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George Takei Opposes Gay Sulu In 'Star Trek Beyond' (hollywoodreporter.com)

HughPickens.com writes: Seth Abramovitch reports in the Hollywood Reporter that actor and LGBT activist George Takei says Paramount's plans to have Sulu's character in the upcoming 'Star Trek Beyond' the first LGBTQ lead character in Star Trek history is out of step with what creator Gene Roddenberry would have wanted. [Roddenberry] "was a strong supporter of LGBT equality," says Takei, now 79. "But he said he has been pushing the envelope and walking a very tight rope -- and if he pushed too hard, the show would not be on the air." Takei says he'd much prefer that Sulu stay straight. "I'm delighted that there's a gay character," says Takei. "Unfortunately, it's a twisting of Gene's creation, to which he put in so much thought. I think it's really unfortunate." The timeline logic of the new revelation is enough to befuddle even the most diehard of Trek enthusiasts, as the rebooted trilogy takes place before the action of the original series. In other words, assuming canon orthodoxy, this storyline suggest Sulu would have had to have first been gay and married, only to then go into the closet years later. Simon Pegg, who has co-written the latest Star Trek movie, as well as starring as Scotty, has responded to criticism by the actor George Takei at the film-makers' decision to make the character he used to play openly gay. "He's right, it is unfortunate, it's unfortunate that the screen version of the most inclusive, tolerant universe in science fiction hasn't featured an LGBT character until now. We could have introduced a new gay character, but he or she would have been primarily defined by their sexuality, seen as the 'gay character,' rather than simply for who they are, and isn't that tokenism?" says Pegg. "Our Trek is an alternate timeline with alternate details. Whatever magic ingredient determines our sexuality was different for Sulu in our timeline. I like this idea because it suggests that in a hypothetical multiverse, across an infinite matrix of alternate realities, we are all LGBT somewhere."

218 of 354 comments (clear)

  1. No More reboots by rossdee · · Score: 4, Insightful

    Its dead, Jim

    1. Re:No More reboots by pjbgravely · · Score: 2

      CBS recently killed Star Trek for good. Too bad the non Trek people don't know this. They will keep giving them money for an action adventure movies where they don't have to think.

      --
      Star Trek, there maybe hope.
    2. Re:No More reboots by ChunderDownunder · · Score: 1

      Really, I thought there was a new TV series coming out early next year?

    3. Re:No More reboots by Anonymous Coward · · Score: 1

      Did anyone mention yet that all the new "reboots" are even more terrible than the original movies?

    4. Re:No More reboots by mwvdlee · · Score: 1

      Remember ST:Enterprise? A new TV series doesn't mean the franchise is still alive.

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    5. Re:No More reboots by sg_oneill · · Score: 2

      Remember ST:Enterprise? A new TV series doesn't mean the franchise is still alive.

      Enterprise, despite its mistakes, actually had some pretty decent television.

      Sure the temporal war stuff was terrible, and the first season was a bit hammy, but the Xindi arc was up there with the Dominion war in terms of good longer-arc trek.

      I honestly suggest going and giving it another watch. Enterprise failed because after a 2 decades people where just trekked out.

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    6. Re:No More reboots by TapeCutter · · Score: 1
      --
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    7. Re:No More reboots by Anonymous Coward · · Score: 1

      Watched Enterprise and Deep Space last, because for obvious reasons thought the series' inferior. However, was pleasantly surprised after having watched several episodes/seasons. The series' simply grew on me.

      For ST fans these series' provide alot of content, although in similar vein to other ST but also unique. Now, after having watched nearly all ST having trouble seeing the earliest shows. It's just too stiff and clunky, so glad I watched those first.

      They're all a bit different, but there's also the obvious copycat episodes and plots to grind through, but all in all, not too bad. They're all a bit different and set in different times / scenarios. The Federation is not / should not be a static entity and every captain can't be the same..

    8. Re:No More reboots by smooth+wombat · · Score: 4, Insightful

      Agreed. The temporal stuff was bad but for the most part the episodes, even the first ones, were good for what they were trying to represent.

      I know people whined about Hoshi, how she was a blithering idiot, but think about her position. She was asked to do something no one else had ever done (translate unknown languages on the fly), was reluctant to do so in the first place, in an unknown environment (in a spaceship) and had to deal with translation software which was shit (much like today's software).

      The balancing act that Archer played between the Vulcans and the Andorians once he caught on to the games being played (mostly by the Vulcans) was very good. He, like Hoshi, had to deal with the unknown, on very limited information, with two disparate races, one of which he didn't truly trust to begin with.

      Let us not forget how Enterprise was routinely overmatched by those it encountered in combat. No more tricks by Scotty to miraculously pull them out of the fire, no deux ex machina to save the day. They suffered, badly, and the scenes where this played out more or less conveyed their desperation at being bested.

      Nor were the transporters the miracle they are in later shows. These barely worked and when they did were much more slow and finicky to operate.

      And yes, some of the eventualities of the Star Trek universe such as how the Prime Directive came about might be considered forced, but the circumstances by which it came about was straight out of the original: meeting strange new worlds and civilizations and trying to understand them.

      --
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    9. Re:No More reboots by Impy+the+Impiuos+Imp · · Score: 1

      The colorless nature of everything, and a greeble-ship instead of something that might lead into the 1960s sleek sci fi ship were irritants, too. Hoshi was awesome; the Vulcan chick a hideous plastic surgery accident. Who knew Vulcans of the 22nd century logically desired stupid huge boobs on starving women and idiotic fake lips?

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    10. Re:No More reboots by drinkypoo · · Score: 1

      Sure the temporal war stuff was terrible

      Was it really that terrible, in the grand scheme of Trek? I submit that it's not the lowest the saga has gone. Enterprise also had a lot of the most satisfying Trek, in that the Federation was not portrayed as having perpetually clean hands where anything bad that happened to anyone ever was an accident.

      --
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    11. Re:No More reboots by drinkypoo · · Score: 1

      The colorless nature of everything, and a greeble-ship instead of something that might lead into the 1960s sleek sci fi ship were irritants, too.

      OK, it does seem like they ought to have been able to come up with some paint in a color other than gray, you win that one. But there are no greebles on the Enterprise in Enterprise. It only has features with purpose. Over the years, those features are smoothed away as they become willing to throw away more mass on plating.

      Who knew Vulcans of the 22nd century logically desired stupid huge boobs on starving women and idiotic fake lips?

      On the contrary, they simply wouldn't assume they were bimbos and shame them out of a life of scientific advancement. But let's face it, everyone on TV is beautiful unless the plot says otherwise.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    12. Re:No More reboots by pjbgravely · · Score: 1

      I thought he spent the whole series waiting for Ziggy to pop out and tell him what to do. The mirror universe was the only time he acted like a Captain and for most of that he wasn't one.

      --
      Star Trek, there maybe hope.
    13. Re:No More reboots by Godwin+O'Hitler · · Score: 1

      The countries I've lived in since 1986 never got past TOS. So six months ago or so I decided to put that right and watched large slices of TNG, DS9, VOY, and ENT in that order. I saw well over half the episodes of all of incarnations except DS9, which I abandoned in disgust after the Dominion War deus-ex-machina.
      None of my judgements are therefore the result of memories clouded by time.

      I found TNG very, very weak (and the theme music extremely irritating).
      DS9 was boring with very poor plots and a dreadful lead actor who spoke like he was reading from a script given to him one word at a time.
      VOY recovered from a truly terrible first two or three seasons but never quite overcame the bad acting of Chakotay, Paris, Neelix, Kim, and the characterization of the captain (not Kate Mulgrew’s fault).
      Enterprise on the other hand boldly explored issues where no (or very few) Star Treks had gone before. I don't think I skipped a single episode.

      If I had to do it all over again I'd just watch ENT and TOS and leave it there (except maybe watch Trials and Tribble-ations at the end).

      --
      No, your children are not the special ones. Nor are your pets.
    14. Re:No More reboots by Plumpaquatsch · · Score: 1

      Remember ST:Enterprise? A new TV series doesn't mean the franchise is still alive.

      Well, you better remember it, because that's now the only cannon series,

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  2. first by Anonymous Coward · · Score: 5, Funny

    Just like JJ Abrams, it's all about shoving things down people's throats, no pun intended

  3. This is sacrilege plain and simple by Anonymous Coward · · Score: 4, Insightful

    I suggest all fellow Star Trek fans boycott this production.... trash the muddies the name Star Trek, which is about science and exploration, not millennial "inclusive" bullshit.
    Rather think that by the time of Star Trek in a Utopian society, they managed to get over this confused "sexual orientation" nonsense.

    1. Re:This is sacrilege plain and simple by bjwest · · Score: 3, Insightful

      Actually, the reboot isn't about science and exploration at all. It's about blowing things up and flashy CGI and odd POV shots. Hell, the Enterprise has been destroyed in every reboot movie IIRC. That's how much I think of the reboot shit, it's not even worth remembering two days after watching. Hell, there's less dialog and story in a two hour ST movie now than there is in a ten minute short.

      --

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    2. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      I suggest all fellow Star Trek fans boycott this production.... trash the muddies the name Star Trek, which is about science and exploration, not millennial "inclusive" bullshit.

      You must be kidding. The original Star Trek was a campy space opera.

      Rather think that by the time of Star Trek in a Utopian society, they managed to get over this confused "sexual orientation" nonsense.

      Star Trek society is more dystopian than utopian: a stifling society based on a hierarchical bureaucracy. Just about the only good thing about it was that, at least on Earth, most people were sufficiently well off that it didn't matter.

    3. Re:This is sacrilege plain and simple by Gavagai80 · · Score: 1

      I guess you're joking? Gene Roddenberry's vision for Star Trek was always aggressively liberal and more inclusive than society would accept. He tried to have a woman first officer in The Cage but that wouldn't fly. According to Takei, Roddenberry would've liked to have a GLBT character when Takei approached him about iit in the 60s but felt it was too risky since the interracial kiss had tanked ratings already.

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    4. Re: This is sacrilege plain and simple by Anonymous Coward · · Score: 1

      You're right about Roddenberry being progressive. However, there's nothing that bold or controversial about a gay character. They've been pretty common on the big and small screens for at least the past 15 years. By and large, society is pretty accepting of gay and lesbian people these days, at least among young people. I was careful not to use the LGBT acronym because while lesbians and gays are far more accepted now, transsexuals aren't. Furthermore, there's a significant amount of bigotry directed at Muslims and racism toward people of Middle Eastern descent. The closest to a Middle Eastern character in Star Trek was Julian Bashir, though that's not especially obvious. Alexander Siddig is Sudanese. I think a certain segment of the population wouldn't like him if he was credited under his full name, which is Siddig El Tahir El Fadil El Siddig Abderrahman Mohammed Ahmed Abdel Karim El Mahdi.

    5. Re: This is sacrilege plain and simple by Gavagai80 · · Score: 2

      Yes, I agree that a gay character is not being shockingly inclusive in the way Roddenberry liked to be. The grandparent was wrong both in asserting that a gay character is "millennial inclusive bullshit" and also in asserting that Roddenberry wouldn't have loved "millennial inclusive bullshit" (he would've).

      I think a certain segment of the population wouldn't like him if he was credited under his full name

      For the first couple seasons of DS9, he was credited as Siddig El Fadil. As far as I can recall, exactly nobody cared. A muslim character wouldn't seem to fit in Star Trek though because they don't portray any current human religions -- there was never a Christian character. Only alien religions are allowed, Earthlings may be spiritual and theistic but not religious.

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    6. Re: This is sacrilege plain and simple by ChunderDownunder · · Score: 1

      TOS episode, 'Bread and Circuses" where they traveled to a 20th century Roman Empire where subversives were worshiping "The Son".

      Maybe no Christian crew members but the writers certainly had their moment.

    7. Re:This is sacrilege plain and simple by quenda · · Score: 1

      Really ? All that inter-species sex in TOS, and they are worried about a gay character? Or even an inter-racial kiss?

    8. Re: This is sacrilege plain and simple by Ultra64 · · Score: 1

      >However, there's nothing that bold or controversial about a gay character.

      Ok, then why doesn't Star Trek have any?

    9. Re: This is sacrilege plain and simple by Anonymous Coward · · Score: 2, Informative

      Dax was bisexual.

    10. Re:This is sacrilege plain and simple by Zontar+The+Mindless · · Score: 4, Insightful

      You're trying to look at TOS through a lens that's about 50 years out of focus.

      If you're not capable of appreciating it in the context of the times in which it was produced, then kindly STFU.

      Thank you.

      --
      Il n'y a pas de Planet B.
    11. Re:This is sacrilege plain and simple by Antique+Geekmeister · · Score: 4, Insightful

      I'm old enough to remember it, in the first re-runs at least. It was campy space opera with genuine moral dilemmas and thought provoking plots. Having a proud Russian speaking crew member hinted at a future without the Cold War era separatism. Spock's existence as a half-breed Vulcan, and Uhura's presence as a department leading critical helm officer, provided meaningful comments on the aggressive racism common in most of our societies. And I was too young at the time to understand how groundbreaking the black/white kiss in Plato's Stepchildren was.

      Star Trek, and Gene Roddenberry's work in general, held up fascinating mirrors to our society and challenged us to do better, and said "we _can_ be better than this". I genuinely wish "The Great Bird of the Galaxy" could have stayed around and productive, to explore the similar scale of problems today of fanatical terrorism and global ecological destruction.

    12. Re: This is sacrilege plain and simple by seffala · · Score: 1

      >However, there's nothing that bold or controversial about a gay character.

      Ok, then why doesn't Star Trek have any?

      Oh, don't tell me you've never heard of Q.

    13. Re:This is sacrilege plain and simple by Zontar+The+Mindless · · Score: 1

      If my eyes are red, it's not from crying, I can assure you of that.

      --
      Il n'y a pas de Planet B.
    14. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      I suggest all fellow Star Trek fans boycott this production.... trash the muddies the name Star Trek, which is about science and exploration, not millennial "inclusive" bullshit.

      You must be kidding. The original Star Trek was a campy space opera.

      It was low-level SciFi, but it's SciFi.

      The science tends to be English-major Bullshit dressing up Will Rogers tropes, but unlike pure space opera there's at least an attempt.

      Rather think that by the time of Star Trek in a Utopian society, they managed to get over this confused "sexual orientation" nonsense.

      Star Trek society is more dystopian than utopian: a stifling society based on a hierarchical bureaucracy. Just about the only good thing about it was that, at least on Earth, most people were sufficiently well off that it didn't matter.

      Bureaucracy? Have you seen it at all? Like any of it?

      In the entire run of all three post-Federation series the only Federation bureaucrats are in the Tribbles episode. Other then that you get an occasional Ambassador, and a political system that is so much in the background that no Federation Presidents got named until Season 4 of DS9. Starfleet is hierarchical, but it's the closest thing they have to a military so of course it's hierarchical. Non-hierarchical militaries tend to get conquered, just ask the Indians.

    15. Re:This is sacrilege plain and simple by ooloorie · · Score: 3, Insightful

      and a political system that is so much in the background that no Federation Presidents got named until Season 4 of DS9

      That's because Star Trek focuses on some of the most privileged people in the Federation and their exploits; it's like looking at the royal court of Louis XIV and not seeing what's going on in the rest of France or Europe at the time.

      Roddenberry imagined a post-scarcity world with technocratic government, a benign defensive military, and a commitment to science and exploration. But he hadn't thought through what the politics or government of such a world would look like, how power would be distributed, and who would end up privileged and who would end up oppressed, he just assumed that his world would be magically egalitarian.

      That is, the lack of a portrayal of bureaucracy, power, inequality, and government in much of Star Trek is not due to their non-existence (which is logically impossible), but due to Roddenberry's failure to think things through and create a realistic portrayal of his imaginary society.

    16. Re: This is sacrilege plain and simple by NicBenjamin · · Score: 1

      You're right about Roddenberry being progressive. However, there's nothing that bold or controversial about a gay character. They've been pretty common on the big and small screens for at least the past 15 years. By and large, society is pretty accepting of gay and lesbian people these days, at least among young people. I was careful not to use the LGBT acronym because while lesbians and gays are far more accepted now, transsexuals aren't. Furthermore, there's a significant amount of bigotry directed at Muslims and racism toward people of Middle Eastern descent. The closest to a Middle Eastern character in Star Trek was Julian Bashir, though that's not especially obvious. Alexander Siddig is Sudanese. I think a certain segment of the population wouldn't like him if he was credited under his full name, which is Siddig El Tahir El Fadil El Siddig Abderrahman Mohammed Ahmed Abdel Karim El Mahdi.

      15 years would be 2001. Voyager ended that May. Enterprise had a few season running starting in '01.

      Arabs are scarce for pretty much the same reason. If you're an American showing all branches of humanity working together in '95 Arabs weren't on the RADAR, so weren't explicitly included.

      Since no human is religious there'd never be a Muslim character.

    17. Re: This is sacrilege plain and simple by Rob+Y. · · Score: 1

      The only problem I see with making Sulu gay is that I assume they picked Sulu because George Takei is gay - which itself reinforces the stereotype that gay actors aren't believable playing straight characters (though that stereotype is less potent these days). But seriously, if Simon Pegg wants to make one of the original characters gay, why not pick Scotty himself? A nice, gay, alcoholic (no, Star Trek wasn't immune to stereotyping) tech nerd ;-)

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    18. Re:This is sacrilege plain and simple by Njorthbiatr · · Score: 1

      It's really fucking absurd, and I say this as a millennial having the pleasure of discovering Star Trek after it was all done airing.

      Their stupid fucking "alternate timeline" shit doesn't make sense. At the time of the anomaly which split timelines, Sulu was three years old. No amount of Chaos theory would change the divergent timeline so that Sulu was gay.

    19. Re: This is sacrilege plain and simple by PinkyGigglebrain · · Score: 1

      And she was a new character in a new series who was able to define her character as the series progressed. She was not one of the original characters who already had their character defined in three seasons of TOS, five movies and an episode of ST:Voyager.

      If they mess with cannon too much they are going to create a time paradox that will cause the new time line to reset because Spoke didn't go back in time so they can make another reboot and mess with the original story line again ....

      wait a sec ...

      OH MY GOD!!!!!!! That's their plan!!!!

    20. Re: This is sacrilege plain and simple by NicBenjamin · · Score: 1

      Because they were extremely controversial when actual Star Trek was on the air. Willow didn't come out on TV until the early 2000. Voyager ended in May '01.

      Enterprise could have added one (and probably should have added one) as it was on through '04, but they never did.

    21. Re:This is sacrilege plain and simple by myowntrueself · · Score: 1

      I guess you're joking? Gene Roddenberry's vision for Star Trek was always aggressively liberal and more inclusive than society would accept. He tried to have a woman first officer in The Cage but that wouldn't fly. According to Takei, Roddenberry would've liked to have a GLBT character when Takei approached him about iit in the 60s but felt it was too risky since the interracial kiss had tanked ratings already.

      In the first episode of Next Generation theres a guy in a dress.

      --
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    22. Re:This is sacrilege plain and simple by colinrichardday · · Score: 1

      I assumed he was a male yeoman, and that all yeoman had to wear that minidress.

    23. Re:This is sacrilege plain and simple by Vertigo+Acid · · Score: 1

      Undoing mods to point out that Sulu was helmsman, and Uhuru was communications office. I don't think it undermines your point but

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    24. Re: This is sacrilege plain and simple by pbhj · · Score: 1

      Did I miss something and people get some sort of mark on them that shows what sex the people are who they're having sex with? How can you say it didn't, you can just pick a character and imagine them to be heterosexual, or homosexual, or pansexual, or only fuck with aliens, or whatever you like - sex is just not part of the plot in general is it?

    25. Re:This is sacrilege plain and simple by Cinnamon+Beige · · Score: 1

      Given the situation and environment they're in, where a communication's snafu could start a war with relative ease, being the communications officer is no small role. It probably requires significant language skills, a great deal of intelligence, and a huge amount of knowledge about various cultures so you can at least manage an educated guess about how to not be horribly, horribly offensive.

      Helmsman being a low-level job is also pretty funny; the helmsman in smaller crews often stacks with the job of navigator, and even when it isn't a helmsman needs to have some navigational skill. So, why is this important? Even a slight error in heading at the start will result in being increasingly farther off course. The time in which you have to notice and make course corrections before this gets to be a bignum also decreases as speed increases: the faster you go, the faster you can get really, really lost.

      Now consider just how screwed over you would be if your helmsman made a small error in what your heading ought to be when setting your course before you left Earth for a quick run to Proxima Centauri in your spaceship, going with your FTL drive fast enough to make the trip of slightly over 4LY in a day...and you don't notice until you're at least a few hours into the trip...

    26. Re: This is sacrilege plain and simple by meerling · · Score: 1

      " They've been pretty common on the big and small screens for at least the past 15 years."
      Yeah, but Star Trek was originally aired 1966-1969, which makes it a LONG time before "the past 15 years".
      Back then, gay was unthinkable, kissing someone of a different color was scandalous and even having a married couple sleeping in the same bed was too much. (Just watch some of the old shows and movies and notice the two beds in the couples bedroom.)

      In many ways we've progressed, but as you pointed out, if someones name even sounds like it's from the middle east, lots of people are freaking out now. It's really sad.

    27. Re: This is sacrilege plain and simple by dgatwood · · Score: 1

      I think a certain segment of the population wouldn't like him if he was credited under his full name, which is Siddig El Tahir El Fadil El Siddig Abderrahman Mohammed Ahmed Abdel Karim El Mahdi.

      I don't know about the general population, but I'm pretty sure the poor guy/gal trying to make his name fit onscreen in the credits would have been positively homicidal. :-)

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    28. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      Dude, if you focussed on the Court of Louis XIV you'd not only know the name of the King, you'd also know the names of all the other Kings. Foreign policy was pretty much all the Royal government did. In fact in general almost any truly privileged group will have a lot more interaction with, and knowledge of, the political system then the peons because if they didn't one of the peons would out-manuever them and take their privilege. So in the France of Louis XIV's day the serfs would have been the last to find out that they had to increment their Louis counter by one.

      As for your criticism of Roddenberry's power structure, I think you''re exposing yourself as a troll. You just moved the goal-posts from "bureaucracy" to "bureaucracy, power, inequality, and government."

      Moreover in bringing up at least two of those you're showing a huge lack of imagination. Much of government is the result of the need to regulate shit that Federation technology just takes care of. Replicators are not gonna start spitting out salads with E Coli, and since you arrived via magical Transporter beam you don't need to worry about drunk-driving your way home. Education policy seems to be totally laissez faire. So boith buerecracy and government will inevitably be less prominent in people's lives once those techs are added.

      As for inequality and power, in this context they're the same thing because it's about relative power. If there's equality then nobody can bully anyone. And if you do some research on the Law of Jante, you'll note there's an entire region of the world where multiple countries have an attidude towards personal displays of wealth/power quite similar to the Star Trek attitude.

    29. Re: This is sacrilege plain and simple by Ultra64 · · Score: 1

      > How can you say it didn't,

      Because we saw several heterosexual relationships throughout the course of the series, and no homosexual ones.

    30. Re:This is sacrilege plain and simple by Godwin+O'Hitler · · Score: 1

      I'm a big fan of Uhura and Nichelle Nichols but to suggest her job was anything other than an interstellar switchboard operator is misleading.

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    31. Re: This is sacrilege plain and simple by Godwin+O'Hitler · · Score: 1

      Or how about there were plenty of gays/bis in Entreprise but since their sexuality was not the least bit relevant to the plot, there is no way of knowing who they were.
      One thing they did do was to invent a third sex it the Progenitor and to have an openly polygamous/polyandrous species in the Denobulans, whose everyday sexual alignment seemed a bit versatile.

      --
      No, your children are not the special ones. Nor are your pets.
    32. Re: This is sacrilege plain and simple by Godwin+O'Hitler · · Score: 1

      You see his parents though, and there's no doubt about it. However, I believe KHAN was Punjabi or Sikh?

      Whatever their ancestry, Bashir’s parents and Bashir himself are explicitly English in the same way Sisko is explicitly American.

      --
      No, your children are not the special ones. Nor are your pets.
    33. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      Much of government is the result of the need to regulate shit that Federation technology just takes care of. Replicators are not gonna start spitting out salads with E Coli, and since you arrived via magical Transporter beam you don't need to worry about drunk-driving your way home. Education policy seems to be totally laissez faire. So boith buerecracy and government will inevitably be less prominent in people's lives once those techs are added.

      Of course, we know that the use of replicators and transporters is rationed and limited, and that those technological devices are fiercely dangerous and easily weaponized.

      As for inequality and power, in this context they're the same thing because it's about relative power. If there's equality then nobody can bully anyone.

      True. There are a lot of other things you can't do when there's equality either.

      And if you do some research on the Law of Jante, you'll note there's an entire region of the world where multiple countries have an attidude towards personal displays of wealth/power quite similar to the Star Trek attitude.

      So you agree then that The Federation is an oppressive, conformist, collectivist society with stifling limits on its technological, economic, and social progress. You simply happen to like such societies.

    34. Re:This is sacrilege plain and simple by Plumpaquatsch · · Score: 1

      Actually, the reboot isn't about science and exploration at all. It's about blowing things up and flashy CGI and odd POV shots.

      You mean it's like the old movies?

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    35. Re: This is sacrilege plain and simple by Plumpaquatsch · · Score: 1

      Furthermore, there's a significant amount of bigotry directed at Muslims and racism toward people of Middle Eastern descent. The closest to a Middle Eastern character in Star Trek was Julian Bashir, though that's not especially obvious. Alexander Siddig is Sudanese. I think a certain segment of the population wouldn't like him if he was credited under his full name, which is Siddig El Tahir El Fadil El Siddig Abderrahman Mohammed Ahmed Abdel Karim El Mahdi.

      Quote Alpha Memory; "When he began acting, he adopted a shortened version of his name, Siddig El Fadil. He then changed his acting credit to Alexander Siddig at the start of the fourth season of Deep Space Nine, reportedly because people had difficulty pronouncing his birth name."

      --
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    36. Re:This is sacrilege plain and simple by Anonymous Coward · · Score: 2, Insightful

      I think the people who are uppity are actually homophobic.

      George Takei is gay so doubt that's the reason he's objecting.

    37. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      Much of government is the result of the need to regulate shit that Federation technology just takes care of. Replicators are not gonna start spitting out salads with E Coli, and since you arrived via magical Transporter beam you don't need to worry about drunk-driving your way home. Education policy seems to be totally laissez faire. So boith buerecracy and government will inevitably be less prominent in people's lives once those techs are added.

      Of course, we know that the use of replicators and transporters is rationed and limited, and that those technological devices are fiercely dangerous and easily weaponized.

      There's transporter credits for Academy students, but it's not precisely unusual for the students at a military academy to have restrictions on themselves that civilians don't. There were replicator credits on voyager because they were stuck in the Alpha quadrant, but the amount of bitching about that strongly implies that unlimited replicator use was the standard.

      As for inequality and power, in this context they're the same thing because it's about relative power. If there's equality then nobody can bully anyone.

      True. There are a lot of other things you can't do when there's equality either.

      And if you do some research on the Law of Jante, you'll note there's an entire region of the world where multiple countries have an attidude towards personal displays of wealth/power quite similar to the Star Trek attitude.

      So you agree then that The Federation is an oppressive, conformist, collectivist society with stifling limits on its technological, economic, and social progress. You simply happen to like such societies.

      Moving goalposts again. You started talking about the official governmental system being terribly oppressive. Now you're arguing it's not the government that oppresses anyone, it's that the people would give them side-eye if they acted like you think they should act.

    38. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      There's transporter credits for Academy students, but it's not precisely unusual for the students at a military academy to have restrictions on themselves that civilians don't.

      Your reasoning is backwards: the flagship of the Federation and its most prominent members would represent the kind of people that would have the most resources available to them. We have also seen many private quarters in colonies. Generally, Federation citizens may have small food replicators and computers but not that much more. Most homes don't seem to have transporters or large scale replicators, and spacecraft seem to be nearly completely unavailable to private citizens. We also know that there is great inequality between even Earth and its colonies, plus enough discontent from people to want to leave. From everything we have seen, the Federation is not a post-scarcity society, nor is it a liberal society.

      You started talking about the official governmental system being terribly oppressive. Now you're arguing it's not the government that oppresses anyone, it's that the people would give them side-eye if they acted like you think they should act.

      I'm sorry, but you're confused. You brought up the Law of Jante, and that simply provides additional support for my thesis about the government: an oppressive social structure and culture like that would naturally produce and oppressive government. That is, the government of the Federation is oppressive because the culture of the Federation is oppressive.

    39. Re:This is sacrilege plain and simple by Andtalath · · Score: 1

      Remake biological makeup to fit the heteronorm?
      That's pretty dark.

    40. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      There's transporter credits for Academy students, but it's not precisely unusual for the students at a military academy to have restrictions on themselves that civilians don't.

      Your reasoning is backwards: the flagship of the Federation and its most prominent members would represent the kind of people that would have the most resources available to them. We have also seen many private quarters in colonies. Generally, Federation citizens may have small food replicators and computers but not that much more. Most homes don't seem to have transporters or large scale replicators,

      Scenes tend to be in officer's quarters, recent colonies, or non-Federation worlds. Off the top of my head I can't remember a single scene in any of the three TNG-era shows which showed the interior of a Federation home. Presumably the colony worlds will be at Federation standard at some point in the relatively near future. BTW, you m,ay be thinking of Turkana City, which left the Federation after devolving into gang warfare.

      Regardless, how large-scale a replicator do you need in your house? If it's big enough to make you a plate of chicken it's got the cubic inches to make almost any article of clothing, most personal objects, and even Ikea-style furniture kits. If you need something bigger you can walk to a larger replicator, have it transported in, etc.

      and spacecraft seem to be nearly completely unavailable to private citizens. We also know that there is great inequality between even Earth and its colonies, plus enough discontent from people to want to leave. From everything we have seen, the Federation is not a post-scarcity society, nor is it a liberal society.

      But the reason people want to leave isn't that their wants aren't being met, it's either that they want something of their own or they have some interesting little religion that doesn't fit in.

      In other words they're not complaining some evil elite in the Federation has monopolized the prosperity, or that there's not enough prosperity, they're claiming they want to be less Jante-like.

      You started talking about the official governmental system being terribly oppressive. Now you're arguing it's not the government that oppresses anyone, it's that the people would give them side-eye if they acted like you think they should act.

      I'm sorry, but you're confused. You brought up the Law of Jante, and that simply provides additional support for my thesis about the government: an oppressive social structure and culture like that would naturally produce and oppressive government. That is, the government of the Federation is oppressive because the culture of the Federation is oppressive.

      Dude, the Law of Jante isn't a law that's been passed by Parliament. It's the way a novelist described how his fictional village of Jante treated people who did not fit in because they were too proud of themselves.

      The government in these countries is less oppressive then in 99% of the world.

    41. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      But the reason people want to leave isn't that their wants aren't being met, it's either that they want something of their own or they have some interesting little religion that doesn't fit in.

      Correct. So, it's roughly like East Germany: an oppressive shithole whose claim to fame is that it keeps its citizens clothed, fed, and busy.

      In other words they're not complaining some evil elite in the Federation has monopolized the prosperity, or that there's not enough prosperity, they're claiming they want to be less Jante-like.

      Correct. In different words, they want the Federation to be less socialist and more liberal.

      Dude, the Law of Jante [wikipedia.org] isn't a law that's been passed by Parliament. It's the way a novelist described how his fictional village of Jante treated people who did not fit in because they were too proud of themselves.

      You don't say! Are you so unfamiliar with what we are talking about that you feel that warrants pointing out?

    42. Re: This is sacrilege plain and simple by Plumpaquatsch · · Score: 1

      You see his parents though, and there's no doubt about it. However, I believe KHAN was Punjabi or Sikh?

      Whatever their ancestry, Bashir’s parents and Bashir himself are explicitly English in the same way Sisko is explicitly American.

      Well yes, because A) Bashir is such a typical English name, and b) Sisko is half-wormhole-being.

      --
      Of course news about a fake are Fake News.
    43. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      But the reason people want to leave isn't that their wants aren't being met, it's either that they want something of their own or they have some interesting little religion that doesn't fit in.

      Correct. So, it's roughly like East Germany: an oppressive shithole whose claim to fame is that it keeps its citizens clothed, fed, and busy.

      So you start out saying that inequality is a problem, and nothing about secret police, and now you;re implying there are secret police. If I point out there's no secret police on the Enterprise you'll continue your trolling by claiming "of course not, they're privileged" despite the fact in that in countries with secret police those guys are always present in the military to prevent coups d'tat.

      In other words they're not complaining some evil elite in the Federation has monopolized the prosperity, or that there's not enough prosperity, they're claiming they want to be less Jante-like.

      Correct. In different words, they want the Federation to be less socialist and more liberal.

      And how many countries in the world with multi-hundred-million populations have no visible minority advocating for major change? That's just kind of how the human race works.

      Dude, the Law of Jante [wikipedia.org] isn't a law that's been passed by Parliament. It's the way a novelist described how his fictional village of Jante treated people who did not fit in because they were too proud of themselves.

      You don't say! Are you so unfamiliar with what we are talking about that you feel that warrants pointing out?

      Apparently you don't, since you are still comparing a people with a Law of Jante to a people with an active secret police service.

    44. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      So you start out saying that inequality is a problem, and nothing about secret police, and now you;re implying there are secret police

      I don't think economic inequality is a problem. Furthermore, the existence of a secret police isn't a defining characteristic of East Germany, it's a symptom of any failing totalitarian state.

      And how many countries in the world with multi-hundred-million populations have no visible minority advocating for major change? That's just kind of how the human race works.

      So, in your way of thinking, a white minority advocating for the reintroduction of apartheid is morally equivalent to a democratic movement arguing for free speech and fair elections in socialist East Germany. Thanks for clearing that up.

      Apparently you don't, since you are still comparing a people with a Law of Jante to a people with an active secret police service.

      You really don't see the connection between a cultural that values uniformity and dislikes exceptional achievement on the one hand, and socialist and progressive political structures on the other?

    45. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      So there's no secret police, which you admit indicates there is "failing totalitarian state," but you're still comparing it to East Germany. Then you bring up Apartheid for no apparent reason, and relate it back to East Germany; despite the fact that you have just admitted that there's no on-screen evidence that the Federation is at all comparable to East Germany.

      I think you've pretty definitively proven that your problem with Star Trek is not that Roddenberry hasn't thought shit through, it's that you're too immature to accept that other people can disagree with you on the value of money.

    46. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      So there's no secret police, which you admit indicates there is "failing totalitarian state," but you're still comparing it to East Germany.

      The Federation most certainly does have a secret police; we have seen it. We don't know what other kind of social control it uses either. We also know that its government is susceptible to corruption, injustice, and political takeovers, because we have seen those as well. So, it is a human government with human problems, not some super-smart AI, and there is no reason to believe that it should work any better than any existing government.

      despite the fact that you have just admitted that there's no on-screen evidence that the Federation is at all comparable to East Germany.

      There is plenty of evidence that the Federation is comparable to East Germany, you are simply too blind to see it, probably because you lack the first hand experience.

      it's that you're too immature to accept that other people can disagree with you on the value of money.

      The problem is that you are too immature to accept that that free markets are a necessary (though not sufficient) condition for political freedom. And your problem is immaturity because your beliefs are the naive beliefs of rebellious teenage socialists.

      Roddenberry's economic and political system is even less plausible than warp drive. For warp drive, we at least have some theoretical ideas about how it might work, and Star Trek weaves a whole range of fictitious inventions around making it work. Roddenberry's economic and political system is as if you took a 19th-century steam-driven riverboat and in all seriousness suggested that if its paddles just went fast enough, it would go faster than light.

      But feel free to come up with a plausible construction of how such a system might work, in light of the massive amount of economic theory and data.

    47. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      So the Federation has secret police, but you can't name them. Congratulations on your ability to make shit up. As for "corruption, injustice, and takeovers," apparently you're talking about the episode Homefront of DS9, where somebody tried and failed to take over the Federation government. Which is roughly 1/700th of the universe, and much better odds then any capitalist system.

      As for how a plausible example would work, I've given you one already. Capital goods are allocated by something we can't see off-screen which could very well be a market of some sort. Consumer goods are either obsolete (ie: cars) or provided by a replicator. Health is provided by some sort of socialized system which could be co-ops, Single Payer insurance, or an NHS clone. Education is totally laissez faire. Other then that there is no other then that because that economy works fine.

      With no economic problems, there's very little politics, and no reason for the government itself to do any of the things you're ascribing to it.

    48. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      So the Federation has secret police, but you can't name them

      No, what I'm saying is that the existence of a secret police is not a necessary feature of an oppressive, unfree state, it is instead a symptom of something completely different, a failing state. (FWIW, one of the secret police forces in Star Trek is Section 31, there are probably others.)

      Which is roughly 1/700th of the universe, and much better odds then any capitalist system.

      We aren't talking about "odds" here, we are talking about the nature of Federation government, and it seems to be a standard, run-of-the-mill government run by humans, the kind that we have millennia of experience and centuries of political theory for. (Furthermore, I dispute the "better odds" claim; historically, almost all socialist governments have failed, and those that haven't are totalitarian.)

      Capital goods are allocated by something we can't see off-screen which could very well be a market of some sort. Consumer goods are either obsolete (ie: cars) or provided by a replicator. Health is provided by some sort of socialized system which could be co-ops, Single Payer insurance, or an NHS clone. Education is totally laissez faire. Other then that there is no other then that because that economy works fine. With no economic problems, there's very little politics, and no reason for the government itself to do any of the things you're ascribing to it.

      You are pretty much describing East Germany. The East German economy "worked fine" too, in that it provided housing, jobs, transportation, and health care to all citizens. It was also highly unfree, in that someone else told you where to live, what job to take, what housing you got, how much energy you could consume, and when you worked, based nominally on the state's assessment of your value to society and your ability to contribute. Its economy was performing poorly because, absent the usual market mechanisms, economic planners lacked the information to plan output or capital investments, workers and innovators lacked the information on what to work on. The numerous scarce resources (nice houses, rare art, desirable jobs, etc.) were awarded based on political connections and influence. To someone from a few centuries earlier, East Germany would have seemed a liberal, peaceful "post-scarcity" society, but compared to free market economies, it was an impoverished, oppressive shithole.

      Look, we basically agree on the facts: humanity in Star Trek has eliminated money for personal transactions and gives everybody some kind of housing, education, health care, job, and resources for hobbies; particularly ambitious individuals--scientists, explorers, fighters--can join Starfleet and rise to power, fame, and (implicit) wealth within a military-style hierarchy. The difference between us is that you think that's a good outcome, whereas I recognize it for the oppressive and impoverished society that it is, because it really is little different from what the better socialist states were like in the 20th century.

    49. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      So the Federation has secret police, but you can't name them

      No, what I'm saying is that the existence of a secret police is not a necessary feature of an oppressive, unfree state, it is instead a symptom of something completely different, a failing state. (FWIW, one of the secret police forces in Star Trek is Section 31, there are probably others.)

      Again with the moving goalposts. First the Federation is terrible because it has secret police, now it's terrible because it has a different problem (but it still has secret police).

      Incidentally, if it did have Secret Police they'd appear in more then a handful of episodes.

      Which is roughly 1/700th of the universe, and much better odds then any capitalist system.

      We aren't talking about "odds" here, we are talking about the nature of Federation government, and it seems to be a standard, run-of-the-mill government run by humans, the kind that we have millennia of experience and centuries of political theory for. (Furthermore, I dispute the "better odds" claim; historically, almost all socialist governments have failed, and those that haven't are totalitarian.)

      Except, by your definition, most of Europe is governed by Socialists, and the most Socialist countries in Europe (the Northern European ones) are doing fine.

      Capital goods are allocated by something we can't see off-screen which could very well be a market of some sort. Consumer goods are either obsolete (ie: cars) or provided by a replicator. Health is provided by some sort of socialized system which could be co-ops, Single Payer insurance, or an NHS clone. Education is totally laissez faire. Other then that there is no other then that because that economy works fine. With no economic problems, there's very little politics, and no reason for the government itself to do any of the things you're ascribing to it.

      You are pretty much describing East Germany. The East German economy "worked fine" too, in that it provided housing, jobs, transportation, and health care to all citizens. It was also highly unfree, in that someone else told you where to live, what job to take, what housing you got, how much energy you could consume, and when you worked, based nominally on the state's assessment of your value to society and your ability to contribute.

      You have yet to give any examples of someone telling a Federation citizen where to live, what job to take, or what housing to live in except in a military context. In fact canon is pretty clear there's no longer such a thing as a 'job' in the first place.

      Which is quite telling, given your premise has apparently morphed into implying the Federation does that shit.

      Its economy was performing poorly because, absent the usual market mechanisms, economic planners lacked the information to plan output or capital investments, workers and innovators lacked the information on what to work on. The numerous scarce resources (nice houses, rare art, desirable jobs, etc.) were awarded based on political connections and influence. To someone from a few centuries earlier, East Germany would have seemed a liberal, peaceful "post-scarcity" society, but compared to free market economies, it was an impoverished, oppressive shithole.

      Look, we basically agree on the facts: humanity in Star Trek has eliminated money for personal transactions and gives everybody some kind of housing, education, health care, job, and resources for hobbies; particularly ambitious individuals--scientists, explorers, fighters--can join Starfleet and rise to power, fame, and (implicit) wealth within a military-style hierarchy. The difference between us is that you think that's a good outcome, whereas I recognize it for the oppressive and impoverished society that it is, because it really is little different from what the better socialist states were like in the 20th century.

      So there's no poverty, there's so much stuff that any individual human has more consumer goods then they could possibly use, the ambitious can shine in Starfleet; and that's somehow a bad thing?

    50. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      Except, by your definition, most of Europe is governed by Socialists, and the most Socialist countries in Europe (the Northern European ones) are doing fine.

      "By my definition"? We are talking about societies that have abolished money and consumer markets. Have any of the European nations abolished money and consumer markets? No. So, that's not what we are talking about here. Even socialist East Germany, which I gave as an example, wasn't as extreme as Roddenberry's fiction.

      Also, Western European economies are "social market economies" not "socialist"; they have money, private ownership of the means of production, and mostly free exchange of goods and services. Switzerland, Ireland, Estonia, and the UK have more economic freedom than the US.

      Again with the moving goalposts. First the Federation is terrible because it has secret police, now it's terrible because it has a different problem (but it still has secret police).

      I never said the Federation was terrible "because it has a secret police". It was you who started talking about a "secret police" not me.

      You have yet to give any examples of someone telling a Federation citizen where to live, what job to take, or what housing to live in except in a military context.

      That is my point: Roddenberry didn't show that because, like you, he didn't understand the consequences of the economic and social system he postulated. That is, Roddenbery's depiction of human society is absurd; humans and human societies don't function that way and never will.

      So there's no poverty, there's so much stuff that any individual human has more consumer goods then they could possibly use, the ambitious can shine in Starfleet; and that's somehow a bad thing?

      Yes, indeed. And that's why I brought up East Germany: to a medieval peasant, it would have looked like the pinnacle of freedom and wealth, but compared to its contemporary democratic free market societies, it was a poverty stricken totalitarian shithole. When you look at humanity in Star Trek, you are like a medieval peasant looking at East Germany: you erroneously think those people must be wealthy and free.

    51. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      Dude, the Law of Jante is in effect in multiple European countries, and you yourself claimed that it's presence in the Federation alone justifies your characterization of said Federation as a dystopian hellscape.

      As for secret police, you compared the Federation to East Germany. Compalining I brought up secret police when you brought up a country that is known primarily for having the Stasi is a bit rich.

      BTW, have you watched it? At all? Because everyone agrees that the Federation is the richest society in the galaxy. You might be able to make some sort of case that it would be even richer if they weren't egalitarian, but as is your entire argument consists of talking around the point of secret police while refusing to admit it, pretending that you haven;'t insulted several European countries because you think I'll let you get away with it, and a peasent-based-chain-of-logic that only works for people who have never watched a minute of the series.

    52. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      Dude, the Law of Jante is in effect in multiple European countries, and you yourself claimed that it's presence in the Federation alone justifies your characterization of said Federation as a dystopian hellscape.

      Don't put words in my mouth. What I said was You brought up the Law of Jante, and that simply provides additional support for my thesis about the government: an oppressive social structure and culture like that would naturally produce an oppressive government.

      As for secret police, you compared the Federation to East Germany. Compalining I brought up secret police when you brought up a country that is known primarily for having the Stasi is a bit rich.

      What I did was compare you to a medieval peasant visiting East Germany. That is, I'm pointing out that what may seem like liberty and wealth to you may in fact be oppression and poverty in a contemporary context.

      BTW, have you watched it? At all? Because everyone agrees that the Federation is the richest society in the galaxy.

      Yes, and what I'm trying to get across to you is that taking Star Trek as any kind of realistic post-capitalist, post-scarcity, egalitarian scenario is complete folly; real economies and political systems don't work like that. It's like looking at "Cheers" or "Sex and the City" and assuming that that is a depiction of life in the US. What Star Trek is showing you is the lives and adventures of a privileged elite.

    53. Re:This is sacrilege plain and simple by NicBenjamin · · Score: 1

      To quote you quoting yourself: "You brought up the Law of Jante, and that simply provides additional support for my thesis about the government: an oppressive social structure and culture like that would naturally produce an oppressive government." You're quite clear on the oppressive government point in that quote. In those systems the oppression on the fleet's flagship would be most intense, as the politicians fear the military more then a writing school in New Zealand. And yet in 700 episodes you found one that has any actual Federation oppressive.

      And again, have you watched the series? There's actually some pretty significant footage of numerous non-Federation worlds, and none of them are nearly as rich as the Federation proper. The Ferengi have a free market system, and like everyone else they acknowledge the Federation is the richest political unit in the galaxy.

      And you keep calling it unrealistic, without actually supporting that argument. Assuming replicators, transporters, and some sort of national health system the only thing that hasn't been paid for is housing. And in a universe where 40% of the human race has moved to the stars, and the rest isn't obsessed with a suburban McMansion it's not exactly impossible to figure that out.

    54. Re:This is sacrilege plain and simple by ooloorie · · Score: 1

      You're quite clear on the oppressive government point in that quote

      Yes. The point is that you caricatured my position by saying "you yourself claimed that it's presence in the Federation alone justifies your characterization of said Federation as a dystopian hellscape" when, in fact, I said "You brought up the Law of Jante, and that simply provides additional support for my thesis about the government".

      There's actually some pretty significant footage of numerous non-Federation worlds, and none of them are nearly as rich as the Federation proper.

      Yes, kind of like East Germany was the richest and freest country behind the iron curtain, and communist propagandists simply ignored the rest. The fact that in Star Trek, humanity is surrounded by military dictatorships, failed communist states, crony capitalist empires, Borg, and a smattering of omnipotent beings only means that it is slightly less bad than the rest of that crappy galaxy. Nor is that a particularly unusual state: oppressive, statist, poverty-stricken regimes are the default for societies.

      The Ferengi have a free market system,

      No, they don't. The Ferengi are a Marxist caricature of capitalism, with a bit of anti-Semitism thrown in for good measure. In fact, many of the Ferengi storylines show that the Ferengi government has massive power to intervene in markets, and that government officials use it regularly for their own personal benefit.

      And you keep calling it unrealistic, without actually supporting that argument. Assuming replicators, transporters, and some sort of national health system the only thing that hasn't been paid for is housing. And in a universe where 40% of the human race has moved to the stars, and the rest isn't obsessed with a suburban McMansion it's not exactly impossible to figure that out.

      And as I keep pointing out: your problem is not that that description is wrong, your problem is that you think that that amounts to an advanced and wealthy civilization. That's because you look at 24th century society like a medieval peasant would have looked at East Germany. Actually, it's even worse, because you rarely even see ordinary life in the 24th century, mostly you see is the lives of a privileged and powerful human elite.

      In any case, if you want to understand why economic freedom is necessary (though not sufficient) for political and individual freedom, a good place to start is von Mises' "Human Action".

  4. Sulu is George's character by Gojira+Shipi-Taro · · Score: 5, Insightful

    Not Simon Pegg's. George is the person that should define that character, alternate timeline notwithstanding. George IS Sulu.

    Period.

    I understand an applaud the intent behind this move, but honestly it's insulting to imply that George Takei, as a gay man, could not have portrayed a straight man. He's commented. He's shown his appreciation as it happens, and he has said that he does not think that Hikaru Sulu is gay.

    That pretty much settles it for me. If George says it, that's the fact.

    --
    "Oh my God. This is terrible. This is the end of my Presidency. I'm fucked."; ~ Donald J. Trump
    1. Re:Sulu is George's character by Anonymous Coward · · Score: 2, Insightful

      Not Simon Pegg's. George is the person that should define that character, alternate timeline notwithstanding. George IS Sulu.

      Period.

      I understand an applaud the intent behind this move, but honestly it's insulting to imply that George Takei, as a gay man, could not have portrayed a straight man. He's commented. He's shown his appreciation as it happens, and he has said that he does not think that Hikaru Sulu is gay.

      That pretty much settles it for me. If George says it, that's the fact.

      George is NOT Sulu. The creator of Star Trek created Sulu. Just because George played a great Sulu, he does not define the character. Strange how a homosexual character doesn't want his seemingly open homosexual character portrayed as such.

    2. Re:Sulu is George's character by RobRyland · · Score: 1

      It seems every other movie these days has to push gay agenda...

    3. Re:Sulu is George's character by Anonymous Coward · · Score: 1

      Actors in long running series inevitably refine the character from the creator's original vision. It's kind of unavoidable since they are, you know, playing the character.

      At any rate, I think that as the guy who played Sulu all this time, George has some creative input here. After all, he has more experience "being" Sulu than anyone else. I'd listen to what he has to say about this.

    4. Re:Sulu is George's character by fermion · · Score: 1
      It is not much that a character is defined by an actor, but when remaking a series on should make any changes early and use them in the narrative, like making Starbuck a female in BSG. I think if Sulu had always been gay, then it would have been ok. It is that in this future time there would have been some reason for Sulu to remain in the closet that is a problem for many of us. It reeks of dont ask, dont tell. How in the future idealistic world would such a thing be possible, unless you believe that being gay is not part of the ideal world.

      OTOH this is what we expect from JJ Abrams. He is, after all, the person who envisioned a world that could build starships but have no homeworld security or even basic defense drones. I understand we live in peace, but the Enterprise is welled armed, and we are not that far off from a third world war in the scenario. It is pretty silly that a conference room could be shot up or a starship destroy a good part of a city with no defensive measures taken, or that one would have to physically run to catch someone in a world where transporters exist.

      So we just sit back and enjoy the films that lack the traditional cohesiveness of internal logic of the sci fi genre. We accept that some things are going to be introduced with no payback, just because he had a whim that it might be interesting and boost the commercial value. This is fine if you are doing TV, but major movie releases are supposed to be more thought out.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    5. Re:Sulu is George's character by Dogtanian · · Score: 2

      George is NOT Sulu. The creator of Star Trek created Sulu. Just because George played a great Sulu, he does not define the character. Strange how a homosexual character doesn't want his seemingly open homosexual character portrayed as such.

      The point is that Sulu *wasn't* portrayed as homosexual until now; quite the opposite, as Takei says, he was portrayed as heterosexual.

      I'm sure the move to make him gay was well intended, and even originally a tribute to Takei, but that's the problem. My first thought was, "Oh, they're making Sulu gay because Takei happened to be gay". It was just too obvious.

      This falls into the longstanding trap of equating the actor's sexuality with that of the character. No-one assumes that Anthony Hopkins is a flesh-eating serial killer even though he portrayed one on film. Granted, being able to be openly gay at all is an improvement on the Bad Old Days when it would have destroyed someone's career, but it's still artificially limiting to suggest that gay actor => gay character.

      Also, heterosexual characters often don't have a deal made of their sexuality if it's not part of the plot; the same should apply to those that aren't.

      I don't think that Takei has a monopoly on Sulu merely because he originally played him, but he was involved with Roddenberry, and is still strongly associated with the character. The fact is that they originally tried to get him involved- even if it's likely they expected his approval- so one can't complain that Takei doesn't have the right to speak here.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    6. Re:Sulu is George's character by AmiMoJo · · Score: 2

      Not Simon Pegg's. George is the person that should define that character, alternate timeline notwithstanding. George IS Sulu.

      He's not George's character, he was a creation of Roddenberry and the writers on the original series, the animated series and the movies, and yes to some extent the actor who portrayed him.

      it's insulting to imply that George Takei, as a gay man, could not have portrayed a straight man.

      I don't see how that is implied anywhere. This is a different version of the character, who could have been bi for all we know even in the original series. Come on, the reboot has changed so much, like Spock and Uhura having a relationship, and Kirk being... well, I don't know what he is supposed to be.

      And Pegg is right, if they introduced a new character it wouldn't work. I always thought that the best way they could have introduced a gay character on say TNG would have been to just have one of the main characters show an interest in someone of the same gender. There are lots of opportunities - Data literally experimenting with his sexuality, a Trill host dying and changing gender and then having trouble abandoning past relationships like Ezri Dax did...

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    7. Re:Sulu is George's character by fnj · · Score: 1

      I guess I'm going to be the only voice I see commenting here who suggest that it is the director who, within the limits of the actor he is given, controls the character who is portrayed. He interprets the writer's creation, but the vision is the director's.

    8. Re:Sulu is George's character by drinkypoo · · Score: 1

      He's not George's character, he was a creation of Roddenberry and the writers on the original series, the animated series and the movies, and yes to some extent the actor who portrayed him.

      Well for one thing, the likeness of the actor who portrayed him was used for Sulu in the animated series. If he's not Sulu, why did they do that? Let's fucking wait until he dies before we start calling someone else Sulu, OK? Which is just one more of the problems with these piles of shit.

      Come on, the reboot has changed so much, like Spock and Uhura having a relationship,

      Your ignorance would be startling if this were not a conversation about Star Trek. As such, it's merely an annoyance; you have no idea what you're on about, but you're running your face anyway. Ah, you might say if you were more familiar with the material, but the comic books aren't canon. But, I say, they are since 2009 when Roberto Orci used them as the basis for one of the new movies. In fact, that's where the idea for the relationship between Spock and Uhura came from... it's not new at all.

      And Pegg is right, if they introduced a new character it wouldn't work.

      Only true if Pegg can't write his way out of a nutsack. And since there are no new ideas in the new movies, just shitty implementations of old ones, that seems to be true.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    9. Re:Sulu is George's character by thegarbz · · Score: 1

      If George says it, that's the fact.

      George is an actor. No more no less. He isn't Sulu. He merely acted as Sulu. It would be wise to remember this distinction not just here but every time an actor speaks on behalf of someone else.

    10. Re:Sulu is George's character by AmiMoJo · · Score: 1

      When you start accusing others of "startling ignorance" because some slightly obscure bit of text that by dubious inference you consider cannon bolsters your argument, you sound like a religious zealot.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    11. Re:Sulu is George's character by drinkypoo · · Score: 1

      Your ignorance would be startling if this were not a conversation about Star Trek.

      When you start accusing others of "startling ignorance"

      Try again, son.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    12. Re:Sulu is George's character by arth1 · · Score: 1

      My first thought was, "Oh, they're making Sulu gay because Takei happened to be gay". It was just too obvious.

      I am sure that was most people's thoughts.
      And I fully understand Takei's objections. It directly diminishes his acting career and other gays, by underhandedly suggesting that because he's gay, he's not a good enough actor to play straight characters convincingly.

      There's also the completely non-trekkian idea of Sulu "coming out of the closet". Because Sulu existed before the split, and he was to all accounts straight before the split, it implies he came out of the closet at some point. However, in the egalitarian world Star Trek, there would be no need to be in the closet in the first place.
      While the reboot has a lot of freedom because of the split universe scenario, they need to treat what happened before the split as canon. The cardinal rule of fiction is that it has to work within the limits you have set up. Suspension of disbelief require a set of rules and framework, and once set, they are inviolate. Otherwise, the audience will slip into disbelief.

      I'm fully with George Takei on this one. Sulu was straight (with a wife, a daughter, a lover, and he even created a magic female companion for himself in one of the animated shows). And George Takei is gay, but an actor who is more than good enough to convincingly play a straight character.

    13. Re:Sulu is George's character by dgatwood · · Score: 1

      And I fully understand Takei's objections. It directly diminishes his acting career and other gays, by underhandedly suggesting that because he's gay, he's not a good enough actor to play straight characters convincingly.

      How does it suggest that? Mr. Takei played the straight Sulu, so clearly he was good enough to do so. And a straight guy is playing the gay Sulu.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    14. Re:Sulu is George's character by arth1 · · Score: 1

      How does it suggest that? Mr. Takei played the straight Sulu, so clearly he was good enough to do so.

      By redefining Sulu as a closet gay in TOS before the split, they're saying that gay Takei played a gay character.

      And look around you on various message boards, at the number of people who now suddenly claim that Sulu seemed gay. Obviously people see a link between a gay Takei and a gay Sulu, which is what's utter bullshit and demeaning to an excellent actor who played a straight Sulu.

      And a straight guy is playing the gay Sulu.

      You're making my point for me here. The bad lesson is that straights can play gay people, but gay people are only fit to play gays, contaminating the role with their gayness.

  5. It *is* tokenism that they chose Sulu! by Anonymous Coward · · Score: 5, Insightful

    Disingenuous of Mr. Pegg to claim they're avoiding 'tokenism' here. Since most of the world knows George Takei is gay, this was the most cowardly option Hollywood could take if they 'had to' introduce a gay character. They want to hide behind the real actor's sexuality in justifying the character's new spin.

    If they *really* wanted to avoid tokenism they could have chosen Scotty or Spock or Uhura or ... anyone else.

    1. Re:It *is* tokenism that they chose Sulu! by Anonymous Coward · · Score: 5, Funny

      Or Captain Kirk. And Mr Spock. Together at last...

    2. Re:It *is* tokenism that they chose Sulu! by Gavagai80 · · Score: 1

      Although, the actor actually portraying gay Sulu isn't gay so it's a bit odd to hide behind the non-gay actor while saying that the original universe Sulu portrayed by the gay actor is still straight.

      They should've given Scotty an interspecies gay relationship with that scaly creature he seemed to have a domestic relationship with in the first reboot film. Or, just make Kirk bisexual so he can flirt with everyone on the screen.

      --
      This space intentionally left blank
    3. Re:It *is* tokenism that they chose Sulu! by ravenshrike · · Score: 1

      If they were going to do hat they should have just cut a deal with the BBC to bring in Cpt. Jack Harkness. Course, that would interfere with Kirk's own tail chasing exploits.

    4. Re:It *is* tokenism that they chose Sulu! by Anonymous Coward · · Score: 1

      No, no... Bones and Spock!

      captcha: repress

    5. Re:It *is* tokenism that they chose Sulu! by CODiNE · · Score: 1

      This reminds me of how they will randomly take anyone other than the main character and change them into a __________. Of course the real message is that a _______ doesn't belong in the main characters role.

      --
      Cwm, fjord-bank glyphs vext quiz
    6. Re:It *is* tokenism that they chose Sulu! by Anonymous Coward · · Score: 1

      Kirk spit roast.

    7. Re:It *is* tokenism that they chose Sulu! by Anonymous Coward · · Score: 1

      Or Dr. "Bones" McCoy

    8. Re:It *is* tokenism that they chose Sulu! by Boronx · · Score: 1

      They'd pick up a whole new set of Yaoi fan fan girls.

    9. Re:It *is* tokenism that they chose Sulu! by Tablizer · · Score: 1

      Captain Kirk. And Mr Spock. Together

      Spock, show ... me ... your ...... photon torpedo!

    10. Re:It *is* tokenism that they chose Sulu! by WallyL · · Score: 1

      Wasn't this the original shipping in fanfic?

  6. Pegg has it backwards by Anonymous Coward · · Score: 2, Insightful

    Introducing a new gay character just means there's a character who, among other traits, happens to be gay. Changing a character to make him gay means every single thing that character does or says will be defined by the fact that he's gay, and every other trait will be irrelevant.

    1. Re:Pegg has it backwards by NicknameUnavailable · · Score: 2

      Introducing a new gay character just means there's a character who, among other traits, happens to be gay.

      Not true. He acknowledges either consciously or subconsciously that he is just making a shitty movie without a likable plot or narrative of any kind because he inherited the Star Trek franchise and can capitalize on it - with that in mind it is known he cannot make a gay character who has any trait other than being gay because he is just a political activist without any other skillset, not even the writing aptitude a kindergartner might use to advance the story of the Star Trek universe.

  7. Simon Pegg is being a bitch by drinkypoo · · Score: 4, Insightful

    Simon Pegg, who has co-written the latest Star Trek movie, as well as starring as Scotty, has responded to criticism by the actor George Takei at the film-makers' decision to make the character he used to play openly gay. "He's right, it is unfortunate, it's unfortunate that the screen version of the most inclusive, tolerant universe in science fiction hasn't featured an LGBT character until now. We could have introduced a new gay character, but he or she would have been primarily defined by their sexuality, seen as the 'gay character,' rather than simply for who they are, and isn't that tokenism?"

    We could have introduced a new gay character, but instead we'll tell George Takei whether his character was gay or not, because we ought to know.

    Guess we can call that straightsplaining

    --
    "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    1. Re:Simon Pegg is being a bitch by Anonymous Coward · · Score: 3, Insightful

      Nobody's telling George Takei that his character is gay. They're telling him that John Cho's character is gay. Neither of these people have to be wrong.

    2. Re:Simon Pegg is being a bitch by drinkypoo · · Score: 1

      Nobody's telling George Takei that his character is gay. They're telling him that John Cho's character is gay. Neither of these people have to be wrong.

      Let George fucking die before we tell him that Sulu isn't his character. Whiskey Tango.

      How about we all just ignore the movies until they go back to the old storyline and causality? That would be the best thing. When Jar-Jar and Fuzzy Boy are no longer involved, we can care again.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    3. Re:Simon Pegg is being a bitch by Anonymous Coward · · Score: 1

      Let George fucking die before we tell him that Sulu isn't his character. Whiskey Tango.

      Why? George Takei is a big boy and he can handle seeing things he doesn't like in a movie. Better than you can, certainly.

      Besides, you're missing my point: John Cho Sulu is not George Takei Sulu. They can be different from each other. They can even be different from each other in ways that their respective actors don't necessarily like. And that is perfectly all right.

      Should Christopher Nolan have made sure Adam West was okay with Batman being so grumpy before making The Dark Knight? Should we go back to making James Bond a borderline rapist because Sean Connery's still alive? If someone does a new BSG and would like Starbuck to be a man this time, who gets veto power over that: Katee Sackhoff or Dirk Benedict? Should J.K. Rowling have checked with the family of Richard Harris before deciding that Dumbledore was gay?

    4. Re:Simon Pegg is being a bitch by R3d+M3rcury · · Score: 1

      Yeah, I gotta admit, that struck me as odd.

      What made me chuckle is that, from the first film, what created this alternate timeline was the Romulan ship that came back in time. So how does that make Sulu gay versus straight in the original timeline. Or did we start in an alternate alternate timeline?

      And of course, what'll happen to Demora Sulu?

  8. Tokenism? by Anonymous Coward · · Score: 1

    It's tokenism either way.

  9. Next plot twist? by Anonymous Coward · · Score: 1

    What's next?

    Uhura wearing a hijab when she goes back to her quarters to be with her wife?

  10. Gay crew members scrapped in TNG... by SeattleLawGuy · · Score: 1

    IRC, there was an episode planned for TNG that included a gay crew member or crew member couple, but it was scrapped by the studio. Does somebody remember the details offhand?

    TOS pushed back against racism and bigotry in a big way. TNG was still an excellent show, and those principles still underlie Trek, but it did not do that in the same way.

    --
    Real lawyers write in C++
    1. Re:Gay crew members scrapped in TNG... by Gojira+Shipi-Taro · · Score: 2

      The entire concept of the Trill was intended to bring that into attention. A race where the "intellect" could inhabit either sex. They even, in the first story in which the Trill appeared, introduced the conflict in which Doctor Crusher had fallen in love with a Trill intellect when it was expressed in a body with one sex, but could not reconcile when it was in a body of the opposite sex. A perfectly reasonable response by a human being who has their own sexuality in full grip, but it did pose an interesting question for the viewer.

      I don't think that's precisely what you're referring to, however.

      --
      "Oh my God. This is terrible. This is the end of my Presidency. I'm fucked."; ~ Donald J. Trump
    2. Re: Gay crew members scrapped in TNG... by Anonymous Coward · · Score: 1, Informative

      TNG did address LGBT issues in the fifth season episode called "The Outcast" as well as by introducing the Trill in "The Host."

      Star Trek was at its best when it addressed social issues but wasn't so overt about it. For example, the TOS episode "Balance of Terror" showed some strong racism from Crewman Stiles toward Spock. But it wasn't so overt as to ruin an amazing story. On the other hand, "Let That Be Your Last Battlefield" was far more overt and was a pretty mediocre episode even by third season standards. The beginning of "The Mark Of Gideon" is interesting and creepy when Kirk is mysteriously trapped on a replica of the Enterprise by himself. But it turns into a very overt commentary on contraception as Kirk strongly criticizes Gideon's leaders, whose beliefs about the sacredness of life are essentially identical to Christian teaching.

      TNG also dealt with racism pretty well at times. The third season episode "The Enemy" shows Worf's hatred of the Romulans while Geordi is forced to work with another Romulan in order to survive while stranded on a planet. There's some pretty strong racism, but it's part of a story instead of just being the story. The message is very clear, but it's not so overt as to ruin a pretty damn good story.

    3. Re:Gay crew members scrapped in TNG... by synaptic · · Score: 1

      There were the genderless J'naii in The Outcast (ST:TNG 05x17) who Riker pressured into sexual relations.

      Captain Janeway in Voyager was widely believed to be a lesbian, despite her marriage.

      Tasha Yar on TNG always talked about the rape gangs but held a position as chief security officer and was widely believed to be a lesbian or at least bi-sexual (and willing to get it on with fully-functional androids).

      In ST:TNG 01x14 "Angel One", the Enterprise sends an away team to a female dominated planet. They take great pleasure in feminizing and dominating Riker and all of the men in that society are made to be feminine (by Earth standards).

    4. Re:Gay crew members scrapped in TNG... by SuricouRaven · · Score: 1

      I don't recall Janeway ever showing any interest in sex at all, unless you count 'the amphibian incident.' The one that no crew member ever dared speak of afterwards.

    5. Re:Gay crew members scrapped in TNG... by AK+Marc · · Score: 1

      Any strong female strong character is always lesbian. It's required by the patriarchy.

    6. Re:Gay crew members scrapped in TNG... by wonkey_monkey · · Score: 1

      There were the genderless J'naii in The Outcast (ST:TNG 05x17) who Riker pressured into sexual relations.

      Riker didn't pressure anyone. He fell in love with one of them who was gendered, and thus considered something of an abomination by her society.

      Fun fact: Johnathan Frakes was apparently in favour of having his love interest played by a (androgenous, to fit the species look) guy. Didn't happen though.

      --
      systemd is Roko's Basilisk.
    7. Re: Gay crew members scrapped in TNG... by Coren22 · · Score: 1

      There is also Cmdr Tucker, the engineer on Enterprise, getting pregnant by a outwardly female alien. That was a pretty funny episode...

      https://en.wikipedia.org/wiki/...

      --
      APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
  11. Oh, sure by 93+Escort+Wagon · · Score: 4, Insightful

    Christopher Pike able to talk and laugh... no problem. Vulcan destroyed... no problem. Spock and Uhura making out in the turbo lift... No problem. But make Sulu gay? THIS SHALL NOT STAND!

    --
    #DeleteChrome
    1. Re:Oh, sure by Anonymous Coward · · Score: 1

      It is a symptom of the problem. George is right. It misses what the narrative of the character is. It is base pandering that makes them look silly instead of helping the storyline out. Stick true to the story and you will have a good movie. Pander to target audiences and surveys only and you will get bland junk.

      George is so good at being an actor I had no idea he was gay until a couple of years ago. He might know a thing or two about the craft.

      Pandering to your audience is how you get disasters like snakes on a plane.

      I understand the reboot reasons for ST. But to toss out everything means it is no longer star trek but something sorta like it. It may be decent or terrible. But star trek it is not.

      The damage control that the latest ST movie is in is off the hook. They know they have a possible turd on their hands. Simon is trying to rescue it. My bet is he put big bucks into it. He can be a very good writer. He should know better. Stay true to the story.

      This does not strike me as something 'fun' they added in. But a corporate bolt on to try to hit a target market.

    2. Re:Oh, sure by Imrik · · Score: 1

      The difference is that Sulu is being retconned to be gay before the timeline is changed.

    3. Re:Oh, sure by Kjella · · Score: 1

      Yeah... not to mention Star Trek was pushing the 60s standard pretty hard by having a black woman as a bridge officer and kissing the captain at one point. If you want to touch some social stigmas and not just be a Fast & Furious clone wouldn't this be right up Gene's alley? I mean sure the fans go ballistic over canon when Spock and Uhura make out, but what most people see are just one person with pointy ears kissing another without pointy ears. It's not like an interracial kiss is a big deal anymore. Hang-ups about gays are alive and well though.

      --
      Live today, because you never know what tomorrow brings
    4. Re:Oh, sure by drinkypoo · · Score: 1

      All of that except the Spock and Uhura thing (most fans have read the comic book and the comics are canon in the new films) is garbage, and people complained about it as well.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    5. Re:Oh, sure by Zontar+The+Mindless · · Score: 1

      Kindly speak for yourself. I'm a lifelong fan of the series, starting from the original run of TOS, and the comics mean nothing to me.

      --
      Il n'y a pas de Planet B.
    6. Re:Oh, sure by JBMcB · · Score: 2

      Christopher Pike able to talk and laugh... no problem.

      As the timeline has been altered, the circumstances leading to his alternate-timeline incapacitation have changed.

       

      Vulcan destroyed... no problem.

      As the timeline has been altered, circumstances have led to the destruction of Vulcan.

      Spock and Uhura making out in the turbo lift... No problem.

      As the timeline has been altered, the circumstances leading Spock to be more strictly logical have been altered, and he secretly leans more towards his human, emotional side.

      But make Sulu gay? THIS SHALL NOT STAND!

      So, *circumstances* lead someone to be gay? It's not an inherent trait? See how that can be an issue?

      --
      My Other Computer Is A Data General Nova III.
    7. Re:Oh, sure by drinkypoo · · Score: 1

      Kindly speak for yourself. I'm a lifelong fan of the series, starting from the original run of TOS, and the comics mean nothing to me.

      Unless you are every fan, I was not speaking for you. Thank you, please drive through. You are #2 today, BTW. Work on that reading comprehension.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    8. Re:Oh, sure by 93+Escort+Wagon · · Score: 1

      Whoa, easy there comic book guy. You're wasting your life on fantasy shit.

      Maybe he just saw a French cruise missile heading straight for him.

      --
      #DeleteChrome
    9. Re:Oh, sure by Boronx · · Score: 1

      Heaven forbid.

  12. tokenism mr pegg? by Idimmu+Xul · · Score: 2

    making sulu gay is a key plot device then and not to force an agenda?

    --
    The problem with slashdot is that most of its users were bullied and stuffed into lockers as kids!
    1. Re:tokenism mr pegg? by Gavagai80 · · Score: 1

      It's not really about agendas. It's about audience identification with characters. The more demographics they can make feel included, the more money they can make. Personally I really couldn't care less.

      --
      This space intentionally left blank
    2. Re:tokenism mr pegg? by serviscope_minor · · Score: 1

      making sulu gay is a key plot device then and not to force an agenda?

      Yep in the same way that making everyone else straight is a key plot device.

      --
      SJW n. One who posts facts.
    3. Re:tokenism mr pegg? by pbhj · · Score: 1

      In what way is everyone else straight (I assume you mean actively heterosexual as opposed to just "plain"). Kirk I remember seeing in sexual situations, Troy and Ryker, Whorf in heat ... surely it's just your prejudice, or did they mention in the films/shows that "all the crew are heterosexual"? There are lots of kids in the shows, presumably they're pre-sexual.

      If a character's sexual activity isn't mentioned why do you assume they're in an active heterosexual relationship as opposed to being chaste or pansexual or a xenophile or whatever?

    4. Re:tokenism mr pegg? by serviscope_minor · · Score: 1

      In what way is everyone else straight (I assume you mean actively heterosexual as opposed to just "plain"). Kirk I remember seeing in sexual situations, Troy and Ryker, Whorf in heat ... surely it's just your prejudice, or did they mention in the films/shows that "all the crew are heterosexual"?

      Surely you remember Data and Yar? Come on that episode was unforgettably awful! And don't forget the one where Picard finally gets it on etc.

      But back to my point. There were a number of relationships scattered thoughout the series, quite a lot when you total them up and every single last one was heterosexual. At that point it becomes a bias.

      --
      SJW n. One who posts facts.
    5. Re:tokenism mr pegg? by Coren22 · · Score: 1

      Personally I really couldn't care less.

      I could :P

      --
      APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
  13. Marketing kayfabe... by MetricT · · Score: 5, Insightful

    I suspect this is just manufactured controversy to generate a bit of buzz for Star Trek Beyond in 2 weeks.

    1. Re:Marketing kayfabe... by thegarbz · · Score: 1

      Never put the industry above the ability to actually take these petty little things seriously.

  14. Re:SJW HEAD ASPLODE! by Z80a · · Score: 1

    If they can survive the mere existence of milo, they can handle that.

  15. Maybe in the 23rd century by MrKaos · · Score: 1

    It's considered to be within the spectrum of normal human behaviour so that it doesn't even warrant attention. Perhaps 21st century ideas of "equality" are considered regressive in the 23th century, kind of like the 19th century pushing it's values onto us today?

    --
    My ism, it's full of beliefs.
  16. If they *really* want to reboot things... by fahrbot-bot · · Score: 5, Insightful

    Have Kirk be gay - all his womanizing just a symptom of self-denial. I'm sure Chris Pine would love that...

    --
    It must have been something you assimilated. . . .
    1. Re:If they *really* want to reboot things... by umafuckit · · Score: 4, Interesting

      Why stop at Kirk? Have all of them be gay. If the plot is good it doesn't matter.If the plot is good.

    2. Re:If they *really* want to reboot things... by serviscope_minor · · Score: 1

      Why stop at Kirk? Have all of them be gay. If the plot is good it doesn't matter.If the plot is good.

      The trouble with that it it would then be a derived work of about 99.7% of star trek fanfic and so the licensing situation would be unclear.

      --
      SJW n. One who posts facts.
    3. Re:If they *really* want to reboot things... by drinkypoo · · Score: 1

      Have Kirk be gay - all his womanizing just a symptom of self-denial. I'm sure Chris Pine would love that...

      This is similar to a thought I had as an exposition of a comment I wrote above someplace where I suggested that in order for a gay Sulu to make sense, we have to witness his realization. And let's face it, it only really makes sense for him to have this epiphany in the arms of Kirk, the stereotypical masculine figure (and... what you said.)

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  17. Tokenism by Anonymous Coward · · Score: 2, Interesting

    The tokenism argument doesn't make any sense to me. Let's look at TOS. Uhura wasn't in either of the pilot episodes. Was Uhura a token black character? Chekov wasn't introduced until season 2, and Russians certainly weren't viewed favorably in the West at that time. Was Chekov a token Russian? For that matter, was Sulu a token Asian? There certainly is latitude to introduce new characters in movies, such as was done very successfully with Saavik. Independent of whether Takei is right or wrong, the comment about tokenism makes no sense.

    1. Re:Tokenism by synaptic · · Score: 1

      Good argument, you're right.

    2. Re:Tokenism by ihtoit · · Score: 1

      Dr. Richard Daystrom (William Marshall), owner of the Daystrom Institute, inventor of the duotronic circuit and the M-5 Multitronic Unit ("The Ultimate Computer"). I daresay a MAJOR character, even though he only appeared in that one episode, though he did get a LOT of mentions elsewhere, particularly DS9 and Voyager, maybe once or twice in TNG as well.

      Black as the Ace of Spades.

      http://vignette3.wikia.nocooki...

      I think Riley was the only Irish crewmember.
      Spock was, by one count (it might have been one of the books), the only Vulcan in Starfleet. For that matter, certainly the only Vulcan hybrid in Starfleet.

      Jumping the thread a bit: AC at #52476455: there were no space hippies in Space Seed, I think you're referring to "The Way To Eden", which was all about space hippies. https://en.wikipedia.org/wiki/...

      The episode which struck me, as a fan, as being pretty much the most controversial in TNG was "Up The Long Ladder", which wasn't even aired in the UK the first run round (1989). In fact, it wasn't aired until well after the DVD release.

      --
      Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
    3. Re:Tokenism by wonkey_monkey · · Score: 1

      The episode which struck me, as a fan, as being pretty much the most controversial in TNG was "Up The Long Ladder", which wasn't even aired in the UK the first run round (1989).

      You're thinking of The High Ground.

      Up The Long Ladder was a fairly light-hearted episode. There were some fairly unsubtle "Oirish" stereotypes in it, though.

      --
      systemd is Roko's Basilisk.
    4. Re:Tokenism by ihtoit · · Score: 1

      that one. I knew it was one of the Irish episodes. Written by the same person, too, if I recall.

      --
      Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
    5. Re:Tokenism by wonkey_monkey · · Score: 1

      I can't for the life of me think why I remember the episode so well.

      --
      systemd is Roko's Basilisk.
    6. Re:Tokenism by AK+Marc · · Score: 1

      Spock was the first Vulcan in Starfleet. T'Pol was a vulcan in Starfleet, and pre-dated Spock. Both are Canon. Canon is conflicting. Why is that so hard to understand?

  18. Fast and the Furious in Space by TooManyNames · · Score: 3, Interesting

    No amount of LGBT tie-ins can keep the spotlight from shining on what this movie appears to be: a Fast and the Furious knock-off. Who cares if Sulu is gay or not? The movie looks like shit that is completely out of touch with the Star Trek franchise, and there's no way I'm attending the theatrical release.

    --
    "Is not a sentence" is not a sentence. Well damn.
  19. Ya know... by RightwingNutjob · · Score: 4, Insightful

    this really does feel forced and pointless. Not the fact that they're making Sulu gay this go-around. The fact that they're playing it up as some sort of accomplishment. Battlestar Galactica and Caprica were probably the best example of how to do it right: characters (without background baggage) had their genders and sexual orientations set every which way with ABSOLUTELY NO COMMENTARY ABOUT IT, in universe or out. If the message is supposed to be "you are expected to love your brother human beings, no matter their stripes," that's what does it. Changing an established character's sexual orientation just because you can just doesn't do that.

    1. Re:Ya know... by mark-t · · Score: 1

      this really does feel forced and pointless.

      My thoughts exactly. "forced" was the exact word I was thinking of.

      This is an established character and this proposed aspect of Sulu seems to have just come out of left field, from nowhere.

      Frankly,. it feels to me like the only reason to suddenly write Sulu as gay is because the actor who used to play that character happens to be gay., and I don't think that's a good way to write for a character when it's being played by someone new. Honestly, it comes across like they are actually just wanting the new actor to portray the actor who used to play Sulu more than they want the actor to just play Sulu.

    2. Re:Ya know... by MalleusEBHC · · Score: 2

      [SPOILERS FOR BSG]

      I haven't seen Caprica, but BSG is not a good example of how to portray queer characters.

      • Cain and her Six: A sadly perfect example of the "bury your gays" trope. They even took it one step further because both of them were *already dead* when you found out they were queer. That ruins any credit they would have earned for showing the Pegasus crew being accepting of their relationship. Also, you find out in Razor, and that wasn't even technically part of the series.
      • Cain's Six And Baltar: After Razor, you have to retroactively consider that Cain's Six was bi. Or just PTSD'd to all hell from repeated gang rapes, enough to sleep for Baltar for... solace? And, of course, she dies immediately afterwards.
      • Baltar, Caprica Six, and D'Anna: This is overwhelmingly portrayed as the heterosexual male fantasy of doing two chicks at the same time. There's a token line from D'Anna about loving them both, but it's mostly portrayed as a love triangle of two women fighting over Baltar.
      • Gaeta and Hoshi: If you're thinking, "Huh, Gaeta and Hoshi are gay?", that's exactly the point. The only indication of either of them being queer is a webisode that takes place during season 4. It isn't touched on either before or after the webisode in the main series. Admittedly, they do a good job of showing their relationship (and Gaeta's bisexuality) as no big deal.

      To recap, that's two dead lesbians, a few poorly portrayed examples of bisexual women, and the only queer men confined to a webisode that barely anyone has seen. Contrast this with how BSG subverts tropes and portrays strong women. From the moment Chief casually addresses Boomer as "Sir" in the miniseries, you know something is different. Women can be the President of the Colonies, Admiral of the fleet, or the most badass Viper jock around. That's what makes it so disappointing that BSG couldn't find the time to display a single healthy queer character or relationship in the televised series.

  20. Harold! by synaptic · · Score: 5, Funny

    I bet Kumar is laughing his ass off that Harold has to suck a dick.

  21. Just make all the characters gay by Billy+the+Mountain · · Score: 1

    ...Ohhh, didn't anyone tell you? If you use the transporter more than three times you become gay.

    --
    That was the turning point of my life--I went from negative zero to positive zero.
  22. Given just a little more research... by hyades1 · · Score: 1

    We're talking about a couple of centuries in the future, right? Surely by then, it would be possible for a person to change their sexual orientation the way we change a shirt. So Sulu starts off gay, decides he doesn't like it, and takes some trivially easy treatment to become heterosexual.

    Who knows, maybe he had to hide his new un-gayness from judgmental friends. Either way, he'd be in serious tribble.

    --
    I've calculated my velocity with such exquisite precision that I have no idea where I am.
  23. WTF - Star Trek Fans can't accept alternate univ? by drnb · · Score: 1

    Stick true to the story ...

    What true story? Its an alternate universe. If any fan base could be assumed to accept and understand that in parallel universes things can be a "little" different you would think it would be the Star Trek fan base.

    Make all the comments you want about political correctness, pandering, etc ... but don't be so foolish to talk about Star Trek "canon orthodoxy". This sort of "difference" is entirely within "canon".

  24. Writers decide who a character is by drnb · · Score: 1

    You are confusing actors with writers. Writers decide who a character is and what they are about. Actors implement the writer's vision, actors communicate that vision through their performance.

    1. Re:Writers decide who a character is by Dogtanian · · Score: 1

      You are confusing actors with writers. Writers decide who a character is and what they are about. Actors implement the writer's vision, actors communicate that vision through their performance.

      It's true that actors don't "own" the character and often get too much credit for work on the part of the writers.

      Still, your vision and understanding of actors as being mere conduits for the writer's work suggests an overly literal view of this sort of thing as an engineering-style process, rather than one with the blurred lines which often exist in reality.

      Blurred lines such as the actor feeding back aspects of his performance and opinion to the writers and directors (#), longstanding actors' portrayal forming how the character develops, and so on.

      (#) Famous geek example; Rutger Hauer's "Time to die" speech in Blade Runner.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    2. Re:Writers decide who a character is by Zontar+The+Mindless · · Score: 1

      And yet everyone knows that Sean Connery *is* James Bond. Roger, Timothy, Pierce, and Daniel all did a fine job, and each contributed IMO a valid interpretation, but Sean set the standard by which they were all judged.

      --
      Il n'y a pas de Planet B.
    3. Re:Writers decide who a character is by AK+Marc · · Score: 1

      In many cases, the actor writes as much of a character as the writers do. Especially with actors like Jim Carey, the lines are often base guidelines, and the words and wording is invented by the actor. The direction also shapes characters, as much or more than the actors. As a director, I can take a script, after written, and direct the scene to a comedy or drama. It might not be good in both (or either), but passable as either.

      You are speaking as someone who understands the jobs by description, but hasn't worked in any of them to understand how they work and interoperate. A troublesome thing when answering on a geek site where plenty of know-it-alls are around. At least one of whom have worked professionally in any industry you could think of.

    4. Re:Writers decide who a character is by fnj · · Score: 1

      Writers decide who a character is and what they are about. Actors implement the writer's vision

      Theoretically. Not really. Not even close to always. Gary Cooper defined Howard Roarke in Atlas Shrugged and Will Kane in High Noon. Jimmy Stewart was pretty much the same character in every one of his westerns. Arnold Schwarzenegger. Spencer Tracy. Jack Nicholson. Robert De Niro. Morgan Freeman. Sidney Poitier. Clint Eastwood. Humphrey Bogart. Gregory Peck. Clark Gable. James Cagney. You felt right at home and familiar with any of their characters from the instant he appeared on screen. Sure, I cherry picked the list, but they are all fine actors.

      There are SOME actors who disappear transparently into the role and can play any part to perfection. Anthony Hopkins. Sean Penn. Ben Kingsley. Johnny Depp. Russell Crowe. Philip Seymour Hoffman.

      The greater number of actors are between these two groups. It is the director who either gets them to adhere to the vision, or fails to do so.

    5. Re:Writers decide who a character is by Psion · · Score: 1

      Really? In the Star Trek episode, "The Enemy Within", the writers wanted Spock to sneak up behind the evil Kirk and knock him out with a punch. Nimoy, the actor who played Spock, thought this was too violent for such a thoughtful character, and he and Shatner worked out an alternate idea that they then demonstrated to Gene Roddenberry. This was the creation of the famous "Vulcan Neck Pinch." In a later episode, there was a need for a Vulcan greeting. Once again, Nimoy came up with the solution, calling upon his own experiences in a synagogue when he was a kid. The actors bring a lot more to their characters than just playing their parts.

    6. Re:Writers decide who a character is by Attila+Dimedici · · Score: 1

      You have clearly NEVER acted in any performance worth the merit of being called acting. There are three people who determine the nature of the character, in order of significance: Director, Actor, Writer. The first two will switch depending on how good the Director and/or the Actor are. If the Director and the Actor are both very good they will become co-equal in creating the actual character. If, by some chance, the Writer is the most significant in creating the character, the character will be two-dimensional and wooden.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    7. Re:Writers decide who a character is by ph0rk · · Score: 1

      And yet Tom Baker is *the* Doctor, and Heath Ledger is *the* Joker. I agree that actors can sometimes give us a definitive performance, but they are not always the first actor in the role.

      --
      semantics are everything!
    8. Re:Writers decide who a character is by Zontar+The+Mindless · · Score: 1

      The omission was not an accident.

      --
      Il n'y a pas de Planet B.
    9. Re:Writers decide who a character is by drnb · · Score: 1

      You confuse adding nuance and bringing the vision to life with who creates the vision. In this particular example the directors and writers were established, the actor an unknown. The actor gave us the face we recognize. The directors and writers gave us **who** Sulu was in the original series.

    10. Re:Writers decide who a character is by drnb · · Score: 1

      Character defining actor improvisation is the exception not the rule. And bringing the vision to life is something a talented actor can do, and that includes minor improvisations, but the overall vision of the character is not actor defined except in the rarest of flukes.

    11. Re:Writers decide who a character is by drnb · · Score: 1

      And yet everyone knows that Sean Connery *is* James Bond. Roger, Timothy, Pierce, and Daniel all did a fine job, and each contributed IMO a valid interpretation, but Sean set the standard by which they were all judged.

      Being first has its benefits. And being "known" has a lot to do with a recognizable face. Compare the fight scenes in a Connery vs a Moore film. I grew up when Moore was in the box office and he was the more familiar face of Bond until I got a little older and saw the Connery films. It was the writing and directing that were day and night. Some fight that Connery had in a train car with a Russian agent was visually a highly improvised and more realistic brawl. It made the character far more real, and so the face of Connery replaced Moore in my mind as the "real" Bond.

      Connery is a great actor but if he was given the crap Moore was given he would be forgotten too. Need I mention the Highlander sequels?

    12. Re:Writers decide who a character is by drnb · · Score: 1

      Once you are a highly successful actor like Carey and can step into producer and other roles beyond actor (i.e. start putting your money into the project) yes you can have more influence. But that is the exception not the rule. The original Star Trek had some exceptional writers and Takei was an unknown and unproven actor. Sulu was not his vision, he did not decide who Sulu "was", he brought the character to life, maybe there was some minor suggestions or improvisations. But that rarely "defines" a character, it brings him to life, makes him more believable.

    13. Re:Writers decide who a character is by drnb · · Score: 1

      I would argue that in most of those Westerns there were only a handful of hero archetypes. And with the studio system of the day they knew well in advance which actor would be assigned to a role so writers often wrote the character to the assigned actor's strengths. In some cases you are describing actors who got type cast to a certain type of role.

      As far as playing a part to perfection, of course, actors bring the character to life. But it is the writers and directors who decided on the dialogue, the actions, the responses ... rarely is anything highly meaningful an actor improvisation. And for an unknown and unproven actor like Takei in the original series, a series that had many highly acclaimed sci fi writers, the actor would have little influence on "who" the character is. Defining and bring a character to life are two very different things.

    14. Re:Writers decide who a character is by drnb · · Score: 1

      Shatner and Nimoy were slightly more established than Takei at the time. And as you describe they brought it to the executive producer who actually made the call, the decision. You don't get to hear about the hundreds of other actor suggestions that get rejected by producers and writer. Sure actor's contribute to "who" a character is at times but their contributions are minor overall, they mostly bring the character to life for the audience. The neck pinch an exception not the rule.

    15. Re:Writers decide who a character is by Attila+Dimedici · · Score: 1

      No, I don't mistake "adding nuance and bringing the vision to life" for who creates the vision. Authors who write novels create characters. Playwrights and screenwriters give us lines and actions, the character is created primarily as a collaboration between the director and the actor. I have acted in many plays with good directors and bad directors. My opinion about the role which the director plays in shaping the character comes primarily from my experience becoming the character. On the other hand, my opinion about the role which the actor plays in shaping the character comes from watching OTHER actors figure out over the course of rehearsals why their character would deliver the lines he delivers. In particular, this came about in a performance where the writer described the characters he created, which bore no resemblance to the characters in the performance. The other thing which influences that is the plays I have been in where one of the actors changed.

      I will repeat, while I have experienced creating the character as an actor, I am well aware that my perception of what was going on in those cases could be distorted. However, I have witnessed two different people play the same role with the same script and director as completely different characters. Now in those cases, the director knew the personality of the replacement actor and worked with them from day one to shape their character to fit into the performance with the other characters in the performance.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    16. Re:Writers decide who a character is by drnb · · Score: 1

      On the other hand, my opinion about the role which the actor plays in shaping the character comes from watching OTHER actors figure out over the course of rehearsals why their character would deliver the lines he delivers.

      But they are the director's/writer's lines, the lines define "who" the character is. The actor is trying to figure out "why" so they can better perform and better bring the character to life for the audience. To appear to be the character rather than some person repeating lines written by someone else. Rarely does the actor's internal "why" finds its way back into the script.

      In particular, this came about in a performance where the writer described the characters he created, which bore no resemblance to the characters in the performance. The other thing which influences that is the plays I have been in where one of the actors changed.

      So the writer has a vision that goes beyond the line, the writer is deciding "who" the character is.

      Good performance or bad, good internal "why's" or not, it is Shakespeare that defines who Julius Ceasar "is" not the actor. The actor's brilliance is in the communication of the vision, not so much in the creation of the vision.

    17. Re:Writers decide who a character is by colinrichardday · · Score: 1

      Heath Ledger is *the* Joker.

      You misspelled "Cesar Romero".

    18. Re:Writers decide who a character is by Impy+the+Impiuos+Imp · · Score: 1

      You are confusing actors with writers. Writers decide who a character is and what they are about. Actors implement the writer's vision, actors communicate that vision through their performance.

      Except that this case is 180 degrees opposite to your argument. The writers (which is to say, the modern day assignees of the writing task by the copyright holders) specifically and loudly tied the change to the actor.

      The actor has no input? Honey, that's exactly what he has here.

      --
      (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
    19. Re:Writers decide who a character is by Zxern · · Score: 1

      Nah, Mark Hamill is "the" Joker.

    20. Re:Writers decide who a character is by drnb · · Score: 1

      You are confusing actors with writers. Writers decide who a character is and what they are about. Actors implement the writer's vision, actors communicate that vision through their performance.

      Except that this case is 180 degrees opposite to your argument. The writers (which is to say, the modern day assignees of the writing task by the copyright holders) specifically and loudly tied the change to the actor.

      The actor has no input? Honey, that's exactly what he has here.

      Uh, no, because we're talking at Takei's influence on the original series. And as for the new movie, you are wrong again, Takei isn't in favor of reimagining the character as gay. Its the director and/or writers making the call, not the actor.

    21. Re:Writers decide who a character is by Psion · · Score: 1

      Moving your goalposts much?

    22. Re:Writers decide who a character is by drnb · · Score: 1

      Moving your goalposts much?

      Nope, I didn't move from Takei to Shatner and Nimoy. I just responded to this example.

    23. Re:Writers decide who a character is by mink · · Score: 1

      He is the voice of the Joker.
      He is the Trickster though.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  25. Did you see Star Trek: The Motion Picture? by mykepredko · · Score: 1

    I daresay that was the first "reboot" and it set the bar for terrible.

    1. Re:Did you see Star Trek: The Motion Picture? by Impy+the+Impiuos+Imp · · Score: 1

      It was a reboot of the Nomad story, to be sure, but I liked it. "Just like an episode?" Great!

      --
      (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
    2. Re:Did you see Star Trek: The Motion Picture? by R3d+M3rcury · · Score: 1

      Actually, supposedly it sort of was an episode.

      One interesting thing about TV in 1960s was the importance of "total viewers." They didn't break things down into demographics. When Star Trek went into syndication and they started to see that the show was popular with worthwhile (to advertiser) demographics, there was talk of bringing the show back. This is referred to as Star Trek: Phase II. It was going to head a "Paramount Network" which never came to fruition. However, the pilot episode became the basis for Star Trek: The Motion Picture.

  26. So Philip Marlowe belongs to? by mykepredko · · Score: 1

    Would it be:
    - Humphrey Bogart
    - Elliot Gould
    - Robert Mitchum
    - Dick Powell
    - James Garner
    - Robert Montgomery
    - James Caan
    - George Montgomery
    - I think there's another couple or three actors that also have played the Mr. Chandler's detective.

    Not to take away Mr. Takei's performance as "Sulu" in ST:TOS, but it's a role and when another actor performs it they should be allowed to put their own spin on it. That goes for the writers, the director and the producers.

    I guess you could argue that the creator has the final say, but apparently Mr. Takei approach Gene Roddenberry about making Sulu gay and he refused saying that he was pushing too many buttons already and didn't want the show to get cancelled.

    Unfortunately, Mr. Roddenberry is dead and the franchise has been moved onto others who have different ideas about the characters.

    Personally, I think that's a good thing.

    1. Re:So Philip Marlowe belongs to? by fnj · · Score: 1

      Humphrey Bogart of course. You must be joking.

    2. Re:So Philip Marlowe belongs to? by swb · · Score: 1

      The problem with the Philip Marlowe question is that "The Big Sleep" is sine qua non of Chandler film adaptations and every other attempt paled in comparison.

      "The Big Sleep" was directed by Howard Hawkes, the screenplay was written by William Faulkner, was a noir picture made during the noir phase of Hollywood, has Bogart *and* Lauren Bacall, and the film was made and set during the same basic time period as the books. So it doesn't suffer from the "period piece" flaws of shoehorning modern sensibilities into another time period, making everything about the production true to the original book's setting -- the characters, sets, dialog, actors and sensibility are all true to an era.

      Bogart also had established himself as the "Private Dick" persona in The Maltese Falcon, which adds to his verisimilitude as Marlowe.

      All the other Marlowe adaptations have ended up suffering by comparison. Lesser screenplays, changes in time period, and so on. They all get something wrong.

    3. Re:So Philip Marlowe belongs to? by PopeRatzo · · Score: 1

      Wrong. Dick Powell was the superior Marlowe. Bogart just played Bogie, but Powell brought Chandler's character to life.

      --
      You are welcome on my lawn.
  27. Good Observation by mykepredko · · Score: 2

    Of course, you could point out a number of inconsistencies going back to the original series that are just as large.

    Maybe this is a function of, let me think of a word for it, "fiction".

    It's not real so we can try out different ideas.

  28. The fucked up thing. by Anonymous Coward · · Score: 1

    ...Is that this is what Trek has become.

    We're talking about the series where men and women were passionate about each other whether they were white, black or green.

    We're talking about the series where long before the Internet in general represented as an Attack Helicopter, we had a non-binary gender right on prime time TV. (And naturally, non-binary genders dig Riker with a beard.)

    We're talking about the series that, upon the whole, took every backward-facing societal convention it could get its hands on and threw it in our faces.

    But this is what Trek has become. Lens flares and quick-but-safe pandering points.

  29. That answers that question... by ihtoit · · Score: 2

    ...as to why the Captain's Log was always concave at one end.

    --
    Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
  30. So Earthish by Tablizer · · Score: 1

    There's a whole galaxy, make Sulu into tentacled hermaphrodites from Alpha Reticuli.

    1. Re:So Earthish by SuricouRaven · · Score: 1

      Dr Who has tentacled hermaphrodites from Alpha Centauri. Crossover potential?

  31. Hmmm... society by design? by sonamchauhan · · Score: 1

    This happened with Independence Day 2 as well.

    "We have a gay couple in the film. We don't make a big deal out of it. You start small and then you get bigger and bigger and bigger, and one day you have a gay character as the lead and nobody will wonder at it no more."
    -- Roland Emmerich, speaking of Independence Day 2.

    So we have the director gently ushering society 'towards the light' -- some ideal that he has in mind. Great!

    ID4 (the first film) had 2 writers: Dean Devlin, and Roland Emmerich (in that order). The second film has 4-5 writers, with Roland Emmerich credited as lead.

    Roland, stick to your day job.

    1. Re:Hmmm... society by design? by drinkypoo · · Score: 1

      So we have the director gently ushering society 'towards the light' -- some ideal that he has in mind. Great!

      You do realize that homosexuals are substantially underrepresented in film, right? That's fine with me, although I do enjoy a good mockumentary on lesbianism, if you catch my drift. But it is a bit wacky and it's understandable that people should be annoyed, and hey did you know that there's a lot of homosexuals in creative positions (heh) where they are perhaps less likely to be persecuted for being themselves?

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  32. Why Simon Pegg? by dbIII · · Score: 1

    I like his stuff but it's so far from Trek that Jackie Chan may as well be doing it.
    Then again I think the same about Abrams and his magic belt movie with a Trek name on it.

  33. Star Trek: The New Voyages: much better Star Trek by Antique+Geekmeister · · Score: 1

    The fan-made movies referred to as Star Trek: Phase 2 did a much better job of capturing the original series. And they did _fantastic_ task of exploring social issues that would have been unthinkable for Gene Roddenberry. The response of Captain Kirk to an openly gay crew member in their "Blood and Fire" episode was priceless. These fan made episodes are much better than the last few movies. And they pay loving homage to the original seies' work, with cameos by actors involving their older selves such as Walter Koenig, Nichelle Nicholls, and the unforgettable scene of George Takei as a screaming leather clad barbarian swordsman.

    The fans who made these episodes captured the conflict between low budget, limited time, wonderful young actors learning their craft, and the high ideals that Gene Roddenberry and his entire cast and crew brought to the series. _These_ stories are why Star Trek was great.

  34. Re: Stop with the binary sexuality by Theovon · · Score: 1

    You too are caught in the same binary thinking. The whole point of not putting yourself into a box is that you should feel free to be attracted to whomever. If you’re only attracted to males or only females, that’s fine. If you’re attracted to both, that’s fine too. What if you’re attracted to lots of females but only the occasional man? That’s fine too. This is about FREEDOM by eliminating the boxes. It’s about freedom to not be judged, freedom to make your own choices.

    Let’s say, hypothetically, that there’s a genetic bias for humans to be mostly straight. What I’m trying to say is that in the future I hope it’s not considered weird for a person to have any mix of genders in sexual partners. 50/50? 90/10? 100/0? All fine. All not weird. We need to eliminate these boxes that force us into artificial categories.

  35. Re: Stop with the binary sexuality by Zontar+The+Mindless · · Score: 1

    Please don't project the fact that *you* experimented in college and discovered you're happy with either onto the rest of us.

    I, too, had the opportunity to experiment way back when and very rapidly found out that other guys don't do a thing for me.

    --
    Il n'y a pas de Planet B.
  36. Re:Closet by Zontar+The+Mindless · · Score: 1

    I don't think my closet's quite big enough, but George and his husband are both welcome to sit on my couch and have coffee and cakes anytime.

    --
    Il n'y a pas de Planet B.
  37. Re:Stop with the binary sexuality by Nemyst · · Score: 1

    Today’s binary sexuality is a cultural artifact. People are really on a spectrum. “Most people” are straight because they’re somewhere closer to the middle and therefore trainable to be straight. The people who are so gay or so straight innately that they can’t be trained are relatively rare (in the 10% range on either end).

    That's gonna need a giant [citation needed]. Look, I really enjoyed Jack's character, but even in Who and Torchlight, he was an outlier.

  38. Yeah by Ryanrule · · Score: 1

    How about peggs character be gay, since pegg is gay.

  39. Magic ingredient is genetics by naasking · · Score: 1

    "Whatever magic ingredient determines our sexuality was different for Sulu in our timeline. I like this idea because it suggests that in a hypothetical multiverse, across an infinite matrix of alternate realities, we are all LGBT somewhere."

    Except this reinforces a false narrative that sexual orientation is a choice, when it's really not. The point of divergence for the new Trek verse is after Sulu was born, and he was almost fully grown. That's not how the "magic ingredient" that determines our sexuality works.

  40. Does the bathroom have transgender bathroom? by Proudrooster · · Score: 1

    ST TNG did not shy away from this topic but presented it in the context of a genderless culture.

    What are the goals of this move?
    1) Trying to get free press and buzz for their action packed CGI movie with no plot
    2) Being opportunistic by trying (and failing) to exploit the current "make all things gay" momentum and stuffing gay down everyones throat, just like the "Give Anna & Else a Girlfriend" and forcing something that doesn't fit into the timeline, plot, or story.
    3) Trying to make something that appeals to the masses instead of making something clever, well thought out, and high quality.

    This is not Trek.
    This is not Gene's vision.
    This is simply rebooting and hi-jacking to try and make a buck by people who have no business producing content for the Trek.
    Gene would explored the topic at a non-hostile level in the context of another civilization just like we see in TNG's "The Outcast" episode. He would not have been one to overly push a social agenda. Just like in TOS Uhura did not sport an afro and spoke with a midwestern accent. This is how Gene played it, subtle. Challenging your to think of what could be possible in the future or in the context of another civilization. It was clever. It was not overt or in your face.

    To slightly change Pegg's quote:
    "Our Trek is an alternate timeline with alternate details and poorly thought out stories. We know Sulu in real life is LGBT so we are trying to exploit that in our timeline to make a buck and get publicity. I like this idea because it suggests that in a hypothetical multiverse, across an infinite matrix of alternate realities filled with lame Star Trek reboots just like this one."

    Count me out on this one. I am glad we had this conversation ahead of time so I can ignore this movie.

    1. Re:Does the bathroom have transgender bathroom? by drinkypoo · · Score: 1

      Count me out on this one. I am glad we had this conversation ahead of time so I can ignore this movie.

      I went to the theater for the first new one, because trek movies are better on the bigger screen. My home theater is OK, but it's not a theater kind of theater, if you catch my drift. That experience convinced me to watch the second one at home. That experience already convinced me not to watch any more...

      I'm still interested in Axanar, good luck to 'em. If Trek can't be classic, and Trek also can't be new (which a bunch of explosions are not) then Trek is boring. At least Hollywood should have the basic decency to explore making movies out of some stories which haven't been adapted yet... if they can't find an original screenplay. I know that's difficult, I get it. But at least open up the untapped reserves of great novelists out there and make something we haven't already watched.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  41. Dangerous premise by Dcnjoe60 · · Score: 1

    I like this idea because it suggests that in a hypothetical multiverse, across an infinite matrix of alternate realities, we are all LGBT somewhere."

    So, what he is saying is that sexual preference is not something one is born with? Until now, thought has been in alternate universes, differences between who we are and who we would be elsewhere was based on circumstances. If we are born gay or straight, then if in an alternate universe we have a different sexual preference, we wouldn't be we, would we?

  42. Epitome of tokenism by Dcnjoe60 · · Score: 1

    We could have introduced a new gay character, but he or she would have been primarily defined by their sexuality, seen as the 'gay character,' rather than simply for who they are, and isn't that tokenism?"

    By their own admission, they can't introduce a credible gay character would be defined by something other than their sexuality, so instead they change an existing character to be gay, is the epitome of tokenism. Not only is it tokenism, it is insulting. As anybody who is LGBT would tell you, their sexuality isn't a choice. Evidently it is for the writers of Star Trek and it can be changed at will. Instead of a victory of the LGBT community in having a a main stream movie with a viable identity beyond their sexuality, they will have a token gay by taking an established character and making him gay.

    In short, regardless of the success of the movie, this will be remembered as the movie where Sulu is defined primarily by his sexuality. The very thing they said they were trying to avoid. Then again, maybe it isn't tokenism and simply hypocrisy.

  43. Here are the problems by tipo159 · · Score: 1

    1. George Takei has reportedly said that he asked Simon Pegg and Justin Lin not to turn Sulu into a gay character while the film was in production. John Cho has been quoted as saying this was intended as a tribute to Takei, even though Takei asked the writer who came up with it and director not to do it.

    2. Simon Pegg is saying that he knows what Gene Roddenberry intended better than Takei, despite being born after TOS was made and having never met Roddenberry.

    They have changed so much in the Star Trek reboot just to change things that the change itself doesn't surprise or bother me. But they should admit that JJ Trek is their thing and they can do what they want and stop the disingenuous "we're just doing what Roddenberry would have done if he could have gotten away with it in the 60s" schtick.

    And admit it is tokenism.

  44. Timeline? by colinrichardday · · Score: 1

    Two films ago, they destroyed Vulcan, a planet that existed in TOS.

  45. Re:A big difference most people overlook... by Impy+the+Impiuos+Imp · · Score: 1

    How often would a modern navy send one ship to beat another modern navy's one ship?

    And by send one ship, I mean 2 or 3 guys to kill the other ship's captain?

    --
    (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
  46. Into Darkness by flarb936 · · Score: 1

    I'm pretty sure the Enterprise being able to travel underwater in Into Darkness is more of a "a twisting of Gene's creation".

    --
    ralphbarbagallo.com
  47. Uhh.... by easyTree · · Score: 1

    Textbox rejects string '1234'

  48. Now there's an explanation by Plumpaquatsch · · Score: 1

    "It's a different timeline" - So Sulu is now gay because Nero went back in time. That's lame, Pegg.

    --
    Of course news about a fake are Fake News.
    1. Re:Now there's an explanation by Plumpaquatsch · · Score: 1

      "It's a different timeline" - So Sulu is now gay because Nero went back in time. That's lame, Pegg.

      PS: The fact that this explanation is actually lamer than the whole "they found the Botany Bay 20 years earlier" thing says it all.

      --
      Of course news about a fake are Fake News.
  49. logical fallacy by dryo · · Score: 1

    "in a hypothetical multiverse, across an infinite matrix of alternate realities, we are all LGBT somewhere" No. There are an infinite number of values between 1 and 2, but none of them equal 3.

  50. What does Fast & Furious + Star Trek Equal? by theshowmecanuck · · Score: 1

    Shit.

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    -- I ignore anonymous replies to my comments and postings.
  51. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  52. Good. by azav · · Score: 1

    I don't want to watch anything with gay characters.

    I find it repulsive and I don't watch what I find repulsive.

    --
    - Zav - Imagine a Beowulf cluster of insensitive clods...
    1. Re:Good. by Timothy2.0 · · Score: 1

      Maybe you should try stepping out of your comfort zone occasionally. You're missing a huge, vibrant world if you refuse to watch things you consider "repulsive"...

  53. If it were meant to be... by martinfb · · Score: 1

    If Gene wanted Sulu to prefer penises, he would have given him a vagina.

    --


    Self-importance and self-indulgence is the root of ALL evil.
  54. Re:WTF - Star Trek Fans can't accept alternate uni by Coren22 · · Score: 1

    So, suddenly, because Spock came back in time and changed history, Sulu instead of being married with kids, is instead gay? What changes did Spock cause that led to the character changing their sexual preference so profoundly? How did this huge change come about when Spock didn't even happen to be in the area where Sulu lived?

    --
    APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
  55. Re:WTF - Star Trek Fans can't accept alternate uni by drnb · · Score: 1

    Who said time line change? I said alternate universe. Or in the phrasing of the original series a "mirror" universe, or in actual theoretical physics a "parallel" universe where massive differences can originate from a single quantum event.

    Neither the universe that Spock originated from nor the universe he influenced history in are necessarily the universe of the original series. Do I really need to mention the "Mirror, Mirror" episode of the original series to demonstrate how there is no "cannon" violation?