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Legitimate uses for DeCSS

Tabercil writes "Interesting article at the Washington Post, which among other things points out that DeCSS does have valid uses, and that the industry's paranoia over DeCSS is overblown." A reasonable mainstream summary of all the DVD related legal hype. Interesting that the libdvdcss folks have never had a bump with the law, but instead DeCSS takes all the brunt even tho nobody uses it.

21 of 239 comments (clear)

  1. Quiet! by Anonymous Coward · · Score: 5, Funny
    Interesting that the libdvdcss folks have never had a bump with the law...
    SHHHHHHH!

    Don't give them any ideas. ;-)
    1. Re:Quiet! by bsharitt · · Score: 4, Insightful

      The whole DeCSS thing was a big publcity stunt\scare tactic to try to frighten people into not developing thisngs like it. It just didn't work.

  2. Visability by rf0 · · Score: 4, Insightful

    This is all about visability more than anything else. If you ask your average lay man they might know about DeCSS and taking a stand against it gets a message across. Most lay men won't know anything about libcss. Its not a techincal issue rather more one of believed usage

    Rus

    1. Re:Visability by Saint+Aardvark · · Score: 5, Insightful
      Agreed. I had a conversation with a friend last week, and he offered to loan me a DVD. I told him that I didn't have a player, and wasn't planning to for a while until I could cobble together one of my own that would let me get around the restrictions. He asked what I meant, and e was surprised to learn the sort of things you're not supposed to be able to do (get around region encoding, the unskippable bit, back up to HD, etc.).

      It's not that he's cluless or anything -- he's quite an intelligent guy. But this sort of thing never (well, rarely -- kudos to Mr. Pegoraro for his article) gets mentioned to people shopping at Walmart for their DVD player, or explained in terms that make sense to them. Information wants to be blah blah blah, and people's eyes will glaze over. But try telling them they're not allowed to skip the commercial/FBI warning -- Warner Bros. sez so -- and they'll get mad, all right.

    2. Re:Visability by Saint+Aardvark · · Score: 5, Informative
      Found this bit from The EFF:

      Second, as to proof of current substantial adverse effect, the evidence on the record in this proceeding clearly establishes that it is not just a handful of titles that are affected. 66 individual consumers submitted comments to the Copyright Office in support of this exemption. These comments describe their first-hand experience of encountering non-fast-forwardable promotional material on over 40 different popular titles. These titles included Lilo and Stitch, Beauty and the Beast, The Little Mermaid, The Lion King, Toy Story I and II, Monsters, Inc., A Very Merry Pooh Year, Bob the Builder, About a Boy, Blue Crush, American Pie II, The Sixth Sense, Ice Age, the Red Violin, Shawshank Redemption, the Bourne Identity, Baby Mozart and Rudolph the Red-nosed Reindeer.

      An assessment of the substantial adverse impact on consumers requires consideration of both the number of titles which may contain UOP blocking, and the number of units of each of those titles that have been sold to consumers. All of the titles I mentioned are extremely popular and were high volume sellers. According to the 2002 Year End sales report from Video Business, in 2002 Monsters, Inc sold 11.8 million units, Ice Age sold 7 million units, Lilo and Stitch sold 6.6 million units in the last three weeks of December 2002 alone, and Beauty and the Beast sold 4.3 million units. In total, there are - just for those 4 titles alone - 29.7 million units in consumer households that may have been affected by the inability to fast-forward through commercial advertising. This is hardly an insignificant impact.

      Third, in assessing the impact of these technological measures on noninfringing use, the nature of the harm to individual consumers must be taken into account. In the case of each of the 66 consumers who filed comments with the Copyright Office, the harm was significant, and rose beyond a mere inconvenience. They were not able to avoid the objectionable material. The harm was redoubled when they were not able to prevent their children from viewing the objectionable material on various Disney titles. A number of parents commented that they had specifically purchased DVDs as a means of controlling their children's exposure to commercial advertising, and were understandably upset when they could not fast-forward through that material. This is not a mere inconvenience.

      (Emphasis added by me.)

  3. At last. by sketerpot · · Score: 4, Insightful

    People have known that there are perfectly legitimate uses for DeCSS for how long now? I see this as a mixture of good news and bad news. Good news that the mainstream media are figuring this out, bad news that it took so long. And will it make any difference? The media as a whole seem to be eating out of the *AA's hands. Witness the article about music piracy in Time....

  4. DeCSS a necessity... by maharito · · Score: 5, Insightful

    I (and many other linux users) have known for a long time that DeCSS/libdvdcss is a necessity for those of us who like movies, but refuse to run windoze. I find it heartening that a media outlet such as the Washington post recognizes valid uses for the same. Maybe now the various distros out there won't make their users jump through hoops just to watch a dvd.

  5. I wonder... by kien · · Score: 4, Interesting

    ..if the MPAA is going to sue the Washington Post for the same reason that they sued 2600. I doubt they've got the chutzpah for that legal fight, but it would be quite interesting if they did.

    --K.

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    1. Re:I wonder... by moonbender · · Score: 4, Funny

      You mean they need a reason now? ;)

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  6. Not to mention open source works.. by wfberg · · Score: 4, Interesting

    I've had no problems playing DVDs using videolan on windows, but no luck whatsoever with a variety of closed source programs such as powerdvd and windows media player. Same DVD, same drive, same operating system. Fully licensed commercial crap = don't work, open source = works beautifully and will even rip it for me, add subtitles and make an SVCD out of it so I can watch a German language flick with my American friends.

    Glad to see the Post gets it.

    --
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  7. An alternate history by lateralus · · Score: 4, Interesting

    I think that we should allow what we of weak taste call "movies and music" studios to succeed. Allow them perfect control of everything. You will not be able to do anything without paying them but run a Commodore 64 that is disconnected from the Internet.

    The result?

    The complete, total and utter collapse of the above Industries. People will not be able or willing to afford even to buy a book online because of crippling proprietary formats and greedy prices. No one will be interested in anything digital anymore, disconnected we will peacefully slip back to telling stories by the fireplace (reading them off the C64's screen that is).

    Or maybe not.

    --
    If you outlaw the law, only criminals will have laws
  8. Haha by DougMackensie · · Score: 5, Funny

    Oh sure. Whats next?
    Legitimate uses for Mp3s?

  9. My childrens' videos... by Keebler71 · · Score: 5, Insightful

    To those who say that DVDs are indestructable, I suggest you let your 3 year old play with them a few times. Parenting techniques aside, I have found one good use for decrypting... we have purchased several children's educational DVDs but each only has about 30 minutes of material. Rather than continuously swapping them out, I decrypted them and copied a few of them onto one DVD so they play end-to-end. Can you think of a better "fair-use" example?

    --
    "It takes considerable knowledge just to realize the extent of your own ignorance." - Thomas Sowell
  10. Doubt it. by phalse+phace · · Score: 4, Insightful
    The Washington Post, for one, can afford their own team of lawyers. Aside from being seen as a "legitimate" news source, compared to 2600, in the eyes of the public, the Post can't be so easily intimidated. More importantly, the info isn't being published by a bunch of "hackers." And we all know how "hackers" are portrayed in the media.

    It probably comes down to the publics perception of who's doing the reporting and what's being reported. Just like the NY Times and Wired News weren't sued for posting a link to DeCSS in their past articles, the Washington Post won't be either.

  11. Re:self destruction by small_dick · · Score: 5, Insightful

    actually what the USA will probably do is simply poison everyone at birth, and an antidote will be doled out over you lifespan based on the quality of your citizenship and/or the volume of your consumer purchases.

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  12. Unskippable commercials suck by C3ntaur · · Score: 5, Informative

    Back in the days before DVD, whenever I bought a new VHS video for my collection I'd do a few things during my first viewing of it. First, I fast-forwarded through all the commercials at the beginning of the tape. Sometimes this would come out to more than 15 minutes worth of crap. Next, I took the tape out of the player, cut the labels at the cartridge seam, removed the screws from the cartridge, and opened it up. Then, I carefully removed the take-up spool, and cut the tape. I unspooled all the crap from the take-up spool, pulled out the little retainer clip, and threw the crap in the trash. Finally, I reconnected the remaining tape to the take-up spool and put the retaining clip back in, and put everything back together. Voila! My tape was now configured the way it should have been from the getgo: no commercials.

    I'm pretty sure I was well within my legal rights to do this to tapes I had purchased legitimately, and that no *AA organization or anyone else would even think about going after me for it. All this has changed with the DMCA and digital formats. IANAL, but it seems pretty stupid to me that physically hacking a tape I bought is perfectly legal, while digitally doing the same thing in a much less invasive manner to a DVD is not.

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  13. DeCSS Perl Code by Anonymous Coward · · Score: 5, Informative

    #!/usr/bin/perl
    # 472-byte qrpff, Keith Winstein and Marc Horowitz <sipb-iap-dvd@mit.edu>
    # MPEG 2 PS VOB file -> descrambled output on stdout.
    # usage: perl -I <k1>:<k2>:<k3>:<k4>:<k5&gt ; qrpff
    # where k1..k5 are the title key bytes in least to most-significant order

    s''$/=\2048;while(<>){G=29;R=142;if((@a=u nqT="C*",_)[20]&48){D=89;_=unqb24,qT,@
    b=map{ ord qB8,unqb8,qT,_^$a[--D]}@INC;s/...$/1$&/;Q=unqV,qb2 5,_;H=73;O=$b[4]<<9
    |256|$b[3];Q=Q>>8^(P=(E=255)& (Q>>12^Q>>4^Q/8^Q))<<17,O=O>>8^(E&(F=(S=O>>14&7^O)
    ^S*8^S<<6))<<9,_=(map{U=_%16orE^=R^=110&(S=(unqT ,"\xb\ntd\xbz\x14d")[_/16%8]);E
    ^=(72,@z=(64,72,G ^=12*(U-2?0:S&17)),H^=_%64?12:0,@z)[_%8]}(16..271) )[_]^((D>>=8
    )+=P+(~F&E))for@a[128..$#a]}print+qT ,@a}';s/[D-HO-U_]/\$$&/g;s/q/pack+/g;eval

  14. Oh, please. by Selanit · · Score: 4, Insightful
    "all 'copyright' = greed . . . the TRUTH is that there is no LEGITIMATE use of CSS on the first place"
    Copyright is not greed. Copyright is a legal mechanism designed to encourage people to create new works of art and useful inventions. Its purpose is to get people to continue creating new works, by rewarding them for ones they've already made. This is supposed to better society.

    Copyright can be used in a greedy fashion. But kindly keep in mind that most open source and free software licenses, including the GPL, depend on copyright. Those works (the Linux kernel, GCC, Mozilla, libdvdcss, and thousands of others) have been given to the community by their authors without the expectation of monetary compensation. This is a non-greedy use of copyright.

    CSS (and Macrovision, and region coding) is used by the movie industry to attempt to control our movie-watching behavior by dictating where and when and how we can watch movies that we have paid for. That is a legitimate use in the eyes of the industry, though I'll agree that it has been misapplied.

    But those same techniques could be used in good ways; for example to protect your own privacy. Say you have a digital camera, and you make some risque films with your lover. You could then burn those to DVD and use CSS, Macrovision, and region coding to try and make sure that no-one but you and your lover are able to watch those videos. Mind, it probably wouldn't work very well -- the techniques are too well known and too easily broken. You'd be better off encoding it to DivX or Xvid and then encrypting the whole file with PGP.

    Anyway, my point is that copyright and DVD technologies are neutral: it's how they are used that makes them good or bad.
    1. Re:Oh, please. by TrekkieGod · · Score: 4, Insightful
      kindly keep in mind that most open source and free software licenses, including the GPL, depend on copyright.

      Well, kindly keep in mind that the reason the GPL is often referred to as "copyleft" is because there's no reason it should exist if it were not possible to copyright software. It's a manner to fight copyright using its own laws.

      Basically, these "licenses" depend on copyright because it exists, but open source would do very well without them if no other software was copyrighted.

      --

      Warning: Opinions known to be heavily biased.

    2. Re:Oh, please. by Chris_Jefferson · · Score: 4, Insightful
      Well, kindly keep in mind that the reason the GPL is often referred to as "copyleft" is because there's no reason it should exist if it were not possible to copyright software. It's a manner to fight copyright using its own laws.

      I hear this all the time, and it's just not true. If copyright didn't exist, I could take someone else's source code, put it in my product, and then not release the source code to my program. BSD is much closer to "no copyright". The GPL is simply trying to force it's own alternative set of rules on everyone (different, and possibly better than "normal", but still a set of rules) MrJeff

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  15. Public Domain Films by Catiline · · Score: 4, Insightful
    I own a copy of Fritz Lang's Metropolis on a DVD. The film footage of this movie is in the public domain (there was no original audio track). Because this film is CSS encoded, the DMCA makes it a crime for me to copy this film for others (doing so is an illegal violation of the copy protection).

    Could someone please explain to me what good I (as the end consumer) should see in this law? All I see right now is greedy media companies trying to loophole themselves eternal copyrights (or any effective analog) of a sort that independent creators are prevented from sharing that term of protection. They are using otherwise reasonable-sounding arguments -- such as "director's vision" in the case against CleanFlicks or the (now tired) complaint of piracy against Studio 321, and at one time I might have found myself agreeing with those complaints -- but when I realized that they are pushing a campaign for eternal control of media even to the destruction of fair use ("it's not a sale, it's a licensing -- laws reguarding sales do not apply"[link goes to a .PDF]) and that they refuse any middle ground or quid pro quo, those arguments lost all meaning with me. I fear that the DMCA may create a modern, digital stationer's guild, and the thought that the *AA may have exactly that in mind frightens me.