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The New World of P2P Advertising

Katascope writes "Salon is running an article about targeted advertising on Napster and Gnotella. The worrysome part is the co-opting of P2P search databases to build profiles and advertise using instant messaging" I've always believed that targetted marketing might actually make advertising useful again (Any 24 year old who occasionally watches MTV and doesn't need zit cream knows this). This one is scary because people are sending you IMs based on the tunes in your napster share. Course I don't have IM, and use napster super infrequently, so I guess thats one way to not be annoyed. But frankly if I got junk mail about obscure Who stuff, I'd be happy. Much better then credit cards, viagra, and stock tips. As long as its opt-in. (michael: A number of people have written in with Cringely's comparison of Napster and subways. Good read.)

48 of 141 comments (clear)

  1. Re:Cringely suggests a tax on CDR? by garcia · · Score: 2

    yeah, the DAT tax was at least somewhat valid. *Most* people do not use DAT for purposes other than recording music (although I don't see a lot of pirated music being stored on DAT).

    the CDR tax would be a definite annoyance, and it wouldn't really make the RIAA happy. They are still going to attempt to shut down Napster, and they are going to attempt to do whatever possible to stop the illegal copying of music. Bastards!

    I say the hell w/the damn taxes, and the hell w/the RIAA. Let us have our cheap CDR's, and free music. :)

    Just my worthless rambling.

  2. Re:One of the things that sucks about America... by d.valued · · Score: 2

    You're not complaining.

    Neither are many others.

    That's the problem.

    In Winn Schwartau's book, Information Warfare, he makes mention of over 50,000 databases where you might be so blessed as to find your name, placed there without your knowledge, much less your consent.

    You become a commodity, traded and used instead of respected as a human being.

    I don't like that.

    And unless you believe that PRIVACY is a valid exchange for security, neither should you.
    Ruling The World, One Moron At A Time(tm)
    "As Kosher As A Bacon-Cheeseburger"(tmp)

    --
    I used to be someone else. Now I'm someone better.
    Real life is underrated.
  3. I'm with you there... by Greyfox · · Score: 2
    Most of the CDs I burn are Linux ISOs or backups. Occasionally I'll burn a MP3 mix CD from my MP3 collection (All ripped from disks I own and have on hand, thank you) to listen to at work. I like not having to swap disks, see; My CD isn't even hooked up to the sound card at home. And I'd far rather carry 1 CD in to work than 13.

    I would find it highly objectionable to have to pay a tax to subsidize an industry that has for the most part gone out of its way to strip me of my rights. Particularly since I'm not doing anything illegal (Fair use allows me to transfer content I paid for to other media.)

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  4. Re:CDR-Audio by lizrd · · Score: 2
    What exactly is the difference between "data" and "audio" CDRs?

    The difference between data and audio CDRs is that data CDRs won't work in the stereo component CD burners. If you want to burn CDs using the cheaper "data" CDs you have to have access to a computer with a CD burner. Despite the levy that it enacted on these disks they are still quite cheap, or at least cheap enough for making a few mix disks once in a while. They would only start to seem kind of expensive if you were trying to support a major linux distro burning habit on them.
    _____________

    --
    I don't want free as in beer. I just want free beer.
  5. One of the things that sucks about America... by d.valued · · Score: 5
    We have no national privacy policy. In the EU, the consumer has pretty good control over the information that they give out. They have to be told what information is gathered, why it's being gathered, and that the information cannot be redistributed to anyone else wothout the consumer's consent. From Europe's Privacy Cops, a BusinessWeek article from '98 I dredged up:
    The directive, which was negotiated among the EU governments over six years, guarantees European citizens absolute control over data concerning them. If a company wants personal information, it must get that person's permission and explain what the information will be used for. It must also promise not to use it for anything else without the citizen's consent. A company selling birdseed, for example, can't use its mailing list to hawk Audubon calendars. Citizens have the right to know where information about them came from, to demand to see it, to correct it if wrong, and to delete it if objectionable. And they have a right to file suits against any person or company they feel is misusing their data. One piece of the law is particularly stringent. Article 29 demands that foreign governments provide data protections every bit as rigorous as Europe's, under a similar regulatory structure. Those that fail, the EU warns, could find their data flows with Europe, the world's largest economy, outlawed.
    Now, I like the idea that in the EU, my info is protected ad nauseum. Hell, there are police forces whose job it is to protect private data! The US is a database nation. By the time you're 18, dozens of companies have harassed you by phone, mail, Internet. Then, when you turn 18, dozens upon hundreds more start to crawl down your throat. I would like a law that gave the American citizen the same protections as our counterparts in the EU.
    Ruling The World, One Moron At A Time(tm)
    "As Kosher As A Bacon-Cheeseburger"(tmp)
    --
    I used to be someone else. Now I'm someone better.
    Real life is underrated.
  6. Chopin vs. Nirvana [OT] by alienmole · · Score: 2
    C'mon, classical music is just like rap music: a neat idea when it first started, but everything after that has just been the perpetuation of ritualized stylistic elements, with little originality, and only a few notable exceptions.

    I'm not completely sure that Chopin is one of the exceptions: it's complex, sophisticated elevator music, to be sure, but still elevator music.

    1. Re:Chopin vs. Nirvana [OT] by AugstWest · · Score: 2

      Maybe the "[OT]" stands for "Obvious Troll"?

    2. Re:Chopin vs. Nirvana [OT] by AugstWest · · Score: 2

      uh, sure. go back to your verse -> chorus -> verse and give up on labelling classical music.

      or, go out and check out John Cage, or Phillip Glass, or any one of the countless other modern composers.

      id Chopin is just elevator music to you, then you've negated your earlier point anyway.

    3. Re:Chopin vs. Nirvana [OT] by AugstWest · · Score: 2

      calling me an ass is playing nicely?

    4. Re:Chopin vs. Nirvana [OT] by AugstWest · · Score: 2

      I thought the earlier poster was joking, but in case people didn't realize it...

      That wasn't really Philip Glass on South Park. That was a spoof.

  7. What was the conclusion again? by OlympicSponsor · · Score: 5

    "I've always believed that targetted marketing might actually make advertising useful again..."

    It's good!

    "This one is scary because people are sending you IMs based on the tunes in your napster share."

    And now it's bad!

    "Course I don't have IM, and use napster super infrequently, so I guess thats one way to not be annoyed."

    Still bad, but now not quite so!

    "But frankly if I got junk mail about obscure Who stuff, I'd be happy."

    Back to good! Incredible play folks--a full 360 in the course of 4 sentences--not just a "360" that's really a 180, but a literal 360.
    --

    --
    Non-meta-modded "Overrated" mods are killing Slashdot
    (Hey Ryan! Here's your proof!)
    1. Re:What was the conclusion again? by AugstWest · · Score: 2

      if i had mod points, and I could keep my mouth shut on this topic, you'd get 'em.

  8. Re:You've done it before... Why not again? by Fjord · · Score: 2

    Because the promary use of a blank audio tape is to put music on it. You can put other things on it, like PXL2000 videos and games for a ZX81, but for the most part it is for music. CD-RWs are only marginally musically related. If the RIAA is getting a cut of the tax, then so should software makers, especially game makers (for both PC and Playstation 1), and the movie industry. If we are talking about CD-RWs use for piracy, I'm willing to bet that software piracy beats MP3 piracy.

    --
    -no broken link
  9. Oh no... by B14ckH013Sur4 · · Score: 2

    Oh no, targeted marketing, it's corporate rape!
    Is that a Think Geek banner-ad I see?
    But seriously, when you opened your HDD to the outside world what exactly did you think would happen?

    --
    "I've seen plays that were more exciting than this.
    Honest to god... Plays!" Homer Simpson
  10. What advertisers? by Rader · · Score: 2
    Yea, but what kind of advertisER would be interested in this? Probably a small market. I doubt Ford would care, Zit creams, etc. I mean how many markets out there will benefit from sending you obscure WHO info like you said?

    I suppose the record companies would...but then we dont' really want to talk about helping them do we?

    Rader

  11. Re:You've done it before... Why not again? by Schnedt+McWhatever · · Score: 2

    As far as I'm concerned, the RIAA can harass Napster out of business. I don't care. I'm not interested in subsidizing the RIAA OR Napster for the CDR media I purchase for totally unrelated purposes.

    In other words, I'm not interested in paying a few extra pennies on CDR's to get the RIAA off yourback.

  12. Re:Ob. Simpsons Ref by cpt+kangarooski · · Score: 2
    As usual, snpp.com comes through again.
    (IIRC, potassium benzoate (C7H5KO2) is a white, flakey powder used as a food preservative. guess it's not all that healthy, like good ol' Red Dye #4 :)

    Homer rushes off to the nearest convenient `House of Evil' (your one-stop Evil shop). He asks the very old Asian owner who appears out of the shadows if he sells toys.

    Owner: We sell forbidden objects from places men fear to tread. We also sell frozen yogurt, which I call ``Frogurt''!

    Homer tells the owner that he is looking for a present for his son's birthday. The owner hands to him a talking Krusty doll.

    Owner: Take this object, but beware it carries a terrible curse!
    Homer: [worried] Ooooh, that's bad.
    Owner: But it comes with a free Frogurt!
    Homer: [relieved] That's good.
    Owner: The Frogurt is also cursed.
    Homer: [worried] That's bad.
    Owner: But you get your choice of topping!
    Homer: [relieved] That's good.
    Owner: The toppings contains Potassium Benzoate.
    Homer: [stares]
    Owner: That's bad.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  13. Cringely suggests a tax on CDR? by typical+geek · · Score: 5

    What the hell is he thinking? Why should I want to subsidize record companies?

    For the record, a few times a month I copy a commercially recorded CD on a CDR, but this is as an archival method. Almost all of the CDRs that I burn are for music that is allowed to be copied for no profit, ie. the Grateful Dead. If the artist who holds the copyright encourages me to make free copies, how would the RIAA get off in demanding that I pay them a tax?????????

    If I want this kind of government intervention in my computer media, I'll move to Canada.

    1. Re:Cringely suggests a tax on CDR? by Abcd1234 · · Score: 2

      There are a couple problems with the industry doing this, though. First off is the issue of collusion. In many countries this kind of thing may be seen as illegal (except when the gov't is doing it, of course). Second, there may be marketing issues... if, say, Sony introduced said tax, who's to say some no-name CDR company would have to do the same? Hence Sony could (potentially) lose market share... not incredibly likely, but possible, and could result in second thoughts.

    2. Re:Cringely suggests a tax on CDR? by micromoog · · Score: 2
      yeah, the DAT tax was at least somewhat valid

      I have to politely disagree. The people I know that use DAT use it for one of three reasons:

      • To master original recordings
      • To do data backups
      • To exchange bootleg concerts of bands that don't care anyway (like the Grateful Dead).
      On the other hand, the people I know that use CD-R's use them for (in order):
      • copying commercial CD's for bootleg purposes
      • burning bootleg MP3 files to them as audio
      • copying commercial software for bootleg purposes
      • legitimate backup of computer files.
      Either way, I think the whole idea's a crock, but it makes a lot more sense for CD-R's than for DAT.
    3. Re:Cringely suggests a tax on CDR? by garett_spencley · · Score: 3
      I for one never make copies of audio cds. My mp3s are stored on my hd and I have never burned a cd with mp3s on them. I do however burn cds all the time. They are mostly linux isos that I download from the web or gpl software that I want to archive for easy retrieval later on. Why the fuck should I pay the RIAA money on cds that aren't even used for making audio?!!??

      A lot of people just don't fucking get it! Yeah let's tax pens because they may be used to forge signatures that'll cost some companies money!

      --
      Garett

    4. Re:Cringely suggests a tax on CDR? by Trepalium · · Score: 2
      I don't know where you're getting your information from, but from what I can tell, the levy was indeed passed, and recently was increased to $0.21/unit for 2001 up from $0.052/unit in 2000 for data CD-Rs. And $0.77/unit (up from $0.608/unit) for audio CD-Rs (despite the fact that the music industry gets a big cut from them because of the serialization technology in those discs) and MD. DAT, Video cassettes, Hard drives, Microcassettes, and MP3 players thankfully still are unlevied.

      The government agency that is responsible for this is the Copyright Board of Canada (http://www.cb-cda.gc.ca/), and they have a release on that site regarding this.

      --
      I used up all my sick days, so I'm calling in dead.
    5. Re:Cringely suggests a tax on CDR? by kobotronic · · Score: 2

      I thought the conclusion to the otherwise pretty reasonable article was the most stupid thing about it. The blank media tax is boneheaded and infuriating for anyone who uses these blank media and recording devices for entirely unrelated purposes and are requested to pick up the tab for the napster market. They did that in Europe and everybody got pissed. Myself, I use CDRs exclusively to store my own digital photos. Should I pay royalties to the record companies for storing my own creative content?

    6. Re:Cringely suggests a tax on CDR? by cpt+kangarooski · · Score: 5

      Gah?

      1) Recording your own music (that is if you're a musician) should not be subject to taxes. That's a tax on speech, which is blatantly unconstitutional.

      2) Musicians can copy music to which they hold the copyright an infinte number of times. A law mandating that they can't do so unless they pay a tax both infringes on their freedom of speech and copyright (if the tax goes to some entity other than the govt., which it does)

      3) Recording other people's music can, under some circumstances, be quite legal. The normal set of fair uses of course. Time shifting if it's coming off of broadcast. No copyright infringement occurs in either case, so there's no justification for a tax.

      4) Public domain recordings are legal to copy an infinite number of times, and preventing people from doing so again tramples on both the first amendment and on copyright (b/c copyrighted content has to become p.d. - effectively preventing that is unconstitutional)

      5) The reason that DAT never took off was that it was killed at birth by the RIAA. They didn't want anyone to use the damn thing. If it had become popular we'd probably have CD and DAT as standards, and some migration to DVDA by now (though if they were that flexible, you'd also see CDMP3 and DVDMP3 compilations in stores...)

      I also say to hell with taxes and restrictions on legal and protected speech and copying. The RIAA members have no more right whatsoever to make, sell and copy music than anyone else. There should be no special treatment.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    7. Re:Cringely suggests a tax on CDR? by Kevin+DeGraaf · · Score: 2

      It is an outrage to suggest a tax on CD burners and media by extending the flawed blank-tape tax model. Blank tapes have many non-copyright-infringing uses, and blank CD's even more so. Millions of CD burners and CD-R/RW discs are used for data purposes. Why should I have to pay the greedy bastard record companies ANYTHING when I buy a disc to back up some programs, pictures, HTML data, or anything else? That's preposterous! F_ck corporations!

      --
      We have more to fear from the bungling of the incompetent than from the machinations of the wicked.
    8. Re:Cringely suggests a tax on CDR? by swordgeek · · Score: 2

      First of all, as others have pointed out, you've already subsidised the RIAA if you've bought blank audio tapes.

      Secondly, the government intervention on CD-R in Canada took a strange twist at the last moment. It's only in force on "CDR-Audio" blanks, which no one buys anyways.


      --

      "People who do stupid things with hazardous materials often die." -- Jim Davidson on alt.folklore.urban
  14. Re:You've done it before... Why not again? by sethgecko · · Score: 2
    and cassette tapes should not be taxed either. There are legitimate uses for tapes other than pirating music.

    How bout we put a tax on cars because every bank robber uses them to illegally make his getaway?

    --
    Be ot or bot ne ot, taht is the nestquoi.
  15. Let's hope Lars and Dre don't pick up this trend by screwballicus · · Score: 3
    Using P2P network data for advertising is one thing ("I see you have our music. Our new CD is available at..."), but the same technique could very well be used by labels to distribute threats to those possessing their music ("I see you have our music. Get rid of it or we'll sue").

    Every time I use Napster from now on I'll live in fear of receiving a message from Dr. Dre, informing me that "he still got love for the streets, but if the streets should fail to cease and decist, forthwith, from trading his intellectual property over Internet file-sharing media, he will be forced to pursue legal action in persuance of reparations, personal ownership of said intellectual property, notwithstanding."

  16. Both articles are pretty good... by lar3ry · · Score: 4

    There is a flaw in both articles.

    With regard to the IM-spam described in the Salon article, it won't work if the Napster user isn't running IM or IRC. It is quite possible to run Napster without being able to receive IM's, and to ignore stuff happening in the IRC window.

    With regard to Cringely's suggestion of a CD-R "tax," I'd like to point out that not every CD-R is being used to make copies of audio CD's, or even archives of MP3's. A CDROM can hold ANYTHING, including a backup of one or more partitions on your system. Why should ANY money of mine be paid to lazy record company execs just because I want to make a copy of /usr/local? What if instead of audio tracks, I was making an archive of DIVX movies?

    In all, I prefer the method mentioned in the Salon article, as there is an "opt-in" method, if you don't mind the spam.

    The Cringely "tax" is regressive, and is as obnoxious as the "Microsoft tax" that people pay when they purchase PC's with Windows pre-installed on them, when they have no desire to run that operating system.

    Interestingly, though, both articles show that more than one person is honestly thinking of how to make the Napster model work. Good try, Cringely. Better luck next time!
    --

    --
    "May I have ten thousand marbles, please?"
  17. Killing the Goose, etc by Alien54 · · Score: 3
    The recording companies seem intent on killing the goose that lays the golden eggs. The look at the goose, and seeing that the eggs are this weird soft metal, the goose can't be worth anything.

    To save their millions they are throwing away billions, because they want 100% of a small pie, rather than 10% of a fantastically huge pie.

    reminds me of the old monkey traps.

    For those who do not know:

    you have a large heavy pot with a hole just large enough to except a fruit like an apple or an organge, etc. (whatever the monkey likes. The hole is also just large enought for you hand. But it is too small for you (or a monkey) to take the hand out while holding on to the fruit. You have to tip the jar over.

    You as a human can figure this out. but a monkey can not. It grabs on to the fruit, and won't let go.

    Voila! One monkey dinner

    The record companies are like the trapped monkey. They won't let go, they can't let go, even if it kills them.

    --
    "It is a greater offense to steal men's labor, than their clothes"
  18. Re:ummm... Cringley? by update() · · Score: 2
    How exactly do the record companies make money on PC sales? And how exactly do musicians make money on them?

    I don't think he's saying that they are. His proposal is that a tax should be levied on CD-R drives and media and the proceeds should be distributed by the RIAA according to the proportion in Napster's logs. His assumptions seem to be that Napster logs perfectly represent the illegal sharing of music and that saving said music files represents a constant fraction of everyone's CD-R use.

    Why that is a fairer approach than requiring Napster to directly pay royalties is beyond me.

  19. Of Value, Subways, and Napster by VanL · · Score: 5
    There are serious flaws with Cringely's argument.
    Most people only value things (privileges, objects, whatever) in proportion to their perceived cost of acquiring the thing.

    My Mom used to be a social worker and anti-drug counselor. Initially, she gave her services free to those who couldn't pay. Relatively quickly, however, she was forced to change that policy; people would not show up for appointments, or expect unrealistic results in unrealistic timeframes, or even treat her badly. They didn't appreciate what they were getting for free. As soon as my Mom started charging a nominal fee ($5 I think it was), those problems went away. People valued her service more when they felt like they had invested in it.

    Similarly, if the subways were "free", i.e., completely tax-supported, there would probably be positive side-effects not unlike those that Cringely mentioned. However, there would probably be more negative side-effects. The majority of people would start to think of the subways as having no value, or even worse, an entitlement. Vandalism would probably go up, and the amount of abuse on the system would jump exponentially.

    Napster has the same problem. If the music were free, a lot of people would start to consider it an entitlement -- in fact, many already do. I predict that the amount of "abuse" of the artists would increase; people would expect new songs without appreciating the creative work it took to produce them. And even if the market for CD writers and such was temporarily greater than the market for music, the effect of what Cringely is proposing would be the crippling of *both* markets as soon as the market for elelctronic delivery and storage (the Cd-writers, etc) was saturated.

    There are problems with my argument, just as there are problems with Cringely's. For instance, the evidence that CD sales go up because of Napster would seem to contradict my point. But that is only because having the CD adds value to the music -- lyrics, cover art, a physical medium, etc. However, if digital distribution of the *entire album* - including cover art, lyrics, etc - became the norm, there would be no additional value in buying the pressed CD.

    Replies and rebuttals are welcome. I'm not saying that what Cringely proposes is bad; in fact, on some levels I support it. But the costs incurred by the tragedy of the commons must be addressed as well.

    Want to make $$$$ really quick? It's easy:
    1. Hold down the Shift key.

  20. Re:one problem w/ Cringley's view of Napster by acroyear · · Score: 2
    Well, "Songwriters" may not always be the correct term. The people who get the money are the copyright holders, and they give the money to the artists (whether performer or songwriter) based on whatever contract they've negotiated. In the "pop" world of marketed & packaged teen idols, the songwriters are well experienced in this market (as opposed to the "group" that writes its own material). These songwriters are smart enough to remain copyright holders in the pop industry for the publishing rights, which they contract to ASCAP to manage and handle. Bug again, these songwriters are usually attached to either the producer or to the record label itself, and so each contract may be different...they may be slaves to the label just as much as the performer is...but not always...

    This is quite unlike the "group" which often signs away the publishing rights to the label just as they do the copyright on the recording itself.

    --
    "But remember, most lynch mobs aren't this nice." (H.Simpson)
    -- Joe
  21. If they Tax CDRs then it is ok to copy music? by Sanity · · Score: 2
    A tax on CDRs would effectively be an assumption that people will use them to pirate music. If I am being taxed because I am expected to do something, then I think I have a darn good right to do it.

    This is the worst idea I have heard in a long time. Perhaps Linux should be taxed and the proceeds given to Microsoft, since Linux might hurt them?

    This would basically turn the music business into a state supported industry in the worst traditions of communism.

    --

  22. Re:ummm... Cringley? by AugstWest · · Score: 2

    I don't get it either, this way the "consumer" is hit twice while napster, making the money, pays nothing. Nice.

    The RIAA doesn't represent *all* artists, it just represents the big ones. You know, the ones in the Brotherhood which is already peeling away the big bucks.... So the little guys get screwed *again*, while the RIAA manages to find yet another revenue model.

  23. Funny how... by JohnSmith1138 · · Score: 3

    I know I'm gonna get flamed for this, but it's kind of funny to see everyone up in arms about this. Lots of people are upset about THEM getting into YOUR stuff and giving it away(personal info), but you don't mind YOU getting THEIR stuff and giving it away. Anyone using Napster for sharing files that are in the public-domain (ie not copywritten) I apologize.

  24. Cringely is wrong about the NYC subway by XLawyer · · Score: 5

    I don't know how it is in other cities, but here in Sodom-on-Hudson, fares pay a lot more than 15% of the operating cost of the subways.

    Going to the MTA's web site, you can see budget figures for 1998. The New York City transit division's (that is, NYC subways, buses, paratransit, and the Staten Island railway) operating cost was $3.8 billion. There were just over 5 million paid rides on each weekday, and a subway fare is $1.50.

    So let's do some back-of-the-envelope calculations. Assume that on weekends, ridership is 30% of what it is on weekdays. (I admit I have no basis for this assumption, but it seems reasonably conservative.) This works out to fare revenues of $2.2 billion for that year, or almost 60% of the operating cost.

    The actual percentage for the subways is probably higher. That 60% includes the subsidized paratransit division, and the Staten Island railway. I have heard (but I don't recall where) that fares actually cover about 85% of the cost of running the subway.

    Which is why they charge for it.

  25. Disturbing... by HooDHoo · · Score: 3

    This seems to be a disturbing precident. I know that Napster directories are available to be read by everyone, but I really don't like the idea of being target-marketed based on what's on my hard drive ("According to our glance at your Quicken folder, you seem to cheat heavily on your taxes. Perhaps you'd care to make use of our legal services!"). Furthermore, I find it hard to believe that they hire human spammers to do all this dirty work. Dollars to doughnuts that they're running bots on Napster's valued no-bot network. Is Napster doing anything about this?

  26. Needn't be all that bad. by Urban+Existentialist · · Score: 2
    We all dislike advertising. Although we will dislike P2P advertising also, there is no reason we should dislike it as much as current advertising methods. It will be better, because it will be more relevant.

    The amount of information you can glean about someone purely from his musical tastes is quite remarkable, and is bound to lead to more focused, relevant advertising for us all, which will be more bearable for us all. The person who listens to Chopin is clearly more intelligent and cultured that the person who listens to Nirvana. The advertising should reflect this. In some cases it may even be useful.

    I just hope that they don't use IM too much, and instead use email or something easily filtered. IM is under the power of AOL, and email under the power of Microsoft. It is far easier to filter the latter for those reasons.

    You know exactly what to do-
    Your kiss, your fingers on my thigh-

    --

    You know exactly what to do-
    Your kiss, your fingers on my thigh-
    I think of little else but you.

    1. Re:Needn't be all that bad. by roman_mir · · Score: 2

      "The person who listens to Chopin is clearly more intelligent and cultured that the person who listens to Nirvana" - as much as I like the classics and listen to them often, I must say that what you've just said is "clearly" not polite (at least.) Only because you find Nirvana on one's harddrive does not mean that the person is not cultured and not intelligent as you are implying. I would have said more but the shorter it is the clearer it is.

  27. Not just IM... by double_h · · Score: 2

    I've already seen napster spam in the form of automated /msg sent by one of the java/web-based napster clients. Whenever someone using this service grabbed a file from my machine, I would get sent a /msg like "Hey, song such-and-such has been downloaded by a user of Java-Napster-Thingy. Check it out at url.com!" Very annoying.

    Of course, it's easy enough to just ignore your chat log, but this is a muddying up of another potentially useful means of communication.

  28. Ambivalence... by Saige · · Score: 2

    I have very ambivalent feelings about the targetted advertising over Napster. I received both the one sent if you had Depeche Mode, and the one if you had Toad the Wet Sprocket (and I own the albums, thank you very much). And I deleted the first, but the one for Glen Phillips made me actually very happy - I was so crushed when Toad split up and haven't been able to follow what's been happening with them.

    The IM I received not only pointed to a free unreleased Toad .mp3, but to Glen's site, and I didn't even know he had his own album out. I've since dl'ed some of those tracks to check them out, and might well be buying the album. Sure, just what they want me to do, but along the same lines, it's also what I want to do.

    I don't want to be overloaded with constant "ads" at any rate, and the idea of that bugs me. But if someone saw that I had pretty much every Tori Amos song in .mp3 format (and once again, on CD also), and wanted to let me know about her coming in concert, or a new album, then I'd be very very happy.
    ---

    --
    "You know your god is man-made when he hates all the same people you do."
  29. Re:The problem could be solved.... by acroyear · · Score: 3
    This still has the same problem. Hardware guys aren't going to negotiate rates with every single little label and individual artist out there -- they're going to negotiate blanket licenses with the umbrella firms : RIAA, ASCAP, BMI, SOCAN. And that's it. And those firms will distribute the royalty portion of the license fees as they see fit: it goes to the most played material on the radio.

    That's not going to change until enough artists bitch about it. Robert Fripp and Courtney Love and Prince and a few rappers here and there aren't enough...especially not with Metallica being the spokespeople for the RIAA and ASCAP's position.

    --
    "But remember, most lynch mobs aren't this nice." (H.Simpson)
    -- Joe
  30. Music Industry shouldn't get a red cent from me. by Dino · · Score: 3
    From Cringly's article.

    The cassette tape and VCR businesses faced this exact problem and eventually came up with invisible programs to pay the music, TV, and film industries a small royalty on each blank tape. The same thing should happen for CD-Rs and RWs INSTANTLY. Add a few cents to the cost of every blank disk, throw in a few dollars for every CD burner, and suddenly you have $1 billion or so to pay to artists, writers, and publishers in the exact proportions specified by the Napster servers. That $1 billion is approximately equal to the entire profits of the recording industry, and it is $1 billion they aren't getting now.


    The problem I have with this is that in all of my CD-Rs I have ever burned, only ONE (1) was used to burn music. And it was a collection of indy, non-signed artists. So, in essence, I would be paying a TAX to the MUSIC INDUSTRY (and not the artists) just because I'm using a file-storage mechanism that CAN record audio. That's fsck'ed up! I have burnt probably at least 150 CD-Rs and I don't feel the music industry should get a cent from me.

    Now the movie industry, on the other hand.... well let's just say I don't use all of my CD-Rs for data storage.... ;-)
    ---------------------------
    --
    That's not what I meant.
  31. Re:Chopin vs Nirvana by wiredog · · Score: 2

    less than 30 sorry.

  32. one problem w/ Cringley's view of Napster by acroyear · · Score: 5
    And its also a problem with my.mp3.com and any other service that negotiates to pay the RIAA or the publishing firms (ASCAP, etc...) for the right to exist:

    Not everybody is covered under those organizations. Many smaller artists who's material is traded by napster users will never see income from the RIAA license. they're only chance for income is that the listeners like the material and purchase a cd directly from them later on.

    ASCAP and BMI (and presumably, the RIAA would do the same for their cut) distribute income from site-licenses (such as public restaurants, bars, store p.a. systems, etc) based on one market value only: Radio Airplay. It doesn't matter that, e.g., Live365.com can log exactly what was played, and to how many listeners. It doesn't matter that a local pub is an Irish pub that never plays pop music.

    Brittany Spears, her songwriters, and her producer will all get most of the money.

    --
    "But remember, most lynch mobs aren't this nice." (H.Simpson)
    -- Joe
  33. Re:You've done it before... Why not again? by po_boy · · Score: 2
    Incidentally, if you've ever bought a blank tape you've subsidized the RIAA. What's so different about doing the same for CD-R(W)? Nothing.

    I was pissed about it the first time, and I'm not going to change my mind this time. I should not be forced to pay a tax to some organization unrelated to either myself or the maufacturer of the media.

    There's no reason to let the second violation of some rule go unnoticed because of previous violations.

    Where do I sign up?

    I would suggest France, Cuba, or China.

    All your dangifiknow are belong to us.

  34. ummm... Cringley? by AugstWest · · Score: 3

    How exactly do the record companies make money on PC sales? And how exactly do musicians make money on them?

    And what's this supposed to mean?

    So Napster, which cost almost nothing to create

    Let's see, 800,0000 simultaneous users. 1.7 billion downloads. I think there might be a penny or two spent on infrastructure there, and maybe a coupla nickels for bandwidth.

    People just don't seem to understand what kinda costs go into server architecture and bandwidth these days...