Time on "Pirates of Primetime"
binarydreams writes "Time has a pretty decent article on the capturing and trading of television shows on the Internet. The author gives a very good description of the capturing process, the people who enjoy the results, the future of PVR (focusing on the Replay 4000) and why the TV and movie industries are scared."
This is just more of the TV industry coming to grips
with what happened to the music industry. But it's
important that the mainstream learns about it.
To get an idea of the amount of TV shows being pirated, and the speed at which they get ripped take a look here.
For me at least there is much less of a grey line in this area, I dont have a TV, so I've had friends tape shows, and go and watch them later. I have traded tapes. People have had VCRs for ages, and there actually are people who can program them. The industry has known this for a long time. Most people have a small collection of movies taped off of cable.
I hope that they can learn from the mistakes that the music industry made.
my 0010 cents
...that TV shows get broadcasted once or twice, and that's what you get (it's not like everything gets released on video tapes...).
This allows us (in Europe) to see some shows that we may not be able to see even if we have cable! Or seet it before (South Park, Futurama).
Its gotten so bad, I actually watched a History Channel show on the history of hand tools over the shows that were on CBS, NBC, Fox and ABC and I wouldn't even know what to use those hand tools for! Once the Olympics go off the air, I most likely won't be watching NBC anytime soon.
Strange women lying in ponds distributing swords is no basis for a system of government.
I wonder where TWAOL is planing to take what they've got...
A feeling of having made the same mistake before: Deja Foobar
...it pried open a Pandora's jewel box: Last year CD sales declined for the first time in a decade.
it would be interesting to see the % fall in this versus the general economic downturn. otherwise its a meaningless statement.
Actually, in her case it may well be that this is the only way for her to get the show with any ease at all. I'm also a sophmore, i live in a dorm, the college supplies the cable, but i don't get channels like hbo. If its not a standard cable channel there isn't any(short of setting up a dish in a neighbors room across the hall) way to get it. She may well be in the same situation.
I am against pirating stuff en-masse (i.e. Napster, posting on websites). One-off trading shouldn't be a big concern to the content holders. If I tape a show and give it to a friend, yes, that's illegal, but it's essentially insignificant because it's usually more trouble than its worth, its uncommon, and its a drop in the bucket. I doubt I'd ever be prosecuted for loaning a copy of Star Trek that was just on yesterday to a friend who forgot to tape it.
However, the prevalence of trading shows that there is a demand for this stuff. Why not make it available for sale? Who says that shows need to be off-the-air for a couple of years before they're made available? Who says that only the most popular shows should be made available?
Why isn't the distribution process streamlined so that printing 5000 DVDs for the 5000 people who want to see "Cop Rock" is still profitable?
There are plenty of TV shows that I would gladly purchase on DVD. I was happy to see "Buffy the Vampire Slayer, season 1" on DVD -- not because I want to buy it, but because I'm hoping that means that shows like "Kojak, Season 1" make it.
I suspect that the media companies are at a crossroads. Do they sell their content and possibly ruin the repeat-TV market, or do they hold it close and risk people trading it among themselves?
Ralph Slate
2002-01-17 13:49:49 Black Hawk Download (articles,news) (rejected)
awful article... things that "journalist" forgot to mention are important: replaytv allows you to send file to other users 15 times and users who received the file can not send it again to anyone.
That makes all the difference in upcoming lawsuit. I find it hard to believe Sonicblue people didnt stress that out to him.
Here's Dvorak's latest...
Best Slashdot Co
Its not always possible to get a cable hookup to college Dorm room....I know it wasn't where I went to school...so just what the hell are those people supposed to do...
Power Corrupts,Absolute Power Corrupts Absolutely, leaving one person(group)in charge is absolutely corrupt.
Wouldn't it be fair use to download the TV shows? I mean, if they are beaming the signal to your TV you should be able to do with it whatever you want in theory..
By the way, do "cappers" remove the commercials when they are digitizing it? I'm gonna have to check into this...
It refers to the expanding waist lines of women that watch too much network television in America. We are getting too fat and that line is just a obscene, negative way to refer to these obese women.
Strange women lying in ponds distributing swords is no basis for a system of government.
The lawyers have to prove that this is markedly different from trading video-taped shows. Aside from 1 factor (the greater distribution breadth), I don't see how it is.
So the question they've got to answer is: why is digital media different from analog (i.e. tape) media?
Like I said, should be interesting....
IMO, there are two types of people who trade tv shows:
1. People who have already seen the show and want to view it again at a later date. These people have already seen the ads from the commercial sponsers from the first airing.
2. People who are the fan base of the show. These people archive the episodes for their own enjoyment. These people also probably view the shows during their original airing rather than waiting for the show to appear somewhere over the internet.
Both populations of people have probably seen the original airing of the program with the commericals in place. The only valid concern I can think of from the TV industry is that sponsers may not pay for ads during reruns of a particular show if viewers already have copies of it to watch. But how many of us sit down to watch a rerun of a episode we have already seen? Unless it rocked, most of us I imagine probably end up surfing the TV during breaks anyways. Reruns really only serve the population of people who didn't see the episode in the original airing. It seems to me that the industry wants to keep this population away from recorded TV shows.
The article mentioned VirtualDub... It's now only a matter of time before the Television Industry starts to sue Avery Lee for helping to pirate millions of dollars in TV episodes.
I never knew the Kazaa network had Sopranos.
I am into the copy and paste.
I like how this article seems to want to tie a decline in music sales to Napster, and not to the fact (Ok, it's actually my opinion) that music seems to really suck right now.
psmylie's dictionary: Godzillion (noun) Any number large enough to destroy Tokyo
A simple solution would be for the TV Network's to make the shows avaliable (with adds) on a bunch of fast servers. For pay per view type programming, have a subscription style service ... All they need to do is follow the p0rn industries model and they will be rolling in the dough
Trying to enforce at what time a person watches a show is silly. Not to mention controlling and repressive.
TastesLikeHerringFlavoredChicken
TastesLikeHerringFlavoredChicken
"This is just more of the TV industry coming to grips with what happened to
the music industry. But it's important that the mainstream learns about it."
Yeah, that music industry thing was no big deal.
tcd004
If you hadn't watched at least some of a series first, how would you know whether to download it?
This is always my big argument against totally prescriptive 'personal scheduling'. I have a TiVO box and think it's great, but still watch ordinary TV because otherwise how would I ever find out what's new in the world? If all I ever watched was what I'd told it to record, things would become stagnant very quickly.
Cheers,
Ian
I derive great pleasure by watching (and hearing about) the foibles of geriatric Jack Valenti. He's been around forever -- since the days of JFK in various positions, IIRC -- and is probably the the thing that's standing between the MPAA and forward-thinking, progressive movement.
This is off-topic, but when I was 9 or 10 I desperately wanted to get into films like 'Apocalypse Now' and the 'Deer Hunter.' I didn't want to go accompanied with my parents (I did, eventually) and so took the opportunity to write Mr. Valenti and short (and not irate) letter about problems with the MPAA rating system. Now, say what you will about a 10 year old going to see 'Apocalypse Now' (and make cracks about it not being a good film anyway, blah blah blah) it was one of those formative experience films -- and I understood that even before seeing it.
Anyway, I had the letter proofed by various people (my dad taught English at a local college, so it was easy to get a bunch of opinions on whether or not the letter was 'too shrill' or 'too juvenile') and wrote a variety of drafts. The gist was this: that the MPAA rating system (before the days of PG-13) as it existed in 1979 was unfair: that it should be up to parents whether or not their children could go see a movie unaccompanied. My parents *wanted* to see 'Apocalypse Now' and 'The Deer Hunter' and 'Coming Home' and -- a few years before -- 'Saturday Night Fever' -- so it wasn't a matter of me not being able to go -- it was one of those 'on principle' things: who is this MPAA and why are they making rules for parents on what they can and can't do with their kids? (Kids can go to movies -- but only if their parents are there, too. To me, it was absurd. I mean, I was watching stuff like 'Wild Strawberries' and 'The Bicyle Thief' and 'Walkabout' (yeah, I know, it sounds pretentious -- blah blah blah -- but that's the sort of world I lived in -- lots of good films, good books, and I loved every minute of it) so it was absurd that some guy named Jack Valenti was telling me I couldn't see certain films by myself.
Anyway, I wrote the letter. Wrote many drafts. Finally nailed it. It was a page long. Not shrill. Thoughtful, but fim. I mailed it off to him. (A friend of a friend got his actual address.)
And I *never* heard back. Not a peep. Not a form letter. Nothing.
I thought: well, fuck him. I knew it was a dumb thing to do -- sending off a letter of complaint. And I knew even then that I was raging into the chasm. There was nothing down there except the sound of my own voice. I knew that.
But I at least expected a response. Some inkling that after all the trouble I went through he'd at least "took note" of my complaint and thanked me for writing and understood my frustration but, ya know, that's just the way it was.
What does this have to do with the topic at hand? Not much except for the Valenti link. The fact that it's still -- after all these years -- Jack Valenti telling us what we can and can't do. And why we're wrong doing what we're doing. It's Hilary Rosen, too, over at the RIAA -- I know that.
But somehow my little experience 15 years (I finally realized) is emblematic of the whole problem with corporate giants: that no one, in the end, gives a fuck. The corporations don't, at least. The politicians try, sure. But they're hamstrung by Valenti and Rosen and all the lawyers fighting the 'Bleak House'-like endless legal battle: battling for years and years. The point of the case is all but forgotten. But they're still suing, still collecting their fees.
That first lesson in cynicism still rankles me to this day. I wonder if he ever even read my little letter.
OK, so what about this: I live in the Netherlands, Enterprise doesn't air here until next year or so. I do, however, have a broadband connection. Guess what? I want to see that show so bad I'll just download it two days after it airs in the US. Illegal? Yes. Would I do the same thing if they'd give up that stupid "release in the US first, then UK, then rest of the world" policy of theirs and had Enterprise in NL, even if were, say, two weeks behind schedule? Probably not, as I prefer to watch TV on my TV.
News and bla for computer musicians: http://lomechanik.net/
I was interviewed for this article last week and I was sorely disappointed to read how sensationalistic is was towards sharing shows with the ReplayTV 4000 likening us to Napster. Napster traded what was known copyrighted material, bought by home users and illegally copied and sent to others. RTV on the other hand is basically a digital VCR, or timeshifting device. It is currently legal to timeshift, send to friends, and receive shows this way. No different than user a standard VCR and even slower depending on file size. The biggest complainers should be advertisers who pay big money to be on Friends. But really,I don't agree with that either. They take a chance that I will see there ad anyways. There is nothing preventing me with regular TV to just leave the room or turn off the TV when ads come on.
Check out my site Planet Replay for more information on Replay show sharing.
People think Microsoft is the answer. Microsoft is just the question, "No" is the answer.
Here is a nice letter that someone from the MPAA sent to my news provider regarding the posting of a par file to a newsgroup. I'm still trying to get my head around how parity data for a part of a capture can be construed as copyrighted and infringing.
h ome.com!news.home.com!nntp2.aus1.giganews.com!nntp .giganews.com!nntp3.aus1.giganews.com!bin3.nnrp.au s1.giganews.com.POSTED!not-for-mailj 5pDYTxKKooHD8Ta0CahDA/r4+10UM+beM!mlZU1qUHhO/zlWW6 IhjisN5wN3cgyrLuh5FvK1sr/NZs/gA8d0ZWpZmc4euto8XuJC gaZTSX0qSg!oQ==n fo: Please be sure to forward a copy of ALL headers
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h ome.com!news.home.com!nntp2.aus1.giganews.com!nntp .giganews.com!nntp3.aus1.giganews.com!bin3.nnrp.au s1.giganews.com.POSTED!not-for-mail7 jYWu1Yv6msDNDa/yKb9RLpM5BG6DPElKG!yUZPdtOByslKm3q9 GpGuJ5j7L2iRxNn36l567Tlj1wxYyMdeB9IBkwkCkhKrUttx1L ErhvabovCR!qA==n fo: Please be sure to forward a copy of ALL headers
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h ome.com!news.home.com!nntp2.aus1.giganews.com!nntp .giganews.com!nntp3.aus1.giganews.com!bin3.nnrp.au s1.giganews.com.POSTED!not-for-mailX HL7HrmXTYaguQ0acmUtVjgohhscSCPc1x!mNSMUewJDzdwBmCW hS2/mzSUFqPnKRXYP78ytfEapT2ta+T32GNBvRi1cuyZUn1HwP Af2MPphSz9!NA==n fo: Please be sure to forward a copy of ALL headers
. com!nntp.giganews.com!nntp3.aus1.giganews.com!bin3 .nnrp.aus1.giganews.com.POSTED!not-for-mail: postmaster@127.0.0.1 (xjosh)g Cwg1Ndhc+KMbNRtYkcwEDK/HwXEjxl+1w!C/s290IDgld6Jq+J 2k/cvjJsTZwtOWbVXDGMyVIvj2MVu7QA5T/i15JElUPg51hrHV msYrl5j3na!Cw==n fo: Please be sure to forward a copy of ALL headers
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h ome.com!news.home.com!nntp2.aus1.giganews.com!nntp .giganews.com!nntp3.aus1.giganews.com!bin3.nnrp.au s1.giganews.com.POSTED!not-for-mails JXHYSTjwQy3N3ULNkYBf1Bk2gBZRDeKmu!6dm2CrwKGVxISfVa ZnSY6h2unnPrcLNhYseN+ScdQXWe2kLNv8ymfaoRTZJ4nH3nP8 ZMgCKtluUW!qA==n fo: Please be sure to forward a copy of ALL headers
r dc1.sfba.home.com!news.home.com!nntp2.aus1.giganew s.com!nntp.giganews.com!nntp3.aus1.giganews.com!bi n3.nnrp.aus1.giganews.com.POSTED!not-for-mailo m: postmaster@127.0.0.1 (xjosh)j kImajGqpbN290CV5wTLPd3BmeQAuGUq07!FiiI4TD9jrzYWAjP dN5pW8uCTYHh1E2EV4URdQhLsmvBzXwsN+r3jvC/FzLFzD7rnk qHZcr/RDdl!XQ==n fo: Please be sure to forward a copy of ALL headers
h ome.com!news.home.com!nntp2.aus1.giganews.com!nntp .giganews.com!nntp3.aus1.giganews.com!bin3.nnrp.au s1.giganews.com.POSTED!not-for-maild qTqIveZpQpxjqGYelQfbSgGe+3meP7jgw!a/CzqJXiGK9/Cme3 2K3amE5wYrV1GXcoXoRLmG/pf3Rs9lkyRQi95bEGBVFsxgQq7d ymwrx183dF!ig==n fo: Please be sure to forward a copy of ALL headers
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Perhaps instead of posting shows, 60-120 people should independantly review the shows and include a clip in their review.
Begin message:
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From: MPAA@copyright.org
To: dmca@giganews.com
Subject: [DMCA #1604] Unauthorized Distribution of Copyrighted Motion Pictures (Reference#: XXXXXX)
Date: Tue, 19 Feb 2002 18:23:00 (GMT)
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Tuesday, February 19, 2002
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RE: Unauthorized Distribution of Copyrighted Motion Pictures
Site/URL: usenet://xjosh@GigaNews.Com/ATTN Mike - Need anyall of 24 12AM-1AM - 24.1x03.2AM - 3AM.SVCD.HawgSmacker.p02
Reference#: XXXXXX
Date of Infringement: 2/15/2002 4:32:43 PM GMT
Dear dmca@giganews.com:
The Motion Picture Association of America (MPAA) represents the following motion picture production and distribution companies:
Columbia Pictures Industries, Inc.
Disney Enterprises, Inc.
Metro-Goldwyn-Mayer Studios Inc.
Paramount Pictures Corporation
TriStar Pictures, Inc.
Twentieth Century Fox Film Corporation
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United Artists Corporation
Universal City Studios, Inc.
Warner Bros., a Division of Time Warner Entertainment Company, L.P.
We have received information that you are offering Internet access service to the above referenced account holder, who has utilized your services to post downloads to Usenet newsgroups of copyrighted motion picture(s) including such title(s) as:
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The distribution of unauthorized copies of copyrighted motion pictures constitutes copyright infringement under the Copyright Act, Title 17 United States Code Section 106(3). This conduct may also violate the laws of other countries, international law, and/or treaty obligations.
We request that you immediately do the following:
1) Take appropriate action against the account holder under your Abuse Policy/Terms of Service Agreement; and
2) Disable access from your own servers to the particular posting(s) identified above. (See also header information attached below.)
By copy of this letter, the owner of the above referenced Internet site and/or email account is hereby directed to cease and desist from the conduct complained of herein.
On behalf of the respective owners of the exclusive rights to the copyrighted material at issue in this notice, we hereby state, pursuant to the Digital Millennium Copyright Act, Title 17 United States Code Section 512, that we have a good faith belief that use of the material in the manner complained of is not authorized by the copyright owners, their respective agents, or the law.
Also pursuant to the Digital Millennium Copyright Act, we hereby state, under penalty of perjury, under the laws of the State of California and under the laws of the United States, that the information in this notification is accurate and that we are authorized to act on behalf of the owners of the exclusive rights being infringed as set forth in this notification.
Please contact us at the above listed address or by replying to this email should you have any questions. Kindly include the above noted Reference # in the subject line of all email correspondence.
We thank you for your cooperation in this matter. Your prompt response is requested.
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------------
Actually it's called "The Definitive DVD Backup Resource"
But you can find all the software (and some pretty decent guides) which the article talks about on this site, it's the best there is....
These articles always talk about network TV and big budget movies, but what about the amount of copyrighted pr0n vids that exist on the net and p2p networks such as Morhpeus or Gnutella. In a college enviroment, most of the people I have introduced to these networks don't download movies or television shows, they download music, warez, and pr0n.
I haven't gotten into the trading of TV shows, but I would be willing to pay for the ability to legally download select TV shows. I think an affordable service of this sort would do more to kill "TV piracy" than a zillion cease-and-desist letters backed by crazy laws.
http://www.nytimes.com/2002/01/17/technology/circu its/17VIDE.html
You just have to know the address, then you can get in through the free registration method. Although Google follows the nytimes.com robots.txt, enough people link to articles that the search engine has records for the URLs.
The dream for TV was always to be able to watch any show you want, when you want. VCRs started this trend, but doesn't achive the desired results due to limitations in the technology. Due to other past technical limitations, no other device or provider could feasibly give TV on demand either.
This is all starting to change however. Instead of having all the shows in one central location, spread the shows around different homes across the world. This model was popularized by Napster and it works fairly well, ignoring the legal issues.
What the media needs to see is that things are changing. Their roles will become different, not obsolete. There is still plenty of room for them to make money if they embrace the technology and act fast. The music industry ignored online music distribution, and they lost out. Had they been a player in online music distribution then things would have been different and they wouldn't have to complain about lost CD sales after the demise of Napster.
If people use the technology to distribte media then that is obviously how they want to do it, and that is how they should get it. Otherwise they wouldn't use it. It's not fair to the consumer to be dictated on how they will enjoy their entertainment. If they want to watch a TV show recorded by someone else across the globe then it should be up to them.
If I were a network executive I'd definitely be scared by that list ... why?
It's not as much the fact that people are pirating, but that these people would rather download the numerous episodes of ALF than watch what's currently on TV.
Hollywood has been leading the best prevention against piracy by producing stuff that nobody would want to own in the first place. Who knows, maybe writing a good script would be seen as a breach of the DMCA because it would promote the desire to own and copy.
Big Pussy is a character on The Sopranos :)
As someone else noted, in the current scheme of television production and distribution, we the viewers are NOT the customer. We are the product that is harvested, packaged, and delivered to the real customer: the advertisers.
Once you understand that, the rest makes perfect sense.
"The owners of Morpheus, Grokster and Kazaa, on the other hand, are expected to argue that since they don't use a Napster-like central server--even the indexing software is distributed among users--it is impossible for them to monitor the activities of the millions of people who use their programs."
Millions? Did they even check their facts.
I am into the copy and paste.
The last 4 eps. of season 3 have already aired in the UK, but they won't air on SciFi Channel until April. There's really no choice but to download...(or fly to Europe).
Just my point. And to add to that (I'm .nl too), not only do we get to see stuff *way* later than say, the US; but we're kept in the dark about *if* we ever see it, and when. I know, it's about local (in our case national) tv-stations buying the shows from in this case Paramount.
But how come they can't buy it at the same time it gets shown in the US? Star Trek in all its forms has al large fanbase here (Voyager is even shown on primetime, which is quite unusual for a sci-fi series here), Enterprise would surely attract enough viewers to satisfy the advertisers. It's because of ancient behaviour like this people start trading tv-shows in the first place. The tech is there to show us Europeans things that happen on the other side of the globe in no-time. But no, they can't do that with tv-series. If at times like these the US entertainment industry holds on to ancient principles, I have no objection to people doing some trading of tv-shows online.
Absolutely. The media companies still have their heads in the sand, they need to wake up and see that the world's a small place now.
If they persist with region locks, and big time lags/price differences between regions they should expect people to bypass them and chip their DVD players and download the TV episodes they can't get.
My wife is American and I'm English, we've lived on both continents and either way one of us is downloading stuff - I'd happily pay a per episode fee to do it legally - of course I'd want to be able to keep the episode on disc or tape until it's released on DVD so streaming's not what I'm after.
I echo what others have said above, Napster happened because the music industry didn't step up to the plate with a solution of it's own. The TV networks (many of the same companies) are repeating the error.
There is a big difference between the TV industry and the music industry...the Supreme Court of the United States has affirmed our right to time shift televised content.
This means that as soon as a television station airs a program, I have the legal right to record that program to watch it at a different time or to watch it multiple times. So look at it these case situations:
A) Me pressing the record button on VCR to record content that will later be transmitted by coaxial cable to be viewed on my TV set = legal (Betamax decision)
B) Me pressing the record button on PVR to record content that will later be transmitted by coaxial cable to be viewed on my TV set = just as legal. If the courts did not see any distinction between existing media formats (Beta vs. VHS) then likewise there should be no distinction between media characteristics (magnetic tape vs. magnetic platters)
C) My friend pressing the record button on VCR to record content that will later be transmitted by coaxial cable to be viewed on my TV set = just as legal. Again, the courts did not specify that timeshifting only applied to the person making the recording. Otherwise how could sons setup the family VCR to record Days of Our Lives for technophobic mom? It's simple to see how it makes no difference who presses the button, the result is the same.
D) My friend pressing the record button on PVR to record content that will later be transmitted by coaxial cable to be viewed on my TV set = just as legal...combining case B and C.
E) My friend pressing the record button on PVR to record content that will later be transmitted by coaxial cable to be viewed on my monitor = just as legal...again the courts made no requirement for viewing device, whether tuner-ready television or single-channel monitor.
F) My friend pressing the record button on PVR to record content that will later be transmitted by CAT-5 cable to be viewed on my monitor = JUST AS LEGAL!...because yet again the courts made no requirement for trasmitting cable. Coaxial, Audio/Video, CAT-5, it's all the same as far as its purpose is concerned.
So working a step at a time from A (which we know is legal) it is trivial to show that F (what the article is talking about) is just as legal.
Now, I admit the issue is a little grey on pay-per-view and premium channels. I don't know if those things existed back in 1980 when the Betamax decision was written. But, even so, if I can go next door to watch HBO on my friend's TV, why can't I timeshift that same content to a time I'm in the comfort of my own home? Maybe my friend has HBO but I have the better TV/stereo? Again, these would be cases the courts could have mentioned but didn't.
The Internet changes nothing. My friends and I were recording shows for each other in high school back when Internet cost your $10/hour. The only difference the Internet makes is it becomes much more efficient...which is what progress is supposed to do.
- JoeShmoe
.
-- I wonder which will go down in history as the bigger failure: the War on Drugs or the War on Filesharing
IMO, there are two types of people who trade tv shows
...and a third: people who don't get the channels, or can't rent or afford to buy the DVDs, but want to watch the shows all their friends are raving about.
Don't pretend that third group doesn't exist. The article mentions "Sex in the City" and "Friends," but if you go online you don't have to look far to find shows and movies that are only available in recorded format. People wouldn't be swapping ripped copies of anime imports or "Shrek" -- not available on TV but expensive on tape/DVD -- if that was the case.
Fair point.
My counter-argument would be that my most common way to choose which books I want to read is to go to a bookshop and browse them. Second most common would be reviews (word of mouth or otherwise).
Now, putting my points and your points together, we seem to come up with the idea of a central repositary of TV shows from which we could randomly browse clips to decide if we liked it. I could then use my browsing method to decide, you could use your word of mouth and reviews methods to decide.
Seem like a good idea?
Cheers,
Ian
This is just more of the TV industry coming to grips with what happened to the music industry.
And just what is it that happened to the music *industry* ??
As far as I know, the so-called "losses" from "piracy" are all theoretical, CD sales were never as high as during Napsters prime-time and there is nothing indicating today that the music *industry* is losing anything from people downloading free music.
The argument goes something like : "50.000 copies of GroupX were downloaded, that whould otherwise have been sold for 30$ a piece, that makes 50.000*30$ = 1.500.000 $ in losses", which is nonesense.
echo '[q]sa[ln0=aln80~Psnlbx]16isb572CCB9AE9DB03273snlbxq' |dc
TV advertisers will have to get more creative like web advertisers and embed commercial messages in the content itself- like those annoying network logos. (I oppose this.)
Um, maybe I'm just terminally dense, but...
If I tape a show with my VCR that's legal right.
If I run the TV signal though my Digital capture card and write it to CD-R that's legal too, right.
If I tape my daughters favorite show for her, because she has to work and give her the tape
when she gets home, that's legal.
If I run the TV signal though my Digital capture card and write it to CD-R and give her the CD-R when she gets home that's legal too, right.
If I don't own a VCR only a video player is it legal to have my friend video tape it for me and give me the tape when he comes in to work? (I catch the show in question, but I have to work during this weeks show)
If instead of a VHS tape, since I don't have even a video tape player he gives it to me on a CD-R. (being a proper geek I do have a computer with a CD-Rom drive) Isn't that the same thing?
If my friend lives in the same apartment with me is that legal? On the next floor? The next building? The next state? The next continent?
Why is it legal for me to tape Enterprise or the Simpsons, but illegal to have my friend in France tape it for me?
Why can I tape a show on my VCR, but if I tape it to CD-R that's a problem?
If the music stations don't want you to record songs off the radio don't air them. If television stations don't want you to tape episodes, then don't air them.
Here's one final quandary.
If I live in a frat house with 200 other guys and we get cable television service for say $50.00 USD a month. It's perfectly legal to hook it up to a large screen television and let as many people as can fit in the room all watch it together. Take that one step further, since in the US the cable company can't charge you per television for service (they are trying to get back to that with digital cable and the required decoder box rentals, that's why they'll hate to see digital cable decoders as ubiquitous as cable ready TV and VCR's), I can legally hook up 100 or more televisions to that one cable line. All legally. The fraternity can tape every episode of a television show and keep them in the television room of the frat house, now potentially thousands of people can watch this show, and we are still legal. So why is trading episodes of a show through the internet suddenly a problem?
.
Just my $0.02 (Canadian, before taxes)
"The MPAA counted more than 5,000 locations on the Internet last year where people could download episodes for free."
... as opposed to watching the broadcast for free?
The networks already got their money, and they didn't get it from the viewers. The advertisers paid for the broadcast and there shouldn't be anything more to ask for (unless they want to take the position of cable companies where they charge both the advertier and the viewer). If the networks don't feel like they're getting enough money then they should be talking to the people that actually pay for it, and if the advertisers won't pay any more than that's your problem, not mine.
The shows are being broadcast whether I like them or not. My TV received those broadcasts but either wasn't on or was focused on a different channel at the time. I also have the right to record such broadcasts whether I watch it at the time of recording or not. While it's true that it's copyrighted matieral, giving the networks the ability to control what they themselves distributed to anybody and everybody free of charge is ridiculous. If this keeps up will the networks attempt to have a say in the affairs of TV and VCR manufacturers to "help the networks defend their rights?"
Consumers don't want to play by the network's rules. In a capitalist society it is the network that must adapt to the situation, not the consumer.
(-1, Annoying Pretentious Bastard)
I want to see the entire 5-season run of "Daria" on DVD. So do a lot of other people. There is an organized drive to get "Daria" out on DVD: it can be found at http://www.the-wildone.com/dvdaria/.
One way this can be helped along is by buying the DVD of "Is It Fall Yet?" the first "Daria" TV movie. Research by "Daria" fans in the UK has found that even though the DVD is marked "Region 1" that it is in reality regionless, able to be played on any DVD player or DVD-ROM drive. This is a Good Thing (tm) and suggests that anyone, anywhere in the world should go out and get the DVD.
I would give a link here but there are too many people with too many beefs against too many online merchants to where if I linked to anyone I'd get people upset, and Powell's doesn't seem to carry DVDs anyway. Just go to your favorite video online site and search for "Is It Fall Yet?" Or ask at your local video store. Since Viacom still owns Blockbuster (ugh!) they might be a likely suspect.
Another TV product that I would love to see on DVD is the TNT original movie "Pirates of Silicon Valley." Time-Warner has put it out on VHS but has yet to put it out on DVD.
The media companies need to either start RAPIDLY putting out TV content on DVD or face more of this so-called piracy. I thought that the Sony vs. Universal Pictures decision found that there was a right to not only time-shift TV programs but tape trade stuff taped off the air provided no money changes hands! So what's the fsckn prob? No profit is being made on this, and most of these programs don't have a legit video/DVD pipeline anyway. No bread is being taken out of anyone's mouth.
Knowledge is power. Knowledge shared is power multiplied.
In some part of Asia here where even cable don't cover certain shows, especially sci-fi. I mean "woot, no sci-fi channel?" and we have to live with that.
Now that STTNG is on DVD, may be I can buy it over the net or something, remember the show ended in 1994? It's been 8 freaking years! So if I am going to buy Enterprise I have to wait another 8 years and for the rest of the world cable provider finished showing them?
For every black market there exists a big red sign saying "Bad marketing. Huge demand exists but you are missing out of it."
in the 1970's the broadcaster and networks complained and screamed that VCR's were going to destroy their industry.. It was stealing money from them and destroying their business... they lied... In the 1970's the broadcasters and networks also screamed that Cable Television was going to destroy their industry.. it was stealing their revinue from them and destroying their industry.. They lied again. in the 1980's the broadcasters and networks screamed that sattelite Tv companies were stealing their customers and revinues and it would destroy their industry... They lied again.
.... lying...
They did this in the 90's with Digital Television. and Now they are doing it about PVR's and digital tv shows on the internet.
you know what? with their track record in the past of lying... it's safe to instantly assume that they are yet again
Do not look at laser with remaining good eye.
I'm a busy guy. I work a lot of extra hours. I can't base my life around TV Timeslots. On top of that, some of the shows I like to watch get preempted too easily. *cough futurama cough*
I think a lot of people feel this way. It's a huge hassle to get TV shows off the net. The valuable ones are the ones that you can't see on TV anymore! I can't see the Tick anymore. There's 7 seasons of MST3k I'll never see on TV again. This is why people turn to the net!
This isn't widespread piracy, it's a new market opening up! It's a market where people want shows when they're ready to watch them. It's called Video On Demand. If the TV Networks would realize this, they'd very quickly find a way to meet this demand and make a profit on it. Until they do, they're going to lose to PVRs and the Internet.
I refuse to call downloading an old ep of MST3K piracy because I have NO MEANS to see it otherwise. Dilbert? Nope. The original Transformers Series? Uh uh. I can't even go buy these shows. Until you provide me with a reasonable way of acquiring these shows to watch (i.e. fill up digital cable with TV show reruns or something like TV Land), then don't go bitching about anybody doing it. Your 'lost revenue' is directly related to your own shortsightedness, not because people want to steal.
"Derp de derp."
I can't be the only one in this boat. The one good thing is that I now realize how useless network programming is: other than the two shows listed, Monday Night Football and the Olympics there's nothing on that I care about.
"Seven Deadly Sins? I thought it was a to-do list!"
Point D is speculation. Correlation != Causation.
/. does not equal a valid causal relationship. I have yet to see anyone point to a study that verifies a causal relationship between Napster usage and cd sales.
What needs to be done is a valid statistical study of Napster users to gauge cd purchasing habits before, during, and after Napster's heyday.
Anecdotal evidence on
The situation is similar for anime here in the US. Rather than waiting years for a particular show or movie to show up (IF it shows up) in the US, independent groups of fans capture, subtitle, and distribute them for free.
They generally dub to high bitrate and high resolution DivX files, which are viewable on most any computer that has the processing power for it, but still not the same as doing it on TV. The quality of the subtitles has also become increasingly good - even professional - over the years. Of course these are watchable for anyone that speaks english, and there are other groups who work with other languages too. In fact the most difficult part is the trading and distribution of these files, which is pretty haphazard and often results in corrupted files since there is no error checking and correction, and the fact that you watch them on the computer rather than the TV (which is acceptable to many).
So the moral of the story is? TV, movie, and video producers - get your asses together and make your products available to anyone and everyone in the world at the same price simultaneously (within a week of each other), or quit your bitching. It ain't piracy if it ain't available in the first place. And if you don't want to put money into a translation, give people some way to add independent subs/dubs to it.
---If you can't trust a nerd, who can you trust?
The difference is that you would be fine letting people borrow your tape of a show but if you gave everybody a copy of the show to keep then you would be getting in trouble. When you make a show available online you are allowing millions (not just the hundreds you are talking about) of people to download and keep a copy of the show.
I would also note that if you tried to split your cable signal to 100 TVs you would probably notice some serious degradation unless you use a repeater.
Entertainment, not news shows...
Cheers,
Ian
Their only recourse is to own the internet itself and forbid all "servers". Gee, that kind of looks like the new Cox.net Terms of Service. Time/Warner AOL ToS anyone? I suppose the Bells will co-operate if the cable companies keep people from using their bandwith for long distance voice comunications. M$ might make some money collecting extortion fees from various media companies to protect content with the new XP EULA and Digital Rights Denial Patents. Looky there, all the big publishing interests CAN be happy with new technology after all. What a deal, all use of your bandwith is stripped, you computer is a TV.
Kinda sucks life. All I want to do is run my own mail, and share pictures of my two month old girl with my friends and family. No can do, those tools make me a Pirate and endanger the profits of major publishers. I don't watch TV.
DMCA, Hollings, Palladium. What might have sounded like paranoia is now common sense.
I always wondered how reporters were able to canvass for hackers in this kind of story; it's hard to imagine them hanging out on IRC channels asking for interviews without getting /kicked pretty fast.
/. post. It went to one of my spam-catcher addresses so I didn't see it until much later. I was surprised, though, as the story seemed pretty balanced considering it appeared in an AOLTW property. And it probably reads better with a guy like "Necratog" editing out commercials in vdub rather than some schmuck from Albany, New York ;)
But I got an email from the author of this Time article a few weeks back after I mentioned getting all of B5:Crusade on two CD's in a
From: anita_hamilton@[no, I'm not that cruel]
To: webmaster@kudla.org
Date: Thu, 07 Feb 2002 23:40:35 -0500
Subject: TIME Magazine Interview request
Hi Rob,
I noticed that you posted a message on Slashdot about how you were able
to save Babylon 5 shows, convert them to digital, edit out the
commericals, and burn them onto CDs. Well, it turns out that I too am
writing a story about this topic and wondered if you could tell me more
about how you did it and how easy it was.
Would you be interested in talking on the phone for a few minutes about
it? If so, I wondered if we could talk sometime Friday or Saturday. It
should take less than 15 minutes total.
If you are interested, please let me know when is a god time for me to
give you a call.
Thanks for considering this,
Anita Hamilton
Staff Writer
TIME Magazine
212/[xxx-xxxx]
This is precisely the sort of argument that The RIAA/MPAA hates to see. They scream "Revenue loss! Look at the poor 'artists'! They're losing money! And CD sales were down last year!"
I have yet to see a convincing argument based upon the law that deflects any of the points you've raised.
I wish I had a kryptonite cross, because then you could keep Dracula and Superman away.
For those interested, in the UK, viewing figures are collated by the Broadcaster' Audience Research Board. The system monitors minute by minute (catching commercial hopping), and it also fingerprints VCR recordings, and identifies them when they are played back. BARB figures are collated nightly, are available the very next day, and BARB also takes great care to ensure that their sample viewers are demographically representative.
The trouble is, new technology is a real pain for them. The UK has been slow to jump on the channel-explosion bandwagon, but we're there with a vengeance now. Viewing figures are currenty in a real mess, partly because BARB was stonewalled on getting access to some set top boxes. In fact, it's an open secret that their figures for digital TV have been pretty much a big old guesstimate for the past couple of years.
Nobody likes that. BARB doesn't like it, because their subscribers wonder why they're paying for the data. The networks don't like it, because advertisers assume that bad data means viewing figures are being overestimated (which appears to be true as the new BARB system comes on line). Advertisers don't like it, because they don't know how many eyeballs they're getting (and remember, they've been getting minute-by-minute, they do know when we're channel hopping).
And now here comes digital VCR's and looking forward, DVD recorders. BARB can currently fingerprint VCR recordings, but that's a no brainer using a simple in-line analogue device, like a non-invasive Macromedia. But digital, phew, that's a whole new ballgame. Who knows how Replays and TIVO's (and other digital tech) filters or compress information. Even if you can insert the watermark, it might be stripped or mangled on replay. It might give you garbage, or it might give you the wrong show. And if your sample viewer decides to plug in a PC with TV capture/out cards, god knows what data you're going to get.
I wonder if the big issue that networks (et al) have with digital VCR's is simply that they don't know what a very small number of people are watching on them. The BARB sample size is something like 0.025% of the UK population. It's possible that they don't really give a rat's arse about what the other 99.975% of us are watching or doing with them, just that they're screwing the figures for the sample group. After all, that's really all that matters to them, materially.
The concern might not be about what we're doing with new technology, merely that it exists, and they can't keep up with it.
If you were blocking sigs, you wouldn't have to read this.
A simple solution would be for the TV Network's to make the shows avaliable (with adds) on a bunch of fast servers.
Absolutely right.
The reason the Copyright Cartels (specifically the Television, Movie, and Recording industries) are running scared is because none of their current leadership has any skills at running a business in anything other than a coercive, cartel form.
Alternatives do exist, but they either don't have the imagination to explore them, or are so addicted to their own coercive power that they would rather destroy the most promising, democratizing and empowering technology to emerge in the last 100 years, the Internet, and our constitutional rights to free expression, rather than change their business models.
What business model(s) would work, you ask? For television (and, for that matter, movies) offering commercia laden television programs for free, exactly as they do now. Only, except requiring cable providors or broadcast stations to disseminate their product, they can do so via the internet (and without middlemen).
Offer the same content for a nominal fee (say $1.00, or 1 Euro) without any commercial content.
Mark each downloaded copy with registration information (the user's name and IP address they downloaded to). That is all the copy protection that is required, and it works beautifully (if not perfectly) in the digital world of software. People are much more reluctant to share illegal copies of software that are marked with their identity in some fashion than they are anonymous products (such as clean rips from a firewire port).
None of this is perfect, but it is very workable and people would eat it up. Their revinues would, if anything, increase over time.
Similar approaches could be used by the recording industry, if they were intelligent enough to get their heads out of their asses and stop persuing copy prevention schemes which have been demonstrated both empirically and mathematically to NOT work, and instead embed the purchaser's name and/or ip in the audio stream itself.
Unfortunately this requires imagination, flexibility, and both business and technical savvy, something that is woefully lacking at the upper levels of the copyright cartels. They would rather simply purchase laws from our cheaply sold congress, and shred the constitution in the process.
The Future of Human Evolution: Autonomy
Last year CD sales declined for the first time in a decade.
This was my favorite line in the article. It blames the decline of CD sales on music sharing, but misses the more obvious cause, Bad Economic Times. It may be true that people are getting thier music online rather than buying the CD, but given the choice between spending $20 on a CD, which probably has 1 or 2 songs I like, and buying food for my family, or puting gas in my car, guess what, I'll download the 2 songs I want, buy food for my children, and fill my gas tank. If downloading the music wasn't an option, guess what, I still wouldn't buy the CD. Maybe if the Music Industry would allow us to buy singles, either online or on CD, at a reasonable price, I'd be inclined to skip my lunch one day (my lunch, not my childrens) to buy the 1 or 2 songs I like.
Fascism should more properly be called corporatism, since it is the merger of state and corporate power - Benito Mussoli
Study. That's why you're there. You'll thank me in 10 years.
While this is peer-to-peer trading, there are several important differences from Napster.
First of all, there really wasn't a large-market device for capturing _broadcast_ music (I've often wondered why, because the number of times I've heard something wonderful on the radio that I won't hear again for months or perhaps EVER has been waaay too many). There was no "time-shifting" argument.
Second of all, most of the available material on Napster was available for purchase. Yes, there were the live/bootleg/rare recordings, which I enjoyed as much as anyone, but I don't think that was the majority. Most of it seemed to be off of ripped CDs.
However, for a lot of the TV shows, there is no medium to rip from. The shows aren't available for purchase.
It's interesting that rather than see this as a great opportunity, TV studios get scared and try to wipe it out. There's quite OBVIOUSLY a market here, and filling it wouldn't be all that hard....
Libertarianism is rich wolves and poor sheep playing gambler's ruin for dinner.
Do not underestimate the power of the people. The bottom lines is, when people want something, they will find it or create a method to get it in the form they want it in. With or without the so called innovation of the big players. MP3 and TV episode swapping are two perfect examples. I feel the big corporations and media giants are too far away from the public and fighting a loosing battle. They want to control what you watch and when you watch it. Much to thier dismay, this is not what the people want!! No amount of marketing and manipulation can change that. How many pay for play, streaming this and that business models are going to fail before they wake up? With the distibution snafu they created for media, how are they going to overcome the overhead to distribute and control on demand media at a cost that people will be willing to pay for it?
Bad boys rape our young girls but Violet gives willingly.
Not funny. All of the tools that home users can use to create media can also be used for unauthorized copying.
We're going to start seeing all media creation tools taken from us if we're not careful.
DNA just wants to be free...
As anybody with a dish capable of receiving in the C-band can tell you, we're all getting HBO for free. The trick is just getting around the macrovision...
Speaking of which, would it still be illegal if I uploaded an episode of The Sopranos still encrypted?
The last time when what I watched made an iota of difference in what a network makes on advertising was the last (and first) time I watched a TV that had a Nielson box on it, about ten years ago.
And even if I did have a Nielson box in my home it's only on one television. And if I'm watching television in a different room (say, on my computer) I still don't count.
Oh, and if anyone argues that this somehow 'disenfranchises' the poor,
...
It wouldn't disenfranchise them - it would simply force them to make their own "entertainment", possibly out on the streets. They would no longer be docile and preoccupied. They might even starting thinking for themselves.
There was a reason the Romans gave away bread and circuses
Well repeaters and signal boosters are all perfectly legal.
Never said it wasn't. Would make it pretty difficult on apartment buildings if it was.
If I let my friend borrow my tape, and he made a himself a copy and returned it that would be ok then?
Video tapes are kinda fuzzy all around. Just like music tapes there isn't as big of a concern about copying. If you had a digital copy of the show and your friend copied it then you may have a problem.
So the issue, as you see it, isn't the action but the number of people?
First, how I see it is not at issue here. I personally think the whole thing is ridiculous. I am explaining to you the way the industry, and probably the courts, would see it. Please don't believe that any of this is my opinion. Second, of course number makes a difference. Fair use doesn't allow for you sharing with large amounts of people. What is large is up to interpretation.
So I guess the next thing we'll have to do is put a counter on everything in the library. Loaning out that video tape to 100 patrons is ok, but once we hit some magical number (100,000, 1,000,000) it becomes a crime?
Again we are talking about loaning versus copying. The library is not making a copy for you so they are not doing anything "wrong." If I remember correctly it says somewhere on the agreement you fill out to get your library card that you won't make copies.
How is that any different than if 10 people record that episode and "share" it with 1,499,990 "friends" over the internet.
Well this is the fuzzy area when it comes to broadcast TV. If you include the original commercials with the distribution then you probably should be able to squeak by. When it comes to pay channels though you are up a creak without a paddle. Unless you can somehow prove that the only people downloading your file are subscribers to that pay channel you would have a hard time.
Now if you want my opinion on all of this. I think that anything that is broadcast for free should be free to rebroadcast as long as you include the original commercials. Anything that is PayTV should be off limits.
Caused confusion twice now. I meant as in "What's new in the world of TV?". People do need to know this in order for viewing habits to change, otherwise "I love Lucy" would have lasted forever...
Cheers,
Ian
Go on DalNet (#simpsons-central, #futurama-central, #x-files-central, #blahfoobar-central...)and either wait in one of those interminable queues or suck it up and donate half your cable-modem bandwidth as an fserve in exchange for sweet, sweet FTP access.
--grendel drago
Laws do not persuade just because they threaten. --Seneca
the article claims that you download a whole episode in as little as ten minutes. horse-hockey! Morpheus is quick, but not that quick.
Interestingly, I've seen a few websites that are posting entire episodes of shows claiming that since they are only thumbnails since they reduce the screen to such a small size. Interesting, but I'm not sure that's what the court had in mind when it said that thumbnails were legal.
. --- If you're looking for free e-mail you won't find it here! http://www.noemailhere.com
'Cause, you know, iSO-NeWS kiddies blow up buildings and shit.
Hell, you've got to watch out for all those college students, ready to tear open the throat of an unsuspecting TV exec.
Will someone explain to me why Jack Valenti couldn't find a more reputable line of work, such as peddling his ass for urine-soaked cigarette butts?
--grendel drago
Laws do not persuade just because they threaten. --Seneca
Every person who chooses to watch Sopranos by..
watching the show at their friend's house
borrowing it from a lending library
borrowing a tape from a friend
watching (future) reruns on another channel
..instead of subscribing to the services is taking money out of the pocket of HBO.
There is always a public space: libraries, friends, free boradcast outlets
...and a commercial space: hbo
Now hbo, when analyzing their market size, knows that the public space can cut into the private space, and so it adds services and convenience to offset this. It's not revolutionary to assume that changing technologies can expand the public space, and hbo needs to adjust their marketing startegy accordingly.
It cuts both ways, changing technology forced people to buy several copies of the same thing: vhs --> dvd, lp--> cd
And changing technology often creates entirely new markets: movies, radio, tv, cable
So sometimes the public space shrinks and sometimes it grows in proportion. It's not theft, it's not taking money out of anyone's pockets, since no one has a right to be profitable.
Cable owes it's existance to a cool new distribution medium, which definately cuts into the profits of the broadcast networks. boohoo. Note that in the beginning cable did nothing but recycle old tv leftovers.
Perhaps the tables are turning again, and now ISP's, websites which stream media on demand, and those who sell bandwidth/hard drives will cut into HBO subscription rates. boohoo.
When in doubt, have a man come through a door with a gun in his hand.
actually, it's the ad revenues which drive up the costs.
There's nothing in the laws of physics that require that the cast of friends get $1,000,000/episode. That figure is determined by the add revenues. The only required costs are those for film, make up, food and lodging for the actors/producers. The other stuff is determined by market forces arguing over a potential revenue stream. Same for sporting events.
The many well produced foreign films, which were created in a different economy for under $100,000,000 testify to this. And magazines were highly profitable in the last century and they derived the bulk of their revenues from subscriptions. The only problem is when market forces inflate salaries and then revenues drop for the newcomers. The problem is from a time lag in a nonlinear feedback response, since markets are very chaotic. The costs inherent in the content or medium are very low.
When in doubt, have a man come through a door with a gun in his hand.