Slashdot Mirror


Apple To Pay Musicians For Free Streams, After All

vivaoporto writes: As reported on Re/code, Apple media boss Eddy Cue appears to have capitulated and Apple Music will be paying music owners for streaming even during customers's free trial period. He says Taylor Swift's letter, coupled with complaints from indie labels and artists, did indeed prompt the change.

Cue says Apple will pay rights holders for the entire three months of the trial period. He explains that it can't be at the same rate that Apple is paying them after free users become subscribers, since Apple is paying out a percentage of revenues once subscribers start paying. Instead, he says, Apple will pay rights holders on a per-stream basis.

No word from Swift or her camp about whether Apple's move is enough to get her to put "1989," her newest album, on Apple Music. On Twitter, she says, "I am elated and relieved. Thank you for your words of support today. They listened to us."

134 comments

  1. Yey! by qrwe · · Score: 5, Funny

    Apple finally has Swift support!

    --
    There are 2 types of people in the world - those who understand decimal and those who don't.
    1. Re:Yey! by Ant2 · · Score: 2

      How long have you been saving that?

    2. Re:Yey! by ArcadeMan · · Score: 0

      +1 Funny

    3. Re:Yey! by qrwe · · Score: 1
      --
      There are 2 types of people in the world - those who understand decimal and those who don't.
    4. Re:Yey! by Anonymous Coward · · Score: 0

      One loader | https://youtu.be/uMSV4OteqBE?t...

      Huh? Oh I get it.. 3 types of people! Seems there are two types of people in the world after all.. those who can make funny, and those that can't ;-)

  2. They listened to us! by Anonymous Coward · · Score: 0

    Of course, we felt so bad for those labels, those poor middlemen! Taylor IS her own label, so naturally she cared about them.

  3. The Swift Army: an important demographic for Apple by rmdingler · · Score: 5, Insightful

    Never underestimate the marketing power of 20 million tweenage girls.

    --
    Happiness in intelligent people is the rarest thing I know.

    Ernest Hemingway

  4. Am I included? by mccalli · · Score: 5, Interesting

    So here's an interesting one. I am a musician in my spare time, and I have an album up on iTunes. It's a good job my life's income doesn't depend on this - we are talking tiny sums of money made, but it is my album and it's an achievement for me to have an album out there and hey - there are people that like it.

    I have no idea if this album is included in streaming or not. I'm not signed to a label, and nobody has asked me if I want to be included or excluded. I would have thought, given the talk of "pulling the album" etc. that there must be a separate agreement I should have to make but I haven't seen anything at all about it.

    The music was published via an intermediary, Ditto Music, but they're just a publishing service and not a label. In fact, I own the label it was published under and that is the label's sole release to date. What's the situation for musicians like me? Included, excluded, paid, unpaid...?

    1. Re:Am I included? by Anonymous Coward · · Score: 0

      Just wait and sue... eh, I mean see!

    2. Re:Am I included? by Anonymous Coward · · Score: 0

      Odds are Apple is only going to play top selling music. They have to win over customers from the start, they won't take risks from songs that are being bought by family members.

    3. Re:Am I included? by jbolden · · Score: 2

      You don't have a label (except the one you own) and you have never released it. Unless your self-owned label signed a distribution agreement Apple won't have access at all.

    4. Re:Am I included? by Anonymous Coward · · Score: 0

      I dunno, ask Apple or your publisher?

    5. Re:Am I included? by gnasher719 · · Score: 2

      The music was published via an intermediary, Ditto Music, but they're just a publishing service and not a label. In fact, I own the label it was published under and that is the label's sole release to date. What's the situation for musicians like me? Included, excluded, paid, unpaid...?

      That intermediary would be like a record company, just a very small one. I would assume that the intermediary should receive some letter from Apple that needs to be signed and returned. Is the contact information still correct? If the intermediary cannot be contacted, I would assume that you will not be included in streaming. If you missed the letter or didn't return it, you will not be included in streaming. If you check "No streaming", you will not be included in streaming. If you check "streaming" you will be included and should be paid.

    6. Re:Am I included? by Anonymous Coward · · Score: 1

      "we are talking tiny sums of money made"

      Do you know why? It isn't that you aren't a talented musician, it is because you don't have one of those "big bad record companies" backed by the RIAA behind you. Those people market the music for you. They MAKE "musicians" successful. They don't even call them musicians now, just "artists".

      Slashdotters like to rail against the RIAA and record companies but the fact is that all the music they listen to is because of marketing by those entities, even the "indie" bands they listen to.

    7. Re:Am I included? by Alumoi · · Score: 1

      Do you have the money to fight them? No? Then it's included and unpaid.

    8. Re:Am I included? by Anonymous Coward · · Score: 1

      So, you put an album out, but don't understand how publishing works? Congratulations, you are just like 99.99% of people that speak about the music business on the interwebs.

      If you own the publishing rights ( and you're dumb if you don't own the publishing to your own songs), then you can hire a company such as BMG, BUG, ASCAP, or others, to collect the publishing royalties for you from Apple, Radio play, TV, streaming services, etc.

      If you sold your publishing rights for a one time fee, then who ever owns the publishing rights will get paid by those publishing royalties checks.

    9. Re:Am I included? by ArcadeMan · · Score: 1

      they won't take risks from songs that are being bought by family members.

      https://www.youtube.com/watch?v=mVgXGw_XhRQ

    10. Re:Am I included? by Zero__Kelvin · · Score: 2

      My recommendation is to ask on Slashdot right away and then pick and choose the answer you like from the many different answers you get. Whatever you do, don't contact Apple and ask them!

      --
      Guns don't kill people; Physics kills people! - John Lithgow as Dick Solomon on Third Rock From The Sun
    11. Re:Am I included? by macs4all · · Score: 1

      So here's an interesting one. I am a musician in my spare time, and I have an album up on iTunes. It's a good job my life's income doesn't depend on this - we are talking tiny sums of money made, but it is my album and it's an achievement for me to have an album out there and hey - there are people that like it. I have no idea if this album is included in streaming or not. I'm not signed to a label, and nobody has asked me if I want to be included or excluded. I would have thought, given the talk of "pulling the album" etc. that there must be a separate agreement I should have to make but I haven't seen anything at all about it. The music was published via an intermediary, Ditto Music, but they're just a publishing service and not a label. In fact, I own the label it was published under and that is the label's sole release to date. What's the situation for musicians like me? Included, excluded, paid, unpaid...?

      I don't know for sure; but from what I have heard, if you are available on iTMS, then you will be available on Apple Music. Having said that, someone posted what was purported to be an Apple Music "Artist Agreement"; but I didn't read it very carefully at all.

      From this article, it sounds like, unless you specifically "opted out" of being on Apple Music, like Taylor Swift and the Beatles, you will be on Apple Music if you are available on iTMS.

    12. Re:Am I included? by macs4all · · Score: 1

      Odds are Apple is only going to play top selling music. They have to win over customers from the start, they won't take risks from songs that are being bought by family members.

      I think that Beats1 will be mostly "top 40" music; but, just like a "regular" radio station, Beats1 will play "classics" once in awhile. And I believe that Apple Music will also offer "Genre-based" channels as well, along with the ability for users to create personal Playlists.

    13. Re:Am I included? by macs4all · · Score: 2

      Do you have the money to fight them? No? Then it's included and unpaid.

      Citation, please.

    14. Re:Am I included? by Demonoid-Penguin · · Score: 2

      "we are talking tiny sums of money made"

      Do you know why? It isn't that you aren't a talented musician, it is because you don't have one of those "big bad record companies" backed by the RIAA behind you. Those people market the music for you. They MAKE "musicians" successful. They don't even call them musicians now, just "artists".

      Slashdotters like to rail against the RIAA and record companies but the fact is that all the music they listen to is because of marketing by those entities, even the "indie" bands they listen to.

      Good point! Do you have some information on the advance fees - and the number of "artists" that don't get "priority" promoted? (just some context, it's not much to ask is it?).

    15. Re:Am I included? by nine-times · · Score: 1

      I'm not a lawyer and I don't know what the deal here is, but if I were you, I'd review your agreement with Ditto Music, and contact them to find out if there has been any agreement between them and Apple. Either way, whether you'd like your music included or would not like it included, it's most likely that Apple would negotiate their deal with Ditto and not you. I'm sure you made some agreement with Ditto for the distribution of your album, and depending on your agreement, I suppose it's possible that it included the right to negotiate this kind of deal with Apple on your behalf.

    16. Re:Am I included? by Anonymous Coward · · Score: 0

      If you don't read and understand your license agreements, that's your fault. No one said indie publishing was easy.

      FWIW, I do books, not music, but I do know what I'm talking about.

      And you can buy 15 ebooks for runners at a very low price to support the Vermont Foodbank and the 100 Mile Club through July 31.
      http://www.y42k.com/runners-book-bundle/
      Because indie publishers have to do their own marketing wherever they can. Sorry.

    17. Re:Am I included? by rcharbon · · Score: 1

      And I didn't log in on a reimaged PC before posting. Oops.

    18. Re:Am I included? by Anonymous Coward · · Score: 0

      BMG and ASCAP and the like only collect royalties on the top 200 or so performers, so it would seem you do not know how publishing works, either.

    19. Re:Am I included? by phantomfive · · Score: 1

      Did you read the licensing agreement when you uploaded it to iTunes? It probably answers your question.

      --
      "First they came for the slanderers and i said nothing."
    20. Re:Am I included? by Anonymous Coward · · Score: 0

      I think that Beats1 will be mostly "top 40" music; but, just like a "regular" radio "station", Beats1 will play "classics" once in awhile. And I believe that Apple "Music" will also offer "Genre-based" "channels" as well, along with the "ability" for "users" to create personal "Playlists".

      FTFY.

    21. Re:Am I included? by Anonymous Coward · · Score: 0

      They call them 'artists' because not everyone in the music business are 'musicians'. Some a singers. Some are song writers. Some are some combination of the three.

    22. Re:Am I included? by Anonymous Coward · · Score: 0

      You should also be prepared to rail against Apple here for not actually behaving in accordance with the answer you like best.

    23. Re:Am I included? by KGIII · · Score: 1

      Take your desire for facts, logic, or honesty and shove them up your ass! Then get yourself out of our country, we do not like your kind around here. :-)

      --
      "So long and thanks for all the fish."
  5. Isn't it funny by fluffernutter · · Score: 3, Insightful

    how LAWS weren't what prompted the change.

    --
    Laws are rules for the court, but merely a bottom bar to hit for life. Think beyond laws in your actions always.
    1. Re:Isn't it funny by Anonymous Coward · · Score: 0

      All it took was a little public shaming. Now if we could just get this to work on politicians.

    2. Re:Isn't it funny by Anonymous Coward · · Score: 0

      It's not the first time bad PR has prompted change. What exactly is your point?

    3. Re:Isn't it funny by ArcadeMan · · Score: 1

      Politicians' energy source is public shaming.

    4. Re:Isn't it funny by ajzimm3rman · · Score: 0

      Just what our economy needs. More legislation.

    5. Re:Isn't it funny by Scroatzilla · · Score: 1

      There are already laws that lay out compensation rules for the use of artists' materials, and no company can ever legally withhold compensation from artists whose music they use.

    6. Re:Isn't it funny by KGIII · · Score: 1

      I am not sure how you got modded up but, what laws, specifically, would have prompted this change?

      --
      "So long and thanks for all the fish."
  6. so much for Think Different by Thud457 · · Score: 2, Interesting

    Meet the new boss, just as sleazy and thieving as the old boss.
    well, at least until called out on it....

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    1. Re:so much for Think Different by Bogtha · · Score: 1

      They negotiated a deal with the record labels, which the record labels agreed to. That's not sleazy or thieving. If Taylor Swift doesn't like it, her dispute is with her record label that agreed to this deal.

      --
      Bogtha Bogtha Bogtha
    2. Re:so much for Think Different by martas · · Score: 1

      What's sleazy and thieving about a mutually beneficial deal?

    3. Re:so much for Think Different by Anonymous Coward · · Score: 0

      Actually, Taylor Swift owns her own record label. Which was why she could refuse to sign her latest album up for the service. She simply stated, publicly, her reasons for doing so. And did a lot of good for a lot of people in the process.

  7. Plus Apply Gets Publicity for . . . by Anonymous Coward · · Score: 0

    . . . what now? YASMSS? More innovation fresh from the apple oven (nyet)!

  8. Re:The Swift Army: an important demographic for Ap by jabuzz · · Score: 4, Informative

    More likely USA based Apple lawyers finally got around too consulting with their European counterparts and discovered that what the opting in without written confirmation that they where proposing to do was flat out illegal over here.

  9. Who are those nutters who PAY for music in 2015?! by Anonymous Coward · · Score: 1

    The "free trial" for music has been lasting for TWENTY YEARS. Firstly it was called napster, then winmx/morpheus/etc..., then emule and bittorent, and now it's called youtube (plus browser addons to download videos and block ads, of course). Why the fuck should I ever pay apple, spotify or google? Just jump off the window, jerks.

  10. Re:The Swift Army: an important demographic for Ap by nospam007 · · Score: 2, Funny

    "Never underestimate the marketing power of 20 million tweenage girls."

    Exactly, because the 20 million teenage boys torrent their music.

  11. What's the album? by Immerial · · Score: 1

    Dude, you got learn to plug your work! ;)

    1. Re:What's the album? by mccalli · · Score: 2

      I deliberately didn't in case seen as spam but - here you go. Am currently in the "difficult second album" phase - all written, not quite satisfied with the production.

    2. Re:What's the album? by astrojetsonjr · · Score: 3, Interesting

      And the plug worked! Listened to a few samples and decided to get it. Since I'm an instant gratification junky rather than wait and get it for free in a few days I threw money at Amazon. Look for your $0.02 royalty check in next months mail :)

    3. Re:What's the album? by mccalli · · Score: 1

      Cool, and thanks! I shall contact the local Ferrari dealer immediately...

  12. I'll give Apple some credit by LihTox · · Score: 2

    In my experience a company in these circumstances would pretend to have changed their policy on their own (coincidentally), or they were just "clarifying" their policy due to "misunderstanding". It looks like Apple is actually admitting that they messed up, which is good.

  13. Paying for WHAT? by mi · · Score: 5, Insightful

    The information wants to be free, and the artists aren't any worse off for having their tunes downloadable by millions of people — they still have their own copies, so no theft has occurred, right? Right?

    Intellectual property — as I read on this very site — is an artificial and oppressive construct and must be resisted!

    Troll my foot — do try to reconcile Slashdot's usual attitude towards rights of intellectual property owners with the celebratory attitude in reaction to TFA.

    I dare you to come up with a coherent explanation of why pirating music (or duplicating patented designs, whatever) is Ok for some people and corporations, but not for Apple...

    --
    In Soviet Washington the swamp drains you.
    1. Re:Paying for WHAT? by Zero__Kelvin · · Score: 0

      Music isn't intellectual property, moron. There is a huge difference between saying that once you have a black wheel, a green one is obvious and saying that once you have Red Barchetta, Dirty Deeds was self-evident.

      --
      Guns don't kill people; Physics kills people! - John Lithgow as Dick Solomon on Third Rock From The Sun
    2. Re:Paying for WHAT? by JaredOfEuropa · · Score: 4, Interesting

      Few people would object to granting artists a reasonable term of copyright, or to paying them for their work. Of course one can argue about what is "reasonable", but when looking at the original goals of patents and copyright, it is pretty clear that the duration of these have been extended to ridiculous lengths. Other unreasonable restrictions apply: IP holders think it is completely natural and acceptable to ask consumers to pay the full price multiple times for the same content in order to play it on different devices or to play it after upgrading their equipment to a different standard. Couple that with the fact that most labels pay a pittance to artists (have a platinum album and you can still be in the hole with the label), and the public soon loses its sense of paying a fair price for a fair value. So they pirate.

      Personally I am OK with pirating stuff in order to send a message (whether they get it is another issue). Our government for a long time was of the same opinion, and decided not to prosecute people pirating stuff for personal use, as long as there was no reasonable legal alternative. For music, there are plenty of reasonable and affordable choices, and I haven't pirated music in the past 10 years or so. Movies and series are a different story; I still pirate these, but I did subscribe to HBO and Netflix to pay for their content that I "steal" from them. If Warner Bros or Sony offer me to buy a reasonably priced "license" for movies I've pirated from them (or better: include a convenient store with downloads), I'll pay them as well. e-Books? I'll pay for them if you'll sell them to me. If you refuse to sell to me for whatever reason (region), and offer insult to injury by offering me the physical book instead, then it's FU and off to the Pirate Bay for me.

      What Apple did was something else. They decided to offer music on a free trial basis and not charge for that, in order to promote their new service (and presumably the music as well). That's fine, and in the end it could even have been beneficial to the artists, but Apple did not have the right to make that decision for the artists. If Amazon started to give away sellers' items for free for a while and not reimburse those sellers, they'd be pissed, and rightly so.

      --
      If construction was anything like programming, an incorrectly fitted lock would bring down the entire building...
    3. Re:Paying for WHAT? by nine-times · · Score: 4, Insightful

      Apple did not have the right to make that decision for the artists

      Here's the thing, though: Apple does not have the right to make that decision for the artists. However, under current law, those artists' record labels may have the right to make that decision for their artists, and if the record labels signed off on the whole thing, it's not Apple's fault that the artists are unhappy and feel blindsided.

    4. Re:Paying for WHAT? by Anonymous Coward · · Score: 0

      You are, of course, correct - but shame on you for trying to ask slash-dot'ers to be rational. The "rebuttals" seen to your post already demonstrate that slash-dot'ers are mostly interested in saying everything about business is wrong irrespective of whether it is consistent with their previous recitals of boundless wisdom and insight...

    5. Re:Paying for WHAT? by Anonymous Coward · · Score: 1

      I think coders should all work for free. All software should be free, because it's just zero's and one's on a disk. Who would pay for zero's and one's?

      Music is not a idea or information that wants to be free. A microphone and a recording device makes it possible for you to have the Beatles play in your living room with out the expense of flying them into town and feeding them.

      When you pay for music you're not paying for the notes and sounds, you're paying for a performance by someone more talented than you.

      I never thought I'd say something like this in a million years, but I have respect for Taylor Swift now.

    6. Re:Paying for WHAT? by Anonymous Coward · · Score: 0

      Few people would object to granting artists a reasonable term of copyright, or to paying them for their work.

      This clearly explains why the only music being pirated today is centuries-old classical music, not the top-40 rock and pop hits released last week.

      Because "few people" object to granting artists a reasonable term of copyright!

      Clearly, what you consider "reasonable" means that artists are granted copyright until "3 weeks before it's actually released, because somebody leaked the track and now we can just have it for free and besides the radio has been playing it for a week now, why can't I have a copy I want a copy now now now ooooh look a shiny quarter."

      IP holders think it is completely natural and acceptable to ask consumers to pay the full price multiple times for the same content in order to play it on different devices or to play it after upgrading their equipment to a different standard.

      It is *completely* natural and acceptable to ask consumers to do these things as a condition of sale. It is also *completely* natural and acceptable for consumers to refuse to do these things, and refuse to spend their money on the product they're being asked to buy with onerous conditions attached.

      It is not completely natural and acceptable for consumers to say "I don't agree to these terms, but fuck you, I'm taking a copy anyway even if you don't like it."

      Consumers have *created* this problem for themselves by deciding that "pirating Justin Timberlake's new CD" was more important to them than "behaving ethically towards other members of their society." Fuck piracy - if you don't support artists with your money, but take copies of their works, then you are part of the problem. If you pirate, rather than avoiding the artists whose demands are incompatible with your philosophy, then you are part of the problem.

    7. Re:Paying for WHAT? by Anonymous Coward · · Score: 0

      First of all I do not practice copyright infringement nor do I condone it! Copyright has been horribly twisted from its original purpose and badly abused by extending it to extremely unreasonable lengths of time. 5 years is reasonable. Life+75 years is totally insanely unreasonable! Of course the artist that creates the music needs to get paid. What has become apparent is that the RIAA and its members are an unnecessary parasite who collect the lions share of the money, screwing both the artist and the consumer, and most of the time ending up owning the rights to the music instead of the artist that created it owning the rights to it.

      What the RIAA, MPAA, and publishers REALLY want is for everyone to have to buy the content, and then pay a fee each time they listen to a song, watch a TV show or movie, or read a book or ebook that they have already paid for.

    8. Re:Paying for WHAT? by mi · · Score: 1

      Apple did not have the right to make that decision for the artists. If Amazon started to give away sellers' items for free for a while and not reimburse those sellers, they'd be pissed, and rightly so.

      This is the crucial point in a discussion on this matter. Usually someone will noisily object — and be promptly moderated up — on the ground that physical items (such as those sold by Amazon's sellers) are different from the intangible ones (because the artists did retain their own copies of each song, didn't they?).

      Though I agree, that the distinction is without difference, the majority of Slashdot — judging by consistent moderation over the years — disagrees. Unless it is Apple, evidently.

      This is the unfortunate incoherence I was lamenting. Your response — and the high moderation it received — further exemplifies the problem...

      --
      In Soviet Washington the swamp drains you.
    9. Re:Paying for WHAT? by Alok · · Score: 1

      This clearly explains why the only music being pirated today is centuries-old classical music, not the top-40 rock and pop hits released last week.

      Because "few people" object to granting artists a reasonable term of copyright!

      The problem is that you're making people used to ignoring laws by having such unreasonable copyright terms, and when piracy becomes socially acceptable due to lobbyist-sponsored increasing copyrights and secret trade agreements - most people aren't going to finely distinguish who deserves to be paid for their efforts.

      Its similar to speed limits imho, they're set based on speeds that were probably reasonable 50+ years ago with no change to account for better technology - and this has resulted in traffic usually moving at *over* the maximum speed limit on most major roads. You can argue that people are evil for speeding past hospitals or schools or bad visibility roads etc.; but once the public is desensitized to lawbreaking due to asinine rules then it becomes second nature to ignore the law in all cases.

      It is also *completely* natural and acceptable for consumers to refuse to do these things, and refuse to spend their money on the product they're being asked to buy with onerous conditions attached.

      Sounds good - and what are the alternatives, when the cost & potential profits in marketing & pushing perpetually copyrighted music makes it unfeasible for reasonable alternatives to exist at all? Even *finding* good alternatives consistently is a herculean task as they're completely ignored by the mainstream press. I fail to see how it can be completely natural to 'refuse' when the alternate choices wither away due to lack of exposure.

    10. Re:Paying for WHAT? by Anonymous Coward · · Score: 0

      It is *completely* natural and acceptable to ask consumers to do these things as a condition of sale. It is also *completely* natural and acceptable for consumers to refuse to do these things, and refuse to spend their money on the product they're being asked to buy with onerous conditions attached.

      You have a good point there. Entirely reasonable.

      It is not completely natural and acceptable for consumers to say "I don't agree to these terms, but fuck you, I'm taking a copy anyway even if you don't like it."

      And here you go off the rails. See, the consumers don't have to abide by the terms. If they don't like being taken advantage of under threat of legal harassment or ISP warnings or even public shaming, it's completely reasonable for them to refuse to agree to predatory terms and "take a copy anyway". You may not like it and it may seriously violate your view of how things should be, but that is in fact how things work today.

    11. Re:Paying for WHAT? by KGIII · · Score: 1

      I do not know... I play guitar better than Hendrix ever did and I certainly sing better than Dylan. I likely play guitar (or even a drum kit) better than Taylor Swift. My point is that they are not necessarily better.

      --
      "So long and thanks for all the fish."
    12. Re:Paying for WHAT? by Anonymous Coward · · Score: 0

      And here you go off the rails. See, the consumers don't have to abide by the terms.

      And if they choose to not abide by the terms of the agreement, then the only ethical behavior is to refuse to participate in the transaction at all - do not buy the music, and do not help yourself to a copy of the music. If you take a copy, you are behaving unethically - you are taking something for yourself that was produced by the effort of someone else, against their wishes. In what world is it reasonable to complain about "predatory" restrictions when they are: a) known and clearly stated before the sale is complete; b) entirely voluntary on your part; c) you turn around and engage in truly predatory behavior yourself, by taking something against someone else's will?

      If they don't like being taken advantage of under threat of legal harassment or ISP warnings or even public shaming, it's completely reasonable for them to refuse to agree to predatory terms and "take a copy anyway".

      NO, it is not "reasonable" for them to do so. It is, in fact, irrational, unethical, and evil. Yes, *evil*. The very terms of copyright that OSS advocates love to tout when arguing that software and other created works should be free, are *exactly* the reason why "taking something because i want it, whether or not the other party agrees to it," is evil: flip the script - software company takes your open source contribution, says "Well sure, you released this under a license that requires me to do these onerous things - I don't want to do those things, but I'm going to take a copy of your software anyway."

      If you value the right of a creator to control the rights and disposition of his or her work - as you no doubt do, given how easily you parrot the bullshit lines about "predatory" practices and "legal harassment," then you cannot take a copy of someone else's work for yourself against their wishes, and claim any sort of moral or ethical high ground. It doesn't matter how badly you "really want that new Justin Bieber single." You either agree to a sale under mutually agreeable terms, or you walk away, and spend your money elsewhere. Any other choice is the choice of a parasite.

      You may not like it and it may seriously violate your view of how things should be, but that is in fact how things work today.

  14. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Thanks for the freeloading. And we wonder why almost new music coming out is shit, why we don't see cool bands (NIN, Rush, etc.) being promoed.

    Teens/tweens pay for Justin Bieber. Pirates don't pay for good bands. Guess who gets promoed while real talent never makes it past A&R? In fact, due to freeloading, bands are not signed anymore; they are built with actors/singers hired on. You will never see a cool band signed... -ever- on the labels, thanks to freeloaders.

  15. Apple should have done this all along by Applehu+Akbar · · Score: 1

    If it wants to convince artists that they will gain by signing on to Apple Music, the company with the largest cash reserve in the world could easily demonstrate this by paying the subscription royalty rate for trial period music.

    1. Re:Apple should have done this all along by Plumpaquatsch · · Score: 1

      If it wants to convince artists that they will gain by signing on to Apple Music, the company with the largest cash reserve in the world could easily demonstrate this by paying the subscription royalty rate for trial period music.

      So paying them more than the rest of the streaming industry wasn't enough already ...

      --
      Of course news about a fake are Fake News.
  16. Re:Who are those nutters who PAY for music in 2015 by NatasRevol · · Score: 4, Insightful

    The people paying for the music because they see value in the artist/music are subsidizing you.

    Congrats, you're the welfare abuser of music.

    --
    There are two types of people in the world: Those who crave closure
  17. Maybe ... by PPH · · Score: 4, Funny

    ... Taylor Swift can pressure Dice to fix the Slashdot UI next.

    --
    Have gnu, will travel.
    1. Re:Maybe ... by 93+Escort+Wagon · · Score: 1

      ... Taylor Swift can pressure Dice to fix the Slashdot UI next.

      Except there are no girls on Slashdot.

      --
      #DeleteChrome
  18. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Yeah, we get it. You like to get free music without giving back to the authors. Now piss off.

  19. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Yay, intellectual property wants to be free. Meanwhile, people will gladly pay millions for dirt and dead trees as in real estate and silicon chips.

  20. Re:The Swift Army: an important demographic for Ap by Demonoid-Penguin · · Score: 5, Insightful

    Euro-laws. The very reason your economy sucks and you have 20% unemployment.

    Good point. That's why so many Europeans work two full time jobs and live in their cars. Lucky for Europe a large percentage of their population is in prison or the economy of so many towns built entirely on the local prisons, would collapse.

    Oh wait - that is the USA.

    Oh well, lucky for the USA the entire European economy is built on debt... oh, crap - that is the USA too.

  21. "customers's" by rujasu · · Score: 1

    I know, spelling/grammar police and all, but boy does that make me twitch.

    1. Re:"customers's" by nawcom · · Score: 1

      You're not alone, and you're not asking for too much when it comes to a popular news site. Assuming the submitter's first language is English, he or she was taught this stuff in high school. There really shouldn't be any excuse.

    2. Re:"customers's" by Anonymous Coward · · Score: 0

      What about the spurious comma in the headline?

  22. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Your corporate sellouts are "cool bands (NIN, Rush, etc.)" because the cartels paid advertisers to make you believe they're cool. You don't see them being promoted because the advertisers are better than you.

  23. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Maybe if you look past Billboard Magazine... Just because something isn't spoon fed to you doesn't mean it doesn't exist. Labels are supposed to be mere hired advertising agents living off the commission like any other art dealer, not organized gatekeepers deciding who gets in.

    Rock music is shit because, after 60 years of the same thing over and over, is just starting to get a little stale, about like 40 years ago actually. Things really went to hell when big hair and the mullet became popular and the concerts started drawing the NASCAR crowd. There is a correlation there. I wish they just stayed in their little country bars, throwing bottles at the chicken wire in front of the band. And these huge stages the guys play on, how weird! Little tiny ants on a 100 foot screen, yes, let's watch and listen that from 150 yards away, with a noticeable delay between what you see and hear.

    Get off my lawn, you goddamn punk! And if you want to hear good new music, come to Chicago, leave your money, and go away...

  24. Disappointing by Anonymous Coward · · Score: 0

    Tim Cook does seem to have turned out to be a better human being overall. But one fantastic thing about Steve Jobs was that, after those bad experiences in the '90s, he'd determined never to let Apple be bullied into submission again; and he made that stick. He even brought the music labels to heel with the iPod and iTMS. It's disappointing to see Tim Cook let that begin to slip. "Camel's nose in the tent", and all that.

  25. Re:The Swift Army: an important demographic for Ap by Anubis+IV · · Score: 3

    [citation needed], because from the reporting I've heard, they negotiated new deals with the record labels. That's why it's getting reported that a lot of music from iTunes is still missing from Apple Music. They didn't opt anyone in without their permission.

  26. I call bullshit by Anonymous Coward · · Score: 0

    Apples execs aren't stupid, they are greedy. Calling an unpaid 3 mth trial was a gambit to raise awareness, that paid off. Now everyone knows Apple are running for the internet candidacy of party poppers and streamers.

    All hail the core.

    1. Re:I call bullshit by Anonymous Coward · · Score: 0

      this.

  27. Re: Who are those nutters who PAY for music in 201 by Anonymous Coward · · Score: 0

    You do realize that Trent Reznor (of NIN) is one of the people who came up with Apple Music and Beats1, right?

  28. Who honestly gives a turd? by Anonymous Coward · · Score: 0

    Headline might as well have read "Massively rich recording labels cry babied their way into making more money from apple."

  29. Key word: Rights Holders by Anonymous Coward · · Score: 0

    Rights holders will be paid, not the artists who actually produce the music. How is this any different than the status quo?

  30. Apple picks up the costs by CanadianMacFan · · Score: 1

    So in the free trial to promote the service Apple is supposed to pick up all the costs. It seems unfair since the artists since the artists are receiving some benefit of exposure during the trial too. I think it would be fair to have some sort of reduced fees during the trial period to recognize the fact that Apple still has expenses related to providing the service.

    I don't like the argument the artists are using that since Apple is using the free period to promote Apple's service then Apple should pay all of the artists fees. There are lots of ways that the artists are getting promoted yet they still expect to get paid for it. How come they never have to make a sacrifice for the sake of promotion? It's always someone else that needs to make the sacrifice and never themselves. Yes, I can understand that there are many struggling artists out there but the ones that are complaining the loudest are those that have the most money. Taylor Swift could easily make do without three month of royalties from streaming from Apples service but she's the one that screamed the loudest. H

    1. Re:Apple picks up the costs by tlhIngan · · Score: 1

      So in the free trial to promote the service Apple is supposed to pick up all the costs. It seems unfair since the artists since the artists are receiving some benefit of exposure during the trial too. I think it would be fair to have some sort of reduced fees during the trial period to recognize the fact that Apple still has expenses related to providing the service.

      I don't like the argument the artists are using that since Apple is using the free period to promote Apple's service then Apple should pay all of the artists fees. There are lots of ways that the artists are getting promoted yet they still expect to get paid for it. How come they never have to make a sacrifice for the sake of promotion? It's always someone else that needs to make the sacrifice and never themselves. Yes, I can understand that there are many struggling artists out there but the ones that are complaining the loudest are those that have the most money. Taylor Swift could easily make do without three month of royalties from streaming from Apples service but she's the one that screamed the loudest. H

      Well, that's how the internet and contracts work these days - if you don't like it, make a big stink in public and companies will go rushing to fix it. Customer service by the noisiest and most demanding.

      Anyhow, Apple is going to pay per stream, so it's likely they'll give less play to the more expensive artists and more play to the cheaper ones.

      And you can bet that 71.5% or 73% is now going to vanish back to industry standard 70%. I don't know how that extra 1.5/3% would have worked out for artists - how long would a subscriber have to be subscribed before that extra money makes a difference, but I assume others have done the calculation.

      And don't feel too sorry for Apple - you can bet they're going to use this to pressure those rates downwards - we'll give you more per stream during those 3 months if you give us 69.9%...

    2. Re:Apple picks up the costs by amicusNYCL · · Score: 2

      It seems unfair since the artists since the artists are receiving some benefit of exposure during the trial too. I think it would be fair to have some sort of reduced fees during the trial period to recognize the fact that Apple still has expenses related to providing the service.

      Can you think of an example of that happening in any other industry?

      I'm opening a new store specializing in _____. Please send me some of your inventory at no cost to me so that I can offer it for less or free in order to attract future paying customers to my business. Eventually I'll start paying you for your product.

      --
      "Our two-party system is like a bowl of shit looking at itself in a mirror." - Lewis Black
    3. Re:Apple picks up the costs by Duvzo · · Score: 1

      Doesn't Apple have something like a trillion dollars in cash lying around?

    4. Re:Apple picks up the costs by enjar · · Score: 1

      Apple made a business decision to offer a three month trial period at no cost to people who want to try their service. Fine. They want to people to try their service.

      Why they thought their "suppliers" would go along without getting any form of compensation is beyond me. When a new restaurant, supermarket or other business opens somewhere, it's really common to offer similar promotions or discounts where the business is going to lose money but then eventually capture enough new customers to then make the business profitable. They don't tell the power company, phone company, water company, ISP, office supply company, marketing firm or whoever else they use during this time that they are going to expect them to give them those things for free.

      I also see this "work for free for promotion/portfolio building/experience" line used a lot for coders, designers, photographers, wedding planners and other occupations. It's generally a cheapskate trying to dodge paying a pile of money for a lot of hard work. Apple has now effectively become the world's most valuable cheapskate. I've never heard of someone telling a plumber or electrician that they are going to "work for free to get some promotion".

      Also, Apple has more cash on hand (something like $170 billion) than the entire GDP of some countries and is quite literally the world's most valuable company, worth nearly double that of the second place Exxon Mobil. This decision (before they "changed their mind") reeked of greed and arrogance.

    5. Re:Apple picks up the costs by Anonymous Coward · · Score: 0

      And you can bet that 71.5% or 73% is now going to vanish back to industry standard 70%. I don't know how that extra 1.5/3% would have worked out for artists - how long would a subscriber have to be subscribed before that extra money makes a difference, but I assume others have done the calculation.

      And don't feel too sorry for Apple - you can bet they're going to use this to pressure those rates downwards - we'll give you more per stream during those 3 months if you give us 69.9%...

      Wrong!

      Apple has already stated that they will NOT be reducing their payout-rate. It's further up in this thread. Do try to keep up...

    6. Re:Apple picks up the costs by Anonymous Coward · · Score: 0

      Noone is forcing Apple to start a streaming service, or to have a 3 months free intro.

      They can just drop the project (or change it) if they don't think it's worth it.

      But why should someone else carry the costs for Apple's venture ?

    7. Re:Apple picks up the costs by KGIII · · Score: 1

      Companies will offer loss-leader products to an opening store if the store is viable enough to succeed. It is not just the store that takes a loss on some products, this is actually fairly common I understand. They do this because of the potential future sales and it is a calculated investment in future products. In this case the owners of the copyrights made a deal with Apple to allow the distribution of their products at a loss for greater potential profit in the future. The irony, yes irony, is that you are probably someone who complains when companies do not take a long-term approach and concentrate on quarterly growth.

      --
      "So long and thanks for all the fish."
    8. Re:Apple picks up the costs by KGIII · · Score: 1

      The last time I noticed somebody providing a citation for this it was something akin to 400b in liquid assets. However, what is your point? The amount of money Apple has, or does not have, is of no importance to the underlying facts and including that information does nothing to further the dialogue.

      --
      "So long and thanks for all the fish."
    9. Re:Apple picks up the costs by amicusNYCL · · Score: 1

      Really? So I can open, for example, a new restaurant where I'm specializing in fresh ingredients, local farms, flying in same-day seafood, etc. I can contact all of my future suppliers and explain that I want them to give me their food for free for three months, so that I can give it to free for all of my future customers. This does not happen in other industries. My suppliers would tell me that it's great if they want to give my stuff away for free, but they still need to pay me to even send it to them in the first place.

      In this case the owners of the copyrights made a deal with Apple

      You think they made that deal with the full agreement of the artists? Or would this be another example of the music industry in general screwing over the people who actually create the music?

      The irony, yes irony, is that you are probably someone who complains when companies do not take a long-term approach and concentrate on quarterly growth.

      I'll have to check my OED, but I'm pretty sure that irony isn't defined by what you imagine.

      --
      "Our two-party system is like a bowl of shit looking at itself in a mirror." - Lewis Black
    10. Re:Apple picks up the costs by KGIII · · Score: 1

      In order...

      Yes, yes you can ask your suppliers to do so. I know of only retail outlets that have had this happen and it is not free but is steeply discounted.

      The artists have signed away their rights and are no longer the copyright holders - if they were the Apple would have negotiated with them directly.

      I would recommend checking your dictionary. Any dictionary will do, for the most part.

      Unfortunately, in this case, artists have signed their rights away in order to get the values offered by the labels. Apple negotiates with the labels (or artists if they have not signed away their rights and Apple things they are important enough to consider) and the labels make the choices. The artists have no say in this, nor should they. They have contracted their rights away (not all contracts are equal, obviously, and those who retain their rights have a say) and the people who own those rights are legally entitled to make any/all choices.

      I am not saying that I agree with this practice. I am saying this is how things are.

      --
      "So long and thanks for all the fish."
    11. Re:Apple picks up the costs by Wovel · · Score: 1

      In this case the product isn't actually consumed and you can reasonable expect the same consumers to come back after the trial and consume the same content again. If you can give me another industry that actually works like that, I will show you one where the trial would be fine.

    12. Re:Apple picks up the costs by amicusNYCL · · Score: 1

      I would argue that this is time-sensitive content, in that new releases can be expected to be played a lot initially but may decline after that. So bands releasing during the trial would be at a disadvantage of not receiving that initial release income. I would also argue that the bands had no say in the agreement with Apple, but I suppose that's their fault for signing over the rights to everything they make.

      --
      "Our two-party system is like a bowl of shit looking at itself in a mirror." - Lewis Black
  31. No deposit, no return. by westlake · · Score: 2

    Exactly, because the 20 million teenage boys torrent their music.

    Then why not put all your assets into production for the girls who are willing and able to pay for your product?

  32. Re:The Swift Army: an important demographic for Ap by nandix · · Score: 1

    This gets modded Insightful?

    What is the meaning? That teenage boys are smart and teenage girls stupid? Or that boys are selfish and don't think people should be payed for what they do, (unless they suddenly form a boy band, in which case they probably would want to get payed), and that girls have more empathy and are ok with paying artists/the labels or otherwise buy indie?

    I can't think of a single reading of that stupid sentence that would make it 'Insightful'.
    Is it because the slashdot crowd is mostly computer nerds? Does that mean computer programmers? As in, say, Grace Hopper?

  33. RMS would be disappointed by Anonymous Coward · · Score: 0

    RMS would be disappointed. Recording artists should have to give away their work, just like software developers!

    1. Re:RMS would be disappointed by Anonymous Coward · · Score: 0

      Well, DUH. They should sell support contracts, obviously.

  34. The trouble with "loss leaders"... by itsdapead · · Score: 1

    ...it may well be worth giving up 3 months of income for the sake of greater profits in the future provided your cashflow can take it. If, however, you're going to be defaulting on your debts by the end of month 2 - not such a good plan. It shouldn't be Apple's decision as to whether or not you can afford to offer a loss leader. I doubt Ms Swift would be affected, but lets be magnanimous and assume that she's acting out of concern for smaller, independent music labels who don't have 3 months of operating costs stuffed in their mattresses.

    Also consider that Apple is huge and high profile. If they offer free streaming for 3 months then it is going to put a noticeable dent in all music sales, not just existing streaming services, while people try it out.

    --
    In a survey of 100 programmers, 111111 thought that duck-typing was a good idea.
  35. Apple was paying higher rates after 3 months by Anonymous Coward · · Score: 0

    Apple's deal with the labels was for 3 months free and then forever after that they'd pay 1.5-3% higher then the industry standard. This is hardly sleazy and is in fact a deal the labels voluntarily agreed to.

    Now, thanks to Taylor Swift whining without mentioning the full terms of the deal, the labels are getting paid for the 3 month period AND still getting the higher percentage rate afterward (Eddie Cue confirmed there'd be no change in the percentage rate). THAT is sleazy.

  36. Re:The Swift Army: an important demographic for Ap by radarskiy · · Score: 2, Informative

    "And speaking of debt... last I checked, Greece isn't in the US..."

    The debt issue in Greece is the public (government) debt, not private (personal) debt. Also, public debt per capita is about 1/3 more for the US as compared to Greece.

  37. Re:The Swift Army: an important demographic for Ap by AmiMoJo · · Score: 2

    Actually quite a few European labels were refusing to sign up with Apple. They couldn't get Adele, for example, because her label was refusing to sign on. They released a statement today saying they would be on board.

    --
    const int one = 65536; (Silvermoon, Texture.cs)
    SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
  38. Re:The Swift Army: an important demographic for Ap by Bogtha · · Score: 1

    I think you're mixing Apple Music up with Apple News.

    --
    Bogtha Bogtha Bogtha
  39. Re:The Swift Army: an important demographic for Ap by Anubis+IV · · Score: 1

    I said:

    [...] they negotiated new deals with the record labels. That's why it's getting reported that a lot of music from iTunes is still missing from Apple Music.

    Your response:

    Actually quite a few European labels were refusing to sign up with Apple.

    I'm a little unclear why the "actually" is there to start off your post. I agree with everything you said, and nothing you said contradicts what I was saying, as far as I can tell. Did I miss something? If I implied that they had successfully negotiated new deals with every artist, then for that, I do apologize, since that was not my intent. I was merely trying to state that there was no opt-in and that new negotiations have been taking place.

  40. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    ... and you're one of the nutters instead. Are you happy? Not to mention that your comparison is stupid, because taxes are mandatory, music services are not.

  41. Pure Genius by Anonymous Coward · · Score: 0

    This is a very clever planned out move between Apple and Taylor. Its a win-win for both Taylor and Apple, who both come up looking great. Pure genius.

  42. Re:The Swift Army: an important demographic for Ap by TheCastro1689 · · Score: 1

    Why bothering replying to a AC how can't use the internet?

  43. Musicians should get paid by chappel · · Score: 1

    I'm all for seeing musicians getting paid for music being streamed, or even Apple getting a cut for supplying the back-end infrastructure - I just REALLY wished there was a good way to get the money DIRECTLY from my account to the musician without subsidizing the entire sleaze ball scum bag music 'industry' in between.

    1. Re:Musicians should get paid by macs4all · · Score: 1

      I'm all for seeing musicians getting paid for music being streamed, or even Apple getting a cut for supplying the back-end infrastructure - I just REALLY wished there was a good way to get the money DIRECTLY from my account to the musician without subsidizing the entire sleaze ball scum bag music 'industry' in between.

      There is!

      Just wait until there is Apple Connect, then msg. your favorite artist, telling them that you'd like to give them money directly, and all they have to do is give you their bank account info.

      They should be tickled-pink to cut out the middleman!

  44. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Like the GP, I have not paid for any media for around 20 years. I used to think most people were too stupid to pirate everything, but apparently people like you choose to pay for it. Thanks for that, you've saved me tens of thousands of dollars!

  45. Re:The Swift Army: an important demographic for Ap by Damnshock · · Score: 1

    For the record, the unemployment rate in the EU is 9,6% on average.

    Source: Eurostat

  46. So that would make Apple's actions a... by SeaFox · · Score: 1

    Swift response.

  47. Apple finally pays by Anonymous Coward · · Score: 0

    They still suck.

  48. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    One of the entitled, I should never have to pay for anything generation I see.

  49. Anyone Else Think ... ? by Anonymous Coward · · Score: 0

    ... This is a sign of Taylor Swift's popularity decline? Can't break up with Boyfriends anymore because People are tired of hearing about it. Can't make a song that keeps Fans loyal as They get older. Have to pick a fight with a major corporation (when it was Her record label which agreed to the no-payment deal and She should really be mad at Them instead). These are signs not only of Someone Who is "passed it" but may have also "lost it".

  50. ... like Taylor Swift robs photographers ... by John+Bokma · · Score: 2
    Apple Music wanted to rob artists like Taylor Swift robs photographers

    To not pay artists during Apple Music’s free three-month trial period is exploitive, the singer-songwriter suggested, not to mention “shocking” and “disappointing.”

    So forgive music photographer Jason Sheldon if he is unable to Shake It Off and is bothered by the hypocrisy of her stance. Editorial photographers assigned to shoot her shows must sign away rights to their photos, preventing them from being paid while giving Swift unlimited use of the pictures for publicity and promotion.

    Source: http://www.cultofmac.com/32698...

    1. Re:... like Taylor Swift robs photographers ... by thegarbz · · Score: 1

      Errr. That sounds pretty damn standard for any performance photographer. I don't know a single one who keeps copyrights on photos they shoot under contract for other people. They are paid to do a job on a day and hand the result over. Those are very standard terms for event photography, not just in the music industry.

      There are alternatives of course, but they typically involve a photographer paying many thousands of dollars to access the venue, and even then sometimes the terms hand over copyright but provide some form of royalties.

    2. Re:... like Taylor Swift robs photographers ... by Anonymous Coward · · Score: 0

      No, you idiot, those terms are for outside editorial photographers (people who shoot for newspapers and magazines to cover a concert), not for photographers hired by the performer. The majority of performers don't use that type of contract with people who come to cover their events - I know this because my wife is a photographer, and she turns down any concert-shooting jobs where that type of contract is in effect - because why would you want to cut off free publicity?

  51. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Congrats, you're the welfare abuser of music.

    Congrats, you're the idiot who's willingly paying for the music that I listen to. And you weren't even asked to do it!

  52. Re:Who are those nutters who PAY for music in 2015 by NatasRevol · · Score: 1

    It's called ethics. You might want to look it up.

    Because your parents obviously raised you wrong.

    --
    There are two types of people in the world: Those who crave closure
  53. Re:Who are those nutters who PAY for music in 2015 by Anonymous Coward · · Score: 0

    Yeah, I also think that it's ethical that you pay for my music. Keep doing it.

  54. Re:The Swift Army: an important demographic for Ap by Anonymous Coward · · Score: 0

    It is probably just his anecdotal observations. Did his assertion offend you?

  55. Re:The Swift Army: an important demographic for Ap by Demonoid-Penguin · · Score: 1

    For the record, the unemployment rate in the EU is 9,6% on average.

    Source: Eurostat

    Probably not a reply to me... but I knew that (hence my earlier sarcasm). Even so it's still not the full picture. Europe supports a higher percentage of immigrants (whereas the USA has a very large number of invisible immigrants integral to their economy who don't figure in the official statistics), has less working hours per week (figures based on full time work - which doesn't account for the large number of working poor in the USA, e.g. the staff at Costco, Wallmart, Waffle House, and just about anywhere you buy fast food - that work two jobs). From that I strongly suspect that for the vast majority - not being employed in Europe is a lot better than not being employed in the USA.

    Retirement
    USA
    Currently, the full benefit age is 66 for people born in 1943-1954, and it will gradually rise to 67 for those born in 1960 or later.

    Country Ave State
    France 59.4 60
    Greece 60 65 (m) 60 (w)
    Italy 60.4 65 (m) 60 (w)
    Germany 62 65
    Spain 62.1 65
    Portugal 62.6 65
    UK 62.6 65 (m) 60 (w)
    Netherlands 63.9 65
    Ireland 64.1 66
    Norway 64.4 62

    Av = Average retirement age, State = State pension age

  56. Re: The Swift Army: an important demographic for A by Anonymous Coward · · Score: 0

    Ah yes, the working poor of Costco and their $60k/yr wages, lmao.

  57. Re:The Swift Army: an important demographic for Ap by Plumpaquatsch · · Score: 1

    Actually quite a few European labels were refusing to sign up with Apple.

    IOW, despite making it sound like they did, you do confirm that Apple did not sign any musicians/labels to streaming without their consent. Nice try though.

    --
    Of course news about a fake are Fake News.
  58. Actually... by Anonymous Coward · · Score: 0

    Who cares... really?

  59. Pay your fair share by maryjanety3 · · Score: 0

    Would be nice if Apple paid its fair share. http://www.dailymotion.com/vid...