Slashdot Mirror

It's been coming in all day. Bert and Bin Laden. Lindqvist.com has the best explanation, I think. Even FOX is reporting on it now. Bert is unstoppable.

BigDave writes: "In this article on Wired, it describes how SETI is gradually running out of data, as the current data acquisition system cannot keep up with the rate of processing (since they now have 3 million users processing data). They have acquired a new high-speed digital data recorder which is Linux-powered, and was donated by Hewlett-Packard."

exceed writes: "This article on Wired, and this article on Yahoo! News states that scientists have decoded the genome of the bubonic plague bacterium. This will now (hopefully soon) lead to vaccinations and treatments for the disease it causes."

exceed writes: "This article on Wired, and this article on Yahoo! News states that scientists have decoded the genome of the bubonic plague bacterium. This will now (hopefully soon) lead to vaccinations and treatments for the disease it causes."

Myrioandme writes "Since the inception of the Internet, cybergeographers have been trying to draw maps of cyberspace. The results have been mixed, but a new book brings together some of the most interesting -- and breathtaking -- maps of virtual worlds. Wired is carrying the full story."

andyo writes: "Incredible assertion in this Wired article that 'Americans have no reasonable expectation of privacy in the identities of their e-mail correspondents, or the addresses of Web pages they visit.' Cites two senators who I'd thought to be more clueful (Orrin Hatch and Chuck Schumer)." Sure, the FBI should be able to check out every URL I visit without a warrant. They'll never abuse that power.

scraemondaemon writes: "A new TV public service announcement targets U.S. computer hacktivists with a blunt message: Uncle Sam wants you to help fight the war on terrorism. They demonize you and criminalize you and then ask for your help. What's a hacker to do?"

Digital_Quartz writes: "Wired News is reporting on a clever little tool by Tom Liston called LaBrea which uses unused IP addresses on a network to create virtual computers for worms and hackers to attack. LaBrea responds to requests in such a way as to keep the connection open forever, creating a "tarpit" in which worms like Code Red will get "stuck"."

Baldrson writes: "Wired magazine reports that in late August, B'nai Brith Canada tried to get the Royal Canadian Mounted Police (RCMP) and the Canadian Security Intelligence Service (CSIS) to pay attention to posts on the Islam Way weblog that solicited for volunteers to join Ossama bin Laden. According to the story: "...after media reports have suggested that Montreal and Halifax may have been meeting points for a number of the terrorists involved in the attack, B'nai Brith Canada is stepping up its efforts to get legislation passed to ban such Web activity.""

disappear writes "In the wake of yesterday's threats to cryptography, more ominous news: Wired News reports that a bill permitting warrantless Internet surveilance has been passed by the Senate." This is just part of the expected and unfortunate backlash from tuesday. The terrorists are winning simply because the govt. can use their threat as a blank check to take away our rights. The worst part is that this will do no good whatsoever. Does the govt really think that crypto export restrictions have prevented terrorists from having strong crypto?

disappear writes: "Wired news reports that Congress is considering restrictions on crypto software in the wake of the terrorist attack. 'Nuff said." This will be the next battle -- especially in the wake of this week's tragedies, and the the allegations that the prime suspect Osama Bin Laden is a heavy crypto user. The battle of privacy and safety is going to begin in earnest now.

evenprime writes: "Wired is running a story on Mark Hurst's extremely retro GoodEasy computing environment, and how it's old fashioned *nix approach to computing -- flat text, small simple programs that can be chained together -- increases user productivity" It's an interesting, hyper-simple approach, though any user outside of Mark's agency would have to apply some creative adaption. Every few months, I try to re-organize and simplify the documents and programs on my system, this looks like a good experiment for the next time.

Everyone out there who set up content mirrors helped the spread of information survive as well as it did. After the tremendous crush yesterday, conventional news sources seem to have largely recovered. However, people are still cushioning the network burden with their own mirrors and original reporting. We'll be putting up occasional updates as necessary, but for now hit that link below and you can read a ton of stories on all aspects of the story.

Ian Peon writes: "SF Gate has a short article on how the Internet "proved its mettle as a communications facilitator in a time of crisis." Kudos to all those who kept things running!"

An anonymous reader writes: "The who, what, and how are detailed in this Boston Herald story. The weapons were smuggled in the razor cases. And in order to get to the cockpit, they terrorized the stewardesses, killing a few in order to lure the pilot out. Once the pilot was out, they took control of the plane. They have identified a car driven by 5 arabs had flying instruction in arabic. The men have been traced back to different arab countries."

This WorldTribune.com story claims that Israeli intelligence reports favor the idea that the attacks may have had the backing of Saddam Hussein's Bagdhad government. According to a submission from UberOogie ,Osama bin Ladin denies involvement in the attacks. The claims, speculation and disclaimers will no doubt continue.

Connord D writes: "View the Survivor's Register Please, PLEASE go to the survivor registers, register that your looking for your family, tell your friends, pass the word around and identify those that have survived and those that are missing. Help worried families either confirm the fates of their loved ones so that they can mourn, or help them find those people that are missing." And Brian Mears, LAN Systems Operations Manager for Computer Sciences Corporation, writes: "I have created a forum on my website to allow families and friends of survivors to post messages and communicate with each other concerning this most tragic period." Here's the link: http://www.ntadmin.net/forum/.

It would be a godsend if the various survivor registries would pool their data, or if someone sets up a google-like search engine to reach all of them at once.

oo7 writes: "CNN has a stream of the first plane crash. If you'd like to download it you can from the videos section of this site; it has news updated as fast as I can and streams as fast as I can capture. Please forward any unknown news and links that you may have."

pKa writes: "The last image from WTCs 77th floor webcam is available on a few sites around the net. The original WCTA.org cam-site is dead, but available in Googles cache, where you can see the dark screen (camera already dead, most likely) at 09:52:52, 09/11/01 - just before the buildings crashed. Article (in norwegian) with screenshots available here" The stream of concern that yesterday's events will lead to an illiberal attitude toward privacy is growing into a torrent: vena writes: "CNN reported on television broadcast earlier today that the NSA was now going through volumes of recorded cellular calls for calls made by passengers on the planes. Clear admission."

GothChip writes: "Ananova are reporting that just hours after the terrorist attack on New York, the FBI started approaching ISPs asking for help in installing Carnivore."

mkelley writes: "This is only the beginning folks...looks like the internet is going to be blamed for this...Wired has a story that is sure to cause panic. This is going to be the goverment's way to push wiretapping into your email and web surfing. In this time of crisis, people in high places are going to use this to get their agenda through. "Blame the Internet" is going to be the rallying cry for everything ..." If you're interested in the details of the planes the terrorists chose, a Semi-Anonymous Coward writes: "American Airlines flight 77 confirmed down, crashed into the Pentagon, Washington DC. Flight 77 (Dulles to Los Angeles) is scheduled as a Boeing 757-200:

Boeing 757-200 data and history:

American Airlines Boeing 757-200 photos:

• American Airlines flight 11 confirmed down, crashed into World Trade Center New York. Flight 11 (Boston to Los Angeles) is scheduled as a Boeing 767-200:
• Boeing 767-200 data and history
• American Airlines Boeing 767-200 photos

United Airlines flight 175 confirmed down, crashed into World Trade Center New York. Flight 175 (Boston to Los Angeles) is scheduled as a Boeing 767-200:

• United Airlines Boeing 767-200 photos

United Airlines flight 93 confirmed down near Pittsburgh in Pennsylvania. Flight 93 (Newark to San Francisco) is scheduled as a Boeing 757-200:

• United Airlines Boeing 757-200 photos: United Airlines Boeing 757-200 photos"

Declan McCullagh writes: "If you thought the DMCA was a nightmare, wait 'til you find out what Congress is planning this fall. The sequel is called the "Security Systems Standards and Certification Act," and it requires PCs and consumer electronic devices to support "certified security technologies" to be approved by the Commerce Department. Backers of the SSSCA include Sen. Fritz Hollings (D-S.C.), who heads the powerful Senate Commerce committee, and, reportedly, Disney. Wired News has a report, and I've placed the SSSCA draft text (new! more criminal penalties!) online here. D'ya think that maybe Congress doesn't like OSS very much?" This is only a draft, not even introduced as a bill yet, but it sends chills down my spine - this is the big one. If passed, it would require all personal computers to have digital rights management built in, under penalty of law.

Declan McCullagh writes: "If you thought the DMCA was a nightmare, wait 'til you find out what Congress is planning this fall. The sequel is called the "Security Systems Standards and Certification Act," and it requires PCs and consumer electronic devices to support "certified security technologies" to be approved by the Commerce Department. Backers of the SSSCA include Sen. Fritz Hollings (D-S.C.), who heads the powerful Senate Commerce committee, and, reportedly, Disney. Wired News has a report, and I've placed the SSSCA draft text (new! more criminal penalties!) online here. D'ya think that maybe Congress doesn't like OSS very much?" This is only a draft, not even introduced as a bill yet, but it sends chills down my spine - this is the big one. If passed, it would require all personal computers to have digital rights management built in, under penalty of law.

The U.S. Department of Justice announced that it had been instructed by the Bush Administration to cease its drive to break up Microsoft, which has already been found guilty of violating U.S. anti-trust law in a complaint filed by the Federal Government and 19 states. See the BBC or CNN for more. It isn't clear what wristslap, errr, remedy the Justice Department will seek instead. Update: 09/06 15:21 PM GMT by M : Declan McCullagh of Wired notes: "The text of the DOJ announcement is here. Wired News has an article. Also, the DOJ says a 'Senior Antitrust Division Official' will brief reporters at the department's DC headquarters at 11:30 am ET, so look for some followup stories from that."

angkor writes: "This is worth a look: "A new image from the Hubble telescope shows a pair of supersonic shock waves created when gas from a collapsing star hits surrounding clouds of cosmic gas and dust." And an enlarged image for your desktop."

angkor writes: "This is worth a look: "A new image from the Hubble telescope shows a pair of supersonic shock waves created when gas from a collapsing star hits surrounding clouds of cosmic gas and dust." And an enlarged image for your desktop."

Glog writes: "According to Wired Magazine Manga Entertainment has announced the release of their first digital anime feature Blood: The Last Vampire to theaters. The movie showcases a unique blend of japanese anime and computer animation. It will be streamed live for 24 hours all day Tuesday (August 28, 2001)." Jump straight to blood.sputnik7.com to see the movie; Real and Windows Media only.

Scott Sawyer writes: "Check out Wired to see that Maine is going to put a laptop in every 7th graders school bag. I remember when we had to go to another room to work on the Tandy, TRS-80's." We did a story about Laptops in Education a few months ago that had more information about this Maine proposal that's now a reality.

An Anonymous Coward writes: "It's never too young to be a yuppie. An engineering professor at the University of Michigan is studying how handheld technology can be incorporated in elementary and high schools. His theory is that PDAs can provide students with a much more interactive and cheaper means of learning than desktop computers. The professor has created a number of interesting applications for using PDAs in school, including a 'cooties' simulator, where students beam around a virus from Palm to Palm and then figure out how it propagated. The New York Times covers the use of PDAs in classrooms here, and Wired News has an article here talking about schools who ban students from carrying PDAs." Both articles focus on Palm OS devices at a school in Ann Arbor, but only the Wired piece points out that the devices were banned there last year.

Code Fixer writes: "The first (and perhaps last) issue of The Infinite Matrix is up." The one and only issue of a would-be science fiction magazine. Good stuff.

Xaleth Nuada wrote to us about a Wired article that talks a school in Colorado choosing Linux over the traditional choices. The reason? Prohibitive costs for licensing, of course. The school's network is maintained by parental volunteers, and thanks to Linux, can be easily maintained remotely. And for what schools use computers for - primarily the Internet, it's a great solution.

weink writes "A new generation of scrappy search engines is emerging to challenge the dominance of mighty Google . An article at Wired News lists up-and-coming search engines, WiseNut , Teoma , Lasoo , CURE , and Vivisimo . Take a look, and give them a try. But I still say that nothing is better then the almighty Google ."

weink writes "A new generation of scrappy search engines is emerging to challenge the dominance of mighty Google . An article at Wired News lists up-and-coming search engines, WiseNut , Teoma , Lasoo , CURE , and Vivisimo . Take a look, and give them a try. But I still say that nothing is better then the almighty Google ."

Quite a few readers submitted news of a distributed system to be built by four U.S. institutions (mostly) out of IBM computers, and paid for with a whopping grant. DoctorWho and november writes: "'The National Science Foundation has awarded $53 million to four U.S. research institutions to build and deploy a distributed terascale facility...' A link to the press release is here." An anonymous reader contributed a link to coverage on Wired, and GreazyMF to one of this story at the New York Times.

codetalker writes: "Assembly 2001 ended on August 6th and it seems that the demo scene hasn't died yet. Head on over to their ftp and download the latest marvels from Helsinki's massive annual programming and digital art/music competition. Wired also has a couple articles on the subject here(1), here(2) and here(3)."

codetalker writes: "Assembly 2001 ended on August 6th and it seems that the demo scene hasn't died yet. Head on over to their ftp and download the latest marvels from Helsinki's massive annual programming and digital art/music competition. Wired also has a couple articles on the subject here(1), here(2) and here(3)."

codetalker writes: "Assembly 2001 ended on August 6th and it seems that the demo scene hasn't died yet. Head on over to their ftp and download the latest marvels from Helsinki's massive annual programming and digital art/music competition. Wired also has a couple articles on the subject here(1), here(2) and here(3)."

More reason below on why not to eat the yellow links, as well as the ongoing interesting effects of the Sircam virus, and whatever happened to Linux in Mexican schools. (Answer: it didn't.) And please send some good news for next time.

... and you'll like it! LupusUF writes: "As everyone knows by now...Kazaa is using top text links Kazaa is using top text. But not only are they using them, they are badmouthing people who complain about them. When someone posted a complaint, a Kazaa moderator (Super_Harris) started out his reply by saying "How Dare You!" and then went on trying to explain why they are using top text. Another moderator makes some more poor excuses in the same thread. The same thread also has some very useful information about the spyware that kazaa has installed with the latest version (cydoor, Onflow, New.Net, WebHancer).

My advice would be to get ad-aware.

I hope Kazaa starts treating its users with more respect, and at least gets moderators that can answer questions without treating their users like idiots."

Sircam Sircam A quivering, cowardly reader wrote to point out that sensitive Ukranian government documents were apparently leaked by the Sircam virus. Even juicier than the steady stream of love notes, recipes, tax information, homework, bids and schedules that keeps flowing into my mailbox.

Don't look for much help from Microsoft on this, either, and hardly any from ISPs. Most of the ISPs I've contacted still claim not to have heard of Sircam, and say "it's not our responsibility." Email from Microsoft (after I cc'd them on a few of my virus alerts) equally disclaims responsibility. Funny how Sircam never made it to the front page of their site. Kudos to Charter Communications for calling customers to let them know they were infected -- and a pox on Prodigy for refusing to.

May the path of least resistance rise to meet you. Alec Muzzy writes: "Wired has a story about a failed plan to install Linux on computers for Mexican Schools in an effort to save money. Instead they have decided to run Windows, because Linux wouldn't run on their hardware. As they say, 'It was easier to go with Windows.'

Here's a perfect example of where the free cost of Linux should have been an advantage, yet they decided to go with Windows instead. Does this mean that the costs of running Linux are higher than the cost to purchase Windows?"

jeffy124 writes "New Jersey Democratic Senator Bob Torricelli has proposed federal legislation titled the School Website Protection Act of 2001 that would criminally punish students who disrupt school networks, whether it be elemantary, high school, or college. Unfortunately, the legislation makes common acts like sending e-mail to a teacher an offense that can be investigated by the Secret Service and punishable by 10 years incarceration. It almost seems as if sitting at a lab computer and logging in is illegal."

Markgor writes "Just finished looking through some pictures from the recent Vintage Computer Festival in Marlboro, Massachussetts, the first time that it's been held on the East coast. The best pic has to be the one of the Sol-20. Here in Ottawa, we have a bunch of vintage computers sitting in one of our museums, including an Altair, but I haven't seen an intact Sol-20 in a long long time"

Markgor writes "Just finished looking through some pictures from the recent Vintage Computer Festival in Marlboro, Massachussetts, the first time that it's been held on the East coast. The best pic has to be the one of the Sol-20. Here in Ottawa, we have a bunch of vintage computers sitting in one of our museums, including an Altair, but I haven't seen an intact Sol-20 in a long long time"

Markgor writes "Just finished looking through some pictures from the recent Vintage Computer Festival in Marlboro, Massachussetts, the first time that it's been held on the East coast. The best pic has to be the one of the Sol-20. Here in Ottawa, we have a bunch of vintage computers sitting in one of our museums, including an Altair, but I haven't seen an intact Sol-20 in a long long time"

jeffy124 writes "Microsoft has made a slight adjustment to their recent change in OEM licensing in a direct response to AOL's hijacking of the desktop. The gist is show MSN's icon too, or don't show any." As jeffy124 points out, this comes, more or less, straight as a reaction to the AOL-Compaq deal.

cdlu writes: "Citing the need for up-to-date digital copyright laws, the Canadian government is starting hearings into our own version of the US's DMCA. Do you still wonder why people protest at the G-8 and other such summits?" Meanwhile, New Zealand is also planning to reform its copyright laws to include DMCA-like restrictions, and in the USA, Congress is planning to double the number of FBI agents and Federal attorneys devoted to pursuing copyright cases.

Oolon was the first to write in with news that the EFF has concluded their meeting with the US Attorney's Office, to no good result. Recent DMCA/Sklyarov news: Rep. Rick Boucher is supportive of reforming the DMCA but not very optimistic about getting it done soon. egerlach sent links for protests planned this Monday: Boston, Minnesota, San Francisco. Phil Zimmerman will be speaking about Sklyarov and other subjects this Tuesday. There's more information at the Free Sklyarov site as well.

So, we've gotten a lot of submissions about various things related to the O'Reilly Open Source Convention. Michael Tiemann had a few words before the convention; Dan Gillmor wrote a column about it; Fred Baker made a few flameworthy remarks. For whatever reason the whole conference seemed to be dominated by the Mundie-Tiemann debate. See our earlier story for some good links, or watch the debate video, or just read some post-debate coverage here or here. And if you haven't heard enough from Mundie, you can even read his post-debate letter.

Let's go over the Sklyarov situation. Sklyarov is still in jail. In fact, he's still in Las Vegas, where he is being held without even a bail hearing, much less bail. The excuse given for not having a bail hearing when he was arrested on July 16 was that he was being immediately transferred to San Jose and would get a hearing there. Anyway, a recap of the protests: San Jose, more San Jose, New York, Seattle, Chicago writeup and Chicago pictures, Moscow writeup and Moscow photo and news coverage: New York Times, Business2.com. Wired has Washington's viewpoint - Representative Coble says "there have been very few complaints from intellectual property holders". Well, duh. Linuxplanet has an opinion piece exploring the Digital Millennium Rape Act. Finally EFF has written a letter to U.S. Attorney Mueller, asking for the U.S. to drop the charges against Sklyarov. It seems pretty doubtful that he will, since he won't want to be seen as soft on crime during his Senate confirmation hearings.

Goldberg's Pants writes: "ZDNet and Wired are both reporting on a new virus that spreads via Outlook. Nothing particularly original there, except this virus is pretty unique both in how it operates, and what it does, such as emailing random documents from your harddrive to people in your address book, and hiding itself in the recycle bin which is rarely checked by virus scanners." I talked by phone with a user whose machine seemed determined to send me many megabytes of this virus 206k at a time; he was surprised to find that his machine was infected, as most people probably would be. The anti-virus makers have patches, if you are running an operating system which needs them.

KTS writes: "Over at Wired, there's an interesting article about the use of solar energy by the rural poor in the Dominican Republic. Soluz, Inc., a Massachussetts-based company, has installed thousands of solar panels on an island where most of the rural population is cutoff from the power-grid. Says the article: "Rural communities rely on solar energy for everything from pumping clean water from aquifers to recharging cell phone batteries." According to another article, the Dominican Republic now has "more [solar panels] per capita than anywhere else in the world." After constantly hearing about the misuse of technology, stories like this make you feel good. With solar power, it looks like developing countries can avoid much of the downside that comes with electric power, while reaping the benefits. Zero polution, no overhead lines, and no squandered petroleum (after all, we need the oil for ourselves)."

KTS writes: "Over at Wired, there's an interesting article about the use of solar energy by the rural poor in the Dominican Republic. Soluz, Inc., a Massachussetts-based company, has installed thousands of solar panels on an island where most of the rural population is cutoff from the power-grid. Says the article: "Rural communities rely on solar energy for everything from pumping clean water from aquifers to recharging cell phone batteries." According to another article, the Dominican Republic now has "more [solar panels] per capita than anywhere else in the world." After constantly hearing about the misuse of technology, stories like this make you feel good. With solar power, it looks like developing countries can avoid much of the downside that comes with electric power, while reaping the benefits. Zero polution, no overhead lines, and no squandered petroleum (after all, we need the oil for ourselves)."

blkros writes "Looks like Barney isn't so lovable after all, or at least his lawyers aren't, as this article at Wired shows. They are starting to bring action against web sites that disparage the "lovable", purple dinosaur." The specific case they talk about is a page listing a hundred ways to kill a purple dinosaur, which strikes me as pretty fair satire (and a justifiable cause).

blkros writes "Looks like Barney isn't so lovable after all, or at least his lawyers aren't, as this article at Wired shows. They are starting to bring action against web sites that disparage the "lovable", purple dinosaur." The specific case they talk about is a page listing a hundred ways to kill a purple dinosaur, which strikes me as pretty fair satire (and a justifiable cause).

Markgor writes: "There is an article in Wired News today about a group of students at the University of Alabama (Huntsville) who entered into the 2001 ASCE/MBT National Concrete Canoe Competition with a canoe that was built to achieve forward propulsion through matching natural resonance."

"Normally, if two objects share an exact natural resonance, the excited vibrations would usually lead the weaker object to fall apart, much like the Tacoma Narrows Bridge did when the equal frequencies of the wind and the structure of the bridge matched. However, since the canoe was designed with a special mix of concrete, it was flexible enough to withstand the vibrations and harnessed it into forward propulsion. They're now talking about its possible use in space, such as interplanetary probes using natural resonance to propel itself."

Alien54 writes "As reported in Wired Magazine, the first Quantum Mechanics Symposium is being held in Ann Arbor, Michigan. Topics to be discussed include Quantum Computing. Also to be discussed will be Atomic Lasers, a technology involving a coherent and tightly focused beam of atoms that was first developed by MIT researchers in 1997. One of the things that they could lead to is making a 3-D matter hologram using atom lasers. [not just make a 3-D image, but an actual replicate object]. Missing will be a talk by Stuart Hameroff, associate director of the University of Arizona's Center for Consciousness Studies, who recently had to cancel his appearance at the conference for personal reasons."

Noxxus writes: "Wired is carrying this article about the shutdown of Alan Brown's Open Relay Behavior-Modification System, more commonly known as ORBS. Brown, of New Zealand, closed his operation after two local companies won legal injunctions against him for listing them." It seems the list of 94,000 open relays will be maintained by: "Open Relay Black List of Phoenix, AZ, Open Relay Block Zone (ORBZ), of Basingstoke, England, and the Open Relay Database (ORDB), of Aarhus, Denmark." We've gotten a zillion ORBS submissions since the day its website went down, but this is the first post-ORBS story with enough info to be worth a mention. Guess the dust just needed to settle.

We're obviously in the minority, but I think the EFF's John Gilmore has cut to the chase:

For Gilmore, spam blocking should occur at the recipient level, not at the level of self-appointed upstream censors.

"I noticed years ago that the community tends to go 'mob' and lose its morals and principles when it comes to spam," Gilmore says. "Free speech, interoperability, inclusiveness, tolerance, privacy, anonymity -- all go out the window when they get in the way of killing off those damn spammers."

I wonder if he'll get added to spam lists now, like I do every time I post a story critical of anti-spam activists. Yeah, subscribe me and Rob to more mailing lists under the handle "Spamlover." That's real mature.

As you might have expected, several of the slashdot folks went to see A.I. this weekend. Jon Katz and I were brave enough to write about it. In case you've been dead for the past six months, there's a huge game being run to promote the movie (though the plot of the game apparently has little to do with the plot of the movie). Read on for a thorough dissection of this much-hyped tale of the robot boy who can (sniff, sniff) love. (Usual warnings about spoilers apply.)

michael: Looks like I get to go first. Let's get some basics out of the way. Some reviews by others: Slate, Salon, Wired. You may want to read the short story that started it all. But if you see the movie, you'll find that the short story has less influence on the movie than a famous and beautiful poem by W. B. Yeats, The Stolen Child. Since it's out of copyright, and since it happens to be one of my favorite poems, and since you uncouth heathens could use some exposure to beauty, I'm going to reproduce it here.

The Stolen Child

Where dips the rocky highland
Of Sleuth Wood in the Lake,
There lies a leafy island
Where flapping herons wake
The drowsy water-rats
There we've hid our faery vats,
Full of berries
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Where the wave of moonlight glosses
The dim grey sands with light
Far off by furthest rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight,
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams,
Leaning softly out
From ferns that drop their tears
Over the young streams
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Away with us he's going,
The solemn-eyed
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast
Or see the brown mice bob
Round and round the oatmeal chest
For he comes, the human child
To the waters and the wild
With a faery, hand in hand,
From a world more full of weeping then he can understand

--W.B. Yeats, 1889

The poem itself in is in the movie in two places, and crops up in several other places as well - "Till the moon has taken flight" takes on literal meaning, for example. Faeries, yep, we got faeries. And there's no one more solemn-eyed than a kid who sees dead people.

I'm sure one of the other slashdot authors will go into the whole Kubrick/Spielberg deal so I'll skip it. The movie is slow, light on dialogue, heavy on music and long meaningful camera shots. (It reminded me of The Thin Red Line several times.) The audience didn't particularly appreciate the slower scenes (one anonymous coward in the back row shouted out "Boring!" at one point), which makes me think this isn't going to be a box-office smash. The acting is superior - a great deal of effort has been expended in having the mechanicals show a consistent face to the world - they don't break character in the slightest, not even an extraneous eye-twitch. Special effects are also superior - rarely in your face, but always there, and entirely realistic. (I'm going to ignore the aliens.)

One area I kept looking for was hard-coded limits on robotic behavior. These robots have neither the First, nor the Second, nor the Third Laws of Robotics, which seems like a foolish design oversight. Several major plot points would been eliminated if the robots were obedient ... but why would humans make disobedient robots? At the very least, it seems like emotion would come well before disobedience on the robot evolutionary scale.

Anyway, A.I. is well worth seeing, at least once. I don't know if time will call this a masterwork or not. It's certainly a fine piece, worthy of respect, and it will certainly be referenced in the many future movies about artificial intelligence (just wait and see), but it seemed to fall a bit short of master-level.

Jon Katz: In A.I., Steven Spielberg (and the ghostly spirit of Stanley Kubrick) has made one of the most astonishing and original scientific fairy tales of all time. The movie is unlike anything you've ever seen, visually or conceptually. Like so many Hollywood movies of the past decade or two, it doesn't quite know how to end, but that's a minor squawk against the backdrop of a masterpiece of story-telling genius and moral power. Through the life of a lost boy -- an artificially engineered one -- Spielberg has brought a fresh, contemporary eye to enduring questions of moral responsibility and technology, and their impact on human life. Be prepared: this is a very disturbing movie. In cinematic terms, Spielberg has chillingly evoked Mary Shelley. He combines his dramatic flair and his acute sensibilities about childhood with fantabulistic animation and design. Spoilage warning: Plot is discussed, no endings.

This is the story of David (played wonderfully by Haley Joel Osment), a robotic boy sent out into a world ravaged by ecological catastrophe (global warming has submerged the great coastal cities of the earth). Although the future is filled with mechanical beings, David is the first child programmable to feel and need love, and to dream his own dreams. His desire to love a mother deeply, once activatd by a spoken imprint sequence, is irreversible. If the relationship doesn't work, David must be destroyed.

Osment's tormented robot-kid is disturbingly convincing, especially his transformation from a machine trying to learn about emotions into a sentient being overwhelmed and consumed by them. Alternately predictable and inappropriate, endearing and creepy, he struggles to fit into a conventional family. Henry and Monica, the parents who take him in (Frances O'Connor and Sam Robards) have accepted that their biological son, who is in a coma, will never awaken.

Already, the moral lines are drawn powerfully around this family, a stand-in for our morally obtuse society. Henry agrees to bring a robot child into his home as a surrogate kid without even telling his wife, to help assuage her grief. Monica, mourning her stricken offspring, is a sucker for a loving kid, even a programmed one. David is used in the most profoundly unthinking way. At first, Monica is unnerved by this alien creature, then succumbs to his unequivocal affection.

But their son Martin does recover, and comes home angry and jealous. Here, the movie moves directly into Frankenstein territory. In one powerful scene David is so anxious to be like Martin, whom his new mother loves so deeply, that he starts wolfing down food, which nearly destroys his delicate circuitry. Goaded by their manipulative and somewhat unpleasant natural son, Henry and Monica come to believe they have a monster in their home rather than a loving child, and are overwhelmed by what they've done. Just like Victor Frankenstein, they take no responsibility whatsoever for this creature, sending him away into the dark woods.

David's "mother," to whom he is now forever devoted, takes him out for a drive and abandons him -- an echo of countless fairy tales -- rather than return him to the cybernetic firm that will destroy him. The film's lively middle section depicts a world in which thugs roam the countryside looking to torture and hunt down "mechas," capturing them for a "Flesh Fair," a carnival billed as a celebration of life devoted to "demolishing artificiality" and securing a truly human future.

David's creator Professor Hobby (William Hurt), also stands back as this tragedy unfolds, more curious about his experiment and its commercial possibilities than he is concerned for its consequences. It's a scathing rendition of America's ostrich-like attitudes about technology, as it unleashes AI, fertility, genetic and other technologies on an unprepared world, all in the name of progress, health, or convenience.

In fact, as in The Matrix and almost every other movie which deals with AI, the film delineates a world already sliding into civil war: humans ("orgas," for organic) caught between technological and environmental issues, feel increasingly endangered by the intelligent machines that are more adaptable than they are. It's interesting that almost no artist or futurist looks at AI and the future and sees much good.

As a renegade sex robot called Gigolo Joe (the phenomenal Jude Law) explains to David, whom he's befriended, humanity has belatedly come to regret devloping AI machines unthinkingly. "They made us too smart, too fast, too many," Joe says, perhaps presciently.

Dark and ominous from the beginning, the movie now turns wrenching. Wickedly, Martin has urged his mother to read aloud the story of Pinocchio, with which David becomes obsessed. He sees the parallels between his own story and the wooden puppet's, and he sets out at all costs to find the Blue Fairy who will transform him into a real boy so that his missing "mother" will love him as much as she loves her biological son. But by now, David is no witless, gullible Pinocchio. He is obsessed and resourceful, and has evolved in decidedly non-Disney ways.

The shadow of Stanley Kubrick, who conceived the movie based on a short story by Brian Aldriss, falls darkly across this ground-breakingly inventive tale. There are embedded visual and thematic references to A Clockwork Orange, and 2001: A Space Odyssey, along with Star Wars and E.T. There's even a sly homage to Pinocchio's "Pleasure Island." And the story draws heavily from the fairy tale genre, especially all those Grimm's fables about kids being abandoned in dark and menacing woods. Kubrick apparently spent many hours talking with Spielberg about the movie, but died before he could tackle it.

But Spielberg really honors him here. This movie is as disquieting as it is eerie, gorgeous and thoughtful; it dares to take on the serious issue of humanity's pell-mell rush to fiddle with human life -- from AI to robotics to genomics -- without realistically or carefully considering the consequences. You can almost hear the technologists of the future explaining why they couldn't possibly have foreseen the impact of the forces their predecessors unleashed.

When Mary Shelley sounded this warning in Frankenstein, technology was primitive and noninvasive, still a somewhat abstract fear. The world in whic David "lives" is not only imaginable but, by many accounts, is almost upon us, at least in terms of the possibilities of AI and the rapid evolution of computer systems into a sort of species.

Speielberg reminds us that we aren't ready. Not only may many humans get hurt, but so may the new machines, along with nature itself. It's a provocative twist on a big and powerful premise. What are we? What are we going to be?

There's a Freudian twist or two as well. What David yearns for is what the shrinks tell us we all want at some point -- pure, undiluted love from and time with Mom. David's fight for that is heroic, down to a shocking and unexpected series of endings, certain to be controversial and upsetting to many. (Parents who bring little kids to what they think is just another Spielberg yarn will be in for an unpleasant surprise). David develops some less attractive human qualities as well. Spielberg seems to be suggesting that it's all too easy to ultimately create machines that behave like humans, but we might not like the results.

This ability, he seems to warn, distracts us, lets us off the hook, prevents us from asking the most signficant question: What does it mean to be human, and what kind of humans do we want to be? That question doesn't often come up when it comes to technology, where the question is more apt to be: how can we create more cool stuff?

A.I. is shocking and haunting, beautiful and unique. For all his sometimes icky Boomer sentimentality, Spielberg's ability to grow artistically, to make deeper, richer, more inventive movies, qualifies in my book as an epic acheivement. When it comes to science, this movie begins where 2001 leaves off, and then goes a galaxy or two farther.

As you might have expected, several of the slashdot folks went to see A.I. this weekend. Jon Katz and I were brave enough to write about it. In case you've been dead for the past six months, there's a huge game being run to promote the movie (though the plot of the game apparently has little to do with the plot of the movie). Read on for a thorough dissection of this much-hyped tale of the robot boy who can (sniff, sniff) love. (Usual warnings about spoilers apply.)

michael: Looks like I get to go first. Let's get some basics out of the way. Some reviews by others: Slate, Salon, Wired. You may want to read the short story that started it all. But if you see the movie, you'll find that the short story has less influence on the movie than a famous and beautiful poem by W. B. Yeats, The Stolen Child. Since it's out of copyright, and since it happens to be one of my favorite poems, and since you uncouth heathens could use some exposure to beauty, I'm going to reproduce it here.

The Stolen Child

Where dips the rocky highland
Of Sleuth Wood in the Lake,
There lies a leafy island
Where flapping herons wake
The drowsy water-rats
There we've hid our faery vats,
Full of berries
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Where the wave of moonlight glosses
The dim grey sands with light
Far off by furthest rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight,
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams,
Leaning softly out
From ferns that drop their tears
Over the young streams
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Away with us he's going,
The solemn-eyed
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast
Or see the brown mice bob
Round and round the oatmeal chest
For he comes, the human child
To the waters and the wild
With a faery, hand in hand,
From a world more full of weeping then he can understand

--W.B. Yeats, 1889

The poem itself in is in the movie in two places, and crops up in several other places as well - "Till the moon has taken flight" takes on literal meaning, for example. Faeries, yep, we got faeries. And there's no one more solemn-eyed than a kid who sees dead people.

I'm sure one of the other slashdot authors will go into the whole Kubrick/Spielberg deal so I'll skip it. The movie is slow, light on dialogue, heavy on music and long meaningful camera shots. (It reminded me of The Thin Red Line several times.) The audience didn't particularly appreciate the slower scenes (one anonymous coward in the back row shouted out "Boring!" at one point), which makes me think this isn't going to be a box-office smash. The acting is superior - a great deal of effort has been expended in having the mechanicals show a consistent face to the world - they don't break character in the slightest, not even an extraneous eye-twitch. Special effects are also superior - rarely in your face, but always there, and entirely realistic. (I'm going to ignore the aliens.)

One area I kept looking for was hard-coded limits on robotic behavior. These robots have neither the First, nor the Second, nor the Third Laws of Robotics, which seems like a foolish design oversight. Several major plot points would been eliminated if the robots were obedient ... but why would humans make disobedient robots? At the very least, it seems like emotion would come well before disobedience on the robot evolutionary scale.

Anyway, A.I. is well worth seeing, at least once. I don't know if time will call this a masterwork or not. It's certainly a fine piece, worthy of respect, and it will certainly be referenced in the many future movies about artificial intelligence (just wait and see), but it seemed to fall a bit short of master-level.

Jon Katz: In A.I., Steven Spielberg (and the ghostly spirit of Stanley Kubrick) has made one of the most astonishing and original scientific fairy tales of all time. The movie is unlike anything you've ever seen, visually or conceptually. Like so many Hollywood movies of the past decade or two, it doesn't quite know how to end, but that's a minor squawk against the backdrop of a masterpiece of story-telling genius and moral power. Through the life of a lost boy -- an artificially engineered one -- Spielberg has brought a fresh, contemporary eye to enduring questions of moral responsibility and technology, and their impact on human life. Be prepared: this is a very disturbing movie. In cinematic terms, Spielberg has chillingly evoked Mary Shelley. He combines his dramatic flair and his acute sensibilities about childhood with fantabulistic animation and design. Spoilage warning: Plot is discussed, no endings.

This is the story of David (played wonderfully by Haley Joel Osment), a robotic boy sent out into a world ravaged by ecological catastrophe (global warming has submerged the great coastal cities of the earth). Although the future is filled with mechanical beings, David is the first child programmable to feel and need love, and to dream his own dreams. His desire to love a mother deeply, once activatd by a spoken imprint sequence, is irreversible. If the relationship doesn't work, David must be destroyed.

Osment's tormented robot-kid is disturbingly convincing, especially his transformation from a machine trying to learn about emotions into a sentient being overwhelmed and consumed by them. Alternately predictable and inappropriate, endearing and creepy, he struggles to fit into a conventional family. Henry and Monica, the parents who take him in (Frances O'Connor and Sam Robards) have accepted that their biological son, who is in a coma, will never awaken.

Already, the moral lines are drawn powerfully around this family, a stand-in for our morally obtuse society. Henry agrees to bring a robot child into his home as a surrogate kid without even telling his wife, to help assuage her grief. Monica, mourning her stricken offspring, is a sucker for a loving kid, even a programmed one. David is used in the most profoundly unthinking way. At first, Monica is unnerved by this alien creature, then succumbs to his unequivocal affection.

But their son Martin does recover, and comes home angry and jealous. Here, the movie moves directly into Frankenstein territory. In one powerful scene David is so anxious to be like Martin, whom his new mother loves so deeply, that he starts wolfing down food, which nearly destroys his delicate circuitry. Goaded by their manipulative and somewhat unpleasant natural son, Henry and Monica come to believe they have a monster in their home rather than a loving child, and are overwhelmed by what they've done. Just like Victor Frankenstein, they take no responsibility whatsoever for this creature, sending him away into the dark woods.

David's "mother," to whom he is now forever devoted, takes him out for a drive and abandons him -- an echo of countless fairy tales -- rather than return him to the cybernetic firm that will destroy him. The film's lively middle section depicts a world in which thugs roam the countryside looking to torture and hunt down "mechas," capturing them for a "Flesh Fair," a carnival billed as a celebration of life devoted to "demolishing artificiality" and securing a truly human future.

David's creator Professor Hobby (William Hurt), also stands back as this tragedy unfolds, more curious about his experiment and its commercial possibilities than he is concerned for its consequences. It's a scathing rendition of America's ostrich-like attitudes about technology, as it unleashes AI, fertility, genetic and other technologies on an unprepared world, all in the name of progress, health, or convenience.

In fact, as in The Matrix and almost every other movie which deals with AI, the film delineates a world already sliding into civil war: humans ("orgas," for organic) caught between technological and environmental issues, feel increasingly endangered by the intelligent machines that are more adaptable than they are. It's interesting that almost no artist or futurist looks at AI and the future and sees much good.

As a renegade sex robot called Gigolo Joe (the phenomenal Jude Law) explains to David, whom he's befriended, humanity has belatedly come to regret devloping AI machines unthinkingly. "They made us too smart, too fast, too many," Joe says, perhaps presciently.

Dark and ominous from the beginning, the movie now turns wrenching. Wickedly, Martin has urged his mother to read aloud the story of Pinocchio, with which David becomes obsessed. He sees the parallels between his own story and the wooden puppet's, and he sets out at all costs to find the Blue Fairy who will transform him into a real boy so that his missing "mother" will love him as much as she loves her biological son. But by now, David is no witless, gullible Pinocchio. He is obsessed and resourceful, and has evolved in decidedly non-Disney ways.

The shadow of Stanley Kubrick, who conceived the movie based on a short story by Brian Aldriss, falls darkly across this ground-breakingly inventive tale. There are embedded visual and thematic references to A Clockwork Orange, and 2001: A Space Odyssey, along with Star Wars and E.T. There's even a sly homage to Pinocchio's "Pleasure Island." And the story draws heavily from the fairy tale genre, especially all those Grimm's fables about kids being abandoned in dark and menacing woods. Kubrick apparently spent many hours talking with Spielberg about the movie, but died before he could tackle it.

But Spielberg really honors him here. This movie is as disquieting as it is eerie, gorgeous and thoughtful; it dares to take on the serious issue of humanity's pell-mell rush to fiddle with human life -- from AI to robotics to genomics -- without realistically or carefully considering the consequences. You can almost hear the technologists of the future explaining why they couldn't possibly have foreseen the impact of the forces their predecessors unleashed.

When Mary Shelley sounded this warning in Frankenstein, technology was primitive and noninvasive, still a somewhat abstract fear. The world in whic David "lives" is not only imaginable but, by many accounts, is almost upon us, at least in terms of the possibilities of AI and the rapid evolution of computer systems into a sort of species.

Speielberg reminds us that we aren't ready. Not only may many humans get hurt, but so may the new machines, along with nature itself. It's a provocative twist on a big and powerful premise. What are we? What are we going to be?

There's a Freudian twist or two as well. What David yearns for is what the shrinks tell us we all want at some point -- pure, undiluted love from and time with Mom. David's fight for that is heroic, down to a shocking and unexpected series of endings, certain to be controversial and upsetting to many. (Parents who bring little kids to what they think is just another Spielberg yarn will be in for an unpleasant surprise). David develops some less attractive human qualities as well. Spielberg seems to be suggesting that it's all too easy to ultimately create machines that behave like humans, but we might not like the results.

This ability, he seems to warn, distracts us, lets us off the hook, prevents us from asking the most signficant question: What does it mean to be human, and what kind of humans do we want to be? That question doesn't often come up when it comes to technology, where the question is more apt to be: how can we create more cool stuff?

A.I. is shocking and haunting, beautiful and unique. For all his sometimes icky Boomer sentimentality, Spielberg's ability to grow artistically, to make deeper, richer, more inventive movies, qualifies in my book as an epic acheivement. When it comes to science, this movie begins where 2001 leaves off, and then goes a galaxy or two farther.

Welcome to Slashback for the evening: Yes, another big security problem with the world's second-most popular web server, a slight revision of the plight of Silicon Valley's homeless, and good news from the Indymedia front.

Remember, Free Software Sinks Ships curtS was one of the many to point out that "MSNBC has an article about a security hole you could throw a cat through." This might be more exciting if it was the first time, but jamie posted about a very similar-sounding flaw a few months ago.

Calling off the dogs of war. An anonymous reader writes: "Slashdot reported that Indymedia had received a court order to hand over the logs and other records pertaining to the IMC's coverage of anti-globalization protests in Quebec City. Now FBI has dropped the case. Here is the press release."

phunhippy points to coverage at Wired as well.

This Old House - gr8dane writes "I was just checking out the Sunday posting on /. about .commers in homeless shelters and Salon is running an update to the same story. The previous post prompted quite a bit of feedback on /. and this update article seems to support those who felt the Sunday article wasn't indicative of the industry as a whole. 'John Sacrosante says he went from six figures to a shelter. His friends say there's something fishy in San Jose.' Quite interesting ... "

DoctorZ writes: "In response to reading the recent article about Zero-Knowledge's withdrawal from Linux development for Freedom. I emailed them discussing my concerns along with everyone else's. Here was their response:

'Hello,

We know....

We understand your disappointment. It is not a easy decision. We are not giving up on Linux. Our entire Freedom Network is Linux based!This decision was taken in response to the number of people purchasing the Linux version as compared to the number purchasing the Windows version. While many of us at Zero-Knowledge are Linux enthusiasts, the number of interested Linux users downloading Freedom simply didn't warrant continued development efforts, and we have chosen instead to apply our development resources in a way that will maximize value to our customers.

Once again, thank you for expressing your concerns.

Regards,

Alan"