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Music Exec Fires Back At Apple CEO

geniusj writes "Warner Music Group CEO, Edgar Bronfman Jr., has fired back at Steve Jobs in response to the Apple CEO's claim that having variable pricing for iTunes music would be 'greedy.' From the article: 'To have only one price point is not fair to our artists, and I dare say not appropriate to consumers. The market should decide, not a single retailer ... Some songs should be $0.99 and some songs should be more. I don't want to give anyone the impression that $0.99 is a thing of the past ... We are selling our songs through iPod, but we don't have a share of iPod's revenue ... We want to share in those revenue streams. We have to get out of the mindset that our content has promotional value only.' Perhaps iPods combined with iPods are selling music as well, and it's not just a one-way street?"

117 of 610 comments (clear)

  1. Do they get a share of the sale of CD players? by Nicolas+MONNET · · Score: 5, Interesting

    I don't think so. Why should they deserve a share of iPod sales?

    1. Re:Do they get a share of the sale of CD players? by JeffTL · · Score: 5, Informative

      That man simply does not know the word "iTunes" and was substituting "iPod" for "iTunes Music Store."

    2. Re:Do they get a share of the sale of CD players? by tb3 · · Score: 5, Informative

      Edgar Bronfman, Jr. does not know a lot of things. He inherited the Seagram fortune, sold its $9 Billion stock of Dupont to buy MCA, for the sole purpose of becoming a media mogul. He's failed miserably. Here's a great article about him on Slate. I especially like this quote, "Edgar Jr. has been designated the movie industry's official idiot--a 42-year-old child who's squandering his family (and his shareholders') fortune on romantic Tinseltown fantasies."

      Don't think he speaks for the entertainment industry; he's an idiot even among those morons.

      --

      www.lucernesys.comHorizon: Calendar-based personal finance

    3. Re:Do they get a share of the sale of CD players? by Precambrian-C · · Score: 2, Interesting

      Aren't they already getting the majority, like, I don't know, maybe 90% of the iTMS sales? Wasn't iTMS at least originally just trying to get to break-even point? Apple may be making some profit off iTMS sales now, but hardly like anything this guy is talking about. Now the music publishers are wanting that for those songs that are selling more, they want to charge and make more, and claiming it is more fair for the artist. Yeah, right, like the artist will see 2 cents of that. Hey, if the work is more popular it will sell more, if not it will sell less. They are only wanting to charge more because they think the market pay it, judging by the apparent demand for the work. Even so, online music sales are at least at preset such a small, small piece of the music sales pie, how much more would they really expect to get. The more I think about it, the more they do sound like greedy bastards afterall.

    4. Re:Do they get a share of the sale of CD players? by BandwidthHog · · Score: 5, Interesting

      That was what I thought at first, but by the time I got to the end of the article, I was pretty sure he really did mean to imply that his industry was entitled to a cut of each and every iPod sold. Perhaps I’m wrong, but Bronfman isn’t known for being the brightest crayon in the sandwich, if you get my drift.

      --

      Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
    5. Re:Do they get a share of the sale of CD players? by ioErr · · Score: 3, Interesting

      That man simply does not know the word "iTunes" and was substituting "iPod" for "iTunes Music Store."

      "We are selling our songs through iPod, but we don't have a share of iPod's revenue," he said.

      No, it really sounds like he want a part of the iPod profits. To claim that they don't have a share of the profits from the music store would be more of a lie than I'd expect even from a representative of the music industry.

    6. Re:Do they get a share of the sale of CD players? by PickyH3D · · Score: 3, Insightful
      That can't be true, because they do have a cut of the iTunes Music Store's revenue. They get paid for their song.

      I think he honestly believes they deserve a cut of the hardware sales that run the music. It's like a game maker telling Dell they deserve a cut of their profits from gaming machines.

    7. Re:Do they get a share of the sale of CD players? by Drooling+Iguana · · Score: 5, Funny

      He should run for President.

      --
      ... I'm addicted to placebos
    8. Re:Do they get a share of the sale of CD players? by Precambrian-C · · Score: 2, Insightful

      Right, but don't come up and try to say "it isn't fair for the artists". They knew what they were getting into when they signed off on it. And if they are so up about s/d then how about making the price adjust down? S/D works both ways, and .99 US is not a hard lower bound.

    9. Re:Do they get a share of the sale of CD players? by sp3tt · · Score: 3, Funny

      "Don't think he speaks for the entertainment industry; he's an idiot even among those morons."

      "Hi. I am a record company. I believe that I will sell more products if I make them worse, and charge unreasonable prices. And of course that customers like to get sued and generally screwed."

    10. Re:Do they get a share of the sale of CD players? by The+Ultimate+Fartkno · · Score: 4, Funny

      If there was ever a time to use the word, I'd say that this was it. If he's claiming that he's not getting paid for sales through iTunes, then he's a fucking liar. If he's saying that he deserves a cut of the sales of iPods, then he's a fucking thief. And when he says that "we have to get out of the mindset that our content has promotional value only" then I really have to say that I have no idea what the *fuck* he's talking about! What other value could music have? Does he want to collect personal property taxes on my old U2 albums? Dividends? Insulation value? Ham?

      Now quick, somebody mod me up +5, fucking confused.

    11. Re:Do they get a share of the sale of CD players? by jangobongo · · Score: 5, Informative
      The Slate article you linked says:
      "Edgar Jr... outraged the industry by proposing that theaters charge higher prices for more expensive movies. Why, he asked, should you pay the same amount to see a $2 million movie as you would to see a $200 million one? Analysts and movie types hooted with derision--that's "like charging for a piece of art based on how much bronze or paint was used," sneered one.

      Edgar Jr. wants to treat movies like any other product: If a movie costs more to produce, you should charge more for it.
      That was seven years ago!

      And now, talking about music:
      "To have only one price point is not fair to our artists, and I dare say not appropriate to consumers. The market should decide, not a single retailer ... Some songs should be $0.99 and some songs should be more."
      Sounds eerily familiar in that context.
      --

      Sig cancelled due to lack of interest
    12. Re:Do they get a share of the sale of CD players? by jcr · · Score: 2, Interesting

      Aren't they already getting the majority, like, I don't know, maybe 90% of the iTMS sales

      Apple doesn't release those figures, but most analysts believe it's about 70%. So, with iTMS having hit the billion-song mark, the recording companies have been paid around $700 million.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    13. Re:Do they get a share of the sale of CD players? by tricorn · · Score: 5, Insightful

      The reason you don't charge a different price for a more expensive movie is that the cost per showing is exactly the same regardless of the cost to create it (e.g. cost of wear and tear on the print, cost to the theater for projector maintenance, etc). You get more money back from a $200 million movie than for a $2 million movie because the more expensive movie is better. Supposedly. Being better, more people will go see it. Supposedly.

      If it isn't better, that's the fault of the producers, not the consumers. You still have a market effect, its that stupid producers who produce excessively expensive movies that aren't worth it go out of business.

      Same thing for the popular hit music - you'll get more money because you sell more, not because you charge more.

    14. Re:Do they get a share of the sale of CD players? by Jeffrey+Baker · · Score: 2, Interesting

      With games there is at least a small cost for the goods. They come on a disc or a cartridge and in a case, with a manual, and so forth. At iTunes the cost of goods sold is *zero*. The record company's gross margin on an iTunes sale is 100%. It's an enviable business, to be sure, but not enough for these greedy fucks.

    15. Re:Do they get a share of the sale of CD players? by Blondie-Wan · · Score: 2, Interesting
      It's not a billion songs yet. Also, some of those songs sold have been as part of albums, and a lot of the album prices work out to less than 99 cents (or whatever other currency is used) per song. The music labels have therefore gotten well under $700 million so far.

      That said, however, your point still stands. It's clear the labels have made a heck of a lot of money by now on music they don't even have to physically replicate, distribute, etc., and they're making more all the time.

    16. Re:Do they get a share of the sale of CD players? by nEoN+nOoDlE · · Score: 4, Interesting

      I think that movie thing is a brilliant idea. If they'd charge 3 bucks to see a million dollar movie and 15 - 20 to see a 200 million dollar movie, people would just go to see the cheap movies. More cheap movies would be made, usually by indie filmmakers and the big budget crap blockbusters would die out. That sounds great!

      --
      Don't trust a bull's horn, a doberman's tooth, a runaway horse or me.
    17. Re:Do they get a share of the sale of CD players? by Takara · · Score: 2, Insightful
      With games there is at least a small cost for the goods. They come on a disc or a cartridge and in a case, with a manual, and so forth. At iTunes the cost of goods sold is *zero*. The record company's gross margin on an iTunes sale is 100%.

      Are you saying bandwidth is free?

    18. Re:Do they get a share of the sale of CD players? by Seumas · · Score: 5, Insightful

      It doesn't make sense to say "let the market decide" when there is no limit to the supply. I mean, when you download a track, you're not reducing the quantity of available tracks out there in the world. So regardless of the DEMAND, the supply (and thus the price) is the same. Any notion otherwise is an artificial limitation - exploiting popularity by saying "this band is more popular and, thus, you should pay $1.50 per song".

    19. Re:Do they get a share of the sale of CD players? by bsgk · · Score: 2, Interesting

      This is a over-simplification of their business though. Sure, the COGS for one song on iTunes is $0.00 to the music label. They still have all the overhead in finding / developing / producing / marketing artists. Now, you may believe they do this inefficiently, but that doesn't mean they don't have those costs.

      My question is, why is it so hard / bad to vary prices on iTunes? It's basically considered a success, and if price tiers prove to lower overall revenue (volumn sold vs. price), they can revert to $1 / song. This is just a market approach to pricing songs. If Green Day's label can make more revenue on iTunes by selling their hits for $1.50, why not? It's their call. If they can also increase revenue by lowering new artist prices to increase overall demand (units sold), so be it.

      Why do people defend the $1 price so much? It was just an initial, simple price to test the market. The market has been proven and is very strong. Pricing strategies are usually executed at this point, Apple is just being controlling. IMHO, I think labels will succeed in implementing a new online pricing strategy, as well as forcing hardware and software vendors to introduce compatibility between players.

    20. Re:Do they get a share of the sale of CD players? by jcr · · Score: 4, Insightful

      It's not a billion songs yet.

      Sorry, I was off by a couple of months. It'll be a billion Real Soon Now, since the rate is accellerating.

      It's clear the labels have made a heck of a lot of money by now on music they don't even have to physically replicate, distribute, etc., and they're making more all the time.

      I think the big story here is how much money they get from the back-catalog now, that they weren't getting before. Most of the songs I've bought from the iTMS is over ten years old, and not particularly easy to find in a record store.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    21. Re:Do they get a share of the sale of CD players? by Raistlin77 · · Score: 2, Insightful

      The GP meant the cost to the record companies is zero. Apple obviously puts part of their profit toward bandwidth, servers, etc... but the record companies have no effort involved whatsoever.

    22. Re:Do they get a share of the sale of CD players? by Jeffrey+Baker · · Score: 4, Interesting
      I don't think there's anything wrong with varying prices and I don't defend the 99c price point. What I object to is the record companies trying to dictate the retail price. If they aren't careful, Apple will drop the 99% of music that is crap and control the price to their benefit on the remainder. As the retailer Apple ought to be able to dictate the retail price and negotiate with the manufacturer over their cost. But Apple has already given them a sweet deal by allowing them to dictate terms like songs not available, not available individually, albums costing above the $9.99 price, etc. So Apple is already being really nice outside of the traditional retailer/wholesaler relationship.

      I think the record companies do not understand the power relationship involved here. They ought not to go poking the eyes of their largest online retail outlet.

    23. Re:Do they get a share of the sale of CD players? by poopdeville · · Score: 5, Insightful
      My question is, why is it so hard / bad to vary prices on iTunes?

      Because it's just an excuse to raise prices across the board. Every label is going to want their songs at the highest price point. Apple realizes that the iTMS drives iPod sales, and they don't want to alienate their potential customer base by raising prices.

      --
      After all, I am strangely colored.
    24. Re:Do they get a share of the sale of CD players? by Slippy. · · Score: 2, Insightful

      That's a pretty picture you paint. And it worked so well for CDs.

      Yeah, they crash right down.

      Wait! What's that you say? The prices are set artificially by monopolistic practices? It's not set by supply and demand?

      You don't have to buy the over-priced crap, but sadly enough, enough people do buy the crap that the prices don't drop, and stores would develop supply issues if they did discount their non-selling junk without music industry approval.

      You could say it's still being set by supply and demand. Sort of. With a lot of market manipulation thrown in.

      But what you won't get online is a fairy tale of good practices.

      Apple is aiming to keep the sale rules simple. It's harder to hide market manipulations when the market rules are simple.

      The record companies are just trying to muddy the waters in every way they can. At the same time they'll press on every front, and hope they win battles to keep their market.

      --
      -- Life is good. Tastes like chicken.
    25. Re:Do they get a share of the sale of CD players? by banzaimonkey · · Score: 5, Funny
      Shares of Apple were up $0.47 to $52.37 in recent trading, while shares of Warner Music Group were down a penny to $18.03.

      I think that alone says something.

      As for the rest of the article, allow me to translate:

      Waaaaaaaaaaaaaaaaaaah.

    26. Re:Do they get a share of the sale of CD players? by Slippy. · · Score: 2, Insightful

      Sure! Supply and demand in a market monopoly! Everybody wins!

      Prices don't drop because the record companies set the price. iTunes doesn't grow because the prices are too high. RIAA muddies everything and blames Apple.

      Nothing changes. What a great idea!

      Wait, no, let's make it illegal to listen on a non-approved device and *license* the same music over and over instead of selling it!

      Genius!
      -------------
      Last time I checked, the music industry isn't out to make the customers' market better.

      Maybe keep a healthy level skepticism for advice and ideas coming out of a seller's mouth. It'll keep your ass from getting sore.

      --
      -- Life is good. Tastes like chicken.
    27. Re:Do they get a share of the sale of CD players? by doubledoh · · Score: 2
      I for the life of me can't figure out why you got labelled troll. Anyway, you make some valid remarks. I think the record labels can do whatever they want...and if they want to try charging Apple more, then let them. Apple can then decide whether to pay their increased prices and pass the cost onto the consumer or not. However, I don't think Apple is being controlling because it's not something they have control over. The labels have control. Jobs raises an important point though: raising prices on music which is already overpriced and can already hardly compete with piracy is not a wise move. Jobs just wants to save the sickly music industry the time it would take them to realize what a huge mistake raising prices would be.

      But the labels will make the final call. And in this case, if they decide to raise their prices any further, it really will be their final call.

      If the music industry wants to stay alive, they need to slash their prices DRAMATICALLY--I mean by at least half. They need to go for the long tail numbers, not the overinflated BS numbers that are clearly in the past.

      I personally hope they keep their prices high because it will bring me great pleasure to watch all those foolishly greedy music mogul fucks starve on the streets after the artists realize they can control the entire production and distribution process themselves--AND reduce their prices by selling directly.

      --
      I think, therefore I doh.
    28. Re:Do they get a share of the sale of CD players? by Thing+1 · · Score: 3, Insightful
      I don't think there's anything wrong with varying prices and I don't defend the 99c price point. What I object to is the record companies trying to dictate the retail price.

      Exactly. And also, I find it interesting that the "industry representative" is stating that different songs have different intrinsic value--but never states that, for some songs, that value is less than 99c, sometimes approaching 0c, and that this music should also be charged appropriately.

      --
      I feel fantastic, and I'm still alive.
    29. Re:Do they get a share of the sale of CD players? by idsofmarch · · Score: 4, Insightful
      Well, I'll defend the $0.99 price-point because I don't trust the labels to institute a variable-pricing model that is fair. Rather than getting most songs at $0.99 with old and obscure titles at $0.33 and new and popular at $1.50, I expect the labels will try to hold everything at the higher-price. The labels are making $10.00 per album, they are making good money for their business and they don't have to pay the same infrastructure costs as they used to. They're making more money, Apple is too, we are getting something we want.

      Apple is being controlling, but they have a vested interest in keeping song costs low to keep selling iPods, thus they are more aligned with my interests--low and consistent song prices--and therefore have my vote. The market is strong, but it's because of Apple and their consistent model.

      Now, on hardware, the day that all parties can agree on a standard not controlled by one party--say Mr. Softy--but by a consortium similar to Mp3 or the Bluetooth SIG. Otherwise, at least AAC with Fairplay can work on both Macs and PCs. WMA should never be the defining standard.

      --
      Anyone who whines about being modded down should be.
    30. Re:Do they get a share of the sale of CD players? by cwelch · · Score: 2, Funny

      For the love of God please don't say that!! Someone this stupid might get in!

    31. Re:Do they get a share of the sale of CD players? by natronxx · · Score: 5, Funny

      Fortunately for all you Americans, I believe this jackass was born in Canada which would disqualify him from running for president.

      Unfortunately for us Canadians, his being a jackass makes him perfectly qualified for running Canada.

    32. Re:Do they get a share of the sale of CD players? by jkabbe · · Score: 3, Interesting

      The reason you don't charge a different price for a more expensive movie is that the cost per showing is exactly the same regardless of the cost to create it (e.g. cost of wear and tear on the print, cost to the theater for projector maintenance, etc).

      That same logic suggests that software should be priced based on the number of CD's it comes on, rather than the amount of effort that went into it or the amount of value it brings.

      Yeah, yeah, I know - software and music should be free :)

    33. Re:Do they get a share of the sale of CD players? by Skynyrd · · Score: 2, Insightful

      I think that movie thing is a brilliant idea. If they'd charge 3 bucks to see a million dollar movie and 15 - 20 to see a 200 million dollar movie, people would just go to see the cheap movies. More cheap movies would be made, usually by indie filmmakers and the big budget crap blockbusters would die out. That sounds great!

      Great in theory, but sucky in reality.

      They wouldn't lower prices for small movies; they'd charge more for big ones.

      On the other hand, I go to a movie every year or two, so I don't really give a shit.

    34. Re:Do they get a share of the sale of CD players? by ericdano · · Score: 3, Insightful
      Interesting prices there.

      The cost to actually produce a GOOD album is probably $50K. Last album I did tracks for, they were spending about $30K for 12 songs. Most of the time making an album is mixing. You can record 8 hours, and spend 4 times that amount mixing. So, if you are Maroon 5, and go record, say you plunk out $150K. Ok. And then you sell CDs at $16+ a piece. Ok. Then go look at DVD Movies. They spend MILLIONS, and they are right about the same price. And there is just as much work done there, if not more.

      I am one of those who's gripe with the who CD thing is that they have been the SAME price since the 80s. It doesn't make sense.

      Of course GAS prices don't make sense either. Why we out here in California get dinged with really high prices after these hurricanes? They always say that our prices are because of the lack of refineries in California, and that they cannot ship gas in from out of state. Yet now when these two hurricanes go through, our prices jump up like $.20.

      Oil/Gas and RIAA are price gouging. Plain and simple.

      --
      It's either on the beat or off the beat, it's that easy.
      I moderate therefore I rule!
      --
    35. Re:Do they get a share of the sale of CD players? by poopdeville · · Score: 2, Insightful
      If a company isn't charging the best price to maximize revenue based on demand, they are fools. If the labels can raise what they charge Apple per song, thereby forcing Apple to raise prices to the consumer to maintain Apple's margin, I still think they can. Trust me, some songs, say the Top 10, can be priced at $1.50 a song and drive more revenue for Apple and the labels than if they are priced at $1.

      Apple isn't interested in making money with the iTMS. They're interested in promoting the iTMS as an iPod feature. It's meant to attract and encourage the sale of iPods, not songs. If the price of a song goes up, the number of songs sold in a period will decrease. This is the last thing Apple wants.

      You might call Apple foolish for not raising prices and making more form the iTMS, but then you'd be an idiot.

      --
      After all, I am strangely colored.
    36. Re:Do they get a share of the sale of CD players? by tricorn · · Score: 2, Insightful

      First, the marginal cost difference of 3 CDs vs 1 CD is minimal, but could justify a few dollars difference in price. Second, software is FUNCTIONAL - the pricing model on something functional is going to be different from something that is entertainment. Software also has a more limited lifetime, it becomes obsolete much more quickly than entertainment products, thus creation costs have to be recovered earlier. Even given all that, the price of software is not closely tied to the cost of creating it.

      It might be reasonable to make the pricing of entertainment based on size (e.g. number of pages in a book, length of a song or a movie), but that would tend to make creators try to pad their work to make it longer.

    37. Re:Do they get a share of the sale of CD players? by MaskedSlacker · · Score: 2, Interesting

      Furthermore, he claims that the "market" should decide the price of music, a la supply and demand (i assume that is his implication). However, with digital media files, the supply is literally infinite, therfore, traditional market dynamics do not apply. There is no reason for more popular songs to cost more, just because they are in higher demand, because supply is inifinite.

    38. Re:Do they get a share of the sale of CD players? by unitron · · Score: 5, Insightful
      That man simply does not know the word "iTunes" and was substituting "iPod" for "iTunes Music Store."

      I fear you are both correct and mistaken. From the article:

      Mr. Bronfman said the music industry should not have to use its content to promote the sale of digital music devices for Apple or anyone else, and not truly share in the profits. "We are selling our songs through iPod, but we don't have a share of iPod's revenue," he said. "We want to share in those revenue streams. We have to get out of the mindset that our content has promotional value only.

      When he said that they were selling their songs through iPod he should have said iTunes but he didn't mean iTunes, he meant iPod. He thinks that the record industry is helping Apple sell hardware and that they should get a share of the profits on the hardware.

      Here's something that I stole from a site that stole it from the Wall Street Journal:

      Consider the economics of the iTunes store. Apple charges 99 cents per song that is downloaded by a consumer. Of that 99 cents, Apple pays the record label about 65 cents for licensing rights to the song, estimates Charlie Wolf, an analyst at brokerage firm Needham & Co. Other analysts come up with similar figures. In addition, Apple incurs costs such as credit-card fees, which typically amount to 25 cents a transaction (which can include several songs), plus 2% to 3% of the amount charged. The result: On average, Apple earns less than a dime for each song it sells from the store.

      So here's what's going on. If you buy one song and use your credit card (assuming that your credit card company and Apple will let you use your credit card for a 99 cent purchase) the credit card company gets 25 cents plus another 2 or 3 cents and the record company gets about 65 cents. That leaves Apple with 6 or 7 cents. If you buy more than one song at a time the credit card company doesn't get the 25 cents on the second through infinity dollars but they get that 2 or 3 cents on every dollar and that 25 cents on every customer. So the best Apple can do is 32 cents per song minus 25 cents per customer, and that money has to cover all of their expenses--bandwidth, advertising, payroll, electric bill, water bill, telephone bill, building maintenance, lawyers to keep the record companies from getting any more than they already do, and anything else that they wouldn't have to pay if they weren't running iTunes.

      The record companies, who don't have to pay much of anything they didn't already cover getting those songs ready to go onto a phonograph record, cassette, 8-track, or CD (except for the lawyers to try to screw Apple), know that Apple's not about to give them a bigger cut out of that 99 cents, so the only way they are going to get even more "money for nothing" is to either convince Apple that the record companies deserve a cut of the profits on the hardware (which would go over about as well as Microsoft saying they deserve a cut of Mac sales because Office for the Mac drives Mac sales) or getting the price per song above 99 cents.

      You'll notice that although he said that the market should decide the price and not a single retailer, he didn't say anything about any songs selling for less than 99 cents, so before long that will be the "fair market price" for songs so low in demand that no one will pay more, and everything else will be higher in price and before long you'll be paying as much for downloads as for a physical CD, at which point they will no doubt declare physical CDs underpriced.

      Remember, Apple is doing almost all of the work and paying almost all of the expenses on iTunes while the record companies get 65 per cent not of the net or the profit, but 65 per cent of the gross and the record companies think that they're doing Apple a big favor and that they should get a cut out of each iPod sale as well. Tell me again who the pirates are?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    39. Re:Do they get a share of the sale of CD players? by anagama · · Score: 4, Interesting

      Defintely a jackass. I bought a Mac in January. I just checked my "purchased music" -- 305 songs. Now granted, about 25 of those are freebie downloads, and some albums have more than 10 songs, but I'd bet I've spent easily $225-$250 in the last 9 months.

      In the previous five years before I got the mac, I could count on one hand the number of CDs I bought -- four to be exact, 3 of which were European imports and one of which I bought directly from an independant artist. So yeah - this guy's an idiot -- w/o itunes they would have made a grand total of diddly squat off me. Greedy bastards. Need to toss that out too.

      --
      What changed under Obama? Nothing Good
    40. Re:Do they get a share of the sale of CD players? by danheskett · · Score: 2, Interesting

      Here is a dirty little secret about 95-99% of web hosts. Any time they say 'unmetered' or 'unlimited', they are totally lying. It's just not true. Actually, a huge percentage of web hosts will cancel your account if you even come close to meeting your quotas - they dramtically oversell their bandwith, disk space, and CPU power.

      I dealt with a bigish webhost a few months back that totally was devious. They automatically cancelled any acccounts that came within 75% of the plan limits if, after two appeals, the user did not upgrade to a "more suitable" package.

      Totally, totally unethical. But common.

      Before you ever get attached to a web host, max out your account for a month. If they offer "5GB of disk space", make a 5GB random text file and upload it. See what happens. If they offer 100GB of transfer, try it out.

      I am willing to guarantee that you get shut down on probably 9 out of 10 times.

    41. Re:Do they get a share of the sale of CD players? by JetTredmont · · Score: 2, Insightful

      The reason you don't charge a different price for a more expensive movie is that the cost per showing is exactly the same regardless of the cost to create it

      Not really. You don't charge a different price for different movies showing in the same theater at the same time because it is logistically impractical to segregate the theater and keep the morons buying $2.50 Bigalow tickets from skipping over to the $20 War of the Worlds screening. So, instead, you charge $10 for both and if a guy buys one ticket and sees a different show then all that's lost is book-keeping.

      Think about it: it costs just as much to show the movie at 11:20 AM as it does at 7:30 at night. Why is one $6/ticket and the other full price? It also costs just as much to show a movie in a second-run theater (actually more, as the prints are more fragile at that point), yet they can run down towards $3.50/ticket hereabouts, and in other areas even still play at $1-2 per ticket.

      Music is not the same thing, here, although the reason for wanting per-movie pricing (you can't very well maximize profits at a fixed per-unit cost) applies there as well, Jobs named it well: greed, and, worse, short-sighted greed. The "long-sighted" part here is the music companies wanting to keep the pie to themselves rather than Apple, but that's a far as they can do in thinking a few years out.

      With per-unit music, people will buy a whole lot more if they don't have to "shop around" for the best price. $.99 per song, every single song, every single time, makes things very simple. $13.99 for the CD at Best Buy, and I like two songs and might like up to five of them, and I know for certain that $2-5 is all I need to spend to get that music. I don't have to worry about the record company having deemed the "good songs" worth $5 each, and the "crap songs" at $.50; I know what the price will be by simple math (although the full album price is another story).

      Music is a unique market. It is a volume market, which is where the standardized pricing is a major asset. It is also an "art" market, where value is highly subjective. That having been said, the only argument for variable pricing is that the top-dollar acts, which we know will be Britney Spears and Michael Jackson's successors, are making too little money for their efforts and the low-end artists don't make enough. But, in this particular market, non-variable pricing has worked very well in creating a highly classed range of incomes (to the record companies; the artist nets are capricious but variable pricing would exacerbate that instead of fix it), from not-even-close-to-breaking-even all the way to paying-for-a-dozen-record-exec-ferrarris.

    42. Re:Do they get a share of the sale of CD players? by Achromatic1978 · · Score: 3, Insightful
      They ought not to go poking the eyes of their largest online retail outlet.

      Is iTunes their largest online retail outlet? At a guess, I would have thought it was, say, Amazon...?

    43. Re:Do they get a share of the sale of CD players? by tricorn · · Score: 2, Insightful

      The 2nd-run theater (which have disappeared in many areas) is usually a run-down low-rent place. I also didn't reject time-based pricing, just cost-based pricing. The price going down works as long as people put a premium on seeing it now and in a good theater. It also makes sense to differentiate between time of showing - there's a fixed number of seats, so there's less demand for them at slack times of the day (even if the theater isn't sold out, there are limited seats that are "good", and there's pressure to not go if the theater is too crowded).

      You make a good point that there is a logistic element to it as well. However, if that was the primary issue, they'd have as much problem with people watching two shows on one ticket. If it were important to charge more for the "better" films, they'd find a way to isolate people to the correct tier, it isn't that hard. Most people will be honest, and that's all that counts.

    44. Re:Do they get a share of the sale of CD players? by Oculus+Habent · · Score: 2, Interesting

      Right now, you pay either $0.99 per song or $9.99 per album for most music. Some artists charge "song value" for their albums (14 tracks = $13.86). There are already some exceptions in album pricing, and artists/labels can enforce album prcing by offering certain songs as "Album Only".

      they can revert to $1 / song

      The odds of the music industry accepting a return to $1/song after they've rejected it, even if it worked better, are low. Why? Because they still don't really understand the benefits of the medium.

      Record labels are venture capitalists. They invest in hundreds of artists, hoping that some of them will be big enough to cover the costs of the others. They pour money into marketing to generate interest and then adjust the price point of the album to reap the maximum benefit of their advertising investment.

      Online sales are still seen as a form of threat to the "traditional" business model. This is going off a bit, but it does have a point.

      The music industry, hasn't come to see the benefits of Lean Enterprise/Just-in-Time Manufacturing. When a new album (movie, book... same problems for each industry) comes out, there is a huge initial push in production. Make a massive number of copies, and get them out there for distribution. With the batch production runs, they spend less per disc with larger quantities.

      As online music sales take hold, it threatens to diminish the demand for CDs. As the demand goes down, the production runs decrease, and it costs the record label more per disc. Even though they aren't spending anything extra on the electronic download (bandwidth charges are probably lower than freight) they are "losing" money. I know it's not actually loss, but we've seem countless demonstrations of their math skills.

      The benefit of the variable pricing is clear to the label - people will pay higher prices up front for new music. Later, when the excitement has died down, you can lower your prices to move the surplus inventory.

      The benefit of fixed pricing is clear to the distribution channel and the customer. If music is $1 per song, you can budget very easily. If you want five songs, it's $5 (plus tax, of course). If you want two albums, it's $20. It's piece of mind . The distributor doesn't have to spend money adjusting prices. A single price point saves money.

      I wonder what percentage of COGS for CDs is price stickers? You'll sometimes see four or five on an album after the initial rush is over, and the store steadily decreases it's price to move product and recoup the investment.

      f Green Day's label can make more revenue on iTunes by selling their hits for $1.50, why not? It's their call. If they can also increase revenue by lowering new artist prices to increase overall demand (units sold), so be it.

      The potential benefit to the consumer is the possibility of a lower price point. New (read: new, big) artists are expensive. The prices will go up, just like they do with CDs. Additionally, with the speed of reporting and without delay for manfacturing, the response time on a product can be quite quick. If people start buying a relatively unknown artist, the labels can know within hours. This could be very beneficial, as they can start advertising on the artist. It also means there's little delay in price increases related to popularity.

      Ultimately, there's a delicate balance. If a label were to take their catalog of music away, it would deal a major blow to the music store. However, by doing so they close themselves out of a major market. And, if a label walks away from Apple for being non-cooperative, how thin is the ice on which the other stores are standing?

      --
      That what was all this school was for... to teach us how to solve our own problems. -- janeowit
  2. wow ?! by rd4tech · · Score: 3, Funny

    is not fair to our artists

    !? :)

    1. Re:wow ?! by KingVance · · Score: 5, Insightful

      Well....Back to piracy.

  3. Taking this to its logical conclusion by Alex+Reynolds · · Score: 2, Interesting

    Maybe the record companies should get a cut of every CD player and stereo system ever sold?

    1. Re:Taking this to its logical conclusion by Anonymous Coward · · Score: 5, Funny

      I also suggest speakerwire be taxed per foot, since the longer the cables, the bigger the room and thus the more people can listen at the same time.

    2. Re:Taking this to its logical conclusion by Precambrian-C · · Score: 2, Interesting

      hey, while we are at it, my higher range hearing has been adversely affected by, um, maybe age, (ahem), and I know for sure one certain Ted Nugent concert, (WAY to close to the speakers), gunfire, etc., so if my ability to hear and enjoy the music is not the same as the average person, shouldn't I pay less?? Hell, it should be on a graduated scale where my cost is directly proportional to the amount of the music that is in the range of my hearing. Cheap grozny bastards.

    3. Re:Taking this to its logical conclusion by sdnoob · · Score: 2, Insightful

      some countries already levy excise taxes on hard drives, blank media, etc...

      info on canada's and usa's excise taxes and other 'extra' hidden fees: http://en.wikipedia.org/wiki/Blank_media_tax

  4. The Obligatory Remix by BandwidthHog · · Score: 4, Funny

    An oil industry spokesman said the oil industry should not have to use its content to promote the sale of vehicles for Hummer or anyone else, and not truly share in the profits.

    “We are selling our gas through H2, but we dont have a share of H2’s revenue,” he said. We want to share in those revenue streams.

    The cash register industry did not return calls seeking comment, but representatives for the tobacco industry are reported to be participating in high level talks with the AMA.

    --

    Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
    1. Re:The Obligatory Remix by Fnkmaster · · Score: 5, Informative

      My personal favorite is that "the market" should decide. Apparently this guy failed introductory microeconomics - when you are a monopoly supplier (or a cartel) "the market" doesn't decide anything, the monopolist looks at the demand curve and sets a profit maximizing price. Sometimes they decide they've been too generous in the past, and having roped consumers into a new distribution channel, it's time to start jacking up prices again as perhaps demand isn't quite so elastic as they had previously thought.

      Also, he has apparently never taken Strategy 101, or been introduced to the Theory of Complements - iPods and iTMS (and the downloadable music it distributes) are a classic example of complements. Just because Apple has for ONCE actually played a situation intelligently from a strategic perspective and the music industry has yet again failed to do so (monopolies rarely have any incentive to act strategically) doesn't give them a right to shit.

      This diatribe can be simplified into "a company that is not us is making profits in something vaguely related to music and we don't like that". After I finish wiping away the tears of sorrow from my eyes, allow me to say how many nano-give-a-shits I have for this guys problems.

    2. Re:The Obligatory Remix by ottawanker · · Score: 4, Insightful

      Apparantly they want the market to decide, but get upset when the market decides that they won't pay more than $0, and downloads the song from p2p.

    3. Re:The Obligatory Remix by Fnkmaster · · Score: 5, Informative

      Perhaps you are confused. Warner Music Group controls two of the approximately 25 board seats of the RIAA Board of Directors. They had revenues of 3 billion dollars last year and a market cap of 2.7 billion. They are considered one of the "Big Four" (EMI, Sony-BMG, Universal Music, and Warner) music publishers responsible for 95% of all music CDs sold worldwide. The Big Four were convicted (along with some smaller players) of price fixing and forced to settle with 43 states attorney generals in 2003.

      So Edgar Bronfman, Jr. is the CEO of one of the Big Four music publishers, part of a proven price fixing cartel, and one of the major controlling organizations of the RIAA, a "trade group" (i.e. cartel) that ruthlessly pursues anybody who's interests aren't aligned with the publishers.

      What were you saying again?

  5. Notice what he didn't say... by stoneymonster · · Score: 5, Interesting
    Some songs should be $0.99 and some songs should be more. I don't want to give anyone the impression that $0.99 is a thing of the past ... We are selling our songs through iPod, but we don't have a share of iPod's revenue

    So I guess no songs should be LESS than $0.99. Apparantely that is the minimum value for all music clips of any length or quality. Oh, and I like how they want a cut of the "iPod" revenue. Maybe they should go after CD player manufacturers and home stereo's too, by that logic. Classic.

    1. Re:Notice what he didn't say... by Fishead · · Score: 2, Insightful

      What I find funny is that for so many years, there was one price for a CD. Crappy CD, old CD, new CD, most popular CD, least popular CD... all one price.

      Suddenly they have a problem with a fixed price for a song?

    2. Re:Notice what he didn't say... by Blondie-Wan · · Score: 5, Insightful

      Remember also how CDs were considerably more expensive than LPs and cassettes when they came out, but it was promised the price would fall as soon as CD technology matured? It's funny how the average CD price never did drop after all, even though the production costs for CDs fell dramatically from above that of LPs to a fraction of it...

    3. Re:Notice what he didn't say... by utexaspunk · · Score: 2

      what're you talking about? I remember paying $20-25 for a CD when they were new, and now they're, at most, $15, and you often pay $9.99 for them...

    4. Re:Notice what he didn't say... by FLEB · · Score: 2

      Taking inflation into account?

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
  6. kill the goose by all+your+mwbassguy+a · · Score: 5, Insightful

    fuck the golden eggs. we demand platinum!

    1. Re:kill the goose by MrAndrews · · Score: 4, Funny

      It's a wonderful two-pronged attack: the goose's contract to turn out eggs expires ahead of the other egg-laying beasts in the kingdom, so insist they turn out platinum from now on. This drives people to the chicken and the ostrich - because they have no such platinum requirements for at least another year or two - and puts the goose's monopoly on eggs in the crapper. In three years, none of the birds will have any great advantage over one another, and platinum will be the new standard. Win/Win!

      It's greed, but it's brilliantly strategic greed.

  7. Wow. A walk down contradictory lane! by numbski · · Score: 5, Insightful

    Some songs should be $0.99 and some songs should be more. I don't want to give anyone the impression that $0.99 is a thing of the past ... We are selling our songs through iPod, but we don't have a share of iPod's revenue

    So yeah. It will never be cheaper than 99 cents. We don't want to give people that 99 cents is a thing of the past, but we want a piece of the pie, and 99 cents isn't doing it.

    Real bright there guy. You suck.

    Tell you what. Let's go variable then. Songs older than 5 yrs are 50 cents. More recent non-top 100 tunes are 99 cents, and top 100 are $1.50.

    Of course that will never happen. :\

    --

    Karma: Chameleon (mostly due to the fact that you come and go).

  8. Small misguided notion by hyu · · Score: 2, Funny
    To have only one price point is not fair to our artists

    That's all well and nice, but raising the price of a song by ten or twenty cents means that your local artist may now receive another half-cent! Don't you feel like you're helping out now?

  9. Market decide.. don't make me laugh by Ckwop · · Score: 5, Insightful

    Let the market decide? Oh give me a freaking break. There is no market, not in the free market economics sense of the word anyway. I can buy petrol, gas, cars, PCs, coal, condoms or even a blowjob from any number of suppliers. This competition drives down prices and forces companies to compete on quality and price. Copyright guarentees as monopoly on your product. If I want to buy the latest white-stripes album I can only buy it from one label: V2 Records. Sure I can go to different stores to try and hunt down a lower prices but V2 set the price. The consumer only has one choice: buy it, or don't buy it. In a real free market economy the consumer has a third, more powerful option, to find a cheaper supplier.

    This is terrible for the consumer and almost always leads to disproportionate prices. Rather than supply and demand setting the price of the music, V2 can simply mandate it and then it will be so. The market becomes distorted and everybody loses except the labels. There's this idea that the artist somehow needs to be compensated for his work and that's fine but why not do it off ticket sales for concerts? I don't see why we need these artists need these government granted monopolies to make money!

    Simon

    1. Re:Market decide.. don't make me laugh by bsartist · · Score: 2, Insightful

      What happens if they get sick? Or don't want to anymore?

      The same thing that happens to the rest of us when we get sick, or don't want to do our jobs any more.

      --
      Lost: Sig, white with black letters. No collar. Reward if found!
  10. Price Fixing by topham · · Score: 5, Insightful

    Since when does the supplier legally tell you what you can sell a product for?

    Generally, that is considered illegal.

    But hey, who am I to talk, I haven't been convicted of price fixing, so how should I know?

    Oh wait, they have.

    1. Re:Price Fixing by dreold · · Score: 2, Insightful
      Since when does the supplier legally tell you what you can sell a product for?

      Since there are distribution agreements.

      Try to find iPods siginficantly below Apple's MSRP...

      If an item is in demand - or perceived to be in demand - distributors are willing to enter into a distribution agreement that may set selling price. This is not collusion or illegal, it is *one* way to minimize risk in a fickle market place (such as the music or consumer electronics industry).

      That said, is it good for the consumer?
      On the one hand no, since there is no "cheaper" source, on the other hand yes, since it makes it possible for smaller distributors to have some business and not loose it to their huge competition (think local store vs. WalMart). This keeps everyone honest. The real problem I see with the music industry, however, is that its business shifted to where it now sells non-tangible goods (IP, essentially, since the medium is irrelevant), which may not be well served by traditional business models. The fact that they are clinging to to the "old ways" shows a lack of vision and, yes, greed.

    2. Re:Price Fixing by bananasfalklands · · Score: 2, Interesting
      His concern for the 'artists' is funny. I mean unless your like u2 you still need a job at mcdonalds because of the fees the record companies charge.

      Celine Dion declared herself bankrupt and she apperently sold millions of records/songs, there is also that Courney Love speech and thats been covered here before.

      If he wants to make 'artists' rich perhaps he should get out the entertainment business so the artists make more profit.

      --
      Send Peter Clifford Francis Macrae comdoms to 23 Bedford St, St.Neots, PE19 1AX, England
  11. More? by Dexx · · Score: 4, Insightful

    Some songs should be $0.99 and some songs should be more.

    How about some songs should be $0.99 and some should be less?

    --
    Feel the fear and do it anyway.
  12. Why this is wrong by bl968 · · Score: 3, Insightful

    I have posted this on slashdot before but I think it warrants posting again for this article.

    We all have seen the many publisher provided services for purchasing E-books, E-Music, and Software Downloads.

    These services try to limit your options and choices or even to remove them from you totally. With many of these services you must agree that you do not even own that which you wish to purchase in order to buy it. Instead they license you right to use their private property.

    We see the prices on the virtual which rival that of the physical. We instinctively know that the production cost of a E-book, Downloaded software, or MP3s is so much less than the cost of a compact disc or a printed book both of which require paper, ink, artwork, packaging and so much more that is totally lacking from the ethereal versions.

    Their sales decline. "Stop the thieves" they cry out into the night! Make more and harsher laws to protect that which is already protected they demand of our governments. Protect our property and damn their rights is their idea of an ideal. I am a honest person is my vehement reply. So why attempt punish me for the crimes of others.

    They attempt to smother new technology on the premise that it may possibly be used for illegal activity.

    While it is not my intention to justify the misappropriation of their material I must point out it's their own fault really. I blame their lack of foresight and their lack of anything resembling common sense. They do not exploit the markets available for them or if they do it's a halfhearted attempt. In the real world people are not buying what you sale one common step generally taken is to consider lowering your prices until your sales pick up. This also applies on the Internet.

    In a concise conclusion I state that I personally prefer to compensate the authors and composers of the material that I so enjoy in my daily life. Currently I do so off-line. So Publishing and recording industries I say make it worth my while and convenient to do so and I will be one of the first in line online.

    --
    "GET / HTTP/1.0" 200 51230 "-" "Mozilla/4.0 (compatible; Setec Astronomy)"
  13. Two thoughts by Wesley+Felter · · Score: 3, Interesting

    I actually think variable pricing would be OK -- if it went the other way. Make some songs 99c and some less. After all, music is part of the computer world now, and in the computer industry prices only go down. :-)

    As for wanting a share of the music player revenue stream and needing to "monetize their product", what's wrong with the ~75c per song of pure profit that they're making now? Music labels didn't get a cut of Walkman or Discman sales; why should anything change now?

  14. good point by rnd() · · Score: 3, Insightful

    The exec is exactly right. Used CD stores are proof that the market demands a lower-cost place to purchase certain songs.

    I'd like to see a DRM technology that allowed music buyers to resell the music on eBay... By allowing the owner to set the price, you allow reselling and variable pricing... the studio (original owner) could get a piece of every transaction...

    --

    Amazing magic tricks

  15. A Cut of iPod Sales? by sameb · · Score: 2, Insightful

    Do TV studios get a cut of TV sales?

    Do software developers get a cut of computer sales?

    Do game developers get a cut of console sales?

    [Insert countless other examples]

    Ummm... No.

    1. Re:A Cut of iPod Sales? by lav-chan · · Score: 5, Informative

      Austria: In Austria, the television & radio licence varies in price depending on which state one lives in. All are in euros and are paid annually.

      Denmark: The licence fee in Denmark is DKK 2 040 per annum for colour TV, DKK 1 310 for black and white TV and DKK 320 for radio.

      Finland: The licence fee in Finland is 193.95 per annum for TV.

      France: In 2004, the television licence fee in France (mainland & Corsica) is 116.50 and in the overseas departments (where viewers receive the Reseau France d'Outre Mer (RFO) rather than France 2-France 3-France 5-Arte) it is 74.31.

      Germany: The licence fee in Germany is 193.80 per annum for TV and radio, and 66.24 for just radio. It is billed by month, but typically paid quarterly (yearly payments are possible). Unemployed and disabled people do not need to pay the licence fee.

      Ireland: In 2005, the television licence in Ireland is 155. It is free to anyone over the age of 70 and to some over 66. The licence fee is the primary source of revenue for RTÉ, the state broadcaster; however, its radio and TV stations also broadcast advertising to supplement this income.

      Italy: In 2005, the licence fee in Italy is 99,60 per household with a TV set. It is the primary source of income for RAI, though it also broadcasts advertising.

      Norway: The licence fee in Norway is NOK 1 969 per annum (2005). The fee is mandatory for any owner of a TV set, and is the primary source of income for Norsk Rikskringkasting (NRK).

      Sweden: The licence fee in Sweden is SEK 1 920 per annum. It is collected on behalf of the public broadcasters by Radiotjänst.

      Switzerland: The licence fee in Switzerland is CHF 450.35 per annum for TV and radio.

      United Kingdom: In the United Kingdom, these fees are set by Parliament and go directly to the funding of the BBC, enabling it to run without the need for market competition. The licence fee, initially for radio sets (exempt since 1971), was mandated by the 1904 Wireless Telegraphy Act. The fee was originally 10 shillings (£0.50) and in 2005 was £126.50 for colour TV and £42 for monochrome TV. There are concessions for the elderly (free for over 75s) and blind people (50% off). Only one licence is required per household.


      In most cases it's not directly on the television itself and it only goes towards state broadcasters (as opposed to a whole industry like the parent was talking about), but it amounts to the same thing.

    2. Re:A Cut of iPod Sales? by alext · · Score: 2, Insightful

      I'm not sure what the relevance of the above is to your original statement that a share of TV sales revenue goes to broadcasters. Annual licenses are levied by the state on behalf of the broadcasters, not by the TV vendor.

  16. Re:Wow. A walk down contradictory lane! by adrianbaugh · · Score: 2, Interesting

    That's the best suggestion I've heard so far. Even if 99 is the lowest the music industry wants to go, what about 99 for stuff older than 5 years, $1.25 for newer stuff and $1.50 for top 100 stuff? It might get people to look a bit more broadly than whatever's on the radio today, and in so doing realise what dross most of the top 100 is, compared to stuff that has stood the test of time. And if not, well at least the record industry's mammoth profits are mostly at the expense of people with poor taste ;-)

    --
    "'I pass the test,' she said. 'I will diminish, and go into the West, and remain Galadriel.'"
    - JRR Tolkien.
  17. Anyone notice how by grasshoppa · · Score: 5, Insightful

    This only makes them sound even GREEDIER than Jobs painted them.

    Sometimes, the best thing to do with a certain type of person is sit back, keep your mouth shut, and let them bury themselves.

    --
    Mod me down with all of your hatred and your journey towards the dark side will be complete!
  18. Re:Wow. A walk down contradictory lane! by KillShill · · Score: 4, Insightful

    and songs 10 years old should be 25 cents.

    songs 20 years old should be 12 cents.

    songs 40 years old should be 1 cent.

    and the RIAA/MPAA should be burning in hell.

    should is a wonderful word. let's show some respect for it.

    --
    Science : Proprietary , Knowledge : Open Source
  19. Variable Pricing by MBCook · · Score: 2, Insightful

    There is nothing wrong with variable pricing. I doubt Jobs would be against it if they wanted to sell tracks for 50 cents. The problem is when they say "Variable Pricing" what they mean is "Variable Pricing ABOVE $1".

    --
    Comment forecast: Bits of genius surrounded by a sea of mediocrity.
  20. Article Summary by Paladin144 · · Score: 5, Insightful

    here's the quick version:

    Apple: "You guys are greedy."

    RIAA goons like Bronfman: "We're not greedy. We just want all that money Apple is making. We don't want to do any extra work or promotion. Just send us more cash."

  21. One little piggy went to market by mmarlett · · Score: 4, Interesting

    Let the market decide the price? Well, Napster will let you have access to 1,000,000 for $10 per month. Now, it's not really far to say that $10/1,000,000 is the price, because you can't listen to that many songs in a month. An average month has roughly 44,000 minutes in it. Figure an average person will sleep through a third of that (eight of 24 hours), and (let's through the industry a bone and say that I'm a shallow teenager with no attention span) a poop -- sorry, pop -- song is 2.5 minutes long, that's about 5,849 songs that I can listen to for $10. That means each song is worth $0.0017 -- a tenth of one cent.

    The free market rocks!

    Wait... wait a second. He didn't say anything about being cheaper than 99 cents, did he? Crap.

  22. Re:two sides by BandwidthHog · · Score: 4, Informative

    That reasoning might hold water if they were actually investing in the bands. In actuality, they’re merely loaning the bands the money. Even if their “investment” tanks the artist is still obligated to repay the loan.

    --

    Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
  23. $0.99 is perfectly fair. by weg · · Score: 2, Insightful
    To have only one price point is not fair to our artists, and I dare say not appropriate to consumers.


    In fact it's perfectly fair. Due to the nature of online content, the song only has to be produced once, and it's possible to sell an arbitrary number of copies for virtually zero cost. Therefore, the better a song sells, the more revenue it produces. Therefore, even if a good song is sold for the same amount as a miserable song, it will produce more revenue. It just got much harder to sell crappy songs because consumers there's no more way to force consumers to buy them (e.g., by bundling them with good songs). So, the $0.99 is only bad for the music industry if the majority of their songs are crap. Since that is currently the case, they want to change the pricing model.
    --
    Georg
  24. Re:Variable Pricing by hattig · · Score: 2, Insightful

    Indeed. This guy just confirmed what everyone suspected. It isn't about variable pricing below and above $1. It is about $1 being the minimum - I bet they'd want to charge $2 for big name singles. This just vindicates Steve Jobs' opinion even more.

    At higher prices, you might as well buy the single from a CD store - you'll get a couple more tracks thrown in as well.

    I don't mind concepts like (values are pulled from thin air):

    Buy One Song: $1.39
    Buy Two Songs: $1.19 each
    Buy Three Songs: 99 each
    Buy Ten+ Songs: 79 each

    because that gives a logical discount for bulk purchases, which isn't a bad idea in my mind - especially if purchases are cumulative over a month.

  25. They want Apple to license the iPOD, not sell it by phage434 · · Score: 3, Insightful

    Just because you "bought" your iPOD, don't think you have a right to use it. If they have their way, you'll license the right to listen to music on it, and pay a subscription fee, just like Sirius or XM now.

  26. Warner Music Group CEO, Edgar Bronfman Jr... by geoff+lane · · Score: 2, Insightful
    ...is aware that Apple might start dealing directly with the artists? Of course, they would have to come to a deal with the other Apple, but I'm sure that wouldn't be a huge problem.

    There is no reason at all that the artists need a middle man taking his cut and doing nothing but reduce their income by being stupid.

    1. Re:Warner Music Group CEO, Edgar Bronfman Jr... by sabat · · Score: 2, Interesting

      aware that Apple might start dealing directly with the artists? Of course, they would have to come to a deal with the other Apple, but I'm sure that wouldn't be a huge problem.

      ...

      If not for most artists already having a strangling deal with a major record company which prohibits them from doing so.


      The artists need to get themselves released from their contracts, or merely let them expire.

      Then, Apple promotes them. They go from making .45 (you read that right, 45 cents) per CD to something closer to 100%.

      --
      I, for one, welcome our new Antichrist overlord.
  27. Sure, let the market decide by edibleplastic · · Score: 2, Insightful

    Let the music industry find another online music store that's willing to sell the songs at variable prices. Then that store can compete with iTMS and the market will decide which pricing scheme is better. That's the way the market will decide, not by the suppliers forcing Apple to sell the music and different prices.

    1. Re:Sure, let the market decide by weg · · Score: 2, Insightful

      I like your idea, the problem is just that Apple doesn't "own" the songs it sells. If "the music industry" decides not to sell its songs to Apple anymore, iTMS will go out of business. The consequence will be that "the music industry" will sell even fewer songs, and they'll of course blame the customers (where customers is synonymous to music pirates, because everybody who isn't spending 50% of his income for crappy music is a criminal). Then they'll try to convince the government that there should be some kind of "music tax", i.e., everybody has to pay for music, no matter how much music one consumes.

      --
      Georg
  28. Like hell you do! by TheHawke · · Score: 2, Insightful

    Jobs is batting a 1,000 on this one. "The music industry has done little or nothing to earn the raw profit off of iTunes sales."

    The rebuttal from the industry shows how ignorant they are of the new economy structure that has been in place, for how long? 6 years.

    My God people.. Wake up! It's the 21st century and you are employing your goons and torpedos in old-fashioned payola tactics and strong-arming old women for the sake of a few bucks instead of embracing the new economy.

    --
    First rule of holes; When in one, stop digging.
  29. Actually by Sycraft-fu · · Score: 2, Insightful

    They don't always set the profit maximizing price and that's the real interesting thing. Sometimes they set a price that's too high, where even in a monopoly situation they'd make more money by lowering it, but they don't realise that.

    Part of this is because real economics isn't as simple as the little supply and demand curves we were shown in ECON 202. For anything that's an entertainment product, it does not ever exist in a complete monopoly situation. Even if you have a complete stranglehold on one kind of entertainment, people can and will substitute other forms.

    That's one of the reasons the media industry is taking a hit, more people are playing video games than ever before. Well, unless you are a trust fund kid and have tons of money and no work to do, we all have limits to the amount of time and money we can and will spend on entertainment. So the more we spend on one form, the less we'll spend on another.

    So, in a way, the market IS deciding, and they are deciding on less music, more videogames and price is a part of that. Raising the price is sure as hell not going to help things.

  30. When will someone PLEASE drop the other shoe? by Chuqmystr · · Score: 4, Interesting

    There is obviously a transition, albeit slow, at hand. I read and hear more and more often of known musicians doing their own recording and there's a growing number of indie artists doing everything from soup to nuts - meaning recording, producing and marketing their own content. I wish things would speed up. What does it take for this trend to gain momentum? How come I don't see these artist who are involved in producing and marketing their own content banding together and creating their own marketing campaigns to promote purchasing music online? A campaign in direct challenge to these goddamned douche-bag record companies crap anti-piracy/it's not fair to our artists three ring circus?

    Here's what things I see needing to happen before everyone can fully give the labels the collective finger

    • Like I said above, artists need to band together and have a common voice that is well heard. They need to educate the public of the benefits for everyone of buying music online. I also don't see a reason why record stores cannot buy and resell the same music. There's some other possibilities in that idea alone I'll get to later.
    • Artists, producers, recording engineers and marketeers need to tell the labels to go shove things up their big fat collective ass and set out on their own. Ok, we don't need the marketing guys either, my bad. The way I see it artists can hire producers and engineers as need be. Producers and engineers can also go about setting up their own studios and labels. These "micro labels" could be more versatile and contract themselves to artists who have their own studios as well as providing the entire package. They could offer multiple sales outlets such as direct sales, making a deal with itunes, or basically giving the artist pressed media and masters to go sell on their own.
    • We need more stores like itunes and they all need to agree on some standards, eg DRM (it will never go away so we'd best figure how to make it easy to live with) format of files, licensing and probably a lot of other things I'm overlooking. Hey, Lord Steveness, if you really want to take the world by storm and piss off "da man" then why in the fuck don't you quit dry humping your giant, inflatable luv ipod and stat licensing your music tech to those who want it? You could sell the "build your own itunes store" in a box. You could be selling Garage Band and some well polished editing/recording apps all rolled up in a studio packaged G5, and, OMG, it one-click [uh, better make that 3 clicks or Bezos will sick a lawyer on you] publishes to "iTunes in a box". Oh, and thee other digital music player manufacturers have well proven that they just can't make something as cool as the ipod so you might as well license your DRM to them as well. Hell, look at Motorola, you gave them the entire thing, interface, DRM and the name association and they still managed to fuck it up. My point is your precious ipod is safe. You need to take full advantage of what it has built for you. Geeze Steve, you could pwnz0r the music industry. I could go on this tirade for a *very* long time.
    • Music stores could play a big role in all this. Why shouldn't the artists and micro-labels sell to them or sell from the shops on consignment? People are still going to want to buy CDs for a very long time to come and probably some other medium beyond that. I also envision kiosks in these stores where folks can purchase music electronically and burn CD's or even upload playlists they've just compiled to their players. Um, retail version of itunes there Steve-o?

    In short. revolt, tear it all down and then all of you people out there in the industry who have an honest and useful talent step up and rebuild it. There's no reason you shouldn't continue making a living and there's every reason to rethink your business and end up making much happier customers and in turn making yourself a really nice living. To hell with fighting the existing recording industry. To hell with them, go around them. What law exists that sa

    1. Re:When will someone PLEASE drop the other shoe? by Anonymous Coward · · Score: 2, Informative
      It will have to be one hell of a revolt in order for anyone outside of the indie scene to care. A lot of the barriers people neglect to mention when encouraging indie artists to sell their wares without a big label include production, marketting, and even sales. These are things that are not cheap or easy to overcome. And the big labels have paid off just the right people to make it that much harder for you to get a disc in stores.

      First off, you need a producer to produce your album. Most of the better-known producers will not work with independent artists. They want to get paid. A record label makes this happen. I know, you could go find some up and coming producer. But good producers are few and far between. Recording on your computer in your basement is one thing, but you NEED someone with production knowledge to make a coherent product(something a lot of indie musicians tend to gloss over).

      As far as marketting goes, sure the internet makes this easier. But people still have to know you exist. This means product placement, advertising, etc. Showing up in a Google search doesn't exactly push you into the limelight. You need to learn the tricks of the trade. And why should you have to? You're a musician, not a marketting major. You're going to need help. And it's going to cost big bucks.

      Third, and most importantly, unless you plan on selling CDRs on Amazon or digital downloads via itunes or some other service, you're going to need to press discs professionally and find a store to sell them in. Most production plants will not work with indie bands who are not on a label. They will flat out refuse you. It's part of their under-the-desk deals with the bigger labels. It's collusion. Maybe it's conspiracy too. But that's the way it is. The same goes for stores and shelf space. Sales chains will not work with anyone but a major label. Shelf space isn't cheap, and they want sure-sellers. The big labels can guarantee this(via payola marketting or whatever).

      Take it from someone who has been part of the "business" for some time now. It's a very cut-throat business. And the big labels have poised themselves to control the whole thing via back room deals in much the same way Microsoft gained dominance in the OS market. While the internet poses a great threat(or rather, WILL someday), it is still in its infancy as far as what it is capable of in the grand scheme of things. The labels know this. And they won't take it laying down.

  31. Remeber when a casette single was $2.99!??? by funkdid · · Score: 2, Funny

    I remember going to Sam Goody at the local mall and each and every Casette Single was $2.99 if you wanted the hot new single on CD, it was $4.99, all of them. The Record Industry didn't mind that. They never argues that once a song hit #1 the single should cost $3.50, odd I think. Wait odd isn't the word, it's BULLSHIT! Yes that was the word that I was looking for. This man is full of shit. Thank you

    --

    I boycott signatures

  32. And for my next demand... by Nom+du+Keyboard · · Score: 2, Funny

    And for my next demand, I want a law forcing all consumers to buy our products at the prices we, in our infinite wisdom, set for them. No more of this voting with your pocketbook -- or feet stuff. After all, we are vital to the American economy -- and yacht salesmen everywhere!

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  33. Sources of Music by djwhornplayer · · Score: 2, Interesting

    This guy seems to imply that the music industry can kill the iPod by refusing to sell through the iTunes music store. This would only be possible if the vast majority of iPods was not filled with songs from P2P serivces and ripped CDs.

  34. Re:Price Fixing (not) by sdnoob · · Score: 3, Funny

    suppliers have every right to set the wholesale prices for their products. however, how the music industry has and is conducting itself is just pathetic; and if apple had a CHOICE in who to purchase their tracks from, i'm sure they'd be looking at alternatives.

    as i understand it, there's a contract up for renewal between apple and the music industry? this would just be posturing during the negotiations. normally the public isn't exposed to the bickering, lies and pissing matches between a retail outlet and their suppliers during the purchasing process.

    if apple knows what's good for it's customers, they'll push for wholesale rates that allow them to maintain the current retail price. if the music industry knows what's good for itself, it'll LOWER their wholesale prices..

    the more expensive something is: the more likely it is to be stolen or pirated. and the fewer units will be sold. the industry's goal is to jack prices as high as they can, so long as gross receipts doesn't drop due to lowered sales volume. and if they can get away with locking the content down so tight you need an riaa exec's thumbprint to play a tune, so much the better for the them (riaa).

    the less expensive something is: the more likely it will be bought and paid for, and as a result, pirated or stolen less. lower prices equal higher sales volumes, which can mean higher gross receipts. likewise, the more convenient and desirable a product is, the higher the sales volume will be.

    the music industry wants to (and does) charge the highest possible price for music, even though that lowers demand and sales volume (why don't any of the riaa sob stories about lowered sales due to p2p mention the HIGHER prices for music during the same time period?). they could instead work to find the LOWEST price that generates the same (or even more) revenue due to an increase in sales volume at the lower price. (actually any industry could do this.. but many choose not to)... noting that the LOWER price translates to better overall p.r., and happier customers who will be more apt to be repeat and/or higher volume customers

    and lastly, the crappier the music is: the less likely anyone will even bother pirating it, nevermind buying it. HMMM.. i think i just figured out why current music SUCKS... they're forcing the crap on us to discourage piracy.. tricky little buggers....

  35. A "Free Market" Observation by Zen+Curmudgeon · · Score: 2, Interesting

    "We want to share in those revenue streams. We have to get out of the mindset that our content has promotional value only" OK, then, start releasing music with more than "promotional value". To quote Col. Bruce Hampton, "The best thing about popular music is that it isn't popular for long." Take Care - ZC

    --
    When I was a kid, I used to pray every night for a new bicycle. Then I realized that the Lord, in his wisdom, didn't wor
  36. Proves the point by glebd · · Score: 2, Interesting
    We are selling our songs through iPod, but we don't have a share of iPod's revenue

    Doesn't this prove Steve's point that the records industry is getting greedy?

  37. Re:Wow. A walk down contradictory lane! by bay43270 · · Score: 5, Insightful

    songs over 14 years should be public domain

  38. Higher and LOWER prices... by mduell · · Score: 2, Insightful

    A lot of people are griping that this exec only sees a need for pricing above $0.99.
    People, read the news!

    "That's not to say we want to raise prices across the board or that we don't believe in a 99-cent price point for most music," he said. "But there are some songs for which consumers would be willing to pay more. And some we'd be willing to sell for less."

    I think the $0.99 model for any song is stupid, because it doesn't reflect the value of the song. Some songs should sell for $0.01 and some should sell for $10.00.

  39. Feedback loop by Have+Blue · · Score: 4, Interesting

    He's also forgetting that once there's a disincentive to downloading popular songs, they're going to get downloaded less, and since the music charts themselves are based on the quantities purchased, the top songs will fall down the charts and into a lower price bracket, thus simultaneously making the charts meaningless and ensuring that the music industry won't actually realize the extra profit this move was supposed to give them. Brilliant.

  40. Content without variable pricing by lysergic.acid · · Score: 2, Informative

    "There's no content that I know of that does not have variable pricing,"

    Except for music/movie rentals and movie theater tickets. Are they going to start telling blockbuster that each rental CD should be individually priced?

  41. Say it ain't so by mr_rattles · · Score: 3, Informative

    We want to share in those revenue streams
    I'm sorry but how is that not greedy?

    And as a consumer I think $.99 for every song is MUCH better than a variable pricing scheme. I can buy any song knowing it's only going to cost me a buck and don't have to worry about that random $3 song that I otherwise would not have bought.

  42. Well, that's easy to solve, then by mcc · · Score: 4, Interesting

    "and I dare say not appropriate to consumers" ????

    If this guy thinks that songs should be sold for more than $0.99, then he should go ahead and do so. I mean, really, go ahead and start selling songs for more than that and see how that works out. He is perfectly free to set up his own online music store, and because of the extreme flexibility of the technology involved, this will just involve getting the files on to your portable music player from a URL instead of from the iTunes application.

    Once he has done this he can set the songs in his music store to cost $1.99 or $5.00 or $53.00 or absolutely whatever price he likes, and if people choose to buy it then all of that money will go right to him. While of course meanwhile the iTunes Music Store will still be back there offering quality music at $0.99 a song.

    Then the market will decide for itself. That's what he says he wants, right?

  43. Compulsory licensing by dispensa · · Score: 2, Insightful

    I wonder what this "music mogul" thinks of compulsory licensing and statutory license fees (http://www.soundexchange.com/rates.html) and Harry Fox and the averaged/staticstical licensing model employed by ASCAP and (afaik) BMI, and 1000 other circumstances in which averaged pricing for content is used.

    $0.99 per song is an average price, and comprehends both Top 40 and Bottom 100,000. The music industry simply wants to get this average price in addition to a premium on the Top 40 stuff that's already rolled into the average. If they want to re-negotiate the average price, that would be "reasonable" (in music industry terms, anyway), but this is blatant double-dipping.

    Jobs is right: they're being greedy.

  44. In Soviet Russia ... by ta+ma+de · · Score: 2, Funny

    Our comrades buy from allofmp3.com; where music is priced by the pound in Ogg.

  45. The market has decided by Todd+Knarr · · Score: 4, Insightful

    I think the music industry's problem is that the market has decided, and it's decided it doesn't like the music industry's standard terms. The music industry doesn't like that decision and is trying everything they can including whining like a spoiled brat to get it changed. Unfortunately for them, the market isn't buying it (in several senses).

  46. President? by nhaines · · Score: 5, Funny

    He's overqualified. ;)

    1. Re:President? by stpats · · Score: 3, Insightful

      Yes, he's Canadian :)

  47. He forgot one point... by chill · · Score: 2, Insightful

    "Some songs should be $0.99 and some songs should be more."

    He forgot "and some songs should be less". That is, if he really wants to let the market decide.

    Jobs was right, the industry is greedy.

      -Charles

    --
    Learning HOW to think is more important than learning WHAT to think.
  48. A drowning man graps even at straw by inchhigh · · Score: 2, Interesting

    The music industry is largely superfluous at this point, but unfortunately they haven't realized that yet. Unfortunately, they won't go down without a fight, and since they have made such an obscene amount of money over the years, they have the cash reserves to wage quite a war.

    Vote with your dollars, go see live music. Go see that local band that has been playing at the corner bar for years. Find someone who seeks out music outside the mainstream and have them make you a mix. There is so much more out there than reaches the top 100. As digital distribution expands we will have more access to what we want, not what we are being force fed. Turn off MTV, it is the industry.

    'The words of the prophet are written on studio walls'

  49. "The market should decide"? by st0rmshad0w · · Score: 2, Insightful

    Didn't the market already decide digital music should be free?

    Just sayin...

  50. What would happen if the Music "Industry" folded? by ctbarker32 · · Score: 2, Interesting
    There seems to be this pervasive attitude of those in the so called "Music Industry" that they are besieged and on the verge of collapse. My question is what's wrong with the Music Industry actually going under and disppearing? I've heard long time "slaves" such as Roger McGuinn (of the Byrds, etc. kiddies) that he gets a fraction of one penny on the sales of his older Columbia recordings. When people like Bronfman talk about the music industry getting squeezed, it's not the artists. The bulk of the artists rarely got much. It's all the middleman in the "Music Industry" that are screaming bloody murder. The industry is top heavy in hanger's on that siphon off the bulk of the profits.

    So what if the music industry folds? Does that mean no one will ever sing a song again? Will the world be silenced forever? Will Beethoven, Mozart, et al roll over in their graves because there is no more music industry? I would like for people like Bronfman to explain in very detailed terms what value they bring in the 21st century to the music making process? My guess it is a very marginal addition.

    I have over 5,000 cds and a couple thousand Lps. If there was never another CD produced, I still have enough music to last me a lifetime. Additionally, because of advances in computer tech, I can now produce my own music which I do for my own amusement. It may not appeal to anyone else but I get enormous satisfaction from doing it myself. Again, what do I need the music industry for?

    I say let the music industry perish. Out of its ashes, a new phoenix will rise that will be a lot more interesting and compelling. Dollars will flow to those that embrace a modern paradigm.

  51. Re:Uh... by darkonc · · Score: 5, Insightful
    Who rated this informative?

    Someone with a wicked sense of humor. If I could moderate the moderation as funny, I would. I've got the points too.

    --
    Sometimes boldness is in fashion. Sometimes only the brave will be bold.
  52. Shorter Argument by JetTredmont · · Score: 2, Funny

    Jobs: Record execs are greedy.

    Record Exec: We are not greedy, we just want money for what we produce. And we need a cut of iPod sales.

    Jobs: QED