The 2005 Wired Rave Awards
smack-pot writes "March 2005 issue of Wired Magazine features The 2005 Wired Rave Awards announcements. The 15 categories include Films, Business, Science, Architecture, Medicine, Games etc. Some of the winners are Brad Bird for The Incredibles, Danger Mouse for The Grey Album, Burt Rutan for SpaceShipOne, and Pete Parsons for Halo 2."
I don't know. iFilms is great and all, but I think Jon Stewart should have won for Television. He did something (and continues to) that no one else on major television stations would dare do, and that is be brutally honest and be intelligent about it. When it comes to those qualities, he's my hero. Oh and the humor aspect is pretty good too.
I only mod up parents of "mod parent up" posts...
I agree with most of your points, however, I wouldn't bash Spielberg's adaptation of War of the Worlds just yet.
Atleast wait to see it before you do.
I'm very happy for Brad Bird, I really don't think The Iron Giant got as much recognition as it should have. It's definately one of the better efforts put forth from an American Animation studio in a very long time.
Chewie does not get a medal. Come on, George. Can a Wookie get a medal?
I guess it's basic 15-second mainstream digestible keystone of mash-up'dom.
Of course this is old as hip-hop itself. Dancehall exists on the idea of a riddim becoming popular itself and multiple deejays rap/sing over it. Now hip-hop, R&B and Reggeton artists get in on it. An example from '04: Pitbull "Culo", Mr Vegas "Pull Up", Nina Sky "Move Ya Body" and many others all used the Coolie Dance Riddim.
The pop culture clash of using a very recognizable outer-genre instrumental (the "mash-up") got big in clubs two years ago (making this Wire award a bit like John Wayne's Oscar). A popular one was Whitney Houston ("I want to dance with somebody") over Kraftwerk ("Numbers") forming ala Voltron to Girls on Top's "I Want to Dance with some Numbers". Nigh unreleasable due to copyright considerations but interesting none the less.
Of course now MTV is in the Official Mash-up business by creating things that aren't Mash-ups at all (that Jay-Z and Linkin Park thing is, due to original parts by both artists, a collaboration).
I still think Chopped and Screwed is going to hit the mainstream consciousness soon as T.I.'s disc just got the treatment and it sold amazingly. And kids are chop n' screwing all sorts of tracks now. Many on laptops and then distributed into the public conscious via P2P (so Wired could give it an award and be a bit ahead the bellcurve). Of course this is a decade old style too.
What is music when you despise all sound?
I can't help but think of those who got left out--i.e. the rest of the members of the teams the highlighted individuals work with. Anyone else get the feeling that some of these awards should have gone to the whole team and the selection of a single individual was rather arbitrary?
Hey, I'm honest, at least.
Anime is considered by most of the world, and Hollywood in particular as nonconventional, and thus not to be taken into consideration.
It's too bad, because the fact that it's "nonconvetional" is the best thing about it.
There will probably never be a TV show in the US quite like "Haibane Renmei."
"Azumanga Diaoh" is the best comic fiction about kids since "Peanuts" was in its prime, with the possible exception of "Calvin & Hobbes."
"Last Exile" is exactly what Lucas probably wishes his Prequel trilogy could be, if he were only a better writer/director.
Information wants to be anthropomorphized.
How can you even put Shrek in the same category as Toy Story? Because of the graphics? PLEASE, people. Toy Story and The Incredibles are amazing movies because they're good stories told well because BRAIN came before cheap pop-culture references and lame, embarassingly lame visual gags.
I've always maintained that Shrek doesn't even rate as a fine example of what animation is capable of, when 99% of the gags won't make sense to anyone in 5 years time.