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Public Domain Enhancement Act petition
EricEldred writes "Please sign the petition and support the proposed Public Domain Enhancement Act. See eldred.cc for details. 'This statute would require
American copyright owners to pay a very low fee (for example, $1) fifty years after a copyrighted work was published. If the owner pays the fee, the
copyright will continue for whatever duration Congress sets. But if the copyright is not worth even $1 to the owner, then we believe the work should pass into the public domain.'" See the brief description of the Act if you aren't familiar with what Eldred and Lessig are proposing.
if the copyright is not worth even $1 to the owner, then we believe the work should pass into the public domain
No wonder most open source apps are free.
Corporations will automate the process so they will never 'forget' to pay the buck.
Yep, I never spell check.
More incorrect spellings can be found he
Can't this be taken as a sign of tacit approval in the life-plus-fifty copyright that exists now? Is that what we want?
Most copywritten material ISN'T worth $1. Corporations can't afford to pay $1 for everything.
Paying a very low fee would make it non trivial for a company to just perpetuate it's copyrights.
As it stands a few companies have tens of thousands of copyrights that their just sitting on for the sake of others not having access to them.
If you set some low fee, it would just legitimize their sqandering of literary material.
Yes Francis, the world has gone crazy.
So what? $1 after 50 years?!?! The problem still exists. Congress will grant copyright extensions ad infinitum to these companies who ensure that the members get elected. The concept of "public domain" has been completely eroded the last 70 years, and during our lifetime it will continue to erode. The framers of the constituion had the right idea, but their successors have perverted the concept to where it's no longer of any value. Long live piracy! ;)
-A.M.
Pimpin' all the Karma Hoes!
I believe I am going to patent the idea of automated fund submission for copyright extension.
This could the small end of the wedge that actually has a chance of sneaking in. By initially focusing on material that isn't comercially valued, this aims to get the maximum material entered into the public domain with the minimum resistance from the copyright holders. I, for one, am signing right up.
Stop by my site where I write about ERP systems & more
This is completely at odds with current copyright law. Copyright law, under the Berne Convention, grants copyright immedietly upon creation of the work. There is no regisration requirement. Requiring registration on the backend is nonsensical and the Copyright Office will be unable to validate existence of a valid copyright when granting the extension.
For instance, what prevents me from paying the dollar and renewing the copyright on "The Wizard of Oz" (movie, not the book, the book is public domain)?
I doubt this would be effective because corporate copyright holders have already shown that they will fight to keep control of material which is no longer directly profitable. The issue is that if more material went into the public domain then the public would have free material to watch/listen instead of paying for something newer. It would be worth it for the MPAA/RIAA to renew for $1 or even $100 just to prevent this. What we need is a law setting a hard cap on the length of a copyright, and for a much more reasonable period of time.
This whole forever copyright thing is a pain in the ass and quite frankly a load of crap. If you want the legal protection of a copyright then you need to follow the rules, not keep profiting and profiting on it, while society is at your whim. Wuit convoluting an already convoluted system. There are other options, don't bother copyrighting something and then you don't have to worry about it being public domain in 50 years, you can keep it a secret forever.
Online petitions also don't work, they're too easy to fradulate, if you're really concerned call your representative and talk to them about it, don't put your email address on a weblog and think you've done your civic duty.
Ignore the "p2p is theft" trolls, they're just uninformed
Think about how many works are *lost* to the public because it is no longer profitable for the owner to keep them published. Out of print books, movies and recordings should be in the public domian if the copyright owner isn't willing to keep them available for whatever reason. For those owners that wish to maintain thier copyrights, they can. But for others who don't care, why shouldn't the public get a crack at these?
It is useful for removing restrictions where the restrictions are merely there by default and not intent. A book that was written in the 40's where the author (and/or his/her heirs) doesn't care about the copywrite. Under the proposed system this would drop into PD even without the CW holder explicitly putting it there.
That's a fairly minimal benefit, but at least it IS a benefit and by not destroying the money-maker (extending the rights period) perhaps this could get passed? No, why bother, it's still an added hassle for the corporations that are controlling the law changes.
This isn't about legitimzing the length of the terms.
It's about making it so that works that the copyright holder doesn't care about anymore, lapse into public domain after 50 years.
As things stand now, the copyright is in force for the current excessively long term, even when the rights-holder is dead, buried, and forgotten. This is a minor tweak, to make it perfectly legitimate to re-publish "abandoned" works after 50 years, rather than the longer terms now in effect.
"Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
If the fee started at $1 after fifty years and doubled every 2-3 years after, eventually it would be highly unprofitable for the work to remain copyrighted. Which would encourage artists/companies/whoever to create new works. Which was the whole point of copyright to begin with.
Ita erat quando hic adveni.
Mineral rights expire if not renewed regularly. If the rights are not worth renewing they don't persist forever. Systems that automatically clean themselves up are a Good Thing (TM)
IANAL but I bought some land and found out that nugget along the way
Either it passes, in which case the law is at least improved from the status quo, or it fails due to strong opposition, in which case the opponents are smoked out and shown to be fools in the public eye.
sulli
RTFJ.
I see a number of potential issues with the idea. First of all is the obvious automation of the renewal process which will make it easy to automatically extend the copyright. However, the $1 (or whatever) fee is per work, that is, a fee to keep a single artwork copyrighted. This is all fine and dandy for bookwriters and moviemakers with an expected total of works in the count of 10 to 20 in a lifetime. But consider photographers, who shoot thousands of photos a year, or quite likely much more. Do they have to pay for each of their photos?
...
Stock photography might radically change in view of this idea
Of course, you say, but the photographer will then have to choose among his best work and pick the ones for which he wants to keep the copyright! Blah. You can't resolve it like this. Suddenly you'll have poor artists who will be exploited because they didn't pay their copyright fee, and you'll have rich art whores who'll pay to have every single piece of their crap copyrighted.
It won't work. You might as well decide to have the copyright last ten times as long as it took to create the particular artwork. So if it's a photo, say ten days at most. If it's a book, 10 years or thereabouts.
Online petitions are worth the paper they are printed on. They're for idiots who want to feel like they're contributing to some cause, but are too lazy to actually do anything to contribute.
If you want something, quit copping out and write or call your representative. Or better yet, pay them a visit when they're at their home office.
paintball
Can't this be taken as a sign of tacit approval in the life-plus-fifty copyright that exists now? Is that what we want?
Even worse, it seems like it could open the door for endless copyright, as long as the owner continues to pay the fee. It seems to imply that only works with no commercial value are worthy of the public domain. This makes me a little uneasy...
progress...If you allow copyright to avoid the public domain you end up with a nation of lazy idiots living off the endeavors of their ancestors.
The society can't progress if the sons and daughters of our most brilliant citizens don't need to contribute.
You're not going to change the laws that have already been passed -- there's too much money at stake and the lobbies are too powerful.
At least this would mitigate some of the damage that's been done by allowing important, un-shepherded works to pass into public domain before the paper they're printed on crumbles into dust.
Is it a perfect solution? No. But it does addres many of the major problems of Infinite Copyright.
goats.com: better than
This has nothing to do with corporate copyrights or the Mickey Mouse problem. That's a completely separate issue.
The reform is aimed at non-corporate copyrights, the stuff that no one will bother to renew. Say some author wrote a scholarly book in 1924, which is now considered to be important. Because it's still under copyright, people like Project Gutenberg cannot use, reprint, or archive it without the author's permission.
After 80 years it'd be very difficult to legally acquire permission, even from the author's estate. He may have multiple generations of descendants, or no descendants at all, so it's nontrivial to figure out which party has legal authority over the work. For most purposes, getting permission to use the work is simply not feasible.
This change to the law would fix that problem. After 50 years, if the author's heirs have stopped caring (or have just died out), the $1 will go unpaid and the book will become public domain. Scholars and archivers can do with it as they will. On the other hand, if the work is important enough that someone does bother to pay the $1, we'll know that the payor is the person with legal authority. Scholars and archivers will know exactly whom to ask for permission. Either way, we no longer have the problem of unused works gathering dust under unnecessary copyright.
I have no problem with taxpayer money going to support something like this, but the industry lobbyists will mention it to lawmakers as a reason to not pass the bill, and it may be hard to argue why it's so important for works from 50 years ago to pass into the public domain. It can be argued, but I doubt I'll see Lessig on CSPAN any time soon.
While this is a reasonable solution to the problems of creeping copyrights, maybe the fee should be something more substantial ($100? $1000?), so that there is a chance that fees will pay for the service.
The problem with that is that it totally negates the (IMHO) most important part - making sure that the copyright owner's contact information is available to anyone who wants to try and licence it. As I see it, this isn't about making sure things eventually become free, but more about making sure things aren't lost because the copyright owner drops off the face of the Earth and the work is lost forever because no one can get permission to keep it alive.
Suppose an author wrote a book 50 years ago, and he dies, leaving no heirs. Now suppose I don't like the ideas in that book, and I don't think it should be available. For $1, I can see that it doesn't become available for another 50 years.
666-607: 6th floor apartment of the beast
Variable copyright dates make it extremely difficult for people to know what is and what is not copyrighted. Since articles and storied might appear in multiple publications, there will probably be quite a few mistakes made where people think an item wasn't copyrighted because it appeared in volume XXX...while it was copyrighted as part of volume YYY.
The fifty year limit sounds like an interesting start.
Here are some other problems that this doesn't even begin to address:
o Lack of having to register the work in the first place
o Lack of hard limits on the final length of time it's valid
o Removal of having to declare that a work is copyrighted (like in the front of a book or movie)
o Extremely long duration, preventing the Public Domain from having access to the work in a timely manner
These are just a few.
I propose that we repeal all copyright changes since the first 1790 act that provided 14 years, renewable once for a total of 28 years. I think that it is a fair duration for the author to profit from the work.
I also propose that any electronic work (either program code, etext of a book, etc) needs to be archived with the copyright office so that when the copyright expires, a copy of the source/text can be acquired for the duplication/shipping fee.
Ryan
Don't steal. The government hates competition.
I own a piece of Arizona desert worth $500. I must pay $13 in property taxes every year. The land is completely unimproved so what I'm paying for, in a sense, is police enforcement -- to kick squatters off.
"Steamboat Willie" is a valuable copyright. Disney gets free enforcement of copyright laws on this valuable piece of copyright property. "Steamboat Willie" is more valuable and needs a lot more copyright enforcement than most titles. Disney should pay more for that protection.
The purpose of property taxes are to offset the costs of providing services, like law enforcement, for the property. If Copyrights are to be considered Intellectual "Property", they must pay property taxes at their appraised value or forfeit that property.
For a copyright that could be sold on the market for $500, a fair value for copyright should be about $13/year, after the initial grace period of 14 years (perhaps with optional free renewal for another 14).
The Berne Convention requires a minimum 50 year term of copyright and no formalities. That's what you get here.
If you're willing to pay the fee, you can get more time, but the minimum term offered is not a violation of Berne.
I have discovered a truly marvelous sig, unfortunately the sig limit is too small to contain i
Speaking as one who has literally put thousands of hours into writing a book...
Speaking as one who has literally put thousands of hours into automobile maintenance, don't I have the right to profit from those automobiles for the rest of my life? No? Then what makes you so special?
Just because you place no value on your work...
I place a value on my work. And I get paid for it too. I just don't see any reason that my work should be a gravy-train I can ride in perpetuity. And I don't see any damn reason why yours should be either.
This will help solidify the imbalance already in effect, and it will not address any real problems. For the majority of the general public -- the supposed beneficiary of this proposal -- this will be meaningless. How many people will actually notice that some obscure work has slipped into the public domain? If a tree falls in the forest and there's nobody there to hear it...
If the copyright owner really believes they deserve an extension, perhaps the burden should be on them to prove, in court, that their retention of their copyright is more important to the public than the release of their work into the public domain. That would be ultimately more meaningful than some silly administrative fee that wouldn't have any impact on copyright-protected works that the majority of the public would be interested in. It would also restore the balance (because at the expiration of the time limit, the benefit to the public becomes the primary interest), and presumably result in very few works actually staying out of the public domain.
The key problem is imbalance, and this trivial fee notion does nothing to restore it.
No Laughing Allowed!
Here's a better idea, make it more frequent, and logarithmic.
:)
After 10 years, pay $10
After 20 years, pay $100
After 30 years, pay $1,000
After 40 years, pay $10,000
After 50 years, pay $100,000
After 60 years, pay $1,000,000
Thus eventually, a work becomes no longer economically feasable to maintain, yet the artist still retins a fair amount of control. If Disney is willing to pay a billion dollar tax to maintain their Mickey Mouse monopoly after 70 years, power to them. I say billion, 'cuz there's a lot of derivative works they'd have to pay taxes on as well.
bance.net
I guess they've managed to convince everybody that a copyright owner has the right to his copyright indefinetly. Tack one more attempt onto the "Mickey Mouse for Disney" preservation act. It's this sort of fundamental shift in perception that is the hardest to fight. Just reading the main post gives people that idea.
Does something need to be published in a physical form, like a book or CD? Or does putting it on a web site count?
What if I put a copyrighted work (say a written work, in an HTML file) on a password-protected web server using HTTPS, and the password is known only to me? Then I certainly haven't published it. Now suppose there's no password, but only I know the URL and I haven't linked to it. Is it published yet? What if someone goes to http://www.mydomain.com/mystuff/menu.html, which is on search engines and linked from other sites, truncates it to http://www.mydomain.com/mystuff/, and gets a directory listing including my copyrighted work? What if there's no directory listing, but I tell the URL of the web site to one of my friends? What if the friend tells a bunch of other people and links to it; has he caused it to be "published"? What if I'm the only one who knows the URL and then I graffiti it on the wall of a public restroom (say a unisex one)? The general public can now access it if they want to, right? Suppose someone cracks my web server, finds the secret URL of my copyrighted work, and posts it on Slashdot where it can be seen by all; is it published yet?
Similar dilemmas occur with physical media, as well. What if I make a backup copy of my unreleased copyrighted work on CD, and then the CD is stolen? What if I leave a few such CD's in a public park where anyone could get them? What if I try to sell people my CD's but no one buys any?
And what if I make a great movie, but the only way anyone can see it is by coming to my house and paying admission. (Assume for the sake of simplicity that this doesn't violate zoning ordinances.) Is that publishing? What if I only let friends see it for free, but they decide to donate money?
Not everything is "published" by a huge company that issues a press release and starts advertising it everywhere. As someone who's been in a few of the above situations (let's not get into which ones), I think they need to be considered.
I intend to sign the petition anyway, because no copyrights will be lost before 50 years are up, which is too long anyway. (I believe an ideal copyright term would be somewhere from 15 to 20 years.) Still, I can see some ugly legal fights going on in the future if cases like the above aren't considered.
Moreover, commercial entities in other countries (where saner - or even insanely limited - copyright laws exist) could then take those documents and make them available 24/7 in a convenient, indexed format that others could then use for research, teaching, or even pleasure. Anyone would be free to open up their own librarius to the world via p2p communities, usenet groups, and even low cost webhosting services in countries like Russia, Taiwan and Poland. This would force other nations (like ours) to compete by either changing their stupid laws (and thereby allowing US based businesses to compete with these foreign entities) or by shifting the mindshare away from intellectually oppressive regimes and toward nations that better support a creative and free exchange of information.
Signing one of these things is WORSE than doing nothing.
It gives you the feeling that you have accomplished something, making it less likely that you will do anythign about the problem. If you REALLY think this is a good idea, write a letter to your congressman, it will do a HUNDRED times more than signing this kind of online petition crap.
But the idea itself is a bad idea. We need congress to put Reasonable limits on the greedy sscumbags that keep raising the copyright limit, not to simply try to pick off the cheap idiots.
excitingthingstodo.blogspot.com
If you REALLY care about this, and you're a U.S. citizen, don't just sign an online petition - write (or at least call) your Congresscritters. The websites for the House of Representatives and Senate will both help you immediately find who your representatives are and how to contact them.
- David A. Wheeler (see my Secure Programming HOWTO)
It just struck me, I've seen something like this before. It was turned into an HBO "Real Stories" documentary.
A drunk driver killed a girl. In addition to all his other punishments, he was to hand write and mail/deliver check for $1 each week to the parents of the girl he killed.
This was to continue for a set amount of years.
The amount of money was inconsiquential, but it did force the drunk driver to think each week about the life he had taken and the consequences of his actions. Even for just the time that it took to write and mail a check.
--You will rephrase your request for me to go to hell. Goto statements are not acceptable programming constructs
My suggestion is to have a self-assessed
fee to keep the work in copyright, but
make the work 'public-domainable' at the
self-assessed value.
For example, after an initial copyright
period, say the 50 years required by the
Berne convention, the copyright holder
has to pay a fee of 1% of the value of the
work for each 10 year extension. The
copyright holder gets to determine the
value of the work themselves. But anyone
can come along and pay the determined
value to make the work public domain.
In the case of works with no residual
value to the holder, or the holder is
dead & lost, etc. the copyright will
expire in 50 years, since no one will
do the paperwork for the assessment.
In the case of low to moderate value
works, a copyright holder can keep
it in force for a nominal fee, or get
bought out at full value which he
himself determined.
In the case of high value works, like
major motion pictures, the holders will
get to pay a significant fee to keep it
in force - i.e. $500k per renewal for
a $50M movie.
Daniel
It seems to me, this 'copyright tax'would destroy public domain.
I sent them an email regrding my concerns, it follows:
To whom it may concern,
I have some question about your proposed 'Copyright tax'
first,
"So why wait 50 years? Why not impose the requirement after 7 years? Or 10 years?
Obviously, we believe that would be better. But let's start with something that seems reasonable to all. It will make shorter terms seem more reasonable later on."
If this should happen, I find it doubtful that it would be able to be changed. It would seem to me it is better to start off asking for 7 years, then settle for a lengthier time frame.
Second,
Don't corporations own copyrights as well? It would become part of the 'day to day' activities of running a corporations to automatically see if any copyrights need updating, then update them, regardless if they are making money or not. this would effectively keep works out of the public domain forever. even if the corporation should fail, another one will buy it's assets.
I think it is a noble attempt, but counter productive. Perhaps 7 years, with a renewal fee every 7 years by the originator of the copyright, not the owner or licensor. Also make it so corporation can not be a copyright originator.
The Kruger Dunning explains most post on
GPL is based on copyright. This law would mean that GPL code would begin to go into public domain in 50 years, unless somebody like FSF ponies up the bux. And given the plethora of incremental deltas (which, taken alone, will probably be considered "fair use" to apply), renewing copyrights separately on all the versions could get very expen$ive.
(You'll recall that the reason GPL code is not just PD is to keep people from locking up the fixes and improvements.)
Now it could be argued that in something as fast moving as software, something 50 years old is dead. But how old is Unix already, eh? (Not to mention "Hello, world!".) This industry is maturing. Like classical music, things written already, or being written now, are likely to have lasting value and be around a long time.
Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
From the editorial:
Give serendipity a chance.
The purpose of this act seems to be to put anything not currently used for financial gain to be placed into the public domain. So why not extend this to actually say that?
How about a law that says, in order to have trademark, patent, or copyright, the item [or a derivitive of that item] in question must be offered for sale, or in the case of trademark, used as a mark of trade. [obvious exceptions for non-profit orgs]
The law says that you have copyright on your history paper, but if you're not going to gain money from it, why should you? Certainly you would have written it anyway in that case.
Discuss below, I'll admit my ignorance if you'll admit that you're a queer.
-- 'The' Lord and Master Bitman On High, Master Of All
Let's talk about a world without copyright laws first.
An author writes a novel. This novel is entirely her property, and if she locks it in a safe and never shows it to anyone, nobody can take it from her. On the other hand, she can't sue anybody for copying her story or characters, either.
If she chooses to publish the work, then she can run into some problems. Some people will pay her for a copy of the book, but some will surely just reprint the book for cheaper. This forms a disincentive for her to publish, because it really does feel a lot like being taken unfair advantage of.
Here, the State steps in. The author is given a monopoly, so that nobody may copy her work. In addition, she would be able to sue somebody who tried to write a very similar book afterwards. This now forms an incentive to publish.
However, other authors and the public as a whole now suffers. The names you could use for characters and other copyrightable elements of a story will decrease as each work is published. In the distant future, it's possible that any non-trivial work will violate some copyright. This is clearly not beneficial to society, which is why copyright is usually a time-limited monopoly, not a perpetual one.
Here's the important part: by publishing the work, the author implicitly agrees to the deal. If you don't want it to ever lapse into the public domain, don't publish it, or use some other form of enforceable protection (such as an NDA).
The notion that the public is owed the work comes from the author or artist having taken advantage of the benefits of copyright. We aren't owed anything unpublished, but any published work is "owed", and should by right be given to us for free in some years. That's the deal.