Sony Agrees to Stop Payola
dsginter writes "Sony BMG Music just reached agreement with New York Attorney General. Sony spokesman John McKay admitted that the practice was 'wrong and improper' but the company engaged in the activity anyway. They were fined $10 million and have agreed to obstain from the practice in the future. Is this the first step toward getting our airwaves back or is this just a slap on the wrist?"
The Recording Industry Association of America will never stop something as profitable as payola without the threat of jail. Period.
I'm probably at the karma cap. Mod up a funny troll instead, it lightens the mood
It's "abstain".
They were fined $10 million and have agreed to obstain from the practice in the future. Is this the first step toward getting our airwaves back or is this just a slap on the wrist?"
With music industry profits of billions each year, I'm sure they made much more than $10m from doing so. They'll carry on with the payola until it stops being profitable for them to do it.
Don't forget it's not just direct profits that payola causes. Payola is a large factor in preventing independent musicians from getting adequate airplay, so it actually supresses the competition and reinforces the RIAA cartel's position. That alone has to be worth way more than $10m.
A Salon feature from earlier this year offers some more information on the practice, and a tentative answer to the question posed in this summary:
"...radio playlists are unlikely to improve anytime soon. While [promoters] are often seen as dubious, they did have a knack for getting new acts their break on FM radio...station programmers may soon become even less adventurous in choosing which songs get tapped for rotation on FM stations' heavily guarded playlists.
The indie promotion fallout could be especially tough on smaller, independently owned record labels...The short-term effect is not good for independent music."
Spitzer said Sony BMG's efforts to win more airplay took many forms, including outright bribes of cash and electronics to radio stations and paying for contest giveaways for listeners. In other cases, he said, Sony BMG used middlemen known as independent promoters to funnel cash to radio stations.
So if a regular Joe spreads the word about a new song and induces many thousands of random people listen to it for free it's theft, but if a radio DJ does the exact same thing he gets paid? Riiight.
Maybe Sony should just have those "independent promoters" run eDonkey clients instead. It'd be much cheaper.
Money for nothing, pix for free
It's a good gesture to try to stop the corrupt radio business, but it will have very little effect. The corruption runs rampant, from low level DJ's to nationally syndicated shows, however unfortunately most is unknown.
The bottom line is that having steady radio play is the key to selling albums, and when the the vast fortune of the music industry is at stake, dishonesty is inevitable. A VERY high percentage of Americans discover new music by hearing it on the radio, and a small fine (10 million? Ensuring that their arists get radio play has got to be worth at least 10x that) will do little to discourage the big labels.
Makes me wonder how much they paid the Attorney General to keep the fine that low.
Beep beep.
Payola, while unpleasant, is nothing to people who are carefully creating radio to only be sports, 80s hits and right wing shock jocks.
But, fortunately, there is satelite with some variety but above all else the internet.
Australian radio, in contrast to US radio, is vibrant, brilliant and is a good industrial subsidy for the Australian music industry (ever wonder where INXS, Midnight Oil and many others got their start?).
If you want to check it out over the net check out JJJ, RRR, 3PBS and enjoy some streaming quality alternative interesting radio for a change.
..some music is so poor, yet so successful. Take, just off the top of my head, a Madonna track that was released for the Bond movie "Die Another Day". It was A list on the radio and got played at least once every 3 hours, and it was utterly appalling. Like, so bad I couldn't understand why anyone would listen to it, never mind buy it.
I mean, music criticism is difficult because someone somewhere is going to see something in a track you might detest, but I'm pretty confident that 99% of the people who heard that track would think it was rubbish. But still it got on air, a lot.
DJ's these days are totally shackled by the system, I think they have very little freedom on large stations to play music they actually like. It used to be that an "Indie" DJ played music they liked, and if they were actually a good DJ with discerning taste and access to a lot of new stuff, it was like a filtering process to find stuff old and new you would like. But listen to any commercial station and the music is essentially interchangeable, at least here in the UK.
Anyway, talking of music that's overhyped and overpromoted, just read "most of modern R'n'B". The genre, with too few exceptions, requires little to no talent compared to too much arrogance and attitude. Recipe for success: a few hooks, some mediocre rapping and an effects/whore-heavy video. If it wasn't pushed so much, it wouldn't be popular.
Meine Schwester ist sehr, sehr reizvoll - Nietzsche
Individual likes music. Buys music. Distributes it to friends and family. Gets caught by the RIAA and gets slapped with a criminal record.
Record company hates music, loves advertisments. Gets given music. Gives it away for free over an unencrypted medium to anyone who cares to listen. Gets given a huge 'bribe' by record company to keep doing this and the record company is a criminal.
I know this is an over simplification, but this really is nuts.
Scared of flying, pointy things snce 1979!
Why exactly should this be illegal?
If a DJ accepts a direct payment when his employment contract forbids it, that's breach of contract.
If a radio station advertises that they don't accept payola, but they do, that's fraud.
But if a radio station wants to make a strait-up pay-for-play deal with a record producer, why should the government care? If it really bothers listeners, a competitor can lure those listeners away by promising not to.
There is the really lame argument that the airwaves are a public trust, but that just means the government was dumb enough not to auction them to the highest bidder.
There is the only slightly less lame argument that music should compete on quality alone. But if the listeners don't care, and somebody has to be the popular band, why not the one that pays the most money?
Should a person break the law, they may well face a jail term.
For a company, a jail sentence make sense. Who should be incarcerated? The executives?
Perhaps we need to take a different approach - one which with credible and appropriate consequences.
I suggest removing all copyrights on songs/artists that benefited from the payola crime.
The starving artists themselves can claim damages against the company directly.
--- blackironprison, where ignorance is bliss....
Racketeer Influenced and Corrupt Organizations Act... If the recording industry and the radio industry knowingly collude to perpetuate payola, how is it not covered by this act which has some real teeth?
Moderation in All Things... Especially Moderation - gurutc
I don't understand this. I thought that the record companies were supposed to be the shining beacons of morality! What with all their protecting the rights of the innocent and defenseless artists, they'd HAVE to be completely upright businessmen.
:)
I guess the moral is that people in glass houses shouldn't throw stones.
Meanwhile, I'm going to start downloading music again.
-Arthur
Cave ne ante ullas catapultas ambules
I would argue that there really is no such thing as independant music being played on most stations. 'Indie promotion' is just another buzzword that makes it sound like it's creative and underground, which is far from the truth. Indie promotion is another word for payola. That's all it is. If there are a few indie promoters that can get some unknown band on the radio, they are very few and far between.
And as far as station programmers choosing playlists, well I don't know enough about it to make a conclusion, but given the fact that where I live Clear channel owns both 'classic rock' stations and they both play pretty much the same playlist, I doubt the station managers have any control on what Clear Channel wants played. At any specific time I can turn on a Clear Channel station and be guaranteed to hear one of 3 AC/DC songs (who knew they only put out three songs?) or some old Aerosmith song.
The music industry is stagnating right now. MTV has been useless for several years now, choosing to focus on reality television rather than music videos or innovative sound. Mom and pop radio stations have been bought out by the one or two monopolies left in broadcasting.
And anyone that can tell me Lil' Jon is a musician with a straight face deserves a frickin Oscar. It's almost as if two music executives sat in a room together and made a bet that they could make millions off of a bum with no talent just from pure marketing hype alone.
I think if there's anything that can make a big difference, it's a media-centered site like Apple's iTunes that has things like music videos, sampling, playlists, online radio stations. I can listen to more new bands in a week through iTunes than I ever heard introduced as a new band on a radio, in all the years I've been alive.
Some of the memo's are pretty revealing. FSN has a story on some of it. "We ordered a laptop for Donnie Michaels at WFLY in Albany. He has since moved to WHYI in Miami. We need to change the shipping address." One Sony memo from 2002: "Can you work with Donnie to see what kind of digital camera he wants us to order?" Looks like Rush was right: "glittering prizes and endless compromises shatter the illusion of integrity, yeah!"
As an aside, the next time you sneer in disgust at a greedy tort lawyer (the sneer is very deserved in some cases) and think about calling for sweeping reform of our "broken" tort system, remember that manufacturers do the same thing with product safety. Probability that it will hurt somebody times what it will cost us when it does. If that's less than the savings from making an unsafe product, they make the unsafe product. The reason they don't like lawyers (and especially juries) is because they're an uncontrolled element to the damages variable. Huge jury awards hurt them (and can actually drive changes in unsafe behavior) because they can't accurately budget for them. They have such a love affair with capped awards and forced arbitration because it makes it easier for them to lock down that variable and accurately measure the benefit of hurting people.
Today's Sesame Street was brought to you by the number e.
It's funny that the music industry will actually pay out money sneakily to get airplay via the radio and tv, to boost sales, but for some reason airplay via p2p services can only damage their sales.
Of course p2p could result in the listeners having a permanent copy, but so can radio and tv.
- And then there are all the streamripping and peercasting options to grey-out the difference even more.
"Imagine if they said, "this next Madonna song was sponsored by EMI."
That would make the music show a defacto advertisement. People would tune out in droves. By hiding the money, they can make an ad seem like a music show.
Listeners don't like being lied to, and given that the airwaves belong to them, they have a right to honesty.
Honest artists and producers don't like it because it's anticompetetive. Implicit in the deal that "you will play *our* music more" is the undeniable fact that "you will play *their* music less".
What amazes me, is that they've been getting away with the "new payola" for so long now. I think it's fair to say that the reason "popular" music sucks so bad is that most of it doesn't become popular on its own merit. Its popularity is engineered in boardrooms.
Payola is nothing new. Anyone who is surprised that this is going on was just unaware that the practice has been around as long as radio.
... when is New York state Attorney General Eliot Spitzer running for a bigger office? He seems to have a knack for getting headlines with high profile cases that get everyone all fired up.
w ire/sns-ap-clinton-2006,0,1068438.story?coll=sns-a p-nation-headlines
My big question is this
From http://www.nynewsday.com/news/nationworld/nation/
the poll showed state Attorney General Eliot Spitzer continuing to hold a double-digit lead over the three-term governor in a possible matchup for the 2006 gubernatorial campaign.
Eliot Spitzer is idealistic and ruthless in his pursuit of corruption.
The idea that he would accept bribes is ludicrous, not to mention stupid. In his high profile position, he would surely be found out.