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Build Your Own Steadicam
John Jorsett writes "Always wanted to film one of those cool 'walking' sequences, where the camera stays rock-steady as you trudge along? Well, so did Johnny Chung Lee, except he didn't want to lay out major cash for a professional Steadicam rig, so he built his own for $14. He further claims you can do it in about 20 minutes if you know what you're doing. What more could a cheap, impatient Spielberg wannabe ask for?"
I stumbled upon this site about a year ago and, being an ametur filmmaker, decided to give it a try. The parts were cheap and it really was quite easy to put together. But don't expect it to be perfect. It takes a little while to get the feel of it, and even then you won't be getting perfectly steady shots while running quickly. But for the price, it's tough to beat.
more links and such.
memepool
Saw this in RES magazine last year. Built one in under 30 mintues and with exactly $16 worth of parts. It actually works too, though you do have to practice with it to get good at controling your own body movement. Also, I reccomend making the lower section about 50% longer than the upper section to further even out movement.
The smooth rooftop pan from Expiration was filmed with a motorised base made from Lego.
Good film btw.
I was able to load the site, and printed a copy to PDF. Download it here! (right-click, save as)
The $14 Steadycam
Homestarrunner.net -- It's Dot Com!
Steadycam does: the Steadycam Jr. It even has an external LCD monitor.
The 14$ thingy is pure crap...
if you want some real inspiration check out the following websites:
http://homebuiltstabilizers.com/
The original site for all your home built video needs
http://pub173.ezboard.com/bhomebuiltstabilizers
Discussion forum full of lots of useful information
http://www.codydeegan.com/
Might take a bit more effort, but the results are incredible. Cody's plans are awesome, and I would gladly purchase them again.
With the exception of the Steadicam JR, most Steadicams have a body harness. That makes them much more stable than using you hand.
This is really more similiar to a lower end Glidecam stabilizer (even this is floating).
There are also some rather cheap alternatives out there to make a camcorder smoother.
Granted this is significantly cheaper to make than these products, but from my experience anything that is handheld doesn't work as well as the bodyrigs. Personally, I'd rather just do it by hand alone.
You also might want to check out a relatively cheap jib too.
CitrusTV (http://www.citrustv.net): the Nation's Oldest & Largest Entirely Student-Run Television Station
I saw a documentary about Garrett Brown, and it showed his various prototype stages. The original one looked exactly like this - a length of pipe. The second one was more like a pantograph to try to keep the camera level. Then he added the seperate handle connected to the upright portion wih a gimbal. The rest of the development was on the counter-balance arm and the vest. All of this was necessary because Brown was building these for 35mm film cameras.
If you're looking to improve this design, the things I'd look at are: a gimbal, so allow the operator to hold the unit more comfortably and lightly, and avoid transferring hand motion to the camera; a sliding mount at the top, to allow the camera's balance to be shifted forward and back to tilt up or down.
The Steadycam JR Lite is a great one to look at. It was designed by the great Frogdesign studio (the NeXT cube). The camera sits on top of a slide, and right on top of the gimbal and handle. The arm is divided into two parts at a 90 degree angle, connected to the slide at 45 degrees. And the whole thing folds up. It's a wonderfully slick design - and obscenely overpriced.
"How perfectly Goddamn delightful it all is, to be sure" Charles Crumb
A monopod with a handle isn't a steadycam. Steadycam uses gimbals, springs and a bodymount to basically put a shock absorber between you and the camera.
All this does is add more weight - which will help you hold your modern teeny-tiny camera steady, but's that's far cry from being able to hold the camera still while you jog up the Art Museum steps.
Clear, Dark Skies
How? I thought you could do ANYTHING with duct tape?
Some of my friends cling to the notion that the two greatest things in this world are duct tape and Gold Bond.
Blake
explain how this isn't a tripod on wheels with a weight attached?
Simple: It's not a tripod, and it has no wheels.
At best, you could call it a monopod, but even then, it's meant to be carried, it doesn't rest on the ground. So I guess it's a nonopod.
What it really is is a stick with a weight attached. The weight steadies the camera from sudden jerks, simply due to it's own inertia. It still relies on the camera guy to have a fairly steady hand, this just "takes the edge off" of the shakiness, so to speak.