Review: Zoolander
In the theater where I saw this movie, the audience was laughing throughout. It's not entirely clear how much of this was the quality of the movie, how much that people obviously needed to laugh.
The premise is great. An evil band of international fashion designers want to kill the prime minister of Malaysia after he announces he's raising the minimum wage of sweatshop workers who make designer clothes for Americans. Apparel prices will skyrocket. They threaten top designer Mugatu (Will Ferrell) with destruction if he doesn't find some vapid, gullible male model to do the deed at the annual fashion show, which the prime minister plans to attend.
"Fabio?" suggests one of the villains? "Too smart," is the decision. The obvious choice for Mugatu is famous, shallow, supermodel Derek Zoolander (Ben Stiller), the four-time Male Model of the Year winner, soon to be embittered and unseated by arch-rival Hansel, played brilliantly by Owen Wilson. Female supermodels have long been the target of satirists, but this is the most head-on assault yet on the men.
Zoolander is likeable, stupid, self-absorbed, and manipulable. He gets absolutely nothing about the world beyond the fact that he is "wonderfully, incredibly good-looking." He has his verbal mannerisms. He's about to get an education in how the world really works. He and Hansel vie for top male model spot, including a hilarious "walk-off" on a basement runway to decide who's on top. Neither has ever turned on a computer.
Zoolander comes from a character Stiller helped create for a sketch he did on the l996 VH1/Vogue Fashion Awards. If any event or industry is ripe for vicious parody, it's this one. Stiller is merciless. There's a terrific scene up front involving Stiller's gorgeous but bubble-headed roommates playing at a gas station in the style of stupid TV ads. They get their just desserts here, though the movie is as good-natured as it is biting.
Derek's agent, Maury Ballstein, is played by Jerry Stiller, Ben's dad, who is great as the crude, pompadoured head of the world's biggest modeling agency.
There are targets, spoofs and cultural references galore in Zoolander, including a play on The Manchurian Candidate spot-on blasts at the way the media worships the glam/celebrity culture, and the way in which pop culture can sometimes patronize the people who worship it. David Duchovny does an uncredited walk-on as a conspiratorial ex-model whose face is never shown, but whose hand -- used in cosmetic ads -- is instantly recognizable to Zoolander from catalogs.
American culture, one of the most powerful forces on the planet, is the big target here, especially its consuming valuelessness. Stiller grasps the cultural irony for many of us. As much as we love pop culture, we also recognize that it is becoming sillier, greedier and less honest and creative by the day. It diminishes us, he suggests, as well as the people who create it. Stiller sees popular culture as corrupt and infanticizing, celebrating trendiness above all. In worshipping the empty and the vapid, he seems to be saying, we can't help but become more empty and vapid ourselves. He's got a point.
This movie is wonderfully weird and funny. Ferrell's over-the-top Mogatu is great, as are the Finnish dwarfs and freakazoid orgy. The movie has a score of cameo appearances from fashion world muck-a-mucks, models and celebrities, but the modeling culture is only a stand-in for the celebrity machine that has engulfed publishing, music, TV, film and the arts.
This is a scathingly wonderful movie, as amusing as it is on target.
I wonder if many other movies will be digitally removing (or in the case of current films be adding) the WTC buildings in the NYC skyline? Anyone know of such movies?
===> An eye for an eye makes everyone blind - MG
I really love this movie
Because then I would have known to not go. As it stands, I went and suffered.
In Soviet Russia...michael would be rotting in Siberia!
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...the computer-altered New York City skyline (the Twin Towers are gone -- replaced by odd-looking new skyscrapers in several shots looking South...
Am I the only one who thinks this is wrong? I mean, obviously the sight of the WTC in these movies may be upsetting to some people, but in my opinion, wiping them out of movies and tv shows like they never even existed is extremely disrespectful to the memories of those who lost their lives in the disaster.
Because something is funny, not because they are wanting to escape social trends. You would love to believe that everyone is laughing for the same reason but that's just not how it is, sorry. People don't all think exactly alike just because you can catagorize them or sterotype them.
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I find that digitalling removing WTC images from movies (past and present) disturbing. It is like we are trying to erase the fact they ever existed, which is wrong. I know seeing the WTC towers will be disturbing but for 30 years they were a distinct part of Americana. What are we going to do, cut pictures of them out of magazines and text books? Pull the remake of King Kong from the shelves?
CDE open sourced! https://sourceforge.net/projects/cdesktopenv/
yeah well I knew that one would be bad so instead I went to see The Musketeer and suffered more horribly than those stabbed in the movie.
;)
:)
The premise of the movie was fine (young man, wants to revenge father's death) yet the rest sucked. The acting was pretty bad and the dialogue was worse.
There were two saving graces. Humor -- I don't know if it was intended in all the places it came up (the exhausted horse that he said he would come back for like he was leaving his love) and Heather Grahmn PG-13 nude in the bath-tub
I suggest finding another movie to see this weekend or waiting for Johnny Depp in From Hell
My brother Rob Schrab (creator of SCUD: The Disposable Assassin and co-writer of Heat Vision & Jack) did some second unit direction in Zoolander and had some creative/artwork input into the brainwashing sequence.
There's also this other little thing he is working on called Robot Bastard that you may wish to check out...
(Heaven help the server now!)
I swear by MacOS X. Although I use to swear *at* MacOS 9...
A lot of us need some escapism these days, but I don't think that the best place to be finding it is in a movie that pokes fun at muslims and considers their one of their contries (Malaysia) inconsequential.
Ebert's point that I liked the best was that, "If the Malaysians made a comedy about the assassination of the president of the United States because of his opposition to slavery, it would seem approximately as funny to us as "Zoolander" would seem to them."
Comedies like this add to the dislike of America that was exploited by a few crazy lunatics to lead to the Sep. 11 tragedy; how sad is it to see that the first big comedy to come out of the States after those events just pours salt on the wounds of the have-not countries of the world; especially since Malaysia has tried very hard to improve its possition in the world (witness the Petronas towers and the F1 grand prix).
In light of these concerns I think that those who are sensitive to the pain that certain American attitudes can cause to the people of other nations would do well to avoid this film.
I hate to break this to you, but the last thing this movie was was a commentary on fashion or pop culture. Its such a funny yet completely ridiculous take on the fashion industry that if you saw some kind of message in there then you've got bigger things to worry about. There's no jabs at real designers or at people who buy from them just surreal characters and situations designed to deliver three gags per minute.
Saying this movie has social value is like saying dumb and dumber put the rich elite in their place. Its typical Stiller and Wil Ferrel comedy turned up to 11. Some of the gags don't work, but this kept me laughing quite a bit.
Not to mention its got Milla Jovovich playing a very sexy fashion henchwoman. Natalie Portman makes a cameo too, in fact every celebrity in the known universe makes a cameo.
Are you okay?
Where are the deep messages against pop culture in this funny yet completely brainless movie? Complain about the industry all you want, but if you bothered to see this you'll see Jon is seeing what he wants to see and he's got you hook, line, and sinker.
Of all the comedy actors out there I'd rather give my 5 bucks up to Ben. If you ever saw his old TV show or his role in Heavyweights you'll know exactly why.
We are at war with Eastasia, we are friends with Eurasia. Whe have always been at war with Eastasia, we have always been friends with Eurasia
Because it's disturbing to some people?
Some people have mentioned before that it dishonors the memory of the building, and the fine people that were in it, and i totally agree.
So some people will be offended, what happens if those people watch older movies on video that prominently show the WTC Towers? is Hollywood going to grab all the films off the shelf, and edit them out of there?
Personally I'm offended by the fact that they were edited out. It's a great piece of our modern history, and Hollywood is afraid of having anything to do with it.
...if they digitally removed Will Ferrell. I hate him.
My only political goal is to see to it that no political party achieves its goals.
No?! Dammit, that was one of the funniest Simpsons episodes ever! They can't pull it!!
From what I've heard, FOX took it out of syndication immediately after the 11th.
The only remaining question is, will it be missing from the eventually-forthcoming "The Complete nth Season" DVD that will cover the season in which it premiered? If so, I suggest the buyers of that DVD initiate a class-action lawsuit for false advertising-- because without "The City of New York versus Homer Simpson," it's not the complete season.
Oh, and I saw Zoolander last night. It was incredibly stupid, but I thought it was quite funny. And I was howling at the '2001' reference.
~Philly
Sigh... If you don't want to see Jon Katz stories, don't! It's very easy. Click here, scroll down to where you can exclude authors from the homepage, check the third box down, hit save at the bottom, and you'll never have to see one of his stories again.
Of course, that makes posting trolls in response to his stories all that much harder...
It's only software!
We don't erase images of our fallen war heros. We don't erase images of our assassinated presidents. Why change history now? When they filmed the movie, they were standing. Now they're not. So what? I'll tell you a litle story... My favorite pizza joint is Nat's New York Pizzeria (I'm not in New York, but these guys claim to do an authentic NY style pizza). So I'm sitting there a few days ago, chowing down on a couple of thin slabs of za. And I turn to my left and nearly choke in awe to see a huuuge photo of the Twin Towers framed on the wall. It's about 6 feet by 4 feet and includes the Brooklyn Bridge in the forground for added context. Anyways, beautiful picture and it's been there forever (I asked). I guess I never noticed it. But I'm glad I did now and I'm glad they didn't erase their history. (I'm also glad to see that they're not playing it up at all to take advantage of it.)
I find it interesting that they would remove images of the WTC from movies yet they show the planes exploding inside the tower and guys falling 100 stories on TV in an endless loop.
Please, please Hollywood, don't remove the World Trade Center from any movies that are supposed to occur before Sept 11 2001.
This is altering history in the same manner that the Soviet Union was infamous for. Officals in the USSR who had fallen from favor would be airbrushed-out of archival photos and histories - re-written with the goal of making the "un-person" not only cease to exist, but to cease to have EVER existed. (See Orwell's 1984 for the mechanics of this)
This is wrong in a free society that (I hope) values truth over pleasing fiction. We have to get over the idea that we can wish troubling facts and events away.
For better or worse, our children and future generations seeing old movies should see towers where there were towers in the first half of 2001. If that leads kids or others to uncomfortable questions about what happened to those tall buildings, maybe a history lesson would not be such a bad thing...
If Hollywood producers were going back through archives and removing the WTC from reruns and old movies, I would be very disturbed. But they're not doing that.
Zoolander is intended to be a satirical comedy. The writers and producers want their audiences laughing...something that's not going to happen if you show them pictures of the WTC ten days after they collapsed. We don't see Jay Leno poking fun at the people who died in those buildings, so I'm not sure why we're up in arms about a comedy that doesn't show the twin towers.
Nobody's forgetting or supressing what happened (just turn on any television station for evidence). An incredible amount of footage has emerged from this disaster, and I imagine that the WTC will be better known and recognized by our children than what our generation associates with Pearl Harbor (which has hardly been forgotten).
I fully expect to see the "City of New York vs. Homer Simpson" (one of my favorite episodes) on my TV screen again -- but not anytime soon, and I'm not chastising FOX for that, either.
When I went to see The Musketeer, not only did it suck, but the projector broke twice. Whe had angry drunk guys storming up and down the aisles screaming at the projectionist. By the end of the show, everyone booed. Upon leaving the theatre, there were employees standing around frantically handing out free tickets to everyone they could see, in order to prevent a riot. If it weren't for them, I'm sure someone would have gotten hurt.
The moral: Don't go see the Musketeer.
Jon, this film WAS a send-up of female models. It is simply more politically correct to use male models. Otherwise the movie would have seemed vicious rather than funny. You can get away with much more by being indirect.
I took the movie as being set in an alternate universe in which male models are popular in that same way that female models are in ours.
As long as I'm posting, let me say that the trailers contained every funny moment from the film with the exception of the gas station scene. In fact some scenes were funnier in the trailer. The David Duchovny scene was hilarious in the trailers, but fell flat in the movie itself due to less frantic timing.
If you want to go to a funny movie, go see Rat Race. It really exceeded my expectations. Zoolander had a great concept (you're right on that point Jon, congrats) but the execution wasn't there.
Lasers Controlled Games!
I agree there's a time for historical accuracy, but this movie really isn't it if you ask me.
"Biped! Good cranial development. Evidently considerable human ancestry."
Katz, make something shorter?
Nah.
I see even classic Slashdot is now pretty much unusable on dial up anymore.
Baywatch.
I see even classic Slashdot is now pretty much unusable on dial up anymore.
Derek Zoolander (Ben Stiller), the four-time Male Model of the Year winner
*ahem* -- he was the three-time winner. Rememeber when they showed the banner with the 4 crossed out?
Ferrari and other exotic car rentals in New York
I'm absolutely amazed at how people don't mind the fact that EVERYONE is selling out these days. Of course who do I see endorsing a beer company that will remain nameless? Ben Stiller... In fact, the same unnamed beer company as Michael Myers. And who's music do we hear in commercials, and as the themes for hit shows? Enya, Aerosmith, etc.
This is not "selling out." Aerosmith, etc., have already "sold out," in that they're businessesd designed to make money. They have professional management, they get tour sponsors, they have contractual obligations, if they decided to push an album back six months they'd have to explain to record company middle management why they decided to do so.
Many young Slashdotters have selective vision when it comes to corporations. They pretend not so see that the popular geek TV show Enterprise is corporate to the bone, but then if the storylines go off in a direction they disagree with they will blame the actors and writers as having gone corporate or selling out. People hate Microsoft and Intel because they are big corporations, but they don't mind Coke or cable TV networks. And many dearly believe that The Simpsons is an underground inside joke of a show made for a handful of geeks, and not the corporate franchise that it actually is.
Ebert and Roeper: two thumbs down
'nuff said
(sorry Ben)
It's 10 PM. Do you know if you're un-American?