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Lawrence Lessig Criticizes Proposed 140-Year Copyright Protections (techcrunch.com)

EqualCitizens.US reports on growing opposition to the CLASSICS Act proposed by the U.S. Congress, which grants blanket copyright protection to all audio works created before 1972, leaving some of them copyrighted until 2067. Importantly, the Act doesn't require artists or the rights holder to register for the copyright. Rather, any and all pre-1972 sound recordings would be copyrighted, greatly limiting the public's access to these works. Various organizations and scholars have responded. Equal Citizens along with a coalition of internet freedom and democracy reform organizations, is sending this letter to the Senate Judiciary Committee to urge its members to reject this Act in its entirety, or at a minimum, at least require registration of pre-1972 works. Otherwise, if the Act passes as is, famous artists and wealthy corporations will benefit greatly while the public will get absolutely nothing in return, as Professor Lawrence Lessig notes in Wired....

This act will limit access to past works and stifle creativity for new works. It would effectively remove many existing works, including some popular documentaries, podcasts, etc., from the public arena. The Coalition recommends adding a registration requirement to secure the extended copyright term, such that works that nobody claimed could be allowed to enter the public domain. As this TechCrunch report on the coalition letter explains:

By having artists and rights owners register, it solves the problem for everyone. Anyone who wants to have their pre-1972 works brought into the new scheme can easily achieve that, but orphan works will enter the public domain as they ought to.

"Either way," Lessig writes, "it is finally clear that the Supreme Court's prediction that the copyright owners would be satisfied with the copyright protection provided by the Sonny Bono Act turns out not to be true."

39 of 175 comments (clear)

  1. Wait, wut? by NoNonAlphaCharsHere · · Score: 4, Funny

    Copyright protection that lasts until 2112 for works that are ALREADY 45 years old "solves the problem for everyone"?

    1. Re:Wait, wut? by reboot246 · · Score: 4, Insightful

      It works if the owner of the copyrighted material lives 140 years. For everybody else it doesn't "work" at all.

    2. Re:Wait, wut? by currently_awake · · Score: 5, Insightful

      1-The lifetime of the author should not be in the law. It should be a fixed (non extendible) term. 2-Government spends hundreds of millions of dollars per year protecting copyright, I think the copyright holders should pay that. Levy propery taxes on Intellectual Property, just like we charge taxes on houses to pay for schools and other improvements that increase the value of houses.

    3. Re:Wait, wut? by MrL0G1C · · Score: 4, Insightful

      Fuck copyright, restrict it to 14 years from authorship, no extensions. It needs to be reset, people have been brain-washed in to thinking all copying is bad (except when they're doing it of course).

      (C)opyright MrL0G1C 2018 until at least 2158 ~

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    4. Re:Wait, wut? by Anonymous Coward · · Score: 2, Insightful

      And this is one of the best reasons for the 96% of the worlds population who do NOT live in the USA NOT to have a trade agreement with the USA.

    5. Re:Wait, wut? by dgatwood · · Score: 3, Interesting

      That's a very bad idea. Some works take more than 14 years to author, and you'd have the copyright expiring on the first parts before the work is even finished.

      Copyright should be 30 years from the date of publication; the date of creation is irrelevant. For unpublished works, the copyright countdown should toll until the end of a five year grace period after the author's death, to allow the heirs time to publish them. At the end of that grace period, the 30-year copyright period should start even if the work has not been published.

      For works of corporate authorship, it should be 30 years from publication or 45 years from creation, whichever is shorter, i.e. there should be a maximum of fifteen years from the date of creation to the date of publication during which the copyright countdown is tolled, after which it starts to count down whether the work is published or not.

      Here's the logic behind a thirty-year period: The purpose of copyright is to promote the creation of new works. For works of corporate authorship, the copyright duration is completely irrelevant; all the money gets made in the first two or three years anyway, after which it is generally a paperweight. But for works of individual authorship by people who aren't incredibly famous already, it can take many years to start bringing in any real income from your early works. And although the argument could be made that this forces authors to write more works because the old works become worthless, the reality is that knowing you won't ever make money from your first several works would likely mean that many fewer authors would bother to start writing in the first place.

      Also, I would suggest that the copyright period be split in half, with a renewal requirement at the midpoint. The cost of renewal should be proportional to the income that the creator has received from the work—say 5% of gross revenue to date, or perhaps 10%. Continuing to keep a popular work under copyright clearly diminishes the public domain considerably, so it should cost considerably more to continue to protect such a work than a work that nobody has ever heard of. The revenue from the popular works copyright tax should fund federal and state grants for creative and arts education in our public schools — music, art, dance, theater, creative writing, etc.

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    6. Re:Wait, wut? by MrL0G1C · · Score: 4, Insightful

      Why, why should relatives benefit from work they didn't do. Inheritance is another thing I don't like and I'm saying this as someone who stands to inherit a lot in property.

      So lets call it 20 years from publication and if it's not published then tough. And what the hell is corporate authorship, and what's this 45 years crap, no, lets call that 20 years too. 14 years was good enough when copyright started, 20 years is plenty, 45 years is getting obscenely long already.

      Copyright laws were created to encourage people to create when copying would lead to them getting next to nothing for their works. Long copyright laws do not encourage people to create, they encourage massive long lasting IPs, not constant new material.

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    7. Re: Wait, wut? by turbidostato · · Score: 2

      "Yeah but new works are generally created by people with a passion for their crap they get creative and find a way to do it regardless of financial status"

      Exactly that. I really love the way the copyright clause is worded in USA Constitution: "to promote the Progress of Science and useful Arts". Any regulation should *first* offer a clear reason on how it will "promote the Progress of Science and useful Arts" o else shouldn't pass. And even then, once passed, it should be checked every (add here a reasonable period, say, three to five years) that it does in fact "promote the Progress of Science and useful Arts" in the exact way it was claimed when presented for approval, and rejected as soon as it fails to support their claims.

      It's really *that* easy.

  2. Re:You've got a lot of influence by thesupraman · · Score: 5, Insightful

    ROTFL.

    Did you fail to notice who the Dems ran last time? Really? Was that all just a bad dream to you? You didnt notice their huge corporate support?

    Oh Dear.

  3. Re:New works are already de-facto illegal by PopeRatzo · · Score: 4, Informative

    With the precedent set by the Gaye vs. Thicke [oup.com] court case (ruling upheld [tennessean.com] by 9th circuit court of appeals this year), you are committing copyright infringement when you write a song that "feels" like some other song.

    No. Robin Thicke didn't lose because his song "felt" like Got To Give It Up. He lost because his song WAS Got To Give It Up. He copied the Marvin Gaye song.

    Now, we should discuss whether the copyright on Got To Give It Up should have expired a decade ago. I would say that yes, it should have expired. But as long as the copyright was in effect, what Robin Thicke did was a straight-up violation.

    --
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  4. Stop funding them.. by thesupraman · · Score: 4, Funny

    he answer is simple.

    STOP consuming copyrighted works. STOP going to movies, STOP steaming music, STOP going to concerts, STOP the support of these 'artists'.

    That is, I am afraid, the only solution at this point.
    The social contract of copyright has been violated so completely that it should now be seen as void, however as the force of state will still uphold it,
    the only other choice is to avoid it altogether. Violate as you want and at your own risk, but stop giving money to these companies.

    Society does not need THESE 'arts', they are not contributing.

  5. Re:You've got a lot of influence by J.+T.+MacLeod · · Score: 3, Insightful

    How many Democrat front-runners are running on copyright reform?

    Were Democrats standing up against SOPA and PIPA? Or the TPP?

    I'm not suggesting Republicans are doing any better unless by accident, but this is not divided like you say it is. Heck, there was this: https://www.techdirt.com/articles/20121116/16481921080/house-republicans-copyright-law-destroys-markets-its-time-real-reform.shtml

  6. All for the copyright holder's profits by Anonymous Coward · · Score: 2, Interesting

    Seriously, this smells like the crap music publishers would write themselves to try and keep a tight hold onto their meager profits from old songs that very few people even still buy today, other than certain movies, media and what not.

  7. Re:You've got a lot of influence by Anonymous Coward · · Score: 2, Funny

    join the Democratic party

    Hmm, I've thought about it but I need a little more convincing. Could you call me a racist bigot nazi a few hundred times?

  8. My modest proposal to fix this by steveha · · Score: 3, Interesting

    Politics is the art of the possible. I have a modest proposal that I think is possible: Allow unlimited copyright extensions that are not automatic or free.

    Given how much money Disney and other big content-owning companies are going to spend on this, our elected representatives are going to roll over again... so it is not possible to roll back copyright protection to anything like the original short terms. It's pretty much certain that the terms are getting extended again. So my question is whether we can get the deal changed in some way that makes it better for us.

    Disney is very motivated to keep the copyrights going forever on old cartoons like "Steamboat Willy". To them, it's just collateral damage that nothing else ever falls into the public domain... I don't think they care that old black-and-white movies not owned by Disney also aren't falling into the public domain.

    So my modest proposal is that a corporation can extend the copyright on any property by filing a form and paying a nominal fee. For the sake of argument I propose $5 to be the fee and for the form to get a 5-year extension. A dollar per year! Cheap!

    But if you fail to list some piece of content and file the form, it lapses into the public domain.

    This fixes the murky issues around a lot of content, such as obscure video games from three decades ago. In many cases it would take lawsuits to figure out who is the current owner, so it's not possible to get a license for the content... so nobody is going to file the paperwork to extend the copyright, and the old forgotten content will lapse into the public domain.

    This is still a screaming good deal for the content owners. The US government still acts as an enforcer to go after people infringing on the copyrights, and it would cost way more than $1 to hire private detectives or whatever to do the same thing without government.

    But I don't see why the content owners should get endlessly-extended copyright terms where nothing ever falls into the public domain automatically for free and without even lifting a finger.

    Copyright is supposed to be a three-cornered deal between the content owners, the government, and the people. The people are supposed to benefit by things falling into the public domain; that's why the phrase "for limited times" appears in the Constitution. The people would get nothing from a 140-year extension, but would get something from my proposal.

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    1. Re:My modest proposal to fix this by bill_mcgonigle · · Score: 4, Insightful

      No, the deal made between Disney and the People are the terms as established in 1928 or whatever.

      The Government and Disney can't keep renegotiating the deal while the People are a party to it.

      If they don't want the monopoly grant terms they don't have to participate.

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  9. But by M0j0_j0j0 · · Score: 2

    I don't get it, who gets the royalties of a copyrighted work that no one's claiming or register?

    1. Re:But by blahplusplus · · Score: 2

      I don't get it, who gets the royalties of a copyrighted work that no one's claiming or register?

      That's not the point, the point is they want to control what culture is available because attention is limited. It's the same reason why online drm is a thing so they can shut down the servers and throw away the software and move the stupid herd onto their next product. They don't want the population to be able to own anything. They want captive serfs with no rights to own the products or cultural works they are paying for.

  10. It matters where the money and competition are by shanen · · Score: 3, Insightful

    Lawrence Lessig, like the rest of us, is merely a citizen and therefore has the same amount of influence as you or me.

    Which is to say, none whatsoever.

    Your trite little comment seems to have opened up the can of worms. I disagree. Even if I saw a mod point to give, no mod point for you [GlennC].

    Let me start with the logical fallacy. The Koch brothers are citizens, too, just like "you or me" and Lawrence Lessig, too, but they have LOTS of influence. The difference is the money, at least until they die with the most toys, at which point the TRULY influential entities, the giant corporate cancers they ostensibly "own", will have to get new human placeholders. The underlying FAKE problem of insufficient profits will never be solved because there is always a bigger number for the next profit report.

    The abuse of copyright and patent law are merely symptoms of the underlying problems. The original goal was to ENCOURAGE creativity and innovation for society, but the current goal is to MAXIMIZE profits for YUGE corporate cancers. Actually, the corporate cancers at the top always fear new ideas and innovation. Change from the top tends to be downward, which threatens the growth of profit.

    Solution approaches to the problems of corporate cancerism exist, but for now ADSAuPR, atAJG.

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  11. The Result by Anonymous Coward · · Score: 2, Insightful

    When everything is copyrighted until Oblivion, you might as well just violate the law and copy the shit out of it. Fuck em. If they shut you down, you move and start up again.

    Hollywood does not run this country. Fight back or become their slave.

    1. Re:The Result by Anonymous Coward · · Score: 2, Interesting

      2nd that, I think everyone should just pirate anything created over 14 years ago, fuck the stooges.

      When I was a kid, I bought something in a store, and they did not give me my change. I tried to sort it out, but they would not listen to me. The clerk who rang me in was conveniently gone. I got the feeling that they were in the habit of cheating kids like this. So I "shoplifted" the equivalent amount of goods. Was it wrong? The law may say yes, but I say I only took what I was due.

      How is this any different? They are taking away what is ours by changing the agreement without our consent. It may be against the law, but taking what should rightfully be yours is not wrong. (Remember, in exchange for the limited time copyright, we get it in the public domain after. They are taking that away.)

      So if someone wants to pirate something (especially anything older than 14 years), I have a hard time feeling any sympathy for the other side.

  12. Re:You've got a lot of influence by Anonymous Coward · · Score: 2, Informative

    Hillary is not nearly as bad as the right wing noise machine makes her out to be. She is just not.

    https://www.opensecrets.org/pres16/select-industries?ind=F27

    Total funding by industry

    Hedge Funds:
    Hillary: $62 million
    Trump: $19 million (barely higher than Rubio's and Jeb!'s totals)

    Securities and Investement:
    Hillary: $88 million
    Jeb!: $33 million
    Trump: $21 million

    Commercial Banks:
    Hillary: $2.8 million
    Cruz: $1.7 million
    Jeb!: $1.1 million
    Rubio: $463,000
    Trump: $403,000

    Lobbyists:
    Hillary: $2.2 million
    Jeb!: $1.4 million
    Rubio: $640,000
    Christie: $184,000
    O'Malley: $130,000
    Trump: $129,000

    Oil and Gas:
    Jeb!: $10.4 million
    (most of the rest of the republican candidates)
    Trump: $992,000
    Hillary: $967,000

    Face it, the instant they saw Trump coming, corporate America completely jumped ship and took over the Democratic party. Even the usual boogeymen like the Koch brothers disowned Trump, and Sheldon Adelson only gave him half-hearted support when he won the nomination.

    Every liberal who participated in or approved of OWS should be pissed as hell right now. It's not "right-wing corporatocracy" vs. "left-wing corporatocracy" anymore, it's just corporatocracy vs. populism. Especially as all the remaining nevertrumpers abandon the GOP.

  13. Re:You've got a lot of influence by duane_robertson · · Score: 2

    >Your logic is odd, to say the least. Nearly everybody that this 140 year protection would benefit are Democrats or Progressives. If anything, electing more Democrats might result in copyright protection for an even longer time.

    Citation, or it didn't happen.

  14. Of course. by Hallux-F-Sinister · · Score: 2

    famous artists and wealthy corporations will benefit greatly while the public will get absolutely nothing in return

    They're the ones who buy your "elected" officials, so of COURSE they're the ones who benefit, and you who have been DUPED into voting these corrupt, bought-and-paid-for assholes into office, you of course get nothing, which is what you deserve, for voting these Republicrats into office, despite the obvious fact that BOTH halves of the "two" part"ies" are owned by the same group of people. Let me quote Willie Wonka:

    "It's all there, in black and white, clear as crystal. You get NOTHING. You LOSE! Good DAY, sir." Or watch here...

    Next time, instead of voting for a phony "Democrat" or a corrupt "Republican," consider voting for a REAL candidate for office, not one of these puppets of the super-rich and corporations.

    --
    Our reign has gone on long enough. Indeed. Summon the meteors.
  15. Copyright is supposed to be for a LIMITED time by Attila+Dimedici · · Score: 3, Insightful

    Copyright is supposed to be for a LIMITED time. As understood by the Framers of the Constitution, over 100 years is not limited.

    --
    The truth is that all men having power ought to be mistrusted. James Madison
    1. Re:Copyright is supposed to be for a LIMITED time by djinn6 · · Score: 2

      It's actually not, at least according to most mathematicians. Infinity minus 1 is still infinity. You could, however, use a googolplex or Graham's number of years, which are most definitely longer than the heat death of the universe.

      On the other hand, the current definition of author's life + X years actually does not fit the definition of a "limited time", since there's no telling how long someone can live. We might figure out the key to eternal life, or failing that, keeping people in stasis indefinitely.

  16. famous artists by MrL0G1C · · Score: 2

    Otherwise, if the Act passes as is, famous artists and wealthy corporations will benefit greatly

    What utter bollocks, the artists will have been dead half a century, explain how they'll benefit when worms are eating them.

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  17. The Dems ran Hillary by rsilvergun · · Score: 2

    because she won the primary. If folks had showed up to vote we'd have President Bernie Sanders now.

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  18. That's a common mistake by rsilvergun · · Score: 5, Interesting

    they're not Progressives. Being a Progressive doesn't just mean you're tolerant of gays and abortion. Those are social issues. The folks you're referring to are Hollywood, and to a man they're economically right wing.

    The Democratic party is being run by economically right wing and socially moderate (the Hillary wing didn't support Gay Marriage until forced to by the base) conservatives. Being Progressive means being _economically_ progressive too. That means these things:

    1. Medicare for all.
    2. Living Wage.
    3. College for all.
    4. New New Deal (google it).
    5. End the Wars.

    Disney, the most Hollywood of Hollywood definitely opposes #1-#4 and I'm guessing if forced to answer would oppose #5 (their board of directors owns stock in the defense industry along with everybody else at the top).

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  19. Nobody runs on copright reform by rsilvergun · · Score: 2

    it's too small an issue. You run on a pro worker platform, which incidentally includes copyright reform because 140 year copyright is anti-working class. It drives up the cost of mass market entertainment, which is one of the few pleasures the working class have.

    And nobody's saying today's Dems are much good. Whether it's Joe Manchin, Nancy Pelosi or that bastard Chuck Schumer they're all selling us out. But my point is there's something to salvage in the Democratic party. I don't feel that way about the Republicans. They've gone all in on oligarchy.

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  20. Time to drag out the Heinlein again... by Anonymous Coward · · Score: 5, Insightful

    "There has grown up in the minds of certain groups in this country the notion that because a man or a corporation has made a profit out of the public for a number of years, the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary public interest. This strange doctrine is not supported by statute nor common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped, or turned back, for their private benefit."
                    - The Judge, "Life-Line"
                          Robert A. Heinlein, 1939 Astounding Magazine

  21. Re:Explain me, Lucy ... by Anonymous Coward · · Score: 3, Informative

    The original motivation is that ideas and discoveries are good, and the inherent reproducibility of ideas is good because it leads to further ideas. However, some ideas take significant work to create, and if everyone else can instantly get all the benefit of my creation without any effort while I had to skip work to come up with it, then I have very little incentive to put in the time other than just for the love of it. The "copyright bargain" tries to establish an incentive for the creation of ideas by giving their creators a limited period where they get exclusive control over them (which is unnatural for an idea, unlike a physical object) and can directly benefit from their quality.

    But the purpose is to eventually get the idea out there and circulating, not to establish an eternal property right. That's why the term of a copyright or patent is supposed to be limited. Initially, the public pays (via taxes) for the government to enforce an artificial control on the right-to-copy for enough time to make the act of creation a sensible gamble, and after that the public gets the full benefit of the idea's existence.

    That's why the constitution says "to promote the progress of science and the useful arts", not "to make sure artists get paid".

  22. People are Stupid by Jodka · · Score: 4, Interesting

    Suppose some of my buddies and I pooled our money together and bought the U.S. Congress for one billion dollars. We then pay congress to enact a law which transfers a 100 billion dollars from the U.S. Treasury to us. We would earn 100 times what we invested, which is an excellent return, so this would be a fantastic business plan.

    Would it work? Probably not. It is too overt and brazen, just intolerably offensive. Judges would find some law which disallowed it or, if none actually existed, would detect some applicable penumbras and emanations. Also, the public would be outraged, and nothing terrifies incumbent politicians more than the prospect of not being re-elected. Futhermore, the fact that this is not known to have ever actually occurred suggests that it is not feasible.

    But suppose we tweak the plan just slightly. Under the previous plan, Congress would confiscate currency from the public and transfer it to me. Under the new plan, Congress instead confiscates property from the public, in the form of extended intellectual property rights, and transfers it to me.

    Would that work? Certainly. Why? Because people are idiots; They are easily befuddled by a direct transfer of wealth from the public to a small group who has paid to influence Congress, if the form of the wealth transferred is any more abstract than cash.

    Generally, with any scheme where corporations make monetary contributions to politicians in exchange for those politicians using the coercive powers of government to transfer wealth from the public to the corporations, the form of that wealth must be abstract and represent a sacred political cause. For example, allegedly to protect the environment, Congress enacted law governing ethanol mandates and agriculture price supports instead directly handing taxpayer cash over to agribusiness. Targeted tax breaks are the stand-by when executives and lobbyists are too uncreative to finesse a compelling custom rationale.

    Politicians of both major political parties are in the same business, accepting money from special interests in exchange for giving them larger sums of taxpayer money. The only difference between the parties are their justifications. Whereas right-wing taxpayers like to hear things like "We gave these millionaires and billionaires your money to help the economy", left-wing taxpayer prefer rationales such as, "We gave these millionaires and billionaires your money to save the environment."

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  23. Re:You've got a lot of influence by hairyfeet · · Score: 3

    Wow just like an SJW, instead of arguing over facts, like which party gets the most political donations from Hollywood or Disney you just go "Herp derp you must be an IST! so I can just throw names and not actually debate any facts, which of course are NEVAR on my side, herpa de derp!"

    Well sadly there is really only one answer to a drooling cursing regressive, here ya go..

    --
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  24. The difference between 140 years and forever? by Anonymous Coward · · Score: 2, Insightful

    140 years is roughly 6 generations.
    If a work was copyrighted the day you were born, you would die halfway through the copyright period, having never been able to use that IP.
    You children would die, having never been able to use that IP.
    Your the majority of your grandchildren would die, having never been able to use that IP.
    Your great grandchildren - born 80-90 years after the copyright was granted - would be able to the use IP during the end of their working lives.
    Only your great-great grandchildren would be able to use the IP during the prime of their working careers.
    Considering that three entire generations would be born, live, and die before it expires - to them, what's the difference between a copyright 140 years and forever?

    Incidentally, by the same tables, the author will be dead for roughly a century before the copyright expires.
    The author's children will be dead.
    The author's grandchildren will mostly be dead.

  25. There extensions shouldn't be retroactive by Solandri · · Score: 4, Insightful

    There is no justification for making these extensions retroactive. The purpose of copyright is to promote the creation of new works. You cannot encourage the creation of something which has already been created. So there is absolutely zero benefit to extending the copyright term of existing works. Since the only rationale given in the Constitution for copyright is the promotion of the creation of new works, extending the copyright term for existing works is unconstitutional.

    If Congress wants to make copyright last 140 years, fine. But the lengthened term should only apply to works created after the term is changed. Those are the only works whose creation could have been encouraged by a lengthened copyright term, and thus fall under the justification outlined in the Constitution.

  26. Tie copyright duration to the benefit by fibonacci8 · · Score: 2

    Make copyright duration the average (mean) life expectancy in the country minus 15 years. Update the duration each census.
    If copyright provides a net positive, then society and content creators gain opportunities for mutual benefits.
    If there's no effect, or a detrimental effect... why the hell is copyright legally protected using tax dollars in the first place? Tax dollars shouldn't be spent on something worse than a placebo.
    Music, literature, movies, etc. should be rewarded copyright protection according to the quality of life, and consequently duration of life, improvements to society.

    --
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  27. It should always have worked this way by Maury+Markowitz · · Score: 2

    "By having artists and rights owners register, it solves the problem for everyone. Anyone who wants to have their pre-1972 works brought into the new scheme can easily achieve that, but orphan works will enter the public domain as they ought to."

    This.

    Give automatic, free protection for a limited period. Make it the same as a patent, for simplicity's sake. After that, you have to register.

    I'd add on top that you have to pay to register. If you think your holiday snapshot is worth protecting, but all means, pay $250 for that privilege.

  28. The Mickey Mouse Protection Act Expires in 2024... by Mnemennth · · Score: 3, Informative

    ...THIS is the reason for this new round of Copyright Extension BS.

    Starting in 2024, Mickey Mouse will no longer be treated with the "Kid Glove Care" he has enjoyed for a FREAKING CENTURY, and as time progresses and Dis-SkyNet's copyrights expire, more and more of his puerile antics will become public domain.

    The underlying cause is the fact that the copyright owners know they haven't produced anything of value in the LAST 50 years. Particularly corporate entities, which already get an EXTRA 50 years above private entities with this BS, so you KNOW it was NEVER about protecting the original artist's IP rights.

    This was the real reason for Senator Sonny Bono's original bill, and it worked so well for Coprolite America they couldn't NOT try for ANOTHER round, DUH.

    mnem
    Follow. The. Money.