Animated Tron Spoof Coming to UPN
Gudlyf writes "Sci Fi Wire is reporting that executive producers of 'That 70's Show,' Marcy Carsey, Tom Werner and Caryn Mandabach, are doing a CGI-animated midseason replacement show for UPN called 'Game Over,' which is best described as a sitcom spoofing 'Tron.' The show centers on the Smashenburns, an ordinary suburban family who live in an alternate video-game universe inhabited by action heroes, monsters and cartoon characters. Patrick Warburton and Marisa Tomei will be voicing the husband Rip and wife Raquel respectively."
Marisa Tomei/Raquel
Patrick Warburton/Rip
D.L.Hughley/Turbo
Rachel Dratch/Alice
James Sie/Sam Chang
Marie Matiko/Vox
E.G.Dailey/Billy
WRITERS
David Sacks ("The Simpsons"), Ross Venokur,Jason Venokur and David Goetsch
And some pictures here (pdf)
"Hi honey, what's on TV tonight?"
*Rail Gun*
OMG wtf l4m3r, sh0uld4 |)uck3d f4gg0t!
I like big butts and I cannot lie.
UPN All Over Game
UPN announced that it has picked up the computer-animated SF comedy pilot Game Over as a series. The network has given a six-episode midseason order to the Carsey-Werner-Mandabach show, which features the voices of Marisa Tomei and Patrick Warburton.
Written and executive produced by David Sacks, David Goestch, Jason Venokur and Ross Venokur, Game Over centers on the Smashenburns, an ordinary suburban family who live in an alternate video-game universe inhabited by action heroes, monsters and cartoon characters. Also executive producing are CWM's Marcy Carsey, Tom Werner and Caryn Mandabach. In addition to Tomei and Warburton, who will voice Mrs. and Mr. Smashenburn, the voice cast also includes E.G. Daily and Rachel Dratch, who portray their teen kids, and Artie Lange as the family's 300-pound pet creature.
More seriously, perhaps the people in th US are finally realizing that animation isn't just for children. TNN (I think) has also just started airing three new animated shows Ren & Stimpy's Adult Party Cartoon, Gerry the Rat (spelling?), and Stan Lee's Striperella (spelling?). While I'm not a huge Ren & Stimpy fan, all three seem pretty good. Kelsey Grammar's voice acting as a bitter and sarcastic giant rat is pretty good, and there seem to be quite a few running jokes (in just the first two episodes). Additionally, the show is able to deal with issues of race/class/ethanticity/whatever with species standing in for the politically untouchable subject (much as robots do in Futurama). Stripperella is obviously intended to be much more comical, and suceeds in at least two areas. First, the general atmosphere is a throwback to the 1960's batman series (campy villans, secret identities, etc., but no "Biff" or "Baff"). Second, the degree of normalcy that the public persona and the other exotic dancers enjoy is stressed to the point of being funny (or perhaps I'm not ready for porn to be mainstreamed).
Anyway, horay for more animation (that isn't aimed at kids).
Galium Arsenide is the material of the future, and always will be.
i liked this show when it was called reboot
(slowly counts to 20)
-=tonyt=-
Homer: Uh...it's like...did anyone see the movie "Tron"?
Hibbert: No.
Lisa: No.
Marge: No.
Wiggum: No.
Bart: No.
Patty: No.
Wiggum: No.
Ned: No.
Selma: No.
Frink: No.
Lovejoy: No.
Wiggum: Yes. I mean -- um, I mean, no. No, heh.
Did anyone else read an ordinary suburban family who live in an alternate video-game universe and think "So that's what all those ordinary suburban families do nowadays. That's why I never see them about anymore" ?
Panurge has posted for the last time. Thanks for the positive moderations.
we don't get UPN you insensitive clod!
Sigs for Nerds. Sigs that Matter.
"...and Artie Lange as the family's 300-pound pet creature."
Poor Artie.
Yeah, apparently producer Guber (fuckwit to the stars, and the man responsible for the amount of neon in the last two Batman films) really wanys Kutcher, having failed to get him into the Superman job.
Nolan, rightly, thinks this is a fecking horrible idea, and wants his Memento star Guy Pearce for the role. Personally, I think Pearce would make a great Batman - he's got the chin for the suit, while at the same time being able to play a convincing Wayne when out of it. Getting both right at the same time has been a problem with all of the films so far, to some degree.
"I Know You Are But What Am I?"
For the most part, the stations get it. Do NOT align your shows with other stations so that you're vying for the same demographic. This was dilbert's failure, and this is why it tanked.
If / when this Tron-clone show fails, I hope it's not because of their poor choice on where to have it.
/^[A-Z0-9._%+-]+@[A-Z0-9.-]+\.[A-Z]{2,4}$/i
Mel Brooks must be kicking himself.
the major advances in civilization are processes which all but wreck the societies in which they occur - A.N. White
This show is like Tron? How?
In Tron, a video game programmer gets sucked into a virtual world by something called the MCP (forget what that stands for, after all these years), and is forced into gladiatorial games...
And because they both involve video games, this show about the Smashenburns is like Tron?
Is Beevis and Butthead like the Flintstones because they are both cartoons?
Neopets - the best free game on the Int
... was an animated spoof.
Just before I got to slashdot, I finished reading an article on the way people are using Sims to create their own sitcoms. http://www.wired.com/news/print/0,1294,59461,00.ht ml This is truly a way in which animation can be used by the masses for expression. I am sure other products using this concept will soon come in the market and make it a legitimate market.
What is interesting in the Sim's story is how many people are using the characters to deal with many deep issues. Right now it is being done using the Album feature, but for his part, "Wright hopes to incorporate the storytelling as a more prescribed feature in next year's The Sims 2, and would like to find a way to let players use motion in order to make movies. " The unintended use of the album feature as what Wright terms "a tool of self-expression" is an example of a phenomenon known as emergence. Eric Zimmerman, the CEO of gameLab and designer of the Web-based game Sissyfight, says emergent play is among the best parts of game designing.
Players "go to a lot of trouble to get the Sims to do things they don't want to do," Wright says, explaining that players must keep their would-be actors fed, clean, rested and happy before they will even consider playing their parts. "So in that sense, it's almost like they're a director.... It's almost like a real movie shoot." Initially, it was all superheroes all the time. But users quickly began making the albums richer, with multilayered characters and multiple episodes. "It went way beyond my expectations," Wright said. "They were sort of like small novels."
What no one imagined -- least of all The Sims' designers -- was that thousands of players would quickly bypass the album's intended use and instead use it to create dozens of staged snapshots, crafting what can be complex, scripted, multi-episode social commentaries, graphic novels or even movies, as it were, with the Sims starring in the lead roles.
Users' sophistication in the current version continues to impress him, [Wright] particularly given the difficulties of getting Sims to perform the roles required of them.
To see a world in a grain of sand, and then to step back and see the beach where the sand lies
I saw a trailer for Spy Kids 3 recently, and it revolves around some evil virtual reality game called Game Over.
Get off my launchpad!
Somebody tried to do a Star Blazers movie but that got tanked before it ever got to production. I guess not enough people remember it. But then again, they probably would have screwed it up. Just got to http://www.anime.com to get your junkie fix on Star Blazers and BotP.
If telephones are outlawed, then only outlaws will have telephones.
GAME OVER is UPN's new family comedy series featuring the adventures of the suburban Smashenburn family, who just happen to live in an alternate video-game universe. Comprised of offbeat characters who face everyday familial issues, the Smashenburns find unconventional ways to fight, survive and love within this 3-D CGI-animated world of action heroes, monsters and cartoon characters, inspired by the popular genre of video games.
As head of the Smashenburn household, Rip is a hotshot Grand Prix racecar driver who rides and wrecks daily. His feisty and attractive wife, Raquel, is a modern working woman, juggling family and her exhilarating job as gun-toting, monster-fighting Agent Smashenburn. Their son, Billy, is a 13-year-old shallow, but trendy, wannabe hip-hopster, who often argues with his 14-year-old sister, Alice, a cynical yet socially conscious teen. In the family's master plan to form a stronger bond, the Smashenburns attempt to find the perfect pet. Yet they end up with Turbo, a 300-pound talking creature [looks like a carnivorous purple rabbit], whose favorite past times are robbing pawn shops, smoking stogies and creating mayhem -- all with an attitude. The friendly next-door neighbors are the Changs, a family of Kung Fu fighting Shaolin monks, including the attractive Dark Princess, a.k.a. "Mom," and her husband, Sam.
CHARACTER VOICES
Marisa Tomei/Raquel
Patrick Warburton/Rip
D.L.Hughley/Turbo
Rachel Dratch/Alice
James Sie/Sam Chang
Marie Matiko/Vox
E.G.Dailey/Billy
WRITERS
David Sacks ("The Simpsons"), Ross Venokur, Jason Venokur and David Goetsch
EXECUTIVE PRODUCERS
Marcy Carsey, Tom Werner, Caryn Mandabach ("That 70s Show," "Grounded for Life, "3rd Rock From the Sun"), David Sacks ("The Tick"), Jason Venokur ("3rd Rock From the Sun "), David Goetsch, Ross Venokur ("The Tick")
PRODUCTION COMPANY
Carsey-Werner-Mandabach Productions, LLC.
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