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Cuban Says RIAA Damages Should be $5 Per Month

Thomas Hawk writes "Mark Cuban is arguing over at Blog Maverick that with the introduction of Yahoo!'s new $5 per month music service that this needs to become the new de facto 'damages' that the RIAA ought to be able to claim when suing kids. After all, when the kids could have paid for the music via Yahoo! for $5 a month it makes it hard to say the music loss is worth more than that. 'The RIAA can no longer claim that students who are downloading music are costing them thousands of dollars each. They cant claim much of anything actually. In essence, Yahoo just turned possession of a controlled music substance into a misdemeanor. Payable by a $5 per month fine.'"

54 of 693 comments (clear)

  1. Upload, not download by DustMagnet · · Score: 5, Insightful

    The RIAA doesn't sue downloaders. They sue people who upload music. Yes I know, some programs upload what you download by default, but that change what they sue people for. You can't get the right to upload music for $5 a month. Even if you could, the RIAA can always sue for statutory damages, which are a lot higher than $5 a month even for downloading.

    --
    'SBEMAIL!' is better than a goat!!
    1. Re:Upload, not download by lukewarmfusion · · Score: 4, Insightful

      That's generally just because of the technology. First, it's possible to make a fair use defense based on your ownership of the CD or DVD. Second, uploading appears to be a bigger violation simply because you could be uploading to hundreds of people.

      It cracks me up that you can get a small fine or few days in jail for shoplifting a CD, but downloading that same album online (with inferior quality!) can net you years of prison time and hundreds of thousands in fines!

    2. Re:Upload, not download by ATMAvatar · · Score: 3, Insightful

      Which would you be more concerned about if you're heavily investing large quantities of money into funding the creation, recording, and promotion of music?

      ...and monopolizing all avenues of distribution, making sure that any artist who wants to have their music heard must go through one of the record labels.

      --
      "They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety."
    3. Re:Upload, not download by ThePromenader · · Score: 3, Insightful

      Yes, that tax exists in Canada and here in France as well. But the money goes to... some vague music industry organisation. I want to archive my digital photos, or make a backup of my system, and the music industry gets money? Um, right. It's the quality of the music (as in bitrate) that should be the dividing line between misdimeanor or... nothing. As far as I'm concerned having a 128k mp3 of a song you didn't buy isn't piracy. Having 480kb VBR is. Burning it and selling it, worse. Clear, non? I wrote a lengthy rant about it here before. it's in my journal if you like, I'll spare you my getting "into" it all over again.

      --

      No, no sig. Really.

      ThePromenader
    4. Re:Upload, not download by jfengel · · Score: 3, Insightful

      Mostly that your public playing on a boombox is a transitory event. You play it, it's over. A perfect copy of an MP3 is forever.

      That's what they have to sell: the ability to hear the songs whenever you want. That used to be a working business model, since not many people owned the ability to make reasonable copies.

      Now that they do, it sounds like they have two choices. They can either ask people to play by the expected rules of their old business model, before the technology changed out from under them, or they can make a new business model.

      If it is your right to buy a CD and then make perfect copies for the entire world, they'll just have to raise the price of that CD. Say, a few hundred thousand dollars. Fine with them. As long as they sell a copy or two, they're making the same money.

      Probably just one, to some guy who'll share it with everybody else. But he'll probably try to make back his investment, so he'll probably charge you. And he'll probably put some DRM on it. The guy's name is Steve Jobs.

      Of course you'd be welcome to buy a copy, too, and kick that Jobs guy in the butt. How many CDs fit in your CD budget?

    5. Re:Upload, not download by maraist · · Score: 4, Insightful

      I think it's a little bit of both of you being right. I agree with you that you can take an independent path; the parent is technically incorrect since the RIAA or whatever doesn't have a monopoly.. But that's like saying MS didn't have a monopoly in the late 90's.. Yes there was DR DOS and Linux and SCO UNIX, and OS/2. But they were like 1% of the market.

      Likewise, I'm sure the indi venue is an insignificant portion of the audience market but I have no numbers to back me up.

      The music radio is mostly clear-channel. I'm sure Satalite radio is clear-channel controlled. MTV is certainly biased towards the establishment. The only large distribution you have left are sound-tracks of big-end movies. With the possible exception of indi-films that at least get a lot of spot-light, if not popularity.

      The industry has calculated methods of maximizing profit; tuning various demographics to particular sounds and focusing on particular artists of the month to build sensationalism which causes people to flock to the fad-of-the-month and thus increase revenue. To facilitate this brainwashing, they need LOTS of airtime for their target projects, and this leaves no room for anything else.. With the consolidation of media outlets, the drive to "advertise" a particular label means even less airtime for variety.

      So there IS an establishment that is trying to squash unsigned material, albeit indirectly through the reduction of avenues of distribution.

      As a disclaimer, I have no association with the musical profession.

      --
      -Michael
    6. Re:Upload, not download by westlake · · Score: 2, Insightful
      The lawsuits are for PR purposes, they'd be fscked if someone with the resources to hire the right lawyers ended up fighting until a real precedent was set.

      In your dreams.
      Without a license to distribute you have no defense and your case will be decided by a judge as a matter of law.

    7. Re:Upload, not download by shark72 · · Score: 4, Insightful

      "...and monopolizing all avenues of distribution, making sure that any artist who wants to have their music heard must go through one of the record labels."

      Of which there are thousands, or perhaps tens of thousands. Some are big and huge and are members of the RIAA. Some are small and independent yet still belong to the RIAA. Some are small and independent and cool and don't belong to the RIAA. Some, like Magnatune, are virtual. Some, like CDBaby, specialize in getting your stuff onto the legit download sites even if you're not signed to a traditional label. There's a ton of non-RIAA and unsigned music on the Apple iTunes Music Store.

      It's your music... do what you want. If you want to get the potential of mammoth exposure and sales, in exchange for a loss of control and a much smaller portion of the selling price of your music, sign a recording contract with a big label. If you want a little more control and a bigger share of the profits, but with less of a budget, go with one of the cool indie labels. If you just want a little assistance but want to do most of the promotion yourself, try Magnatune or CD Baby. If you don't think the service that any of them provide is worth it, and you're lucky enough to have the means to record, produce, and promote your work yourself, then more power to you.

      The fact is that in the record industry, just as in the software industry or a thousand other industries, nobody's going to give you a million bucks to do with as you please in creating and promoting your work, without wanting something back. Is this unfair? You bet. Can it make it tough? Of course. But this is not a "monopoly."

      --
      Sitting in my day care, the art is decopainted.
    8. Re:Upload, not download by Perl-Pusher · · Score: 4, Insightful

      Your missing the point. Uploading you can say the RIAA is out thousands of dollars because concievably you caused them a lack of sales. But downloading only denies them one, the downloader. Now the press and some juries may be dumb enough to award damages. But any good laywer could reduce the damages to sale price and a penalty fine.

    9. Re:Upload, not download by stlhawkeye · · Score: 2, Insightful
      Your missing the point. Uploading you can say the RIAA is out thousands of dollars because concievably you caused them a lack of sales. But downloading only denies them one, the downloader. Now the press and some juries may be dumb enough to award damages. But any good laywer could reduce the damages to sale price and a penalty fine.

      No, I'm spot-on and you actually agree with me, which means you missed my point. :)

      What you stated here is exactly correct, and is exactly why they target uploaders over downloaders. The issue is not the questionable legality of downloaded.

      --
      "I have never won a debate with an ignorant person." -Ali ibn Abi Talib
    10. Re:Upload, not download by Breakfast+Pants · · Score: 2, Insightful

      Hello. There is a thing called statutory damages.

      --

      --

      WHO ATE MY BREAKFAST PANTS?
    11. Re:Upload, not download by booch · · Score: 2, Insightful

      It is if there's a law against it. In this case, the law is called copyright, and the act involved is *copying*, not *lending*. You're not lending your copy of music files on a P2P system, you're lending copies of your files.

      --
      Software sucks. Open Source sucks less.
    12. Re:Upload, not download by aralin · · Score: 4, Insightful
      Is this unfair? You bet. Can it make it tough? Of course. But this is not a "monopoly."

      Yeah, its a "cartel".

      --
      If programs would be read like poetry, most programmers would be Vogons.
    13. Re:Upload, not download by WhiteWolf666 · · Score: 2, Insightful

      1. Prohibition, past (of alcohol).
      2. Prohibition, current (of drugs).
      3. Copyright violations in P2P terms.

      All of these are bans on activities that are widely practiced.

      Tens of millions of Americans download music from P2P.
      Tens of millions of Americans drink (and drank during the prohibition years).
      Tens of millions of Americans use drugs.

      Strange, that non-violent activities that such a large portion of the population participate in should be illegal.

      We are talking about a ban on substances you can (by choice) ingest, and the extension of an intellectual monopoly by the government onto content holders.

      I do not see how either of these protect inalienable rights, and I do believe that all three of these activities would receive a 'thumbs' up in a pure democracy (i.e. nationwide referendum)

      --
      WhiteWolf666 an exBush supporter. All you new-school,compassionate,save the children Republicans can rot in hell
    14. Re:Upload, not download by Anonymous Coward · · Score: 2, Insightful
      Now the press and some juries may be dumb enough to award damages.

      OK, I've heard of "trial by press". But have things gone so far awry that we now have the press awarding damages?

    15. Re:Upload, not download by lukewarmfusion · · Score: 2, Insightful

      Fair use does not allow you to download something simply for personal (non-commercial) use. Your decision to download the item is what initiates the duplication - not the person hosting it.

      Your mention of using news releases is incorrect; copyright law specifically mentions news reporting and comment as fair use and non-infringing. (source)
      One of the four factors used in determining fair use is "the effect of the use upon the potential market for or value of the copyrighted work." This is particularly important - if there is no effect, the case for fair use is stronger. Downloading a file has some effect, however, small, on the potential value of the work to the copyright holder. Uploading it has a much larger impact, as you are potentially distributing it to thousands.

      So in that, it is possible to make a fair use case in personal use; but I suspect you'd lose because of the immorality of the thing. There is a reasonable expectation that you would have to pay for the album, because that's how the world works. If the goal of downloading is simply to avoid paying for it (not for the betterment of society, education, etc. which I consider the goal of fair use), it's clearly not protected.

      Obviously, there's some debate here. Even the copyright office makes it clear that there are grey areas and that the best thing to do is consult a lawyer. But there are some guidelines and I believe that many people misunderstand copyrights and fair use - which has complicated this situation further.

    16. Re:Upload, not download by fucksl4shd0t · · Score: 3, Insightful
      You guys are all missing the point.

      In order for the RIAA to go after *downloaders*, they'd have to *upload* to the downloaders. That makes their case something more like entrapment, I'll let a lawyer chime in with the specific term. Basically, how could the RIAA sue someone for downloading from them? Didn't they give permission to download when they posted it for upload?

      I think that would undermine their case and a good lawyer could get it thrown out on that.

      So instead they go after uploaders, because all they need to do for that is take their hacked client, connect to the network, search for the artist they've chosen to protect, then run a script that browses all the users and identifies the largest repositories, then crawl those repositories, take the IP address to the court for the subpoena, and go from there.

      It's pretty obvious why they go after uploaders. :)

      --
      Like what I said? You might like my music
  2. this guy is on drugs by Blymie · · Score: 3, Insightful

    Wow.

    This guy is about as bright as a 5 watt bulb.

    It is like he does not even understand the reason that the RIAA is able to sue for thousands. The premise in court is (right or wrong) that the Music Industry is losing thousands per filesharer, for a specific reason. That is, each song available for download is being downloaded by thousands of people, and each of those downloads costs the RIAA membership the sale of a CD. Thousands of downloads * CD sale = mucho cash.

    Again, this is the premise that would be followed in court.

    Changing the price of a music from $CD_PRICE to $DOWNLOAD_YAHOO_PRICE simply means that someone making files available, would be liable for $DOWNLOAD_YAHOO_PRICE now. In other words, $num_of_users_downloading * $DOWNLOAD_YAHOO_PRICE.

    How is this ruining the RIAA in court? It only reduces the amount of damages per COUNT of people downloading.. that's all....

    Put another way, the RIAA is not suing because you did not buy music. It is not suing the people that downloaded music. It is suing the people that _shared_ music, and setting the price accordingly.

    Again, right or wrong, that's what happening. It's almost like this guy thinks people are being sued for downloading. They aren't. If they were, the RIAA could only sue for what they had lost in revenue, and that would be the cost of the songs the sued downloaded.

    No, they sue from a much bigger angle. They sue with the claim that file sharers have cost them thousands of CD sales...

    1. Re:this guy is on drugs by QuijiboIsAWord · · Score: 1, Insightful

      $num_of_users_downloading * $DOWNLOAD_YAHOO_PRICE.

      Actually, that calculation doesn't really accurately portray the facts. If I download a file from someone, and they are sued for $5 for letting me download it, I shouldn't be counted in anyone elses lawsuit either right? Because after the first lawsuit, they've accounted for the $5 I would have paid for my monthly fee. Granted, that doesn't take into account any monthly fees past the first month..but then, theres no guarantee I kept the file more than a month after downloading it anyway. So, basically, the first guy sued should get royally reamed, but the lawsuits should get cheaper and cheaper as suits progress...

      --
      -Hmm...I got a G+ invite, better remember to remove the request from my sig...-
    2. Re:this guy is on drugs by Golias · · Score: 2, Insightful

      If I sold my Mustang to you could I get sued by Ford for it?

      If copyright law covered the distribution of Ford Mustangs, then yes.

      Since copyright law applies to songs, and not to physical objects like cars, your comparison is not analogous.

      Copyright law is a government-mandated monopoly right to distribute composed works. If you don't like it you can (and should) lobby to have the law changed, but until then it's the law of the land.

      --

      Information wants to be anthropomorphized.

    3. Re:this guy is on drugs by littlerubberfeet · · Score: 2, Insightful

      ahhh..alas.

      Music is not a finite good. It can be copied thousands of times for virtually nothing. The car analogy doesn't work. Ferarri actually tried to do this in the early 1990s. They leased a model instead of selling them, but that's another story.

      I own an indie label, and I have no problem with people selling CDs to each other. I don't even care if people let friends rip our CDs. I would like people to buy them, but at least people are hearing the music. The artsts are hurt financially though when that copying takes place. In the end, given our size, all publicity is good publicity, but every downloaded track is a track the atists don't make money from, even if they do publicize the group.

      The point is, a song on a P2P network is no longer a singular entity, like a car. If it is shared, it becomes as many entities as there are downloaders. That is where the problem is.

      For reference: Under compulsory licensing, if you wanted to license and record a cover of any song out there, the artist would get about 10 cents a song a CD in royalties at a minimium. So, if you covered a song one of my artists did and sold a platinium (million in sales) album, my artist would get $100,000.

      --
      Sig (appended to the end of comments you post, 120 chars)
    4. Re:this guy is on drugs by Bamafan77 · · Score: 4, Insightful
      Well, Cuban specifically only refers to what he calls "possession of a controlled music substance" , which presumably is different from dealing a controlled music substance. In the former, he's right. And since the former is the only thing he refers, I guess you could just say that he's right.

      There's going to be some people who interpret the content of the blog the same as you and come to your conclusion. There will be others who intrepret the blog the same as you, and come to the opposite conclusion. But in the end, you both will be basing your opinions on bad data. He's effectively repositioned the argument right under your noses, and you and many other highly rated posters are all a-buzz...over nothing.

      Politicians use subtle tactics like these to confuse us poor proles all the time. I can see how the guy became a billionaire now. What's a cynic to do in a world like this? :)

    5. Re:this guy is on drugs by szquirrel · · Score: 2, Insightful

      Mostly Cuban is pointing out the hypocracy of the RIAA negotiating bargain-basement deals with juggernauts like Yahoo while still trying to claim that illicit downloading is costing them millions.

      The value of the product is key to the RIAA's requests for thousands of dollars in damages. The RIAA claims a value of CD cover price per song when in fact the Yahoo deal puts that value closer to $5 per month. Wal-Mart isn't likely to win $75,000 off me if I shoplift a T-shirt. Why should the RIAA be able to ask for thousands from individuals when they are willing to practically give their product away to large companies?

      This logical disconnect is well known to geeks; now it's just becoming more obvious even to business-types.

      --
      Never approach a vast undertaking with a half-vast plan.
  3. That doesn't compute. by k96822 · · Score: 5, Insightful

    That is like saying the most a person can be fined for stealing a shirt from WalMart is the price of the shirt.

    1. Re:That doesn't compute. by benjamindees · · Score: 5, Insightful

      Actually the logic is completely correct. But you're confusing "fines", which are the result of criminal prosecution, with "damages", which are the result of civil suit.

      Damages are usually limited to "actual" losses, which is exactly "the price of the shirt". Fines can be much more, but they're exacted by government, not industry cabals (see Blockbuster).

      --
      "I assumed blithely that there were no elves out there in the darkness"
  4. Well, sort of. by SocialEngineer · · Score: 4, Insightful

    The main people the RIAA are going after are the SHARERS - the people who have hundreds, dare I saw thousands of songs in their shared folder, and are on a high-speed connection. 5 dollars per month per each individual person who downloaded from that one person is probably a little more what the RIAA would be after, if they had to affix something like that to the cost.

    --
    "Better to be vulgar than non-existent" -Bev Henson
  5. Two things by merlin_jim · · Score: 2, Insightful

    1. You have to take into account everyone that could have gotten the file from someone when talking about lost revenue

    2. The purpose of the fine is a) to recoup lost revenues and b) to discourage people from breaking the law

    While the value of 2a might have gone down, that doesn't really affect 2b.

    --
    I am disrespectful to dirt! Can you see that I am serious?!
  6. Bad Math by kmo · · Score: 2, Insightful

    If you follow Cuban's argument through, the RIAA could easily claim that it is due $5 per month from you and everyone who got a copy of a song from you illegally . Which puts the damages back where the RIAA wants them.

  7. Re:RIAA by AKAImBatman · · Score: 4, Insightful

    It's called "punative" damages. That money is intended to deter people from the act of theft. (Similar to the fines charged to speeders.) If punative fines didn't exist, then someone might figure that they would only have to pay for stuff that they were caught stealing.

  8. $5 per month *per user* by KalvinB · · Score: 2, Insightful

    Since Yahoo charges $5 per month per user, the RIAA would by the writer's logic, sue for the same. So if Joe Shmoe uploads a large amount of songs and 1000 people download at least one of them within a month, Mr Shmoe owes $5000 to the RIAA.

    Of course the RIAA could also look to Apple and say they're worth $1 per song per user. In which case Mr Shmoe would owe $1 * 1000 * number of songs downloaded.

    This assumes that the uploader tracks the number of users and downloads and can verify the information to the satisfaction of the courts. This is why the RIAA and MPAA sue for generally large piles of cash. It's a very rare pirate that tracks their user base as well as Apple and Yahoo and every other legitimate music downloading business. The pirate is then at the mercy of the courts to decide how much they owe if they don't just settle with the RIAA.

  9. penalties must exceed cost of goods by PMuse · · Score: 2, Insightful

    [Insert here a long, tired speech about the differences between copyright infringement and theft.] Nevertheless, all penalties for stealing something are far in excess of the value of the goods. Otherwise, every shopper would walk out of every grocery store without paying every time. Why pay first when you can safely wait until after the seller complains?

    --
    "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  10. I agree by ZosX · · Score: 3, Insightful

    There should be caps on this sort of thing anyways. Remember the kid who made a search engine for his University and when the RIAA found out that people were using it to search other people's shares for MP3s they sued the kid for $10,000 which he paid out of pocket from his college fund. Fortunately for him he has since recovered his money thanks to an internet fund raising drive, but $10,000 is an awful lot to sue for when someone has not caused you any sort of monetary damages directly. I could only imagine the world of hurt the poor kid would be in if he didn't have the funds to just simply settle.

    This is chilling precedent. What's to stop the RIAA from one day hacking into my machines and finding some MP3s (actually, they will find a LOT) and deciding that I am distributing them or that I do not legally own all of them? Can I afford to pay some schmuck lawyer to help me defend myself against this tirade? I can't, as I am unemployed currently. Could I afford a $10,000 "fine"? Probably not. People put other people's lives at risk with drunk driving, but when they are caught, they face only a $3,000 fine here in good ole Pennsyltucky. Aparantly putting the lives of people in danger is only worth $3000 to the state, while saying that stealing some music from a corporation that owes a multitude of its artists money and does its best not to pay is ludicrous is worth $10,000 is totally ludicrous.

    The government doesn't need to get involved in this sham either. Hasn't anyone read the news? Record sales have been up. I guess the piss poor economy has had a lot more to do with sales driving down than some college kids who wouldn't have bought the freaking album new anyways.

    For the record, 90% of the albums I've ever bought were from the used bin. It would be safe to say that I never supported the artists in the first place. KRS-One has this great line about how "if you downloaded the album, come to the show." I'm sure he makes a lot more from ticket sales at shows than he does from his albums. Maybe more people need to get out and see shows and maybe more shows need to start costing less than $50 a seat!

    Is Dave Matthews really worth $100 to go see with your girlfriend? (assuming one has one here)

  11. Re:The world is geting smaller... by xiando · · Score: 4, Insightful

    Actually, buying music from allofmp3 may equal stealing, depending on what country you are in. The fact that you are paying a Russian company money does not make it legal to download the songs from countries ruled by plutocracies (like the USA). If the download service you are using does not have the proper right to sell citizens of your country the music then you might as well be downloading it from any common peer to peer service.

  12. Neat... by geoffspear · · Score: 5, Insightful

    Can I set up a new cable network that broadcasts all of the Maverick's games if I pay them the cost of a season ticket? Sounds fair to me.

    --
    Don't blame me; I'm never given mod points.
  13. No one knows if the RIAA really has a case by Nom+du+Keyboard · · Score: 3, Insightful
    No one knows if the RIAA really has a case...

    ...until they win a judgement in court that stands up under appeal.

    Until then it's all threats and scares.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  14. Rental vs. Ownership by treerex · · Score: 4, Insightful

    The argument doesn't hold up.

    These pay-per-month services are rentals: you stop paying and you no longer have access to the music (though I suppose its only a matter of time, if it hasn't happened already, before someone cracks the DRM in these rental services). With iTMS you own the track you've paid US$0.99 for. It's yours.

    People forget this, or don't think about it. Hilary Rosen's recent drivel makes the same mistake when she complains about iTMS lockin while saying how great Rhapsody or Napster or Yahoo! or whatever is. Of course, you're locked into those too. Anyway.

  15. Re:The world is geting smaller... by Changa_MC · · Score: 2, Insightful
    you might as well be downloading it from any common peer to peer service.

    yes and no. allofmp3 is high quality files. And it's like buying prescription drugs in canada: it's illegal, but not unethical.

    --
    Changa hates change.
  16. The RIAA doesn't compute either by WebCowboy · · Score: 4, Insightful

    If RIAA ran Walmart it wouldn't have shoplifters prosecuted for theft, it would launch ridiculous civil suits against them.

    If you stole a shirt from RIAA's Walmart, it would sue you $14.95 in loss/damages plus $1.5 million for pain, suffering, legal costs, etc.

    I agree that Cuban's logic is flawed, but I might amend the argument. RIAA has tried to sue for silly amounts, somewhere along the lines of $2500 per song. I believe that the defendant could argue that since there is a legal $5/month service from Yahoo that a more resonable assessment would be $5 * number of months known to offend * a reasonable estimate of the number of people who got songs from your PC in a given month. It is that last factor that is different from Cuban's argument--unfortunately what a reasonable estimate is debatable.

    So instead of these dumb multi-million lawsuits against teenage girls and grandparents that do nothing but make bad PR and settlemsnt at a small fraction of the original amount you'd do something like this:

    $5 * 6 months * 500 USERS (not songs) uploaded to in a given month is...$15000. I'd bet that in most cases it is much less than 500 unique users who get all or part of a file from your machine when logged into P2P. In any case $15K is mcuh less ridiculous than millions but still enough to remind the offenders that it is wrong.

    BTW, comapring copyright infringement to shoplifting isn't really accurate either because despite what RIAA says, violating copyright is NOT THEFT. When you steal a shirt you are denying the victim the use of said shirt. When you download music the artist (or more likely the publisher) still owns the rights and paying customers can still hear the music. Just to make it clear...

    DOWNLOADING MUSIC IS *NEVER* STEALING...

    HOWEVER...it IS violationg copyright... AND VIOLATING COPYRIGHT IS ALSO WRONG.

    The problem is that RIAA et al want to prosecute people for copyright infringement much more harshly than deserved--more than what some people get for things like theft, assault and rape. A reality check is required for people all around.

  17. Re:*sigh* over music by Larry+Lightbulb · · Score: 2, Insightful

    That someone argues and acts with energy and enthausiasm over music doesn't mean they're not involved in other causes.

  18. RIAA vs Slashdot by Ecko7889 · · Score: 2, Insightful

    When I first read this article, there seemed a locgically, but linear, point of view. The poster simply connected one fact to another, with no real support. It is logical, but not practical.
    What is really strange, is how people are responding to this post. Many are simply ignoring the fact that services, Napster, Yahoo etc. are providing an unlimited amount of music, with small compensation.
    They provide a service as cheap as a magazine subscription. Many people simply argue past the $5 a month of damages, others argue about the DRM, uploaders, but when it comes down to it, the RIAA is trying to play both sides.
    They are trying to prevent piracy, and advocate cheaper "better" resources. They sue for thousands and sell their CDs for $10-$20, but yet offer for $5 a month all the music one can hold on a personal MP3 player.

    What is next when the sales of box office movies to torn apart by a $5 subscription of online moves? Will there be more controversy?

    --
    $sig$
  19. The logic is wrong.... by everphilski · · Score: 2, Insightful

    Interesting point, but that's like saying to a car thief "OK, we can throw you in jail, or you can just pay for the car and be on your merry way." Sorry, real life doesn't work that way. Posession is 9/10ths of the law, and if you posess it without legally owning it, my friend, you stole it. Making things right after the fact doesnt change the fact that it is stolen to begin with.

    That doesn't mean I don't think that the money being asked by the RIAA is outlandish. But the principle he is presenting is flawed.

    -everphilski-

  20. Re:The world is geting smaller... by It+doesn't+come+easy · · Score: 2, Insightful

    Interesting point...

    If I am not violating copyright by electronically purchasing a song from an overseas company (and, at least for the moment, I am not), how can I be violating copyright by transferring my legal purchase to my personal computer? Simply because it is digital?

    --
    The NSA: The only part of the US government that actually listens.
  21. I don't think he looking at the bigger by Enrique1218 · · Score: 3, Insightful

    I am not defending the RIAA or their actions. I do believe people have the right to make off their ideas and thus, I respect copyright. I believe the technology grew too fast and majority of consumers haven't related to the ethical problem yet. Thus, I believe the proper response should be education first then punitive action. However, with punitive action, $5 for every month of infraction is too low. With P2P and torrent, the downloader becomes the uploader. With desktops and always-on broadband, these programs could run for days at a time. Take a one person with 600 pirated songs, he has $600 worth of music. If a hundred people download just %10 of his collection, he just distribute illegally $6000 worth of songs. I would guess this could happen in just a few days. Imagine, how many songs he distributes in the course of a year. Thus, $5/month is too low and would be ineffective if punitive action is being used.

    --
    You don't have to be smart to use a Mac, you just have to be smart enough to buy one
    1. Re:I don't think he looking at the bigger by Anonymous Coward · · Score: 1, Insightful

      I believe the technology grew too fast and majority of consumers haven't related to the ethical problem yet.

      Maybe the recording industry is just too slow to realize the speed at which technology grows?

      Their bad.

  22. Cuban is no idiot by Infonaut · · Score: 4, Insightful
    He's effectively repositioned the argument right under your noses..."

    Cuban is no idiot. He knows that the way to change things is to control the structure of the argument. The music industry has managed to paint their struggle for continued control as a fight between them and "evil music thieves," and now Cuban is reframing the argument so it revolves around the music industry's pricing policies.

    Anyone who forms their opinion about music filesharing's effect on the music industry and on creativity solely on the basis of Cuban's comments is a bit dim. But that doesn't diminish the worth of what he's doing by shifting the argument. He's using the broad reach of his blog to re-think the big picture.

    --
    Read the EFF's Fair Use FAQ
  23. Re:The world is geting smaller... by SomeOtherGuy · · Score: 2, Insightful

    I look at allmp3.com the same way I look at companies whom can't come to terms with the unions, and go to arbitration.....And then the employees are awarded more than they had originally asked for.

    If the company would have relented up front, it would have been considered a compromise by both parties.

    If the RIAA would have got their act together early on; offering reasonable prices and services in the digital age....then maybe they could have kept the geanie in the bottle.

    Since they did not -- anything nowdays that is equivelent to the pricing found at the brick and mortars is going to be looked at (by a lot of people) as trying to sell icecubes to eskimos.

    I honestly believe in the age of the internet where (some) honest people deserve the right to shop around for the best prices for goods and services --- that coming across something like "allofmp3.com" would seem legitimate. I mean, when I first saw it -- I could not believe it -- so I thought that I would be hearing about it being shutdown in days by the same forces that usually take "too good to be legal" stuff away and off the market.

    The fact that I went back 6 months later --- and they were still there makes it legitamte in my eyes.

    --
    (+1 Funny) only if I laugh out loud.
  24. Copyright Damages Are More Complex by werdna · · Score: 3, Insightful

    The argument is ok so far as it goes, but it doesn't go very far at all.

    Regrdless whether the plaintiff suffers any damages at all, and regardless whether the defendant obtains any unjust enrichment from the infringing content, a plaintiff may still elect to obtain statutory damages. The jury gets to determine the amount of statutory damages, but that determination can be no less than $750 PER WORK INFRINGED.

    This exceeds $5 per month.

  25. I disagree by AviLazar · · Score: 3, Insightful

    While I dislike the RIAA/MPAA just like the next /.'er, I wholly disagree with this story writers pricing assessment. Part of being sued and penalized for doing something bad is paying a penalty fee. For example: If a company wronged you and you were injured. You do not just sue them for your medical bills (boy does the health insurance industry wish this was the case) - you sue them for more money above and beyond.

    So while we hate the stupid prices, and the DRM's - I at least cannot say it is morally right to give the music I bought to strangers on the internet (or to download them).... As such when they sue - yes they can sue for more. I do not know how much is more valid - but $5/month is not an acceptable price.

    Though the RIAA/MPAA is suing uploaders, not downloaders.

    --

    I mod down so you can mod up. Your welcome.
  26. A new model of entertainment commerce is needed by TheNucleon · · Score: 3, Insightful

    Once audio, video or print is turned into little ones and zeroes, it becomes impossible to control. You can wrap those ones and zeroes with some DRM pixie dust, but there's always some smarty-pants who can un-DRM them again. There are those still in denial about this, like the RIAA and MPAA executives, but history has proven this out in the last decade or so. Increasingly draconian laws have a short-term effect, but only postpone the inevitable shift to a different model.

    Personally, when I get music or video, there are people I want to see paid for my privilege of enjoying the work. The writers, composers, musical artists and actors are at the top of the list, and also the professionals who capture and refine the work. Without them, there wouldn't be content to enjoy, so I want them to be paid. They need to be able to make a living.

    Currently, though, a HUGE percentage of the money lines the pockets of people who have little part in the creative process. I don't care to pay them. They are not doing me any good. In fact, they often do me harm, screening thoughtful or poignant content out of the mix because it will somehow make them less money.

    So, two problems - (1) we can't effectively control content in exchange for license fees in the digital world, and (2) we want to pay the right people and jettison the baggage. I propose that to solve these problems, a new economics of entertainment content must emerge.

    Better, more informed and creative brains than my own need to noodle on this, and we need to quit wasting time arguing about the current, doomed paradigm of entertainment commerce. Of course, thoughts like these will threaten the barons of the entertainment industry - they are slow to move, and have no vested interest in seeing things change. But the status quo can't last forever, and is already on it's last legs.

    --
    My comments are my own, and do not represent the views of my employer, my spouse, my children, or my cats.
  27. Serving, not uploading by HTH+NE1 · · Score: 3, Insightful

    It's like burning a copy a CD, destroying, the original, and saying, "This one isn't a copy, I don't have the original any more."

    Making a backup is also making a copy. Are you meaning to say that I don't have the right to use my backup if my original gets destroyed? Next you'll be saying that I can't make a backup of that backup, even after the original is destroyed.

    The symbol for copyright should be a burning candle with a cage of barbed wire around the flame, symbolizing that though you could light your candle at mine without diminishing mine's light, I'm still not going to let you copy my fire.

    --
    Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
  28. No by bezuwork's+friend · · Score: 2, Insightful
    But any good laywer could reduce the damages to sale price and a penalty fine.

    Not if they ask for statutory damages - $750 minimum up to 150K for willful infringement per work. Think the RIAA will ask for actual damages instead of this? Not likely.

    It's good to be the content owner.

  29. blah blah by XO · · Score: 2, Insightful

    Of course, this is only true if Yahoo has everything the RIAA has copyright for. Which is not the case, I'm sure.

    --
    "Champagne for my real friends - and real pain for my sham friends!" http://ericblade.postalboard.com/
  30. Re:Finding First Uploader, Counting Uploads by cpt+kangarooski · · Score: 3, Insightful

    Either direct infringement (it's often infringement even when you copy just a very small part of a work), or contributory infringement, since you're working with a lot of other people to, in sum, infringe.

    That you'd consider this kind of indicates that you're treating the law as a machine, which can be spoofed. This is a mistake; there are human beings involved, and they're often fairly smart, too. Your scheme is so very simple that it is no work at all to see through. I'd watch it with the whole pride thing.

    You may also be interested to read the essay "What Colour Are Your Bits?".

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  31. Re:A copy of what? by anthony_dipierro · · Score: 2, Insightful

    No, asking for a file does not necessarily equate to asking for a copy.

    Directing a machine to copy the file does.

    Unless I have the original, I can't make a copy.

    Why not? If I take a photo of a painting, I've made a copy, but I don't need to "have" the painting to make the copy.

    Your logic is equivalent to claiming that browsing the web is a constant copying of copyrighted content.

    Well, it is.

    I said nothing about public broadcasting.

    Broadcasting is by definition public.

    The FCC allows FM transmissions up to a certain level (50 mw?), and it's perfectly legal to use that technology to privately broadcast, say from a CD player so you can listen on a radio in another room, (wireless headphones are another example).

    That's not broadcasting. A broadcast is a transmission to the public. It's also not distribution, because you're not sending it to someone else, and it's probably not copying. But even if it is any of those things, it's certainly fair use.

    Are those illegal?

    The devices certainly aren't illegal, and using them in the manner you describe isn't illegal, because it's fair use.

    Are you claiming that IP based music streaming, such as the capability offered by Apple iTunes and hardware devices such as an Airport Express or Roku Soundbridge or a Squeezebox constitutes copyright infringement?

    If you do it without permission of the copyright holder, and not for some fair use purpose, it's definitely copyright infringement. I can't remember the name of the company right now, but someone was successfully sued for doing exactly that. Apple had to get a license to offer their iTunes service.

    How about if it's sent over 802.11?

    If it's a broadcast, I believe there are some statutory licenses for digital audio transmission. If not, then you've got to either rely on fair use or get a license.

    Is it copyright infringement to play music loudly enough that others can hear it (broadcasting via audio vs. RF)?

    If it's not fair use, and you don't have a license, then yes.

    What clearly defined distinction is there between loud music and RF transmission and Internet transmission?

    There is essentially no distinction between loud music and RF transmission. If you play music in a bar or at a concert, you've got to pay for a public performance license. If you're just playing musically loudly for personal non-profit purposes, you're probably protected under fair use. Same thing with small scale RF transmission. On the other hand, if you're broadcasting to a wide area, then fair use probably doesn't apply, even if you are doing it for non-profit purposes. With internet transmission, the distinction is that it's necessarily a digital audio transmission (RF transmission might be digital, in which case it falls under the digital audio transmission rules).