to make a living just fine before 'intellectual property' existed. Technology progressed at an even faster rate back then as well.
Where as today, developers live in fear of unknowingly using some obvious process because of a ludicrous and vague IP.
Costs they paid and investments they made in the past are still things that happened. No way is it 100% profit. Just like licensing an old movie or TV show to play on air, or serve from a streaming service...yeah it was made a long time ago and the creators and publishers aren't exerting any effort now, but when they made the initial investment, part of their calculation was the return on the long tail.
I wouldn't pay a penny to listen to either of those no-talent hacks.
Would the city have to pay BMI's licensing shakedown fee?
I don't see why not. I'm sure BMI agrees with my legal analysis.
“Common sense is not so common.” — Voltaire
Giovanni Lavorato [...] says the disc DJ brought into the eatery paid a fee to play tunes.
Can we have that in English? The article isn't much better...
The disc jockey DJ brought into the eatery by his son also paid a fee to play tunes
Brought in by whose son?
systemd is Roko's Basilisk.
If I request that the authors and musicians perform their same old song once more, and they do in fact show up, then they can expect to get paid again. If I play the damn recording that I paid for on equipment that I paid for in an establishment that I rent, decorate and heat, then they can fuck the hell off.
So, artists should only get paid for live entertainment. Got it.
Just curious what's a reasonable amount to charge for any recorded works then? Would $500 a CD be reasonable for a budding artist? I mean, it might be a while before they can eat again if they're not touring for food 360 days a year.
(Believe me I'm on your side, let's both remember these legal actions and reactions are mainly for the lawyers that created them.)
Anything we can drink we loot first though...
Start with the auto parts store, they carry antifreeze.
“Common sense is not so common.” — Voltaire
Rohr, who represented Bobby Dee’s
- but sounds like he's representing BMI -
said it makes sense for businesses to be in harmony with licensing groups like BMI. “It’s actually foolish not to do it,” he said, noting the licensing cost is less than a legal proceeding.
Is that like how it makes sense to pay protection money, because it costs less than having your store smashed up or burnt down?
It shouldn't be "foolish not to do it." It should be "fair to all involved to do it."
systemd is Roko's Basilisk.
"How many times do they want to get paid for the stupid music?"
Dunno. How many times do you want to get paid for serving the same stupid meals?
Sure, we all hate the MAFIAA, but it's rather odd how you feel capitalism is suddenly a one-way street.
Not exactly an apples-to-apples comparison.. Each new meal requires new material, each play of a song does not.
If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.
Odds are rather good that the DJ did not pay the fee that is associated with entertaining an audience. Most DJs are unaware that's any different from buying the CD itself.
The fact that he probably even advertised (not made clear FTA) that there was a DJ playing makes the restaurant far more culpable as an "entertainment" venue than merely a restaurant. As many other posters have pointed out, this was used as a form of entertainment and should be treated as such. I don't necessarily like the tactics, nor necessarily agree with the sum, but at least, for a change, the musician gets a solid chunk of it.
"Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
I can't think of the last time I have been in a restaurant where there wasn't music playing.
The Taco Bell I used to go to had no music, but every other fast food restaurant I can think of plays something. Maybe a few non-sit downs don't, like a pizza joint without tables.
Though a few are wising up. They play from sources that don't require a re-license.
But an actual sit-down restaurant? The only ones without music are way outside my price range. The super-expensive restaurants usually don't have music (except live, piano or violin). But the Denny's/Chili's'etc all have music blasting too loud to hear a conversation.
Learn to love Alaska
By pirating music, you let the company know that you enjoy their music and are too cheap to pay for it.
They don't know I pirate any more than they know I made recordings of the radio in the '70s. They'll lie up statistics regardless of whether I do or don't.
Learn to love Alaska
is not an excuse. The law itself may be unjust, but I don't understand why this is so hard to understand. There may be a reason you run a restaurant instead of work as a quant, but still.
BMI pays the songwriters. They're basically authors, not entertainers.
EXACTLY. What if the DJ had played the songs in a park? Would the city have to pay BMI's licensing shakedown fee?
If the owner of the park (the city government perhaps) were charging admission or otherwise benefiting commercially from the performance of the music, then yes they would have to pay the license fee.
If I can be modded down for being a troll, can I be modded up for being an orc, or a balrog?
"So, artists should only get paid for live entertainment. Got it."
Yes, this is exactly how it should be.
The artists get paid directly (fewer middle-men) and their rewards are directly commensurate with their hard work.
Society benfits through the increased value placed in the artists' live performance and the repeated playback is good for everyone.
If the artist stops working then they stop being paid, just like everyone other honest and decent person on the planet.
Sounds like a plan. How do we make it happen?
All restaurants should switch to that fake "teenage" music from 1970's sitcoms.
Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
You get more mileage from a cheap pair of speakers.
"Wait. Something's happening. It's opening up! My God, it's full of apricots!"
If the owner of the park (the city government perhaps) were charging admission or otherwise benefiting commercially from the performance of the music, then yes they would have to pay the license fee.
You mean like if they charged property taxes or sales taxes to maintain the park?
~Loyal
I aim to misbehave.
You get more mileage from a cheap pair of speakers.
One of the most popular cafes in this town is successful in great part because of their lack of background music. It's not a fancy place at all, just a deli-style counter with fairly good sandwich and salad makings, lots of good pastries, and a variety of (non-alcoholic) drinkables. I've lost track of the number of times I've seen groups decide to go there explicitly because conversation is possible.
Of course, I can see other restaurant owners deciding to go with the music because it interferes with conversation, so people will just eat and then free up the table for the next customers. Groups that are talking tend to stay around too long for a truly "commercial" establishment. This may well be the main reasons that eateries pay for licenses to play music. They want you to eat and get out in as short at time as possible, not sit around and talk.
The local cafe mentioned above is frequented by the local political crowd, and by the leaders of many local organizations. My wife is involved in organizing an upcoming music & art & food festival, and most of the organization's meetings have been held in that cafe. The cafe's owners presumably like serving this local function (and they also cater events in your home if you prefer). Maybe there's only enough of that sort of business to support one such eatery locally, or there's nobody else that wants to get into that niche.
Those who do study history are doomed to stand helplessly by while everyone else repeats it.
It's that if you don't answer the complaint, then the plaintiff files a motion for summary judgement. Hearing no objection from the defendant, judges typically grant such motions, legally affording plaintiffs all relief they were seeking in their complaint, which nearly always includes attorneys' fees.
Of course, then the plaintiff has to actually collect on the awarded judgement.
It is easy to find rich DJs.
But still, your point is valid.
This issue is a bit more complicated than you think.
How many times do you want to get paid for serving the same stupid meals
Bad analogy.
The restaurant paid for the flour they used to make your pasta. Now the FIAA is coming after you because you enjoyed the pasta made from their flour but you did not pay them for the right to enjoy their flour. Never mind that you paid the guy who paid for the flour, you're a flour-stealing thief because they say so.
If I have been able to see further than others, it is because I bought a pair of binoculars.
This is why I do my grocery shopping at Aldi. They don't have background music, and they pass the savings on to me.
There the only sound is the beeping of the UPC scanner at the register. It's much less stressful.
all copyright became forfeit when public domain was suspended.
They reneged on their side of the contract... there is no obligation for us to uphold ours.
Nothing reasonable about BMI. The license fee from them starts around $1,000 a year for a small sized restaurant and does NOT include any live music. It can go WAY higher from there. They charge by the foot and have all manner of legal crapola in their contract for collecting other fees from you if you miscalculate your situation. And, note, BMI only licenses SOME music. It is NOT ASCAP, and I don't believe paying BMI will cover you if you don't happen to know which agency licenses what. And there are other license holders as well. So it's really a legal minefield playing ANY sort of music in your for-profit business. Live band? Beware, beware, beware! You maybe *thought* you were licensed for that particular song? Wanna play Russian roulette? Most restaurants are very marginal in profits so a $20K judgement will probably put a high percentage of them out of business pretty quick. But the saddest thing is there really isn't any solid way to protect your business. An employee plays something even one time or against your policy from normal Pandora or Apple or Spotify? You can be screwed seven ways from Sunday. Probably the best deal out there right now for commercial businesses which want to play popular music is Pandora THROUGH DMX. http://www.dmx.com/pandora/. It was about $25/month last I checked. But you DO need a hardware piece and that hardware requires a fixed IP address if you have other things on your network. So the $25/month becomes $50/month. That is $600/year. So you are approaching BMI prices again. And you STILL have risk from other license holders. And you still can't play live. Nor anything which isn't being MEASURED and tracked by the DMX hardware. Jamendo offers another path if you can play "unknown" artists doing unknown songs. They are from europe and license independent music and have a provision for businesses at something like $60/year. And I understand (but what do I know?) that you are okay if you play music copyrighted before 1921 or something. But note that an old piece of music will still have a copyright if someone performed it and copyrighted their "interpretation"/ performance. So....landmine there as well. What is the answer? Maybe revoke the fourteenth amendment (https://en.wikipedia.org/wiki/Fourteenth_Amendment_to_the_United_States_Constitution). Or give up hope. It's an ugly future as the corporations now have vastly more rights than mere humans.
the music industry was even going after arcade / locations operators / locations with a Guitar Hero Arcade calming they needed to pay jukebox fees as well. They lost that case or there was some kind of out of court settlement
places dancing game, pinball or any arcade machine may be at risk from a law suit http://arcadeheroes.com/2015/0...
and they did this years ago with Guitar Hero Arcades.
But when you share your big mac, you lose the opportunity to enjoy the part you gave away. So this sharing is different from music sharing, it's more like cut and distribute.
Suppose you bought a big mac and your family has 5 members including you. You placed the big mac in a food cloning machine and it generated 4 more big macs for the remaining family members. As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.
This analogy above is similar to a music sharing you know about -- buying one copy of a song and sharing free clones with dozens of friends and strangers.
IOW, your analogy is flawed.
These guys really don't seem to get that laws are generally only as enforced as people want them to be. They keep this shit up and no jury is going to stand with them. And at that point, what is their copyright worth?
They need to charge a reasonable rate in a reasonable cost structure.
I've decided to stop wasting my time responding to AC trolls/sockpuppets... so if you want a response from me... login.
Before intellectual property there was secret science, and frequently when the inventor died the idea died with him. Is that what you want?
Contribute to civilization: ari.aynrand.org/donate
Pay for hire some musicians to write generic songs for the restaurant businesses and place those songs in the creative commons.
Generic rock as background music would be fine. If people are dancing to it probably less so. Don't think people dance to benny and the jets.
There are tens of thousands of songs now. If they want a particular song, perhaps they need to pay top dollar.
But that's their choice.
She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
So you have no objections to sole proprietorships or partnerships? Only corporations? How strange.
Contribute to civilization: ari.aynrand.org/donate
One license for transferring music data off a storage medium. One license for converting digital music data to an analog form. One license for each speaker reproducing the sound, including woofers and tweeters. One license per 10m^3 of space where the mean audio is within two deviations of the average loudness of the music.
If you are listening to said music, you need a license for that, and another if you are planning on remembering listening to the music, plus a re-performance license if you are going to hum a substantial portion of the primary melody in the shower later.
My Other Computer Is A Data General Nova III.
Well, that's because you are relatively poor, and go to fast food, or occasionally low-end chain restaurants. Quality restaurants will generally not have music, and even semi-decent restaurants will either not have music, or will have it playing at barely-noticeable volumes.
Slashdot: providing anti-social weirdos a soapbox, since 1997.
But when you share your big mac, you lose the opportunity to enjoy the part you gave away. So this sharing is different from music sharing, it's more like cut and distribute.
Hence the difference between intellectual property and physical property.
Suppose you bought a big mac and your family has 5 members including you. You placed the big mac in a food cloning machine and it generated 4 more big macs for the remaining family members. As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.
Thereby turning a physical property issue into an intellectual property issue. Presumably you used your own atoms and energy (i.e. your own physical property) to make copies of the big mac.
IOW, your analogy is flawed.
Woosh. It was supposed to be.
Are you serious? I can't think of the last time I have been in a restaurant where there wasn't music playing.
Odd, I can't think of many that do play music. We must go to different types of restaurants? :)
Just to rattle some examples off the top of my head:
Last restaurant I was at I ate outside, no music there.
Before that was a cheapo Malaysian place that had no music, but they did have a TV
An Italian place I went had none, but a Mexican place did have some Mexican style (non-commercial) music to add some atmosphere.
I do recall a few places with the Muzak background type stuff which you never notice, but nothing commercial that any rights holders would be chasing?
By pirating I'm letting the musician know that I enjoy their music but am not happy to support any of the other leeches in the chain.
If I really like them, and they come to my town, I will buy a ticket to their show and maybe a T-Shirt. I am supporting a model I believe is fair and sustainable.
In the day where real musicians can write, record and release songs from their bedroom, why do we need the middlemen? Someone will come up with a model that funnel profits directly to artists, then the "industry" as we know will die like it should. .
city government has a legal team and they can just say you can't play music there with out first asking the city Also the city can just ban the people doing the licensing shakedown. Even they lose a court case they can not pay it and have little risk.
Suppose you bought a big mac and your family has 5 members including you. You placed the big mac in a food cloning machine and it generated 4 more big macs for the remaining family members. As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.
IOW, your analogy is flawed.
Good luck with that line of reasoning.
I have a garden. I buy plants all the time and use clippings and or seeds to grow more copies of it.
When I was a kid we bought a pedigree dog. We bred it and sold genetic copies of it
IOW, your analogy is flawed.
In the case of a business, you're playing music for the same reason the artist is making it; to entertain others.
Same reason you play it in your own home when others are also present.
That's why a music CD costs a lot more than a blank CD, correct?
The price of CDs were established when they first went public based on the cost of manufacturing. Now the cost of manufacturing is 5 cents and they still charge the same amount because they know that's the price the market will bear.
Well, that's because you are relatively poor, and go to fast food, or occasionally low-end chain restaurants. Quality restaurants will generally not have music, and even semi-decent restaurants will either not have music, or will have it playing at barely-noticeable volumes.
Well, I am relatively poor, meaning that I make under $100k, so the restaurants I frequent are more the $10-$20 a plate restaurants, all of which play music and most of which are also playing TVs. Maybe if I went to $40-$50 per plate restaurants, they don't do that, but it would be irresponsible of me to spend that kind of money on a single meal.
If you are not allowed to question your government then the government has answered your question.
So you have no objections to sole proprietorships or partnerships? Only corporations? How strange.
Why is this strange? Sole proprietorships and partnerships have to be more careful since they do not have limited liability. A corporate charter grants many rights not enjoyed by companies owned by individuals or groups without a corporate charter.
Similar to the upcoming US election results
Citation? As a GH fan, I honestly don't remember hearing this and would like to read more about it.
FC Closer
How dare you equate fine, upstanding kiddy diddlers with the true scum of the earth, those evil, satanistic music pirates? /s
FC Closer
So, and not really extrapolating, you are saying that you want to live with the living conditions from back then... Do you think you will be royalty if you can just go back?Stop eating meat, stop eating anything not in season, put away your oranges, stop with your dental care, do not go to the hospital, stop using your computer (please?), and stop bathing. Hmm... That last one may not apply.
"So long and thanks for all the fish."
You make it happen by creating your own music and living according to your chosen licensing scheme. You do not get to force others to license according to your desires. Make your model, try to make it profitable, and see if it is viable. I wish you luck. Seriously, no - I do wish you luck. I love concerts and frequently attend them. Sometimes I will even go see bands I do not really like just for the ambiance.
"So long and thanks for all the fish."
There's drugs in them there CVSs! Those should be looted too. And maybe saved for the inevitable need of first aid supplies.
"So long and thanks for all the fish."
yes i think like that
Given the value of a song seems to be 99 cents, they are claiming damages of $24,000 ? So they are saying by this place playing 4 songs, they lost $24,000 in lost sales and there for each person in the restaurant would have bought these songs 500 times, if they didn't get a free performance. These laws are dumb and have no real word fair value, it's all a made up amount by lawyers. btw: If you want to be safe, play the radio or a for business radio service (like xm radio for business), they deal with licensing.
That's alot of work for a coffee shop that hardly turns a profit in the first place, hiring song writers and musicians to record songs for them. They are probably looking at $500 per song. You would want atleast 50 songs per day to prevent the same 5 from repeating 20 times per day. The safest thing is just play the radio, or get something like xm for business, its about $30 a month and they pay the performance rights, as its specifically for restaurants and places of business.
Stop going to shitty restaurants, and your problems will be solved.
No, it only means that you downloaded the music. The intention is unknown. Many people (myself included, when I used to pirate music) would download music to find new artists & to see if albums were any good - clearly as the music is unknown at that juncture, whether it was being enjoyed or not is complete conjecture. You are also assuming that they know of all methods of pirating their music, which they clearly do not.
"the law says" ... change the law ...it's all a big scam ... or change the lawmakers.
now we need to go OSS in diesel cars
The restaurants I go to I think may have music but it's soft enough that I don't notice it when I'm reading and these places are fairly empty, I typically go on off times on weekends. I find the far more distracting element to holding a conversation in a restaurant is the other patrons.
"Lack of speed can be overcome. In the worst case by patience." --Znork
Not all songwriters are singers and not all singers are songwriters. As long as that difference exists the middleman will exist to match them up.
"Lack of speed can be overcome. In the worst case by patience." --Znork
My analogy is not flawed. No human owns the rights to the genes in your seeds or pedigree dogs. So you are free to clone marketable things from those seeds/dogs. Also, making genetic copies, as you say, is quite time consuming and expensive since you have water the seeded land frequently and have to feed/maintain the pedigree dog before & after she gives birth to the puppies. It's nothing like the simple copy files command used to pirate music.
No human owns the rights to the genes in your seeds...
You are technically correct, but only because corporations own those rights.
IMHO, this is indicative of what's really wrong with this country. It's not the mean, evil, greedy, CEOs. It's the musicians, actors, athletes, and people who are famous for being famous who have been deluding into thinking that everything they do is awesome and worthy of perpetual fees. It's gotten so bad that these people think that they're brilliant at everything when in reality they don't know anything. But legions of fans are so blinded by the star power that they are willing to believe everything that comes out of their mouths no matter how wrong or inane. Further, it's gotten to the point where ordinary people aspire to be famous far more than they do to be a physician or a scientist. The most dangerous aspect of all of this is that these people subconsciously know that famous people don't have to work hard for their money. It gets thrown at them. Therefore, they erroneously believe that nobody who has a lot of money earned it through hard work and ingenuity. Ultimately, the people who have money thrown at them have no appreciation for the money and the hard work it takes most people to earn it.
Cocaine is not that cheap. The music industry in Nashville would grind to a halt if it wasn't for drugs and alcohol.
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As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.
No, I would not expect that. I might be convinced of this, but it's by no means obvious. I can see how such a food cloning machine might change the food industry a lot.
//TODO: signature
Unless by "stealing musing" you mean actually stealing physical media, it isn't theft. That's like taking a person's picture being called kidnapping.
BMI gets 100% profit off this.
Auditing nearly every business with chairs from afar is hardly a cheap operation.
I don't believe it's possible for the DJ to pay the fees, since it depends on things like the venue's square footage and seating capacity. It's almost certainly a venue's responsibility.
In the future, money will be made by owning things. Wait, I am sorry that's not just the future that's how it has always been. If you don't own property, or part of a company, or some intellectual property. There is no money in work, unless the work is generating property for you. In the future as robots do most of work .. it will be even harder to get income without having investments.
Instead of worrying about unemployment, government should worry about the uninvested. Government can tax the factories and give out shares to the uninvested, so they casn get dividends and live off that. If you won't have any investment, how do you expect to retire? Oh yeah by investing in social security. Not bad.
This is a copyright issue. When you get a legal copy of something under copyright, the law in the US specifies things you may and may not do without further permission, and public performance is in the "may not" category. However, you may do quite a few things with your specific copy, like enjoy it privately, prop up a table leg with it, or physically modify.
To the best of my knowledge, McDonald's has not copyrighted the Big Mac, so copyright law doesn't apply, and the purchaser gets full rights to the burger. Even if it were copyrighted, you could divide it with another as long as you did not produce another copy.
"When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
No, the restaurant (in this analogy) has a magic flour machine that produces flour with only trivial consumables, much like a CD that produces music with only trivial consumables. The magic flour machine company is happy to let people use their machines, but it charges for flour.
"When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
The point of my post was to highlight the absurdity of treating physical and intellectual property as interchangeable.
The singer should be choosing the song, and if they feel the need for a middleman to help them out with this task, it should be at their cost, not mine.
The music industry has grown around a monopoly on distribution, therefore the distributors got to call all the shots. Now that digital technology and the Internet renders that monopoly useless, the model needs to shift back in favour of the musician. The Musician is the brand, they need to take charge of their sound (writing, production etc) and be responsible for trying to make an income out of it all.
. So you are free to clone marketable things from those seeds/dogs. Also, making genetic copies, as you say, is quite time consuming and expensive since you have water the seeded land frequently
That takes no effort. A lot of plants can be copied simply by cutting a branch and letting it fall in the dirt. Some don't even require that, they break or fall naturally then just start growing by themselves. It's actually less effort than downloading and copying a file. Imagine in the Gardeners Industry Association of American knocked on your door randomly and ask for royalties for any plants you had in your garden that you didn't have a license for?
The whole idea that a vendor can sell you something, then control how you use it in future, is flawed. You either sell it or you don't. This whole end user license model is a device of tyranny and I will continue to pirate as a form of protest against it.
If artists want to get paid, then do what every other business has to do and come up with a business model that works, or find another job.
I was speaking about the restaurant industry as a whole. It would cost them less than a penny each to have songs created. You know- just like programmers collectively write programs and make them public domain.
Even Houston alone has 4000 restaurants so $25000 for songs would be a one time expense of about $6.25 per restaurant.
She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
google "guitar hero lawsuit dropped". Tons of articles.
Lead result
http://www.wired.com/2013/02/a...
Judge Dismisses Axl Roseâ(TM)s $20M Guitar Hero Lawsuit
She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
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