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Music Exec Fires Back At Apple CEO

geniusj writes "Warner Music Group CEO, Edgar Bronfman Jr., has fired back at Steve Jobs in response to the Apple CEO's claim that having variable pricing for iTunes music would be 'greedy.' From the article: 'To have only one price point is not fair to our artists, and I dare say not appropriate to consumers. The market should decide, not a single retailer ... Some songs should be $0.99 and some songs should be more. I don't want to give anyone the impression that $0.99 is a thing of the past ... We are selling our songs through iPod, but we don't have a share of iPod's revenue ... We want to share in those revenue streams. We have to get out of the mindset that our content has promotional value only.' Perhaps iPods combined with iPods are selling music as well, and it's not just a one-way street?"

45 of 610 comments (clear)

  1. Do they get a share of the sale of CD players? by Nicolas+MONNET · · Score: 5, Interesting

    I don't think so. Why should they deserve a share of iPod sales?

    1. Re:Do they get a share of the sale of CD players? by JeffTL · · Score: 5, Informative

      That man simply does not know the word "iTunes" and was substituting "iPod" for "iTunes Music Store."

    2. Re:Do they get a share of the sale of CD players? by tb3 · · Score: 5, Informative

      Edgar Bronfman, Jr. does not know a lot of things. He inherited the Seagram fortune, sold its $9 Billion stock of Dupont to buy MCA, for the sole purpose of becoming a media mogul. He's failed miserably. Here's a great article about him on Slate. I especially like this quote, "Edgar Jr. has been designated the movie industry's official idiot--a 42-year-old child who's squandering his family (and his shareholders') fortune on romantic Tinseltown fantasies."

      Don't think he speaks for the entertainment industry; he's an idiot even among those morons.

      --

      www.lucernesys.comHorizon: Calendar-based personal finance

    3. Re:Do they get a share of the sale of CD players? by BandwidthHog · · Score: 5, Interesting

      That was what I thought at first, but by the time I got to the end of the article, I was pretty sure he really did mean to imply that his industry was entitled to a cut of each and every iPod sold. Perhaps I’m wrong, but Bronfman isn’t known for being the brightest crayon in the sandwich, if you get my drift.

      --

      Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
    4. Re:Do they get a share of the sale of CD players? by Drooling+Iguana · · Score: 5, Funny

      He should run for President.

      --
      ... I'm addicted to placebos
    5. Re:Do they get a share of the sale of CD players? by The+Ultimate+Fartkno · · Score: 4, Funny

      If there was ever a time to use the word, I'd say that this was it. If he's claiming that he's not getting paid for sales through iTunes, then he's a fucking liar. If he's saying that he deserves a cut of the sales of iPods, then he's a fucking thief. And when he says that "we have to get out of the mindset that our content has promotional value only" then I really have to say that I have no idea what the *fuck* he's talking about! What other value could music have? Does he want to collect personal property taxes on my old U2 albums? Dividends? Insulation value? Ham?

      Now quick, somebody mod me up +5, fucking confused.

    6. Re:Do they get a share of the sale of CD players? by jangobongo · · Score: 5, Informative
      The Slate article you linked says:
      "Edgar Jr... outraged the industry by proposing that theaters charge higher prices for more expensive movies. Why, he asked, should you pay the same amount to see a $2 million movie as you would to see a $200 million one? Analysts and movie types hooted with derision--that's "like charging for a piece of art based on how much bronze or paint was used," sneered one.

      Edgar Jr. wants to treat movies like any other product: If a movie costs more to produce, you should charge more for it.
      That was seven years ago!

      And now, talking about music:
      "To have only one price point is not fair to our artists, and I dare say not appropriate to consumers. The market should decide, not a single retailer ... Some songs should be $0.99 and some songs should be more."
      Sounds eerily familiar in that context.
      --

      Sig cancelled due to lack of interest
    7. Re:Do they get a share of the sale of CD players? by tricorn · · Score: 5, Insightful

      The reason you don't charge a different price for a more expensive movie is that the cost per showing is exactly the same regardless of the cost to create it (e.g. cost of wear and tear on the print, cost to the theater for projector maintenance, etc). You get more money back from a $200 million movie than for a $2 million movie because the more expensive movie is better. Supposedly. Being better, more people will go see it. Supposedly.

      If it isn't better, that's the fault of the producers, not the consumers. You still have a market effect, its that stupid producers who produce excessively expensive movies that aren't worth it go out of business.

      Same thing for the popular hit music - you'll get more money because you sell more, not because you charge more.

    8. Re:Do they get a share of the sale of CD players? by nEoN+nOoDlE · · Score: 4, Interesting

      I think that movie thing is a brilliant idea. If they'd charge 3 bucks to see a million dollar movie and 15 - 20 to see a 200 million dollar movie, people would just go to see the cheap movies. More cheap movies would be made, usually by indie filmmakers and the big budget crap blockbusters would die out. That sounds great!

      --
      Don't trust a bull's horn, a doberman's tooth, a runaway horse or me.
    9. Re:Do they get a share of the sale of CD players? by Seumas · · Score: 5, Insightful

      It doesn't make sense to say "let the market decide" when there is no limit to the supply. I mean, when you download a track, you're not reducing the quantity of available tracks out there in the world. So regardless of the DEMAND, the supply (and thus the price) is the same. Any notion otherwise is an artificial limitation - exploiting popularity by saying "this band is more popular and, thus, you should pay $1.50 per song".

    10. Re:Do they get a share of the sale of CD players? by jcr · · Score: 4, Insightful

      It's not a billion songs yet.

      Sorry, I was off by a couple of months. It'll be a billion Real Soon Now, since the rate is accellerating.

      It's clear the labels have made a heck of a lot of money by now on music they don't even have to physically replicate, distribute, etc., and they're making more all the time.

      I think the big story here is how much money they get from the back-catalog now, that they weren't getting before. Most of the songs I've bought from the iTMS is over ten years old, and not particularly easy to find in a record store.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    11. Re:Do they get a share of the sale of CD players? by Jeffrey+Baker · · Score: 4, Interesting
      I don't think there's anything wrong with varying prices and I don't defend the 99c price point. What I object to is the record companies trying to dictate the retail price. If they aren't careful, Apple will drop the 99% of music that is crap and control the price to their benefit on the remainder. As the retailer Apple ought to be able to dictate the retail price and negotiate with the manufacturer over their cost. But Apple has already given them a sweet deal by allowing them to dictate terms like songs not available, not available individually, albums costing above the $9.99 price, etc. So Apple is already being really nice outside of the traditional retailer/wholesaler relationship.

      I think the record companies do not understand the power relationship involved here. They ought not to go poking the eyes of their largest online retail outlet.

    12. Re:Do they get a share of the sale of CD players? by poopdeville · · Score: 5, Insightful
      My question is, why is it so hard / bad to vary prices on iTunes?

      Because it's just an excuse to raise prices across the board. Every label is going to want their songs at the highest price point. Apple realizes that the iTMS drives iPod sales, and they don't want to alienate their potential customer base by raising prices.

      --
      After all, I am strangely colored.
    13. Re:Do they get a share of the sale of CD players? by banzaimonkey · · Score: 5, Funny
      Shares of Apple were up $0.47 to $52.37 in recent trading, while shares of Warner Music Group were down a penny to $18.03.

      I think that alone says something.

      As for the rest of the article, allow me to translate:

      Waaaaaaaaaaaaaaaaaaah.

    14. Re:Do they get a share of the sale of CD players? by idsofmarch · · Score: 4, Insightful
      Well, I'll defend the $0.99 price-point because I don't trust the labels to institute a variable-pricing model that is fair. Rather than getting most songs at $0.99 with old and obscure titles at $0.33 and new and popular at $1.50, I expect the labels will try to hold everything at the higher-price. The labels are making $10.00 per album, they are making good money for their business and they don't have to pay the same infrastructure costs as they used to. They're making more money, Apple is too, we are getting something we want.

      Apple is being controlling, but they have a vested interest in keeping song costs low to keep selling iPods, thus they are more aligned with my interests--low and consistent song prices--and therefore have my vote. The market is strong, but it's because of Apple and their consistent model.

      Now, on hardware, the day that all parties can agree on a standard not controlled by one party--say Mr. Softy--but by a consortium similar to Mp3 or the Bluetooth SIG. Otherwise, at least AAC with Fairplay can work on both Macs and PCs. WMA should never be the defining standard.

      --
      Anyone who whines about being modded down should be.
    15. Re:Do they get a share of the sale of CD players? by natronxx · · Score: 5, Funny

      Fortunately for all you Americans, I believe this jackass was born in Canada which would disqualify him from running for president.

      Unfortunately for us Canadians, his being a jackass makes him perfectly qualified for running Canada.

    16. Re:Do they get a share of the sale of CD players? by unitron · · Score: 5, Insightful
      That man simply does not know the word "iTunes" and was substituting "iPod" for "iTunes Music Store."

      I fear you are both correct and mistaken. From the article:

      Mr. Bronfman said the music industry should not have to use its content to promote the sale of digital music devices for Apple or anyone else, and not truly share in the profits. "We are selling our songs through iPod, but we don't have a share of iPod's revenue," he said. "We want to share in those revenue streams. We have to get out of the mindset that our content has promotional value only.

      When he said that they were selling their songs through iPod he should have said iTunes but he didn't mean iTunes, he meant iPod. He thinks that the record industry is helping Apple sell hardware and that they should get a share of the profits on the hardware.

      Here's something that I stole from a site that stole it from the Wall Street Journal:

      Consider the economics of the iTunes store. Apple charges 99 cents per song that is downloaded by a consumer. Of that 99 cents, Apple pays the record label about 65 cents for licensing rights to the song, estimates Charlie Wolf, an analyst at brokerage firm Needham & Co. Other analysts come up with similar figures. In addition, Apple incurs costs such as credit-card fees, which typically amount to 25 cents a transaction (which can include several songs), plus 2% to 3% of the amount charged. The result: On average, Apple earns less than a dime for each song it sells from the store.

      So here's what's going on. If you buy one song and use your credit card (assuming that your credit card company and Apple will let you use your credit card for a 99 cent purchase) the credit card company gets 25 cents plus another 2 or 3 cents and the record company gets about 65 cents. That leaves Apple with 6 or 7 cents. If you buy more than one song at a time the credit card company doesn't get the 25 cents on the second through infinity dollars but they get that 2 or 3 cents on every dollar and that 25 cents on every customer. So the best Apple can do is 32 cents per song minus 25 cents per customer, and that money has to cover all of their expenses--bandwidth, advertising, payroll, electric bill, water bill, telephone bill, building maintenance, lawyers to keep the record companies from getting any more than they already do, and anything else that they wouldn't have to pay if they weren't running iTunes.

      The record companies, who don't have to pay much of anything they didn't already cover getting those songs ready to go onto a phonograph record, cassette, 8-track, or CD (except for the lawyers to try to screw Apple), know that Apple's not about to give them a bigger cut out of that 99 cents, so the only way they are going to get even more "money for nothing" is to either convince Apple that the record companies deserve a cut of the profits on the hardware (which would go over about as well as Microsoft saying they deserve a cut of Mac sales because Office for the Mac drives Mac sales) or getting the price per song above 99 cents.

      You'll notice that although he said that the market should decide the price and not a single retailer, he didn't say anything about any songs selling for less than 99 cents, so before long that will be the "fair market price" for songs so low in demand that no one will pay more, and everything else will be higher in price and before long you'll be paying as much for downloads as for a physical CD, at which point they will no doubt declare physical CDs underpriced.

      Remember, Apple is doing almost all of the work and paying almost all of the expenses on iTunes while the record companies get 65 per cent not of the net or the profit, but 65 per cent of the gross and the record companies think that they're doing Apple a big favor and that they should get a cut out of each iPod sale as well. Tell me again who the pirates are?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    17. Re:Do they get a share of the sale of CD players? by anagama · · Score: 4, Interesting

      Defintely a jackass. I bought a Mac in January. I just checked my "purchased music" -- 305 songs. Now granted, about 25 of those are freebie downloads, and some albums have more than 10 songs, but I'd bet I've spent easily $225-$250 in the last 9 months.

      In the previous five years before I got the mac, I could count on one hand the number of CDs I bought -- four to be exact, 3 of which were European imports and one of which I bought directly from an independant artist. So yeah - this guy's an idiot -- w/o itunes they would have made a grand total of diddly squat off me. Greedy bastards. Need to toss that out too.

      --
      What changed under Obama? Nothing Good
  2. The Obligatory Remix by BandwidthHog · · Score: 4, Funny

    An oil industry spokesman said the oil industry should not have to use its content to promote the sale of vehicles for Hummer or anyone else, and not truly share in the profits.

    “We are selling our gas through H2, but we dont have a share of H2’s revenue,” he said. We want to share in those revenue streams.

    The cash register industry did not return calls seeking comment, but representatives for the tobacco industry are reported to be participating in high level talks with the AMA.

    --

    Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
    1. Re:The Obligatory Remix by Fnkmaster · · Score: 5, Informative

      My personal favorite is that "the market" should decide. Apparently this guy failed introductory microeconomics - when you are a monopoly supplier (or a cartel) "the market" doesn't decide anything, the monopolist looks at the demand curve and sets a profit maximizing price. Sometimes they decide they've been too generous in the past, and having roped consumers into a new distribution channel, it's time to start jacking up prices again as perhaps demand isn't quite so elastic as they had previously thought.

      Also, he has apparently never taken Strategy 101, or been introduced to the Theory of Complements - iPods and iTMS (and the downloadable music it distributes) are a classic example of complements. Just because Apple has for ONCE actually played a situation intelligently from a strategic perspective and the music industry has yet again failed to do so (monopolies rarely have any incentive to act strategically) doesn't give them a right to shit.

      This diatribe can be simplified into "a company that is not us is making profits in something vaguely related to music and we don't like that". After I finish wiping away the tears of sorrow from my eyes, allow me to say how many nano-give-a-shits I have for this guys problems.

    2. Re:The Obligatory Remix by ottawanker · · Score: 4, Insightful

      Apparantly they want the market to decide, but get upset when the market decides that they won't pay more than $0, and downloads the song from p2p.

    3. Re:The Obligatory Remix by Fnkmaster · · Score: 5, Informative

      Perhaps you are confused. Warner Music Group controls two of the approximately 25 board seats of the RIAA Board of Directors. They had revenues of 3 billion dollars last year and a market cap of 2.7 billion. They are considered one of the "Big Four" (EMI, Sony-BMG, Universal Music, and Warner) music publishers responsible for 95% of all music CDs sold worldwide. The Big Four were convicted (along with some smaller players) of price fixing and forced to settle with 43 states attorney generals in 2003.

      So Edgar Bronfman, Jr. is the CEO of one of the Big Four music publishers, part of a proven price fixing cartel, and one of the major controlling organizations of the RIAA, a "trade group" (i.e. cartel) that ruthlessly pursues anybody who's interests aren't aligned with the publishers.

      What were you saying again?

  3. Notice what he didn't say... by stoneymonster · · Score: 5, Interesting
    Some songs should be $0.99 and some songs should be more. I don't want to give anyone the impression that $0.99 is a thing of the past ... We are selling our songs through iPod, but we don't have a share of iPod's revenue

    So I guess no songs should be LESS than $0.99. Apparantely that is the minimum value for all music clips of any length or quality. Oh, and I like how they want a cut of the "iPod" revenue. Maybe they should go after CD player manufacturers and home stereo's too, by that logic. Classic.

    1. Re:Notice what he didn't say... by Blondie-Wan · · Score: 5, Insightful

      Remember also how CDs were considerably more expensive than LPs and cassettes when they came out, but it was promised the price would fall as soon as CD technology matured? It's funny how the average CD price never did drop after all, even though the production costs for CDs fell dramatically from above that of LPs to a fraction of it...

  4. kill the goose by all+your+mwbassguy+a · · Score: 5, Insightful

    fuck the golden eggs. we demand platinum!

    1. Re:kill the goose by MrAndrews · · Score: 4, Funny

      It's a wonderful two-pronged attack: the goose's contract to turn out eggs expires ahead of the other egg-laying beasts in the kingdom, so insist they turn out platinum from now on. This drives people to the chicken and the ostrich - because they have no such platinum requirements for at least another year or two - and puts the goose's monopoly on eggs in the crapper. In three years, none of the birds will have any great advantage over one another, and platinum will be the new standard. Win/Win!

      It's greed, but it's brilliantly strategic greed.

  5. Wow. A walk down contradictory lane! by numbski · · Score: 5, Insightful

    Some songs should be $0.99 and some songs should be more. I don't want to give anyone the impression that $0.99 is a thing of the past ... We are selling our songs through iPod, but we don't have a share of iPod's revenue

    So yeah. It will never be cheaper than 99 cents. We don't want to give people that 99 cents is a thing of the past, but we want a piece of the pie, and 99 cents isn't doing it.

    Real bright there guy. You suck.

    Tell you what. Let's go variable then. Songs older than 5 yrs are 50 cents. More recent non-top 100 tunes are 99 cents, and top 100 are $1.50.

    Of course that will never happen. :\

    --

    Karma: Chameleon (mostly due to the fact that you come and go).

  6. Market decide.. don't make me laugh by Ckwop · · Score: 5, Insightful

    Let the market decide? Oh give me a freaking break. There is no market, not in the free market economics sense of the word anyway. I can buy petrol, gas, cars, PCs, coal, condoms or even a blowjob from any number of suppliers. This competition drives down prices and forces companies to compete on quality and price. Copyright guarentees as monopoly on your product. If I want to buy the latest white-stripes album I can only buy it from one label: V2 Records. Sure I can go to different stores to try and hunt down a lower prices but V2 set the price. The consumer only has one choice: buy it, or don't buy it. In a real free market economy the consumer has a third, more powerful option, to find a cheaper supplier.

    This is terrible for the consumer and almost always leads to disproportionate prices. Rather than supply and demand setting the price of the music, V2 can simply mandate it and then it will be so. The market becomes distorted and everybody loses except the labels. There's this idea that the artist somehow needs to be compensated for his work and that's fine but why not do it off ticket sales for concerts? I don't see why we need these artists need these government granted monopolies to make money!

    Simon

  7. Price Fixing by topham · · Score: 5, Insightful

    Since when does the supplier legally tell you what you can sell a product for?

    Generally, that is considered illegal.

    But hey, who am I to talk, I haven't been convicted of price fixing, so how should I know?

    Oh wait, they have.

  8. More? by Dexx · · Score: 4, Insightful

    Some songs should be $0.99 and some songs should be more.

    How about some songs should be $0.99 and some should be less?

    --
    Feel the fear and do it anyway.
  9. Anyone notice how by grasshoppa · · Score: 5, Insightful

    This only makes them sound even GREEDIER than Jobs painted them.

    Sometimes, the best thing to do with a certain type of person is sit back, keep your mouth shut, and let them bury themselves.

    --
    Mod me down with all of your hatred and your journey towards the dark side will be complete!
  10. Re:Wow. A walk down contradictory lane! by KillShill · · Score: 4, Insightful

    and songs 10 years old should be 25 cents.

    songs 20 years old should be 12 cents.

    songs 40 years old should be 1 cent.

    and the RIAA/MPAA should be burning in hell.

    should is a wonderful word. let's show some respect for it.

    --
    Science : Proprietary , Knowledge : Open Source
  11. Re:Taking this to its logical conclusion by Anonymous Coward · · Score: 5, Funny

    I also suggest speakerwire be taxed per foot, since the longer the cables, the bigger the room and thus the more people can listen at the same time.

  12. Article Summary by Paladin144 · · Score: 5, Insightful

    here's the quick version:

    Apple: "You guys are greedy."

    RIAA goons like Bronfman: "We're not greedy. We just want all that money Apple is making. We don't want to do any extra work or promotion. Just send us more cash."

  13. One little piggy went to market by mmarlett · · Score: 4, Interesting

    Let the market decide the price? Well, Napster will let you have access to 1,000,000 for $10 per month. Now, it's not really far to say that $10/1,000,000 is the price, because you can't listen to that many songs in a month. An average month has roughly 44,000 minutes in it. Figure an average person will sleep through a third of that (eight of 24 hours), and (let's through the industry a bone and say that I'm a shallow teenager with no attention span) a poop -- sorry, pop -- song is 2.5 minutes long, that's about 5,849 songs that I can listen to for $10. That means each song is worth $0.0017 -- a tenth of one cent.

    The free market rocks!

    Wait... wait a second. He didn't say anything about being cheaper than 99 cents, did he? Crap.

  14. Re:two sides by BandwidthHog · · Score: 4, Informative

    That reasoning might hold water if they were actually investing in the bands. In actuality, they’re merely loaning the bands the money. Even if their “investment” tanks the artist is still obligated to repay the loan.

    --

    Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
  15. Re:wow ?! by KingVance · · Score: 5, Insightful

    Well....Back to piracy.

  16. Re:A Cut of iPod Sales? by lav-chan · · Score: 5, Informative

    Austria: In Austria, the television & radio licence varies in price depending on which state one lives in. All are in euros and are paid annually.

    Denmark: The licence fee in Denmark is DKK 2 040 per annum for colour TV, DKK 1 310 for black and white TV and DKK 320 for radio.

    Finland: The licence fee in Finland is 193.95 per annum for TV.

    France: In 2004, the television licence fee in France (mainland & Corsica) is 116.50 and in the overseas departments (where viewers receive the Reseau France d'Outre Mer (RFO) rather than France 2-France 3-France 5-Arte) it is 74.31.

    Germany: The licence fee in Germany is 193.80 per annum for TV and radio, and 66.24 for just radio. It is billed by month, but typically paid quarterly (yearly payments are possible). Unemployed and disabled people do not need to pay the licence fee.

    Ireland: In 2005, the television licence in Ireland is 155. It is free to anyone over the age of 70 and to some over 66. The licence fee is the primary source of revenue for RTÉ, the state broadcaster; however, its radio and TV stations also broadcast advertising to supplement this income.

    Italy: In 2005, the licence fee in Italy is 99,60 per household with a TV set. It is the primary source of income for RAI, though it also broadcasts advertising.

    Norway: The licence fee in Norway is NOK 1 969 per annum (2005). The fee is mandatory for any owner of a TV set, and is the primary source of income for Norsk Rikskringkasting (NRK).

    Sweden: The licence fee in Sweden is SEK 1 920 per annum. It is collected on behalf of the public broadcasters by Radiotjänst.

    Switzerland: The licence fee in Switzerland is CHF 450.35 per annum for TV and radio.

    United Kingdom: In the United Kingdom, these fees are set by Parliament and go directly to the funding of the BBC, enabling it to run without the need for market competition. The licence fee, initially for radio sets (exempt since 1971), was mandated by the 1904 Wireless Telegraphy Act. The fee was originally 10 shillings (£0.50) and in 2005 was £126.50 for colour TV and £42 for monochrome TV. There are concessions for the elderly (free for over 75s) and blind people (50% off). Only one licence is required per household.


    In most cases it's not directly on the television itself and it only goes towards state broadcasters (as opposed to a whole industry like the parent was talking about), but it amounts to the same thing.

  17. When will someone PLEASE drop the other shoe? by Chuqmystr · · Score: 4, Interesting

    There is obviously a transition, albeit slow, at hand. I read and hear more and more often of known musicians doing their own recording and there's a growing number of indie artists doing everything from soup to nuts - meaning recording, producing and marketing their own content. I wish things would speed up. What does it take for this trend to gain momentum? How come I don't see these artist who are involved in producing and marketing their own content banding together and creating their own marketing campaigns to promote purchasing music online? A campaign in direct challenge to these goddamned douche-bag record companies crap anti-piracy/it's not fair to our artists three ring circus?

    Here's what things I see needing to happen before everyone can fully give the labels the collective finger

    • Like I said above, artists need to band together and have a common voice that is well heard. They need to educate the public of the benefits for everyone of buying music online. I also don't see a reason why record stores cannot buy and resell the same music. There's some other possibilities in that idea alone I'll get to later.
    • Artists, producers, recording engineers and marketeers need to tell the labels to go shove things up their big fat collective ass and set out on their own. Ok, we don't need the marketing guys either, my bad. The way I see it artists can hire producers and engineers as need be. Producers and engineers can also go about setting up their own studios and labels. These "micro labels" could be more versatile and contract themselves to artists who have their own studios as well as providing the entire package. They could offer multiple sales outlets such as direct sales, making a deal with itunes, or basically giving the artist pressed media and masters to go sell on their own.
    • We need more stores like itunes and they all need to agree on some standards, eg DRM (it will never go away so we'd best figure how to make it easy to live with) format of files, licensing and probably a lot of other things I'm overlooking. Hey, Lord Steveness, if you really want to take the world by storm and piss off "da man" then why in the fuck don't you quit dry humping your giant, inflatable luv ipod and stat licensing your music tech to those who want it? You could sell the "build your own itunes store" in a box. You could be selling Garage Band and some well polished editing/recording apps all rolled up in a studio packaged G5, and, OMG, it one-click [uh, better make that 3 clicks or Bezos will sick a lawyer on you] publishes to "iTunes in a box". Oh, and thee other digital music player manufacturers have well proven that they just can't make something as cool as the ipod so you might as well license your DRM to them as well. Hell, look at Motorola, you gave them the entire thing, interface, DRM and the name association and they still managed to fuck it up. My point is your precious ipod is safe. You need to take full advantage of what it has built for you. Geeze Steve, you could pwnz0r the music industry. I could go on this tirade for a *very* long time.
    • Music stores could play a big role in all this. Why shouldn't the artists and micro-labels sell to them or sell from the shops on consignment? People are still going to want to buy CDs for a very long time to come and probably some other medium beyond that. I also envision kiosks in these stores where folks can purchase music electronically and burn CD's or even upload playlists they've just compiled to their players. Um, retail version of itunes there Steve-o?

    In short. revolt, tear it all down and then all of you people out there in the industry who have an honest and useful talent step up and rebuild it. There's no reason you shouldn't continue making a living and there's every reason to rethink your business and end up making much happier customers and in turn making yourself a really nice living. To hell with fighting the existing recording industry. To hell with them, go around them. What law exists that sa

  18. Re:Wow. A walk down contradictory lane! by bay43270 · · Score: 5, Insightful

    songs over 14 years should be public domain

  19. Feedback loop by Have+Blue · · Score: 4, Interesting

    He's also forgetting that once there's a disincentive to downloading popular songs, they're going to get downloaded less, and since the music charts themselves are based on the quantities purchased, the top songs will fall down the charts and into a lower price bracket, thus simultaneously making the charts meaningless and ensuring that the music industry won't actually realize the extra profit this move was supposed to give them. Brilliant.

  20. Well, that's easy to solve, then by mcc · · Score: 4, Interesting

    "and I dare say not appropriate to consumers" ????

    If this guy thinks that songs should be sold for more than $0.99, then he should go ahead and do so. I mean, really, go ahead and start selling songs for more than that and see how that works out. He is perfectly free to set up his own online music store, and because of the extreme flexibility of the technology involved, this will just involve getting the files on to your portable music player from a URL instead of from the iTunes application.

    Once he has done this he can set the songs in his music store to cost $1.99 or $5.00 or $53.00 or absolutely whatever price he likes, and if people choose to buy it then all of that money will go right to him. While of course meanwhile the iTunes Music Store will still be back there offering quality music at $0.99 a song.

    Then the market will decide for itself. That's what he says he wants, right?

  21. The market has decided by Todd+Knarr · · Score: 4, Insightful

    I think the music industry's problem is that the market has decided, and it's decided it doesn't like the music industry's standard terms. The music industry doesn't like that decision and is trying everything they can including whining like a spoiled brat to get it changed. Unfortunately for them, the market isn't buying it (in several senses).

  22. President? by nhaines · · Score: 5, Funny

    He's overqualified. ;)

  23. Re:Uh... by darkonc · · Score: 5, Insightful
    Who rated this informative?

    Someone with a wicked sense of humor. If I could moderate the moderation as funny, I would. I've got the points too.

    --
    Sometimes boldness is in fashion. Sometimes only the brave will be bold.