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The Cassette Returns On a Wave of Nostalgia (theguardian.com)
An anonymous reader quotes a report from The Guardian: Pause. Stop. Rewind! The cassette, long consigned to the bargain bin of musical history, is staging a humble comeback. Sales have soared in the last year -- up 125% in 2018 on the year before -- amounting to more than 50,000 cassette albums bought in the UK, the highest volume in 15 years. It's quite a fall from the format's peak in 1989 when 83 million cassettes were bought by British music fans, but when everyone from pop superstar Ariana Grande to punk duo Sleaford Mods are taking to tape, a mini revival seems afoot. But why?
"It's the tangibility of having this collectible format and a way to play music that isn't just a stream or download," says techno DJ Phin, who has just released her first EP on cassette as label boss of Theory of Yesterday. "I find them much more attractive than CDs. Tapes have a lifespan, and unlike digital music, there is decay and death. It's like a living thing and that appeals to me." Phin left the bulk of her own 100-strong cassette collection in Turkey, carefully stored at her parents' home, but bought "20 or 25 really special ones" when she moved to London. "I'm from that generation," she says. "It's a nostalgia thing -- I like the hiss." "Vinyl has got so expensive to manufacture these days, especially if it's only a seven-inch you're putting out. You'll only lose money on a seven-inch release," says Tallulah Webb, who runs cassette-only label Sad Club Records. "Cassettes are an exciting way to put music out, in the same way that seven-inch singles were exciting for punk. They have always been a crucial part of the DIY scene."
On the flip side, Peter Robinson, founder and editor of Popjustice, believes the trend for tapes is a gimmick gone too far. "Cassettes are the worst-ever music format, and I say that as someone who owns a Keane single on a USB stick," he says. "I can understand the romance and the tactile appeal of the vinyl revival, but I'm actually quite amused by the audacity of anyone attempting to drum up some sense of nostalgia for a format that was barely tolerated in its supposed heyday. It's like someone looked at the vinyl revival and said: what this needs is lower sound quality and even less convenience."
"I think labels know full well that almost every cassette they sell is going straight on a shelf as some sort of dreadful plastic ornament," he says. "I don't think it's much different to the recent trend for pop stars adding pairs of socks to their merchandise lines, the crucial difference being that, for better or worse, socks don't count towards the album chart."
"It's the tangibility of having this collectible format and a way to play music that isn't just a stream or download," says techno DJ Phin, who has just released her first EP on cassette as label boss of Theory of Yesterday. "I find them much more attractive than CDs. Tapes have a lifespan, and unlike digital music, there is decay and death. It's like a living thing and that appeals to me." Phin left the bulk of her own 100-strong cassette collection in Turkey, carefully stored at her parents' home, but bought "20 or 25 really special ones" when she moved to London. "I'm from that generation," she says. "It's a nostalgia thing -- I like the hiss." "Vinyl has got so expensive to manufacture these days, especially if it's only a seven-inch you're putting out. You'll only lose money on a seven-inch release," says Tallulah Webb, who runs cassette-only label Sad Club Records. "Cassettes are an exciting way to put music out, in the same way that seven-inch singles were exciting for punk. They have always been a crucial part of the DIY scene."
On the flip side, Peter Robinson, founder and editor of Popjustice, believes the trend for tapes is a gimmick gone too far. "Cassettes are the worst-ever music format, and I say that as someone who owns a Keane single on a USB stick," he says. "I can understand the romance and the tactile appeal of the vinyl revival, but I'm actually quite amused by the audacity of anyone attempting to drum up some sense of nostalgia for a format that was barely tolerated in its supposed heyday. It's like someone looked at the vinyl revival and said: what this needs is lower sound quality and even less convenience."
"I think labels know full well that almost every cassette they sell is going straight on a shelf as some sort of dreadful plastic ornament," he says. "I don't think it's much different to the recent trend for pop stars adding pairs of socks to their merchandise lines, the crucial difference being that, for better or worse, socks don't count towards the album chart."
Couldn't have a better name for it. This one is utterly ridiculous. I mean, you had tapes originally so that you could record off your friend's record player, or maybe later to put in your car. That was an end to it, and they were never really loved as such.
On the other hand, get past the 80sness and listen to C30, C60, C90, Go! as a perfect description of when the writing was on the wall for physical record shops.
especially if it's only a seven-inch you're putting out.
When I read that, I full expected Archer to poke his head through my window and shout, "Phrasing!"
"Cassettes are the worst-ever music format, and I say that as someone who owns a Keane single on a USB stick"
Says someone who has never had to use 8-track.
#naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
My heart is all fluttering for the glory of the cassette tape. It's great to... hold on... I have to fast forward cause I hate this track. Overshot, rewind. Ah close enough. Anyway as I was saying, we all know the cassette is the most superior format and, hold on I have to flip the tape over. Anyways as I was saying, the floppy disk is clearly superior in every way to cloud storage.
I lived through the cassette era, and I really don’t get it. Setting aside the bad sound quality... it was not uncommon for the tapes to get “eaten” by players and recorders. It also was not uncommon for the tapes to get folded inside the cassette, and for the tapes to just break. I spent numerous hours, back then, attempting various repairs on cassettes which were messed up, one way or another... and even if you were “successful”, so to speak, your reward was a tape with fade outs or fuzzy sound or gaps...
The only medium which was worse was 8-track tapes, where it was a common experience to have at least one song on an album which overlapped a track change by design.
#DeleteChrome
because of stretched tape, or they would start dragging because the little plastic wheel the tape was on did not turn freely which more than likely was the cause of tape getting stretched
and when i switched to CDrom for music in my car i gladly tossed a shoebox full of cassette tapes in the trash, i wont ever buy another cassette tape again
Politics is Treachery, Religion is Brainwashing
Anyone who had to get their music from cassette tapes remembers what they sounded like. Cassette tapes may have become somewhat cool in some circles these days - but they still sound horrible.
https://www.youtube.com/watch?...
tl;dr - Yeah having to fast forward and rewind was annoying, but they sounded pretty good if you didn't buy the absolute cheapest cassettes you could find, and paid attention to what you were doing when recording.
My Other Computer Is A Data General Nova III.
Does no one remember;
- Removing it from the sleeve, obsessively cleaning and cleaning the surface, each side as played, and transcribing that precious vinyl album to reel to reel tape, on your Revox, at 15ips? Then, after careful storage of the vinyl, transcribing from the tape to metal oxide cassette tape, high bias, Dolby C, and all, treading upon the maximum level but never exceeding, to have a replica you could play over and over and over, secure in the knowledge that this could be replaced by a new transcription - for years...
- Waiting until 10pm on a specific night on Sundays, patiently, so that your almost in range FM station, for instance WABE, to play the most recent release of whatever top band was in the market, complete with start announcements, lead-in silence, and lead-out silence, one side at a time, your finger poised over the PAUSE button on that Revox reel to reel recorder, capturing what you could not quite yet actually purchase, to be transcribed onto cassette...
- And happily making another cassette copy for a friend, who made a copy for a friend, and so on until the result sounded better if you merely LOOKED at the cassette, in preference to playing back the 7th generation copy, reduced to an analog of a rainstorm on oil drums. Or AM radio from Chicago. Or SW from Berlin.
Those days. Makes me want to get my MiniDisc player/recorder and copy my favorites. Again. Through the Koss Pro4A cans. Isolation. Yes, we probably paid more for the equipment than we should have, but that golden age of HiFi still rings in my ears. L100 speakers, Sansui receivers, Linn turntables (the SL1200 not yet produced), Grado cartridges, Ampex tape (I know...), Nakamichi cassette decks, all this before directional oxygen-free copper interconnects. Just to hear shoddy recordings, with the exception of The Who, they cared.
deleting the extra space after periods so i can stay relevant, yeah.
I married my high school sweetheart after we were both out of college. We both went to high school during the height of the cassette tape generation, and share fond memories of making each other mix tapes.
Last year, we were moving and I found an old shoebox in the closet that I had never known was there. It was full of old things that I had given her in high school - some snap bracelets, notes we had passed in class, a can of spray glitter, other 80's fabulous relics, and a few mix tapes that I had made for her, including Mix Tape Number One - the first one I had ever made her on my old Realistic boom box. It was our first date - get a pizza and make a mix tape together.
I left the box exactly where it was, as undisturbed as possible, but I scribbled down all the songs that were on that mix tape. I managed to find the exact boom box I had on ebay, thanks to the nostalgia that was going around at the time of Radio Shack's closure, and with a little help from Spotify, I re-made that exact cassette tape using as many remixes and new versions as I could.
It was our 20th anniversary, and we were talking about what to do. I suggested we just go out to our favorite Italian restaurant and then I'd take her out for a surprise evening. I called a few days before to talk to the chef to see if he could make us a pizza (the restaurant doesn't have it on the menu), and he said sure, he could.
We got to the restaurant, and I had asked for a private dining area, so our host seated us in a back corner away from everyone else. I told my wife that I'd already ordered something special for us so we just got an appetizer and a bottle of wine to start.
After a while, a small team of people from the kitchen brought us our main course: a large pizza with pepperoni and green pepper on half and sausage and feta on the other half, and a dusty old Realistic boom box playing the remade mix tape we had made together on our first date.
The revival of the cassette tape isn't just to do with hipsters making old technology cool again. It's about cherishing memories of a time when the cassette tape was such an integral part of how we expressed ourselves. Playlists have become so easy that they have lost their meaning. Mix tapes took hours to put together and so had a lot of value in terms of time and effort sacrificed for another human being.
That night we were both reminded of just how much we love each other to this day. Our kids are getting ready to head out to college, and we'll be starting the empty-nester phase of our lives together before we know it. It's nice to have anchors in our relationship, and that first date is certainly one of them.
Maybe the price dropped off after competition came out, but on first release the walkman cost more than the first car I purchased (also with paper route money).
It's like someone looked at the vinyl revival and said: what this needs is lower sound quality and even less convenience."
Less convenient? They were smaller, the players were much smaller, and they didn't skip. Portability was easy.
Also, you had lots of control, could duplicate with ease, could make mix tapes, leave out extended codas or intros or whatever if you didn't want them.
Following the trend, I expect that the next big thing will be poorly encoded 128Mbps MP3. Burned on rotting CD-R for authenticity.
Impressive how nostalgia makes people long for things that have nothing positive about them. There are even groups of people who recreate traffic jams with vintage cars because it reminds them of they childhood holidays. I understand the appeal of vintage cars but traffic jams?! You hated them as a kid, you hate them now, they are a plague but nostalgia turned it into something pleasurable. Our brain is weird.
Since all aspects of the cassette tape response function from grain-level magnetic domain saturation, to wow and flutter in the the tape speed, to head alignment all can be numerically modeled. Even degaussing from tape stress over repeated plays and magnetic bleed through from tightly wound thin tapes. If all that gives it some j' Ne Sais Quoi that is sought, Why not just create a time domain filter for digital music and play that? lot cheaper than a cassette. Even a raspberry pi or an amazon dash button has the horsepower to do that kind of filtering. Moreover you don't even need to do it in real time, just preprocess it.
Some drink at the fountain of knowledge. Others just gargle.
Cassette tapes are the Porsche 911 of audio: a bad idea developed far beyond what its inventors ever intended. Decent cassettes sound demonstrably better than 256k mp3s, and the best cassettes sound measurably better than compact disc (dynamic range, for instance). A first gen ipod cannot compete with a first gen walkman for sound quality. Sure, if you use the cheapest tapes and the cheapest players, you will get the cheapest results. That's also true of digital players. The same trash cans that were once full of broken tape decks are now full of broken iphones. Besides, wise man once say: Better to hear one Elvis song on AM radio than sit front row at Maroon 5 concert.
That is Exaaaatlee how it sounds, afeeeerrrr extendeeeed use of a a tape,
It is like an Analog Signal on a flexible material, placed under tension just seems to not keep its quality.
Heck even in the golden age of tape, Steve Reich recorded a violinist on tape and recorded it onto an other tape, then played both at the same time, the fact that both recordings cannot be exactly played at the same rate, means the music gets out of phase, creating a rather complex sets of rhythms in the music.
If something is so important that you feel the need to post it on the internet... It probably isn't that important.