The 2017 Hugo Awards (thehugoawards.org)
Dave Knott writes: The Hugo Awards, the most prestigious awards in science fiction, had their 2017 ceremony today, at WorldCon 75 in Helsinki, Finland.
The winners are:
Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer
This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.
The winners are:
Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer
This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.
Here's what a Hugo award actually looks like.
So, it's official - the Hugo Awards have become the Harlequin Awards, much like Rock'n Roll Hall of Fame has become Pop'n Roll Hall of Fame.
That's well and fine, but it's time to drop the pretense, and make room for an award that celebrates the original art form. This doesn't.
Last I heard these awards are more about diversity and virtue signaling than any kind of merit.
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
It's nice to see that Le Guin is still at it. She is among the last of the "classic" sci-fi and fantasy masters left alive, after Isaac Asimov, Arthur C Clarke, Heinlein, JRR Tolkien, and the other greats of that era have passed away.
To be sure there are many fantastic modern authors, but Le Guin's work stands head and shoulders above most who have come since. JK Rowling? You are no Ursula Le Guin.
I lost all respect for the Hugo after reading Mary Stu's Game, (AKA Ender's Game). Sure it was well written from a certain perspective, but ultimately I found the twist ending somehow both un-surprising and a violation of my suspension of disbelief--now there's an accomplishment.
And of course there were the homo-erotic overtones; OSC really needs to come out of the closet.
That's right, the Ghostbuster remake got more votes than Rogue One and Stranger Things in the Best Dramatic Presentation, Long Form category:
1.- Arrival,
2.- Deadpool,
3.- Ghostbusters,
4.- Hidden Figures,
5.- Rogue One,
6.- Stranger Things season one.
I mean, WTF.
Life isn't like a box of chocolates. It's more like a jar of jalapenos. What you do today, might burn your ass tomorrow.
So pushing progressivism for progressivism's sake is still alive and well at the Hugo's, even if it didn't exactly overwhelm the process this time.
When progressivism is the point, you've done it wrong.
"His name was James Damore."
That won? It was a boring POS. What were the alternatives?
Good example.
This whole Hugo Awards flap is so hilarious yet so sad. It's the perfect case of a bad solution to a real problem.
I agree scifi was sexist, puerile, over-dense, and plotless.
-simultaneously-
I also agree that there has been an over-correction almost as extreme as the original problem!
Both are true.
The original problem was sexist garbage scifi but the solution is not to promote insipid non-scifi fluff.
Thank you Dave Raggett
This whole Hugo Awards flap is so hilarious yet so sad. It's the perfect case of a bad solution to a real problem.
I agree the scifi status quo was sexist, puerile, over-dense, plotless garbage. Something needed to change.
-simultaneously-
I also agree that there has been an over-correction almost as extreme as the original problem!
Both are true.
The original problem was sexist garbage scifi but the solution is not to promote insipid non-scifi fluff.
Thank you Dave Raggett
I think Herbert had a character refer to the Fremen as sometimes being a bit "fey" due to their spice consumption. Sort of like how in many cultures certain individuals are credited with being gifted. "I had the dream" is something among Italian-Americans you hear from people who sense an impending death. Also in Dune Messiah we had the Reverend Mother who messed around with the Tarot Cards. The sense I got was that they amplified a rudimentary prescience. I also got the sense that Herbert was implying everyone on Dune, partly due to its spice in the air, could both sense, and felt compelled to dance to, the winds of change.
It was an excellent addition to his body of SF novels. Everything in it could have been told using a more traditional premise. His multitude of admirers didn't question it as being a worthy candidate for the Hugo. It reminds me of Bug Jack Barron by Spinrad in so far as what it had to say about the lengths people will go to to extend life, and how sordid the whole practice of immortality for some, at the expense of others, can get. The style was much different of course. Just beautiful, and I can only think of Zelazny at his best being as captivating with the vibe of people butting into godhood. But yeah, the Hugo awards can be open minded when excellent writers stretch the definition of SF.
https://en.wikipedia.org/wiki/... "The awards are organized and awarded by the Science Fiction and Fantasy Writers of America (SFWA), a nonprofit association of professional science fiction and fantasy writers." Writers, not the fans, though of course writers can be considered fans as well.
So pushing progressivism for progressivism's sake is still alive and well at the Hugo's, even if it didn't exactly overwhelm the process this time.
When progressivism is the point, you've done it wrong.
Dude, you are SO EASY to trigger. That's why I voted for Ghostbusters, on the OFF-CHANCE it won, people like you would froth in rage over it. Even just getting more votes than some also-rans managed to get you going.
Next year, when it's Star Trek: Discovery, I'm going to invest in lobster bibs.
This simply underscores that the reason Sad/Rabid Puppies were formed is still relevant... That people nominating things not for the quality of their fiction but instead on the basis of unrelated gender politics has ruined these awards.
The Hugo is not the most prestigious award for Sci Fi. I would put the Nebula Award way ahead of it. In fact, over the last few years the Hugo Award has become meaningless.
-- Will program for bandwidth
Your comment shows that you don't know much about the Hugo Awards. They have been awarded to works of science fiction and fantasy since their inception in 1953. Go read the WSFS Constitution (the rules for the awards). It makes this crystal clear.
Go down that list of winners and name one that matches that description.
Such small minded reactions. Is it that inconceivable that The Obelisk Gate might simply be a very good book?
Usually i don't care much for fantasy yet I was impressed by predecessor The Fifth Season. Very well written, interesting and original. The Obelisk Gate was a well constructed bridge novel towards the soon to appear final volume. It doesn't make sense to read it on its own, it does expand on the first book.
I read 2 other books on the shortlist which were good too. From the 3, All the birds in the sky was my own favourite, but I have no objection against The Obelisk Gate, it is a very well crafted book.
What does it matter when none of those three really deserved to win? IMO, Arrival was the most deserving and it won.
He wrote that one novel that was arguably very strongly feminist, though IIRC the protagonist was originally to have been a gay man. It had everything ... sex with ghosts, instead of a tattoo getting a miniature cuckoo clock, human like android assassins.
Lol, give me a minute, the title is coming to me .... :)
P.S. You might enjoy this: http://www.nyrsf.com/racism-an...
He's been there, done that.
I give zero fucks about the SJW Seal of Approval.
First I looked here, and learned that one has to join a Worldcon. Then I looked here and learned that minimum price of entry is $50. The money is apparently the only requirement. I also read this about the voting system. Any member can nominate five works for every category. The six of these nominees in each category with the most nominations are the ones voted on to win via instant runoff voting. So if you feel frustrated about the resulting choices, consider that this is how they got that way, and also, it never hurts to remember that Sturgeon's Law applies as well to opinions as it does everywhere else.
Since everyone will have a different opinion about what is crap, what would probably work better than having an award system is something like what Booklamp attempted to be. Perhaps a search tool for book related social media could help.
Yay! Arrival won! Let's hear it for deus ex machina time travel/knowledge, garbage sci-fi!
Make love, not reality television.
"Science Fantasy" is an oxymoron.
It's gotten very difficult to find actual science fiction that is not polluted with "fantasy".
Something goes wrong, someone waves a wand and, deus ex machina, it all ends happily. Big deal.
Congratulations. You're a troll in real life and for some reason really proud of it.
Everyone should read Liu Cixin trilogy, three body problem, fantastic sf!
When George R. R. Martin writes something.