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Restaurateur Loses Copyright Suit To BMI

Frosty P writes: BMI claims Amici III in Linden, New York didn't have a license when it played four tunes in its eatery one night last year, including the beloved "Bennie and the Jets" and "Brown Sugar," winning $24,000 earlier this year, and over $8,200 in attorney's fees. Giovanni Lavorato, who has been in business for 25 years, says the disc DJ brought into the eatery paid a fee to play tunes. "It's ridiculous for me to pay somebody also," he said. "This is not a nightclub. This is not a disco joint . . . How many times do they want to get paid for the stupid music?"

51 of 389 comments (clear)

  1. Surprise! by tnk1 · · Score: 5, Insightful

    How many times do they want to get paid for the stupid music?"

    As many times as they possibly can.

    Obviously.

    1. Re:Surprise! by s.petry · · Score: 5, Insightful

      A couple sentences on a piece of paper with a signature would have sent the Thugs after the "disc jockey Disc Jockey" he hired instead of taking it himself.

      I think you should check history before making such statements. The RIAA has a history of going after who will have the money to pay, not the responsible party. Perhaps the contract would have been used for the RIAA to go after both parties, but the guy with money always gets sued. Who has money here, the DJ or the business owner? Hint: I have not seen a wealth DJ ever.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    2. Re:Surprise! by Anonymous Coward · · Score: 2, Insightful

      You might get a bit of sympathy if you told us which highly enlightened nation your father lives in.

      And I assure you that "constantly pay money because you have a low-tech radio in a vehicle" did NOT come from overseas if you live anywhere they use the Euro. (From across the Channel maybe, but not from across the Atlantic.)

    3. Re:Surprise! by CanEHdian · · Score: 2

      The Copyright Industry has tons and tons of money to bribe politicians... ^H^H^H^H^H make "campaign donations". Further, they can invite politicians to cool events, for free, with a guest they can impress (and what THAT might lead to later that night!) and made to feel important, get a meet & greet with the celebrity performer, etc. What do you got?

      --
      When the copyright term is "forever minus a day", live every day like it's the last.
  2. How many times? by NoKaOi · · Score: 5, Insightful

    How many times do they want to get paid for the stupid music?

    Infinite.

    1. Re:How many times? by Lead+Butthead · · Score: 5, Funny

      For the record labels, every passing thought of the melody or lyric constitutes an infringement. The only thing that's stopping them right now is their inability to read minds.

      --
      ELOI, ELOI, LAMA SABACHTHANI!?
    2. Re:How many times? by Lawrence_Bird · · Score: 5, Interesting

      If I buy a CD and play it in my home, how many others may be in the same room listening before I need to pay a fee?
      If a company buys a CD and plays it at their place of business, who else may be in the room listening before they need to pay a fee?

      I do not know the answer buy my personal opinion is "as many as I want" unless as a business the main reason why customers are paying me is to listen to those specific songs, in that case I am re-marketing them.

    3. Re:How many times? by Xenx · · Score: 2

      So, not a record label.. but the "joke" is still valid otherwise. Just because they treat the artist better, doesn't mean they can dick every one else over.

    4. Re:How many times? by Anonymous Coward · · Score: 5, Insightful

      Open your windows and play it as loud as you can.

      What you do in your own home is private consumption.

      Really need to start tacking RICO act violations to the RIAA ASCAAP, BMI, etc...

      They are just thieves out to steal as much money as they can without benefiting anyone but themselves.

    5. Re:How many times? by geekmux · · Score: 4, Insightful

      If I buy a CD and play it in my home, how many others may be in the same room listening before I need to pay a fee? If a company buys a CD and plays it at their place of business, who else may be in the room listening before they need to pay a fee?

      I do not know the answer buy my personal opinion is "as many as I want" unless as a business the main reason why customers are paying me is to listen to those specific songs, in that case I am re-marketing them.

      In the case of a business, you're playing music for the same reason the artist is making it; to entertain others.

      Don't want to pay for that entertainment? Fine, let your customers do whatever they want to do in your store in silence.

      And it doesn't matter if our personal opinions match here. All that matters is the "logic" a lawyer needs.

    6. Re:How many times? by jedidiah · · Score: 4, Insightful

      They already did apparently. They just wanted to charge more than one person for the same "performance".

      --
      A Pirate and a Puritan look the same on a balance sheet.
    7. Re:How many times? by Maxo-Texas · · Score: 5, Informative

      The article is unclear but it sounds like the DJ pays a fee to pay the music.

      One would logically assume that fee would cover the restaurant who pays the DJ to provide music.

      Why should the DJ pay a fee to play the music in a public place AND the restaurant pay a fee when the DJ plays the music in their restaurant. One or the other fee should cover the song.

      It would be like paying for the meal- then paying a fee for having the meal on a plate- then paying a fee for having the meal on a table- and then paying an extra fee if the meal is eaten with wine instead of a soda.

      If the DJ pays a fee, that should cover all music the DJ plays. The restaurant wouldn't logically have to pay another fee.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    8. Re:How many times? by TheDarkener · · Score: 5, Insightful

      50% of BMI fees go to the songwriters

      *Which* songwriters is the real question.

      --
      It is pitch black. You are likely to be eaten by a grue.
    9. Re:How many times? by antiperimetaparalogo · · Score: 2

      The article writes "The disc jockey DJ brought into the eatery by his son also paid a fee to play tunes, Lavorato [the restaurant owner] believes." - but this Lavorato guy, the restaurant owner, also believes doing things his way... read this: “I don’t talk to the judges. I don’t talk to anybody. I just don’t want to talk to any of these people, because it’s illegal to try and take money from people,”

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    10. Re:How many times? by aitikin · · Score: 5, Informative
      Unfortunately it's the responsibility of the venue to clear those licenses, not the DJ or other musicians. As ASCAP points out on their FAQS:

      Some people mistakenly assume that musicians and entertainers must obtain licenses to perform copyrighted music or that businesses where music is performed can shift their responsibility to musicians or entertainers. The law says all who participate in, or are responsible for, performances of music are legally responsible. Since it is the business owner who obtains the ultimate benefit from the performance, it is the business owner who obtains the license. Music license fees are one of the many costs of doing business.

      it's not the musicians, it's the business. Same reason (or should be, but often isn't) business owners charge a cover when music is being played in the venue (although, often times said cover is also paid to the musicians themselves).

      --
      "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
    11. Re: How many times? by cpt+kangarooski · · Score: 4, Informative

      ASCAP, BMI, and SESAC are the three main performing rights organizations in the US. All of them represent the holders of the music copyrights (e.g. songwriters), not the sound recordings made by artists.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    12. Re:How many times? by darkwing_bmf · · Score: 2

      So it seems like the best defense for the restaurant owner would be "we didn't actually condone him playing music"

      I don't think you quite grasp the concept of hiring a DJ.

    13. Re: How many times? by Jason+Levine · · Score: 2

      Or like an ISP charging a user for Internet access to use Netflix and then charging Netflix for access to the ISP's users.

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    14. Re:How many times? by aitikin · · Score: 2

      That is fucking ridiculous (not saying it's illegal, just ridiculous). The DJ paid fees to be able to play the music, and they expect the restaurant to also pay fees?

      I stopped reading after this because you didn't follow the link or read the text. The DJ paid the same fee you do for a CD. Period. End of story. (S)He may have paid for the PA equipment as well. That has absolutely nothing to do with the fact that someone is using this for entertainment in his place of business as a way to encourage more business.

      [Having now taken the moment to read your piss poor analogy, let me throw a more apt one at you]

      It's more like if I write a book and then someone creates a movie from that book, should I have a right to proceeds from the movie? According to your analogy, I should just get nothing because the movie studio bought a single copy of my book, even though now, billions could have my story out there and, to many of them, a book that a movie they've seen isn't worth reading, so I shouldn't make money off of them.

      I don't for a second believe that the DJ actually paid the fees, in fact, it seems the owner merely assumed (s)he did. And even if (s)he did, (s)he did so for performance within (her/)his own venue, as it's how (her/)his business has to be run. A restaurant owner who ignores this cost of doing business should get sued. The sad part is, it appears that this particular situation only came about because this owner refuses to be educated on his responsibilities and decided that settling didn't make sense. Hell, it seems like he didn't even seek out legal advice.

      --
      "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
    15. Re:How many times? by Builder · · Score: 2

      It wasn't private property - it was a farm / ranch where cattle were raised for profit IIRC. This meant that farmhands who were working there heard the radio.

    16. Re:How many times? by cptdondo · · Score: 4, Insightful

      Did you ever try to get a license for a "performance" like this? I did, once, just to see how difficult it is.

      Turns out that, at the time, neither BMI nor ASCAP had a way to legally play their music unless you were a professional DJ, were pressing at least 200 CDs, or were re-mixing their music.

      After 6 weeks of phone calls and emails, and getting shuttled off to various other agencies, it turned out that they had no license that would allow an individual or a business to play songs from their catalog for a single event.

      Of course that does not prevent them from suing for lack of the same.

  3. Good by ebcdic · · Score: 3, Insightful

    When I go to a restaurant I want food, not music.

  4. Creative Commons revolution by TheDarkener · · Score: 4, Interesting

    Artists need to hop on the CC bandwagon. Things have changed drastically since the music industry started strangling them as well as consumers.

    If we had a sizable pool of popular CC licensed music, this kind of thing would be less of an issue because establishments like this could simply use it instead. There are tons of new ways for artists to get paid via CC licensed music. Maybe we can brainstorm on ideas and models for this to become a reality? I'm thinking some sort of croudfunding model might be a good first step.

    --
    It is pitch black. You are likely to be eaten by a grue.
    1. Re:Creative Commons revolution by jonwil · · Score: 2

      Except that even if you use only music where you have explicit permission from the copyright holder (Creative Commons or otherwise) the rights enforcement goons will still come after you and sue you (and since they are much bigger and more powerful they will probably win or at least make it too expensive to fight rather than settling)

  5. Re:Capitalist logic by thaylin · · Score: 4, Funny

    I am pretty sure you serve the same meal once, you cannot serve it 2 or more times, unless you are waiting in the bathroom to get what comes out the other end.

    --
    When you cant win, ad hominem.
  6. Re:Capitalist logic by fahrbot-bot · · Score: 2

    "How many times do they want to get paid for the stupid music?"

    Dunno. How many times do you want to get paid for serving the same stupid meals?

    Sure, we all hate the MAFIAA, but it's rather odd how you feel capitalism is suddenly a one-way street.

    Not exactly an apples-to-apples comparison.. Each new meal requires new material, each play of a song does not.

    If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.

    --
    It must have been something you assimilated. . . .
  7. Restautantosaur by Noah+Haders · · Score: 2

    I was just reading about Jurassic world, so when I looked at the headline I thought it said Restautantosaur. How cool would that be?

    1. Re:Restautantosaur by Nethead · · Score: 5, Funny

      Gordon Ramsey?

      --
      -- I have a private email server in my basement.
  8. Re:Capitalist logic by ichthus · · Score: 4, Interesting

    If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.

    EXACTLY. What if the DJ had played the songs in a park? Would the city have to pay BMI's licensing shakedown fee?

    --
    sig: sauer
  9. Re:Uh oh by Anna+Merikin · · Score: 2

    Silly music pirate terrorists.

    you forgot "child sexual predator"

  10. Re:Not seeing past one's nose by tompaulco · · Score: 2

    That's not a reason to call it good, this is anything but reasonable.

    If you're inconvenienced by music, I suggest you pick one of the >90% of restaurants that don't play any.

    Are you serious? I can't think of the last time I have been in a restaurant where there wasn't music playing. Usually through crappy, tinny speakers into a cavernous room with 30 foot high ceilings made out of metal, and bouncing off of all the exposed ducting and metal girders.
    Trying to have a conversation over a dinner outside of the home is not even a remote possibility anymore.

    --
    If you are not allowed to question your government then the government has answered your question.
  11. Re:Trifling by tompaulco · · Score: 5, Insightful

    . Stories like this one is why I will never feel bad about piracy.

    It should make you feel bad about being a pirate. By pirating music, you let the company know that you enjoy their music and are too cheap to pay for it. Instead, you should abstain from it altogether. If nobody bought it and nobody pirated it, they would get a clue.

    --
    If you are not allowed to question your government then the government has answered your question.
  12. Poor guy never answered the complaint by JonZittrain · · Score: 5, Informative
    The court didn't actually weigh the case, since the restaurant never answered the complaint. That's too bad, as most restaurants *don't* owe fees thanks to the Fairness in Music Licensing Act, the result of the NRA (National Restaurant Association) beating the music licensig lobby. It says that you don't have to pay fees:

    (ii) in the case of a food service or drinking establishment, either the establishment in which the communication occurs has less than 3,750 gross square feet of space (excluding space used for customer parking and for no other purpose), or the establishment in which the communication occurs has 3,750 gross square feet of space or more (excluding space used for customer parking and for no other purpose) and--

    (I) if the performance is by audio means only, the performance is communicated by means of a total of not more than 6 loudspeakers, of which not more than 4 loudspeakers are located in any 1 room or adjoining outdoor space;

    So most establishments have a defense. Maybe this one did. But the judge heard from only one side since the restaurant never showed up to court. Too bad.

    1. Re:Poor guy never answered the complaint by russotto · · Score: 3, Insightful

      And that's the end of any sympathy they might have had coming from me. No matter how ridiculous the lawsuit is, if you don't answer it, you deserve to lose.

      One organization sues people to justify its existence. The other makes food. No point in the second bothering to answer in court any more than the BMI lawyers should agree to a cook-off. The outcome in either case is pre-ordained, and answering can only drive up the costs.

  13. and they wonder by gonar · · Score: 3, Insightful

    and they wonder why people feel no guilt about pirating music. the BMI/RIAA/MPAA/most record labels are corporate middleman thugs who care nothing about the content they are "licensing" but only about how many $$ they can extract out of the pipeline.

    how many of those $24k went to the 4 ARTISTS who's work was "infringed"? probably about 0.7 microcents.

    how much "damage" was actually done to those artists by the infringement? they probably actually made money as likely somebody at that restaurant that night heard the songs, was reminded of a happier time in their life and went on iTunes and bought a Rolling Stones or Elton John CD.

    --
    The difference between Theory and Practice is greater in Practice than in Theory.
  14. I claim prior art on Brown Sugar by WillAffleckUW · · Score: 2

    It's an old blues song and BMI owes a lot of people a lot of money

    --
    -- Tigger warning: This post may contain tiggers! --
  15. This line TFA is confusing by The+Grim+Reefer · · Score: 2

    BMI regularly sues eateries, bars and other businesses for playing music without coughing up licensing fees, which range from $357 annually for a jukebox to $5.85 per audience member for a week's worth of live performances.

    Do they mean live performances by the artist that recorded the song? If so, that's an even bigger scam than I would have guessed.

    If it's for a band that is covering the song, WTF? back when I played in various bands, you could cover anything you wanted to live. It was only an issue if it was newer than 20 years (or whatever the period of time was) and sold it on a recorded format. As far as I can recall, once it was past a certain age, anyone could make money off of recording their own version of it. You only got sued if you didn't license a newer song or get permission from the rights holder.

  16. Re:Not seeing past one's nose by JustAnotherOldGuy · · Score: 3, Insightful

    > I can't think of the last time I have been in a restaurant where there wasn't music playing.

    Yep, I can't remember any place I've been in the last few years that didn't have some crap blasting through their $5 speakers.

    Jimmy Johns sub or whatever has the music so loud you literally have to shout to order food. We got sick of that shit real fast and left before the food came. It was just too damn loud, and the music was some mindless pop-horsecrap.

    Seriously, restaurant owners, TURN THAT SHIT DOWN. It's background music, not a f*cking mosh pit.

    --
    Just cruising through this digital world at 33 1/3 rpm...
  17. Re:Capitalist logic by TsuruchiBrian · · Score: 4, Insightful

    If you are going to mix physical and intellectual property rights, let's do it properly.

    If you go to McDonalds and buy a big mac, and go home to eat it, but aren't actually that hungry and decide to share it with a family member, McDonalds should be able to sue you for unauthorized distribution of their property. When you purchased your big mac you were only purchasing the right for yourself to eat it, not the public at large. When you shared your big mac with someone who did not pay for it, you deprived McDonalds of a potential big mac sale, and are therefore culpable for restitution owed to McDonalds.

  18. Re:Capitalist logic by Opportunist · · Score: 4, Insightful

    Well, that's the problem about comparing music with, well, pretty much anything else: Everything else gets consumed and has to be replaced when it's being, well, consumed.

    When he serves a meal, it's eaten and he has to redo it to sell it again (provided he doesn't engage in disgusting practices like "recycling" uneaten food). When my bartender serves me a cocktail, he has to make another one if he wants to sell it again. Pretty much anyone but content providers have to manufacture something again after they sold their original one if they plan to sell another one.

    That's not the case with content. Content can be reproduced ad infinitum at little to no cost. There is very little else that you could use as a commodity that shares this trait.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  19. Re:From the TFA by bobbied · · Score: 3, Interesting

    It sounds like BMI tried to be reasonable and get him to license the music but he ignored them. From his quotes it sounds like he probably pissed them off and they decided to go after him.

    It's not like the license is all that expensive or hard to obtain or that services to pipe in music don't exist. I don't feel bad for this guy, likely all he needed to do is stop playing copyrighted stuff when he was made aware of the violation and then obtain a license as required if he needed to continue.... Or, BUY a music service for his business from somebody and let them keep up with the licenses.

    I've been working on a "public" free holiday light display, I'll be playing copyrighted music, and even though it's only in the idea stage, I've already approached BMI about required license arrangements (which they claim is none). Their E-mail response will be printed and kept.

    --
    "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
  20. Re:From the TFA by The+Rizz · · Score: 5, Insightful

    It's not like the license is all that expensive or hard to obtain or that services to pipe in music don't exist. I don't feel bad for this guy, likely all he needed to do is stop playing copyrighted stuff when he was made aware of the violation and then obtain a license as required if he needed to continue.... Or, BUY a music service for his business from somebody and let them keep up with the licenses.

    If you would RTFA, or even the summary, you'd notice that he already did that. He hired a DJ, who had already paid licensing fees to play the music.

    At issue here is that the licenses were already paid through the DJ, and BMI was demanding that they get paid again because ... well, that's the question, really ... why should he pay the licensing fees again when the music is already licensed?

  21. Re:From the TFA by Noah+Haders · · Score: 5, Interesting

    Former Restautantosaur here. These BMI/ASCAP people are thugs. They cold call random businesses, threatening potential legal penalties if you don't buy a blanket license. They basically say, 'if you don't buy a license now, one of our inspectors might come out to your shop, and if we hear any of our music playing we're gonna sue your ass.' Then they go after random people like the guy in the article 'to set an example.' Thugs, it's all extortion.

  22. Re:Capitalist logic by LoyalOpposition · · Score: 2

    If the owner of the park (the city government perhaps) were charging admission or otherwise benefiting commercially from the performance of the music, then yes they would have to pay the license fee.

    You mean like if they charged property taxes or sales taxes to maintain the park?

    ~Loyal

    --
    I aim to misbehave.
  23. Re:From the TFA by The+Rizz · · Score: 3, Interesting

    You need to meet the terms that BMI puts forth if you play their material. Their website deals with this issue and they CLEARLY tell you that it is the owner of the venue, not the DJ who is liable.

    Yeah, and those boxes that pop up on computers CLEARLY tell you that the IRS is going arrest you if you don't call this number and give them your credit card. That doesn't make it true.

    Or, for an example a little more on point with how BMI operates, police will often say something like "I'm going to need to come inside and look around". The implication is that they are legally allowed to enter simply by saying so, when this is completely untrue - they actually cannot come in at that point unless you signal your acceptance for them to enter. What happens is that 99% of people will step back and hold their door open for the officer after he says that, thus legally extending the officer an invitation to enter (even if the invitation was caused by an implied lie).

    Sure the DJ may have claimed to have the licenses required, but the business owner is the one who is required to obtain the licenses.

    BMI can state that the venue is responsible all they want, but if you read between the lines on what they actually say on their website, you can have DJs (or whoever) be responsible for the licensing, it's just that you may be liable if the DJ isn't properly licensed. If the terms of a contract with a DJ requires the DJ to be responsible for the music, then there's a good chance that's exactly how it will work - either by direct assignment of responsibility, or by being responsible for any damages the business incurs due to their negligence.

    Simply put, BMI words their statement like this because they want to double-dip into the licensing revenue stream. Even if the DJ already has all the proper licenses to play it in whatever venue they want, BMI will use vague language about who needs the license and use scare tactics to try make venue owners pay again for licenses that have already been paid.

  24. Re:From the TFA by mjwx · · Score: 2

    They own the copyright so it is their right to do this if they wish. It may be thuggish in your view, but it is their stuff to license and it's their job to enforce their license terms.

    This is why I'm glad this kind of rent-seeking thuggery is illegal in my country.

    A copyright holder is not permitted to cold call businesses to threaten legal action or extort license fees. They are not permitted to conduct raids and secret investigations and they are definitely not permitted to sue without evidence (further more, under the Australian legal system they'll be up for the defences legal costs if they try).

    The BMI is a private corporation, they should not ever have the license or capabilities to enforce anything (that is the job of the police and judiciary). Even the private entities Australia permits to issue their own parking fines (mostly universities) have to get the police and courts to do the enforcement.

    You're defending rent seekers, there's nothing correct or noble about that.

    --
    Calling someone a "hater" only means you can not rationally rebut their argument.
  25. Re:Wrong by wyattstorch516 · · Score: 2

    I'm sure they're not that greedy. They would be more than happy to be paid infinite times.

  26. A few.. by JBMcB · · Score: 4, Insightful

    One license for transferring music data off a storage medium. One license for converting digital music data to an analog form. One license for each speaker reproducing the sound, including woofers and tweeters. One license per 10m^3 of space where the mean audio is within two deviations of the average loudness of the music.

    If you are listening to said music, you need a license for that, and another if you are planning on remembering listening to the music, plus a re-performance license if you are going to hum a substantial portion of the primary melody in the shower later.

    --
    My Other Computer Is A Data General Nova III.
  27. Re:Not seeing past one's nose by kamapuaa · · Score: 2

    Well, that's because you are relatively poor, and go to fast food, or occasionally low-end chain restaurants. Quality restaurants will generally not have music, and even semi-decent restaurants will either not have music, or will have it playing at barely-noticeable volumes.

    --
    Slashdot: providing anti-social weirdos a soapbox, since 1997.
  28. What price CDs? by careysb · · Score: 2

    In the case of a business, you're playing music for the same reason the artist is making it; to entertain others.

    Same reason you play it in your own home when others are also present.

    That's why a music CD costs a lot more than a blank CD, correct?

    The price of CDs were established when they first went public based on the cost of manufacturing. Now the cost of manufacturing is 5 cents and they still charge the same amount because they know that's the price the market will bear.

  29. "the law says" by Skapare · · Score: 2

    "the law says" ... change the law ...it's all a big scam ... or change the lawmakers.

    --
    now we need to go OSS in diesel cars