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RIAA Obtains Subpoenas Against File Swappers

SniperPuppy writes "Fox News is reporting that the RIAA has secured 871 subpoenas against suspected file swappers, with 75 more being approved each day. Between this, and the latest versions of FreeNet and Kazaa Lite being released, will technology be able to keep traders away from court?" Apparently, just suing the "major offenders" wasn't enough of a warning shot, so now they're going after people who share as few as eight songs. Wait until the RIAA discovers all the stuff that gets posted to Usenet!

57 of 1,046 comments (clear)

  1. Shhh! by Anonymous Coward · · Score: 5, Funny

    You want them to know about Usenet???

  2. Fine by conteXXt · · Score: 5, Funny

    but leave IRC for the rest of us

    --
    The truth about Led Zep should never be told on /. (Karma suicide ensues)
    1. Re:Fine by Mindragon · · Score: 3, Interesting

      It always amazes me when the recording industry sets up a shell game to hide where they get their money. They most certainly don't get their money from the people that they're suing. They must love the publicity that they're getting by trashing students and taking their life savings. In reality, these overpaid, overstuffed and overcredited group of lawyers are paid by companies like Sony, Universal and others on the basis that they are entitled to compensation for the rights of use of their properties. These companies are paid by us every time that we buy a CD or watch or listen to something with their music assets on it.

      Perhaps we should threaten the RIAA's monetary revenue stream by cutting off revenues to the upstream source. Well, it would seem to me that the music listeners and the music creators needs to get together using the internet as a transport tool. About the only way to do that is to setup a website and distribution network that allowed the music listeners to interact with and support the artists. Musicians have been complaining for years that the studios screw them over on a regular basis. Music listeners have been complaining for years that their choices for music have remained unavailable. If a non-profit, public-benefit, independant-reviewed, regularly audited company were to spring into existance, it would change the face of music forever.

      Consider this, musicians need to have a way to connect with their listeners. They do this by creating songs and going on tour to play for their listeners. So, if this non-profit company were to contract with every single artist on the planet to provide this valuable service to their listeners, the RIAA would then be obsolete. Granted, songs created prior to the date that the company signs the artists would still remain in the RIAA's evil graps however, any new songs would remain in the public's hands. In that case, it would remain in the best interest of the public for the music to remain free. We could use the tools that are already available, such as GPL, shareware and freeware to develop the legal structure of the system. In addition, music listeners would be able to interact directly with the artists via the usual internet communication methods of email, forums and chatrooms. Personally, I wouldn't mind paying a subscription to a service that paid the artist directly so that I could listen to the music I wanted and get the new stuff the day it is published by the artist.

      I don't think that the traditional music industry will ever understand what the music listeners are really desiring. They will continue to provide a facless entity that continues to destroy our right to support and interact with our musicians and artists. It is in their best financial interests to do so. The only way to resolve this difference between our interest in listening to music that we like and the musicians interests in creating that music is to provide a system that directly connects the two. This way, our support of the music doesn't pass through a pile of greedy hands, including the RIAA.

      Once a system like this is in place, the court system can then go back to going after real criminals, such as bin Laden, instead of John and Jane Q. Public, whose only crime in life was really liking their favorite musicians. Musicians would have a huge venue through which they can publish their music. And we would have the richness in art that we deserve.

      --
      Just add {In Space!} to anything.
  3. Anyone living abroad by Trigun · · Score: 3, Funny

    Preferably on a small, non-US influenced island someplace warm?
    Want to let a room?

  4. Sue your customer by grennis · · Score: 3, Interesting

    Sounds like they took a page from DirectTV's playbook. And why not? It appears to be working. But how are they going to stop international users?

  5. Question by beacher · · Score: 5, Interesting

    Is it okay to download mp3's of songs that I legitimately own on CD? Can I claim fair use if I own the CD? Can I counter sue?
    -B

    1. Re:Question by arkanes · · Score: 4, Interesting
      mean, for the decades before P2P what do you think people did to hear a song?

      Um, they listented to what the music industry aligarchy wanted them to listen to. Bands without a label couldn't get widespread exposure (there are perhaps a dozen notable exceptions. Not much over the last 50 years).

      This is why the RIAA hates the internet so much, and why they dropped the ball so badly as to allow P2P to start in the first place. If iTunes had been around in 1995, there would have been no Napster. They don't give a shit about piracy (well, now the probably do, it's widespread enough to hurt), because they know all the same things that people post here - people downloading who wouldn't have bought the songs aren't customers. It's the decay of thier distribution network that scares them - if you can hear anything you want on P2P, you don't have to listen to the radio. This means you aren't hearing what the songs they want to hype, and you aren't listening to the commercials for the products they want to sell.

      They did this to themselves, though, so it's pretty hard for me to feel sorry for them.

    2. Re:Question by cpt+kangarooski · · Score: 3, Interesting

      Downloading is copyrignt infringement in that it necessarily causes a copy to be made, and one of the rights that a copyright establishes as exclusive to the copyright holder is reproduction.

      Both the uploader as a distributor and the downloader as a copier are individually breaking the law.

      Merely receiving a copy without making or causing to be made, that copy, isn't possible in the online world. And offline, it could still be construed as contributory infringement perhaps.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    3. Re:Question by dallask · · Score: 4, Interesting

      I'm fairly certain if you asked your radiostation to play local bands they would

      Try it... let me know how that works out for you...

      The last time I tried to get my local band played, I was told that the band wasnt on their playlist, and if he put it on the air, he would get fired....

      Why do you think that your local radio station still plays the same 5 year old songs, stopping only occasionaly to throw in the new stuff? their are THOUSANDS of bands out there who would die for the air time... but their not going to see a second of it.

      but Im rambling now, I need coffee...

      --
      The Code Ninja is swift with his tool, precise in his delivery, and deadly accurate in his execution.
    4. Re:Question by discogravy · · Score: 3, Interesting
      I'm fairly certain if you asked your radiostation to play local bands they would. The whole reason why radiostations are in business is because people listen to the BS they put out. So if people don't complain why change it?

      What's the weather like on your planet? I don't know about you, but Clear Channel Communications owns 99% of all the radio stations I can pick up. The two exceptions in my very large metropolitan city are: NPR and my local University radiostations. I called up my city's "contemporary rock" station and asked the DJ to play an XTC -- any XTC song -- and he laughed at me and said "get real"...so I requested an album track by a band they DO play (Faith No More's "Midlife Crisis", which was released as a single about 10 years ago). He played FNM's "Epic" instead.

      I have never heard some large metal bands on the radio -- Iron Maiden, Judas Priest, Megadeth -- because my city's radio stations don't think it's what their demographic wants to hear. That seems unlikely, but I suppose it's possible that everyone who listens to AOR (a misnomer if there ever was one,) wants to hear the last 3 Red Hot Chili Peppers songs 10 times in two hours.

      People don't complain because "it's always been like that" and they don't get any response when they DO complain. CC effectively owns US radio and they want to appeal to the lowest common denominator, so they will never ever ever play what people WANT but what people WILL TAKE. And people will take almost anything given to them.

  6. They already know by in7ane · · Score: 5, Interesting

    I'm sure they already know about Usenet and IRC and (insert other less prominent distribution methods here). It seems they are more concerned about scaring away the average person (who doesn't even know what Usenet is, or how to operate an IRC client) but just runs Kazaa or another easy to use Windows p2p client.

    It's clear that all piracy can not be stopped - the intent few will always pirate through more obscure networks regardless of the level of litigation, this is just a question of going after the most prominent network with the least tech savvy users.

    1. Re:They already know by tomstdenis · · Score: 3, Interesting

      That and its a hell of alot easier to get songs off WinMX, Kazaa, etc.. than it is off IRC.

      Back in the day I tried to get mp3s via IRC and let me say "in queue, 96 of 115" is a lousy thing to see on dialup.

      If they can get people to fear P2P networks there will be fewer sources for those geeks who feel it's their duty to uphold the network. Fewer sources means fewer songs available which in turn lowers the usefulness of the network.

      Sounds like they figured it out.

      What I can't figure out is Sony is part of this group against piracy but they sell CD-R mp3 players. I guess they assume everyone will mp3'ize their own audio cds? hehehehe.

      Let's see, you can cram about 200 mp3s on a 700MB CD. 200 mp3s [of stuff you want to listen to] amounts to maybe 3 songs per CD. That's 66 CDs. How many 12 year olds have 66 CDs lying around?

      Tom

      --
      Someday, I'll have a real sig.
  7. Right to bear arms and tiranny of the Corps? by Yanna · · Score: 4, Insightful

    You know, I've been reading all morning the other threads over here about citizen's rights to bear arms.

    A pretty good argument is that armed citizens could defend themselves against a tiranny. How is that compatible with the current situation where corporations seem to have totalitarian powers over the US citizens? Granted, these corporations are not the US goverment, but the inaction of said goverment, either speaks of a very high degree of inefficiency or a very ingrained corruption.

    Doesn't this permanent attack of personal rights, erosion of privacy and draconian regulations equate a tiranny?

    1. Re:Right to bear arms and tiranny of the Corps? by anorak52 · · Score: 3, Insightful

      "ingrained corruption"? The *entire* US political system is for-sale, & doesn't even try to pretend otherwise.

    2. Re:Right to bear arms and tiranny of the Corps? by aborchers · · Score: 5, Informative
      Granted, these corporations are not the US goverment, but the inaction of said goverment, either speaks of a very high degree of inefficiency or a very ingrained corruption.


      Inaction? The government is complicit, running a protection racket for the copyright industry. Audio Home Recording Act of 1992, DMCA, and the Sonny Bono Copyright Term Extension Act, are just three of the most obvious bits of tripe to pass the U.S. legislature in the last decade+1, and more legislation is pending now.

      If you are a U.S. citizen, get involved. Write your congressperson and tell him or her it's time to turn copyright protections back into what they were designed to be: a temporary grant of monopoly on the right to reproduce creative works in exchange for an ultimate benefit to the public domain, not a welfare program for multi-billion dollar industries and the great grandchildren of creative people.

      --
      Trouble making decisions? Just flip for it.
    3. Re:Right to bear arms and tiranny of the Corps? by wfrp01 · · Score: 3, Insightful

      I should probably be more specific. I'm speaking in the context of the current conversion - i.e. current IP law is tyrannical. E.G. - software patents, indefinite copyright extensions, goverment granted exchange carrier monopolies, a corrupt FCC, a corrupt ICANN, the DMCA, and on and on and on.

      Normally, I think one would like to let an informed populace, living in a democracy, correct the situation. But what do you do when the laws in question are advocated by and for the media, who's job is to educate the general population? Do you think Time-Warner is going to launch an expose on the harm to the general welfare caused by monopolistic corporations holding title to all manner of so-called "intellectual property" for indefinite periods of time? Don't hold your breath.

      It's a perplexing situation. A situation which by it's very nature indicates the value of p2p, anonymized communication, etc. These technologies are necessary to wrest control of our communications infrastructure from a self-interested oligarchy. Do you really think these people care solely about their patents and copyrights? Or do you see that perhaps they are also attempting to usurp the whole notion of end-to-end communication? The media giants cannot abide the notion that their world may crumble, so they're going to stomp on anyone who threatens to undermine their control of our communications infrastructure.

      That is tyranny.

      --

      --Lawrence Lessig for Congress!
  8. Sorry to say it... by benjiboo · · Score: 4, Insightful

    But from the RIAA's point of view, this is probably the best tactics they could adopt (assuming all PR efforts have gone out of the window.) They will always be one step behind trying to compete on technology, and if they stick to the biggest offenders then this gives the smaller guy the idea that they are safe. As P2P networks are constituted of many smaller traders, worrying those seems to be the most efficient way of making a big impact.

    --
    Vacancy for signature. Apply within.
    1. Re:Sorry to say it... by Anonymous Coward · · Score: 3, Insightful

      The most efficient way to destroy a "black market" (what kazaa et al really are) is to undercut it.

      Seriously, when 80-90 percent of the market at least visits the black market you know you've been very bad. The problem with the black market is that there are lots of "ethically challenged" retailers, so people get inferior products every now and again, which gives virtually every black market a horrendous reputation (just read the other comments).

      They will need to lower prices to, let's say that 5$ price point for a new cd. Make easy unencumbered online distribution a reality on most pc's, as to eliminate the convenience.

      Then "official" sources of music will once again be a more luxurious product than kazaa (which is a freaking bitch to use btw, one can't but conclude the price is a LOT over the top).

  9. Fine. by Valar · · Score: 5, Funny

    If you're going to act like that, see if I ever pirate your music again.

  10. IRC is not a haven by strider3700 · · Score: 3, Interesting

    For all you guys saying IRC is where you'll make your trades, you should know it won't scale and they do monitor it. My buddy received a warning from his ISP that someone had asked he be tracked down due to file sharing on an IRC channel. The kicker is he was sharing and didn't know it, someone had taken over his win 2k box and was running a bot on it to share movies. It's been almost a year so I don't remember the name of the kit but It took about 10 seconds of hunting on google to get info about it once we located it.

    On a related note, I've been running Freenet for awhile, and the new version is pretty good. Although the flood of new people thanks to the slashdot post did slow things down for awhile, it's faster then ever now.

  11. Might not be so bad... by n0nsensical · · Score: 5, Funny

    Many of the subpoenas reviewed by the AP identified songs from the same few artists, including Avril Lavigne, Snoop Dogg and Michael Jackson.

    Well, if they're going to go after people sharing that kind of crap, they can do it all they want for all I care. :-)

  12. OT: Note to moderators by Jon+Abbott · · Score: 3, Insightful

    I think we're going to have a lot more anonymous cowards in these types of discussions now, so please set your threshold lower... :^(

  13. Re:i highly doubt any concrete action. by djeaux · · Score: 5, Interesting
    legal cost of going after individuals is too high.

    This is probably true. But if RIAA can trot enough "criminals" through a legal mill, then they'll be able to justify a bigger surcharge on recordings, blank media, or even internet access. Like the "recording surcharge" already on blank tapes & CDRs, it would go straight to the RIAA coffers.

    And all these surcharges are exactly why folks are downloading instead of buying. Or to quote my 16 yr old daughter, "If new CDs cost five bucks, I'd buy them."

    As for me, if Columbia Records (to use a specific sig-related example) would let me purchase an annual subscription to download Bob Dylan concert recordings on a next day basis, I'd be sending 'em my money today!

    The real problem that the recording industry faces today isn't downloading, it's lack of imagination.

    --
    "Obviously, I'm not an IBM computer any more than I'm an ashtray" (Bob Dylan)
  14. Please? by mrpuffypants · · Score: 4, Interesting

    Dear god I hope that somebody indicted will be a congresman's son or daughter off at college. That's exactly what it'll take for these senators and representatives to call for an "Inquiry" into the legality of filing all these lawsuits and hopefully get some of them overturned.

    My prediction for the future of file swapping? It'll still be big, perhaps even bigger than now. If a company wants to make money then the first step is NOT to piss off people who are already appreciating the fruits of their labor. All people do then is get an even more renegade attitude about it and keep swapping away, anonomously this time

  15. My neighbors by Anonymous Coward · · Score: 5, Funny

    are sure going to wish they had secured that wireless.

  16. Re:Well quite simply... by djeaux · · Score: 5, Informative
    I guarantee that those artists would be more successful in the long run.

    The Grateful Dead were/are a good example of this. While they could be vicious pursuing commercial bootleggers, they would happily sell a fan a "taper ticket" that included a place to plug in & a roped-off area near the soundboard to set up the mike stands.

    Or for true confusion, visit http://www.bobdylan.com ... the website actually features audience-taped songs from recent shows. Of course, Dylan has gone on record several times decrying commercial bootleggers.

    I know there are many other bands & performers that do this kind of thing, but I'm an old mossback & there's about to be a Dylan-Dead tour ;-)

    --
    "Obviously, I'm not an IBM computer any more than I'm an ashtray" (Bob Dylan)
  17. Mega Corporations and their dying business models by Lobsang · · Score: 4, Insightful

    The RIAA is trying to cling to its old business model, when it clearly does not apply to today's technological/economical reality.

    They don't want to stop file-sharing to protect artists. Bullshit! They don't give a rat's ass for the artists. All they want is to protect their business model and, of course, some well paid and obsolete corporate tycoons.

    If they really want to stop piracy, or at least reduce it immensely, here's a recipe: Drop the price of a CD to $3.00. I bet you MP3 file sharing will go down the next day. But then... Ah, how's poor RIAA exec going to pay for his BMW? It's Easier to sue everybody.

    I almost pity the poor bastards. They're dinosaurs fighting against two formidable foes: Time and Technology...

  18. Re:You Can Indeed by AndroidCat · · Score: 4, Insightful
    I saw a nice quote about the Federal court system, but I think it applies to any court system, so I'll mangle it a bit:

    Justice is a vending machine that only takes $10,000 coins, usually a lot of them. And sometimes the chocolate bar still gets stuck.

    --
    One line blog. I hear that they're called Twitters now.
  19. Scary by joepa · · Score: 5, Insightful

    Even if you normally defend the right of the RIAA to try to prevent copywritten music from being stolen, this should seriously scare you if you care anything about your privacy. Just in case there is still anyone who isn't fully aware of this, the RIAA, under the DMCA, is able to file informational subpoenas without the signature of a judge. This particular provision of the DMCA has been unsuccessfully challenged by Verizon in US District Court.

    So, even if you have never downloaded a copywritten mp3, the RIAA (if they wake up one morning and decide that they feel like it) can legally demand information about you from your ISP. Your real name, your address, your phone number, and who knows what else. This, my US citizen friends, is unacceptable. And don't get me wrong, I'm all for the enforcement of the law, but when my privacy can be violated for the sake of finding who the person is that stole the latest Justin Timberlake single so that the RIAA can fine them for between $750 to $150,000, then things have gotten out of hand.

  20. Pay the EFF now, or Pay the RIAA later. by HanzoSan · · Score: 5, Insightful

    Pay EFF

    These are your options. Pick one.

    RIAA

    --
    If you use Linux, please help development of Autopac
    1. Re:Pay the EFF now, or Pay the RIAA later. by koko775 · · Score: 5, Funny

      Because everyone really wants to EFF the RIAA up. :)

      (don't kill me for the bad pun please)

  21. And so it begins. by Lonath · · Score: 3, Interesting

    I knew this would happen months ago. :P The great shakedown starts. If they want to stop P2P, they should destroy particular users. But no, since it's not about the P2P, but about the shakedown, they'll stick to a few thousand bucks per year. Increasing as people refuse to stop P2P.

    If it pisses you off. Never give them money again.This is not a "boycott" which has the overtones of people who are willing to go back to buying once the companies clean up their acts. This is a "lifestyle change" where you realize that they will lie and fuck you over so you never give them money ever again. No matter how much they protest that they've "cleaned up" down the road.

  22. Support Freenet now, or Support the RIAA later. by HanzoSan · · Score: 3, Insightful



    Which do you prefer? Corperate Welfare? Freenet?

    http://freenetproject.org/

    Options are limited, you are a slave to the RIAA, or you support freenet.

    --
    If you use Linux, please help development of Autopac
  23. Collusion - RIAA + AOL by Remik · · Score: 5, Insightful

    "There were no subpoenas on file sent to AOL Time Warner Inc., the nation's largest Internet provider and also parent company of Warner Music Group."

    Ridiculous. The largest ISP doesn't get a single notice, while Verizon, the only ISP with enough backbone to fight for their customers, gets over 100. The RIAA is selectively punishing those who don't use AOL, because members of AOL put money in the pockets of RIAA members.

    -R

  24. So what's the problem? by Cereal+Box · · Score: 4, Insightful

    Now the RIAA is targeting copyright infringers and not the tools themselves. What's the problem? Isn't that what they're supposed to do? Does this somehow prevent you from sharing non-copyrighted files over P2P (which, as we all know, is the "primary" use of P2P)?

    I mean, I just don't understand this mentality. Why do you feel like you're entitled to redistribute the copyrighted works of others? Why? When did this become a right? I can kind of understand downloading an MP3 of something you already own IF you can be sure it came from the copy of the album you own (i.e., none of this, "I bought the vinyl, now I'm entitled to the higher quality CD version" crap), but sharing the file to millions of people? I don't remember that being part of "Fair use".

    Simple solution: stop sharing copyrighted materials over P2P. If P2P really is this wonderful tool for sharing Redhat ISOs and MP3s of lame garage bands, then put your money where you mouth is. Don't share anything copyrighted, don't download anything copyrighted, and fully support the RIAA and MPAA when they go after people that do either. No one has gone to jail or ever will for sharing non-copyrighted materials. There might be cases here and there of people getting hassled over misunderstandings (that professor who had "Usher" in his MP3 filenames), but no one is going to get charged with anything if they really are on the up and up.

    1. Re:So what's the problem? by Jester99 · · Score: 4, Interesting

      I mean, I just don't understand this mentality

      Okay. They're going after the users, not the toolmakers. This is good. However, I'm still outraged for a few main reasons.

      1. The max penalty is $150,000 per song. Had you stolen a CD from a store, would you be charged $2,250,000 (assuming that there are fifteen tracks on a CD, not unreasonable)? Any store would be laughed out of court if they wanted 2 and a quarter million dollars in damages for a single CD. However, the RIAA gets away with it.

      2. The use of the DMCA outrages me. It's a violation of basic constitutional rights, like due process. They can subpoena you without a court order. They can force an injunction merely by notifying you -- they don't need to prove you guilty of something, merely suppose it. That's damned dangerous.

      3. There are legitimate uses for P2P. If, indeed, I've performed "copyright infringement," by downloading music, then that means that I've violated a license to listen to that music. That means that buying a CD isn't buying a specially pressed piece of plastic -- it's buying a license to listen to certain music. That means I'm legally justified in downloading MP3s of the songs I own on CD. And often times, I misplace CDs. So I feel totally fine about downloading MP3s of those CDs. However, if the RIAA saw me doing this, they'd slap me with a lawsuit. And then I'd have to waste thousands of dollars on legal fees proving that what I was doing wasn't illegal. And that unnerves me. I mean, you steal a CD from a music store, and lights flash, alarms go off, etc. It's pretty clear-cut as to who's stealing music and who's walking away with it legitimately. But the possibility for false positives on illegality for P2P makes it far less justified to just "shotgun" off lawsuits, especially to only casual users.

      4. A democracy is made up of the general will of the populace. MILLIONS of people in the country share files (lets save the debate about whether it's sharing or theft or whatever for another time. It's just the verb I'm using). Most of these people are college students and people in their twenties. These are the future of America. The RIAA is what, two hundred 50-year-old lawyers with a giant bank account?

      The government should be responding to how people act en masse. Copyright is a civil granted right -- it's not a natural right. That means the people can revoke it. (As opposed to your right to life, to not be beaten up on the street, etc.) And if millions of private citizens are acting in concert in a manner contradictory to how current copyright law acts, well, it's time to change the law.

      5. No one has gone to jail or ever will for sharing non-copyrighted materials

      Tell that to Dmitri Sklyarov.

  25. Re:I don't get it... by Anonymous+Brave+Guy · · Score: 4, Insightful
    First of all, why is illegal to make songs available for download? There are legitimate reasons copyrighted material could be made available for download.

    Sure, and there are legitimate reasons for P2P that don't involve illegally trading material subject to copyright. But everyone knows (and I defy anyone to claim otherwise) that the vast, vast majority of P2P use if for this purpose. Contrary to what many here may believe, the courts aren't stupid or naive. If a technology is being abused by 99.99% of its users, they're not going to accept "But it has legitimate uses!" as a black and white defence without something a bit more convincing to back it up.

    Second, isn't it legal for me to download music if I already own it? For example, I have quite a few record albums. Let's say I get a hankering for ELO's Time. I have it on vinyl but I don't have a record player. Can't I seek out and download cuts from that album legally?

    I would strongly suggest that you don't ask for legal advice on Slashdot. As I've just noted in another post, plenty of people will give you their "informed" opinion, probably modded up to +5 by those who agree with it. Unfortunately, as the EULA fiasco shows, "informed" Slashdot opinion frequently disagrees with the opinion of a court, and guess who wins in that case. :-/

    My personal take, from a common sense perspective rather than a legal one, is that if both the source and the sink know damn well that they're involved in making an illegal copy of material, they should both be liable to penalties for copyright infringement. If only one party knows, and the other is innocent, then only the guilty party should be subject to penalties, though the other might be legally compelled to erase any copies they made without knowing. To my mind, fair reasons a party might be innocent include:

    • they provided the material involuntarily after their server was cracked
    • they downloaded a file they reasonably believed was legal, perhaps because it was supplied by a local band with a publicised policy of giving it away.

    I'd like to think the current legal system reflected that, and I suspect that sooner or later case law will come down to something along these lines. But I certainly wouldn't claim that this is how the law is today, because I don't know, and neither do most other people posting here.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  26. The RIAA is finally getting to grips with this by groomed · · Score: 5, Insightful

    I'm wondering why such a fuss is being made about this. If you illegally distribute copyrighted material you are liable for damages. The damages are real. They aren't as big as the RIAA makes them out to be, but they are real nevertheless. Privacy and grandiose interpretations of the First Amendment have nothing to do with it. Nobody is entitled to do stuff that is not legal.

    All the people who think the RIAA is trying to protect an outdated business model and should just fall over and die need to take a good look at their own morals. Just because their business model is outdated (is it?) doesn't mean you can take the law into your own hands. What's more, the model isn't outdated at all. The musical horizons of most of you would not extend beyond playing the banjo if it wasn't for the RIAA.

    The people who think technology will solve this problem need to think again. There will always be ways to illegally exchange copyrighted materials. But there won't be some kind of Uber-P2P app that destroys the RIAA in one fell swoop, with kissing and credits. Reliable, Cheap, Mass-appeal: pick one-and-a-half.

    Some people seem to think it's more of a social dynamic. The cat's out of the bag, can't put the genie back into the bottle, so much for Pandora's box. They think nothing of sharing music. It's just a natural thing to do, and since so many people are doing it, everybody else will just have to adapt. It's the mob mentality: democracy at its very worst. These people talk about freedom and individuality, but they seek cover behind the anonymity provided by the mob. Even if that anonymity is just an illusion, like it is on the Internet.

    What the RIAA is doing now is exactly what they should be doing. They are not demonizing any particular technology. They are not pushing for overly broad and vague laws. They are simply tracking copyright violations. If you don't like that idea, then stop violating copyright. It's really simple.

    Personally, I couldn't care less. Sometimes I'll grab a few tunes off Gnutella or Usenet, or post a few albums. But I've stopped telling myself that file sharing will dramatically change the way the music industry works. If anything, it is the other way around: the music industry will do more to change the computing industry than vice versa.

    Besides, I like to go outside and browse in the record store. It's not so bad.

  27. NOTE TO RIAA by CrudPuppy · · Score: 5, Interesting

    You simply don't get it. Your time is OVER. People like me now boycott buying CDs altogether because we see that YOU are the biggest crooks in this picture.

    The ONLY people we care about are the artists, and while your endless speeches talk about how music pirates are hurting artists, we KNOW that the only people we are hurting are the labels.

    You, the labels, are the fucking hypocrite here. You shamelessly abuse the people we actually DO care about (the artists) and then sue US for hurting the artists??? Maybe you have forgotten, but WE ARE YOUR ONLY SOURCE OF INCOME.

    Enjoy your BMWs and Mercedes while you have them, because the second there's a way to cut you and your friends out of this picture, we will do it, and I will then start buying music again because I, unlike you, actually DO care about the artists.

    Rot in hell in the meantime.

    --
    A year spent in artificial intelligence is enough to make one believe in God.
  28. Stop being a crybaby and pay for the damned music. by HanzoSan · · Score: 4, Funny



    You are robbing millions of musicians who wouldnt make a penny before you started stealing music.

    You are robbing rich CEOs who desperately need your money to buy their new set of houses and car collection

    You are robbing millions of tax payers who will be forced to bailout the RIAA when the RIAA forces Bush to give them 20-30 billion dollars of your tax dollars.

    Just give them the money. Or do you want them to steal it?

    --
    If you use Linux, please help development of Autopac
  29. Clerks office "more like a clearing house" by mrtaco01 · · Score: 4, Insightful

    Two items in this article worried me a little: "The RIAA's subpoenas are so prolific that the U.S. District Court in Washington, already suffering staff shortages, has been forced to reassign employees from elsewhere in the clerk's office to help process paperwork, said Angela Caesar-Mobley, the clerk's operations manager." and: "A spokeswoman for the Administrative Office of the U.S. Courts said the clerk's office here was "functioning more like a clearing house, issuing subpoenas for all over the country." Any civil lawsuits would likely be transferred to a different jurisdiction, spokeswoman Karen Redmond said." Here the RIAA is overloading the D.C. District Court to the point they need to transfer people, which leaves other staffs shorthanded, which slows down other (more important) aspects of the Clerk's office - Such as dealing with REAL criminal cases. Oh, and not to mention these clerks are likely working more than normal. So the RIAA has already stuck it to us all by even filing for subpoenas. Our tax dollars pay for those clerks who are doing the RIAA's bidding. Isn't it nice to know even when we dont want to help the RIAA, we are?

  30. Links to tens of thousands of legal MP3 downloads by MichaelCrawford · · Score: 4, Informative
    You don't need to worry about getting sued by the RIAA or arrested by the FBI if you download legal music. Many indie (unsigned) musicians offer downloads of their music in hopes of attracting more fans - here's mine and my friends The Divine Maggees.

    If everyone started downloading legal music instead, we would make short work of the RIAA, because people would start buying CDs from indie bands, and seeing their shows, instead of enriching the major labels every time you buy a Britney or New Kids CD. The RIAA would also have no cause to complain - these music downloads are not copyright violations because the artists give you permission to download them.

    Probably the best known site for downloading MP3s is of course MP3.com . See especially their genre index . Click the link. You will be quite astounded at how many genres there are.

    Unfortunately the website usability of MP3.com is atrocious, and their streaming audio seems to be buggy - I can't get it to work in either Explorer or Mozilla. To get an MP3 file to download to your hard drive, you have to register, which I'm sure will result in merciless spamming. May I suggest registering with a throwaway email address from spamgourmet ?

    The Open Directory Project has Bands and Artists and Styles indices. Not all the artists offer downloads, but the site says they list 48,000 artists and I imagine many of them offer downloads.

    There are better sites for hosting MP3s than MP3.com. Some of them allow you to buy the band's CD from the same page as the MP3 download. Among them are The Internet Underground Music Archives, CDBaby, Epitonic.com, Lulu, SoundClick, Matador Records and insound .

    Monotonik provides BitTorrents with zip files containing 60 to 100 MP3s apiece available here.

    If you prefer the higher quality, patent-free Ogg Vorbis files you can find several download sites here . Ogg Vorbis players are available for many platforms - WinAmp will play them on Windows, and I understand iTunes on Mac OS X supports Ogg now. There are open source Linux ogg players and encoders, even an open source fixed-point decoders for embedded applications where the CPU doesn't have floating point hardware.

    There are also peer-to-peer applications for distributing legal music. See Furthur Network and konspire[2b] .

    Unfortunately, musicians are often not very good website designers, so poor usability is a significant obstacle to getting music directly from artists' websites. If you're a musician, and you'd like to know how you can improve your website so more people will download your music, please read my article If Indie Musicians Wanted Their Music Heard....

    Finally, there is the problem of finding the music that's actually worth listening to. The labels do serve the (somewhat) legitimate purpose of picking out the good from the bad. But we can do that ourselves with legal downloads by using collaborative filtering, for example by downloading our music with iRATE, which you'll find at

    --
    Request your free CD of my piano music.
  31. Someones bound to stand up by Zed2K · · Score: 3, Insightful

    Out of the 800 some subpoenas filed. Someone in that ever growing group is bound to have enough money or know someone famous that will assist and help them stand up for themselves. Unfortunately most of the people are probably high school or college kids or people just trying to get by in life. If I were in the group and forced to settle, part of the settlement agreement would have to be that I'm allowed to talk about what happened to me in public. Embarrass the hell out of the RIAA. Go on as many talk shows and radio shows as possible. If they can't fight them in the courts then use the media.

  32. Here's a solution by smagruder · · Score: 3, Interesting

    Use meetup.com (or an equivalent) to host local CD-ripping parties on a monthly basis. Let's see the RIAA stop that.

    --
    Steve Magruder, Metro Foodist
  33. Illegal becomes legal if YOU change it by Quizo69 · · Score: 3, Insightful

    As most people currently acknowledge (if only grudgingly), wanton copying of songs is, whilst not immoral, certainly illegal in the eyes of the law. The answer to this phenomenon of music downloading isn't encrypted filetrading etc, but MAKING IT LEGAL.

    As a recent example that comes to mind, look at the overturning of the sodomy laws in a few US states that still had them on the books. On the day prior to the overturn you could have been arrested for having sex with your gay significant other, however one day later and you were LEGALLY able to do so without fear of arrest.

    Did the morality of the situation magically change overnight? No, of course not. What changed was that society at large recognised that the legality didn't gel with the morality, and therefore overturned the law itself because it was not considered to be of "benefit" to society any more (it never was IMHO).

    So should it be for copyright law in the digital age, where information can be easily copied for near zero cost (other than buying hard drives etc).

    I am reminded of another good example, though fictional at this time, of matter replicators as seen on Star Trek et al. If we could download the recipe for a meal and replicate it, should that be deemed illegal, or should we end world hunger virtually overnight?

    If it is accurate that most (>50%) people download music then we should overturn the whole concept of copyright, move with the times, get rid of outdated business models (distribution monopoly through artificial scarcity) and start over. Society should base laws on accepted morality, not corporate buyoffs of laws paid to politicians.

    Finally I just want to say this:

    Listening to a song on the radio is legal. Time-shifting a recording for viewing or listening later is legal. But if I download that same recording from P2P to time-shift my listening to when I want to listen to it instead of when some DJ decided it was time to listen it, suddenly I'm a criminal. What the fsck???

    (The answer of course, is that by stripping out the ads the radio station can't sell their advertisers the audience. Yes, YOU are the PRODUCT being sold BY radio stations TO advertisers. It destroys yet another outdated business model. Middle-man based industries are the ones dying off, and it is these industries that are now paying off the politicians to keep themselves in control that little bit longer until they can cash out.)

    Quizo69

  34. what they should have been doing all along by doce · · Score: 4, Insightful

    honestly, this is exactly what the RIAA should have been doing all along. going after the networks themselves was futile - with the demise of Napster came the advent of AudioGalaxy, then Gnutella, then Kazaa (with a couple of others omitted out of laziness on my part). most have fallen like dominoes, only to be replaced by progressively less centralized networks.

    shutting down the networks is akin to closing a road just because people speed and suing the contractor that built the road. cities, though, have to bitchslap those who are actually breaking the law. siren, lights, ticket, court date.

    and that's just what the RIAA is learning now. they can go after the networks all they want, but as long as the end users feel immune from harm for their trafficking, another network will spring up in its place. by going after the actual swappers, the RIAA is finally going to make a dent in its little problem here.

    argue about the inequality of the music industry, its uneven balance away from the artists themselves, the unfairness of the current copyright schema, and all that jazz... but that's the way the world turns today. the consumers are not going to instigate change in the music industry - the balance will favor the artists only when the artists start standing up for themselves. and truly, if the balance were that unfair you'd see that happening.

    laws are another matter, but the same necessity. just like the musicians need to stand up and wrestle back some control over their art, the American people need to stand up and wrestle their government back from corporate interests.

    the whining that goes on in here and around the net is disappointing. we know what the current regime is. we know what the consequences are. unfair or not, we shouldn't act surprised when you get caught.

    --
    woof!
  35. Re:Stop being a crybaby and pay for the damned mus by Catbeller · · Score: 5, Insightful

    You own the physical objects -- the negatives, the paper photographs themselves. You are granted the right, for a limited time, to grant licenses to copy those images.

    BUT -- you do not own the images. The images are not property. A copy of the image is not theft, for you do not own the image.

    IF someone steals your physical property, theft is committed. If someone copies the photos, it is a copyright violation, which is a civil offense which should carry no criminal penalties, only monetary ones as determinted by a court.

    I know it is common for artists and corporations to think that ideas or words or images are their property. But those things are not property.

    Copyright was instituted to insure that, for a limited time, creators of new art could receive money for their work, *in order to increase the body of art and knowledge for all*. The idea was not to create a new body of property. Copyright exists to reward effort, for a limited time, and then, *the ideas or art are released for the good of all*.

    The U.S. for most of its history refused to honor the copyrights of any other nation, much less consider such as property. Only in the 20th century did the idea of "intellectual property" arise. It is a new idea, a meme that could eventually retard science, medicine, art, politics, teaching, the list is endless.

    One of the first proponents of "IP" on the net was Scientology, who initiated the first IP lawsuits against netizens back in the early '90's. The cult wanted to stop ex-members from talking about what they had been told, what they had read, based on the idea that the cult "owned" all that information as a trade secret. They've been the major backer of the DMCA and the new copyright police state.

    You can't own patterns of information, which is what content actually is. But a new regime in the U.S. wants to create this new law, and they are getting away with it by selling the idea that they are protecting artists.

    They aren't. Artists have historically been robbed, in payments for books, TV, music, movies, you name it. Artists who want to view their work as property are actually selling their souls to immortal corporations which will actually own the works in perpetuity.

    Viewing artistic works as property will ruin the artists themselves. Keep copyright laws as they should be: don't give the major corportate powers the ability to acquire ownership of all the works of man -- for all eternity.

  36. Here's another one. by DesScorp · · Score: 4, Insightful

    "These are your options. Pick one"

    Here's another one. Don't break the law. The courts don't give a damn what you think about music or the RIAA. You can think music should be free all you want. That isn't going to change the fact that someone else has the copyright to it, not you. And despite the wailing and gnashing of teeth here, last time I checked, there was no right to copyright infringement of any kind. Just because it's cheap, and easy, and it's music doesn't get you an exemption in the eyes of the law. And don't scream fair use at me either. Distributing a song to 100,000 of your closest friends on KaZaa isn't fair use.

    Oh, and I seem to recall most of Slashdot's posters saying "Go after the infringers, not the technology!"

    Well, looks like they called the bluff. Now that they're actualy suing individuals, the tune around here seems to have changed.

    --
    Life is hard, and the world is cruel
    1. Re:Here's another one. by AftanGustur · · Score: 3, Interesting


      Here's another one. Don't break the law.

      RIAA is after money, and whatever you are doing will become illegal unless you do something about it..

      Sad but true ..

      --
      echo '[q]sa[ln0=aln80~Psnlbx]16isb572CCB9AE9DB03273snlbxq' |dc
  37. Re:Stop being a crybaby and pay for the damned mus by meta-monkey · · Score: 5, Insightful

    Oh, I fully agree. I'm very upset with the state of copyrights. I mean, what is it now, like 70 years after the life of the original author? Essentially, nothing recorded in the 20th century will ever see the light of day again.

    Like I said, I'm a photographer. I do a lot of weddings, and one of the services I like to offer my brides is to put their wedding photos in a slideshow on a DVD, set to music. Makes it really easy to show all their friends and family their photos, because you can just drop the disc in the player, and show it to everybody on the big screen.

    Well, at first I thought I would like to put big-name songs on the DVD to go along with their photos. So I call up ASCAP, who manages the copyrights for just about every artist out there, and asked how much it would be to sync some big-name songs to my photos. I wanted to make about three copies of the DVD (one for the couple, and one for each set of parents). Try $50/song. Right...I'm only charging like $300 for the service as it is, and it takes a couple hours to set up one of these DVDs.

    Wouldn't it be great if copyrights were still 17 years? Then I would access to everything produced before 1985. That would be an enormous library of music in the public domain to choose from. Now, though, thanks to Disney, I can't get my hands on anything after like 1920. The real crime is that most anything that old isn't making money anymore these days anyway. They've locked out all the music from the 30s, the 40s, the 50s...even though probably less than 2% of music from those eras is still making any money these days.

    Disney got rich off the public domain in the first place. Snow White was a Brothers Grimm tale, wasn't it? Cinderella was a Chinese fairy tale (with magic fish instead of a fairy god mother). Tarzan? Public domain. The Hunchback of Notre Dame? I doubt they paid Victor Hugo anything. Little Mermaid? Thanks Hans! Disney raided the public domain gold mine of the 19th century, but they'll be damned if you can do the same for their creations of the 20th.

    Sorry for the rant...just pisses me off that I have to use crappy public domain music, or compose it myself...which actually isn't that bad with Apple's Soundtrack that comes with Final Cut Pro 4.

    --
    We don't have a state-run media we have a media-run state.
  38. Bad "Conspiracy" Feeling about this by bluesangria · · Score: 4, Interesting
    From the article:

    There were no subpoenas on file sent to AOL Time Warner Inc., the nation's largest Internet provider and also parent company of Warner Music Group. Earthlink Inc., another of the largest Internet providers, said it has received only three new subpoenas.

    Doesn't it strike anyone else as *amazing* that the LARGEST Internet Service Provider in the nation does not have ANY subscribers being sued?????
    HOW are they deciding which filesharers to sue? Surely there must be several thousand AOL'ers sharing mp3 files. Are they overlooked because they share through IM or what???

    My paranoia is telling me the RIAA is being used an an underhanded strongarm technique to consolidate ISP's. Chase away one ISP's customers by suing them, and likely they will change ISP's as well.....

    *mumbles* gotta stop watching too much TV....

    blue

  39. Horseshit by alizard · · Score: 5, Insightful
    File swapping on P2P is simply distributing the same tracks that the record labels PAY radio stations to broadcast to the public on the dime of the public itself.

    128K MP3s are promotional goods of NO commercial value outside their use in getting people to buy the real products, which are CDs and better than broadcast quality digital tracks. no moral or ethical issues here, other than the question of "why are people giving the record labels free bandwidth and promotional exposure?" Only RIAA propaganda says their is some. You can't believe everything coming out of your TV set.

    Piracy has NOTHING to do with this, otherwise the RIAA would be spending their lobbying bucks on getting Congress to pressure foriegn governments into closing down bootleg CD PRESSING PLANTS pumping out bogus RIAA member content by the millions of copies.

    This is about control. It isn't that the record companies mind us paying to distribute their content. It's that you and I have the same access to P2P channels to distribute our own material that they do, and they fear that they can't play on a level playing field even with billions in budgets and exclusive control over radio and major venue concert distribution.

    Illegal? Certainly. But only because they bought and paid for politicians to make it so. The law said "swap audio on analog tape = legal, swap audio as broadcast-quality digital files - go to jail."

    Your parents swapped audio tapes with ultimately, the blessing of the RIAA. Tape swapping got the word out and ultimately turned the Grateful Dead and ironically, Metallica into successes.

    The record industry doesn't want it to be possible for musicians to succeed outside their system.

    Not that it's a bad idea to stop uploading RIAA member tracks to P2P. They don't deserve distribution help. They deserve oblivion.

    You really want to hurt the RIAA member labels?

    If you just stop buying, they'll blame piracy and buy worse laws. Want Palladium made compulsory?

    Just take every dollar you spend on entertainment and spend it on independent musicians. Go to their gigs, buy their records.

    When the CEOs of the multinationals that own the RIAA labels find that the only record labels that are increasing profits are ones not affiliated with the RIAA or their lobbyists, the whines about piracy from label CEOs will cease to be accepted as excuses.

    Their next logical move is to dump the brands the major CEOs have irretreveably tainted in the public eye. Their new investors will be buying catalogues and artists contracts, why would they be picking up the contracts of the management that destroyed their own companies?

    Perhaps the new "Big 5" will be Apple, HP, Microsoft, Dell, and IBM.

    Does this mean that music won't be run by fuckheads? No, but at least the fuckheads running the new music industry will live in the same world the rest of us do.

  40. If you get sued by Pettifogger · · Score: 4, Informative
    Since the RIAA is filing a lot of actions now, here's a little bit of advice for anyone who gets sued.

    First, *YOU DO NOT NEED TO HIRE AN ATTORNEY*, you are entitled to represent yourself. And you should.

    Second, the Courts tend to give leniency to pro se parties. This means the laws of evidence aren't quite as strictly enforced and you can get away with a lot of stuff attorneys can't. Believe me, I know.

    Third, there are few things attorneys hate more than dealing with pro se litigants. You never know what's going to turn up and whether or not the judge might allow it because he/she feels sorry for the pro se guy.

    Fourth, this gives you the opportunity to create a circus atmosphere. Invite the media. Make angry speeches. Just go nuts.

    Now, if the RIAA wants 5,000 cases like what I described above, their attorneys will literally tear their hair out. A lot of them will quit, a lot of them will boost their fees, and a lot of them are going to be pissed off at the RIAA for giving them such a headache.

    DO NOT ROLL OVER AND SETTLE. FIGHT FIGHT FIGHT! If enough people respond this way, the RIAA will lose, and it will lose in a very, very ugly way. Don't think you need an expensive legal team to give them a problem. You, yourself, with $15 of copies at Kinko's can literally shove their crap back up the orifice it came from.

    If you think I know not of what I speak, check my sig....

    --

    IAAL

    1. Re:If you get sued by mbstone · · Score: 4, Informative

      The above advice is incrediable coming from a lawyer. People who get sued need to file and serve the other party with responsive papers immediately so they don't lose by default.

      The papers have to be done exactly the right way or 1) the court clerk won't file them or 2) you could inadvertently waive the right to raise certain legal arguments. It's not all that easy to file responsive pleadings as a lawyer, let alone someone who is under the stress of a lawsuit filed by a big law firm and who is attempting to act as his or her own lawyer.

      If you get sued, call a lawyer and make an appointment. We don't bite and usually there is only a small or no charge for an initial consultation.

      If somebody showed up in my office with one of these, I would look at ways to possibly countersue RIAA or whomever and make some money on the deal for both of us.

      IAAAL. This post is not legal advice for your specific situation or jurisdiction, and it is not a solicitation for legal services.

  41. Re:Ahem...Freenet! by austad · · Score: 3, Informative

    Actually, just because the data is coming from a certain IP does not mean that's where the actual file is coming from. Freenet essentially builds itself a large private encrypted network, with each node storing data, and routing traffic coming from other places. There's no way to prove the file came from a particular machine because the data in the store is all encrypted, it could have simply been routing it.

    You wanna argue that if you route that traffic then you're liable?? Then you'll have to also argue that service providers are liable also since that data is passing through their systems.

    --
    Need Free Juniper/NetScreen Support? JuniperForum
  42. The ARTISTS pay for radio time, not the labels! by Fefe · · Score: 3, Informative

    The labels give the music to the radios but bill the artists for it. The artists also foot the bill for the rest of the promotion stuff, like ads in magazines.

    This is part of the reason why only a handful of the very successful artists actually make money.

    The labels are a sort of specialized bank, giving a lot of money to artists (well, not actually giving it to the artists, but spending it on behalf of the artists, and then billing the artists for it).

  43. Re:Does Freenet actually work? by Famatra · · Score: 3, Informative

    A lot of the Freenet tools can be located here:

    http://freenet.sourceforge.net/index.php?page=tool s

    Fuqid is hosted on Freenet, if you Freenet installed click the link above.

    Another good trick is to use Freenet to add high bandwidth content (like Mp3s) to your websites