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Creative Commons & Webcomics

xerexes writes "This week Comixpedia is publishing an article written by T Campbell called "Creative Commons and Webcomics" which features a roundtable discussion with comments from Lawrence Lessig, Neeru Paharia, Mia Garlick, JD Frazer and Cory Doctorow. Traditional copyright faces webcomics with an uncomfortable choice. Its restrictions, properly enforced, would mean a virtual end to crossovers and homages, fan art, fan fiction, and many other staples that make the webcomic a more entertaining creation and foster artistic growth. A total lack of copyright, however, leaves unscrupulous readers free to "bootleg" subscription sites, program tools to deprive comics of advertising revenue, and even profit from others' labor without permission. The Creative Commons license presents a possible solution. It lets copyright holders to grant some of their rights to the public while retaining others, through a variety of licensing and contract schemes, which may include dedication to the public domain or open content licensing terms. "

3 of 144 comments (clear)

  1. Re:Profit by antifoidulus · · Score: 5, Insightful

    Mayhaps because hosting isn't free, art supplies aren't free. Perhaps because some of these people want to devote themselves full-time to their craft. Just because you don't see a monetary value in something, doesn't mean the rest of the world agrees with you.

  2. Re:Profit by HyperBlazer · · Score: 5, Insightful
    If you aren't doing something for the love of doing it, don't do it at all. Society will be better off for it.

    If you don't mind me asking, what do you do for a living? If you hate it, then follow your own advice: quit and "don't do it at all." If you love it, then follow your own advice: quit and do the work "for the love of doing it," not for compensation.

    The webcomic artists do love what they're doing, And some of them are trying to make a full-time job out of it, with the intent that they can provide better work that way. To my knowledge, none of them are really getting rich. They're just trying to make sure that they make enough to keep giving us our comics.

  3. Money, money, money by Rekrapt · · Score: 5, Insightful
    I've always found it ironic that a company like Disney, who made tons of moolah using works that had fallen to the public domain, are the first to sue day care centers and such for painting Mickey Mouse on the wall. They wouldn't be where they are today were it not for the public domain.

    I believe all copywritten works should go to the public domain after 20 years. Period. That should be plenty of time to make money off your work. And if you don't make any money, then it should pass to the public domain so someone else can take it and maybe make some money off of it. The majority of artists/musicians/filmakers/writers never get rich from their work. (Like me!!!) I would imagine that in the public domain, you might have another chance to get some recognition for your art. If you didn't make any money, letting somebody else alter it and re-package it could help you receive some recognition and lead to some $$$ for your other works. Maybe... what do I know... I'm a peasant.