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The Economics of File Sharing

Howzer writes "A great Salon article popped up today, and it appears Stan Liebowitz at the Cato Institute is having second thoughts about his paper that was published on May 15. It seems the facts simply don't support his earlier assertion (& the well-known position of all the major recording labels) that downloading hurts music sales. It's good to see this argued from another angle, especially by a guy like Liebowitz."

134 of 319 comments (clear)

  1. Coincidence? by AVee · · Score: 2

    This pops up on slashdot right after i submitted this cnet story about sony and universal lowering the prices of there online digital music, as well as alowing downloading to mp3 players and burning on cd. Wich a least suggests these companies aren't as afraid of piracy as they where before.

  2. Wow, common sense! by PhxBlue · · Score: 3, Funny

    ". . .That's the beauty of the market. That's why it can't get too far afield. If they get every consumer mad at them, they'll be in big trouble."

    Are you listening, RIAA? Either the mainstream is starting to realize just how full of it you really are, or this guy didn't get his payola check for the month.

    --
    !#@%*)anks for hanging up the phone, dear.
  3. Methods for gathering Pirated Music Data by mcwop · · Score: 4, Insightful
    I would like to see more in depth details on how the music industry gathers its pirated music data. Surveys are not very accurate. Other than measuring the actual sales by pirates, it seems as if the industry pulls numbers out of thin air. Measuring downloads of music from Kazaa and equating that to lost sales is bunk as well. One must match that users downloads to their purchases of music.

    Personally, I have purchased more music since buying a cd burner. My interest in music has increased as well. Now only if the iPod would drop in price.

    --

    "I don't think it's selfish, to eat defenseless shellfish." -NOFX

    1. Re:Methods for gathering Pirated Music Data by Reziac · · Score: 5, Insightful

      My own experiences with free vs purchased music:

      Back around 1980, I was a DJ. I had access to a HUGE vinyl library and a high-end cassette recorder -- so I could tape whatever I wished.

      Until a year ago I had better online access, and could download whatever I wished. Since then I've moved and my connexion speed went to hell, so I've stopped downloading music.

      There have been two periods in my life when I *bought* a lot of music: when I was DJing, and when I had good download access. Conversely, I *didn't* buy any music when I had NO access to free music.

      On thinking about it, the reason is simple: when I have good access to free music, I also get to sample lots of stuff I've never heard before, that I can listen to when I'm in the mood to care about it (not just when some crap radio station sneaks a song in between commercials). And I want to own what I want listen to.

      Since I've not been able to reasonably download music (26k tops is not "reasonable"), I've not bought a single CD. Coincidence? You decide.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    2. Re:Methods for gathering Pirated Music Data by mcwop · · Score: 2

      Or maybe my buying more and your buying less is cancelling each other out. But that is my point. A lot of the data is bad and causality arguments are running rampant.

      --

      "I don't think it's selfish, to eat defenseless shellfish." -NOFX

    3. Re:Methods for gathering Pirated Music Data by Reziac · · Score: 2

      Free samples: the most powerful of all advertising media!!

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  4. Don't be so sure.... by Procrasturbator · · Score: 2, Funny

    Now that I've downloaded the entire soundtrack to Glitter, I won't buy the CD! Ha!

  5. Another flip-flop with asymmetric publicity? by redelm · · Score: 2
    Is this another one of those high-profile pronouncements with a small-type retraction later? Will the RIAA and fellow-travellers publicise both, or will they just grab the headline?

    I would hope that authors and organizations have more respect for their reputations than to play this game.

  6. Okay let's get the facts straight... by keep_it_simple_stupi · · Score: 2, Insightful

    I'm sick and tired of people arguing that this doesn't hurt sales. But while I believe it hurts sales, I don't believe it hurts them as much as the Record companies have been saying.

    I haven't bought more than 2 or 3 CD's in the last 3 years. I have downloaded probably 1000 or more mp3 files in that same time period. But this does NOT mean that I would have bought those files had I not downloaded them. I may have bought 10 or 12, but not all of them.

    So should they stop mass file sharing? Yeah probably. Will I be happy about it? Not one bit, but I'll accept it.

    Also in other news I heard yesterday on the radio that a couple of the labels will be selling singles online for $.99 and albums for under 10 bucks. If that happens, I wouldn't mind forking over the cash every now and then when there's something actually worth buying.

    Just my $.02

    1. Re:Okay let's get the facts straight... by SirSlud · · Score: 5, Insightful

      Of course file sharing hurts sales. Just like double tape decks hurt sales. Just like not having a law preventing people from owning two VCRs hurts video sales. Just like photocopiers hurt the sales of sheet music.

      Technology changes things. In some ways better, in some ways worse. It changes peoples behaviour, and it changes the machanics of society.

      The question everybody should have been asking all along is, "Does it hurt sales so badly that nobody will want to make music?" The answer seems to be an overwhelming NO, so if thats the case, history suggests that we are should tolerate it until it finds its natural 'fit' within social behaviour and the economy. Just because it facilitates illegal behaviour does not mean that this illegal behaviour is going to have a negative impact on the market - and if you think about it, many discoveries, social patterns and values we hold up as examples of our progressive society started up as being illegal behaviour until we came to terms with its perceived threat and realized that many things we perceive as threatening or damaging can be channeled in a positive socioeconomic direction.

      --
      "Old man yells at systemd"
    2. Re:Okay let's get the facts straight... by MartinG · · Score: 3, Insightful

      I'm sick and tired of people arguing that this doesn't hurt sales

      Well thats interesting, but are you going to tell us why? Just because _you_ have bought fewer CDs because of your access to downloaded music doesn't mean others have. Personally speaking I can say honestly that I have bought more music as a result of first sampling it from downloads. Many of my friends do the same.

      What I have said here proves nothing. It's just one single anecdotal example, just as your example is.

      I'm not saying you're wrong about downloads hurting sales, just that you haven't provided any convincing argument or evidence to back up what you say. "I buy less therefore everyone must buy less" is not enough and doesn't convince me.

      --
      -- MartinG To mail me: echo kewyjlcxyzvjfxbqwh | tr bcefhjklqvwxyz .@adgimnoprstu
    3. Re:Okay let's get the facts straight... by Peyna · · Score: 2

      Assuming that "selling online" means in mp3 format, and that they will probably be 128 kbps, then there is no way I am going to pay $10 for something that is of inferior quality.

      I too, haven't bought more than 2 or 3 CD's in recent years, but it has nothing to do with downloading music. I have a 4 gig mp3 collection; all of which are my music cds converted to mp3s. I only have 1 cd that was downloaded and ripped; however, that is because I lost the cd I originally purchased.

      So, why haven't I bought many cds recently? Because there isn't anything out there that appeals to me right now. None of my favorite bands have put out anything new and exciting, and the rest of it is basically crap that I don't care to listen to.

      I blame those producing the music for not making me like it enough to want to buy it for their "loss" of income.

      --
      What?
    4. Re:Okay let's get the facts straight... by MadAhab · · Score: 3, Insightful
      Read the article again. If every download was a lost sale, as they record industry claims (and as you appear to believe), then record sales for the last year should have been in NEGATIVE tens of billions. Obviously that hasn't happened. Wake the fuck up and smell the coffee.
      So should they stop mass file sharing? Yeah probably. Will I be happy about it? Not one bit, but I'll accept it.
      No, "they" fucking shouldn't. Anytime you say something like that, ask who "they" are. Because they become the watchers, and who is going to watch them? No one, and then "they" will be charging you to transfer tapes that you yourself made of your brother's wedding (via convenient micropayments, natch). If you don't see a problem with that, please do the world a favor and wear a helmet 24/7.

      This dude's argument on fair use is also total fucking horseshit, once you realize that it's not about text. Consider the Mona Lisa. To translate fair use as he understands it for text (read a paragraph, retype it) into images, audio, or video, you'd have to repaint the painting yourself or reshoot the movie yourself. Wow, that's great policy, legislate technology back into the dark ages! That's the hallmark of good policy! Bring back the buggy whips! Hey, let's make this whole thing really simple and just shoot those whining academics! Those dangerous intellectuals!

      I'm so sick of neanderthals like you requesting that we legislate away the future in order to preserve the questionable past. Go crawl back in your cave, caveman.

      --
      Expanding a vast wasteland since 1996.
    5. Re:Okay let's get the facts straight... by anthony_dipierro · · Score: 2, Insightful

      But the artists aren't the ones that make the money off the CDs, the record companies are. So unless you're only pirating live music, you are costing someone money. Someone who probably doesn't deserve the money, but someone nonetheless.

    6. Re:Okay let's get the facts straight... by Shelled · · Score: 2

      I presume the irony was unintended. You rant how people are being selfishly obtuse arguing that downloads don't hurt the record companies, then end the post with ".....I heard on the radio....." Compensating artists for air play is a relatively recent development in the history of radio. For decades prior the industry did exactly what you say should have caused the music industry fatal damage, shared their product for free. I think we'd both agree it didn't. Your argument states a case and then provides one of the most effective counter examples as an aside.

    7. Re:Okay let's get the facts straight... by liquidsin · · Score: 3, Insightful

      Radio has given me 'free' access to thousands of songs, grouped by genre. It may not be entirely free, since there are adverts, but I change stations during commercials (I know, I'm a thief...). If I didn't have access to this 'free' music, I would never get to sample different artists / genres, and wouldn't purchase any of their music. File sharing works much the same. Say I hear about artist 'x', in a review, on the radio, whatever. If I can sample more of this artist's music without forking over $20, that's great. If I like it, I buy it. If not, I don't. This pisses off the RIAA since they've been using this business ploy for years. They hook you with one good song, and never tell you that the rest of the disc is utter trash. They want you to spend your money to find that out. This is how they make money. Downloading music is no different than me going and standing in a record store to preview a disc, except that I get to keep copies of what I download. Mind you, most of them are 128 kbit garbage, but I have them. They're not a substitute for a cd. If these idiots would realize that they're getting free advertising out of this, we could end the nonsense. But they don't want you to find out their product sucks until after you buy it, and that's why they'll fight tooth and nail over file sharing.

      --
      do not read this line twice.
    8. Re:Okay let's get the facts straight... by pubjames · · Score: 4, Insightful

      I'm sick and tired of people arguing that this doesn't hurt sales. [...]

      I don't own a lawnmower. I borrow my neighbours. This affects sales of lawnmowers.

      So should they stop sharing of lawnmowers? Yeah probably. Will I be happy about it? Not one bit, but I'll accept it.

      I sometimes hitch a lift with a friend rather than use my own car. This affects petrol sales.

      Should they stop people hitching lifts? Yeah probably. Will I be happy about it? Not one bit, but I'll accept it.

      I often drink water out of the tap, rather than buying it. This affects bottled water sales.

      Should they stop people drinking out of taps? Yeah probably. Will I be happy about it? Not one bit, but I'll accept it.

      I sometimes think about naughty things, rather than looking at porn. This affects porn sales.

      Should they stop people thinking naughty things? Yeah probably. Will I be happy about it? Not one bit, but I'll accept it.

      (I'm not sure what my point is. Draw your own conclusions...)

    9. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 2
      I'm sick and tired of people arguing that this doesn't hurt sales. But while I believe it hurts sales, I don't believe it hurts them as much as the Record companies have been saying.

      I haven't bought more than 2 or 3 CD's in the last 3 years. I have downloaded probably 1000 or more mp3 files in that same time period. But this does NOT mean that I would have bought those files had I not downloaded them. I may have bought 10 or 12, but not all of them.

      Well, then that proves it!

      What if I said that the time when I was buying the most CDs was during and right up until the end of Napster? I used to download songs from all sorts of different artists... songs I had heard at one time and liked, people I was always meaning to get into but never got around to it, etc. And I ended up having a constant flow of new CDs coming in from CDNow. When Napster died then I didn't feel like finding a new service, and then I went down to 56k. I didn't buy any CDs up until a couple weeks ago. And I just got broadband a month ago. Whaddya know?

      What the heck is going on? My story is totally different. We have some sort of paradox!

      Or...

      Maybe a single person's anecdote is worth absolutely nothing as far as proving or disproving the MP3 situation. Maybe you really don't know whether music sales are really hurting or not. Yes, there might be certain instances where you would have bought a CD, but downloaded an MP3. Then there is another instance where the MP3 leads to a download. Nobody knows if this evens out, or perhaps even causes more CD sales. You just don't know, ok?

      What we do know is that the music industry execs are currently still filthy rich, and if they remain filthy rich, then I'm not really interested in finding out if they could have possibly been 5% richer and filthier if only there weren't MP3s.

      mark
      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    10. Re:Okay let's get the facts straight... by gartogg · · Score: 2

      There is no direct link between the number of CD's downloaded and the number bought, but there is a different type of evidence: in 1999, Music sales were up 10% in the us, and there wasn't WIDESPREAD piracy. In 2001, for the first time ever, CD sales were down, (by 5%) and the reduction in growth rate only dates to 2000, as pirating began to gain popularity.

      Are the prices fair? no.
      Is stealing wrong? yes.
      Is there some middle ground? probably.
      (Do I pirate Music? Not Anymore.)
      Of course, in reality, piracy increases music sales, industry is good for the environment, and smoking is good for your health, so this is all irrelevant.

      PS. Are you really dumb enough not to be able to figure this out yourself? or are you just being a jerk asking someone to produce documentation?

      --
      I'm a concientious .sig objector.
    11. Re:Okay let's get the facts straight... by Kintanon · · Score: 2

      Quality and Accessibility. I like Kid Rock, I wish to own his latest CD. I have downloaded many of the tracks from his latest CD in mp3 format. The quality is not up to my standards, even though it's encoded at 128. I also don't have a way of making my mp3s travel with me. Perhaps that will change in the future, but I will still purchase CDs so that I can rip them at a decent quality level for my own listening pleasure. I also like owning CDs. I own almost every REM CD ever released. I'm very happy about that. I also have most of those tracks in mp3 format. Many people hold these same views on quality of music.

      Kintanon

      --
      Check out JoshJitsu.info for Brazilian Ji
    12. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 3, Insightful
      I'm really curious, because to me it seems completely irrational to donate your money to the company who makes the plasticware when you don't want the plasticware to begin with.

      There's your flaw. Isn't it obvious? Some people want the CD. Why? You can hold the CD. It has cover art and liner notes. It has the whole album as the artist (theoretically) wants it. It is in full quality, and can be copied to MP3s if desired. A person can build their CD collection (people enjoy this). You can just go out and buy the CD and listen to it, you don't have to search for it and wait to download it and burn it.

      Nobody is donating anything. Many people find these reasons good enough to buy music from their favorite artists. I doubt that even 1% of people who buy CDs based on MP3s they downloaded are doing so for any sort of "moral" or guilt reasons.

      mark
      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    13. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 4, Interesting
      but there is a different type of evidence: in 1999, Music sales were up 10% in the us, and there wasn't WIDESPREAD piracy. In 2001, for the first time ever, CD sales were down, (by 5%) and the reduction in growth rate only dates to 2000, as pirating began to gain popularity.
      ...
      Of course, in reality, piracy increases music sales, industry is good for the environment, and smoking is good for your health, so this is all irrelevant.

      Of course, everything is black and white and nothing is complicated. So when the music sales went down in 2001, of course the first recession in years after a long economic boom and a drop in the quality of music, as well as people getting increasingly pissed at the music industry couldn't have had anything to do with any of this. It's obvious what was the real cause. No reason to even consider the possibility of anything else.

      mark
      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    14. Re:Okay let's get the facts straight... by MartinG · · Score: 2

      makes sense to me

      What the hell has making sense go to do with it?
      It "makes sense" that the earth is flat, but that doesn't make it true.

      It doesn't make logical sense

      What the hell is "logical sense"? You keep mentioning logic, but so far have made very little use of it.

      it seems completely irrational

      Again, what it _seems_ is unimportant. How about facts and proper argument? We can theorise all we like about what people _would_ do, but it doesn't prove anything.

      Consider this quote:
      "It is a capital mistake to theorise before one has data. Insensibly one begins to twist facts to suit theories instead of theories to suit facts."- Sherlock Holmes

      ..and in this case, NONE of us have much data.

      --
      -- MartinG To mail me: echo kewyjlcxyzvjfxbqwh | tr bcefhjklqvwxyz .@adgimnoprstu
    15. Re:Okay let's get the facts straight... by gartogg · · Score: 2

      Oh, I get it, you like not having to pay for things!
      OK, that AND cursing.

      TANSTAAFB (There Ain't No Such Thing As A Free Beer!)
      Basically, what you are advocating (aside from your request that the previous poster move out of his house or apartment and into a cave that I assume is conveniently nearby) is that you should get free music because the music industry is overprotective.

      However, your logic is as bad as your command of Invective:

      You refuted an arguement different than the one presented (because HE did not say that each download = a lost sale, "The Industry" did, supposedly.)
      You then Argued by exageration that preventing theft is a slippery slope, a position I don't understand, as no-one has discussed methods of preventing theft at this point in the discussion.
      You once again Argued by exaggeration that fair use is... something, which I don't quite follow, as it does not proceed from the post before yours.

      So, to synopsoize your comment, basically you:
      A) Enjoy insulting others
      B) Have nothing original to say

      (Ob.Re-digression.back.to.the.subject.at.hand)

      Why do people not understand that most people are not really interested in finding "new and exciting" music, and just want to listen to bands and songs they hear all day on the radio. (Has anyone noticed the proliferation of Boy bands and Eminem on Kazaa or whatever sharing software you use?) Oce the 5 CD's someone wants are burned for them, they do not need to buy the CD, and therefore don't. Lost Sale.

      Obviously this is not the only paradigm out there, and many people are legitimately looking for new music, but for everyone else (a vast majority, I should add) downloading is simply theft of music you want anyways, but would prefer not to pay for.

      --
      I'm a concientious .sig objector.
    16. Re:Okay let's get the facts straight... by Rogerborg · · Score: 2
      • I'm sick and tired of people arguing that this doesn't hurt sales

      Prove that it does. Find any evidence - any evidence - that it has reduced sales. Anecdotes don't count. Common sense doesn't count. Your opinion doesn't count.

      Show us the evidence.

      • Also in other news I heard yesterday on the radio that a couple of the labels will be selling singles online for $.99

      No, they will be renting you access to SDMI secured data stored on your hard drive. Download the Liquid Audio player and read the license. Access to the tracks is conditional on a renewable license tied to your credit card. It's a rental locker system, and they can take away the keys at any time. Wake us up when they actually offer mp3's, will you?

      --
      If you were blocking sigs, you wouldn't have to read this.
    17. Re:Okay let's get the facts straight... by gartogg · · Score: 2

      If you want evidence, you have it. during the many other recessions that have occured, CD sales didn't even slowdown (the growth rate in sales continued to increase, in fact.) Historically economic Slowdowns only reflect themselves in certain types of luxury sales, esp. High ticket items. Entertainment usually does well. And of course, people are only pissed at the industry now, since they realized they didn't have to pay money...

      As for a drop in the quality of music, I'm not saure what yuo are referring to, because music could not get any worse then it has been in the last 20 years, throught the 80's and most of the 90's. In any case, the evidence is NOT straightforward, but it IS evidence, and that's all I ever said it was. If you want proofs, try math instead of the humanities.

      --
      I'm a concientious .sig objector.
    18. Re:Okay let's get the facts straight... by MartinG · · Score: 2

      something for you to think about.

      10% is much higher than the increase rate of the population.
      If it did stay at 10% can you work out what would eventually happen? Not so long in the future that would mean everyone buying every cd that comes out. shortly after, it would mean some people buying two copies, and so on.

      In any case, there is a classic logical fallacy in what you said.

      "If a happened it would cause B. B happened, therefore A caused it"

      "If an increase in piracy happened it would cause sales to increase less. Sales increased less, therefore an increase in piracy caused it"

      A classic logical mistake.

      --
      -- MartinG To mail me: echo kewyjlcxyzvjfxbqwh | tr bcefhjklqvwxyz .@adgimnoprstu
    19. Re:Okay let's get the facts straight... by MarkusH · · Score: 2

      Let's say I budget $50 for buying CD's. I go and download music, checking out different bands, different music that I may not have listened to before. Now what?

      I still have my $50, budgeted to purchasing CD's.

      So I go out and purchase bands that I really liked, or buy similar music styles that I haven't heard before the download. Perhaps I couldn't get a good quality download. Perhaps actually owning the physical medium that I can do with what I want is more important than having it as a bunch of bits on my computer.

      Here is a secret: The more music you listen to, the more you listen to music. You enjoy having music play in the background. You listen to music in the car. If you don't have music playing, something is missing. If you make music easy to listen to, then you make a music fan. And what do music fans do? Why, they use their disposable income to buy music.

      (Okay, they use it to purchase better sound systems, use it to purchase tickets to shows, etc. I don't think Sony minds too much that you use your money to purchase its stereo system instead.)

    20. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 2
      CD-Rs are much cheaper than CDs, and if you use an audio-CD-R then it's legal for you to burn the copy.

      And building your own computer is much cheaper than just buying a standard model from Gateway... yet most people don't bother. You may say that creating a CD from downloaded MP3s from start to finish is much easier, but remember that you are posting to Slashdot.

      mark
      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    21. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 2

      My examples were not meant as direct counter-arguments, they were only ideas that show how there are a lot of factors involved.

      Yes, normally the entertainment industry doesn't get hurt in a recession like other industries. But don't forget that there had not been this kind of attack on American soil since the civil war in the mid 1800s. Don't forget that CD prices are actually continuing to rise.

      My point was there are a bunch of factors, and there are a bunch more that I didn't mention.

      So saying that there was a 5% drop in music sales, or however much, doesn't mean anything. It is not even an argument in favor of the idea that MP3s are hurting the industry. Perhaps, with everything else going on, the fact that there is only a 5% drop is an argument that this isn't the case (like what was stated in the article).

      I'm not saying my ideas prove things, I'm saying that the record sales data really aren't that simple, whether they are intended to prove anything or not.

      mark

      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    22. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 2

      Yes, but if all the RIAA wanted was that, then they should be happy now, right? I mean, we agree it currently is an inconvenience. So... why are they still raving just as much or more? It's because they want to go beyond that, beyond what I think is fair.

      mark

      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    23. Re:Okay let's get the facts straight... by anthony_dipierro · · Score: 2

      Speaking as someone with a degree in Physics (not that that makes me any more right of course)

      to someone who just got his certificate to teach High School Physics.

      I assume you are talking about relativity, in which case he had a phenomenal amount of data which he used before producing any theory.

      He had data, mainly that the speed of light was measured to be the same in all inertial frames of reference. But he didn't have any data regarding gravitational lensing, time dilation, or nuclear fission.

      I have a whole lot of data about the way humans act. They tend to not pay for something when they can get it for free unless they have a reasonable chance of getting caught and getting "in trouble". Yes, I will adapt my reasoning if I am presented with evidence that it is faulty, but I haven't been presented with any such evidence.

      In any case, you haven't answered my question. Do you honestly believe that P2P networks cause people to buy more music? Or are you merely arguing that it's possible?

    24. Re:Okay let's get the facts straight... by MsGeek · · Score: 2
      And building your own computer is much cheaper than just buying a standard model from Gateway... yet most people don't bother.

      Not true...not true at all.

      "Beige Box" no-name PCs are still cheaper than the name-brands. And even when they aren't, you have the advantage of usually being able to "spec out" your PC before they build it for you. The big names like Gateway and Dell and HPaq usually look for the cheapest fsckn stuff you can buy as part of their specs for their machines. Who still uses NVidia TNT2 or ATI Rage Pro video chipsets in their machines? THEY do.

      It's way better to have control over what you put into a computer. It's even better to build it yourself. But that's just me. Some people have time constraints which mean that they can't even think of taking time out to build. Some people don't have the confidence to do it. That's why the good Goddess made the Friendly Neighborhood Screwdriver Shop.

      --
      Knowledge is power. Knowledge shared is power multiplied.
    25. Re:Okay let's get the facts straight... by anthony_dipierro · · Score: 2

      Yes, but if all the RIAA wanted was that, then they should be happy now, right?

      Just because you have a straight flush doesn't mean you should start jumping up and down screaming.

      It's because they want to go beyond that, beyond what I think is fair.

      Maybe. Or maybe it's just like NYC traffic. You have to try to cut off the car in front of the car you actually want to get behind.

    26. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 2
      Maybe. Or maybe it's just like NYC traffic. You have to try to cut off the car in front of the car you actually want to get behind.

      That's an interesting point. But I think some of the other things that they do indicate they really are trying to cut off both cars, if that makes sense. Hard to ever really know for sure, though.

      mark
      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    27. Re:Okay let's get the facts straight... by keep_it_simple_stupi · · Score: 2

      Okay... I get everybody's argument that there is no _proof_ that file sharing is affecting sales. Fine.

      Maybe _my_ opinion is skewed because I happen to know how to use a PC with a CD burner attached to it, and I am not fanatical about the after quality of the audio.

      The way I see it, as another poster pointed out, is that sharing MP3's will spur sales by the casual user. Someone that downloads the music on a slow connection every now and then to see what's out there (remember, broadband is still far from the norm), or even someone with a fat pipe that doesn't know how to use a CD burner or views it as too much of a hassle will download to listen/preview and then buy a CD to listen to in the car or on his home stereo.

      Well... Technology naturally get's easier to use. Broadband is spreading. It is getting easier and easier to download and move straight to a CD - look at the MP3 playing car decks and DVD players!

      I view this as a very very slippery slope, and I think that it will only lead to more and more depressed sales... Not that I'm simpathetic to the RI Ass. Of America, but this is the way I see it.

      All I'm saying is that for someone who reads slashdot, unless they have a REALLY overactive conscience or can't get broadband or are a serious audiophile, it makes no sense that you would actually buy music when you can get it for free!

      Again, Just my $.02

    28. Re:Okay let's get the facts straight... by Dephex+Twin · · Score: 2
      the defense is arguing that P2P doesn't even have the potential to cost them anything

      Well, maybe some foolish folks are, but certainly I never said that. Sure P2P has the potential to cost them. It also may very well not.

      There are a lot of things that could potentially happen, or not.

      So all I'm saying is, let's see what the heck happens before we react to it!

      What the music industry is really doing IMO, is trying to have control over the situation, it has little to do with keeping their "fair" revenues. By getting a stranglehold on the whole process, then if MP3s have a big effect that is bad, they can squeeze a little tighter and try to choke it. But if MP3s have a beneficial effect on the market, they can get the maximum benefits from this new aspect to the industry.

      I don't want them to have control over this, because I don't feel they play fair when they have the upper hand.

      mark
      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    29. Re:Okay let's get the facts straight... by Prior+Restraint · · Score: 2

      [Einstein] had data, mainly that the speed of light was measured to be the same in all inertial frames of reference. But he didn't have any data regarding gravitational lensing, time dilation, or nuclear fission.

      If I understand it correctly, though, time dilation was an inevitable side-effect of Relativity. I mean, if you make c fixed regardless of the inertial frame of reference, then something weird has to happen to time.

      I guess what I'm trying to say is that Einstein didn't have a "Theory of Temporal Dilation", he had a "Theory of Invariant Light Speed". Observing whether or not time dilates becomes another means of testing that theory.

      (I have nothing to say about gravitational lensing, because I don't recognize the term, nor fission, because I don't know what it has to do with Relativity.)

    30. Re:Okay let's get the facts straight... by MrResistor · · Score: 2

      Perhaps you should try reading the article.

      The guy is an economist who released a paper detailing how download should be hurting record sales. All logic supports that conclusion, but apparantly there is more at play here than logic, because after spending more time with the numbers, this same economist says that there is effectively no damage done.

      Specifically, he says world-wide music downloads are 1.5 times world-wide music sales, or 5 times US music sales, and yet the reduction in CD sales has only been about 5%. If downloads actually hurt sales, the damage should be undeniable given the scale, but this is so small as to be indistinguishable from the effects of an economic recession. Being, as we are, in an actual economic recession, that's as close as an economist who values his integrity can come to saying music downloads don't hurt music sales.

      Let me reiterate that these are the conclusions of an actual economist after reviewing the actual, real world data.

      --
      Under capitalism man exploits man. Under communism it's the other way around.
    31. Re:Okay let's get the facts straight... by SirSlud · · Score: 2

      I'm sorry to do this, but let me destruct your two points:

      1) Sure, it might happen. Maybe, in a galaxy far away. Again, you can look, time and time again at new technologies destroying old ways of doing things. But for the sake of argument, lets say it happens. Sony, EMI, etc go bankrupt. Who cares? My indie label in my neighbourhood now has the advertising inventory and space (cause now the voices of Sony, EMI, etc are silent) to promote local talent and market it locally. I sure wouldn't disagree that the era of the superstar might end (until those grassroots labels become tommorows Sonys, EMIs). The industry right now is terribly expensive to maintain, but this isn't because you have to feed the artists! It's because marketing budgets have exploded. Production values are huge, but this is only a function of the giants running the show. Even if they go bankrupt, suddenly its alot more economical to represent, promote artists again, and there is alot more market to go around to smaller but definately 'livable' salaries. Think of how disproportionately well the mega stars get paid. There is alot of market that could be shared far more effectively, and youd get a more diverse selection of music to boot. But the idea of file sharing destroying the ability to make a living off being a musician is simply laughable. Whats truely unforutnate is that musicians will have a tough time reshaping the minds of the mass consumer to focus again on the music instead of the light shows. Finally, most of the money musicians make are from performances, etc. The money made from CD royalties does not constitute a big part of a musicians' paycheque (although it is a big part of the hollywood shadow writers' paycheques who pen the hits for the stars, but I've never been a fan of that setup anyhow.)

      2. Copyrights were put in place because governments were giving the Sony's and EMIs of the 1700s (the publishing houses) monopolies on cultural works. Copyrights were put in place to spurn distribution of cultural works and ensure that culture went back into the public domain. A copyright was designed to permit the author some return for their work, but make absolutely no mistake that they were put in place to _break_ the monopoly content creators had on that content, not the reverse as it is usually thought. The joke is that humans, by nature, wish to pay back, so artists, creators, etc, rarely needs laws to ensure they get paid if they make good shit. :) Think about it. The 'protection' is simply a story always cheerleaded by the current market champions to continuously increase the 'expriration date' on artistic works and thus propogate monopolies well past the death of the original creator. (Would you say we should be protecting the 2nd generation family of the artist because of, say, Mickey Mouse? Do they all deserve to live wikedly because an ansestor only had to have one good marketable artistic work?) Check out some of the history of copyright to get the full story.

      --
      "Old man yells at systemd"
    32. Re:Okay let's get the facts straight... by garyrich · · Score: 2

      Well, that's you. I've bought maybe 10 CDs in the last year. I've downloaded hundreds. Would I have bought hundreds more if I couldn't have d/led them? No.

      I'm not going to buy some K-Tel "80's Hits" CD just so that my son can play "Safety Dance" in the car. He would have just done without. In either case Men Without Hats wouldn't have gotten any $$.I doubt they make anything from those K-Tel Cds anyway.

      I have certainly bought things only because I could get them from GNUtella first to sample. I'm still evil according to the RIAA. I'm fragmenting the market by enjoying j-pop that they don't own and importing CDs from Japan (DAMN... those are expensive) where their monopoly doesn't extend (yes, they have their own, yes they're just as bad). Next time I'm at the store I'll buy an Apohex Twin CD for the same reason - I sampled it first. Sad for the RIAA, I doubt they make mega $$ off him either. Too bad....

      Who is more typical, you or me?

      --
      -- your Web browser is Ronald Reagan
    33. Re:Okay let's get the facts straight... by SirSlud · · Score: 2

      > Sorry for implying such a laughable idea, but I wanted to make the point that with reduced revenues caused by illegal file sharing, record companies will be forced to not sign and/or screw over more artists

      How can you possibly qualify this statement? Please find out about these reduced revenues .. 5% down last year, easily attributable to the recession. I think the problem is that people expect these media giants to just grow and grow and grow, and any time they dont grow, its simply just the cheaters. There are cheaters in every system dude. Everyone does something thats not exactly along the lines of the letter of the law. But you know what. The Eagles lived good. Very good. Much better than I will ever live, and I highly doubt they need my help, unless they pissed their money away, which is entirely their fault. So, even tho its covered by a copyright, I'm going to download it for free. Tough shit. I refuse to prop entire people's superstar lives up so I have hear a measly song a few times in my life. Same goes for most artists who've already lived lives for some reason we wish we could have. Well, we could stop propping them up so high, for starters. Think of it as equalization. IP is not a bike, it is not physical. It is an idea, and the author is never going to run out of copies like a factory would were all its inventory stolen.

      Plus, I think most struggling musicians (such as myself, and friends of mine, and people I know) want these media giants taken down a notch or two.

      And the mid-tier musicians who aint living the superstar life? Well, I buy their CD, of course, because I like to pay those who need it, not those that have it. You simply believe that suddenly, everyone will stop buying all CDs, or suddenly some artist's fanbase is going to entirely switch to downloading songs from filesharing apps. Have you ever seen any kind of social flock all of a sudden do the _exact_ same thing? There will always be people like me who ensure the system is balanced, that this monopoly gets no more powerful. If you only follow the creed of the successful, you will never enact change .. something which people tend to associate with progress. And if people dont like it? Fuck em, I'm a musician. Lots of musians have expressed support for filesharing. But enough, I'm a criminal, lock me up!

      --
      "Old man yells at systemd"
    34. Re:Okay let's get the facts straight... by SirSlud · · Score: 2

      Imagine it. No music. Nobody makes any music, cause its not profitable to make it. Humans retire music from their list of things they do because you will starve if you try being a musician. Hehe, you honestly think that could happen, do you? If no company existed to 'make' music, people in my town would make it, and people would pay to see it. Filesharing killing music cannot happen, because it would involve humans absolutely abolishing something they cant live without! Its as simple as that!

      --
      "Old man yells at systemd"
    35. Re:Okay let's get the facts straight... by SirSlud · · Score: 2

      >It's not hurting anybody.

      Back in my world, we have a little thing called 'judgement'. Yes, humans, thank god, still use it from time to time. I use this judgement to decide who it will hurt. I suspect people *like* me have been doing this for decades. I also suspect that we're still okay here. You and I (and the musicians) live better than 98% of the people on this planet.

      > If more people thought like you, we all would be screwed.

      Which is to say that you have never, ever cheated anything, or bent the rules any time. You've never done anything that if everybody else did, would be detremental to what ever system you were participating in? Ever? What you fail to understand is that its flat out impossible that everybody thinks like me. Simply by virtue of me thinking like me, somebody will think like you. People are different. According to your logic, humans are capable of complete Borg-like behevious, all of a sudden ditching thousands of years of diversity in thought and action, and all become music thiefs. You simply cannot comprehend that it would be a knee-jerk to implement massive legislation and banning filesharing tools ... analogous to putting fences up beside roads, because, dont you know, tommorow EVERYBODY will become a jay-walker and then urban transportation routes would become useless. The reason they dont build those fences is that we can be sure that everybody *wont* do this .. since we are a social animal, we will display diversity in thought and action. I steal some music, but pay for movies. My neighbour steals some movies, but pays for music. My other neighbour sneaks into theare, but pays for music and movies.Attempting to categorize 'cheats' as one section of the population is useless, because we all pick and chose our spots in which to cheat, but overall we are incapable of decimating any given social or economic system by all of a sudden moving, as a species, one step to the left.

      So putting in draconian technological barriers is expensive and fruitless, because for any given application, you're only going to catch a small percent of the population at the expense of everybody else who is using the technology in a way that does not damage the system (such as those who download *then* buy the CD, or those who download songs they already bought years ago, etc).

      Please, for the love of god, argue that. Your IP argument is typical fearmongering that simply doesn't hold up against historical and psycological analysis, no matter how nicely it plugs into your Excel spreadsheet. Human behaviour is a moving target, so you can never change one thing (okay, lets see how this system is if *everybody* cheats) without seeing that change ripple through macroscopic social behaviour. Excel won't point out that when you move 80% of the non-cheaters to the cheaters category, X% of the cheaters become non-cheaters! We are self regulating in our behaviour, no 1984 needed!

      --
      "Old man yells at systemd"
    36. Re:Okay let's get the facts straight... by SirSlud · · Score: 2

      > I just wanted one solid convincing reason why mass file-swapping and its inevitable harm to the industry wouldn't discourage music creation.

      Well, I dont know about convincing .. the only person who can convince you is yourself. I can only provide examples of why I dont think this is true.
      And I cant be bothered to sound grammerically correct anymore :), this is going to be real stream of conciousness ...

      Example 1: Sony and EMI etc become less rich, thus reducing the barrier to entry of advertising (since they can basically 'buy out' any inventory less rich companies wish to advertise in.) More musicians who you dont know about (tons of people create music, what you're really talking about is making a living off of it.) Recuding the powers of the giants by way of filesharing would make it easier for more musicians to compete in the market, thus encouraging more musicians to make more music.

      Example 2: file-sharing has proven to be the *only* community-driven method of distributing and exposing artists to other people, in other geographies. you might say that the big guys can do this, but you're missing that they dont *want* to do this. they want 10 brittany spears, not 40 mid tier musicians. file-sharing is the absolute perfection of word-of-mouth, the kind of advertising marketing execs (I work with them) know even money cant buy. although, they do try .. they hire 'urban salespeople' to go to bars and talk up artists they want to push. file-sharing returns the control of who gets sold to the people, and since the people are much more diverse than any big media company business plan wants it to be, this would encourage me to think more seriously about attempting to make a living off my music. as it stands, its utterly hopeless. I know enough people who could support me, but since I will never sell to millions of people, I'm of no interest to the companies that currently saturate the market and cater to those who havn't time to 'pull' their tastes.

      example 3: since file-sharing has the tendancy to spread new music, influences, and ideas far more effectively than any previous method (ie, its much easier to get heard by many people with filesharing), more musicians would be subject to more creative ideas. any artist, of *any* kind will tell you that more ideas flying around will *always* encourage more and better music. money, or no money. artists dont have to have money to write music (as evidenced by the thousands of musicians on besonic.com, mp3.com, etc that are writing music *regardless* of whether they can make a living off of it) .. but if the point is to provide them with livings, than its simply a matter of distributing the wealth in the music industry better than it currently is being distributed.

      I guess you feel that if Sony and EMI dont put the millions in, we'll have less music. We'll certainly have less cds sold *per artist* (because the big companies can push one artist to the world), and the top level artists will (i hope) make less, but more artists could sell cds without Sony and EMI etc saturating the market. its as simple as that ... yes, the big guys would hurt the guys under them, but the SHITLOADS of musicians who are disillusioned, sitting on the sidelines, waiting for a gap in the moise would be overjoyed. thats where the music would come from, and mid-tier labels would finally have a much easier time reaching wider audiences.

      This is where I have much criticism of western culture (I'm western, but that doesn't mean I agree with its values) ... the econeomics of it drive a 'less but bigger' type of mentality and approach, because the more you need to manage, the more simple your product offering had better be .. otherwise the logistics get impossible to manage. I'm arguing in favour of 'more but smaller' .. there is plenty of money going into the huge stars' pockets that could be distributed among the small guys. It is only the mammoth companies that dont want this - it is easier to hawk one thing to many people than many things to many people. You end up making more money on the savings in admisitering your product offering. If you really feel there is lots of music out there, you must mean that you get to hear that music a zillion times over. It's no secret that record labels are much more 'one album contract' than they were 20 years ago, making it even harder for musicians, even big label musicians, to know if they will have a whole life of making music. I'd rather provide more musicians with livings (isn't this what it should all be about, not turning one hit bands prepackedged for entire populations through the record-mill?) than have richer or more one hit wonders that are saturated in the market for a few months leaving people with little motivation to seek out more diverse music. It might *seem* like more music the way the record companies are doing it now, but it really simply damages the musicians' ability to make a modest but sustainable living off of music.

      I know thats not a very well organized argument, but please trust me - I have spent the last 8 years doing music, and the value of the jobs being created in the mass markets for musicians, actors, etc are only so valuable because so few people get to be them. :) Let more people play, give distribution and promotion back to the streets, and you'd instantly have way more musicians happy they were making 3a modest living and touring and even finding a population that was more open to diverse tastes.

      as for your friend, sure they exist, but like I said, as a musician and internet programmer and filesharer, I'd way more rather sleep with them than the Big Scary Top 40 machine. At least, at the end of the day, they happily pass my music on to the next crowd of potential 'people like you' (ie, the ones that pay for their music) than some capitalist old boy who doesn't understand the differences between physical product and intellectual property and thus why 'stealing' IP is TONs of a less big deal than some guy in a skimask stealing the 20 oak desks I need in order to sell so I can eat.

      That doesn't even address the issue of IP of works created years ago, where distribution, sales, etc of said product ceased years ago, where the company refuses to re-issue it. I am not going to support Walt Disney's son because his pop had a good idea. He can create his own original stuff, which I will be more than happy to pay for.

      one last question: when photocopiers were invented (available just about anywhere, any time, office, school, etc), why didn't magazines, authors, music sheet publishers, etc halt the motivation to write, make magazines, publish sheet music? please dont tell me because filesharing is 'perfect' and 'easy' in a way that the photocopier was not. thats what they said then, and the magainze/publishing industry is alive and well. same with the VCR. same with the casette recorder. etc, etc, etc

      the end of all this is that as a musician who wants to make a living off of music, and knows the industry fairly well, I support filesharing to the max. and if you really are behind the musicians, dont you think you might consider they can appreciate the implications of technological influence to their business a little better than the consumer can?

      --
      "Old man yells at systemd"
    37. Re:Okay let's get the facts straight... by SirSlud · · Score: 2

      Hey, plus, you know filesharing to rip off albums from artists is pretty popular because the stars of the day make so much that people dont perceive that as an individual, you do affect the bottom line of somebody. ironically, if the visible top40 artists were less rich (which could only be attained through making Sony, EMI, etc less rich), people would likely think a little more about ripping off musicians, because suddenly they'd be more like your neighbour than a superstar with more money than they can spend. this would help the struggling musicians, because it would convert some of the 'your filesharing monster friends' to a 'you'. Remember, people change their behaviour primarily because of the optics of the situation (their context). This is backed up by mainstream social behvarioural science. Look into the book The Tipping Point for a good place to start on that.

      --
      "Old man yells at systemd"
  7. I'm confused too by Mr_Silver · · Score: 2
    I firmly believe that (based on what I've seen) that mp3 sharing does hurt the industy.

    Yet, at the same time, they post record profits and album sales.

    I'm sorry, but I don't buy into the idea that the majority of people use mp3's as a taster and then go and buy the product. It just doesn't, well, sit right with me.

    But at the same time, they are boasting these profits. Sure, there are people who use mp3's as a sampler before purchasing the products but I seriously can't believe they are in the majority.

    It's a case of what would appear to be the logical reason sounding ... well ... wrong. Am I the only one confused by it all?

    --
    Avantslash - View Slashdot cleanly on your mobile phone.
    1. Re:I'm confused too by ObviousGuy · · Score: 2

      In the past few years since digital piracy has been made accessible to the masses, the record industry has debuted several VERY popular bands.

      The popularity of Britney Spears, N'Sync, The Backstreet Boys, Eminem, and others has brought them many CD buying-fans. Not to mention that the economy during this time was booming and disposable income was trickling down to the preteen and teen age groups.

      No numbers have ever been released that show that groups other than those most popular (and hence crappy, by some definitions) have increased their record sales one iota.

      --
      I have been pwned because my /. password was too easy to guess.
    2. Re:I'm confused too by o'reor · · Score: 2, Insightful
      Well, same for me. However, I'm wondering if there is a clear correspondance between the kinds of music that sell less than expected and the kinds of music that are actually downloaded and burnt on CDs. What I mean is that the RIAA probably expects some types of artists to produce hits, yet they fail to do so, and nobody even cares to download their junk ; and others are expected to sell just fairly well, but they may really produce big hits on P2P networks.

      So, is there a correlation between the kinds of music that fail to sell as expected and the kinds of music that are massively downloaded ?
      We seriously lack solid figures on these points, both due to the fact that expected sales figures are confidential marketing data, and P2P traffic is everything but public and official.

      And your average congressperson will (probably) just listen to the RIAA drivel and vote the Hollings Bills as they are told, which won't help.

      --
      In Soviet Russia, our new overlords are belong to all your base.
    3. Re:I'm confused too by Rupert · · Score: 2

      I doubt Mariah Carey is more downloaded than Britney Spears. Mariah Careys album didn't sell because people who would otherwise have bought it thought it sucked.

      --

      --
      E_NOSIG
    4. Re:I'm confused too by kindbud · · Score: 2

      I'm sorry, but I don't buy into the idea that the majority of people use mp3's as a taster and then go and buy the product. It just doesn't, well, sit right with me.

      So what? Your feelings do not define the facts. Get over it, unless you want to continue to live in fantasy-land. But don't expect rational people to take you seriously.

      --
      Edith Keeler Must Die
    5. Re:I'm confused too by Mr_Silver · · Score: 2
      So what? Your feelings do not define the facts. Get over it, unless you want to continue to live in fantasy-land. But don't expect rational people to take you seriously.

      Actually rather than getting over it, I prefer the comment made by someone else that the bulk of the money made by the industries is of the bland tasteless sort.

      Which would mean that other artists are suffering with people downloading their music. It's just that the industry makes it's money from 14 year olds with dubious tastes in mainstream music.

      Of course, unless we get some decent stats from the music industry about profit and how it relates to which artists/cd's then we'll never know. But it wouldn't surprise me to see that the money came from a small number of big names which outweighs the losses of the others.

      By the way, what you read in the comments section of Slashdot isn't always the "facts". Thinking that puts your address firmly in fantasy-land.

      --
      Avantslash - View Slashdot cleanly on your mobile phone.
  8. of course not by YanceyAI · · Score: 5, Insightful
    File sharing doesn't hurt record labels any more than radio play. I can hear new music anytime I turn on the radio, but I still want to go buy the CD for the art, the tactile experience, and the addition to my collection.

    I can tape the song off the radio just like I can download it off the Internet, but I still want to buy, buy, buy.

    Why does this not register with label execs, economists, etc.?

    --
    Can I bum a sig?
    1. Re:of course not by anthony_dipierro · · Score: 3, Informative

      I can tape the song off the radio just like I can download it off the Internet

      And part of the cost of blank cassette tapes goes to the artists to offset that loss of revenue.

  9. But I WANT to destroy them by sam_handelman · · Score: 2

    This is a serious challenge, folks. We need a new strategy.

    At first, it seemed that filesharing really would destroy the RIAA. Then, just as it became clear that this was never going to happen, they started throwing fits sufficient to make me think it didn't need to - they were going to destroy themselves. Now, it looks like they may wise up.

    So, we have to ask ourselves - since the RIAA has developed some means of distinguishing it's collective ass from the hole they've dug themselves into, what can we do to ensure their destruction? I think filesharing can still be an important part of that plan, but really, we need to look into alternative methods of eroding their strangehold on popular music discourse and promotion. Even if CD sales stay up, if we can really bring people into a genuinely alternative culture of music - free from the RIAA - that can accomplish the same goals. While we're at it, if we can continue to fool the major labels into thinking that Kazaa will somehow eradicate them from the face of the earth, that would be wonderful.

    I think we need to start a letter writing campaign! Everyone, assume some l33t speak teenage hacker monicker, and inundate random e-mail addresses at the RIAA/major lables with threatening e-mails about how you've developed a new file sharing app that will somehow cause people to pirate more music. Sensical explanations are not required, or even desirable, but we need a lot of DIVERSITY in the messages so that the RIAA becomes convinved that there's a huge conspiracy out to get them. Brag about the number of your friends that you've convinced never to buy another CD.

    If we work together, we can keep them frothing at the mouth until they've lost what little remains of their credibility, and deflect their attention from genuine threats to their hegemony.

    A certain element of humor was intentional.

    --
    The good and new comes from no quarter where it is looked for, and is always something different from what is expected.
  10. Ratios... by Astin · · Score: 2

    Interesting idea in there - that perhaps the music companies should have negotiated with Napster, found some way to change the "rules". The example he gives is that in order to download, you have to upload. Would this have worked? Obviously what you upload in a P2P system is partially dependent on people actually taking stuff FROM you. But could they have said "If you want to download, you need to have at least 1/5 of your d/l amount available for others." Might have kept the leeches away. Reminds me of the BBS days, and the U/D ratios many had.

    --
    - In hell, treason is the work of angels.
  11. DRM Negates Productivity Improvements by aldheorte · · Score: 2, Insightful

    DRM can't keep you from reading the material, as long as you pay the price. Some say, Well, how can you take a paragraph and copy it anymore? That's what we normally consider to be fair use. But the fact is, you can still do that. You might not be able to cut and paste but as long as you can read it, you can type it... It's just not as easy as it could be but it's not any harder than it was 30 years ago.

    True, there is no way to plug the "analog hole." However, to revert back to it as the only mechanism for copying is to effectively undo 30 or more years of productivity enhancement through technology and features such as copy/paste. The point of technological advancement is to automate manual processes such as transcription.

    Estimating the lack of productivity seems popularly acceptable for damages alleged by computer viruses. If we did a calculation for the lost productivity costs of DRM difficulties imposed on legitimate copying in business and academic work, it would likely be a large number, perhaps dwarfing the revenues protected by DRM. Therefore, Mr. Liebowitz's argument founders on a zero, or perhaps even negative, sum.

  12. Waiting for the new numbers from the RIAA. by da3dAlus · · Score: 2

    I'm just waiting for the usual /. story at the end of the year where the RIAA comes up with their mysterious numbers and bitch about piracy reducing sales, blah, blah, blah. But I wonder if the RIAA will actually bring 9-11 into the equation, factoring that most of the nation was too shaken up to worry about buying the latest CD's for the last few months of 2001. I'm curious because almost everyone has been using 9-11 as an excuse for everything lately (bad sales, security, etc) but I think most of the /. population understands that issue already, so I'll leave it at that.

    --

    Sometimes I doubt your commitment to Sparkle Motion.
  13. people want to listen to their stereos by Olinator · · Score: 2, Insightful

    Salon: So far, why do you think people are both purchasing music and downloading it?

    Liebowitz: It may be the cost of putting these collections of songs together. Even though it seems low, it's more effort than the typical person is willing to go through. That may be what the salvation of the record industry is -- that it's simply too hard to do on your own what they do for you.

    Something I haven't seen anyone (in the press) really correlate directly:

    • Outside of geekdom, there are not that many people (when compared with the CD-listening population) who can take their MP3 collections and successfully and reliably burn CDs that play in CD players;
    • again, outside of geekdom, not many folks have their good stereo systems hooked up to their computers;
    • while people listen to mp3s on their computers, they want to listen to the music that they *like* on their stereos, in their cars, etcetera, and they also want to be able to lend it to friends and be reasonably sure that said friends will be able to listen to it also.

    Put those together, and I think you have a more powerful impetus for buying CDs than the "people are honest" and "sample before you buy" theories represent. It's much easier to buy the music than it is to figure out how to get good sound from your MP3 collection.

    Now, if the studios partnered with, say, Adaptec or Nero to create an application that could burn traditional CDs from uncompressed (or extremely high-quality MP3) sources bought and downloaded at burn-time from the labels, that provided a way for the average computer owner to burn mixed CDs that would play in her stereo, I think you'd see huge uptake. (You'd also see the death of the much-decried "album" with one decent tune and nine crap filler tracks, which is the pigfeed trough^W^Wbusiness model the RIAA member companies are fighting so hard to maintain...)

    Ole
    1. Re:people want to listen to their stereos by Olinator · · Score: 2

      Blockpoth the quoster:

      Between WMP, Roxio/Adaptec, Nero, MP3CDMaker and others, I don't think there's any one computer task EASIER than creating a CD from MP3s!

      Well, I know plenty of people (some of them grad students in computer science -- I work for the CS dept. of a state university) who can produce coasters just as often as CDs.

      There's also the point (which I admit I forgot to make explicitly -- mea culpa) that your average 128kbps downloaded MP3 don't sound so good when you pump it through even a low-end component system, even if it's coming from a burned CD in the component CD player rather than a 3.5mm jack plugged into an unshielded OEM soundcard.. (Yes, I did view this story with great interest, being both a geek and an audiophile. :-)

      Ole
    2. Re:people want to listen to their stereos by anthony_dipierro · · Score: 2

      Put those together, and I think you have a more powerful impetus for buying CDs than the "people are honest" and "sample before you buy" theories represent.

      And that's why the fight we have right now isn't going to be solved. The fact of the matter is that P2P networks have the potential to destroy the industry. If left unchecked, that's exactly what they'd do. But, because the RIAA et. al. sue out of existence anyone who tries to profit from these P2P networks, there is no incentive to build products which make filesharing simple and convenient for the masses.

      So, yes, P2P filesharing likely does not have a significant negative impact on CD sales. But that's only because napster was sued out of existence, and others are afraid of following in napster's footsteps.

      The RIAA realises this, and that's why they haven't sued small-time individual traders. They don't want to stop piracy, they just want to keep it controlled.

  14. Balance... by Astin · · Score: 2

    Noticed something he said in there:

    "While it's true that there's always been a balance, we don't know if it's been a particularly good or even balance."

    So how is an uneven balance a balance?

    --
    - In hell, treason is the work of angels.
  15. Not enough data by Anonymous Coward · · Score: 2, Insightful

    This is one of those issues that defies easy analysis, simply because we're all so prone to assuming that the whole world does what we do. Are there people who use file sharing just to sample before they buy, thereby increasing sales? Yes. Are there people who only take from file sharing and never buy a CD, thereby lowering sales? Yes. What's the net effect of those two groups on overall sales? No one knows for sure, and we're all just guessing. I'm not even sure how you could get reliable data on the net effect, given that the people who download music would not answer a survey, or would blatantly lie.

  16. Large volume of downloads, but few people? by hyacinthus · · Score: 2

    I took note of Liebowitz's estimate that music downloads approximate five times the volume of CD's sold in the US. That's an impressive figure, and he correctly asks--if the volume is so huge, where's the dent in music sales?

    My tentative hypothesis to explain the disparity is that relatively few people are downloading all that music. Most of my friends are not heavy computer users and either do not download music at all, or maybe look for the occasional song now and again. But the two people I know who download music regularly go ridiculously overboard with it--they've got stacks of burned CDs and huge hard drives full of downloaded music.
    (Before you respond and say, "Hey, all of my friends download music and I do too," think--how many of your friends _aren't_ computer geeks?)

    I'd be really interested to see what the distribution is of the frequency and volume of music downloading. I suspect that maybe a tenth or twentieth part of the users are downloading most of the music--they're the ones who are stealing more than they're buying, but it doesn't matter much because everyone else is still buying CD's.

    hyacinthus.

  17. A crucial point: MP3s aren't replacing CDs. by mesozoic · · Score: 3, Interesting

    I'm glad to see an academic who is confident enough to be able to say, "I may have been wrong; I don't know." These days such professors are becoming a scarcity.

    He makes a very good point, too; you would expect CD sales to noticeably decline if people were using MP3s as a replacement for CDs. But they're not. The average computer illiterate still finds it difficult to turn an MP3 collection (which, more often than not, is a jumbled mess of files spanning a several directories) into CDs, because they just don't know how to sort them or how to keep track of them. So they keep the MP3s on their computer and buy the CDs for their Discman.

    Many (including myself) have bought a CD because they found a few tracks online, but couldn't get good copies of all of them, and they wanted all the songs in the original order. Other people are still buying CDs, but they're buying the ones they can't find online. I know many people who buy into the whole ultra-pop-star fad, but don't buy those albums because they're so easily available online. Instead, they buy music they like that they couldn't find online--and in the end, it's those artists who need to be bought the most.

    But the truth is that nobody can tell how much downloaded music is affecting record sales. It's hard to get the recording industry to ever release detailed statistics on what they sell, and when they do release information there are always doubts as to its validity. (They do have to make the shareholders happy, after all.)

    Normally I'd rant and rave about how file-sharing is going to be the death (or the rebirth) of the music industry, but I think at this point people have started to realize that on their own. Now it's just a matter of buying popcorn, sitting back, and enjoying the show, because over the next decade or two we'll get to see some of the biggest and richest corporations in the world die a fiery death.

    1. Re:A crucial point: MP3s aren't replacing CDs. by MrResistor · · Score: 2

      Personally, I buy CDs because of the quality difference. This really only applies to certain types of music. VNV Nation, for example, sounds just fine on mp3. The Pixies, on the other hand, sound like shit on mp3. To be fair, though, I would probably buy a VNV Nation CD if I could actually find one for sale. Who knows, maybe there is a significant difference in quality there as well, and I've only noticed it with The Pixies because I had listened to their CDs for years before ripping them to mp3. I doubt that's the case, but you never know.

      In my experience, mp3s sound crappy if the source isn't electronic in nature. By that I mean the various genres of "electronic music"; techno, industrial, synthpop, etc. Music that derives its "feel" from texture and harmonic interaction don't transfer well. This includes most classical, as well as more modern music like that from The Pixies, Bauhaus, or Jimi Hendrix. Those types of music depend greatly on the "unhearable" parts of the music that mp3 strips out.

      I don't consider myself an audiophile. I find the hiss and pop "warmth" of vinyl annoying, and I think tubes should only be used when one intends to have distortion (and even then they can often be replaced by other voltage-driven devices, like certain FETs, without a noticable difference). I can definately hear the difference with mp3s, though. For that reason alone mp3s will never be a replacement for CDs.

      --
      Under capitalism man exploits man. Under communism it's the other way around.
  18. Who cares by Gordon_Cabaniss · · Score: 2, Insightful

    As a recording artist who has actually been suspect to a record deal in the retarded ass music industry. I can say that filesharing is nothing but a good thing.

    Labels and publishing companies will continue to hide under the umbrella that file swapping is hurting the artist.

    No.....what realy hurts the artist are slimy record execs who sign artists to crap deals and only give them a 10th of the profits. Which they then get the luxury of spliting amoung their bandmates and leaches like managers, business advisors, attorneys, and oh yeah and uncle sam. Not to mention they have to recoup every penny that were alotted for a recording budget before they see a dime.

    So who really loses? The industry has been screwing the artist for years. The only ones who benefits are the fortunate few who sell millions of albums and those are far and few between.

    Don't belive these cry baby record companies whose only real intent is protecting their old dusty business model.

    I say out with the old and in with the new! Believe me they got it coming!

  19. Oy Vey, micropayments again by BranMan · · Score: 2

    While I am glad to see the man change his mind - it's nice to see an economist using the scientific method - 'cause the facts don't fit his original hypothesis, it's a shame that he's still clinging to his belief that micropayments make sense.

    Flat rate is the way to go - no matter what. People don't like to pay for what they use - causes way too much anxiety over what the next bill is going to be. Almost everyone has a budget, and budgets need fixed costs.

    The idea behind micropayments is to hide away paying for things - to make it small, unobtrusive, and in the background. No one I know of likes to be nickled and dimed to death, and we sure don't like not knowing **at the time** what we are being charged for (i.e. happening in the background). Even AOL went to flat rates and it wasn't to simplify their bookkeeping.

    Maybe he'll let go of micropayments in a few more months. The sooner that myth dies, the better

    1. Re:Oy Vey, micropayments again by josh+crawley · · Score: 2

      Personally, I like the idea of micro-payments. However, the system needs to be set up with this to begin with. I suggest using Xanadu as the server type.

      In that idea, content creators set a price on a works. It may be free or for cost. All media would be streamable (meaning you can pull 3 seconds out of a movie or mp3 or whatever) and the cost would be porportional to overall works cost.

      Whenever you download a "cost" media, you're charged. The key in this system is if you're a content creator, you can charge. The idea is that freeloaders pay and the contributors dont. You can always opt to be free. Still, no matter what, I want access to my bill at that exact second. Perferrably, I'd have an applet in my taskbar updating costs per minute.

      In a case sceneario, picture DMOZ, a big internet search archive done by people. They could survive if they charged .2 cent per search, but you got .1 cent back by doing grunt work over their links. If all you do is search, you pay. I'd accept a fair system like that.

      And in the case of flat versus gradiated, I look at IP packets. We're now kicking off the heavy users on cable ISP's. Well, if they pay per packet outbound, wouldn't it make up for it? 5$ for physical line cost and X cost per 1 Kbyte output. If someone just 'surfs the web" they pay less than modem cost (because that's all they use). If someone 'leaches', they pay also (more for utilizing bandwidth). Still, I want to know how much my cost is (perferrably by applet)

  20. DRM and perpetual copyright by EricEldred · · Score: 3, Insightful

    I view the DMCA as draconian. I'm really quite unhappy about it. But I'm not unhappy with digital rights management, narrowly defined to software that keeps you from making copies; that doesn't extend the length of copyright; and certainly doesn't get rid of fair use.

    I wonder whether he understands DRM technology. If a DRM locks up a work, you certainly won't be able to go to a library and copy a page to cite in a paper, so goodbye fair use. (He seems to think the analog hole does away with DRM.) And whenever the copyright term is reached (if it ever is), the work will still be locked up--so the DRM effectively makes the copyright perpetual.

    1. Re:DRM and perpetual copyright by stubear · · Score: 2

      I think you need to reread teh article. Leibowitz explicitely states that fair use isn't gone, after all you can still copy the passage by hand, it's just not as easy as copy and paste. Nothing in copyright law states that copyright holders MUST make it as easy as possible to copy passages, images or parts of music.

    2. Re:DRM and perpetual copyright by cpt+kangarooski · · Score: 2

      The policy is pretty strongly in favor of making it easy, however. Copyright is concerned ONLY with promoting the public use (inclusive of copying etc.) of works in the long term.

      If, even in the long term, it is extremely difficult to accomplish this, then the constitutional requirements and policies of copyright are being left unfulfilled.

      Frankly, if an unecessary obstacle is placed in the way of a use, I don't believe that the copyright is deserved. Let there be self-help OR statutory help, but they should never act in combination.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    3. Re:DRM and perpetual copyright by KjetilK · · Score: 2
      No, he is correct in what he is saying: As long as it is legal to hire monks to copy things using handwriting, fair use is okay. That's his argument, and that has been the argument in the DVD suits too.

      Copyright doesn't exist to promote technology, you know. We have patents for that. ;-) What he is saying is that it is perfectly legitimate to halt advances in technology if it is needed to protect the business models of distributors of artistic works. Legislators think that too.

      Besides, legislators may require that DRM opens the work at the expiry of copyright. They're probably going to do that to throw us a bone. It is then important to keep arguning that this is wrong.

      --
      Employee of Inrupt, Project Release Manager and Community Manager for Solid
    4. Re:DRM and perpetual copyright by akb · · Score: 2

      I don't agree with Leibowitz's willingness to put fair use in the pre-digital ghetto and the (not mentioned) potential roll back of the public domain. Manually copied text, no pictures, no video, no audio, wonderful. I think this spectacularly undervalues the fair use and the public domain.

      Fair use and the public domain are part of our information commons and cultural heritage. Lessig and Co have written very eloquently about this, I suggest everyone read what they have to say.

      Its not surprising that Leibowitz takes this position as Cato is made up of (to use George Soros' term) market fundamentalists. If you can't put a price tag on it it might as well not exist right? Does the market capture the value of Shakespeare, Hollywood films from the beginning of the last century that are rotting in storage, or Bill Gates' picture retouched to look like a Borg?

      There are "free market" lunatics (like Sonny Bono, the "music legend" and legislator most responsible for the latest round of copyright extensions) that will seriously propose that copyright should last forever or that there should be no fair use at all. Strong DRM backed up by laws like the DMCA bring us closer to such a world.

      I would love to see Cato and their ilk seriously engage on this issue, I think it gets to the heart of what's at stake and is the most principled opposition to their position. Its disappointing to see that they won't engage on this. I tend to see them as fairly hollow idealouges though, so I'm not actually surprised.

  21. While I think it's wrong to steal the music... by Gorbie · · Score: 2

    ...and have been quite vocal about it here (and been modded down into hades ;), I don't think the problem is the sales getting hurt. More to the point it is people ignoring the laws surrounding the distribution of the product.

    I have and will continue to feel that it isn't right to do this. That aside, it seems to me that the best way to step forward both for the industry and the consumer is for the record companies to provide this music for download at a reduced price. This could save people significant dollars. When considering the retail market, most of the cost is not in making the product, but in bringing the product to you.

    Once the CDs no longer have to be made and trucks no longer need to run around the country in order to get music in our hands we will be able to see savings. No more inflated retail rents, electricity bills, payroll and health benefits to pay. Sounds good to me. This doesn't even start to cover the amount spent in advertising dollars.

    I think the way to accomplish this is to vote with our dollars. Don't buy any more music. Write a letter here and there to the record companies stating that you would buy music if it weren't so expensive and that you will be looking forward to signing up for their download service.

    Anyways...it's just a thought.

  22. Re:Well, personally... by yatest5 · · Score: 4, Insightful

    Or the stuff i kept and DIDNT pay for, i never would have in the first place.. so no-one actualy lost any revenue...

    Just because they didn't lose any revenue doesn't make this not stealing.

    --
    • Mod parent up! [a] by Anonymous Coward (Score:5) Thurs, June 31, @13:37
  23. The Network Effect by Titusdot+Groan · · Score: 2, Insightful

    I think this guy has a real blind spot when it comes to networking effects.

    He's famous for "disputing" the network effect for computers and now he can't explain why file sharing isn't hurting sales.

    Easy, it's a variation of the network effect. If there is more music, if people are hearing more artists and being exposed to music styles they've never heard before, naturally they'll spend more money on music. Some of that goes to hard drives, CD-R's, etc. but some (most?) goes to legal CD's and concert tickets.

    I think this guy needs to read Asimov's The Foundation series and take some pshycology courses before he becomes completely irrelevant!

  24. Re:everything going to be all right... by SirSlud · · Score: 3, Insightful

    >you just won't have your free music anymore!

    But, I've had it since birth ... audio tapes, MIDI, mp3s .. there will always be free music (and free movies, and free this and that.), dont kid yourself. You'll just need a little program (like the tape on audiocasettes, natch!) to copy your music. Anyhow, I think you implying 'wont have ALL your music free anymore!', where the point of the article is that a little free music never hurt nobody to any degree that it dissuaded them from running a company, turning a profit, etc, nor purchasing CDs for themselves.

    The joke is, if youre Darwinian, you'd recognize that all this technology COULDNT kill the music industry. Why? If we all stopped buying CDs, and EVERYONE copied, the record companies would crumble, musicians would stop publishing music, and there'd be nothing left to download. Social patterns always ensure there's a balance (like, if everyone littered, we couldnt move, if everyone was a conservative, we wouldnt have important liberal influence, if everyone was a liberal, we wouldnt have important conservative influence) ... since it would be self-defeating for everybody to cheat out the industry, it wont happen. Furthur more, as more people join one side of the equation, the people on the other side tend to mobilize or compesate for the shift in numbers in some manner. For instance, as file sharing became more common, I contend that some people purchased more of their music than they would have before, fearing that if they didnt support music, there'd be nothing left to fileshare.

    And if one insists that we do put the record companies out of business - really - so what? The whole cycle of small labels getting grassroots support (where people are much less likely to rip off local artists than megapopstars) starts again, and we're out a few hundred thousand guys in suits. boohoo. Music is 5% of the USA's GDP to be sure, but to think all that would come off the GDP instantly assumes that absolutely nobody comes in to take the place of the fallen dinosaurs, and that this collapse happens overnight. Highly unlikely.

    --
    "Old man yells at systemd"
  25. this piece is hardly worth attention.... by cyberon22 · · Score: 2, Interesting

    I'm not sure what is more alarming, that it took this guy 6 months to crank out his piece for the Cato Institute or that someone at Salon actually imagined that anything coming out of there constitutes serious research.

    This guy is not worth this attention. His essay on QWERTY hardly constitutes the rebuttal of path dependence he thinks it does. All it convinced me is that QWERTY isn't as inefficient as everyone claims. The logical gap between stating that and claiming that "lock-in" effects are trivial is enormous.

    But he gets press for ideological reasons. Once you admit to certain kinds of inefficiencies you invite the kind of public debates the Cato Institute hates: the merits of price-caps, or quality controls, or "open access" requirements on things like source code or cable lines.

    It all leads to a ridiculous faith in the efficiency of markets. Getting screwed by your local telephone company? It's not a monopoly! ANYONE could compete with them, so let 'em charge what they will.... i386 a standard? Microsoft?

    I'm personally waiting for this crowd to produce a piece of "serious research" teling us all that Enron really was perfectly efficient after all.... What were we thinking?

  26. From the Salon article... by sweatyboatman · · Score: 5, Insightful
    The Salon article starts out okay; Liebowitz seems pretty level-headed and thoughtful on the subject of file-sharing and its effects on the recording industry. And then they ask him about DRM and he says (among other things):

    DRM, as I see it, is merely the protection in the software, on a CD or whatever, that would allow micro-payments. It doesn't do this yet, but in principle it could. That's what I view as closer to ideal. They can let you do a lot and you pay a higher price, or let you do only a little in which case you'd be paying a lower price.

    I read this with a sinking feeling in my stomach. What do you think he means by "higher" and "lower". In this case, I doubt that the price will be lower than the current cost of music. The record industry doesn't lower prices.

    If DRM with micro-payments is succesfully introduced (read legislated) it wont mean that I pay less for music. The record companies will charge me for my copies. They'll charge me for each time I play it. And though initially I paid 99 cents for that song, after a year, I've payed $5 for that one song and I will keep paying for that song in perpetuity.

    The record industry has a very bad record (no pun intended) at passing along savings to the consumer. The CD was supposed to make the whole process cheaper, lowering prices for the consumer. But that never happened. Instead, the prices went up (which they justified by saying that new technology costs money) and they stayed up.

    So, if they can release music digitally in a way that prevents copying and tracks your use of that music, the price wont drop. It will increase, despite their cost savings on distribution.

    sweat

    --
    It breaks my pluginses, my precious!
    1. Re:From the Salon article... by SirSlud · · Score: 2

      Some wise observations, but I have a small issue with:

      > If DRM with micro-payments is succesfully introduced (read legislated) it wont mean that I pay less for music

      If the thrust of Liebowitz' contention in this article is correct, then we can say that filesharing doesn't significanly damage the market enough to warrent legislation. This is exactly, EXACTLY what happened with the VCRs; the courts said that the VCR didn't do enough damage to the companies' ability to turn a profit to warrent legislation (it also helps that there are legal uses for VCRs as there is for filesharing.)

      So, given optional DRM, if it lets the big guns at least do some accounting and implement micro payments, more power to them. Yeah, probably they'll try and use it as an opportunity to push their margins up higher, but as so long as I can still use my computer to download and buy the second tier indie artists, I'm going to leave that battle up to the folks who like the big label artists.

      I dont think there is anything wrong with DRM (indeed, web sites supported by advertising have tracking/counting software much in the same vain, and its really whats keeping alot of sites out there up online.) .. just legislated DRM. If Leibowitz' hunch is correct and stands up while the SSSCA is being lobbied, thats a huge, HUGE chink in the pro-SSSCA debate's armour.

      --
      "Old man yells at systemd"
  27. heres a question by paradesign · · Score: 2
    if piracy really hurts the recording industry, why did i just read an article in last weekend's New York Times Mag. talking about a financial advisor for newly signed bands. his job is to help newly signed bands not spend their milions away.

    or why do i keep seeing all those 'Benzes on dubs' on cribs. if the industry is hurting they sure are not showing it. my stealing is going towards the benefit of curbing the outrageous spending habbits of the recording industry.

    this is fucking rediculous! in my mind, if a band is making an outrageous ammount of money like this, i will steal all of their music with no reget. its the sellout tax! as soon as you sell out its free game for me.

    --
    I want 2D games back.
  28. Sample and Buy by Anonymous Coward · · Score: 2, Insightful

    C'mon. I know we like to trumpet this around as a pro-sharing platform and many of us (including me) have gone out to buy CD's only because we liked what we heard.

    But for almost all of the songs I've downloaded I never had any intention of buying the CD. This is because the CD is $15 for one friggin song. And frankly if the song was $1 I still wouldn't pay for it. The songs I download (as opposed to buy) are songs that I wanted to hear once or twice for some reason and never listen to again. Or, somebody told me about a cool song on a CD they bought, so they mail me a copy.

    I'd say about 90% of what I listen to/download in MP3 form is stuff that doesn't last on my machine for more than 24 hours. The other 10% generally becomes a CD purchase eventually. In fact, the main reason I haven't bought many CD's lately is as a quiet boycott of the industry.

    I like mindless trance. I listen to Digitally Imported, and if I could get those songs on a CD, I'd be willing to pay $10. Sadly I don't know the artists or songs, nor do I think that any of it could be had for $10. So it's Internet radio for me. No commercials, well-mixed.

    I dunno. I think the industry is stupid and paranoid and Hilary Rosen is a friggin idiot mouthpiece. On the other hand, the file-swapping community is defensive, hostile, self-righteous, and unwilling to obey the law. But then, CD's are monstrously overpriced and the quality stinks. In the end, people who want free copies of the music bad enough will get it and the industry can't stop them. Also in the end, the industry will find a way to protect their business model since it's easier to lobby politicians than try to ease their way into an ungodly lucrative market waiting to be tapped: a good on-line subscription service.

    If the RIAA had all its labels agree to a subscription service where you paid a flat fee of, say, $9/mo to use the service, and then a bandwidth fee (something minimal - like .05c/MB), I think we'd have people signing up. But it would have to include most/all of the labels. Nobody's paying $9 for Elektra, and then $9 for Colombia, and then $8 for .. you get the picture.

    Release some songs on the site only. Release some on the CD only. Cross-market. If you buy this CD for $10 you get, as a side benefit, $5 worth of free downloads on the subscription service. A month of no subscription fees. There's an endless marketing potential here, to speak nothing of the possible advertising revenue.

  29. Re:Well, personally... by Zack · · Score: 2, Insightful

    right, the fact that it's not stealing is what makes it not stealing.

    Oh.. did you mean to say just because the didn't lose any revenue doesn't make this not copyright infringement? that actually makes sense.

  30. Yes by Gorbie · · Score: 2

    Sorry...I meant to put that in the post. Agreeable or not, it does make the music more accessible and cheaper for all.

  31. TANSTAAFL by toupsie · · Score: 3, Troll
    Anyone that thinks that appropriating another person's property without compensation or permission has no impact upon the victim is delusional even if that property is virtual/digital. Even if the lost is 1 penny, its still a loss, its still theft. Its not your place to tell the industry that "theft of your product is actually beneficial to you, so we are going to steal from you until the banks can't hold all your money". Its intellectual malpractice to justify these actions and we have read it all on this forum.

    My favorite specious argument is that the artists don't get money from their recordings. Too bad. Let me cry them a river while they are passed out on the Green Room floor with a needle in their arm. They should have signed a better contract with the record companies or been entrepreneurial enough to distribute the music themselves. However, P. Diddy seems to be up to his eardrums in Christal. Eminem still has enough cash on hand to bust off caps like its the 4th of July outside his recording studio.

    All in all, these arguments supporting theft of music are smoke screens to justify boorish behavior by people that are irresponsible and do not want to respect other's property. File sharing has just brought these people out from under the rock they hid before P2P became king -- I exclude the 5 of you that use P2P networks to gain digital copies of your Frampton "Comes Alive!" LP which you bought in middle school.

    Its very simple. If you didn't buy it and you were not given the right to use by the copyright holder, its not yours to use and enjoy on your hard drive. Grow up, get a job and purchase your music so I don't have to deal with poorly planned copy protection schemes that cause my Mac to choke on Celine Dion CDs my fiancee forces me to listen too. If you don't like the method of distribution, contact the business and explain yourself. A smart business that receives feedback from enough customers will modify its business plan to compensate for the demand. If they don't, start up a Geocities web page and bitch -- just don't STEAL!

    Maybe Microsoft should just start appropriating GPL-ed code and justify it by saying that they wouldn't have purchased the code in the first place or the price of compliance with the GPL is just too high. That's about the same mentality. Property is to be respected and I surprised that someone from the Cato Institute saying otherwise. They aren't supposed to be communists with their whole property is theft concept.

    --
    Strange women lying in ponds distributing swords is no basis for a system of government.
    1. Re:TANSTAAFL by PigleT · · Score: 2

      "My favorite specious argument is that the artists don't get money from their recordings. Too bad. Let me cry them a river while they are passed out on the Green Room floor with a needle in their arm. They should have signed a better contract with the record companies or been entrepreneurial enough to distribute the music themselves."

      What work or addition of extra value does a "label" actually do to the resultant CD at the end of the day?
      Given that I believe the answer is "stuff-all", that music labels do nothing but own studios and know "contacts" who can push the "make millions of CDs" button, why is it folks at this point in the chain who are making *all* the money, sorry, noise?

      Maybe I *am* all in favour of a direct-to-listener 'Net-based approach after all...

      --
      ~Tim
      --
      .|` Clouds cross the black moonlight,
      Rushing on down to the circle of the turn
    2. Re:TANSTAAFL by toupsie · · Score: 2
      What work or addition of extra value does a "label" actually do to the resultant CD at the end of the day? Given that I believe the answer is "stuff-all", that music labels do nothing but own studios and know "contacts" who can push the "make millions of CDs" button, why is it folks at this point in the chain who are making *all* the money, sorry, noise?

      Doesn't matter. The artist signs a contract. They should know better. Their lawyers should know better. If the labels were not valuable to the artists, they wouldn't associate with them in mass. No one is pointing a gun at the head of the muscian (outside of Shug Knight) and telling them to sign a contract. If a label is able to make millions off an artist that is stupid enough to sign a bad contract, more power to them.

      Maybe I *am* all in favour of a direct-to-listener 'Net-based approach after all...

      I am too. That is why I urge the artist to go it alone. If their music is good enough and generates a large enough fan base, they can make a killing getting rid of the label.

      --
      Strange women lying in ponds distributing swords is no basis for a system of government.
    3. Re:TANSTAAFL by Rogerborg · · Score: 3, Informative
      • Anyone that thinks that appropriating another person's property without compensation or permission has no impact upon the victim is delusional even if that property is virtual/digital. Even if the lost is 1 penny, its still a loss, its still theft.

      You're quite right. Now, explain how much Bertelsmann's bank balance drops if I download a bunch of data that a given application on a given OS might interpret as a "song" by Britney Spears. I want to know how much less money they have after I download that data, not how much more they might have gained if I had bought a license to obtain a copy of.

      Is it a penny? Is their bank balance one penny less if I download that data? No, it isn't. But, hey, that might be a rounding error, so what if I download it ten times, a hundred times, ten million times? Does their bank balance drop every time that I do that? Gosh, you know, it doesn't. How about that.

      The first part of your argument is flawed, but that's a common mistake. You are really arguing only that it's "right" that people should respect copyright law. Fine, let's argue that. Why? What "science or useful art" is being promotd by copyright law as applied to music?

      Don't just assert it, argue it. Convince us that protecting Bertelsmann's profits (and indirectly that of their meat puppet, Britney Spears) is what the Constitution intends, or what copyright law is supposed to achieve. Because I am having a hard time understanding how a law explicitely and clearly intended to improve the quality of content produced by talented individuals has any relevance to the law as it stands now, which largely protects the profits of huge publishers who buy and sell those individuals as commodities, while confidently asserting that the purpose of copyright law is to protect quantity of sales.

      Perhaps you believe that using DRM to leverage another few thousand sales of Britney Spears albums is "promoting the progress of a useful art", but I would argue (using your style of flat assertion) that it self evidently isn't. Convince me.

      --
      If you were blocking sigs, you wouldn't have to read this.
    4. Re:TANSTAAFL by toupsie · · Score: 2
      You're quite right. Now, explain how much Bertelsmann's bank balance drops if I download a bunch of data that a given application on a given OS might interpret as a "song" by Britney Spears. I want to know how much less money they have after I download that data, not how much more they might have gained if I had bought a license to obtain a copy of.

      Theft is theft, no matter how much perfume you spray around it. You are taking property from Bertelsmann without engaging in an economic transaction that Bertelsmann has set up to distribute their product. Its theirs, not yours. You do not have the right to dictate their distribution while their property is still under copyright protection. That is arrogance.

      Is it a penny? Is their bank balance one penny less if I download that data? No, it isn't. But, hey, that might be a rounding error, so what if I download it ten times, a hundred times, ten million times? Does their bank balance drop every time that I do that? Gosh, you know, it doesn't. How about that.

      Their bank balance does grow from your theft. That is the point. You are taking their product without compensation. That is the financial loss, that is the theft. Britney Spears and Bertelsmann are not in the music business to give away the product for free.

      To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries; Don't just assert it, argue it. Convince us that protecting Bertelsmann's profits (and indirectly that of their meat puppet, Britney Spears) is what the Constitution intends, or what copyright law is supposed to achieve.

      What part of "exclusive right to their respective writings" don't you understand? By your interpretation of this, no one would want to engage in "writings and discoveries" as their would be no financial benefit to the activity. This nation was set up as a Capitalistic society not an altruistic hippy land as much as some want it to be. The founding fathers realized that to promote the arts and sciences, there must be an incentive for the producer thus protections were afforded to the creator. Britney and Bertelsmann have exclusive right to their music and the method of distribution, not you, while its under copyright protection.

      Its amazing the lengths that people will go to justify intellectual property theft when it comes to music but jump up and down when the GPL is violated by Microsoft and other companies.

      --
      Strange women lying in ponds distributing swords is no basis for a system of government.
    5. Re:TANSTAAFL by Erasmus+Darwin · · Score: 2
      "What work or addition of extra value does a "label" actually do to the resultant CD at the end of the day? Given that I believe the answer is "stuff-all","

      Sounds like you're living in an idealistic, fairy tale world where you don't have to worry about financing, marketing, promotion, distribution, and all those other things that're unfortunate necessities in the real world. You don't just magically jump from "I have a good song." to "Profit." -- there's that mysterious step 2 in-between.

      Hell, even in the case of the recently mentioned fightcloud.com (a service selling CDs from unsigned artists for just "shipping and handling"; artists received a modest cut of the sale), the artists' main interest still seemed to be in getting signed by a real label.

    6. Re:TANSTAAFL by mwa · · Score: 3, Insightful
      You are taking property from...

      Subtle difference, but no you are not. You are infringing on their copyright. The whole justification behind the constitutional protection of intellectual works is that the founding fathers could not reasonably ascribe to them the attributes necessary to be considered "property". Hence copyright law and property law are two distinctly different animals. "Theft" is a property law term and is not applicable when discussing copyrights.

      What part of "exclusive right... don't you understand?

      I don't think that's what the poster was challenging. I think they were arguing that a Britney Spears album does not qualify as a science or a useful art and therefor is unworthy of copyright protection. It's a good point, but do we want to turn judges into music critics (or, more frightening, vice versa)?

      Its amazing the lengths that people will go to justify intellectual property theft

      It's amazing that people don't understand that the term "intellectual property" is a phrase cooked up by interests vested with copyright to try to extend property protection to cover things that the consitution specifically forbids it to cover.

    7. Re:TANSTAAFL by bnenning · · Score: 2
      Property is to be respected and I surprised that someone from the Cato Institute saying otherwise.


      He didn't say otherwise, nor did he say that unauthorized distribution of copyrighted material should be legal. All he said was that such activities are having little or no effect on the publisher's profits, contrary to their claims. This is an important point to make because it negates the primary argument of the MPAA and RIAA when they call for user-hostile and unconstitutional laws (DMCA, SSSCA, et al) that they are losing billions of dollars due to piracy. They're not, and their real goal is to use government power to eliminate the general purpose computer by turning it into a device that views only approved multimedia content (for a fee each time, of course). I consider their actions far more immoral than some teenager downloading MP3s.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
    8. Re:TANSTAAFL by bnenning · · Score: 3, Insightful
      Theft is theft, no matter how much perfume you spray around it. You are taking property from Bertelsmann


      And copyright infringement isn't theft, just like trespassing isn't armed robbery, even though both are wrong.


      >The founding fathers realized that to promote the arts and sciences, there must be an incentive for the producer thus protections were afforded to the creator.


      They also recognized that copyrights are a limitation on freedom of speech and a government-granted monopoly, and therefore should be restricted (note "limited times", which has been routinely ignored by Congress and will hopefully be restored by Eldred vs. Reno). By placing limits on copyright, the Constitution clearly emphasizes that intellectual property is not equivalent to physical property. (I just had this debate with Bush2000 on FR, scary. Obviously you're much more reasonable.)


      I agree that copyrights should be protected (although not in perpetuity), but overstating the impact of piracy plays right into the hands of those who would remove our rights for their benefit.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
    9. Re:TANSTAAFL by revery · · Score: 2, Interesting

      If you believe that an (talented?) individual has the exclusive right to their work, do you then believe that the individual cannot sell that right or use it in anyway that benefits them?

      If you believe that the exclusive right to an individuals work is a tangible right and able to be transferred by contract and agreement then the fact that Britney Spears chose to sell her work and it's copyright protection to a company is irrelevant.

      Why do you want it so bad? Why do you have a right to it because it exists? If she sings it in front of you, you heard it and you have a right to the memory of it. If she sells it to you, you can do anything with the data from that copy to enjoy and listen to it all you want. But posession of it must remain with you.

      If I write something it belongs to me. If someone breaks into my house and steals what I wrote along with my chainsaw does that mean you can take what I wrote with no feelings of guilt, but the chainsaw you would be wrong to take? Why? Explain that to me. If I give something to a friend, I did not give it to you. If I broadcast something over airwaves then you have physical access rights to the data on those airwaves, but you can't ditribute them to everyone (i.e. if I give you a copy of my book you have the copy not the right to make and distribute copies).

      Copyright is simply this: an implicit contract which must be opted out of by the author. If you buy something that is coyrighted you agree to that contract as a citizen of the United States or as a citizen of any country that recognizes copyright law.

      This part has nothing to do with your comment:

      Most of what is distributed today is done so with the understanding that it falls under the protection of copyright. You can't assert that without copyright everything (or even most) of what is on the market would still be on the market.

    10. Re:TANSTAAFL by AntiNorm · · Score: 2

      Now, explain how much Bertelsmann's bank balance drops if I download a bunch of data that a given application on a given OS might interpret as a "song" by Britney Spears.

      Their account balance will drop when they pay your psychiatrist bills after having to listen to Britney.

      --

      I pledge allegiance to the flag...
      of the Corporate States of America...
  32. Pseudo-Libertarian by freeBill · · Score: 4, Interesting

    I'm glad you said "mostly" Libertarian because the Cato Institute is the classic example of what I call pseudo-Libertarian.

    True Libertarians are opposed to all threats to our liberty, whether they come from other people, from corporations, or from government. Pseudo-Libertarians are willing to accept any amount of threat to their liberties just so long as they don't come from government. In fact, they are willing to support threats to our liberty from corporations and from wealthy individuals if they can imagine that the government action which would protect us from a real threat to our liberties from business could somehow be construed as a government threat.

    --
    Eternal vigilance only works if you look in every direction.
    1. Re:Pseudo-Libertarian by alizard · · Score: 4, Insightful
      Pseudo-Libertarians are willing to accept any amount of threat to their liberties just so long as they don't come from government

      Anyone who reads Declan's politech mailing list or any other list where the Cato Institute frequently releases its propaganda has had his face rubbed in that.

      However, what struck me about the Salon interview is... the poor quality of the thought that underlies the Cato Institute pronouncements. on various issues... the detachment from reality.

      I read the article and kept wondering what rock this guy had been living under for the last few years.

      "and then he tried to transfer the sound to the digital audiotape that he had, and it wouldn't do it. He blamed DRM for that.

      I wrote him back and said, look, be mad at the Digital Home Recording Act. That's what said you can't record from a digital source onto a digital audiotape. It has nothing to do with DRM."

      Being locked out of the use of one's own software and hardware AND intellectual property to protect corporate copyright holders is irrelevant to DRM? What's this guy smoking? I think we all need to know so we can avoid it.

      His comments about fair usage in an academic context... perhaps he hasn't used computers long enough to have gone through changes in digital format, perhaps he thinks that floppies were always 3.5" and CD-Rs were the first portable mass storage.

      Perhaps he really has no clue that a DRM imposed by a company that no longer exists in a legacy media format might make it impossible to access information necessary to legitimate academic research... anything from a masters' thesis to a kid trying to find out what music in the early 21st century sounded like.

      I guess "no clue" is the best way to characterize this guy. Is he typical? I strongly suspect so.

      Why are we taking the pathetic assholes at the Cato Institute seriously?

      Not that they're totally useless, if they happen to support your position on censorship (government ONLY, they don't seem to understand that free-enterprise censorship exists) by all means use them to bolster your position's credibility, when dealing with government officials, if they aren't familiar with the Cato Institute, it might help.

      Just don't take them seriously even if they happen to be on your side.

    2. Re:Pseudo-Libertarian by tharanger · · Score: 2, Insightful

      First, this article reeked of the usual slashdot socialist nonsense. Then, reading about "psuedo libertarian" malarchy compelled me to respond.

      Here's a brief lesson in AVOIDING having liberties threatened by commercial entities. Stop giving money to that entity.

      Very simple, eh?

      Libertarians stand for free markets, government that operates on the rules outlined in the U.S. Constitution, and personal responsability.

      A government that punishes success (anti-monopoly laws, welfare programs, tariffs and protectionism) is no different than the government that invades the home, confiscates weapons, and violates other civil liberties.

      You cannot have it one way and not the other. The only way to achieve true market integrity and prevent "uber-corporations" from taking over (a nonsensical conspiracy as it is) is to leave the power of choice to the consumer. This is NOT a role of government, and mandates that government NOT be involved.

      The free market only fails when government regulations prevent it from being truly free (see health insurance, et al).

      Now, to the issue of the article.

      Nowhere is it stated that "downloading is hurting record sales, we need to help the poor wounded record companies".

      Rather it states, quite plainly, if people shift thier desired form of media -in this case from CD to strictly MP3- then in the long run CD sales will suffer. This is the EXACT same thing that occured when people shifted from record to 8-track, from 8-track to cassette, and cassette to CD.

      Regarding copyright, it merely examines the flaws in current copyright legislation and possible ways to preserve a market where the artist is able to receive adequate compensation for their work.

      If ignorance is bliss, then more and more I've determined the mass of slashdot readers must be the happiest people on earth.

      quoth tha Ranger

    3. Re:Pseudo-Libertarian by alizard · · Score: 2
      The list is also extremely useful when he isn't doing that. That's why I've been a subscriber for years and I assume that's why you are as well. I regard politech as an important public service. I can deal with Libertarian cult propaganda in order to get it.

      While my position on quite a few things, such as ending the "War on Some Drugs" almost exactly corresponds with the Libertarian Party platform, it's important to recognize that corporations can be as great a threat to civil liberties as government is.

      We aren't required to agree with Declan's personal political philosophy in order to make constructive use of the information he presents. Though I've wondered if the information he gets and doesn't choose to post is more interesting than what he posts. However, I have that problem with slashdot as well.

      In either case, I'll keep using both as long as what I get here or on politech is useful.

  33. A synopsis by Rogerborg · · Score: 5, Insightful

    Here, effectively, is what Stan Liebowitz has just said.

    • I was talking complete horseshit in my last Cato institute paper. My theory was wrong, and didn't agree with figures that were available then that any idiot could have pointed me at. Incidentally, I still don't have any suggestion as to why sales haven't dropped as much as I shrieked that they would; my only real point is that I was totally wrong, and I don't know why.
    • But wait, I have a shiny new bunch of theories based on my latest insights and suppositions! And because I screwed up last time, I'm bound to be right this time! Law of averages, right?
    • And my theory is... wait for it... that rights holders should be able to charge whatever they want, and use any DRM that they want, and the market will take care of everything.
    • I'm done now. When do I get my check?

    And I'm done with listening to egomaniacs like Liebowitz. I'll stick to my Magic 8 Ball for my predictions on how DRM and P2P will turn out. It might not be more accurate than chumps like Liebowitz, but at least it doesn't collect a fat fee every time it spouts a random prediction.

    --
    If you were blocking sigs, you wouldn't have to read this.
    1. Re:A synopsis by bnenning · · Score: 2
      Come on. He admitted he was wrong, is investigating the reasons for his incorrect conclusions, and all you can do is insult him? He's shown much more honesty than I've come to expect from policy analysts.


      And my theory is... wait for it... that rights holders should be able to charge whatever they want, and use any DRM that they want, and the market will take care of everything.


      And in the absence of one-sided laws like DMCA (which he opposes), this is true. The MPAA should be able to put whatever DRM they like on their products, but they should not be able to have you arrested for breaking it (unless you then proceed to illegally distribute copies). In this scenario, products with strong (i.e. annoying) DRM will either be cracked or will be defeated in the marketplace by competitors with more reasonable or no DRM. The **AAs know this, which is why they need the DMCA and SSSCA to make both of those alternatives illegal.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
  34. some economics of the issue by dcgaber · · Score: 2

    I was just talking to a friend of mine who is the manage of a local big name record chain. He wants to get out NOW because his profit margins are so low these days. He blames it on p2p and says that record sales have gone down in the last few years (he has been managing franchises in different locations over the last 7 years or so). Granted, his location is smack dab in the middle of a big city university campus and his biggest customers are students (who have the time and resources to burn music, but $15+ is too much to buy music).

    I told him, these companies need to adapt or die (taking a page from that article countering the deToqueville Institute FUD on OSS). I suggested either they need to offer a premium on the discs that you can't get through burning, lower the prices, or change their model to a kiosk stand where you pick and chose your music, and within a few minutes out comes a customized CD with nice linear notes, of what you want to hear, at a reasonable price.

    His responses were, they have tried offering better premiums, that has not worked; the price margin for the retailers is about $1 per new CD so he can't budge lower; and the companies don't want to offer a la carte music. They tried cd singles before and could not make a good margin on that, they tried kiosks before and took them away. Really it comes down to promotion, and they want to promote a whole unit where they can release singles at a time. He couldn't really argue against me when I said that before record companies had a monopoly on distribution, now with broadband, that monopoly on promotion and distribution is being altered.

    His choice on whether to adapt or die is he wants to get out of the music reatail biz and open other franchises.

    I still think kiosks in a mall would be a viable solution. It eliminates the retailers biggest cost and that is CDs go stale. If you can't sell them, you have physical property that cost money but is worthless, wheras electronic bits that cost per burn never go stale and don't take up shelf space.

  35. Accounting for some difference in numbers... by Wolfier · · Score: 2

    1. A lot of people who download music are not going to buy the CD anyway even if downloading is impossible. They simply don't have the habit of buying CDs.

    2. A lot of swapped songs are old, while you don't see the recording companies re-releasing 4-year-old songs all the time.

    3. Not all who download music have CD writers, and they need to play on their CD players too, so they buy the CD.

    4. (Related to #3) Not all who download music have PC speakers that rival their stereos.

    5. There are still people who buy CDs for the packaging, and for the tangibility.

    6. Despite the existence of Spears, Dion and the like, There are still good music people feel guilty not to buy.

  36. Not as good a view as we might like to think by dpilot · · Score: 3, Insightful

    In support of the Pseudo-Libertarian label...

    This article gets a positive spin on Slashdot simply because he believes that file sharing isn't really hurting CD sales.

    But reading the article further, he merely looks at the numbers, with apparently no attempt to find out what's behind them. Aside from blaming the 5% drop on the recession, he doesn't really dig deeper, looking into the possiblity that maybe filesharing is acting as a try-before-buy, as is often advocated here.

    The real corker though, is that this guy comes down squarely, firmly, and uncompromisingly on the side of DRM. Fair use on text? You can always retype a paragraph. Music or video? you can always get fair use by paying some money. Can't privately produce digital content? Blame some other supposedly non-DRM law, without realizing the obvious - that these laws are all part of a Web of Paranoia on the part of the entertainment media industries.

    --
    The living have better things to do than to continue hating the dead.
    1. Re:Not as good a view as we might like to think by aaarrrgggh · · Score: 2, Insightful
      ...he doesn't really dig deeper

      Actually, he does say that the download market is significantly larger than the sales market, and unless a 15-20% drop were seen in sales (when the economy picks up), the evidence would not support his "sky is falling" accusations published by Cato.

      Implicitly, he states that people want to own the music, and that the downloading is peripheral to the purchasing. Nothing wrong here.

      As for DRM... from an economics standpoint, I imagine he is right: People will not pay as much for fewer rights, and from a purely theoretical standpoint, nothing is wrong. He does state in his conditions:

      DRM, as I see it, is merely the protection in the software, on a CD or whatever, that would allow micro-payments. It doesn't do this yet, but in principle it could. That's what I view as closer to ideal.

      And, he goes on to describe what he considers DRM to be:

      ...software that keeps you from making copies; that doesn't extend the length of copyright; and certainly doesn't get rid of fair use.


      As much as I hate the idea of paying for EVERYTHING, rather than just a lump sum unlimited usage fee, the evils of DRM are mostly in the implementations: there has to be a way for "independants" to create and duplicate content (and to be afforded the same protections that DRM offers the majors). Since the implementation is far beyond his area of expertise, give him a little room to squirm!

  37. Re:IP is a DILUTION of real property by toupsie · · Score: 2
    Copyright and patents are an attempt to dilute genuine physical property by making pseudo property out of patterns. But the truth is that you cannot create property by legislative fiat. Physical property is a natural right and inherent in the fact that matter has identity - you can't have your cake and eat it too. Trying to cram patterns into the definition of property just fucks up property and results in snooping, external audits and such like denials of ownership rights.

    Then why would the founding fathers establish copyrights and patents from the onset of the founding of America? That would be not legislative fiat but constitutional establishment for the promotion of intellectual activity.

    Music is tangible not virtual though it can be represeted in a virtual state. It can be written on paper and generally is before being changed into "patterns" as you describe it. With your mindset, the GPL-ed software is nothing more than patterns on a hard drive representing "pseudo property" that anyone can manipulate without regard for the content of the license. Thus making the license null and void.

    --
    Strange women lying in ponds distributing swords is no basis for a system of government.
  38. Re:Well, personally... by gimpboy · · Score: 2

    actually according to the *LAW* it's copyright infringement i believe and not theft. there is a distinction in the eyes of the law. the gnu folks talk about this and it makes sense to me.

    --
    -- john
  39. I like the skimmed over micro payment part. by ahfoo · · Score: 2

    If someone can come along who is able to accept small micro-payments -- one of the credit-card type companies -- then it could be viable. Right now, that's probably the biggest impediment: There's a fixed cost for using a credit card that's bigger than what a lot of these payments would be.

    Yeah SOMEONE needs to come along. He suggests "a credit-card type" company. Well gee, it's the year 2002 right about now. I wonder how long we're going to wait for this fucking genius solution to come tripping by. WTF?


    Not to be pedantic, but here's section 8 of the US Constitution:


    Section 8. The Congress shall have power to . . . coin money, regulate the value thereof, and of foreign coin, and fix the standard of weights and measures;

    It seriously pisses me off when asshole motherfuckers like this dumb Liebowitch bitch go throwing these off-the-cuff solutions about some mega corporation is going to come and save all our asses with a fair and reasonable micro payment system when he knows he's full of shit and that the US Government is responsible for the currency of the nation. What a cock sucker.
  40. Trolling is even more childish. by Nindalf · · Score: 2

    Copying information is not and cannot be stealing. It can be illegal, it can be copyright violation, but it is simply not theft and doesn't necessary mean a loss to the "victim." This ridiculous assertion, that there is no essential difference between making an unauthorized copy of music that could be bought for $10,000 and stealing a $10,000 car, has been repeated here many times, and every time people waste effort pointing out how it's obviously wrong.

    That is why you are being moderated down into oblivion. If you have no new arguments, what you're doing is the moral equivalent of stomping your feet and screaming at the people you disagree with.

    The moderation category "troll" at least gives you the credit of intentionally being obnoxious and trying to start an argument, rather than being so stupid you can't recognize the obvious illogic of your position.

    If you want to argue that copyright violation is wrong, go right ahead. However, don't expect any more respect for asserting that copyright violation is stealing than if you claimed it was vandalism, treason, murder, or rape.

  41. Stealing is even more childish. by toupsie · · Score: 2
    Copying information is not and cannot be stealing. It can be illegal, it can be copyright violation, but it is simply not theft and doesn't necessary mean a loss to the "victim." This ridiculous assertion, that there is no essential difference between making an unauthorized copy of music that could be bought for $10,000 and stealing a $10,000 car, has been repeated here many times, and every time people waste effort pointing out how it's obviously wrong.

    Stealing is stealing and morally wrong. While there maybe degrees of harm, the act still grows from the same evil, taking from others what is not yours. You may require this sort of moral rationalization to make yourself feel better for your actions but you are still doing wrong. Its called respect for other human beings. What else can you rationalize?

    The moderation category "troll" at least gives you the credit of intentionally being obnoxious and trying to start an argument, rather than being so stupid you can't recognize the obvious illogic of your position. If you want to argue that copyright violation is wrong, go right ahead. However, don't expect any more respect for asserting that copyright violation is stealing than if you claimed it was vandalism, treason, murder, or rape.

    If saying "please don't steal" has become "intentionally being obnoxious" then our society has really started to crumble. The illogic of my position appears to be trying to tell a group of people that seem to feel they have the right to take from others what was not theirs is not a Good Thing. I never alluded to stealing other people's intellectual property to vandalism, treason, murder or rape. I am saying your appropriating someone else's property without just compensation is wrong and causes damage to consumers that engage in legal transactions with the property owners through higher prices and products that have copy protection schemes.

    As for me being stupid for this position, the US Court system tends to agree with me, not you. If you think I am wrong, please challenge the music labels in court and we will see whose point prevails.

    --
    Strange women lying in ponds distributing swords is no basis for a system of government.
  42. This hurts... by sckeener · · Score: 2

    it's going to be while -- maybe a decade -- before we get to reasonable pricing on downloaded music

    Ouch...I'm going to be 40 yrs old when sanity returns....

    --
    "Only one thing, is impossible for god: to find any sense in any copyright law on the planet." Mark Twain
  43. Anyone who wants to understand... by freeBill · · Score: 5, Informative

    ...why this guy is so confused should read Paul Ormerod's book, Butterfly Economics. The book (subtitled "A New General Theory of Social and Economic Behavior") outlines the mathematics which University of Chicago economists broke through the barrier which had prevented others from mathematizing economics.

    All they had to do was assume that all agents (that's you and me) in an economic system had an infinite ability to predict the future prices of goods (and they would all have to agree). Now, these economists didn't actually believe this was true, but they hoped further work with the math would allow them to make simpler, more believable assumptions.

    And further work did just that. Sort of.

    In 1968, it was proven that we could relax those assumptions so that different people could have different opinions about the future state of the world. The only assumption remaining which still flew in the face of common sense: All agents had to have access to an infinite amount of computing power. And it was proven that the math broke down if this requirement was relaxed.

    One might expect that this would mean the theory would be thrown out. But one would be wrong. Because orthodox economic theory requires that markets "clear" in this way.

    And from this orthodox economists have shown that the distribution of wealth and income which emerges from equilibrium markets cannot be altered without making someone else worse off. Which had implications for economic policy which greatly pleased those who were opposed to certain government tax policies and regulatory policies.

    And those people were rich. They funded organizations like The Hoover Institution, The Cato Institute, and Wendy Gramm's Let Enron Rip Off California Institute.

    Unfortunately for the theory, in 1982 David Newbery of Cambridge and Joseph Stiglitz of Princeton proved that in an uncertain world in which the future is allowed to exist, the conclusion that the distribution of income and wealth cannot be altered without harming someone is, in general, not true. Despite this finding, the old result continues to be taught to students the world over.
    --Paul Ormerod

    It is taught because before it was disproved it acquired a strong political following, which included politically motivated private individuals who were willing to fund research which produced the results they wanted produced. So organizations like the Cato Institute have to continue to act as if a theory which rests on absurd assumptions is true, even though we know it is not. If they do not continue to so act, they will stop getting money from wealthy conservatives. That is why the absurd theory was never thrown out.

    All of this would not make much difference except that an alternative set of theories have arisen, which take advantage of more recent developments in the mathematics of non-linear systems. They make no absurd assumptions, and (though incomplete) they do work. See Ormerod's book for more information.

    They new theories do not skew either to conservative or liberal biases. (Ormerod is even more critical of European attempts to micromanage their economies than he is of laissez-faire Reaganism.) One of the results of including non-linear systems into the mix has been the discovery of what is known as the "network effect." Although most of us have experienced the network effect personally, Stan Liebowitz has developed a little mini-career opposing it.

    It turns out there is money in this opposition. Microsoft is willing to pay good money for this obvious nonsense. And it fits right in with Cato's nervousness about a competing theory which does not rest on the absurd assumptions theirs requires.

    Which explains why Liebowitz has no clue as to why CD sales were up while Napster was booming and are down since it was shuttered. The Napster community was a classic network with people sharing their favorite music with others. Sure some used it to avoid purchasing CDs. But far more were able to hear music they might never have found otherwise. Liebowitz cannot afford to see this since it would cut off a lucrative source of income for him to admit the network effect has such power. But the rest of us are under no such limitation.

    When radio came along, record companies said the new technology was so different it would destroy the copyright economy they thrived on; 30 years later they were bribing DJs to play their records. Cassette tapes were similarly attacked. VCRs were supposed to be the end of the movie business; today they are an important part of their bottom line.

    Someday we'll probably see congressional investigations of record companies paying on-line music-sharing services to promote their products. And Stan Liebowitz will still be confused about why his absurd assumptions still don't predict real-world results.

    --
    Eternal vigilance only works if you look in every direction.
  44. The music industry may need file-sharing by Animats · · Score: 3, Insightful
    Why? Because broadcast radio in the US is becoming so centralized. Clear Channel Radio daily reaches 54% of all people ages 18-49 in the U.S. They're bigger and more powerful than the recording industry. They demand payment to put a song on the radio. They may also insist that the artist do live performances in one of the hundreds of venues they control. On their terms.

    File sharing and Internet radio may start to look like an attractive promotional channel to the music industry, as Clear Channel slowly tightens the screws.

  45. Thank God DRM still allows for Fair Use by Sloppy · · Score: 3, Insightful

    The idea has caused a fair amount of hysteria in the academic community, because they think fair use is going to disappear. I think that's totally not true. Fair use is still there. DRM can't keep you from reading the material, as long as you pay the price. Some say, Well, how can you take a paragraph and copy it anymore? That's what we normally consider to be fair use. But the fact is, you can still do that. You might not be able to cut and paste but as long as you can read it, you can type it.

    In this presentation, I will show how my new compression method's artifacts are more subtle than the ones made by the excellent Sorenson codec. [Type type type] This ASCII-art representation of a scene from The Matrix is the source that I have started with. Notice how the curly-brace I typed on the right side of the image, is very well-defined and clear.

    Now I will show how it looks when encoded/decoded with Sorensen. [type type type] In the ASCII-art representation on the left, look at the loss of detail. The original curly brace is replaced with a square bracket...

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  46. CDs are the reason sales haven't slowed by lawscactus · · Score: 3, Interesting

    I believe the reason that we haven't seen a decrease in sales of audio CDs is because of convenience. I have many audio CDs purchased from retailers, many MP3 files downloaded from the internet, and a CD burner. I have copied only a small subset of my MP3 files onto CDs. Why is this?
    CD creation is a time consuming process that requires me to purchase consumables (blank CDs). Then I have to keep track of where my CDs are and what is on them. Also, a CD holds a relatively small amount of data(700MB). In short, I couldn't be bothered.
    I believe that you will see significant degradation in CD sales when hardware manufacturers standardize on a portable and inexpensive data storage media. This would allow consumers the ability to carry a "data storage widget" (compact flash perhaps..). It would store thousands of songs and plug into home audio systems or car stereos. It could store entire collections on something the size of a matchbook.
    The only thing supporting CD sales is the "network effect" of the CD format. Once we achieve an "inflection point" of the presence of standardized portable memory modules and devices that use them, I believe the bottom will fall out of the CD sales market. I also believe that the record companies have foreseen this.
    The CD market today survives on the "high viscosity" of data transfer from the internet to audio playback devices. New devices and technologies will lower that viscosity and change the media market forever.

  47. Would I have bought all those CDs? by SirAnodos · · Score: 2, Insightful

    People are scratching their heads trying to figure out why downloading doesn't hurt CD sales so much. I can't speak for most people, because I may be very different in this way, but I can speak for myself. The recording industry says that if I download, say, 10 CDs worth of music that they have lost 10 CDs worth of income (and these are the conservative ones). Now wait a minute... who said I would have ever bought those 10 CDs in the first place? I know myself, and before P2P, I just didn't listen to this much different music. Every couple of weeks, I would walk out, find a CD I liked, buy it and listen to it (along with my existing collection) for the next couple of weeks. I do the same thing now... every couple of weeks, I walk out, find a CD I like, buy it, and add it to my collection. So I downloaded 10 OTHER CDs during those two weeks. Well, I would never have bought those CDs anyway! I just happen to have a richer experience now, but my buying habits haven't changed at all. Again, I am only speaking for myself. I do know, however, that my 18 year old sister is the exact same way. She still buys CDs like crazy, and also downloads way more music than she ever would have bought.

  48. Not alone in my suspicions by grubert · · Score: 3, Insightful

    My suspicions were pretty surface, thanks for the detail.

    My college exposure to economics left me deeply unimpressed. They make major unwarrented assumptions about human behaviour. My professor waved away my objections by appealing to the law of large numbers.
    The theories might be worth something if humans were linear elements, but we are not. Economics seems to be useless for predictions, so it's not really science, but they appropriate the language of science to gain credibility.

    -which take advantage of more recent developments in the mathematics of non-linear systems.

    Given that economics seems to have a shallow grasp of linear system dynamics, how much of this new book's useage of non-linear systems is really tough scientific thinking, and how much is appropriation of new buzz to get attention?

  49. Like Radio .. but not by shawnmelliott · · Score: 2

    Although I agree with your points ( being a person who buys things based off of samples, mp3 or radio ) I must point out one thing

    "File sharing doesn't hurt record labels any more than radio play"

    with Radio you have to WAIT for that song to come on and hope it doesn't have a DJ interrupt for some lame joke or small tidbit of info. File sharing is immediate upon request.

    Not that File sharing doesn't have it's problems either e.g. incomplete/misnamed songs etc but it's still easier to get the music via File sharing and thus (IF it hurt record labels ) would have the capacity to be more damaging than Radio.

  50. Can you really be that naive? by AKAJack · · Score: 2

    Seriously.

    How is listening to a radio station all day, waiting for that "new hit single" to be played (so that you can record it) anything like going on gnutella and downloading that same song in two minutes?

    Instant access to everything you specifically want does not equal instant access to a random assortment of songs broadcast over the airwaves.

  51. No Network Effect? Handwaving? by namespan · · Score: 3, Insightful

    OK, our friend Leibowitits presents a reasonably convincing argument about file sharing.... file sharing is huge, and we don't see any appreciable change in sales, so something else must be going on. I buy that.

    I have to question his credibility just a little bit. No network effect? The term "path dependence" is fairly well distributed through the economic literature, and I can't recall the name, but I once tried to work through a paper on it from someone at the Santa Fe Institute... not exactly a bunch of intellectual lightweights (at the very least as credible as anyone from the Cato Institute). The paper supported the network effect.

    The Salon article almost presents Leibowitz as having debunked the concept rather than challenged it. Lots of handwaving if you ask me.

    But then again, that's been my experience with econ in general. : )

    --
    Libertarianism is rich wolves and poor sheep playing gambler's ruin for dinner.
  52. the assumption is... by sweatyboatman · · Score: 2

    I'm assuming that DRM wont really work in this context without some seriously heavy-handed legislation. If any publisher pushes a DRM solution onto the public while still competing with MP3's then the situation is very different.

    It doesn't seem likely that any DRM will beat out MP3 in a fair fight. MP3 is open(-ish) and free for use. It's also well established with many different platforms supporting it. Any DRM solution, especially one with fees, will come with rules, hassles and problems.

    And it still wont solve the problem of Red-book CDs which people can still burn and rip to their hearts content. So even if every publisher that ever produces a digital version of the song uses a DRM, their songs will still be just as available as ever thanks to the prevalence of regular CD-Rom players.

    Sweat

    --
    It breaks my pluginses, my precious!
  53. Interestingly enough, Cato's grant-whoring... by freeBill · · Score: 2

    ...actually played a role in the initial funding of the Santa Fe Institute.

    In the early '80s, Cato and Hoover and the University of Chicago told the Reagan administration (where they were very welcome) that foreign aid was unnecessary because all the poor countries of the Third World had to do was adopt market economics and their economies would automagically right themselves and be tremendously productive. They even convinced the big banks to loan money based on this prediction. After all, they'd have plenty of money to pay back the banks.

    Ten years later the money was gone, Bangla Desh was just as poor with a market economy as they had been without, and the banking system was threatened by the defaults these Cato prognostications had said couldn't happen. The banks went back to the Cato economists to ask what happened. All they got were shrugs and excuses (not unlike this article).

    About this time the Santa Fe Institute was trying to raise funds for their new idea for an interdisciplinary institute. Many of their people were refugees from Economics programs at schools controlled by the same people who made the bad predictions. They had objected to the bad assumptions behind the predictions and found their careers stymied. Opted for the interdisciplinary approach at Santa Fe, where the ideologues in their own disciplines had less sway.

    They walked in the door at Chase Manhattan just about the time Cato was telling them they had to just eat those billions in losses. Chase asked them if they had any research which could help. They said they weren't sure about help, but their economists had predicted the failure in Bangla Desh (where one had been a Peace Corps volunteer).

    Walked out with a $100 million check.

    Read Complexity: The Emerging Science at the Edge of Order and Chaos for a more accurate explanation of the events (condensed for this post).

    --
    Eternal vigilance only works if you look in every direction.
  54. Pissed at the music industry is right on. by brad.hill · · Score: 2
    Pissed at the music industry is right on.

    I used to buy 10-20 cd's a year. At the height of Napster, I was buying more like 30-40 because I could discover so much more great music that I liked, and was apolitical with regard to music purchases.

    Since Napster was shut down, I've come to see what a bunch of greedy f**kheads the RIAA are, and how, collaborating with the monolithic radio industry, they don't want me to hear and discover diverse music. They just want me to shut up and shell out for whomever they've decided is the next star.


    Now, instead of feeling excited about all the great music out there, I just feel disgusted, ripped off and insulted when I see the price tag on a CD.

    As a result, I've only purchased 2 CDs in the last year, both from independent labels-- a 90% drop from my normal buying habits over the last decade.

  55. Re:As if you needed to ask... by plastik55 · · Score: 2
    Apparently you think economics began and ended with Adam Smith.

    In fact, the past 100 years of theoretical, experimental, and applied economics shows that there are many situations in which regulation is necessary in order to preserve market efficiency.

    Being ignorant of a subject does not entitle you to go spouting off pseudo-libertarian aphorisms. Please go to your nearest university library and look up "market failures."

    That is all.

    --

    I have a positive modifier on Troll. When I mod someone Troll their karma should go UP!

  56. Whoa..... hold up.... by Danse · · Score: 2

    If revenues fall to the point where it's ecomically infeasible for a particular record company to keep scouting for new artists, or it's too risky to sign them, then it will be much harder for artists to get discovered and eventually the supply will decrease.

    There's another alternative here. What if, instead of the monolithic recording industry that we had a much leaner, more efficient recording industry? If they can't continue to do things the way they do today (which is very much to the detriment of both artists and consumers by most accounts), then maybe they will just have to adapt and do things differently. If they don't do it, then someone else most likely will.

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  57. In the USA, DRM != perpetual copyright by yerricde · · Score: 2

    Besides, legislators may require that DRM opens the work at the expiry of copyright.

    They already have. In the United States, the DMCA's circumvention ban (17 USC 1201) applies only to "a work protected under this title". A work that has fallen out of copyright is no longer "a work protected under this title". Therefore, now that Mickey Mouse is public domain due to faulty copyright notice, and some 1900s and 1910s silent films (PD due to copyright term expiration) have hit DVD, DeCSS software is now legal when marketed to be used only with such titles.

    --
    Will I retire or break 10K?
  58. You are right, Bill Gates has little power... by freeBill · · Score: 3, Insightful

    ...over me. Because I choose not to buy his products, I have a competitive advantage over those who do.

    But that doesn't tell the whole story. There are many threats that individuals (especially wealthy individuals) and corporations (especially powerful corporations) pose which do threaten my freedoms. Perhaps it is easier for government with its coercive powers, but it is quite common with corporations as well. Those who ignore this by insisting that all threats to liberty come from government do no service to liberty.

    If the threat to my liberty is my daughter's asthma, it doesn't matter to me whether she dies because some factory nearby is pumping toxins into the air or because the government forced me to accept socialized medicine which was inferior.

    If the threat to my liberty is my inability to market my next-big-thing computer program, it doesn't matter whether it is because the government taxes new businesses too highly or because investors think the idea is so good MS will steal it from me.

    If the threat to my liberty is an economic collapse caused by insufficient resources, it doesn't matter to me whether those resources are lacking because of a command economy like Communism or because some corporation has figured out a way to overcharge all the rest for a second-rate product. It doesn't matter whether it's because the government taxed us too much or because the government borrowed too much. If the money is removed from the economy, it doesn't matter if it goes to the Microsoft tax, to the income tax or to buy Treasury bonds. (Actually it does matter somewhat, since these are coming from different parts of the economy. But any of them can harm the economy by starving it of resources.)

    Yes, the corporations and the wealthy do exert power through the government as well, but that is not the primary way they threaten my liberty.

    Eternal vigilance only works if you look in every direction.

    --
    Eternal vigilance only works if you look in every direction.
  59. CD prices remain constant in the face of inflation by yerricde · · Score: 2

    The CD was supposed to make the whole process cheaper, lowering prices for the consumer. But that never happened. Instead, the prices went up (which they justified by saying that new technology costs money) and they stayed up.

    It costs money to produce and promote music, and the dollar cost of "people time" has gone up, not down, in the last two decades. This is called "inflation".

    On the other hand, the price of a CD has remained constant in the face of inflation. if you measure costs not in dollars but in multiples of the Consumer Price Index, in (say) 1983 U.S. dollars, you find that the price of a CD has fallen from $17 in 1983 to $9 in 2002. If a CD costs the same number of dollars as before, but CD buyers earn more dollars per week than before, then each CD represents a smaller portion of the average weekly paycheck.

    --
    Will I retire or break 10K?
  60. Let's see.... by Wntrmute · · Score: 2

    A 5% drop in music sales.... Hmm, well, we've had a recession at the end of a huge economic boom, large companies that used to employ a ton of people go bankrupt and get caught comitting fraud, (Enron, Global Crossing) terrorist attacks on US soil, CD prices have increased, (little economic tip, when you increase prices, sales will decrease) mass consolidation in the radio market and a general homogenization of music, leading to less consumer choice, and, yes, people are pirating music on file-sharing services.

    And there's *only* been a 5% drop in sales? Sounds like RIAA's doing pretty well to me. There's quite a few businesses that would be jumping for joy if they only suffered a 5% sales drop.

  61. Re:What planet do you live on? by Danse · · Score: 2

    There are only so many hit singles at any given time in any given genre. 20 minutes might be a bit of an exaggeration, but not a very big one. Literally, the big new hits get played about once an hour. As for any song you might want to hear, then no, you wouldn't want to try to record it off the radio.

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  62. Re:Well, personally... by yatest5 · · Score: 2

    In New Zealand, it's only theft if you "permanently and intentionally deprived" someone of something. I argue that it is NOT stealing, as they were deprived of nothing.

    What about their right for you not to infringe their copyright?

    --
    • Mod parent up! [a] by Anonymous Coward (Score:5) Thurs, June 31, @13:37
  63. Thank you for so brilliantly demonstrating... by freeBill · · Score: 2

    ...the foolishness of pseudo-Libertarianism.

    You quoted me:

    "If the threat to my liberty is my daughter's asthma, it doesn't matter to me whether she dies because some factory nearby is pumping toxins into the air or because the government forced me to accept socialized medicine which was inferior."

    Replying:

    "The key erroroneus statement is the notion about the 'factory nearby.' If you have a child with asthma, and there is a factory that introduces toxins that aggravate that condition, you have the power to move away. You CHOSE to live there, you knew the risks. (this is assuming the factory existed prior to your arrival). If the factory did not exist prior to arrival, personal property laws (which are guaranteed by the Constitution) when exercised by a community would do much to prevent the buidling of the factory, or in the least, create a 'buy-out' situation to cover relocating."

    Your stated assumption is not the only one your argument depends upon. You are also assuming the company didn't hide the toxic releases. You are assuming there are other places where there are no such health risks. And there probably were people who were there before the factory existed.

    But even these assumptions (ridiculous though they are in the real world) do not change the fact that my liberties are being restricted. I do not have the right to live where I please. Property rights are an important value for all true Libertarians. Pseudo-Libertarians construct absurd arguments to justify their taking if the taker is not a government.

    When you start talking about "personal property laws" and the Constitution, you only demonstrate your ignorance. The laws which allow for communities to restrict the location of factories are hardly guaranteed by the Constitution. The first such laws were passed in the 1930s. They are governmental restrictions on our liberties which are opposed by most pseudo-Libertarians and many Libertarians. On top of that, they do nothing if the plant is upwind.

    Then you go on to say:

    "It is often the sloth of the masses that allows the government and business to encroach on liberties. This, of course, is the fault of the individual, not the coporations or government. You lose the right to complain if you do nothing to protect your property or your own rights."

    Yes, sloth of the masses results in many injustices against them. This, of course, does not absolve governments and businesses from their responsibility for their immoral acts, except in the biased eyes of pseudo-Libertarians. I do not "do nothing" to protect my property. It is the pseudo-Libertarians who urge the masses to sloth, particularly when regulation is the obvious path to protection.

    Obvious paths not being your forte, you offered:

    "In regards to what I have to assume is an 'eron' statement, minus the media buzzword: the overcharge by a corporation, if controlled by consumerism (and free market) are often self-correcting. As in the case of Enron, even with previous bad government policy (see: botched deregulation 101 by prof. Gray Davis) the eventual NON involvement of government allowed for the poor business practice to lead the company into extinction."

    I made no reference to Enron (or "eron" for that matter). I was refering the taxes charged by Microsoft, including the upgrade tax and the tax they force on manufacturers who are forced to pay for lousy operating systems on every machine they sell, even if they want to put a better OS on a particular machine.

    Of course, your analysis of the Enron debacle is as flawed as the rest of your reasoning. Gray Davis had little to do with deregulation. And deregulation had little to do with the California energy crisis (except that it was the panacea advocated by the pseudo-Libertarians at Enron who took advantage of it to infringe the liberties of Californians). To suggest that the results of the Enron affair prove the success of the free market is further evidence of your ability to look at things with an unbiased view.

    As far as your claim that consumerism and free markets are "self-correcting," I am glad you included the word "often." Yes, they often are. Usually when they are regulated. Some of that regulation can be private (as in the rules of the NYSE) and some of it usually comes from government (usually over the objections of pseudo-Libertarians). In 1982 Joseph Stiglitz used the assumptions of the free-market theorists to prove that markets are NOT self-correcting without regulation. He won the Nobel Prize in Economics last year for this research. You might want to check it out.

    Then you told us:

    "The strongest proof to the benefit of a free-market is the rise/fall of the 'new economy.' Bad ideas with shaky business models have been purged (by and large). Business' with solid models based on REAL economics, and unchecked by massive amounts of (socialist)government regulation are able to thrive."

    Unless, of course, some megacorp decided they were a threat and checked them by incorporating their ideas into their OS. Or stealing their code.

    I never said free markets weren't useful. But to assume they preclude all need for government regulation has been proven wrong again and again. In fact, we have considerable evidence well-regulated markets are best solution. But pseudo-Libertarians (like communists) have ideological needs which require them to ignore the evidence.

    Then you treat us to the following gem:

    "(for the record - I still hold to my conspiracy theory that the Fed burst the 'internet bubble' prematurely on purpose.)"

    Nice that you share this little hint about your schizophrenia with us, but I suggest it might be more important that you tell your therapist.

    Then you return to your strange constitutional theories:

    "Again, leave the power of choice (the dollar is mightier than the vote, ask a lobbyist)to the consumer and leave the government to it's Constitutional duties."

    Our Constitution was written by a strange alliance between conservatives who believed in the importance of government and liberals who feared government. They did such a good job they enabled us to become a nation of liberals who believe in government and conservatives who fear governmental power. And pseudo-Libertarians whose grip on reality has become so weak they believe their fantasies are what the Constitution says.

    Then you close with some good, old-fashioned stereotyping:

    "Regulation need not be by elected officials, it requires only an education on the part of the people. (meaning, you have to get out of the college town coffee house and stop asking the government to do what you won't)...funny how the more socialist rants I come across the more I laugh.....why is it assumed that a government can be created that will only regulate that which they think is 'kewl' ??"

    First, the stereotypes: "college town" and "coffee house" and "socialist rants." I do not live in a college town. I don't much like coffee, and seldom visit coffee houses. I am not a socialist, as would have been apparent to anyone who saw that I used "socialized medicine" (perhaps unfairly) as one of the threats to my daughter's health.

    Secondly, the substantive points: regulation need not be government; education is all that's needed; and the assumption that a government can be created which will only do what I agree with.

    Yes, regulation is possible outside of government. Of course, this involves risks to our liberties much like those posed by governments, often with less chance of respresentation. In fact, the stronger the regulation, the more the regulator becomes like a government. (Indeed, the distinction may become meaningless.)

    Yes, education is good. But it cannot do everything we need to protect our liberties.

    I don't assume that governments will only regulate that which I think is "kewl." But that doesn't stop me from trying to get it to stop regulating that which is not "kewl" or from trying to get it to regulate that which I think needs to be regulated. As it will always be a compromise with others, I expect it will always be less than what I want it to be (or more).

    But I know that those who assume they have a blanket answer all questions of regulation will be wrong about half the time, whether they are socialists or pseudo-Libertarians. The socialists will assume that all threats to our liberties come from individuals and corporations. The pseudo-Libertarians will assume that all threats come from government. Each will find the real threats to THEIR liberties comes from the direction they are ignoring.

    --
    Eternal vigilance only works if you look in every direction.
  64. "Libertarian": the history of a word... by freeBill · · Score: 2

    Yes, there are many who use the term this way. But I think a review the historical record would show that it originally included all threats to liberty. I have certainly heard older Libertarians complain that the movement has moved away from the original meaning, which included big business as well as big government as threats to liberty.

    So, I leave it to others to decide which is the perversion of the meaning. I certainly do not dispute the dictionary.com definition because maximizing individual rights has to include fighting all threats to individual liberties.

    There may be Libertarians who believe that individual rights can only be violated through the use of force, but they are clearly wrong. Corporations and other people do impact others in ways that infringe on their liberties (especially property rights, which are dear to all true Libertarians).

    When you conclude with "If they were a threat in the sense that I just mentioned, a libertarian would view it as proper for the government to stop them," you make precisely the distinction I made between true Libertarians and pseudo-Libertarians. True Libertarians would view it as proper for the government to stop them; pseudo-Libertarians assume that threats to personal liberty can only come from governments (or that they can only be violated through the use of force).

    --
    Eternal vigilance only works if you look in every direction.