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Interview with MPAA Chief Dan Glickman

farmerbuzz writes "USAToday has an interview with Dan Glickman (Jack Valenti's replacement as the CEO of the MPAA) where he announces that the MPAA will begin suing movie downloaders. An interesting point brought up in the interview: 'At the time the RIAA announced its lawsuits, it said music sales had fallen 25% over a three-year period. The MPAA is in a much different situation. Box office receipts aren't down at all -- 2003's figures were $9.5 billion, the second biggest in history.'"

57 of 476 comments (clear)

  1. Fuzzy math by DeepFried · · Score: 5, Insightful

    I find it odd that people cite the MPAA figures for lost revenue. These figures assume that all of this media would have been purchased had they not been "stolen." IANAAccountant but I think that their figures could be reduced by a factor of a hundred to get closer to the actual losses.

    --


    Who is General Failure, and why is he reading my hard disk?
    1. Re:Fuzzy math by superpulpsicle · · Score: 4, Insightful

      The entire MPAA, RIAA and every other one of these lawsuit SCO-wannabe organizations have no idea what they are up against.

      I have bought TONS of songs via iTunes, and I can tell you that I am ashamed to have spent $16 in the past per CD with 2 good songs because that's all they would market to me.

      There are so many artists out there with great music, and probably great indie films too. You'll never get exposure to these great media as long as the record companies and MPAA have their way.

    2. Re:Fuzzy math by bludstone · · Score: 4, Insightful

      Has anyone really ever asked these people "Do you really think that all the Movies/Songs that are lost sales? I mean, isnt that a bit presumptuous? Some people bootleg dozens of albums they couldnt afford to begin with. How can you justify calling these lost sales, when the people didnt have the money, and were not going to pay for them in the first place?"

      --

      no .sig
    3. Re:Fuzzy math by mikecito · · Score: 5, Insightful

      Look - it's simple. Pay 24.99/month at BlockBuster, as many free rentals as you want. Done. My wife and I pay for the service, and I haven't even felt the urge to download anything when it's free a block away in dvd-quality.

      Of course, you still have the problem of movies not out on dvd. In that case, go to a matinee if you can't wait the 6 months. $4 later you've had a better experience anyway.

      My two cents.

    4. Re:Fuzzy math by Anonymous Coward · · Score: 2, Insightful
      It doesn't matter. The cost of consuming that media is set by the owners. By consuming it, whether you would have paid for it or not, is a lost sale since you did not pay the price they set for it. Here's a simple solution: first everyone realize that you have no right to be entertained. second, stop entertaining yourself with stuff you aren't willing to pay for.

      Here's two scenarios:

      1) people dl stuff off the web, people stop buying it, execs scratch their heads and say, "it's not our fault! It's the pirates fault! Legislate!!"

      2) people don't dl stuff off the web, people stop buying it, execs scratch their heads and say, "uhh.. it's pira...uh, no.... hmmm....crud."

      Jesus christ people, stop being consumer sheep and stop downloading stuff it isn't worth paying for. THAT is how you will drive these people out of business. Downloading stuff HELPS THEM by giving them congressional leverage.

    5. Re:Fuzzy math by bludstone · · Score: 3, Insightful

      Because copyright infringement isnt stealing. Its copying.

      Secondly, noone is being denied any money, whatsoever. Noone put money into this distribution, and noone is making money from it. If someone wanted the cd, and could afford it, they would buy it. An mp3 is not a cd. A cd is a cd. Sorry.

      Also, your logic, and the RIAA's is standing in the way of the greatest social and creative revolution in history. Creative works are built atop old creative works. (ask disney)

      In this country, there are kinds of brilliant music that are ILLEGAL and people get sued for. (DJ Dangermouse's Grey album)

      That alone is extremely disturbing. Music should not be illegal.

      --

      no .sig
    6. Re:Fuzzy math by tsg · · Score: 2, Insightful

      If Joe stole a Ferarri

      Classic Fallacy: copyrighted content is not a rivalrous resource. Comparing it to rivalrous resources is a fundamental flaw and completely invalidates the argument.

      Why should Joe have the privledge of enjoying music/movies/anything that he can't pay for?

      Because it doesn't cost them anything for him to do so.

      Copyright was invented for the sole purpose of encouraging people to share their creative works with others. The ability to profit from those works is the incentive, not the goal, and it was never designed to be perfect control.

      Ideally, the producers of copyrighted works need only be paid just enough to make the producing worthwhile. Guess what, they're still producing. Despite the "rampant piracy", Hollywood is still making movies, authors are still writing, musicians are still composing. They are evidently making enough money to make it worthwhile. As long as they are, who gives a shit if another million copies go unpaid for? It doesn't cost them a dime.

      --
      People's desire to believe they are right is much stronger than their desire to be right.
    7. Re:Fuzzy math by Anonymous Coward · · Score: 1, Insightful

      The MPAA is worried about downloading not because of revenue, but because of the loss of control. Consumers (pirates, downloaders, theifs, whatever) now can try before they buy. Instead of going to a cinema or rental/buying a DVD, they can watch it and DECIDE whether or not they like the movie. The fact that the MPAA may have to start making good movies scares them.

    8. Re:Fuzzy math by Mojojojo+Monkey+Inc. · · Score: 2, Insightful

      You must have a different definition of the word "free" than the rest of the English-speaking world. You are paying ($24.99/(number of rentals)) for each movie you watch. If you watch a movie every Friday & Saturday night, you're still paying around $3 per rental, which is pretty much what it would cost you if you got one movie at a time at most places.

      Now if you don't go out often, or have kids or a large extended family to share the cost with then it certainly could be economical for you. However, I don't even know if I could find 8 new movies each month that were worth my time to watch... let alone signing up for a subscription service and watching over 10 movies a month to make the "obligation" worth it.

      So, useful for some, but probably not economical for most people.

    9. Re:Fuzzy math by winwar · · Score: 2, Insightful

      "Now you can argue that there is some "theater experience", but for me that experience is only enjoyable under the rarest of circumstances. We only have a 27" TV at home, and it is fine for movies."

      Well, I suspect I go to more movies than you and to ME there is a massive difference between a movie on a 27inch screen and a theater screen. The theater experience is better in many ways than watching the film at home-assuming that it takes advantage of the large screen and to a lesser extent the sound and crowd (yes, I said audience). Look, I have been to movies where the various sounds from the audience distracted me, but often the audience HELPS the experience. Not always. Watching at home is a different experience. Of course, if you are not interested in movies that have extensive sound effects or expansive scenery, then it probably WON'T matter where you see the movie....

      "I know people who go see movies almost every weekend, regardless of what is playing. I hope one day that the United States of Consumerism wakes up."

      Granted, I am more selective when I have to pay more money, but I go to be entertained-if I don't think the movie will be entertaining (or worth the price of a couple of rentals). I don't really want to think during a movie-I do that in my job and research and rest of my life. Movies also tend to be a social event for younger people-the movie isn't the most important thing anyway.

      And putting out crap is NOT NEW. It has ALWAYS happened since the beginning of movies.

    10. Re:Fuzzy math by Anonymous Coward · · Score: 1, Insightful

      Check out GreenCine. $19.99 a month, and they carry mainstream, indie, anime, and porn! Everything you need, nothing you don't.

      Nope... I see anime, but not the series I want to watch. Admittedly most of those aren't available in America (and I'm not just talking about Naruto fansubs here, I'm talking stuff that none of the American companies seem to be interested in licensing), and the MPAA probably doesn't care about me downloading stuff that you can't get in America...

      Hey, wait a sec, I don't even live in America myself. Why am I worried?

    11. Re:Fuzzy math by ePhil_One · · Score: 2, Insightful
      The studio made huge bucks off of it decades ago. Why is the MPAA still entitled to constantly more money?

      For the record, the MPAA doesn't make money off it. The MPAA get paid by the studios to act in the general interests of the movie industry, studios contribute based on some formula that takes their size into account.

      The studio that made the movie makes the money off the re-release, and depending on how the contracts were written, the actors heirs would get their cut if need be. But this is a good example. The studio likely remastered the movie for the DVD release, tracking down several copies and and putting effort into making the disc a clean copy. If they didn't have the copyright protection, why would they go through all that effort? Your kids would never see Casablanca except as a grainy TV movie with bad sound and comercial breaks. Will the studio make millions on this DVD? Doubtful, while there is a small set of buffs that will plunk down $25 for a classic like that, will it be enough to offset the quarter million spent on the remastering effort, after retail, distribution, manufacturing, etc. costs are deducted? Maybe, Maybe not. Really, what your alternative? A DVD rip of a TV broadcast? Or Tony the Toenail making money buy selling you a copy made from a local theater showing?

      --
      You are in a maze of twisted little posts, all alike.
    12. Re:Fuzzy math by ePhil_One · · Score: 2, Insightful
      The he would be depriving the original owner of the Ferarri of his car, which is definitely bad.

      Wheras if he returns it, all is well again? After all, he still has use of his Ferrari! Maybe Joe will give him some $$$ to compensate for the milage to drive down to the Kwik-E mart and pick up some hotties? That will surely make it All OK!

      The grandparents post point was that because Joe couldn't pay for the music, it was OK for him to download them. Perhaps a better analogy would be a Ferris wheel at an unpopular fair. Its half empty, but Joe can't afford a ride. Is it OK for him to walk up and hop on? Its going around anyway, there are paying customers on the ride. Doesn't really devalue the paying customers rides, but they notice what he did, as did lots of other fairgoers. Next year, nobody pays, the wheel is going round anyway, they don't want to be the only sucker who pays. Third year, the fair doesn't bother bringing the wheel, because nobody will pay to ride it, they expect it to be free.

      So, the ride operator seems to be seriously out of sync with how the public want to treat his service. He made his money back on his ferris wheel investment years ago, he should be giving out free rides by now. etc. etc.

      Personally I'd give copyrights 15 years, it smore than enough time to earn fair profit (most projects earn 99% of their lifetime income in the first two years) while allowing the public access to works that have become part of the cultural identity, such as the "Happy Birthday" song, or "Old Man and the Sea".

      --
      You are in a maze of twisted little posts, all alike.
    13. Re:Fuzzy math by Anonymous Coward · · Score: 1, Insightful

      Hmm... you write a story in class. It's a cool story, you really like it. Someone else thought it was cool, also, so they wrote their own story.

      Then it was published. And it made the author a zillion bucks, especially after the movies on it came out.

      "he stole my idea!" you cry. You still have your idea, no?

      Unless the other guy broke into your garage and stole your manuscripts, etc., he hasn't stolen anything from you. Misappropriated, yes. But stolen, no.

      Theft (hence, stealing) involves an unwilling zero-sum transfer of something from one entity to another. You lose something, the other person takes it from you.

      We're really getting into the specuous area of "opportunity cost" or Sun (or AT&T) accusing Mitnick of the value of documents he did not get properly from them was $80,000 worth, when the same information was for sale in the company bookstore for $30. Sorry, he illegally got $30 worth of stuff.

    14. Re:Fuzzy math by eam · · Score: 2, Insightful

      > However, I don't even know if I could find 8 new
      > movies each month that were worth my time to
      > watch... let alone signing up for a subscription
      > service and watching over 10 movies a month to
      > make the "obligation" worth it.

      I have kids, so I don't go out often ;-)

      I use Netflix, and my movie queue currently has about 250 movies in it. They aren't all new movies. Many are movies that I missed when they went through the theaters (oldest son is 6 years old, so I've missed about 6 years of movies). Some are movies that just didn't show up near me. The vast majority are older movies that I just want to see.

      I have the "3-at-a-time" service, which currently costs $17.99/month (as of 11/1/2004). If I return them on Monday, the next movies are here by Friday (actually, they usually show up on Wednesday or Thursday).

      If you assume that I can manage to rent 100 movies in a year (1 movie each Friday & Saturday night would be 104 movies/year), then the current cost per movie is about $2.16. For that price I don't have to leave my house to pick it up or return it, and I don't have to download it.

      Looking over my rental history from 9/24/01 to 8/17/04, I have averaged about 105 movies/year.

      In 2003, the total number of movies was 101. 2002 it was 125 (I changed from 4-at-a-time to 3-at-a-time last year). So far this year I've gotten through 88 movies.

  2. shake in your boots... by grub · · Score: 5, Insightful


    Will we totally obliterate piracy? No. But we have to make it as difficult as possible.

    Suing people won't make downloading "difficult". Perhaps a bit riskier for those people in the US who happen to do so.

    Regardless, I'm assuming they'll have to go to the ISPs individually with a court order for ID rather than the sweeping lawsuits the RIAA used?

    --
    Trolling is a art,
    1. Re:shake in your boots... by zurab · · Score: 4, Insightful
      Suing people won't make downloading "difficult".

      I've stated this several times before, but WTH, I'll do it again. The problem with the MPAA is the same problem with the RIAA - they are both cartels: they are not competing for a consumer dollar amongst each other, they are enforcing illegal trade restrictions, bribing congress for ridiculous laws that don't make sense, and seek more control of the market and revenues by any means to avoid business risks associated with free market and competition. Once you are down that path, there is no turning back unless something drastic happens in the industry.

      So, no, their strategy is definitely not making the downloading difficult - they are just ending up suing their best customers.

      Imagine now, what would make "piracy" really difficult is if there was any competition in the entertainment industry and consumers were getting what they really want. No, not the service that works on Windows media player only and you pay and download a "movie" that you can watch for the next 24 hours only on your computer. This is useless. What consumers want is a service that allows them to download a movie (in MPEG-4/XVid/DivX/Theora/whatever) for, say $5, burn it to any DVD easily and watch it on any DVD player of their choice. Imagine now if all this can be done many ways - using your computer, networked DVD players, DVRs, etc., etc. On top of that, how about making the deals with broadband providers to mirror the content for faster downloads? How about helping them deploy fiber optic cables for better and faster market acceptance and saturation?

      If not this way, find another way to deliver content and meet the existing and future demands of potential consumers. Let the market and the competition decide what method will win and what your consumers really want.

      Instead, the way the cartel is taking the industry and the "market" is paying legislators to try to pass mandated DRM schemes, CDBPTA (or whatever), INDUCE Act, broadcast flag, guaranteed tax revenues (while they are not paying their share of taxes), restricting fair trades, and best of all - suing their own customers.

      Will people ever say enough is enough and make their governments disband the illegal cartels?
  3. Which is it? by deemaunik · · Score: 0, Insightful
    "'At the time the RIAA announced its lawsuits, it said music sales had fallen 25% over a three-year period. The MPAA is in a much different situation. Box office receipts aren't down at all -- 2003's figures were $9.5 billion, the second biggest in history.'"

    Which is it, Music or Movie Sales? And if it's Music, what do Music sales have to do with Movie downloaders?

    1. Re:Which is it? by Twanfox · · Score: 2, Insightful

      2% rule here.

      It's called a comparison. The RIAA has sued file sharers. The MPAA is going to sue file sharers. The RIAA was in the position of having lost revenue. The MPAA is doing it more out of principle, as their revenue has not fallen.

      Looking at the two different organizations, one can see that the imperitives behind doing this are likely different, though the motivation is still a fat stack of $$'s.

  4. Comparison by Anonymous Coward · · Score: 3, Insightful

    Just out of curiosity...

    CD sales went down, but how about concert revenue?
    Movie box office went up, but how about DVD/VHS sales?

  5. Re:Keep those DVDs cheap boys... by Kenja · · Score: 4, Insightful
    "STOP MAKING SHITTY FUCKING MOVIES"

    If the movies are so bad why are people stealing them (sorry, infringing on their copywrite)? I bet I could find a torrent of Garfield the movie if I realy wanted to.

    --

    "Have you ever thought about just turning off the TV, sitting down with your kids, and hitting them?"
  6. Ive bought my last movie by nurb432 · · Score: 4, Insightful

    Since they are now going to be suing their customers, i will no longer be purchasing any of their films.

    I'm about ready to cancel my cable TV as well..

    Will my dropping off their cutomer roles hurt them? No.. but enough others follow me..

    --
    ---- Booth was a patriot ----
    1. Re:Ive bought my last movie by Pirogoeth · · Score: 2, Insightful

      The government tickets speeders. Are you going to stop driving as well?

      --
      Happiness is like peeing yourself. Everybody can see it but only you can feel its warmth.
    2. Re:Ive bought my last movie by interiot · · Score: 3, Insightful
      If you disagree with the policy decisions that the monopoly that controls roads makes, you can quite literally vote against the organization(s) who made those policy decisions.

      If you disagree with the policy decisions that the near-monopoly that controls movies, you have only one choice: "vote" with your wallet. It's probably even less effective, because you only have one ideology that you can vote for or against, rather than voting between two competing ideologies, but if you want to do something other than simply bitch about it on slashdot, clearly it's about the only choice you have.

  7. title by Malicious · · Score: 5, Insightful

    Profits are up as a result of raising movie ticket prices to make up for losses due to piracy...
    So stopping piracy will bring movie prices below $12/show right? Riiiiiiiight???
    When it costs as much to see the movie in the theater as you can OWN the DVD for later on, it's a wonder they still make money at all.

    --
    01101001001000000110000101101101001000000110001001 10000101110100011011010110000101101110
  8. Mr. 3000 by mopslik · · Score: 5, Insightful

    I found the real explanation here, nestled between paragraphs...

    "We know there are losses. We believe we're losing $3.5 billion yearly."
    ...
    "My son Jon was executive producer of the recent film
    Mr. 3000."

    Hmmmm. Ever considered that part of that mysterious 3.5 billion dollars might have gone into making this stinker?

    In any case, Mr. Glickman does a wonderful job of not answering the question at all, and by pulling a random number out of the air.

  9. Lies and Damned Lies by Anonymous Coward · · Score: 2, Insightful

    The RIAA hasn't lost 25% of their sales.

    Sales of singles went down significantly.

    But...
    Its mostly because they stopped selling singles.

    Some of you buy into the crap that these people spout. I think its a joke, and those of buying into these lies should be ashamed of yourselves.

  10. Re:Keep those DVDs cheap boys... by Neil+Blender · · Score: 5, Insightful

    "STOP MAKING SHITTY FUCKING MOVIES"

    If the movies are so bad why are people stealing them (sorry, infringing on their copywrite)?


    It's the Slashdot version of the Goodwin law. When all else fails, justify theft by claiming that whatever you are stealing sucks.

  11. MPAA Shouldn't be losing money. by rmadmin · · Score: 4, Insightful

    Music sounds the same from an MP3 as it does from a CD. However, I enjoy movies ALOT better on a HUGE projector screen than on my 17" monitor. :-)

    1. Re:MPAA Shouldn't be losing money. by carpe_noctem · · Score: 2, Insightful

      A much better analogy here would be a live concert vs. mp3 downloads. Nonetheless, I agree with you here, and this is why it's been about 3 years since I've bought a CD. However, I DJ techno, and my appetite for buying good vinyl is hard to satisfy.

      But there's a big difference here, which is that a record has physical worth to me. Sure, good vinyl costs about 10$/ea, and you only get anywhere from 1-6 songs (most dance records have about 2-4). It's well worth the money, imo, because spinning from software mp3's just doesn't match the feel of vinyl underneath your fingers, and it doesn't sound nearly the same.

      Granted, not everyone's in my boat. However, most people forget that vinyl was hands down a better deal that CD's. The audio quality is (arguably) better, most of them came with full liner notes, posters, and artwork on the cover. A CD, in comparison, costs twice as much, sounds identical to mp3 rips, and you get a cheap plastic case and small, fold-out picture of the band with tiny printed lyrics (if you're lucky).

      The problem with the music industry is that people have no reason to buy CD's... what do they possibly offer the consumer that they can't get on mp3? The movie industry was smart enough to realize that DVD's needed to offer some type of extra incentive for people, and the fact that DVD's have audio commentaries, extra features, and all sorts of other goodies is reason enough for me to buy them.

      CD's, on the other hand, are still worthless. And they will continue to be so until the RIAA comes up with something more compelling than an 18$ plasticated version of a radio one-hit-wonder. God only knows why CD's don't have band interviews, patches/shirts, or other little goodies.

      And they wonder why they're still running out of busines....

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
  12. Spare me the heart tugging bullshit by Timesprout · · Score: 4, Insightful

    It comes across more like genital tugging. When I see heads of organisations like this attempting to paint their business opeations as something the head dude feels morally compelled to do because his child asked him I immediately switch to total cynic mode and am immediately sure there is another agenda.

    --
    Do not try to read the dupe, thats impossible. Instead, only try to realize the truth
    What truth?
    There is no dupe
  13. Value of movies, lost revenues and lost paradise. by Andr0s · · Score: 5, Insightful

    Several points.

    A) In the past few years, Cable TV, view-on-demand, pay-per-view, TiVo and gang have proliferated. Massively. That means that single-viewing of movies became cheaper. Meaning that people can finally see CatWoman for a dollar before blowing $25 on the DVD. Thus, triage has gotten tougher, and crappy movies can't sell DVDs on title alone, anymore, in quantities they used to.

    B) Suing downloaders has nothing to do with lost revenue. Lawsuits are, in the modern world, more frequently made to acquire profits than to compensate for losses. SCO would've NEVER generated income based on its alleged properties on the scale of some of companies whom it is suing. It is far easier, and cheaper in the terms of production expenses, to sue someone than to turn out a new product.

    C) Suing downloaders, most likely, doesn't have 'making profit' as a primary goal. Most students and high schoolers can't pay tens of thousands of dollars of damages. No. Goal is Shock and Awe assault on offenders. Smack a hundred of them with lawsuits, and others would back off. At least in theory.

    In the end, it all comes down to the fact modern movie costs are overblown. If an actor gets paid several mil. dollars for half a year of half-assed work, and you have several of those actors to pay, then add to that a million other overblown expense issues... Holywood really needs some budget lessons.

    --
    '...computers in the future may have only 1000 vacuum tubes and perhaps weigh 1.5 tons...' Popular Mechanics, 03/49'
  14. Re:Keep those DVDs cheap boys... by grub · · Score: 3, Insightful


    I know that some people here don't like the fact of "I'm not going to pay $9/ticket to see a movie but I'll download it for free" issue but it does exist.

    I'm one of those people.

    Not all movies. We have a "rule of thumb" that unless it gets a 7.0 or higher on IMDB (my peers, so to speak) we just don't go or download it. That all said, we rent DVDs once in a while yet very few of those are worth the effort to copy with DVD Shrink to DVD-R. Most recent movies are so-so one time views, that is what I think they're trying to grasp onto.

    --
    Trolling is a art,
  15. Re:Keep those DVDs cheap boys... by John+Seminal · · Score: 2, Insightful
    Perhaps you should learn to embrace the wants and needs of the consumers and be less worried about pissing everyone off.

    Funny you mention this, because I just finished reading Peter Lynch's "Beating The Street". His #1 criteria for picking stocks to buy???--- That the company gives the consumers something they want. That way there will be a long prosperous history of sales. Otherwise the company will dwindle and die. I think if the MPAA goes the way of fighting consumers, alternative sources of entertainment will be found.

    --

    Rosco: "If brains were gunpowder, Enos couldn't blow his nose."

  16. Bad Analogy by nurb432 · · Score: 2, Insightful

    Different case. Different issues.

    1 is a case of public safety.
    2 is a case of a debatable civil issue.

    --
    ---- Booth was a patriot ----
  17. Re:Keep those DVDs cheap boys... by CodeWanker · · Score: 1, Insightful

    Golly, Garcia. If the movies are "SHITTY FUCKING" then don't, uh, download them illegally? If they're that bad, don't watch them.

    All your raving is misfocused. People shouldn't pay to watch "SHITTY FUCKING" movies? No, people just shouldn't watch "SHITTY FUCKING" movies. Stealing something "SHITTY FUCKING" is still stealing.

    "In fact, it turns me off more than anything." Well, good for you. Honest people can only relate anecdotes from what they know. If you can't relate to the anecdotes, then I only hope you could see his arguments without them.

    Now, for a brief economics lesson: studios have to make movies that cost $100 million plus because they have billions of dollars. The truth is they'd love to make great movies with that money, but they have to get a return on their investment. This isn't consumers being limited by the studios: it's the studios responding to the market. I would much rather have my daughter see "The Secret of Roan Inish" than watching some mindless Olsen Twins vehicle. Guess what? Not many other people felt that way, or thay would have bought enough tickets to "Roan Inish" to prove movies like that are worthwhile investments.

    McDonald's makes hamburgers because - surprise! - lots of people like hamburgers.

    But, getting back to the price tag: a studio has to make big budget movies because they've only got a limited number of film crews, and they have to get a return on ALL their money. If I've got to invest two billion dollars this year, do I make 20 big films or 400 small ones? When the 400 small ones would force me to 1) Investigate 20 times the scripts (not just for quality, but legal rights) 2) build 20 times my existing soundstages 3) hire and equip 20 times the crews and 4) develop 20 times the marketing campaigns?

    You wanna see what piracy gets ya? Move to Malaysia for a few years. They will NEVER come up with a major, world-enhancing piece of intellectual property because it gets STOLEN as soon as it appears. Sorry.

    And while I can't recommend Anger Management the "SHITTY FUCKING" movie I can recommend Anger Management counselling to you.

    --


    "Wow. Now THAT'S a lot of angry Indians." - Lt. Col. George Armstrong Custer
  18. Re:Keep those DVDs cheap boys... by Spudnuts · · Score: 5, Insightful

    What are you going to do about it, Dad?

    Too bad the answer wasn't "Hold out for you to produce a movie that's worth protecting."

  19. Re:HA! by burns210 · · Score: 2, Insightful

    What are you talking about? Copyright infringement doesn't have to involve money, making illegal copies, or redistributing copywritten material, without permission, is illegal. Doesn't matter if you make a profit, the rules are the rules.

  20. We should be applauding this by Ryan+C. · · Score: 4, Insightful

    The fact that the RIAA and MPAA are now going after the people breaking copyright law instead of writing legislation aimed at crippling technology and suing service providers is a good thing.

    Now, of course there are still some stupid hybrid technological/legal measures they're pushing like 5C encryption and the broadcast flag. But if unlawful uses of file sharing/copying/archiving diminish due to fear of individual suits, then legitimate fair use will become a significant part of what is being prevented by these measures and they'll hopefully stop or be forced to stop them. Hopefully.

    --
    -Ryan C.
  21. Yay for nepotism by pVoid · · Score: 3, Insightful
    Q: To follow up on that, piracy has even negatively affected your family, correct?

    A: My son Jon was executive producer of the recent film Mr. 3000. A few days after the film was released, a member of my staff found it being sold as a DVD just a few blocks from our offices. I called my son to give him the bad news, and he told me this is happening to all the current films. And then he said, "And what are you going to do about it, Dad?"

    I can't believe he's actually proud to bring that up. I just can't believe it. It's almost as perverted as the fact that Dubya can call on Jeb or his Dadda to get him whatever he wants.

    Man, America is going down the pipes in fifth gear, and nobody's doing anything about it.

    <RANT> All you pacifist liberals/lefties/intellos/geeks who like to shit on Micheal Moore because you think it's more intellectual to be able to shit on your own camp (ref. Team America, World Police)... you'd better get off your starbucks drinking asses and get something done, and fast...

    I grew up in several countries and continents through my life. Namely, Canada, Turkey and France. I clearly remember in my younger years how the US was in fact something of an ideal. An actual land of the free. You may not realize it but this is changing fast. It actually boggles my mind that such a deep cultural change could sweep the globe so fast.

    </RANT>

    PS. FUCK KARMA!

  22. You have no idea what you are talking about. by pavon · · Score: 4, Insightful
    From the US copyright code:

    106. Exclusive rights in copyrighted works

    Subject to sections 107 through 122, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:

    (1) to reproduce the copyrighted work in copies or phonorecords;

    (2) to prepare derivative works based upon the copyrighted work;

    (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending;

    (4) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly;

    (5) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work, to display the copyrighted work publicly; and

    (6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.


    Distributing other peoples works without thier permission is indeed against the law and has been for a couple hundred years. The only difference that selling makes is that it then becomes a criminal offense instead of just a civil one.
  23. Re:The payoff comes later. by Arcturax · · Score: 1, Insightful

    While I can believe you on the music, I'd really like to know where you found that copy of Beyond Castle Wolfeinstein for the IIe still for sale.

    --

    --Won't that be grand? Computers and the programs will start thinking and the people will stop. - Dr. Walter Gibbs
  24. Re:Keep those DVDs cheap boys... by TheSHAD0W · · Score: 2, Insightful

    If the movies are so bad why are people stealing them?

    Simple macroeconomics. The taco shop on the corner may make lousy tacos, and you'd never buy them at $1 apiece, or even on sale at 39 cents each. If they dropped the price to a nickel, though, even you might go over there for lunch just to save the money to get something else you want or need. Piracy reduces the cost of obtaining a movie to a few cents worth of bandwidth, and with modern PCs it doesn't even tie up the machine, you can run it in the background.

    But no, I wouldn't buy or download Garfield, even for free. :-P~

  25. Re:The payoff comes later. by metlin · · Score: 3, Insightful

    Isn't it common knowledge that the single most "stolen/pirated" thing out there in the electronic world is "Windows"? That really destroyed that company...

    The best part is that it really _helps_ Microsoft, because it brings about wider adoption.

    Do you think Microsoft really cares about that much about home piracy? Yeah, they do come up with all these policies and strategies to counter that - but in truth, it just brings about more people using Windows.

    That is an area where Opensource can really pitch in, IMHO.

  26. what about... by wurd · · Score: 2, Insightful

    ...those of us who simply don't like theaters? music is very different because you're listening to it (generally) under the same circumstances as you would if you had bought a CD. but for most movies, if you want to see them when they come out, you have to go to the theater, pay too much money, and tolerate a head in front of you, kicking feet and fidgety knees behind you. not to mention a fellow moviegoer who might enjoy announcing plot points. and my all time least favorite, applause. being in the theater for a movie is rarely an enjoyable experience, and i'd much rather watch a movie as soon as it's available in the comfort of my own home, without waiting for it on DVD. why does there have to be a waiting period for watching something in an environment that isn't annoying?

  27. Re:Keep those DVDs cheap boys... by supz · · Score: 2, Insightful

    Is this quote supposed to make me feel bad? That the head of the MPAA is fighting for the rights of his son who is a producer? I don't. In fact, it turns me off more than anything.

    I totally agree with that... I find it very difficult to feel sorry for millionaires not getting richer. I know we're in a capitalist country, where you can make all the money you want if you're good at it, and that movie piracy is stealing, but for gods sake... don't try to use SYMPATHY to convince us not to steal your movies -- you have far more money than I will ever have, and I will NOT feel sorry for you, EVER.

    I feel sorry for kids in Somalia who cannot eat, not for movie producers who cannot buy an M5 for their teenage son, as a birthday present.

  28. Re:Keep those DVDs cheap boys... by Lord_Dweomer · · Score: 2, Insightful
    Because when something becomes more easily available, the decision of whether to watch it or not becomes a lot simpler.

    When you have sites like Suprnova up where every single tv show, movie, game, app, etc is but a click away (and a few hours of downloading), many people think, "hey, its there, its free, and if i like it I might buy it, if not I've saved myself some money"

    So its not so much that there's now an intense desire to grab the movie (well, in some cases there is a HUGE desire, but I'm talking about the "shitty" ones), its that there's less reasons NOT to watch the bad ones.

    Before nobody watched bad movies in theaters because they didn't want to waste $8. They would just rent it instead for $3. Now they can just check it out for free.

    --
    Buy Steampunk Clothing Online!
  29. "Property" by GreenCrackBaby · · Score: 2, Insightful
    While I agree with your basic point, look at it from the other side; Joe Dirt is in posession of their "property" which they value at full price. If Joe wasn't willing to pay the $$$, he shouldn't have the benefit of listening/watching the content. If Joe stole a Ferarri he couldn't pay for, you wouldn't be pointing out that wouldn't have been able to $250,000, or that the value of the steel, aluminium, and paint is only $2,000.


    I'm glad you put "property" in quotes, but the example you then go on to give still shows a lack of understanding. In order to even try to argue for the **AA's side, you cannot ever equate real property with intellectual property. That deserved some bold text because it is the #1 trap people fall into when debating this issue.


    The reason your Ferrari example can't be used as an analogy is because a Ferrari is an example of real property. It's something that has a reproduction cost. To give a proper analogy, how would you feel if Joe paid the $2,000 for paint, steel, and aluminium and built himself a Ferrari? Would you still call him a thief? Could Ferrari still claim a loss as a result, and would you sympathise bad for them if they did?

    --

    "The market alone cannot provide sufficient constraints on corporation's penchant to cause harm." -- Joel Bakan
  30. Re:Question for Slashdotters by Pitr · · Score: 2, Insightful

    Well, here's my advice to the RIAA/MPAA in regards to how they _should_ act.

    First on the list of steps toward prevention is; "Remove the temptation." Fair prices, convenient licensing, fair use, etc etc. If a movie or an album is priced appropriately, it will lessen piracy. Although I believe the "I'm pirating it 'cause it's too expensive" excuse is overused.

    Second, "Don't play dirty pool.", it only weakens your case in the consumer's eye. There's comercials comparing piracy to theft of material goods. There is a very distinct difference, and while it's technically stealing, it's simply not the same. There's "statistics" saying that there are huge losses where none exist. (This article even has a glaring hole, where Glickman states "there are losses" when presented with the fact that the sales have never been higher) And, my favorite, a comercial I often see at the movies, where a poor helpless stunt man is pleading with people not to steal movies, 'cause he blows himself up for us. (Runner up is the kid who steals a chocolate bar then says "But dad, you steal cable") I think it's sick really.

    Third, don't try to "Put the genie back in the bottle". Law suits like the CSS fiasco are rediculous. It's broken, you should have spent more time developing something useful. Mp3s exist, don't fight them, use them. Hard drives are bigger, DVD burners are cheap, audio CDs are easily copied.... DEAL! You can't go back, don't cry over spilt milk... yadda yadda... The sooner you move on, the less money you fritter away (apparently you're all starving remember) and the sooner you can concentrate on adapting instead of fighting the inevitable.

    --

    --Not to be worried, Pitr fix.
  31. The most important part of the article... by Jafafa+Hots · · Score: 2, Insightful
    here's the line that struck me most out of the entire article:

    Q: Let's move to politics for a moment. As a lifelong Democrat, your appointment to the MPAA was criticized by several Republicans who said they felt a member of their party should have gotten the nod, since Republicans were in control of Congress. And there have been some reports that Congress withheld its support on some recent MPAA-supported bills in response.

    Benito Mussolini, inventor of Fascism, once said that it could more properly be called Corporatism, since it is the merging of government and corporations.

    Read the above quote again, folks. We live in The United Coporations of America - a fascist country.

    --
    This space available.
  32. Uphill battle by Zareste · · Score: 2, Insightful

    Why bother debunking everything a bunch of sue-happy Nazis want people to believe? Doesn't that get tedious? I don't see anyone going so far to debunk the KKK's 'logic' or anything like that. Isn't it easier to just accept that these people are bunch of mindless tyrannic bastards like the aforementioned groups?

    Honestly, it's like telling a schizophrenic person his pencil isn't talking.

    --
    I am NOT a number! I am a - oh wait, I'm number 761710. Look! 761710!
  33. Re:Give him a chance! by rhizome · · Score: 2, Insightful

    People can be nice, well-intentioned, and insightful...but still do lame things. It's true, the past does not determine the future.

    --
    When I was a kid, we only had one Darth.
  34. Probably said a million times already..... by Uninformed+Jester · · Score: 2, Insightful
    "The MPAA is in a much different situation. Box office receipts aren't down at all -- 2003's figures were $9.5 billion, the second biggest in history"

    ...but why am I not suprised at this fact-- people still pay for movies because they go for the theatre experience: the incredibly expensive sound system, gigantic screen, and comfortable chairs. How many people would get that same experience by downloading it? People download movies for the convenience, but go to the theater for the full experience.

  35. Re:Fuzzy math and the IRS... by winwar · · Score: 1, Insightful

    "While I agree with your basic point, look at it from the other side; Joe Dirt is in posession of their "property" which they value at full price."

    Okay, then why do the studios not deduct this "cost" of piracy off their tax returns? I mean, it is a legitimate business loss, yes?

    Perhaps because the IRS would laugh their asses off during an audit (Do you have any evidence to back this up?). In short, it IS NOT a legitimate expense-at least at the levels they state.

    If someone (tax professional, IRS agent...) has a better explanation, I really would like to hear it.

  36. Re:Losing $3.5 billion yearly?? NOT by nikko1221 · · Score: 2, Insightful

    Losing money? How's this for loss: "About 250 executives from Hollywood studios and home-electronics companies gathered at the Bellagio in Las Vegas earlier this year to toast their soaring fortunes, thanks to the phenomenal success of the digital video disc. Major studios sold a stunning $9.4 billion worth of DVDs to retailers last year, proof that DVDs now bring in a majority--52 percent in 2003--of Hollywood's revenue." (Newsweek July 5, 04)

    So isn't THAT a hoot. These are same maroons who fought videotape under the premise that it would RUIN Hollywood (sorry, there are more than enough folks making crappy movies to do that already). But VHS opened up a multibillion dollar business expansion for them. DVD only speeds up their revenue machine. And now they're fighting DVD tooth & nail (i.e. buried 321 Studios, r.i.p., etc.) and continue to beat on every other possible means of DVD fair use.

    --
    "I tried to sleep my way to the top, but my alarm clock always wakes me right up" - TMBG
  37. Re:TV is Theft by Reziac · · Score: 2, Insightful

    I've personally heard two well-known authors rant that libraries are theft. (One runs around suing ebook downloaders already; that should give away his identity. :)

    As to the entire **AA anti-downloading stance, as I and others have pointed out many times, it has nothing to do with piracy. It has to do with *controlling the distribution channel*. If the only way to distribute a song or movie is thru the big cartel, the big cartel takes a cut of the profit (or in Real Life, MOST if not ALL of the profit). If people can offer their songs and films for download, those songs and movies are removed from the cartels' revenue stream. Scare average joes into believing ALL downloads are theft that results in draconian penalties, and you've killed that competition before it can mature enough to start *really* taking your revenue.

    As to the interview, I'd like to know how downloaders have anything to do with illicit DVDs being sold on street corners??

    --
    ~REZ~ #43301. Who'd fake being me anyway?
  38. Re:See it, but you do not see far enough by pVoid · · Score: 2, Insightful
    Finally you are starting to be rational and intelligent in your reply.

    Your real problem is that you cannot see beyond the power of the moment, to the balance of the future. Sadly your hatred blinds you to the truth, and you see fit to live your days in the paranoid shell you have crafted for yourself.

    It might be true. I can see right now, in these days of despair, that my biggest weakness is my extreme aversion for the American 'Freedom' and Glory. Now a much less rational me would have been very upset that Bush was re-elected. But a more relaxed me sees this as the perfect opportunity to finally remove the monopole that has been formed since the fall of the Soviet Union.

    I will not get into details about that, but I tell you something you should watch out for yourself: while I may be assertive and very loud in what I'm saying... even fanatically emotional about it, I never pretend to know "The Truth" as you seem to think you have. My hatred blindes [me] to your truth... Not the truth!

    I will also not get into that one too long: my last point is more about this thread. I think you should look at places like Europe and places like the Arab countries for what I am talking about. France is far more on the socialist end of the spectrum than the states. And yet, they have achieved through that socialist bureaucracy something that America desperatly needs right now: there is no chance for families to control things in France. The system is run by a system... a system of bureaucracy and rules. At first you might think that's bad and wrong. But they aren't doing bad at all for the size of their country. The level of research being done in French and German labs is very impressive. Their level of life is very high. Without comparing them to the US, I would say they are doing very well for themselves (so let's not go ahead and dismiss my point here simply by saying "yeah well socialism sucks anyways").

    On a contrasted view, the arab countries, especially the oil producing ones are basically run by big families, Sheiks and their myriad cousins.

    There's (fierce) commercial competition in France, despite the less capitalist point of view they have... I don't see that kind of 'freedom' around the arab countries.

    Answer me now: which one would you rather gravitate towards? Families running the show, or a loose system.

    Because as much as we talk about Big Brother running the show in the States, in my opinion, the show is being run more and more by Little Brother and his cousins.

    PS. I live in Canada. If you must know.