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Blade Runner Is The Best Sci-Fi Film
Delchanat writes "Now there's scientific proof: according to 60 of the most influential scientists in the world, including British biologist Richard Dawkins and Canadian psychologist Steven Pinker, Ridley Scott's Blade Runner (1982) is the best science fiction film. Late Mr. Kubrick's 2001: A Space Odyssey (1968) finished 2nd, followed by George Lucas' Star Wars (1977) and The Empire Strikes Back (1980)." There are several other stories as well: favorite authors, the basics of science fiction, and an excerpt of a new Iain M. Banks novel.
Blade Runner is awsome. Everytime I see the cityscapes and the hear the music that was used in those scenes I get chills down my spine. I'd love to live in a dark, gritty Blade Runner style world.
dudes, stay on topic! Logans Run should be in there somewhere.
Wow, i'm glad our top scientists have taken so much time to come to this important conclusion!
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No Battllefield Earth?
What does Star Wars have to do with science fiction?
Did you know you can fertilize your lawn with used motor oil?
The Matrix is up there but Wrath of Khan isn't?
"Derp de derp."
I'm a bit suprised taht "Contact" did not make the list....
------- Code to try when you're bored: qsort( 0, UINT_MAX, sizeof( int* ), IntCompare );
0 for 9 is it? I'd have thought maybe 2 or 4 would have gotten a mention. There's a couple on the list I think one of those could replace.
Although Logans Run is one of the best sci-fi films from its era (possibly ever), most people have never heard of it, including people who have actually watched it. And this is coming from an avid fan of the series. Oh, you didn't know they made a series too? That's exactly the type of ignorance I'm talking about.
Mathematics is not a crime.
Gattaca is a great one about DNA manipulation that is a little too close to reality for comfort. A great movie!
Brazil should have made top ten if for anything because of its visual and somewhat frightening view of the future. Of the best sci-fi movies Brazil is one of the least outdated (technology wise). Its theme, very similar to 1984, I suspect will always be relevant.
The article says "Blade Runner was the runaway favourite in our poll." followed by 2001 which was "A very close second". Which is it?
Trolling is a art,
To paraphrase Ebert: It's not what the movie is about, it is how it is about it. Example - Almost every Tarantino movie.
That's exactly what it means.
XML causes global warming.
of what is science fiction... How can Raiders of the Lost Ark not be in the top 10?! And, what about Tremors??
-- "A chicken is an egg's way of making another egg."
Buckaroo Bonzai
Blade Runner is my favorite movie of all time. There's so much to like. One thing that fascinates me is that there is really no hero and no villains in the movie. I'm sure that most people argue that Harrison Ford's character is the hero. But let's think about that: his job is to execute escaped slaves. Hardly a noble persuit. Yes, he does this very relucantly but really that's not much of an excuse. When the film starts, we see him looking in the want ads for a job. Really, I wonder just how hard he's looking. With so much of humanity on the off-world colonies, there's probably plenty of jobs available -- just not very good ones. In addition, once Deckard is on the assignment, he seems to really get into it. Even when he's at home drinking he's studying the photo that he took from Leon's apartment with that fancy photo analyzer of his. He hardly seems to be someone who can't stand his job.
The part about no villians is probably easier to argue. The replicants are simply doing what they can do survive. Yes, they have killed some people when they were trying to escape but they were slaves for chrissake! Pris is described as "'yer standard pleasure model." Basically she was created solely for use as a prostitute. It's not too surprising that she'd be willing to kill to get out of such a depressing situation.
Even though the movie is set in the future and deals with technology and places that don't exist, I think the fact that there aren't any real true 100% heros or 100% villans makes the film very interesting and realistic. I think most people realize this on some level and it draws them to watch what happens when "realistic" people have to deal with messy situations.
I think this is one reason why hardcore fans hate the dubbing. It makes the viewer tend to side with and identify with Deckard. That makes you see him as the hero even if he does questionable things. The Director's Cut lets you watch the movie as an impartial observer.
GMD
watch this
Clarke's First Law:
"When a distinguished but elderly scientist states that something is possible he is almost certainly right. When he states that something is impossible, he is very probably wrong."
Clarke's Second Law:
"The only way of discovering the limits of the possible is to venture a little way past them into the impossible."
Clarke's Third Law:
"Any sufficiently advanced technology is indistinguishable from magic."
The sibling post was quicker on the gun with the third law, though it's obviously from memory.
Actually Blade Runner didn't seem all that special. It was a 1940's detective story with a few 22nd century visuals. It is Humphrey Bogart film set in the future with Harrison Ford as Bogart. Rutger Hauer and Daryhl Hannah looked great in the film, the best-looking film for either of them.
My favorite scene is Harrison Ford talking to the computer to examine in great detail the random digital photograph for clues. Each time I consider buying a digital camera, I wonder if it can get a level of detail described in that scene.
The greatest science-fiction film ever is La Jetee (1964) by French director Chris Marker. This was the inspiration for 12 Monkeys, but it is a much better film. It's quite short at 29 minutes, but still leaves people in deep cinema shock whenever it gets shown in festivals or on campus. It's widely available in video and may be at your local library for checkout. It's a collage of black and white photos zoomed and panned like Ken Burn's documentaries with narration and music. French with English subtitles. It was written during the Cuban Missile Crisis of 1962 when the Americans and Soviets came far too close to nuclear war than anyone wants to talk about.
2001 was OK, but extremely slow. It does hold up after 35 years only if you have a lot of patience and are not expecting a Star Wars type of movie.
Science Fiction is always better in books than it is in film. It's a genre that needs one's individual imagination projecting imagery from written text.
All the special effects and futuristic themes notwithstanding, what separates the neat from the incredible is what a sci-fi film says about the human condition. It's no surprise that Blade Runner is so highly placed--it deals with the question of what really makes us human. Likewise the other films in that poll pretty much do that too.
Perhaps one measure of a truly great sci-fi film is the extent to which it becomes a popular metaphor afterward. For that reason, unlike others here, I'm not surprised Matrix is on the list. I hear people make reference to it a lot.
Do what you can, with what you have, where you are.
They didn't mention Metropolis? That would be like having a "top-ten films of all time" without Birth of a Nation. Hell, Fritz Lang wasn't even racist. But in all seriousness, try naming a sci-fi film that doesn't take something from Metropolis.
English is easier said than done.
Consider these points:
2001 was reasonably tolerable when it came to spaceflight itself; even the moon buggy seemed somewhat reasonable (I built one of those once.. by Revell, maybe?) at the time. The space station was a bit optimistic, but in the legitimate realm of SF rather than fantasy, no question about it.
Don't get me wrong - I loved the movie then, and I still do - but I do think there's plenty of outright fantasy creeping around in there, fouling up the movie's sf heritage.
I've fallen off your lawn, and I can't get up.
If I were to add a film to this list, it would likely be "Contact". The opening shot is the best explanation of "space is big" I've ever seen, it deals with the big science-vs-religion flamewar in a way that seems respectful to both sides and it says an amazingly large number of things about science. I didn't like the movie at first, but it's really grown on me the more I've thought back to it.
(although I do think it should have ended at the limo - that's when it had made its point and that's when it was done).
This site does a very good job.
Link
The replicants could not know they were not human or they would have severe emotional problems. This is why they were given human memories...to trick them. It would not be possible to trick them if there was some obvious thing showing that they were replicants, like having green skin.
Brazil is about how these movements fall apart and all we're left with the the crumbling infrastructure of a grand social scheme and petty regulations designed to protect that system that trap the ordinary fellow.
1984 is about what the Western World feared communism would be. Brazil is about what communism, small-time fascism, and British capitalism all turned into.
So yeah, it's just like 1984, but rewritten from the side of things where the worst didn't happen. That's not an insignificant contribution. If more tinfoil hat types would watch Brazil, we could all relax just a bit. It's not a nice world, but it's not that much worse than any world we've ever had.
I think Dave Sims said, in one of his famous misogynists rant, that the key point in communism is that you do a lot of things to prepare society and then *boom*, human nature changes overnight, and you're free. Slashdot type know this as the ??? step. Brazil is about what happens if there is no ???.
I can't wait to see what the similar view of today's "war on terror" is forty years from now. We fear a worldwide network of people who would attack us yearly in horrible ways.... what will we get?