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Alternatives To The INDUCE Act

The Importance of writes "The INDUCE Act, which has been discussed many times previously, will likely be getting a lot more attention thanks to the recent Grokster decision. The Register of Copyrights, who thinks the Betamax decision should be overturned, is supposed to come up with a consensus fix to the current language of the bill by Sept. 7. So, various people are proposing alternative solutions to the INDUCE Act. C|Net reports on one coalition's version [PDF] [HTML]. However, there are also versions by Prof. Tim Wu [PDF] [HTML], IEEE-USA [PDF] [HTML] and Ernie Miller [HTML]." Read more below about the proposed "Don't Induce" act.

Iphtashu Fitz writes "The 'Don't Induce Act' proposes that only someone who distributes a commercial computer program that is 'specifically designed' for wide-scale piracy on digital networks could be held liable for copyright violations. The proposal includes three requirements that must be met before a software distributor can be found liable: The 'predominant' use of the program must be the mass, indiscriminate infringing redistribution of copyrighted works; the 'commercial viability of the computer program' must depend on revenue derived from piracy; and the software distributor must have 'undertaken conscious, recurring, persistent and deliberate acts' to encourage copyright infringement. No surprise that the MPAA and RIAA are opposed to this 'watered down' bill. MPAA vice president Fritz Attaway showed his organizations true colors by stating that the Don't Induce Act was so narrowly drafted it would be impossible to use it to shutter even operators of peer-to-peer networks."

50 of 178 comments (clear)

  1. Dear Mr. Attaway by Anonymous Coward · · Score: 5, Interesting

    You oppose the Don't Induce Act, because it is "so narrowly drafted it would be impossible to use it to shutter even operators of peer-to-peer networks."
    Now this may come as a surprise to you but this exactly is the purpose of this Act.

    This may even further surprise you but there are other uses for modern means of communication (e.g. computers, internet) then sharing "pirated" software. That is why a lot of people don't want your concerns about software piracy to hinder the free flow of information more then necessary and the Don't Induce Act is addressing these concerns.

    I hope this helped clear things up a little bit for you.
    Thank you for your time.

    Regards,
    AC

    1. Re:Dear Mr. Attaway by GTez · · Score: 2, Funny

      Am I reading this correctly? Your saying that the internet and other modern means of comunication has no other uses then Piracy... So Slashdot is one big piracy site?

  2. Idiotic by Sarastrobert · · Score: 5, Interesting

    Bah, If they are to sue Apple and other MP3 player manufacturers then why not sue everyone that makes CD players also since they could be playing illegally copied CD's. Not to mention manufacturers of CD/DVD writers. They are all pirates!!!

    1. Re:Idiotic by Tjebbe · · Score: 5, Interesting

      Yes. Well, I don't think I am being extremely pessimistic here in thinking that will be one of the next steps. I seem to remember just having read something about companies being sued for making 'unlicensed' DVD players...

      After that (and now i am being pessimistic) i would not even be surprised if they start to try to making unlicensed *content* illegal.

      If these people are not stopped they will take more and more of our rights (and money) until everything belongs to them.

  3. Why pander to something so pathetic? by tod_miller · · Score: 4, Insightful

    Even the don't induce is watered down pig-shit.

    You cannot hold anyone liable who has not broken the law, but whose works has been used, without thier knowledge or consent (explicit) for purposes that may even be explicitly forbidden in the license terms.

    You cannot make laws just because you are big corporations and have deep pockets.

    Did I just say that?

    Don't even hold it with this. Anyone can program anything they want. How it is used and by who is the problem.

    Taking away liberties and rights to fight crime is not a good idea.

    What will become of all this? We are on the pinnacle of having Microsoft laud 3000 patents a year in everyones face, SCO finally might roll over and die, the RIAA are still dogs.

    Dear RIAA,

    I found this website with lots of illegal music on it, please invetigate.

    Illegal Music, only for RIAA people, do not click this link if you are not RIAA

    IANAY but if I was I would smack the government on the side of the head.

    People should contest this whole affair, not propose an equally distrubing watered down version.

    I think the world cannot get any crazier...

    --
    #hostfile 0.0.0.0 primidi.com 0.0.0.0 www.primidi.com 0.0.0.0 radio.weblogs.com
    1. Re:Why pander to something so pathetic? by nahdude812 · · Score: 4, Insightful

      I don't agree with the INDUCE act, but by your logic, we should be permitted to create weapons of mass destruction in our basement, and distribute these weapons to anyone we want, including those who have demonstrated a clear desire to use them for evil. As long as I, the creator of the weapon do not directly use it for evil, I should be able to provide tools which serve no other purpose to anyone I want.

      No, I think the Don't Induce act treats programming like it treats the creation of tangible goods. If there is no purpose served by the creation of an item but to break the law, then there is no reason to create *and* distribute it unless your intent is to either break the law yourself, or aid in the breaking of the law. Like it is not legal to manufacture smallpox in my basement, it should not be legal to create (particularly to distribute) software that can serve no legal purpose.

      In the software world, this breaks down to this: P2P software is legal to author and distribute since it *does* serve a legal purpose -- the distribution of files which are not copyrighted or which have the copyright holder's explicit permission to distribute (eg, music from a garage band looking to make a name for itself, or amateur art).

      I am at a loss to think of software that can serve no legal purpose. I'm certain that such purposes exist, but even cracker software such as L0pht Crack is used by network security professionals to test the strength of their security measures. Actually I'll correct that. Viruses serve no legal purpose, probably some spyware/adware is the same. These things would continue to be illegal.

      With the Don't Induce act as the standard for what is and isn't legal in software creation, specific measures can be put in place as other public threats are identified, such as (if it wasn't already the case) specifically making it illegal to share copyright works (which don't have the owner's permission for distribution). Fortunately with the standard set at a reasonable level, these exceptions can reach only so high with out contradicting the base law of Don't Induce.

    2. Re:Why pander to something so pathetic? by Kjella · · Score: 2, Insightful

      Like it is not legal to manufacture smallpox in my basement, it should not be legal to create (particularly to distribute) software that can serve no legal purpose.

      Which is pretty much the same thing - I mean if you're a "serious" lab, then you can research the viral properties of various contagions (not sure if you get to play with small pox though). If you're an "unserious" small medical company playing in your basement lab, you can't.

      They seem to be taking the same stance with software. If you're a "serious" company like the BBC or something, P2P is just fine. If you're some "unserious" piratish company like Grokster/Morpheus etc. it is bad.

      The comparison is very unfair - you need an FDA approval to create drugs, you don't need any licence to create software. Nor should you, there are legitimate grounds you don't get to play with small pox like ensuring public life and safety. The Induce Act (and variations) is simply a "smack down all we don't like" law.

      Kjella

      --
      Live today, because you never know what tomorrow brings
    3. Re:Why pander to something so pathetic? by hackstraw · · Score: 2, Insightful

      OK, first off the grandparent post didn't really say anything, let alone anything insiteful.

      Now your WMD example is ridiculous. A p2p app is used to copy files from one place to another, the "bad" part of that is that it can illegally copy files. Now a WMD is used for mass destruction or the threat of mass destruction, I don't see any other way to use a WMD.

    4. Re:Why pander to something so pathetic? by Daniel · · Score: 2, Interesting

      We have strict restrictions on the creation of smallpox because the release of smallpox into the wild could cause a massive epidemic and kill thousands or tens of thousands of people. I know that the *AA are fond of hyperbole, but comparing the theoretical loss of potential income to the deaths of thousands is simply grotesque.

      A better analogy would be lockpicks: as far as I know, it's entirely legal to possess and even use lockpicks, as long as they aren't used for illegal purposes -- even though most lockpicks are used to commit crimes that cause financial damage to individuals and businesses. (of course, you probably don't want to be discovered outside a bank vault at midnight with a pile of lock-picking tools :-) )

      Daniel

      --
      Hurry up and jump on the individualist bandwagon!
  4. I still don't get it. by SledgeHBK · · Score: 5, Insightful

    Piracy is okay as long as it's difficult? I mean nobody got too pissed about me using my VCR to copy the simpsons ten years ago, or record music from the radio back then.

    But if it's easy, it's illegal? I guess I just don't keep up enough with the p2p legal stuff.

    1. Re:I still don't get it. by Tjebbe · · Score: 5, Interesting

      They tried to make the vcr illegal too (as well as the cassette). They failed. We did end up with the 'copy tax' thing on every blank media.

      Let's hope the system isn't too coorporationalized that they succeed completely this time.

    2. Re:I still don't get it. by dave420 · · Score: 2, Interesting

      Back then, you were in a tiny minority. Now, you're the majority. That's the issue. The easier something is, the more people will/can do it.

    3. Re:I still don't get it. by jmcmunn · · Score: 3, Insightful

      The argument is that now people can log on to any p2p program and instantly be sharing a copy of a song with millions of poeople. When you were recording it with a Vcr or whatever, you did not have a means to distribute and share with that many people.

      It has ALWAYS been illegal to make a copy of a song on a mix tape for someone (unless they own every song on the mix tape as well) it's just that they never went after people when you were only able to share with a few friends. Now it is a few million friends...

    4. Re:I still don't get it. by JWW · · Score: 3, Insightful

      What I love is not only did the music industry fail, they proceeded to turn the VCR into a billion dollar business.

      They are cutting off their nose to spite their face. They could distrubute competetively priced content over the internet (hell there are no inventory costs at all), but they won't do it.

      The betamax decision forced the MPAA to be creative in how they marketed their product and they succeded big time. Now, their just to damn lasy to figure out how to make this internet thing work.

      When they tried the betamax case they tried to label us all as potential criminals, then they managed to create a large market for real customers. They can do the same for digital/internet content, they just don't want too.

      I already will no longer buy CDs, regardless of whether I file share or not. If the MPAA keeps at this I will stop buying DVDs (yes I admit I am hooked on buying DVDs). The results of their efforts to guaruntee their revenue stream from me will have the effect of eliminating it alltogether.

    5. Re:I still don't get it. by Coffee · · Score: 2, Informative
      "We" being Canada? We certainly don't have a copy tax in the USA on all blank media.

      Yes, we do. Cassettes, CDs, whatever can be recorded onto. It's just not charged seperately from the price on the shelf (unlike, for example, sales tax, which is assessed at checkout).

  5. Deciding based on an arbitrary number now? by Anonymous Coward · · Score: 5, Insightful

    So. A court decides that software producers aren't responsible for the user's own actions with that software, and now these folks want to blame the software if a lot of the users abuse it?

    How is that a serious argument? If it's right, it's right. If it's wrong, it's wrong. Number of abuses is irrelevant.

  6. While we'er on the topic of more laws... by Jaysyn · · Score: 5, Insightful

    ...there needs to be a way for everyday people to take away corporate charters & lobbying rights from vicious, narrowminded groups such as this.

    Jaysyn

    --
    There is a war going on for your mind.
  7. Induce by rokzy · · Score: 4, Funny

    Is it just my dialect or is the word induce almost exclusively used in the phrase "in event of... induce vomiting"?

  8. The thing is... by Sheetrock · · Score: 4, Insightful
    The whole reason we're able to record and watch/listen to something later doesn't imply a right to be able to watch/listen more than once.

    This is only a side effect of the fact that to date there hasn't been an effective means of enforcing the right of the content distributor to broadcast something for one consumption only -- technology has only recently gotten to the point of allowing distributors to exercise some measure of control over their level of distribution.

    When DRM becomes a reality, it'd be up to Congress to determine whether or not we have a right to multiple uses of recorded content, in my opinion. And this Act seems to be a pretty clear sign of where things are going.

    --

    Try not. Do or do not, there is no try.
    -- Dr. Spock, stardate 2822-3.




    1. Re:The thing is... by grunt107 · · Score: 2, Informative

      The whole reason we're able to record and watch/listen to something later doesn't imply a right to be able to watch/listen more than once.
      Unless re-view is explicity limited by a broadcast, it does imply multiple viewings are allowed. Kinda like the 'rebroadcast of this NFL event is prohibited'

      When DRM becomes a reality, it'd be up to Congress to determine whether or not we have a right to multiple uses of recorded content, in my opinion
      If you are talking 'multiple uses' in the on PC/on CD/on Mp3/in car multiple usage that is one thing and Congress will probably keep it (via INDUCE) the way the **AAs want it (1 device). If you once again mean 1 time viewing, Congress will not mandate that either - the **AAs may try, but that (DIVx) model will fail (or be minimal) for almost every offering ('cept PPV, which is by definition meant to be 1 time).

  9. Free Software? by GaussianInteger · · Score: 5, Insightful

    Alright, one of the criteria that a piece of software needs to meet according to this is that the software needs to get most of its revenue from the piracy use of the software. What if this is FREE software and there is no commerical revenue, like bittorrent.

    How about we take it a step further, and unlike bittorrent, we have a piece of free software whose authors made with the purpose of piracy, what is to be done about that?

    The way I see it, this bill won't satisfy those in Hollywood for the above loopholes. So all the software used for de facto pirating will be non-commericial, how does Hollywood benefit much from this. Looks like they'll still want to draft some other legislation.

  10. The obvious answer to Sen. Hatch's problem is... by jimicus · · Score: 5, Insightful

    IANAA (I am not an American) but isn't the obvious answer to Hatch's problem: Yes we know Senator. That's the idea.

    Or are you saying that you're happy to ban a technology which has many fundamentally excellent reasons to exist purely because it can be used to infringe copyright?

    That being the case, do you possess a camera? A VCR? A tape deck? You won't mind disposing of them, then?

    Oh, you say that the bill would never be enforced in that way?

    WELL DON'T WRITE IT IN THAT WAY, STUPID!

  11. further to the above... by rokzy · · Score: 4, Insightful

    does this paragraph make anyone else feel sick?

    >Fritz Attaway, vice president for the Motion Picture Association of America, said the Don't Induce Act was so narrowly drafted, it would be impossible to use it to shutter even operators of peer-to-peer networks. "There is no way that anyone could ever meet the burden of proof that this establishes," Attaway said. "It's spin. (They're) not being honest here."

    what's wrong with peer-to-peer networks?
    what's wrong with burden of proof?

    oh I see the problem - the last remnants democracy that need to be outlawed.

  12. Don't INDUCE by XeRXeS-TCN · · Score: 4, Insightful

    The "Don't Induce" proposals are definately the most ideal proposals, and despite what the MPAA/RIAA and Orrin Hatch might try to claim, it's the most fair to ordinary people.

    It is also not any attempt to justify or allow piracy. It is simply a *fair* suggestion, which will catch the true commercial pirating organisations, rather than kids who share the occasional piece of software with their friends, or legitimate users who wish to make backups of their original data.

    They claim that the Don't Induce act is also too narrow in scope, which would stop them from attacking p2p networks; I don't think this is a bad thing. They have proven over the last while that they are only too happy to use their legal powers against anyone, from young to old, to squeeze a bit more cash out of ordinary people, while commercial piracy is still rampant. It's not *too* narrow in scope at all, simply narrow enough to avoid ambiguity, and to stop half the net falling under their legal juristiction. It's narrow enough to be *fair*.

    But then, it's to do with making money, not doing the right thing.

  13. Other changes by StevenHenderson · · Score: 5, Insightful

    Now we must start holding gun companies liable every time there is a shooting death, and beer companies will be held accountable for all drunk driving incidents. Why blame the wrongdoer anymore when we can make the silly attempt to eradicate all avenues for wrongdoing?

  14. This is pointless... by Anonymous Coward · · Score: 5, Insightful

    Rather than arguing about how copyrights are going to be enforced, we should be revisiting the whole idea of copyright itself.

    It bothers me that the debate has been framed in terms "stealing stuff that you didn't pay for and how can we stop that" rather than the fact we have, for the first time in history, a culture whose important facets are all owned by corporations, and whether or not that's a very good idea.

    1. Re:This is pointless... by Oddly_Drac · · Score: 3, Insightful

      "It bothers me that the debate has been framed in terms "stealing stuff that you didn't pay for and how can we stop that" rather than the fact we have, for the first time in history, a culture whose important facets are all owned by corporations, and whether or not that's a very good idea."

      Or, how to create taxation for non-governmental organisations. And no, it's not a good idea when companies can buy the ability to introduce laws to prop up their business model. However, the INDUCE act itself might provide precedence for all kinds of laws intended to stop people being assholes at the detriment of freedom.

      At this rate, the US will lawyer itself into oblivion.

      --
      Oddly Draconis
      Too cynical to live, too stubborn to die.
  15. Still aiming for the man... by Kjella · · Score: 2, Insightful

    ...and not the ball.

    If
    a) 99% of the people wanted to use a kitchen knife to stab someone
    b) 99% of your sales were thus made for that purpose
    c) if you tell that your knife is razor sharp, anyone with IQ > shoesize will figure out it works for the purpose they want ...is it then the kitchen knife producers fault?

    Kjella

    --
    Live today, because you never know what tomorrow brings
  16. What might a viable Induce Act look like? by Sanity · · Score: 4, Interesting
    Will it ever be possible to target the makers of Kazaa and Morpheus, without the supposedly unintended consequences that everyone worries about?

    Now, obviously the law can't simply name the companies it wants to get rid of, so there has to be some kind of test to identify these "bad actors". The fundamental problem (for the Induce Act) is that there may not exist an objective test that can effectively isolate those they wish to isolate, meaning that the Induce Act will inevitably require a subjective test. Subjective tests must be clarified by litigation, but it only requires the threat of litigation to torpedo many potentially valuable new technologies before they even get out of the angel investor's office.

    It is therefore my suspicion that it will be impossible to rewrite the Induce Act such that it addresses the concerns of the IEEE, CEA, EFF, and others, while still achieving its stated goal. This probably means that the current effort to come up with a compromise is unlikely to bear fruit. I doubt the situation is improved by the fact that the person charged with achieving this compromise is the Register of Copyrights, Mary Beth Peters, who has a more anti-technology view than even the RIAA will comfortably admit to.

    Whatever happens, I am sure that history will regard the Induce Act as the most violent death throe yet of a powerful and influential industry. Lets hope they don't take too many useful technologies down with them.

  17. More than one side to piracy by vulcan_pupil · · Score: 3, Interesting

    It is very clear which side some of our Senators and Legislators are viewing the piracy problem from. But what about the consumers who are paying $20 for a movie/cd that cost the producer $0.10 to make? Of course the **AA is going to want to hold on to that enourmous profit. But maybe thats the problem. I think a step in the right direction would be these companies asking themselves why people are stealing their products rather than buying them; not how. I also think giving the consumer a little more for their money would be in order. If someone can get digital data easily, then the value has obviously decreased. Give the consumer something more than digital information (a unique t-shirt, a one of a kind sticker, discounts on concert tickets, etc....).

  18. Possible solution by Peter_JS_Blue · · Score: 5, Interesting
    The problem with the music industry seems to be this :-
    1. Spend lots of cash on creating music in expensive studios.
    2. Spend more cash distributing music to shops.
    3. Customers buy music.
    4. Music industry and Artists earns cash.
    5. Some customers copy music for friends
    6. Music industry and Artists loose "potential" cash.
    7. Music industry spends even more cash trying to stop people copying music
    8. Lots of unhappy customers.
    Possible Solution
    1. Artist create music using cheap digital tools - these are already available.
    2. Artist uploads digital music to web sites
    3. Lots of people download / copy music for free
    4. Artist gets well known by lots of people
    5. Artist does a gig - lots of people pay to come
    6. Artist gets paid further by selling special CDs,DVDs or other merchandise on web site.
    7. RIAA now totally redundant - I think they already know this.
    8. Do same thing with software (Already happening - OSS)
    9. Do same thing with movie industry
    10. Do same thing with all forms of information
    11. Human race leaps forward, as it tends to do when information is freely available
    I know some people already planning some of this !!
    --
    Art Makers Just an excuse to show photos of naked women !!
    1. Re:Possible solution by rembem · · Score: 2, Insightful

      Step 1 of your solution is only feasable for electronic music. If you want to do real instuments you'll need: a soundproof studio, the instuments themselves, lots of high quality microphones (each instrument needs different types), an unimaginable number of expensive cables, a mixing/mastering solution (this could be that 'cheap digital tool'). Furthermore you'd need someone with the skills to mix and master it. And possibly some session musicians to play the instruments, if you're a singer/songwriter.

      Oh, and you forgot a step:
      2.5. Spend lots of time/cash on promoting the act.
      This step should be included in both your problem and your solution.

      IAAAM (I am a amateur musician)

    2. Re:Possible solution by PMuse · · Score: 3, Insightful
      Your detractors don't see the economic drivers behind what you're suggesting. The demand side of the music marketplace consists of masses of people who want music -- that hasn't changed. The supply side of the music marketplace, on the other hand, is changing. It has had one model since the vinyl LP became ubiquitous, but cheap personal electronics are eroding the foundations of that model.

      In the old model, the "music industry" contributed (i) means of recording, (ii) means of mass reproduction, (iii) means of distribution, and (iv) means of promotion. (The music itself has always come from the artists.) Currently, means of distribution are nearly free (e.g. p2p networks). Currently, means of mass reproduction are nearly free (e.g. copying files or burning CDs).

      Currently, means of recording are becoming cheaper and cheaper as recording / mixing equipment drops in price relative to other goods. Viva la semiconductor revolution! Seriously, how expensive would it be today to produce a recording of the same quality as, for instance, the Beatles masters? That cost is within the reach of artists who have day jobs. It certainly doesn't require a multi-national corporation to pay the studio fees, not when the multi-nat demands a usurious contract signed in blood.

      That eliminates 3 of the 4 things the "music industry" used to contribute to the supply of music. What about means of promotion? This is actually the biggest bill the "industry" used to pay for an artist. If the "industry" can be replaced as the promoter of music, then they become totally unnecessary. (It would help to get some real numbers from a real economist to understand the relative costs of promotion, production, and distribution. We're just speculating here.) Free distribution provides a little promotion on its own, but just word of mouth will not achieve the kind of promotion that an expensive marketing campaign does today. So, promotion is the problem we still need to work on. Here is a slight revision of you problem / solution lists reflecting who kept/keeps what money.

      Current state of music market:-
      1. Artist performs music
      2. Industry spends cash recording and enhancing music in expensive studios.
      3. Industry spends more cash distributing recordings to shops.
      4. Industry spends far more cash promoting music. Music becomes popular.
      5. Customers buy recordings.
      6. Industry keeps (nearly all) revenues from recording sales.
      7. Artist tours. Fans buy tickets.
      8. Artist and venues split ticket revenue.
      9. Some customers copy bought recordings for friends
      10. Industry "loses" _potential_ recording sales.
      11. Industry spends small amounts of cash on laws and lawsuits to stop copying.
      12. Lots of unhappy customers.


      More efficient state for music market:-
      1. Artist performs music.
      2. Artist records and enhances music using digital tools and independent studios.
      3. Artist uploads recordings to web sites
      4. People download / copy recordings for free.
      5. Music becomes popular.
      6. Artist tours. Fans buy tickets.
      7. Artist and venues split ticket revenue.
      8. Artist sells some recordings to customers who prefer this format.
      9. Artist sells merchandise.
      10. Industry now totally redundant - I think they already know this.
      11. Few / no laws against copying are needed.
      12. Lots of happy people.

      In your new model, artists will get relatively the same money as in the old. However, the people will get lots more recorded music for far less money. So, where will the money that people used to spend on recordings go? Answer: the people will keep it instead of the Industry.

      Contrary to what some of the replies have said, you're not being Polyanna here. An industry only exists if it is the cheapest producer of something people want. All we have to do is keep it legal for independent artists to make and distribute their own music and the "music industry" as we know it today will fall. We just don't need them.
      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  19. No vacuum. by malkavian · · Score: 4, Insightful

    The thing that the senators and businesses in the US seem to be forgetting is that the Asian bloc is now starting to gain foothold in the markets.
    China, for one, is starting to roll into tech markets, with all it's own internal infrastructure. Entirely self sufficient.
    What the acts will mean is that the US ability to innovate, and distribute information effectively enough to research and develop at the rate required to compete with the new and upcoming countries (India, China etc.) will be seriously impared.
    All the devices and mechanisms will be so tied up with 'legality enforcement' parts, and the ability to litigate under the existing legal system will mean most of the time that should be R&D will be spent on 'negotiations' to agree that certain areas may be used (for certain sums of money of course) by other people.

    Meanwhile, the rest of the unencumbered world will be advancing apace, using a smaller set of laws, and a greater set of freedoms.
    The US is showing all the signs of a 'falling empire'. In it's heyday, it had simple laws (relatively) that allowed it to adapt quickly to the way the world was moving. It advanced to become pre-eminent. Then it sat down, and tried to tie everything up to maintain itself. Internal politics and interests fought over shares of the pie.
    And now laws are flowing like water, and researchers are being required to look more to internal information, and ways to work around the intrusive legal mechanisms.
    This is a huge brake on development and innovation.

    One that won't be shared by a good deal of the upcoming countries. At least not in the same way.

    Now, if the world would remain static, and things would 'always be this way', then the laws, although draconian and oppressive in their implementation, would make some modicum of sense for the corporate entities to persue.
    However, when there is going to be competition arising from areas that are NOT bound by those laws that have been bought, then it's the equivalent of long term commercial suicide.

    If the US decides to stick to it's laws and carry on down this route, it stands an uncomfortably large chance of ending up on the wrong side of a built in firewall, preventing a lot of the international information from ever entering it's networks, due to legal reasons that nobody else can be bothered to work around.
    Once it's cut out from the international flows, it'll start the slide into being a collapsing empire. Trashed economy, no effective R&D, and generally falling behind the times.

    Given the chance, most people out there are decent and honest. Hamstringing the country's ability to develop, just to try and catch a few people who may (or may not) influence a company's net profits by a tiny fraction of a percent is a dangerous game. One day, if these laws go ahead, those clamouring corporations may just realise how they've managed to sow the seeds of their own destruction.

    1. Re:No vacuum. by Carmody · · Score: 2, Insightful

      The US is showing all the signs of a 'falling empire'. In it's heyday, it had simple laws (relatively) that allowed it to adapt quickly to the way the world was moving. It advanced to become pre-eminent. Then it sat down, and tried to tie everything up to maintain itself. Internal politics and interests fought over shares of the pie.

      And President Londo is trying to negotiate a deal with the Shadows to bring us back.

      --
      God is real unless declared integer
  20. Re:The obvious answer to Sen. Hatch's problem is.. by johannesg · · Score: 4, Insightful
    Look, the whole point of overly broad laws is to allow selective enforcement. Of course they won't enforce strictly! Just enough to keep the powerful in power, and the wealthy rolling in money. And that is really the purpose here...

    They might as well outlaw breathing, and arrest people for "air piracy" if they have a bone to pick. It would be convenient to all involved (except the victim, but he's a nobody anyway).

  21. Circumvent the RIAA by Anonymous Coward · · Score: 3, Interesting

    Why not pay your favorite artist personally?

    Circumvent the managers at the RIAA by letting your software music jukebox manage your favorite artists. This requires a central database listing creative works and the artists who actually made them so that you can donate automatically to your favorite artists.

    problem: telling some site what kind of music you have my get you sued as you declare to have illegal music.

    solution: give partial hash code (checksum). Site returns say 200 potential hits. You verify for yourself if you have have a copyrighted song 'belonging' to the site. You discard the 199 misses and you use the info about the song to compensate the listed artist directly. This can be done anonymously: "I love your (unspecified) work here is a donation of 20 cents". Artist uses statistics to figure out how to compensate those who helped him with popular creations if the donations rise above thousands of dollars.

    So you spend say 300 dollar per year to (automatically) compensate your favorite artists directly without confessing a crime as your jukebox figures out compensation anonymously and you can also donate manually, even though you do not have any works of arts of that artists in your possession, making the system a black box, meaning that donations do not directly indicate illegal possession.

    Why pay for distribution? Let's circumvent the RIAA.
    --
    Dennis SCP

  22. Strict scrutiny by tepples · · Score: 2, Insightful

    After that (and now i am being pessimistic) i would not even be surprised if they start to try to making unlicensed *content* illegal.

    Congress can't do that because even more than the DMCA, it would run directly up against the First Amendment, which bans Congress from materially abridging freedom of expression.

    1. Re:Strict scrutiny by GTRacer · · Score: 2, Insightful
      Perhaps the OP meant "unlicensed" as in "not produced or officially sanctioned by ??IA".

      If you're an indie songwriter and you cut a track, the RIAA isn't going to consider it any more licensed than the latest Linkin Park single. And that's what they're gunning for.

      GTRacer
      - DRM is bad m'kay?

      --
      Defending IP by destroying access to it? That makes sense, RIAA/MPAA. Go to the corner until you can play nice!
  23. Making illegal copies != theft by Safety+Cap · · Score: 2, Insightful
    The misconception about copyright violation is is part of the problem---and I would place the big interests as the source of the confusion; they benefit when you misunderstand copyrights.

    Making a copy of a copyrighted work and distributing it is not theft. It is a copyright violation. These are two different things.

    --
    Yeah, right.
    1. Re:Making illegal copies != theft by nagora · · Score: 2, Insightful
      Making a copy of a copyrighted work and distributing it is not theft. It is a copyright violation. These are two different things.

      Only legally. Morally, there's no difference. Financially speaking is another thing again.

      If I download "Garfield" and watch it then I have morally stolen something because I clearly wanted to see it enough to bother with the download time but I refused to pay for it, so I have something for nothing while depriving the seller of payment for their goods. On the other hand, if I could not download Garfield then there's every chance that I would not have paid to see such a pile of shit at any price the studio was willing to charge, so financially the studio has lost nothing. Legally, I have done something that the government says I'm not allowed to do and am therefore in trouble regardless of the effect it has on anyone else or my moral code.

      Personally, my tip is that if it's good enough to watch/listen to then you should make an effort to pay the people that made it. If you can do that while avoiding the fuckers at the MPAA/RIAA then good, but don't screw the writers/artists just to spite them; they're already being done over by the studios and recording companies as it is.

      TWW

      --
      "Encyclopedia" is to "Wikipedia" what "Library" is to "Some people at a bus stop"
  24. Misunderstanding of "unlicensed" by tepples · · Score: 3, Informative

    Hypothetically speaking, if I am a songwriter, I am perfectly within my rights as the owner of that song to tell you that you cannot distribute it. That is unlicenced content

    I come from a background where "unlicensed content" refers to content that hasn't been approved by the owner of copyright in the player software, such as independently published console games. Imagine if every title published on DVD Video had to be approved by the DVD Forum.

  25. Coorporate controlled software anyone ? by Anonymous Coward · · Score: 2, Insightful

    For some reason software is regarded differently than about everything else in this world. That's nonwithstanding that computers & their communication are (becoming) as common as a screwdriver.

    Why is it than that (specific) software is singled-out in a (company-supported, broad) "we take you down, if we can find any illegal use for your product" -attack, when most *if not all* producs that are created today have their illegal uses.

    Telephones are used to communitcate evil intentions between common robbers, as well as white-collar company management persons. Should we ban the telephone ? Cars are used in the same way. Post-offices should be closed, due to their transporting of illegal goods.

    Crowbars, bolt-cutters & lock-picking equipment should be outlawed too, as should a "slim jim" be.

    Let's not forget screwdrivers, as they are very handy in cracking door-locks, as well as a stabbing-weapon.

    Actually : why don't we just ban *everything*, and let you first get some special permission to use .

    You want to use a telephone ? Proove that you need to exhibit activities that warrant for the use of such a criminial-affiliated method and/or tool.

    Or is it the wish of the gouverment that we should (try to) battle for any use of software that is not under their control ?

  26. Insider's view (kind of) by Deep+Fried+Geekboy · · Score: 5, Insightful

    Okay, I'm not with the MPAA or the RIAA but I am a professional screenwriter and director, and I've recorded a few CDs as a musician, too, so my entire livelihood relies on people paying for my shit. The problem is that both the music and movie industries have consistently focused on notional lost revenues instead of revenues gained. During the last 25 years the penetration of CD, DVD and MP3 players has massively increased but instead of using the net to leverage this opportunity, the industry has instead focused on the entirely bogus idea that people who pirate would otherwise have paid for what they pirated. Imagine if, five years ago, the movie studios and big music recording companies had aggressively pursued digital distribution via the internet for their content instead of leaving it to Napster and subsequently iTunes. iTunes in particular has shown that the public is totally willing to pay a dollar a song to download high quality music free of malware. I believe the same is going to be true of movies for those who have the bandwidth. By concentrating on the notional lost revenue and forming their wagons into a circle, the companies with most to gain from the net have instead consistently cast themselves as the bad guys. If they had instead embraced digital distribution and implemented a responsible, rational and reasonable DRM strategy they would have won the PR battle and made a lot of money into the process. The most ridiculous aspect of this is the idea that there was some 'golden age' before piracy. There never was. It was exactly the introduction of easily copiable media -- the audio cassette in fact -- that really opened up the way that the public consumed music (Walkman, anyone?). The MP3 (and MP4) format could, if handled properly, have enormously leveraged the business operations of the audio and movie companies, at the risk of a certain amount of leakage -- the digital equivalent of what happens at Walmart every day. It baffles me that it is STILL not straightforward to download a legal copy of a song or movie from the distributor's website. (Here in Canada, still no iTunes). The movie and music industries formula for business success in the internet age would appear to be: point gun at foot; shoot; repeat.

    --

    I'm not wrong. You haven't thought about it hard enough.

    1. Re:Insider's view (kind of) by 3terrabyte · · Score: 2, Interesting
      Great post!!
      I have often mentioned that the music industry would rather make 100% of 5 billion dollars, than 70% of a 20 billion dollars. It's crazy.

      "I say to you that the VCR is to the American film producer and the American public as the Boston strangler is to the woman home alone." - Jack Valenti.

      But what happened? The VCR/DVD rental aftermarket today is actually bigger than the theatrical market?!

      One of the best things I noticed when Napster first came out was the sheer selection. Rare, out of print, live, and non mainstream available. I agree, the Music Industry should have created their own iTunes right away. Who better than them to have availability to their whole discography?!

      And as for video content. If we could have every show, at the touch of our remote, available at any time, for a cost per play... I just don't see the need for any warez traders collecting anymore. Would you even need encryption? It would be cheaper for THEM to store it, than for traders to store/burn/trade them.

      --

      Why are there only 19 people folding@home for slashdot?

  27. Richard Posner has been blogging about IP by David+Jensen · · Score: 2, Informative

    Judge Richard Posner, a good writer, has been blogging about IP and fair use at Lessig Blog. The series of entries are very informative and give a good background to IP.

  28. Does this apply to guns? by Deep+Fried+Geekboy · · Score: 2, Insightful

    If the maker of a P2P network should be held accountable for piracy committed with their software, why can't gun manufacturers be held responsible for murders committed with their guns?

    If the 'induce' principle is worth a damn, it should be a general legal principle rather than a single piece of legislation aimed at a particular target.

    --

    I'm not wrong. You haven't thought about it hard enough.

  29. Guns dont kill people, but machines violate IP? by originalhack · · Score: 4, Insightful

    Ever notice that the same legislators who argue against gun control (like waiting periods and background checks) on the grounds that the gun has nothing to do with people getting shot have no problem accepting the argument that machines violate copyrights all by themselves?

  30. Control of the Media Distribution Model by microbrewer · · Score: 2, Informative

    The INDUCE ACT and other legal efforts by the RIAA and other media organistions are lame efforts to control the current distribution model media companies have .IF you are an independant artist you will never have any chance of getting into Blockbuster, Best Buy, Wallmart ,Tower Records ect unless your record label is owned by one of the Major record companies as they have contracts that only allow thier artist to get into these stores .The EFF proposed a Voluntary Colletive Licencing model for payment of copyrighted material where you pay a flat fee to download copyrighted content from p2p networks but the problem is the RIAA rejected it becuse it screws up thier antiquated distribution channels. Thier Idea of inovative distribution is itunes or the new Napster . The problem they have is that an artist could release a independant recording without thier input and may even become a number one hit all without the input of the RIAA members .The record companies would have to become advertising agencys for the Artists and would actully become contractors or employees of the Artists. The current distribution model and bussiness models of media companies forces most Arists to be employees of the company and the company controlls the copyright .Collective Licencing would give the artists controll . Big Champane and other p2p monitoring companies sell data to the RIAAs members and others to see what is swapped and have a TOP 10 so it is well documented and auditied on what is being shared out there . http://www.eff.org/share/collective_lic_wp.php

  31. Seeding a P2P network anonymously by incog8723 · · Score: 2, Interesting

    with my own copyrighted material, then suing. What's to stop me from doing that? Nothing. If this continues with the RIAA/MPAA using the court system wastefully, even little guys like me will be able to sue the pants off of people I discover are sharing my "seeded" file.

    I can't believe no one has brought this up before, and I can't believe I just thought of it.