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Tales Of Blood For the Nintendo DS
- Title: Castlevania: Dawn of Sorrow
- Developer: Konami
- Publisher: Konami
- System: DS
- Reviewer: Zonk
- Score: 9/10
Though there is a Belmont in the story, the protagonist of this particular quest to end undeath is Soma Cruz, the near-Dracula from Aria of Sorrow. The game doesn't mess around, quickly tossing you into the midst of a cult headquarters crawling with creepy not-living things. The cult, led by an overly enthusiastic woman of darkness, is dedicated to reviving Dracula by offing Soma. Their headquarters is a re-envisioning of the classic castle, and their minions take every shape and size you would expect. Zombies lurch, worgs howl, and witches fly from every corner of the 2D field in an attempt to end your existence. This diversity of monsters comes in handy, because Soma actually has the ability to consume the souls of his defeated opponents. By consuming souls, you gain some of the critter's abilities. The witch soul, for example, lets you shoot a deadly cat projectile, while the spear guard lets you twirl a spear quickly about you. Souls have numerous uses, and by stealing more of them you become more adept at the soul's power. This "catch-em-all" aspect to the gameplay adds a fun element of randomness to what would otherwise be the usual slog through endlessly respawning baddies.
Souls can be equipped via an RPG-like interface, and you can have three equipped at any one time. In addition to souls, you have gear. You have many choices of modern and antique weapons, as well as armor and accessories. Diablo 2 it isn't, but along with the simple stat modifying trinkets you gain experience from slaying baddies. Experience points, of course, leads to leveling up. The more Soma fights, the more powerful he becomes. Adding another layer of complexity, some souls can be combined with certain pieces of equipment to make them even more powerful. You don't have access to them while they're fused, but you can release them again if you start to miss your mojo. A short while into the game you gain the ability to swap two sets of equipment at the touch of a button, allowing you an 'agile' set and a 'boss' set if you're so inclined. None of these elements are groundshakingly new, but they hang together very well and the resulting gameplay adds a thoroughly enjoyable level of depth to the traditional 2D gaming.
The touch-screen does see some use during the course of the game: at the end of the incredibly dramatic Boss battles. During the course of the game you find mystical seals that can be used to destroy the epic enemies scattered throughout the title. These seals are simple symbols that must be drawn on the touch-screen once you've lowered the boss's health sufficiently. It feels a little clumsy to quickly pull out the stylus at the end of a Boss fight, but it does switch up the gameplay a bit. Thankfully, Boss fights aren't mindbreakingly hard. They're challenging, but once you've learned a particular head critter's pattern they'll go down quickly enough.
Dawn of Sorrow may not be the most challenging Castlevania title to ever cross a nostalgic gamer's path, but it is a lot of fun. Level design is linear, with your trusty top screen map guiding you and reminding you where you've been. If you've played a 2D explorer in the Metroid style before you're not going to encounter many surprises, but the game doesn't go out of its way to explain the route for you. Backtracking and a small amount of headscratching will be needed to get you where you need to be. As new abilities open up, new parts of the map become available to your thirsty blade. This exploration element is something that just doesn't happen in games much anymore, and it was a lot of fun having to work out for myself the way forward in the dusty hallways of the cult lair.
Dusty hallways they may have been, but they looked tremendous. Hands down the most enjoyable aspect of Dawn of Sorrow is its impressive production value. While the touch-screen elements of the DS get short shrift its graphical capabilities are put on display, adding multiple levels of depth to the background locations you carve your way through the game. Some levels extend on for miles, while others feature details you may never have expected to see in a 2D title. Leaping on top of a van in one level, for instance, causes the vehicle to creak and tilt in your direction and the snow atop the roof to fall off. Creature design is also tremendous as a result, with even lowly one-hit skeletons having a lot of personality to them. Mini-bosses and Boss battles are epic encounters as the console can make the most of giant-scaled beasts. The auditory experience is just as enjoyable, with a funky melody for each area and some truly haunting themes orchestrated for important story moments. Sound effects have a slightly digital edge that just lets you know you're playing a Castlevania game. The whole package comes together wonderfully, making this easily the most immersive 2D Castlevania experience to date.
If you've ever played a 2D Castlevania title before, Dawn of Sorrow is going to bring back a lot of happy memories. There is a lot of fun to be had bashing in the dusty brainpans of the restless dead. My only real complaint with the title is that it doesn't do as much with the touch-screen and when it does the usage is sort of clumsy. Despite that minor issue, this is a worthy successor to the Belmont family's legacy. It even has replayablity in the form of an alternate character mode. Once you've defeated the game you can go back through the title with the ability to switch off between Julius Belmont and some other NPCs. There's also some limited multiplayer aspects, though they're nothing to write home about. Dawn of Sorrow is an extremely enjoyable 2D title, and categorically proves to any doubters that there is plenty of life left in the 2D perspective.
- Title: Trauma Center
- Developer: Atlus
- Publisher: Atlus
- System: DS
- Reviewer: Zonk
- Score: 7/10
Derek Stiles is a newbie to the field of surgeon, and it shows. His cocky attitude nearly gets a patient killed, but he manages to regain his confidence when he's the only one who can save a desperately wounded patient after an accident. He accomplishes this medical marvel with 'The Healing Touch', a semi-mystical ability that lets him slow down time. Throw in enough dramatic text boxes to rival an RPG and an ironically named bioterrorism agent called GUILT and you have the makings for an extremely unique storyline.
The gameplay itself focuses on what happens inside the patient. You're given several tools to ply your trade, including a scalpel, laser, suturing needle, and some hi-tech antibiotic gel. After opening the patient, you're presented with your task for the puzzle. Each one is slightly different and requires a specific technique to resolve. The procedures are introduced to you at the beginning of the game, but once you're in the thick of the over-the-top plot you're going to have to remember exactly how your nurse told you to deal with the issue at hand. For example, in order to remove a tumor you have to find it with ultrasound, cut it open, drain the fluid, cut it off, remove the tumor, place an antiseptic skin patch, disinfect the patch, and rub it into place. And that's just one tumor. Many puzzles require you to remove a series of tumors, and once the bioagent starts affecting the city some of the tumors move. It's all very disconcerting. In addition to following procedures and keeping your eyes open for complications, you'll be racing against two countdowns. One is a simple timeclock, a time limit that you can't exceed so as not to endanger your patient. The other is the ever-falling number that represents your patient's vital signs. This score drops when you cut into someone and can be increased via the use of an injection. The injection, though, takes time away from following the procedure and getting the surgery done. In order to succeed in Trauma Center you have to have a good memory and be very quick. The experience, if you have a strong enough stomach, feels wholly unique.
The problem, though, is that it's a very stressful experience. I'm not a dedicated puzzler, but I'm no slouch either. Trauma Center requires you to move so quickly, at times, that you'll find yourself tempted to use your DS as a batarang in frustration. Especially once you're deep into the storyline, expect to have to repeat surgeries over and over as you fine-tune your procedures and race against the clock. The time slowing healing touch helps a lot, but even with the time slowdown you can quickly find yourself overwhelmed by the pace of exploding veins or bleeding wounds.
Visually, the title could have been torn from the pages of a high quality manga. The characters are all well drawn, and while there is no animation per se to the upper screen storyline there is still a great sense of movement to the primary players. The squishy innards of the lower screen look pretty good too. They're certainly gory enough for the subject matter. Blood oozes and seeps, and the first time you find yourself having to pull glass from a victim's subdermal layer you'll find yourself wincing. The dialogue and music could have been pulled from an anime as well. Every pre-surgery session involves Derek posing mightily and shouting, "Let's begin the operation!" The music ramps up during surgery and heightens the already tense mood as you eye the clock and try desperately to keep the patient from bleeding out on the operating room floor. There isn't a whole lot to the audio environment here, but what there is works.
Overall, Trauma Center is a unique experience. Anime-inspired elements combine with varied puzzle action to produce a creation that could only work on the DS. Aside from the sometimes frustrating difficulty, the story mode is brief, leaving you wondering about the future of the young Dr. Stiles. Re-playability is available in the form of challenge modes, where you can go back and re-do previously successful surgeries for higher marks. If you're looking for a challenging puzzle game that will get you weird looks on the subway train, Trauma Center: Under the Knife will make the med student in you very pleased.
Ohh! I can't wait for Castlevania! I bet having the map on one screen and navigating with the other would cut my wandering time in half, at least. That was one of the frustrating parts - in Aria of Sorrows, although there were distinct sections of the castle, it didn't feel like they fit together coherently all the time. So you'd spend 5 minutes traversing the castle only to find that the water is reached through the dining room and not the dungeon (or something like that).
As for Trauma Center, I, personally, use my hand held consoles on buses and trains, though. So I'm not all that keen to play a game of steady-handedness on public transportation. And when I'm at home, I'm not much of a fan of hunching over a tiny screen for it.
Two obscure titles for the DS make main page?
In that case, I have breaking news! The Snickers bar I'm eating kind of looks like Gordon Freeman.
The author is completely right about the stress level of Trauma Center. Its a fun game but it isn't one you can play for hours on end or in a 24 gaming session. Your whole body starts to tense up while playing. Expecially if you keep failing a mission. I also agree with the whole wanting to throw the DS. Its gotten to the point where i have to wear the wrist strap so that I'm not too tempted to throw it.
Speaking is NOT communication
If it's anything like "Life and Death 2: The Brain" for the PC, it'll be a hoot. That was a fantastic game. I think it came out in the early 90s.
I have played the first part (Aria of Sorrow for GBA) and I was mortified by its beauy! This game made me play all other Castlevanias I could find. This game made me a fan of the Dracula legacy about endless battles of good vs. evil, vamireslayers vs vampires. I am looking forward to playing the new adventures of Soma as soon as I get it!
Remember: Only the sunlight can kill a vampire!
sex is better than war!
...but if someone reviews a game, there shall be hell to pay. What kind of nerd reads AND plays games? (that was sarcasm, in case it got lost in the conversion to text)
Really though, I'm all over Castlevania. Haven't bought one of those since Circle of the Moon, but this one looks too sweet to pass up. I'm not so sure I'd even want to play a game about performing high-pressure surgery, but I think it's really cool that such a game exists. A gory game about saving lives... kinda refreshing, eh?
Trauma Center's difficulty strikes me as the iterative type. I hear Ninja Gaiden for XBox is similar. As you fail, you also slowly start to speed up and make your moves more accurate. You gain a muscle and mental memory of the steps leading up to your defeat and so on the next try, you get a little further.
Some of the missions have small tricks also so you have to think a little. It's not always just about moving faster, but doing things in a certain order. All the same, it's still mostly about your own hand-eye coordination skill.
I personally found it refreshing as games seem too scared to do things this way anymore. I consider the difficulty of Trauma Center one of the best aspects of its design.
In my mind, Nintendo has surpassed the cell phone industry in cheap ploys. It's bad enough that nowadays they make these handhelds small enough to mistake for your vitaman supplement pill, but now they gotta add touch screens to them too? I can just imagine all the dough they'll be raking in out of kids with rich parents.
*poke poke* Ooooh, kill it harder! *POKE POKE SNAP!* Mommy, I broke it again...
"You will pay for your lack of vision..." - Emperor Palpatine to Ray Charles
By far, Dawn of Sorrow has the most backtracking of any game I've ever played. You'll be going back and forth through the whole castle after every boss trying to figure out what your new soul enables you to continue with. This is hardly new to the Castlevania series, but it seems even more pronounced in this title. This isn't a true detriment to the game (it's fantastic, a must for any DS owner), but it is a bit annoying at times.
The Braying and Neighing of Barnyard Animals Follows.
The stylus additions were totally unnecessary and really felt added on just to use the feature. Having a map/info up all times on the second screen was nice, but they really should have used the top (nicer) screen for gameplay, and the bottom (not so clear) screen for the map. If they took out the dumb stylus stuff they easily could have done this.
Also if it was on the GBA then I wouldn't have had to deal with the bulky DS which makes my hands hurt after I play for a couple of hours. It really is uncomfortable for me.
Other than those small details the game is typical, excellent Castlevania action.
"...and despite being on Nintendo's newest handheld brings back fond memories of days gone by."
How does the Nintendo DS hinder a developer's ability to recreate game experiences with a classic feel...? I don't get it...
Dawn of Sorrow is an excellent game and I'd highly recommend it for any DS owner. The final boss (note: NOT Dario) was excellent, and when he began his "transformation" I was blown away. They left the best for last, and this was the toughest boss of all. The music is great, the graphics and art are great, as are enemies that barely fit on the screen.
Anyone who's played the original Castlevania on the NES will also be very pleased with one section of the map which pays tribute to the first level in the classic release. I was smiling all through that section.
If you go through an alternate ending, you'll get the Julius play mode. I believe he was from an SNES release. But you get to play with the whip and the character is much quicker and responsive. The gameplay is a bit different -- with no seals, souls, or ability to use potions to regain health -- so it is like a separate game altogether.
Grat game all around.
err is the blood green ?
happy
I still haven't played Dawn of Sorrow, but suddenly the idea of having a 3D world with 2D slices of it, i.e. a corridor which leads to more corridors by opening a door, and a 2D upside-down map on the top screen.
In other words, we don't need 3D first-person views to enjoy a 3D world. An interesting example of this was the "project firestart" game for the C64, even when it was "2D", I had to make 3 topdown maps for the game (a map for each floor). If I didn't look well, I could get lost in dangerous alleys full of monsters.
In any case, I feel excited about this Castlevania installment.
The soul collecting modification adds a lot to the game, because once you have each of a soul (like in Aria of Sorrow), there's nothing else to do.
I also hope this installment has hidden areas like in AoS. The Forbidden Zone was one of the most mysterious and exciting areas to explore. I kept hoping there would be even more hidden levels in that.
Editors stopped listening to readers after the buyout from VA Software, now OSTG. Subscribers are pissed that their dupe reports don't even get read.
Hell, this is the site with an editor who abuses the front page to whine about his videogame name getting taken away when he clearly violates the rules for using a title in his name. Did he want an exception or something because he's Rob Malda of Slashdot?
Seven years ago, Slashdot was FANTASTIC for technical computer and science news, and also the oddball interesting story. Now it's Microsoft, Google, iPod, Microsoft, Google, Google, Game Review, Google, iPod, Game Review, Google.
Go to Digg.com to get all the INTERESTING news you miss out on if you rely on Slashdot. It's like the Slashdot frontpage of old, and YOU get to vote on the stories. Digg readers knew about the iPod nano days before its official release--Kevin Rose posted about it there. Slashdot hasn't scooped anything in years and years.
Julius made his debut in Aria of Sorrow. He was called "J", and he had amnesia. When Soma became Dracula, Julius regained his memory. He had fought Dracula a few years ago, sealing the Castle with the "Vampire Killer" (the whip). But now that Soma was Dracula, it was Julius' duty to stop him (even by killing him).
:D
It wasn't the first time in the Castlevania series you had to fight a Belmont (SoTN, Circle of the Moon, Lament of Innocence - the doppleganger -), but it certainly was the most exciting. Everytime I replay Aria of Sorrow, it's to beat Julius with no weapons or souls, and to try to break my record (HP lost). Plus, the boss music for this battle is awesome (it's a heavy-metal remake of "Heart of Fire" and other castlevania songs).
So having Julius in "Dawn" was certainly a must. I really hope that for the boss battle vs. Julius (as spoiled in one of the trailers), they really have improved the AI. The AI in "Aria" was difficult for Julius, but once you learn his behavior it gets kinda boring. However, it doesn't stop surprising you once in a while, making a move you didn't expect. Just this boss battle is like having a mini "beat-em-up" game inside.
"The connection was reset
/. editors and install the digg.com editors in their place.
The connection to the server was reset while the page was loading."
If a single post on Slashdot in the comments section can kill it, then I don't think it'd handle the load that Slashdot handles. I think a better solution would be to kill the current
However I do want to look at it, so please can the mass migration stop for a minute so the site will actually load?
Either that, or there simply isn't a route to their server from my ISP, which would suggest they need to get a better hosting provider...
With a name as cool as Jas0nC you must be the most l33t-est psp fanboy ever!
I just got Trauma Center: Under the Knife last week and it is one of the most refreshing games I've played in a long time.
The exercise of "virtually" operating on someone turns out to be GUT WRENCHING. I mean, I have a new respect for sugeons and what they do. They must have nerves of steel.
And that moment, that moment when you first pick up a scalpel and you are told "cut them open, we're going in"... there is an unbelievable psychological barrier you have to overcome. "My god, I'm going to cut this person, and they trust me to do it".
Am I being overly dramatic? No... I have been playing video games for 20 years and am hard pressed to think of another game that made me so concerned for the well-being of NPCs. Its spooky...
the witch soul fires a white orb that is a semi homing projectile.
the student witch fires off a cat.
but yeah, DoS is a good game.
I've yet to try it, but I've heard you can also use the stylus to direct the attacks of familiars. I'm just glad someone finally brought up how clunky it is to whip out a stylus after a long boss fight... at least the doors give one a cue to have it on hand, unlike the random ice blocks. I usually just leave it in the holder, but click it up a notch. (Picture drawing a katana.)
A lot of games are requiring odd mixed use of the touchscreens these days, and I'm still iffy on using both controls. Metroid Prime, for example, expects you to tilt the table while using the shoulder pads. Why not just use the A/B/X/Y buttons? Jump Superstars wants you to use the touchscreen in mid battle to switch chars and launch tag combos, which makes more sense in some ways, but leaves you with thumbprints. Switching chars could have been done via the L/R buttons, and block is also handled via down.
It's intereresting, though.
well FRICKIN said.
THAT was the game I never got to play - I knew I was forgetting something :-S
Aria of Sorrow made good use of the GBA's graphics and music together, but Dawn of Sorrow steps it up quite a bit, reaching the level of Symphony of the Night, wheras the GBA versions are more akin to Dracula XX for the SNES or perhaps more like Bloodlines for the Genesis (due to more liberal use of realtime special effects). If you look at the first GBA title, Circle of the Moon, they had great music sacrificing the graphics. In the second GBA title, Harmony of Dissonance, the graphics was great but the music sounded like the original Gameboy (chiptunes) instead of music that makes use of digital samples. The GBA had 3 Castlevania titles already so it got its fair share, and now the DS owners have something that takes advantage of that hardware. Gamers have been clamouring for a 2D offering on the PS2 simply because of the excellent graphics and music (and the thought of high res 2D Castlevania makes any hard core gamer drool). Castlevania SotN was heralded as one of the greatest PSX games because it had such high quality audio and graphics, was a lot of FUN, oh yeah, and by the way, it was 2D (amidst tons of 3D games).
The director of Dawn of Sorrow recently hailed the DS as the last bastion of great 2D games, which was supposed to be what the SEGA Saturn was supposed to bring us. The SEGA Saturn had hardware geared for excellent 2D with tons of hardware functions for sprites, and the DS is perfect for this when compared to the GBA which must be pushed to reach such levels of quality in sound and video. The GBA struggles to even produce high quality audio output when maximizing its 2D capabilities. Gunstar Super Heroes is a great looking/sounding GBA game, but Treasure is known for its tricks to make games look and sound great, just like Factor 5. With the DS, you don't have to squeeze blood from a stone, you can just stab with that little DS stylus and there's plenty of it.
Personally I can't wait to see what kinds of innovative 2D games developers will come out with. The PlayStation and N64 pushed the SEGA Saturn into the background too quickly for us to see what great 2D games would come after the SNES and Genesis, just as titles such as Donkey Kong Country, the original Gunstar Heroes, Batman & Robin for Genesis, etc, started pushing the boundaries of 2D. Screw another lame 3D Castlevania on the PS2 (which is coming up btw). Let's give 2D some more horsepower and see what she can do!
Really, this DS game delivers. The second screen support, despite being a map most of the time, is a fantastic addition, and the length of the game so far has been much longer, and a far better experience than the former best in series Symphony of the Night. While the music might not be up to par with it, everything else is done as good, and often times better. Seriously, this game rocks, and I can honestly say after owning a stack of DS games, that this handheld is going to keep me from buying any next generation console. Nintendo has a fantastic system on their hands!
I never had to use the stylus for Castlevania. It doesn't require pixel perfect precision for the end boss seals. In fact, using your finger is probably easier overall anyways.
So, you want more touch screen usage or less? Frankly, I think it's not helping game quality if we criticise DS games for not using all DS features. The two screens help a lot with Castlevania, so the DS already makes a difference. I can't see any reason why the game would need to have more touch screen support, it's quite perfect as it is.
Some games use more DS features than others. We should judge games on their quality and on how much fun they are, not on how much DS features they support - although obviously, interesting usages of uniqute DS features are always worth mentioning :-)
Both of these games are excellent, by the way.
and I was mortified by its beauy
I do not think this word means what you think it means.
- Inigo
I think the game should have offered variable difficulties for the player to select. We're not all the same skill level and being able to choose a difficulty level would be nice.
from Annie Hall: There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly.
Although the moon is smaller than the earth, it is farther away.
I noticed that even though the game tells you to draw a circle if you want to magnifying something, the game recognizes the circle about 50% of the time. Drawing a small incomplete circle, like a 'C' almost always gets picked up as a circle.