Slashdot Mirror


Jon Johansen Interviewed

wuzfuzzy writes "Depending on your point of view, Jon Lech Johansen is either your hero or adversary. To the copyright industry, Jon Lech Johansen has been a detriment to their policy of control since the advent of DeCSS (Decrypt Content Scrambling System.) To those who cherish freedom, he has been a pillar of hope in an age when DRM (Digital Rights Management) threatens to overtake mainstream media. After two trials, the courts finally ruled in Jon's favor. However, there is much more to Jon Lech Johansen than DeCSS. In this interview, Slyck hopes to bring to light the many facets of Mr. Johansen, and the numerous projects he is involved with."

47 of 370 comments (clear)

  1. Ah yes... by Sanity · · Score: 4, Insightful

    ...I remember the days when everyone loved this guy, that was, of course, until he applied his skills to slashdot's favorite purveyor of DRM.

    1. Re:Ah yes... by Anonymous Coward · · Score: 3, Insightful

      User 1431 and you still haven't figured out that everybody on Slashdot is not the same person?

      What we have here is... failure to communicate!

      There's some people you just... can't... reach.

    2. Re:Ah yes... by Sanity · · Score: 2, Insightful
      User 1431 and you still haven't figured out that everybody on Slashdot is not the same person?
      Perhaps if you had been here longer you might have noticed that the moderation system clearly promotes some opinions over others and encourages a self-reinforcing groupthink.
    3. Re:Ah yes... by garcia · · Score: 1, Insightful

      Luckily that moderation system (known for it's self-reinforcing groupthink) prevented your obvious troll from going to the top of the list.

      Just because some people here like Apple and what they do does not mean that they will no longer support Jon now that he broke iTMS DRM. He has done a ton of great things (DeCSS, opening WMV9 codec and hacking it into VLC, standing up for fair-use, not making himself out to be some sort of money grubbing hero, etc).

  2. Thanks Jon, I appreciate your work! by garcia · · Score: 5, Insightful

    When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    Exactly! When I buy a DVD (not rent) I expect to have complete control over how I view that content. My DVD player has no right to restrict me from fastfowarding through any part of that media.

    Any DVD I purchase that does not allow me to fastfoward any part is immediately ripped, stripped, and burned. That's my right. Thank you Jon!

    1. Re:Thanks Jon, I appreciate your work! by Anonymous Coward · · Score: 2, Insightful

      Surely not out of their jurisdiction, e.g. non-US

    2. Re:Thanks Jon, I appreciate your work! by calibanDNS · · Score: 2, Insightful

      Of course not, you could always just close your eyes. Now, we just have a way to get straight to the movie.

    3. Re:Thanks Jon, I appreciate your work! by RedHat+Rocky · · Score: 3, Insightful

      I would really like to be charge for not watching the FBI notice, maybe then we could make it go away for good.

      --
      Anything is possible given time and money.
    4. Re:Thanks Jon, I appreciate your work! by badfish99 · · Score: 4, Insightful

      If the law said you should help to gas the Jews, I'm sure you would work hard to get it changed. But would you obey it while waiting for that to happen?
      OK, that's an extreme example. But once you've said "no" to that, you've accepted the principle that you should break some laws because you don't like them. So the only remaining questions is: where do you draw the line?

    5. Re:Thanks Jon, I appreciate your work! by turnstyle · · Score: 5, Insightful
      "The market determines the features, if someone wants to try to sell a DVD player without FF, they are welcome to do so. Though I doubt it would sell very well without some other really really good feature."

      Wrong. The market isn't the only factor. Just look at the iTunes Music Store. If it was just about what the market wants, there wouldn't be DRM.

      It's not just about what the market wants -- it's about what the market wants in the context of world in which technology providers and media providers are struggling to find balance (or, to become dominant).


      "No one is advocating manufacturers be forced (as in, by law) to do anything."

      Wrong again, just look at the broadcast flag.

      --
      Here's what I do: Bitty Browser & Andromeda
    6. Re:Thanks Jon, I appreciate your work! by SoCalChris · · Score: 2, Insightful

      I've never understood the speed limiter on cars.

      Most kick in at around 150-155mph. That is double what the very highest legal speed limits in the US are, and any crash at 150mph in most street cars would likely be fatal.

      So what's the point at putting the limit at 150mph? If they are trying to control how fast we drive, why not put the limit at 80mph, or not have one at all? Having the limiter at 150mph is only going to piss off people who have bought a high end car, and are likely trying to drive it on a track.

    7. Re:Thanks Jon, I appreciate your work! by ifwm · · Score: 2, Insightful

      You mean like at the movies, right?

      Before you go off on me, yes they are similar, in that you buy a movie in a format that is chosen by someone else. You can't control the previews, nor can you control the commercials.

      Truthfully, your "right" to view SOMEONE ELSE'S movie in the form and fashion you choose has never existed. That fact that technology ALLOWS you to do something doesn't make it a right.

      One last thing. You don't own a movie, you own a copy of the movie that you have purchased viewing (and in a small way, copying) PRIVILEGES for. If the manufacturer says no fast forwarding, you have no "right" to do otherwise. Instead, use the rights your wallet gives you and refuse to buy such movies.

    8. Re:Thanks Jon, I appreciate your work! by RedHat+Rocky · · Score: 3, Insightful

      "Wrong. The market isn't the only factor. Just look at the iTunes Music Store. If it was just about what the market wants, there wouldn't be DRM."

      No, you're wrong. The market supports iTunes. Now granted you and I would agree that DRM is bad and unwanted; however, obvisously we are the minority and the market just doesn't care. It's not about what the market WANTS, it's about what the market will bear. In the iTunes case, there is more than enough market willing to put up with the stupid DRM.

      "Wrong again, just look at the broadcast flag."

      I mispoke, that should have read 'No one HERE, ARGUING,IN THIS DISCUSSION is advocating....'. I don't think any of the Media Giants and others pushing this crap (broadcast flag and DRM) are participating in this discussion. But I could be wrong.

      --
      Anything is possible given time and money.
    9. Re:Thanks Jon, I appreciate your work! by CrashPoint · · Score: 2, Insightful
      Apples and oranges.

      When you buy a movie ticket, you are paying for the privilege of attending a single viewing of someone else's copy of a movie. It is therefore reasonable to assume the owners of that copy have the right to control the presentation (by showing previews, commmercials, MPAA propaganda, etc). Their house, their rules.

      When you buy a DVD, you are paying for the copy of that movie. As you are now the owner of said copy, it is reasonable to assume you have the right to control the presentation- whether by skipping commercials, repeating your favorite scene, or format-shifting for use in a different type of player (say, a Linux machine). Your house, your rules.

    10. Re:Thanks Jon, I appreciate your work! by mindstrm · · Score: 2, Insightful

      And you do have these rights.

      Unfortunately, anyone who distributes the knowledge about how to modify your DVD player to let you exercise these rights is breaking the law (DMCA).

    11. Re:Thanks Jon, I appreciate your work! by cayenne8 · · Score: 2, Insightful
      "One last thing. You don't own a movie, you own a copy of the movie that you have purchased viewing (and in a small way, copying) PRIVILEGES for. If the manufacturer says no fast forwarding, you have no "right" to do otherwise. Instead, use the rights your wallet gives you and refuse to buy such movies."

      This really is interesting...if something is stated long enough, it starts to become 'an accepted fact'.

      This sure, to me, seems to be a really new point of view as far as purchased media goes. Back in the day, if you bought an album, cassette, 8 track, VHS or beta....you considered yourself to have BOUGHT that particular copy of the music or movie...and that you could do with it as you wished as long as you didn't violate the copyright laws regarding redistribution for profit...etc. Howerver, short of that, you bought it, and could copy it (make mixed tapes?), loan it to a friend, and even resell your copy to a used record/video store. And I pretty much thought, that the laws concerning 'first sale', etc, pretty much insinuated that you in fact bought a copy of the media....not a license.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    12. Re:Thanks Jon, I appreciate your work! by Anonymous Coward · · Score: 1, Insightful

      One last thing. You don't own a movie, you own a copy of the movie that you have purchased viewing (and in a small way, copying) PRIVILEGES for. If the manufacturer says no fast forwarding, you have no "right" to do otherwise. Instead, use the rights your wallet gives you and refuse to buy such movies.

      Actually, you have it backwards.

      We, as a society, grant those who produce works of art and entertainment protection from having others duplicate and sell their work without their permission. We do this to create a limited artificial monopoly which encourages people to produce new works.

      Copyright does not grant you any rights to say what I do in my own home with my own media files.

      If there ain't a law against it, then it is not illegal.

      Some people have tried to make the case that the latest copyright law (the Millenium Digital Copyright Act) makes certain software which allows me to break the technology on their disks illegal, but this position still has not been properly tested in court. Since there are "Fair Use" demands for stuff like DeCSS and the various anti-DRM tools for iTunes, it's not likely that the DMCA can do much to stop them.

    13. Re:Thanks Jon, I appreciate your work! by Ulrich+Hobelmann · · Score: 2, Insightful

      I can control them via not purchasing them. If enough of us had the self control/will power to do the same, things WILL change.

      Unfortunately, no. While I boycott buying DVDs (I will rent them once in a while, though), most people out there don't even know what DRM is or what's up with the CSS stuff.

      Even if we all stop buying DVDs, the industry will give a shit.

      The only possibility is to fight for fair use on the legal front and to actively circumvent DRM and advertise that (and to advertise that circumventing "protection" doesn't mean you copy/steal content).

    14. Re:Thanks Jon, I appreciate your work! by nathanh · · Score: 2, Insightful
      Truthfully, your "right" to view SOMEONE ELSE'S movie in the form and fashion you choose has never existed.

      Huh? Where did you get that idea from.

      Copyright specifially grants the general public certain rights for fair use. Viewing the movie in the form and fashion you prefer is one of those rights. Copyright also limits the copyright holder's rights; they don't have the rights you seem to think they do. Here is a list of rights granted by copyright, the list is from bitlaw.

      • the right to reproduce the copyrighted work;
      • the right to prepare derivative works based upon the work;
      • the right to distribute copies of the work to the public;
      • the right to perform the copyrighted work publicly; and
      • the right to display the copyrighted work publicly.

      Where in that list does it say that the copyright holder can take away my right to choose the form and fashion with which I view the movie? It says I can't use the copyrighted material in a public display or performance, but there is no restriction on form and fashion at all.

      One last thing. You don't own a movie, you own a copy of the movie that you have purchased viewing (and in a small way, copying) PRIVILEGES for.

      Sure, I don't own the movie... BUT THE COPYRIGHT HOLDER DOESN'T OWN THE MOVIE EITHER. There is no ownership with copyright; there are only certain rights that the copyright holder can exclusively use for a limited time. When the copyright expires, even those exclusive rights cease to matter. There is no ownership by ANY party. Society has graciously granted a copying and performance monopoly to the movie studios for a limited time, but society NEVER gave the movie studio an ownership of the movie.

  3. Prediction by Ironsides · · Score: 1, Insightful

    I predict we will have two responses to this guy here:

    #1 Lets nominated him for sainthood in the house of GNU.

    #2 Lets string him up high.

    --
    Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    1. Re:Prediction by disposable60 · · Score: 3, Insightful

      #1 Lets nominated him for sainthood in the house of GNU. #2 Lets string him up high. Or both? Saints are usually dead, after all.

      --
      You're looking for quotes? See my journal.
    2. Re:Prediction by Daravon · · Score: 2, Insightful

      Which was covered by the first sentance of the summary....... "Depending on your point of view, Jon Lech Johansen is either your hero or adversary."

      --
      I traded all my mod points for these magic beans.
  4. A pertinent quote! by Pants75 · · Score: 5, Insightful
    When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    Right On Jon! I already paid for the DVD I don't see why I should be forced to sit though adverts after that.

    Just let me navigate the content of my new DVD in the manner I choose thanks very much!

    It is just a pity that the studios/player manufacturers are not going to listen to the public on this matter.

    1. Re:A pertinent quote! by garcia · · Score: 4, Insightful

      It is just a pity that the studios/player manufacturers are not going to listen to the public on this matter.

      They aren't going to listen to the minority. The MPAA and RIAA have the power of nearly limitless funding for FUD campaigns against fair-use. Sadly, it's already working.

      People accept that DRM will be on digital TV content. "Oh, I don't see why I should be able to timeshift my shows outside of a predetermined timeslot!" "Oh, copying DVDs is wrong!" "Oh, listening to my music on more than three different computers and devices is unncessary!" "I don't need to burn music more than 5 times!"

      This is where the road is leading. People will continue to be told that fair-use doesn't exist and they will continue to accept it because there really is no other way (in their eyes).

      So the public is going to listen to them on this matter.

  5. quit high school by tomstdenis · · Score: 1, Insightful

    ...

    Possible but riding his "I wrote decss" thingy won't always pay off.

    And when he's forced to apply for a job through normal avenues [cuz let's be honest decss is cool but not the be-all of the computer industry] he'll get the HR run-around.

    The best thing he can do is at the very least get a community college diploma or something. That way he has "some paper".

    Tom

    --
    Someday, I'll have a real sig.
    1. Re:quit high school by tomstdenis · · Score: 5, Insightful

      For me the paper was largely useless to start with. The point is people really are asshats and will simply stroke you off for not being comformant with "the list".

      I have companies like IBM, Sony, BitMover, etc... using my software and yet I'm unfit to work for them... That basically tells you that the people who "do work" and the people who "do hiring" are not the same and don't talk.

      Not trying to ride on JJ but if he's trying to be hip by saying "school is useless" ... well it proves how immature he is. School is as useful as you make it. If you just treat it as a 9-5 it can be very ineffective. But if you treat is as playground of knowledge and use the time to learn as much as possible you leave school with the ability to pick up new things, etc, etc, etc..

      Tom

      --
      Someday, I'll have a real sig.
  6. Re:Melodrama in submission? by Ironsides · · Score: 3, Insightful

    In my personal opinion, he isn't a freedom fighter. He's a guy whose making it harder to get the record labels to embrace online downloading as their business model.

    Why should tracks I buy from an online music store be more restrictive in what I can do with them than ones that come on red book Audio CDs?

    --
    Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
  7. Stolen CCS key ? by amanox · · Score: 5, Insightful

    This paragraph struck me as odd:
    "Another myth is that DeCSS is illegal because it uses a "stolen" key. A CSS key is 5 bytes. How anyone can think that it's possible to "steal" 5 bytes is beyond me. 5 bytes do not have any protection under copyright law because it's not an original work. It's probably possible for 5 bytes to be protected under trade secret law, but CSS hasn't been a trade secret since DeCSS was released and mirrored all over the net. Is someone who names their child "Frank" (5 bytes) stealing Frank's name? It's absurd."

    If those 5 bytes are a key to unlock something.. ehm.. I think comparing that to someones first name is a bit weird. If someone has my credit-card code, I would say they stole my code.

    For the record, as I do not want this thing to be flooded with "Great , go ahead and support DRM", I'm 100% against DRM. They have been spending a thousand times more on DRM-development than what they claim they have lost by illegal copies. DRM is only good if you want to finance the legal department and throw money out of the window, because no DRM will be 100% safe, and all DRM-schemes that I've seen passing by were broken, sometimes even before their official release. Not to mention they cause enormous headaches with their paying customers, and I don't think paying customers are the kind of people they want to piss off.

    1. Re:Stolen CCS key ? by bleckywelcky · · Score: 4, Insightful

      I think you missed the point. The number inherently has no protection with it. If your CC number is 1234 5678 9101 1121 and I have that number written down on a piece of paper, then I have done nothing wrong. The number itself is not something that can be stolen. The number is not copyrighted. It is not patented. It is not trademarked. And if I wanted to use that number as a transaction identifier for my own purchases, I have done nothing wrong. However, the moment I use that number to access your financial assets, then I have done something wrong. But not because I used that number, but because I accessed your financial assets without your permission.

      So the number thing is straight. But the grey area is once you have a piece of software or hardware that you have bought, and you use that key to do something with either, is that wrong?

      Personally, I would say no. Because I believe in having total and complete access to everything in your possession. And I believe in the individual's ability to reverse-engineer anything that they can understand. A good analogy would be the differential on a RWD vehicle. Let's say all we had was limited-slip differentials on the market (no locking diffs), and someone came around to developing a locking diff and sold it. But they were the only ones that knew how to build a locking diff, so they sealed the diff inside a casing that required a key to open. If the end user found the key, they should be able to use it to open up the diff. Then they can look inside to see how it works, and build their own if they so choose. And they should be able to share that information with whomever they choose.

      However, the protection for the company comes with their patent on the locking diff ... so the moment anyone tries to start selling locking diffs instead of just building them for personal use, they can hit them with patent infringment and collect royalties (or shut them down, whatever).

      Tinkering should never be outlawed ... it is basically a suppression of one's freedom, their freedom to think anything they want and to learn anything they choose. The laws should start at redistributing the content for financial gain.

  8. Hero or adversary? by Anonymous Coward · · Score: 5, Insightful

    Why do things have to be so black and white? I don't care one way or the other. DeCSS Jon is marginally better than Mitnick, because Jon actually produces something and is Fighting the Power (TM) and Sticking it to the Man (TM)... and that's a good thing. I don't agree with all that he does, but at least he's out there in the proverbial trenches doing what he thinks is right rather than just stealing music (or credit card numbers, like Mitnick) just because he can. He's also not a famewhore like Mitnick, trying to turn a moment of dubious fame into 3) profit!!! Mitnick proves that Scott Adams is right: people get promoted because management knows their name, and one only gets one's name known when it's attached to some disaster. Thus, companies hire criminals like Mitnick as "security experts" because they've heard the man's name.
    I put Jon into the same category as Linus... someone pushing the boundaries of the electronic world, and our rights therein. Someone has to be the pioneer, if mainstream society is to struggle with the issues brought up by the envelope-pusher.

  9. Eh by worst_name_ever · · Score: 3, Insightful
    Depending on your point of view, Jon Lech Johansen is either your hero or adversary.

    Or you might think he's just some guy, you know?

    --

    In Soviet Rush, today's Tom Sawyer gets high on you.
  10. You've summed up the problem nicely by Weaselmancer · · Score: 4, Insightful

    But DRM like iTunes' is the most liberal there is

    And that's the problem. People don't balk at iTunes DRM. They simply say that it's the best out there, so they're happy. Kind of like saying having a brick dropped on your foot is better than having a bowling ball dropped on your head. People keep forgetting the fact that both options suck.

    --
    Weaselmancer
    rediculous.
    1. Re:You've summed up the problem nicely by Weaselmancer · · Score: 2, Insightful

      So why would they want to sidestep fair use?

      Greed. The model where the user controls the media they purchase produces less revenue than the model where the industry controls the media the user purchases.

      More to the point, would you agree that the primary reason for DRM was to (try to) keep people from copying and distributing their product en masse?

      No, I'll still go with greed. These companies exist to make money. All the noise you hear about "protecting artist's rights" is the legislative equivalent of bible-thumping.

      If a DRM scheme materialized that perfectly protected copyright - but somehow cost the industry more than they're currently losing on piracy...they wouldn't go with it. They're a business, a big one, and to ascribe humanitarian qualities to a profit-minded entity is probably incorrect.

      --
      Weaselmancer
      rediculous.
    2. Re:You've summed up the problem nicely by Ulrich+Hobelmann · · Score: 2, Insightful

      If I may join the discussion...

      DRM was definitely *not* created to keep people from copying and distributing content, since DRM (like CSS or iTunes FairPlay) doesn't prevent that.

      I can crack an iTunes AAC and put in on Kazaa; I can *copy* or rip a DVD without touching the encryption. Only to *play* the movie do I need to touch and decrypt the data!

      That's why I don't like the term copy protection. It's more of a play protection to me, just like region codes. I'm in the US right now, but can't rent or buy US DVDs, since then I couldn't watch my German DVDs anymore. Sucks, doesn't it?

      Actually, you can't prevent copying and mass distribution at all, and you don't need to. You also can't prevent people from stabbing each other with a kitchen knife. But the MI could compete, meaning that it started offering a decent product (unencumbered downloads in multiple formats and bitrates; backup included in case you fry your hard drive; fair price, 99c is ok to me) instead of refusing to acknowledge that we live in the 21st century now.

      At $15 I hardly buy any CDs at all -- only the best of the best. At $8-$12 I buy lots of CDs. A slight modification in price can vastly change the profits made on music, but the MI doesn't even understand (or refuses to) basic business and pricing decisions.

  11. Re:Melodrama in submission? by grasshoppa · · Score: 4, Insightful

    You paint a picture of an evil corporate-controlled society with black helicopters and spotlights swarming in the night to take away your cherished freedoms.

    Have you even been paying attention to the crap congress is up to?

    Sure, no black helicopters and spotlights, but only because it's not as effective as passing laws in congress.

    --
    Mod me down with all of your hatred and your journey towards the dark side will be complete!
  12. Re:Melodrama in submission? by gurutechanimal · · Score: 5, Insightful

    You paint a picture of an evil corporate-controlled society with black helicopters and spotlights swarming in the night to take away your cherished freedoms. But DRM like iTunes' is the most liberal there is, and you can easily use its loopholes for things like infinite CD burning (just recreate the playlist).

    You might have said that sarcastically, but a lot of people think this way. This kind of worldview emerges if you follow the current trend of relentless corporate-goverment culture restrictions policies to their logical conclusion.

    Separately, I offer two analogies based on the last sentence in your comment:

    He's a guy whose making it harder to get the record labels to embrace online downloading as their business model.

    1) The fact that record labels will not consider selling music online without onerous restrictions underscores Jons point.

    2) Saying that iTMS has the least restrictive DRM scheme is a lot like the difference between the Minimum Security wing of a prison (iTMS), and the Maximum Security wing of a prison (the goal of the labels); in the end, you're still in prison.

    --
    Governments are not necessary.
  13. Misguided Youth... by skribble · · Score: 2, Insightful

    Ok, this guy may have some valid ideas about DRM, but I feel that a artist/musician/owner/company... whoever, has the right to protect/use/distribute thier product however they see fit and if someone doesn't like it then they have every right not to purchase it. Wresting control of a item away from it's owner is not a nobal pursuit.

    BTW normal consumer actions often police the worst sorts of DRM and Meida lock. Example... Disney once released a DVD were you couldn't skip the previews, they did this once, got slammed by the consumers and stopped doing it. If you want to change something you can do it with dollars.

    If this guy is so smart about DRM and the finances of Media Companies, then I suggest he start his own media company and see how long it takes for himto go out of business.

    --
    --- Nothing To See Here ---
  14. can you blame him? by Stalyn · · Score: 2, Insightful

    He's definitely a very talented kid, I mean he wrote DeCSS when he was around 16. Did any of his teachers notice his talents? Of course not. So he takes his skills underground where he meets people like himself. These people are tossed aside by an uncaring system, of course he thinks the way he does. He hates the system because it created him.

    --
    The best education consists in immunizing people against systematic attempts at education. - Paul Feyerabend
    1. Re:can you blame him? by Billly+Gates · · Score: 2, Insightful

      So he found a niche. Does everyone need college? No.

      I am 28 and back at school after the .com crunch.

      I am glad I gained real world experience and going back to school later teaches maturity and also humility.

      Maybe by my age Jon may go back to school and get his degree when he is ready.

      We all dont need to go to school fresh out of highschool. I would encourage my future kids to do the same unless they are very driven.

  15. the write-up by monkease · · Score: 4, Insightful

    To those who cherish freedom, he has been a pillar of hope in an age when DRM (Digital Rights Management) threatens to overtake mainstream media.

    Okay, this is bad.

    Have we degenerated to the level of the government that we must use overblown rhetoric, that we don't question such rhetoric?

    This is classic Loyalty Oath type stuff--"You Love Freedom, Yes?" "Um.. yeah..." "Then You Love Senator McCarthy."

    I have the highest respect for those whom I can view as "pillars of hope", but I also have the highest respect for our language, and shit like this is, at best, abuse, at worst, propoganda.

  16. Agreed by bogie · · Score: 4, Insightful

    Drives me nuts. I especially can't stand the Apple DRM fanboys. Oh how I disklike them. Thank God for people like Jon.

    The music industry survived for years and years with NO copy restrictions at all. Tapes and CD's could be copied at will. And best of all at the height of "Copyright infringement" and P2P, the record companies are making record profits.

    Any yet now we are supposed to accept these lockdowns and be grateful at all for their services? Because as the parent pointed out that's already happening. Let's look at what Apple has done with the power of DRM to brainwash users. Restrict from Internet streaming to local streaming. Restrict from unlimited Lan to 5 users a day. Restrict from 10 burns of a playlist to 7(IIRC), and finally as someone else had pointed out disabled features on Itunes and the Ipod to lock out competitors.

    And still Apple DRM fanboys and people ignorant of how damaging DRM can be talk about how great it is . Well from here it sure as heck looks like real world DRM implementation suck and are only getting worse. Itunes 5.0 is going to be locked down so tight you can only listen to your songs in a locked room in the presense of an authorized Apple Rep.

    btw I should mention I have no problem with Itunes and besides the Ipod being expensive have no problem with it either. This prasing of DRM and accepting your software being locked down has to stop.

    --
    If you wanna get rich, you know that payback is a bitch
  17. Re:I'm dumb, help me by LanMan04 · · Score: 2, Insightful

    Beyond a certain point, key length doesn't really matter. It's the alrogithm that produces those keys that will get cracked.

    --
    With the first link, the chain is forged.
  18. My view on DRM by BytePusher · · Score: 4, Insightful

    Ok, I've kept pretty silent about the whole DRM issue for a long time, because it doesn't really affect me. Since when was the "right to be entertained" a fundimental human right? I'm tired of hearing people whine, "I should be able to do whatever I want with my DVD." You bought a liscense, because that is what was sold to you. Just because I buy a book does not mean I can "do whatever I want with it." I can't copy it 50,000 times and sell it. I can't distribute it all over the internet. If you don't like what you're buying, stop buying it. Stop it with the childish ranting which is really rooted in your inability to break the entertainment-addiction.
    most of you sound something like this, "my entertainment dealer won't let me steal entertainment(drugs) from him for myself or to give to my friends. So, I'm really mad at him and I'm gonna find all sorts of creative ways to steal from him anyway."
    Whew, that said, I'm all for the freedom to develop and test new technologies. I just think there are better ways to stop DRM. Don't buy their liscenses. Don't buy anything from them until they sell exactly what you want. Otherwise, don't whine.

    1. Re:My view on DRM by ediron2 · · Score: 2, Insightful

      Since when was the 'Right to be entertained...'

      In the US, let's start with unenumerated rights, contract under duress (since you go wankin' off on the whole license thing next) and glance for a moment at the right to Life, Liberty, and the Pursuit of Happiness. Of those 3, 2 fit into my doing anything I want on a DVD. In Norway, reverse-engineering for compatibility is also protected, per the article.

      Then you lost most of us completely at 'you bought a license.' Nope. We are buying stuff. CD's and DVD's are tangible goods, not an oddly-shaped contract. This is one time a jury would eat your freakin' lunch: I defy you to find a roomful of jurors that say that the commonly-held notion is that a DVD is a license.

  19. Devil's Advocate... by CrazyWingman · · Score: 3, Insightful

    So I was sitting here thinking about how I like to fast forward through commercials, and use adblock, and such, when I had a strange thought. So, I thought I would play a little Devil's Advocate, and toss it out here for comment.

    Think about how it is when you buy a magazine. The publication is chock full of advertisements. You can cut them out, but probably not without ruining at least one part of text. Fast forwarding a DVD is kind of like flipping past an ad page without reading it, but being as the technologies are different, I'm not quite sure how to compare them. So, what makes the magazine scenario different from the DVD one?

    In addition to the comment above, I offer another idea that makes some bit of sense: What would it cost to buy the same magazine without advertisements? I'm thinking quite a bit more, and I doubt I would pay for a magazine that cost $20-$50 (depending on content, of course). There are conflicting ideas about what a DVD "actually" costs to make, but if you think about how it would probably cost more if there were no advertisements, I think you can kind of see why they make you watch those advertisements.

    To me, it all boils down to the fact that a business is a business, and the only purpose of a business is to make money. If, in order to make money, a business has to agree that it will make a consumer watch someone else's add, then the business will do it in a heartbeat. It may suck for the user, but as long as they buy it anyway, it doesn't matter.

    Anyway, just thoughts. Respond if you wish, but I'd rather hear interesting arguments than rehashed, tired quotes and flames. :)

  20. Reap what you sow by gosand · · Score: 3, Insightful
    The best example of this is the DVD of "Master and Commander". It forces you sit through 10 minutes of advertising of other films before you get to the main menu!

    This just shows how the MPAA has brought this on themselves. When DVDs first came out, what was the point of CSS? Average people couldn't make copies of DVDs until pretty recently. Was it forethought regarding the copying capability of the public? Hardly. It was about control. They wanted to be able to control the format. They wanted to be able to sell licenses of their product to DVD player manufacturers. They are still doing this today, but their grip is slipping.

    Look at WHY DeCSS was created:

    The motivation was being able to play DVDs the way we want to. I don't like being forced to use a specific operating system or a specific player to watch movies (or listen to music.) Nor do I like being forced to watch commercials. When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    The MPAA and their cronies pushed the boundaries of good business, and got called on it. They thought nobody could do anything about it, so they didn't even consider backing down. I don't know of ANYONE who likes to sit through the crap they are forced to sit through on DVDs. The problem is, people are willing to put up with the inconvenience because there are no other options. Now there are, so MPAA - reap what you sow motherfuckers.

    --

    My beliefs do not require that you agree with them.

  21. Re:Turn up the heat gently by arkhan_jg · · Score: 2, Insightful

    The problem is, you're effectively telling apple you like their DRM. They don't know you're removing it - they just add you to the big list of customers they can present to the record companies and say
    'See? people are accepting our DRM, and if any nasty people manage to buy your music without DRM, or listen to the music they paid for on too many computers, we can lock it down harder and people will still accept it!'

    DRM won't get lighter, or less restrictive, only more so. And you buying it under those conditions just lets them get away with tightening it for the vast majority of people who don't know who to remove it.

    Give it 20 years, and people won't remember they used to be able to play records or CDs how and where they liked. They'll have forgotten they used to be able to resell old CD's once they were tired of them. They'll have forgotten that they could make backup copies of what they owned.

    Some of those things are already going, like the ability to play it on your OS/device of choice without jumping through hoops. Some have gone already, like being able to resell your copies.

    Buy iTMS music if you like their DRM, but don't remove it and then kid yourself you're beating them. You're just paving the road to greater restrictions later. And by the time we can't crack the DRM (or it becomes so legally dangerous to do so) it'll be too late to complain, lobby and change it, because most people will think that's how it's always been.

    --
    Remember kids, it's all fun and games until someone commits wholesale galactic genocide.