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Ask Neal Stephenson
Our latest Slashdot interview victim... err... guest... is Neal Stephenson, author of (among others) Snow Crash, CRYPTONOMICON, the much-discussed essay, In the Beginning was the Command Line, and more recently a series of books he calls The Baroque Cycle. (Last month Slashdot reviewed the series' third volume, The System of the World.) Now you can ask Neal whatever you want. As usual, we'll send him 10 -12 of the highest-moderated questions and post his answers verbatim when we get them back.
Science fiction writers are my favorite sources of predictions for the futre of technology. So, if you had to make one predicition related to technology - something we don't entirely have now but will be ubiquitous ten years from now, what would that be?
http://www.busyweather.com/
In any event, the question: the first book of yours I read was Snow Crash, followed by Diamond Age and Cryptonomicon. This earned you a spot in my head as an excellent author of techno/SF/cyberpunk (for lack of a more definitive, preferably singular, term). While I've enjoyed the Baroque Cycle (though I admit to not having read the The System Of yhe World yet), I also look at a novel like Snow Crash with an almost wistful nostalgia. With all that said, do you have any plans to write anything else in that genre/style, or do you feel you've explored it as far as you're interested in doing?
Reality has a conservative bias: it conserves mass, energy, momentum...
Hiro Protagonist and Y.T.
What was going through your mind at that moment?
Do you think that hacking tools should be protected (in the United States) under the second amendment?
Do you ever wish you'd ended any of your books differently? Your books are usually fast paced, but as you reach the last 5-10 pages a reader begins to panic. The thought that always goes through my head is "He doesn't have enough book left to explain it all!" and usually I'm right.
I mean, I don't want to know that Princess Nell had two kids and lived in a trailer park for the rest of her life finally dying of emphezema, but it'd be kinda nice to get just a bit more detail before being dropped off with only a bare explaination of events.
Do you ever plan on writing a sequel to Cryptonomicon?
I did not think you would get into the sequel thing, since most others have trouble pulling it off. However, you did a brilliant job of it in the Baroque cycle.
Personally, I thought Cryptonomicon ended wehere it had to, and the Baroque Cycle provided a nice view of the history behind the origins of the characters. However, I'm more curious about how you would take Cryptonomicon in the future, if you were to do so.
Also, I'd asked you this in person when you had given a talk at Georgia Tech - about the endings of your books, to which you had replied that you were quite happy with them the way they were.
But -- if you could have ended them differently, what kind of alternate endings do you think you would have come up with?
Thanks.
Science Fiction is normally relegated to the specialist publications rather than having reviews in the main stream press. Seen as "fringe" and a bit sad its seldom reviewed with anything more than condecesion by the "quality" press.
Does it bother you that people like Jeffery Archer or Jackie Collins seem to get more respect for their writing than you ?
An Eye for an Eye will make the whole world blind - Gandhi
Can you give us any details on what you're currently writing and a guess as to when we'll see it?
Neal,
A lot of us fans loved it when you were in the world of pure sci-fi, though we appreciate the Baroque Cycle, we were wondering if you are going to get back into the world of cyberpunk, or future worlds, or what have you, like in The Diamond Age and Cryptonomicon. What are your writing plans when the Baroque Cycle is complete?
Can you detail which pieces of Cryptonomicon's WWII history is factual and which are fiction? How much of the team that did information hiding (leaking the code books so as to have a legitimate reason to change codes) was real?
What are your thoughts on Veror Vinge's Singularity prediction. Is it inevitable? Will humans become a part of it or be left behind by this new "species"?
Of your novels, there seems to be a certain chronology. You've written novels set far in the past, like the Baroque cycle; in the present, such as Cryptonomicon; those set a decade or so into the future, like Snow Crash; and a novel set roughly half a century from now, with the Diamond Age.
Do you plan to fill in the gaps? Will we see how the formation of a data haven specifically leads to the abolition of the government as we know it, or are these novels not meant to reference each other?
Pax Digitalia
Not only what will we have 10 years from now - but what major item will be gone? [Cars? TVs?...]
Also as a science fiction author - when you write, do you try to paint a realistic picture of the future or simply one that will suit the needs of your story?
There is always a frontier where there is an open and willing mind
Neil,
Please give us some more details about Enoch Root. He's quite an amazong character, but you leave us really guessing about him. Is he the same person throughout the years? Is he the embodiment of the biblical Enoch?
...
I have asked both William Gibson and Hunter S. Thompson a question that seems especially relevant to your work, as you have combined technology with politics in the immanent future in several compelling stories. As corporations move into power vacuums vacated and created by governments, especially globally, who are the new political criminals? Do we already have corporate political prisoners? And how can we change corporatism as we slowly changed politics, to protect the rights of these criminals, and the rights of the rest of us treated as such, without justice? If we hear your answer, I will share the answers from Gibson and Thompson, each as revealing about the writers as about crime.
--
make install -not war
Do you think computer hacking tools should be protected (in the United States) under the second amendment? Our right to "bear arms" is designed to defend against internal tyranny as much as external invasion. With the world built around information and its interpretation, to certify accountability it will remain necessary for individuals to have the ability to subvert (when necessary) the gatekeepers to popular exposure if those gatekeepers are to be kept honest.
If as much license were applied to the second amendment as has been claimed under the first, we would all be packing hand-held nuclear weapons. Is a port scanner or code disassembler too much to ask?
(On behalf of my brother, who first started pushing your books at me years before I finally read any ...)
Mr. Stephenson:
In some of your books, your action scenes are far detailed (and better informed) than are those of many authors, who gloss over the ways that actual physical objects, including people, interact at close range (including skateboarding, diving, fighting, and the awkwardness of in-car sex with Amy Shaftoe).
This leads me to ask, Are you a skateboarder? Surfer? Martial Artist, and if so of what variety? (Or Rock climber, spelunker, etc.) If Yes in a general sense, how often do you participate in such things now?
More generally, what physical activities that you find especially invigorating mentally?
Tim
jrnl: http://tinyurl.com/c2l8yr / foes: http://tinyurl.com/ckjno5
First off, a hearty thank you! In The Beginning Was The Command Line was what initially got me to try Linux back in 1998 - I wanted a free tank! :o)
Second...
It would sem that your father was a big inspiration for Command Line. What has inspired you for your other works? I've always been fascinated by the inspirations of an author's particular works, as they usually give a deeper insight to the work than just the included text.
...Rob
The American Dream isn't an SUV and a house in the suburbs; it's Don't Tread On Me.
I'm curious about your take on the commercial spaceflight. First, would/will you go up to space? How do you think this will impact Sci-fi writing. Its been a prominent theme in sci-fi for quite a while, but in reality, very slow to take off. So do you think it will push more stuff to looking at a "star trek" like future? Or do you think its already overemphasized in the literature?
Dear Neal, If given the chance in the future, would you go from being a 100% biological human to a cyborg? If the technology was available would you consider transforming yourself into a fully non-biological entity?
Also, do you think that going from human to non-biological entity would be like going from an LP to a compact disc in the sense that just the platter and fidelity would change and not the tune, or would a person's humanity be replaced with something entirely different? Thanks,
macshune
I recently re-read your article "Mother Earth, Mother Board" in WIRED magazine, and it seems that a lot of research that you did for that article inspired you greatly. Many things that are touched upon in that there crop up throughout CRYPTONOMICON and the Baroque Cycle, are you planning on ever publishing a revised or expanding that article? I would love to about the research that went into the backround/backstory of those books.
ttyl
Farrell
CAN-CON 2019 - Ottawa's only book oriented Science Fiction Convention! October 18-20, Sheraton Hotel, Ottawa, Canada h
Since you're Neal Stephenson, I suspect the answer could be something like "surveys of ancient Sumerian accounting systems".
:)
If that's the case, please include a work of modern fiction or two in your list; something you think that a fan of your work might also enjoy.
Neal, In interviews I have read you have stated that during the writing of Cryptonomicon you discarded a third 'future' timeline. Is there any possibility of someday bringing that timeline to light? Do you feel that the contents of that timeline still pass muster given the changes in Cryptography and official power concentration since you wrote the novel?
I've read most of your books, and in each of them (I believe) you refer to "Japan" as "Nippon" and "Japanese" as "Nipponese". Is this purely an affectation, or do you seriously walk around around day to day and say, "Dang, those Nipponese cars sure have swell handling." Do people look at you funny when you toss that around? Is it an icebreaker? What's the deal?
blarg.
You programmed computers before you wrote novels. Greg Egan shares that hyphenated career, and continues to illustrate his stories with Java applets. Do you still program, possibly targeting the same subjects with your word processor as your compiler? As _Snow Crash_ was originally designed as an interactive game, and such landmarks as _Myst_ have regenerated as (usually bad) novels, do you see the arrival of a truly multimedia story, delivered simultaneously in multiple media, anytime soon? By whom, specifically or generally?
--
make install -not war
Neal, I would rather simply read your books than to try to independently model your brain through ontological questioning; however, if you were to suggest some unusual reading to a much younger version of yourself, what would it be?
One of the major themes in Cryptonomicon that carried over (in a big way) to The Baroque Cycle is money. You introduced some "futuristic" views of currency and of where money might be going in Cryptonomicon, and you skillfully managed to do the same thing, while explaining some of the history of modern monetary systems, in the most recent books.
You've obviously spent a lot of time thinking about money lately. Is there anything going on in the modern world with monetary systems (barter networks, for example) that you find particularly interesting? What do you see on the horizon with respect to money?
PS -- thanks for the great books!
When you wrote "In the Beginning was the Command Line" you were very much in love with BeOS. As nice as BeOS was, it is now mostly gone. Do you still use BeOS 5, or have you aquired YellowTab from Zeta? Or, instead have you embreaced the new UNIX based MacOS X as the OS you want to use when you "Just want to go to Disneyland"?
Jedidiah.
Craft Beer Programming T-shirts
I thought it was really interesting in Snow Crash how Juanita (a Catholic) doesn't believe the story of Jesus's resurrection. She claims that it was the Church's attempt to wrest back control of the religion. I'm not Christian but the very idea is really intriguing. Was there a particular source or research for this theory? What about your perspective on religion in general?
Classic era science fiction (Heinlein, Asimov, etc.) was notably more humanistic and positivistic in tone. In works from that era, the future was bright, challenges were overcome by clever individuals, and technology and science led humanity towards ever greater accomplishments. Now, however, science fiction tends to paint a much bleaker picture of the future (and present). Why do you think this is, and do you think this is an accurate representation of potential futures?
is going on 5 years old. The books investrigation into the history and utility of the various OS choices seems to have been inspired by your own search for a dependable word processor. Although it was widely reported that you reverted to pen (or quill) and paper for The Baroque Cycle, have your OS preferences and evaluations changed over the last 5 years? What OS do you personally find the most value in today?
Mr. Stephenson:
I greatly enjoy your travel stories, both non-fiction (Mother Earth, Motherboard) and in particular your descriptions of the Philipines in Cryptonomicon.
Can you share some of the ideas you've developed for savvy trav'lin? For instance, how do you deal with carrying sufficent technology (whatever level you deem this to be) while minimizing the risk of theft, breakage, or loss by other means? Do you dress native or carry your entire warddobe? [And broader, do you travel with something close to nothing, picking up necessary items as the need arises? What do you not leave home without?]
Do you carry any sort of self-defense means in some places, and if so What and Where?
Tim
jrnl: http://tinyurl.com/c2l8yr / foes: http://tinyurl.com/ckjno5
I've always admired writers whose style implies a certain work discipline, and I may be wrong but it seems as if you have a writing environment that does you wonders. As a world famous author, you have had the opportunity to work in some very interesting places.
My question(s) is(are) this: what is your ideal writing environment? Have you been to anywhere in particular in your travels, or have a writing setup/gig that has compelled you to really get words down, physically, ready for someone else to read?
; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
How can we coax intelligent, thinking types like yourself and Lessig onto the ticket?
Get thee glass eyes, and, like a scurvy politician, seem to see things thou dost not.--King Lear
First off, thank you for taking our questions; my wife and I are both big fans of your work. The Baroque Cycle is our bedtime reading material du jour, and we're eagerly awaiting your next book.
The endings of your book always seem to strike rather suddenly--once a resolution has been reached, your books simply stop. Setting aside whatever opinions people have about your distinct closing style, could you give us a bit of a glimpse into how you craft the endings of your books? Do you put a lot of work and thought into the final chapter of a book, or does it simply reach a point where you stand up and say, "there, it's done"?
Obliteracy: Words with explosions
Mr. Stephenson,
I have found your works to be both illuminating and invigorating. Having said that, why do you write? That is to say, Is there an overall guiding influence to your craft as a whole, and does that somehow inform what you set out to accomplish in each novel?
Kind Regards, Sergio A. Mora
Trust The Computer. The Computer is your friend.
Mr. Stephenson,
I have been reading and finding your books interesting. However, I was wondering if there was a prediction that you felt was going to happen, but didn't...and this surprised you to no end. Was there such a prediction and what was it?
Thank you.
Do you know why the road less traveled by is littered with the bones of the unwary?
How do you deal with the groupies? The people who nitpick technical details you missed, or simplified for plot reasons? How many non-spam emails from fans do you get on a normal day? How often are you recognized on the street?
In short, what's it like being a Rock Star to the Nerds?
Neal, at one point you were a coder. Eventually, you became a writer. There are many programmers on Slashdot -- do you recommend this path to them? How do you find writing English as a profession versus writing code as a profession?
May we never see th
Earlier in your career, I heard you compared to Arthur C. Clarke for your ability to present the thoughts, fantasies and concerns of the tech-bubble-white-collar in ways that not only entertained but enlightened (where Clarke was doing the same for the aerospace and technology engineers of the 50s). This was abstract and entertaining in Snow Crash, speculative in Diamond Age and bitingly believable in Cryptonomicon.
So my question is this: were the Baroque Cycle books just an excursion away from that synergy that you had with the high-tech common man, or the start of a long-term trend? Don't get me wrong; I'm not saying they were bad books (far from), just wondering how it fits in.
Okay, clear this up for us. I Enoch Root one man in both Cryptonomicon and the Baroque Cycle or several? In Cryptonomicon Enoch talks about his "religious order," and I posit that "Enoch" is some sort of (mortal) atificial construct with mind that can be transferred when that "body" wears out/is killed or what have you - a clone perhaps.
Are you ever going to clear up this mystery in another book or are you going to let us twist in the wind forever?
And just thanks for all the great writing over the years. Your books are what I pack on long trips and have kept me company in Poland, Russia, California, and an excruciating mid-December move from Chicago to Dubuque, Iowa. I'd like to make a special plug aimed at oter Slashdotters for the Wired article Hacker Tourist: Mother Earth Motherboard which kept me fascinated during a long trip up the Pacific Coast Highway in 1996. I'd buy your grocery list, man.
"Being Irish, he possessed an abiding sense of tragedy which sustained him through brief episodes of joy." -W. B.
As a historian it has been interesting for me to see you tackle historical subjects (and from my period to boot). Something which often pops up when I debate with my colleagues is the constraints that our profession puts on how we portray history in writing. The demand for concrete sources for everything we write often leaves us unable to put into writing some of our understanding and conceptions of historical societies and events.
So I wonder, how do you see us? Having gone from science fiction to historical novels, how do you view historians and how we write history?
Your books always seem to be painstakingly researched. Which comes first, the desire to write the book which creates the need for the research, or the research inspiring you to write the book?
www.linux-skunkworks.com
You are the only science fiction author whose books I buy on sight, in hard cover, price-be-damned. That probably makes me a fan.
Whats books or authors do you consider invaluable to a person's accurate understanding of American history?
Eugene Debs: "Money constitutes no proper basis of civilization"
But -- if you could have ended them differently, what kind of alternate endings do you think you would have come up with?
Moderators and editors - PLEASE add this thought to the highly-moderated question earlier about Neal's endings. I'd rather hear this followup, rather than waste one of of 10-12 questions on a reiteration of "I'm happy with them the way they are".
----
WWJD...For a Klondike Bar?
What is the best - or most inspiring - book you ever read?
Follow-up question: what are you reading right now?
When?
How do you cope with the blank-page problem and times when the story seems to dry up in your mind? Does it ever happen to you?
...an Englishman in London.
Neil,
How do you see your books (Snow Crash in particular) fitting in with the greater social criticisms of our time? Is there a over arching point that you are trying to convey? How do you see your novels fitting in with the greater commentary of our culture as portrayed in cyberpunk?
Mikey
I've always been the kinda guy to fall for the girl dressed like an eskimo.
Do you think that your style has changed from cyberpunk/Snow Srash into a more historical fiction as in The Baroque style?
Will we see another future/cyberpunk novel, or is this a permanent change and if so, what would you attribute the change to?
There are very few novelists these days who write their novels in the present tense ("He gets up, goes to work"). Most people write in the time-honored past tense ("He got up, went to work.") style.
Why did you start using the present tense after writing your first two books (The Big U, Zodiac) in past? What does it do for you that past tense does not? Was it hard to get your novels accepted by the publisher because of the unexpected tense?
Editor Emeritus and Senior Writer, TeleRead.org
The Wikipedia lists you as a part-time advisor for Blue Origin, a company that is working to "develop a crewed, suborbital launch system." What is it that you do for them and has the recent winning of the X-Prize by the Spaceship One team had any effect on Blue Origin's plans? What are your visions of future private space flight?
http://www.rootstrikers.org/
First off-- thanks for coming to the national book fair. I enjoyed your talk and thanks for signing my copy of system of the world.
your 5 major works explore the rise and fall of the modern nation-state. The Baroque Cycle shows its genesis and rise (esp. vis a vis the development of centralized banking and modern financial systems), Crypnotomicon sows the seeds of its fall (untraceable tax havens through strong crypto and electronic "money") and Snowcrash and Diamond Age show a "post nation-state" world.
Was it always your intent to explore this theme way back when you were writing Snowcrash, or did it grow "organically" as you started working on new books?
Now that this theme has a beginning, middle and end, do you intend to continue exploring it in future books, or is it now "done" and time to move on to new subjects?
Here we are, over a decade later Snow Crash was published. MMORPGs seem to have brought the metaverse into reality yet it is not quite the metaverse we imagined. Other virtual worlds such as Second Life and Moove seem to be a step closer to the metaverse, but both lack the simplicity and core elements to attract a huge market on the same level as instant messaging has.
Without question, text based chat on IRC, AOL, instant messaging and elsewhere has played a major role in bringing the masses online. Ironically, in an age of high-powered video cards and broadband, internet communication it seems text-based communication still works the best. While text-based communication unquestionably has advantages over graphical forms of communication (ie, I can search usenet postings from years ago) there still are some disadvantages. Flame wars erupt on message boards over the misinterpreted connotation of an otherwise benign comment. The lack of body language and tone of voice seem to be the primary causes. In many cases, "call me now" is the only option to prevent a disaster.
What do you feel is standing in the way of the "true" metaverse becoming reality? Or is it only a matter of time before an innovative developer brings it to us? Also, how would you feel about Digital Rights Management in a metaverse? Do you think that DRM would encourage artists to create their own works, leading to a more diverse and vibrant metaverse, or would the world be better off without it?
How many times have you gotten a pizza for free because it took over 30 minutes?
And a follow-up, what do you take on it?
I am currently reading The Diamond Age.
And i've recently finished Highschool.
I was wondering what you think are the major flaws in the current western educational system.
And in what ways do you think it could be improved?
First, THANKS for your work! What I am curious about is the synergy that (at least to me) seems to exist between SciFi writers and real world technology. Writers can be inspired by new technology for creative ideas for stories, and at the same time, writer's imaginations seem to fuel a part of the creative/imagining process of technology. I guess my question would be: Do you see this happening, or is my own imagination running amuck? I read some of the older SciFi and see (and USE) some of the technology imagined by those writers, hear about astounding advances now, etc., yet I wonder Where do you (SciFi writers) see SciFi heading in view of TODAY'S technolgy?
Down With Slashdot BETA!!! I've been around the corner and seen the oliphant; you can only abuse me from your perspecti
...Cryptonomicon is 'Gravity's Rainbow' with some nerd references added, literary allusions removed and the serial numbers filed off. Stephenson has based his career on ripping-off Thomas Pychon for the mass audience so I think its unlikely at this late stage he is going to own up to a M&D comparison (although I can see where you are coming from on this obviously).
I was just browsing through some old issues of Wired and came across that article you wrote about laying cable in the pacific. ITBWT Command Line is also noteworthy nonfiction; do you have any other exercies in journalism or nonfiction in mind?
// I will show you fear in a handful of jellybeans.
As someone who switched majors from Comp Sci to English (Creative Writing), after reading Snow Crash, I'm interested to know how you view the novel in hindsight. In reading it the first time, I was blown away -- at the time it felt very much like that world was only a few decades a way, at most -- now, I re-read the book (about a dozen times now) simply for the fun factor and to study your style and the construction of your story, and I'm struck by the fact that I view a world like that as being highly highly unlikely. I'd be curious as to your opinion as to how the novel has stood the test of time, and what you'd do differently this time around.
blog |
In Cryptonomicon, what was the information contained in the punched sheets of gold foil? I never could find the answer to that question, and I've never run across anyone else who knew either.
In the Cryptonomicon, sometimes you use titles like Electric Till Corporation (IBM) or Finux(Linux), other times you just used the real world name like Microsoft or Mitsubishi. Were there a legal reason for using ETC instead of IBM, or was it a whim? What was the rational? Sangloth I'd appreciate any comment with a logical basis...it doesn't even have to agree with me.
I'm a big fan of your work. Your prose style has always reminded me of V/Lot 49 era Pynchon, which always left me wanting more. In fact, other than subject matter, your writing has always seemed a lot more like "serious" fiction than scifi to me. Who are some of the writers outside of scifi who have influenced your writing?
I enjoyed Cryptonomicon very much but I was constantly struck by similarites in theme and style to Thomas Pynchon's Gravity's Rainbow. Are you familiar with the book? Do you feel that Pynchon has had a significant effect on your work? Are the similarities intentional?
But I didn't get the chance. You seem to have a really excellent eye for culture in each of your books. The Victorians and Chinese in Diamond Age, the British in the Baroque cycle... Is there any culture in particular that's piqueing your interest right now, or that you feel more of an affinity for than any other?
To truly understand recursion, you must first truly understand recursion.
Hi.
I noticed in the first two Baroque cycle books that you're enchanted by the distillation of phosphorus from urine.
As a matter of fact, it is described in both books with a level of detail that suggests, shall we say, first hand knowlege of the process.
How much alchemical (and mathematical) tinkering do you do when researching your books? How do you go about researching such things...
solo binges of ravenously devouring of source materials, or do you seek out experts early on the process to point you in the right direction?
-Sgt.P.
I enjoyed you more when your stories were more concise. Is your current trend of longer stories a permanent fixture in your writing?
meh.
Mr. Stephenson,
In your books (Snow Crash and Diamond Age particularly, because they deal with the future) you discuss moral and physical systems of the world - how people organize themselves to optimize their well-being or achievement or how groups work to do so. How do you think the world will organize itself in the future?
Having read both Snow Crash and Cryptonomicon, I get the impression that you are aware that, as our society becomes more information-oriented, there will be more public and larger battles over the future of open information: both legally, as universities and companies are driven to protect (with patent and copyright) all discoveries and socially, as Peer-to-Peer and portable computing transforms the way we connect to one another.
May we hear what your opinion is over "intellectual property" -- copyright, patents, and so forth?
Do you like Japanese imports?
I believe the connection between the Past (Baroque Cycle), the Present (and recent past) in Cryptonomicon, and the Future (yet to be written?) will be made -- we're just in the middle of it. Enoch Root *is* the same character in the Baroque books and Crypto -- that's what makes them all sci-fi. My guess is that he's a time traveler, though others have their opinions.
The intricate family connections also lead me to believe that the story will continue in the future, not only with the Shaftoes and Waterhouses, but the Kivistiks, von Hacklhebers, and the owners of the Bomb and Grapnel as well. In all, Enoch is the key.
So, my question to Mr. Stephenson: Neal, can you confirm or deny?
The question: Children today interface more directly with technology by bypassing some of the metaphor elements of a GUI (i.e. kids learn how to use a computer without ever touching a typewriter and know that the "desktop" is really just a folder in a file directory). Where do you see this phenomenon leading, as younger generations learn to work with technology and associated concepts with less "intermediation"? Is this something "new", or is this the classic "older people are less willing to adopt innovative technologies"?
Neal,
Do you write towards a goal or is the goal, the completion of a book/series, formed as you write?
Regards,
Scott.
One of the things I've seen in many of your books is the disconnect between an engineering mindset and a business/marketing mindset. Few characters (and few real people, IMHO) have the ability to think in both of these fields.
How far back do you think this disconnect goes? Were there, (in your opinion), badly socialized Cavemen engineers inventing wheels, and Pointy-Headed Caveman Bosses who grabbed those wheels and rolled them down on top of the Cavemen of the Valley?
Or was the "engineer" mindset created only with the rise of business/industry in the modern style; akin to the theory that Serial Killers are a creation of the 19th/20th century ?
From the beginning of the Internet, information has gone from being open to proprietary to closed. The DMCA has made more information illegal due to locking it and making keys illegal instead of establishing the trade secret status or copyright of the information inside. As predicted by many SF writers, people have begun to trust computers to keep real secrets. Hackers, once lauded for their abilities, are now feared for them. Diebold, for example, got embarrassed badly by having their secrets uncovered. How do you believe governments will deal with unpredictable hackers who suddenly have such powers?
-Those who would give up essential liberty to purchase temporary safety deserve neither. -Ben Franklin
Is "Cryptonomicon" in any way inspired by Thomas Pynchons "Gravity's Rainbow"? While reading "Cryptonomicon", I noticed that some aspects of the book resembled some parts of Thomas Pynchons book "Gravity's Rainbow", they share parts of the humour (Cryptonomicons Giant lizards during the drug/dilerium trips) or the WW2 timeline, and both are written in a postmodernistic style. After searching a bit on the net I saw that many other people noticed this. While "Cryptonomicon" being not so philosophical and linguistic complex structured as "Gravity's Rainbow" (and thus IMO not in the same class as "Gravity's Rainbow"), it still gives a feeling of allusion to "Gravity's Rainbow" to me.
I was jolted by the ending too, but then I realized he really did end it the way it should be ended. I'll explain my take on it below, but first let me point out that I'm going to be discussing major spoilers, so if you haven't read the book--- WHY ARE YOU READING THIS ANYWAY?
OK, with that out of the way, here's the ending: Nell, Miranda, and Carl are pulled out of the water by the mouse army. A church bell rings. The end.
Now here is what happens next: The Celestial Kingdom achieved its goal and equilibrium begins again between the phyles. Miranda marries Carl, they both become the parents for Nell she always wanted, Nell is now queen of a brand new phyle, and she can go on to whatever she wants to do as she deals with the other phyles in trade and negotiations. Hackworth is no longer needed and the book wasn't about him, a big hint for which is given in the subtitle of the book that talks about a "Young Lady."
All of the above is implied in the book. Nell was trying to find her "mother." She found her. Carl was trying to find Miranda. He found her. Nell was trying to solve the primer. She solved it. The mouse army needed to find their queen. They found her. The struggle between the phyles needed to move to a new level of equilibrium. It did. Finkle-McGraw wanted to figure out how best to use the primer. He figured it out. The end.
The only thing Neal Stephenson didn't do was spell all this out at the end. He merely implied it by noting what the characters were seeking, and then showed they each found what they sought. Bells play. The end.
(Please note that I've not finished the System of the World yet)
The conspiracy in the World War II period of Cryptonomicon travels halfway around the world with a large amount of solid gold punch cards. While the cards are being transfered, Rudy notes that the information on the gold is quite valuable; this makes sense as one wouldn't use gold to make punch cards unless the information you wanted to put on them was more valuable than the gold. These punch cards go down with their submarine, but are then later brought up by the Saftoes. Randy notices that the gold has been punched, but no mention is made of the cards after that point.
What's on those cards?
When reading good books, I like to complement them with good music, and occassionally, the music matches up quite well, as a soundtrack for the book. When I read "Snow Crash", I was listening to The Orb's "Cydonia", among others.
Do you listen to music while writing? Do you find yourself listening to the same small group of CD's, to help build a mood? If so, which ones?
It would be nice to find out what albums, songs or streams (who listens to radio anymore?) my favorite authors listen to while working, so I can listen along, and have the same listening soundtrack as you did in writing it.
In my view, In the Beginning Was the Command Line is one of the most important documents of hacker culture ever produced -- it endows hackers with a sort of technological cosmology, explaining our activity in terms of broader cultural trends (in the real world) and consequently giving us a rather privileged position in the universe. I periodically re-read it, devotionally, as if it were a religious text. I sent a copy to a non-technical writer and she described it as "downright erotic".
Apart from the sacred text, your novels also serve as a shared hacker mythology, honestly capturing the experience of being a geek in the midst of stories that are just really really good.
Contrasted with the works of more consciously self-important hackers (eg. esr), your writings seem even more important because you don't seem to intend them to be. If hacking is a meritocracy, then so is writing about hacking, and your place in the pantheon has undoubtedly been earned.
My question, then, is how you view your own relationship to the "hacker community", especially vis-a-vis esr and others who explicitly position themselves as "hacker anthropologists", and whether you consciously conceive of your role as storyteller and mythmaker... or whether you're just an geek who writes geeky things and happily discovered that other people wanted to read them.
When I first read Snow Crash, I was struck by the use of "Nippon" and "Nipponese." In my ignorance at the time, someone had to tell me that Nippon is the "real" name of what most Americans know as Japan. In the Snow Crash universe, I assumed that using the name Nippon instead was a bit of cleverness, revealing that, in this version of the future, the island nation had gained enough international influence to get everyone to call it by the preferred name.
However, in Cryptonomicon you keep up the pattern despite the novel being set in the past and present. Even if soldiers in the Pacific theater of WWII preferred the slang "nips" to "japs," I find it difficult to accept that Randy Waterhouse and his techie friends not only say "Nippon" and "Nipponese", but that Randy even thinks in those terms.
Do you know something that I don't about how people think and talk about Japan/Nippon, or are you trying to bring your readers around to your own preferred terminology through good, old-fashioned immersion?
I wish that my inferiority complex were as good as yours.
-RenderHead
First off, I want to thank you for taking the time to answer a few questions for the slashdot crowd. Most of us know from reading your web page that you take your time very seriously, and rarely respond directly to inquiries from fans.
That being said, is this the best way to intelligently interact with your fans? In other words, do you believe that the slashdot moderation system, with which I'll assume you are familiar, truly pushes up the most interesting questions to the fore? Can you imagine an alternative way for a celebrity to engage in profound discourse with his fans in this many-to-one relationship?
The only true currency in this bankrupt world is what we share with someone else when we're uncool. -Crowe
Medicine. Penacilin would become more than worth its weight in gold.
I still have more fans than freaks. WTF is wrong with you people?
As you're well aware, the most "dangerous" aspect of strong crypto isn't it's use at the hands of Osama Yo Mama and company, it's in the ability to do private unregulated and international wire transfers that could cripple the US income tax system.
The question is, how far will the US Gov't go to cripple crypto, and what are they doing now?
Item: we know Microsoft got off way light at the hands of the US-DOJ. Is that because the gov't wants to encourage and popularize the sort of pathetic security Windows is famous for? Was there a quid pro quo between M$ and the NSA involving Windows backdoors?
Item: voting machines. The top four vendors of electronic voting systems (ES&S, Diebold, Sequoia, Hart Intercivic) all run Windows as components and they all...well, suck. We know more about Diebold because we actually have the code available for download and test (google my name "Jim March" and "Diebold") due to an idiotic open FTP site on their part. The point here is that even in this app that screams "security!", piss-poor or completely missing crypto was tolerated and even promoted.
We could go on for days.
Thoughts?
(And a followup: given that Cryptonomicon brought this issue to public view more than any other document in history in my opinion, have you been pressured officially as a result? I consider it one of the two most "wonderfully subversive" novels written lately; the author of the other (John Ross of "Unintended Consequences") has indeed been harassed (by the BATF).)
A Novel Idea Have you ever considered a novel that would dramatize 17th century plans to build a space chariot out of springs, feathers and gunpowder? The design could be based on the idea that gravity disappeared at an altitude of 20 miles, which was called into question by Hooke and Boyle.
Read the EFF's Fair Use FAQ
When Be gave up the ghost, one of the fre innovators left in the OS market died, but at the same time Apple moved to its BSD-based OS X.
Do you think that OS X, with Aqua and apple's many consumer-friendly apps, in combination with the BSD-based Darwin is the present-day successful analoge to Be?
And just out of curiousity, since you had a BeBox at the time, what do you use now?
e to the pi i plus one equals zero
Snow Crash seems to be the best known, if not the most popular one of your "pure" sci-fi books. Do you have an understanding of why this is? Is it because the release of Snow Crash was perfectly aligned with the rise of the cyber-punk genre? I always found Diamond Age to be a much more fascinating and visionary novel than Snow Crash. Do you happen to like any one of these two books better than the other one? Or asking an author to choose between to books is like asking a mother to choose betwen two kids?
Maybe open up the field a bit? e.g. a free-for-all with
William Gibson, Rudy Rucker, Bruce Sterling and the
(reanimated) Douglas Adams and Philip K Dick?
(Aldous Huxley, George Orwell and Jules Verne could
referee and award points.)
How (much) do current events play a role in shaping the different aspects of your works-in-progress?
and now back to the fallout shelter...
In the time of R.A. Heinlein, Zelanzny, Assimov, and the other cornerstone writers, people would read SF who would not normally read fiction set in a different world or fiction that required a suspension of disbelief simply because the books were well written, had good story lines and interesting social ideas. It seems that today, writers like that are increasingly rare. As a writer, what can be done to improve the standards of quality writing in the SF world, either by yourself or the community as a whole?
Honor belongs to those who dare, not to the critic who sits by and stares
Why is "The Big U" not in any of the 'also by' lists? And what the hell happened at the Top Hat in Missoula that was so great?
This post approved by Shampoo.
Dear Neal,
In The System of the World you have the confrontation between Leibnitz and Newton (or rather their worldviews) with Princess Caroline as referee and Waterhouse as linejudge.
While Newton's is the best known, with a mechanistic world, set in motion by the great Clockmaker, (at least in my simplistic interpretation), Leibnitz's is not as well known, and much harder for me to grasp, not having been exposed to it in school. Leibnitz seems to imply a higher order guiding the interactions of things all the way down to atoms, or monads; with things knowing not only what to do, but perhaps the right, as in moral, things to do.
Princess Caroline properly fears the ruin of the world at the hands of Newton's disciples, in what seems to me to be a foreshadowing of the dangers of science run rampant, with nuclear destruction at the top of the heap.
Do you share Caroline's fears, and what do you see as the anodyne to the Newtonian worldview? Does Quantum uncertainty enter into the answer? Do you think that Leibnitz's worldview offers any insight today?
Finally, do you agree with Waterhouse that all the intellectual creativity of the people and times you present so well in the Baroque Cycle is merely the product of chemical processes, or do you feel that something more is going on, (which seems to be where Leibnitz, and Newton in his own way, were headed)?
Tom Porter
I understand that Snow Crash was initially to be a graphic novel. Has there been any consideration given to producing it as a movie?
How Politicians Lie: http://www.factcheck.org/
Are we ever going to find out the whole story of Enoch Root?
Will Enoch Root turn up in future novels?
Do you view yourself more as an entertainment novelist or an educational novelist? (Not that the two are mutually exclusive).
I ask this, because I always seem to come from your books with more knowledge then when I start. (Esp the Baroque cycle).
Do you subscribe to any of the Singularity theories of Vernor Vinge, and do you agree with his timeline estimates?
this isn't a sig. i type this (including the two dashes), every time i post, just to make it look like a sig.
In this famous essay you say "The ideal OS for me would be one that had a well-designed GUI that was easy to set up and use, but that included terminal windows where I could revert to the command line interface, and run GNU software, when it made sense. A few years ago, Be Inc. invented exactly that OS. It is called the BeOS." It seems that if you wrote the Command Line Essay now you would find Mac OS X to be you ideal OS. Is that true?
Hi Neal!
I'm not a devourer of sci-fi, but I have read a few of your works, including Cryptonomicon.
I really enjoyed Shaftoe's thread in the story, and the whole wacky Misinformation Squad the WWII characters ended up in. I felt that you really portrayed the guts of our veterans in Shaftoe. Lots of people die in war, and Shaftoe seemed to be the romantic character who never hesitated to do his duty, and do everything with all the heart and gusto he had, though he was doomed to never enjoy what most of us take for granted. And spew some damn colorful language while he did so.
What was your inspiration for Shaftoe's character and that thread of the story?
I'm curious, and perhaps this is a question better suited for a more general discussion on writing at some sort of book store workshop, but i don't have time for any of that crap.
What is the actual process (as far as you would care to share) in writing a novel as information dense as cryptonomicon or the baroque cycle books are ?
when coding, I start with an idea for a useful tool in a gestalt view kind of way, then slowly begin thinking of the various functions and calls that need to be made to get the job done, then i make big-assed charts that help me to get from point 'A" to point "Paycheck.."
I assume that you start with a few character concepts and an bigger idea of what the book is going to be 'about', but what is the pre-production organizational process like when you get to work?
how much time do you spend in this phase, or does it continue throughout ?