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8 MegaPixel Digital Sensor Unveiled

hdtv writes "Micron has unveiled an 8-megapixel digital sensor, that 'enables pocket-sized cameras and cell phones to capture bursts of 10 high-quality photos in a single second or even high-definition video.'" From the article: "'We're saying it can go in a point-and-shoot camera selling in the $200 to $300 range,' said Suresh Venkatrama, Micron's director of the digital camera segment. 'It brings high-quality digital video and photography down to the consumer space.' The new sensor is a type of chip known as a 'complementary metal-oxide semiconductor,' or CMOS. Analysts say the technology, which is also used in memory chips and microprocessors, will challenge the dominance of traditional light-sensing charge-coupled devices, or CCDs."

35 of 279 comments (clear)

  1. Just wonderful by Anonymous Coward · · Score: 5, Funny

    Now instead of having people post unscaled 2592 x 1944 digital pictures on the web for no reason, we can worry about NASA-sized pictures of cats!

  2. That is gonna be a noisy sensor by xmas2003 · · Score: 4, Informative

    Size matters when it comes to sensors ... so by cramming 8 megapixels into a tiny sensor, it will be pretty darn noisy for image quality - don't even try bumping the ISO! A several year old 4MP DLSR (even using older technology) will yield better images ... but yea, won't be as portable. Just be aware of the tradeoff and arguably sensor size is more important than megapixels.

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  3. I believe Nikon already have this by Flying+pig · · Score: 3, Informative

    At least one of their recent digital cameras has a CMOS sensor in the "APS" format. The main benefit of CMOS is power consumption, because the clocking needs are simpler. People who used to crack off the covers of the old dual in line DRAMs and make crude 1-bit sensors (with gaps for the read and write circuitry) will remember how far back the CMOS approach goes.

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    1. Re:I believe Nikon already have this by Tim82 · · Score: 3, Informative

      Yes, the Nikon D2X has a 12.8 MP CMOS.

  4. Interesting, but... by RedBear · · Score: 4, Insightful

    Interesting news, but does it have improved dynamic range and low-noise high-ISO sensitivities? Because those are the main problems with digital capture these days, not resolution. I don't want a compact 8-megapixel camera that churns out 10 crappy pictures per second.

    1. Re:Interesting, but... by Mark_Uplanguage · · Score: 4, Informative

      Google on "digital photography cmos chips" found this nice article http://www.dpreview.com/news/0512/05121201new_chip s.asp which explains the benefits and seems to answer some of your questions, althouth I'd suggest salt-to-taste.

      --
      "The difference between stupidity and genius is that genius has its limits." -- Albert Einstein
  5. It's not the megapixels, its the quality by RedMage · · Score: 5, Insightful

    Several things will still be a challenge in "consumer" level images devices (i.e. cameras)
    1. More pixels mean higher demands on the lenses. And good lenses are NOT cheap.
    2. More pixels mean higher demands on storage. Storage is getting cheaper.
    3. More pixels mean higher demands on bandwidth. Bandwith is not universal.

    For your typical user of a point-and-shoot camera, 8+ megapixels won't mean much. Most people print images at 4x6" at best, or view them on the screen. For your pro or semi-pro user, they're not that affected by the point-and-shoot market, and will be looking for sharpness, clarity, color fidelity, and lack of noise. None of which are areas that CMOS sensors have excelled in.

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  6. Yeah, and that's all you need for great pics! by Quiet_Desperation · · Score: 3, Informative
    The lens doesn't have ANYTHING to do with it. Nope. Nada. Not a thing.

    This reminds me of a quip Jay Leno made years ago when he was still guesting on Letterman. He asked what the point of Twisted Sister on CD was. Are we missing some subtle nuance lost in older analog media?

    So now instead of 1-2 megapixel poorly lit, blurry shots up some woman's skirt, we'll see 8 megapixel poorly lit, blurry shots up some woman's skirt.

    1. Re:Yeah, and that's all you need for great pics! by Anonymous Coward · · Score: 5, Funny
      So now instead of 1-2 megapixel poorly lit, blurry shots up some woman's skirt, we'll see 8 megapixel poorly lit, blurry shots up some woman's skirt.

      And that, my friend, is progress.

  7. Re:CMOS? by Mycroft78 · · Score: 3, Informative

    How is this new? The Canon Digital Rebel XT comes with an 8MP CMOS sensor and can shoot at 3fps for less than $1000.

    Quality wise I can tell you the CMOS vs CCD isn't an issue anymore. Plus CMOS takes alot less power.

  8. It won't work. by AntEater · · Score: 3, Funny

    You don't know about complementary metal-oxide semiconductors. I do.

    --
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  9. Re:CMOS? by Dg93 · · Score: 4, Insightful

    Seems that most (if not all) the CMOS based cameras that are out now are considered low end junk.

    You mean like Canon's digital SLR series or Nikon's digital SLR series?

    Granted - the medium format digital backs are using CCDs at the moment, though i've heard that some of that has more to do with the difficulty of manufacturing CMOS chips to the size and density needed to make a 50mm x 37mm sensor.

    CCD also has a higher dynamic range - but that comes at power cost - and also slightly less responsiveness.

    So generally speaking, I'd say these days that CCD vs. CMOS comes to a draw, depending on what you're looking for. I'm sure the CMOS vendors will work on increasing dynamic range while the CCD vendors will work on their power/speed costs.

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    --Dg
  10. Consumer Level Camera Use by fdiskne1 · · Score: 3, Interesting

    My first thought was, "Cool! Higher resolution is dropping in price again." My second thought was, "Crap, now my users will be trying to email each other 3 megabyte and larger photos on a regular basis." I'm wishing there was some way new digital cameras could come with an education of what filesize means and how it relates to emailing and otherwise sharing with others. A large number of non-technical users have no idea of the concept. I've run across people wanting to email software CDs and copy DVD movies (inhouse, not MPAA) onto WAN-wide file shares.

    --
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  11. CMOS is already here by Starker_Kull · · Score: 4, Informative

    The 5D, with a 13.1 MP full-frame sensor is CMOS. Most camera makers are slowly going over to them because of their much lower power consumption - I presume the reason any one cares about this particular one is because it's cheap.

    The main limiter with image quality (unless you're talking medium format or bigger) isn't the sensor any more, it's the lens. And right now, a picture made with a small piece of cheap plastic in front of an 8 MP sensor will reveal exactly all the flaws and distortions in said lens rather than a better image.

  12. Re:Where's the useful cut-off point? by dextromulous · · Score: 4, Informative

    A high pixel count has many benefits. Your effective "zoom" is increased. Low light pictures may be enhanced using DSP. Other grainy photos can be enhanced. Photo editing looks better when done on hi-res images. Also, we are not limited by our monitors with digital photos, it just means we can print better (or larger) pictures.

    --
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  13. Re:Where's the useful cut-off point? by Dg93 · · Score: 5, Informative

    A high pixel count also means smaller physical sizes for each pixel on the sensor which means an increase in noise.

    I'll take a 3 megapixel APS-C sized sensor over an 8 megapixel sub-fingernail sized sensor any day of the week and twice on sundays.

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    --Dg
  14. Dear Micron, by blackcoot · · Score: 3, Insightful

    Congratulations! Instead of a relatively low noise, moderately power hungry CCD sensor, I now have a relatively high noise, low power CMOS sensor that needs to be cooled to suppress dark current enough to get usable imagery. Thanks! I sure am looking forward to seeing digital cameras with TECs or cryo-coolers like my FLIR uses in them.

  15. a little about average consumers by Burlap · · Score: 3, Insightful

    FTA
    "This will immediately appeal to photography enthusiasts, but the average consumer is really more of a middle- to late-adopter and doesn't pay attention to the specs and features as much,"

    now, I worked in retail for 6 months (thank god thats past tence) and i have to call BS on this one. If anything, the average consumer is OBSESSED with specs and features. Just because they dont always know exatly what each feature really does, or which cameras have it does not meen that they arnt concerned with them. You will never see someone go into a store and say "oooo! that one looks cute, buy it".

    they bring out a cheap 8Mpix camera and it will fly off the shelves... signal to noise ratio? thats stuff that 99% of the salesfolk wont understand and therefore wont mention it to the customer. they will just see 8Mpix and a cheap price and pick it up

  16. Re:Where's the useful cut-off point? by powerlord · · Score: 4, Informative
    Where is that cut-off?


    FTFA "... A 2-megapixel digital picture file can be printed in the normal 4-inch-by-6-inch format without noticeable graininess while an 8-megapixel picture can be printed in the larger 8x10 format without a loss of quality. ..."

    In other words, if all you're going to print is 4x6" pictures, 2Mp is "enough".

    If you're trying for 8x10" pictures, 8Mp is "enough".

    If you're trying for "Poster Size" or "Billboard Size"? In this case "enough" is defined by what you plan on doing with it.

    My wife and I have a 4 year old 4Mp camera. The picture quality is fine, however the recycle time and shutter delay are what finally made us upgrade more than anything else. In the case of the new sensor, the Mpixels might be nice, but the "must have" features are:

    "Micron's new sensor includes a faster processor that eliminates usual point-and-shoot delays between taking pictures. That means users can shoot up to 10 images per second at 8-megapixel resolution or 30 frames per second at a resolution of 2-megapixels."

    and

    "The sensor's rapid capture rate and high resolution also allows smaller cameras to incorporate features such as image stabilization, faster auto-focus, higher quality digital zoom and recording HD video, said Micron, which also is the largest U.S. manufacturer of computer memory chips."

    This means that "pure" digital video cameras are gonna drop in price, of course, the Mega-Pixels might need to increase a bit before they're good for shooting anything more than a 4x6 picture.
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  17. Re:Where's the useful cut-off point? by javamann · · Score: 5, Funny

    But I just saw on CSI that you can enlarge a picture and recover the image already.

  18. That MSBC news story misses the important feature. by Brit_in_the_USA · · Score: 5, Informative

    ..instead read this one at CNET

    http://news.com.com/2100-1041_3-6073584.html?part= rss

    The new important thing for this sensor (to consumers anyway) is that it can capture 2mp at 30fps.

    It has been designed with capturing full motion 720p video in mind.

    This is great- I have long wondered why, as camera mega pixels sizes go up, we are still stuck with VGA video. I would love a digital camera still that can double as a HD video camera.

  19. Dead wrong by frovingslosh · · Score: 5, Informative

    Actually, this article demonstrates what is wrong with the "more pixels" mentatlity and the above post shows just how lame some people think (particularly ACs). The truth is that the camera on the NASA MARS rover that has retured all of those great pictures of the red planet (or the studio mock-up of the red planet if you prefer) is 1.3 mega pixes, as was reported here previously on /. It's not all about the pixels, much more important is the quality of the lenses and the quality of the sensor. Using a 8 megapixel sensor on a camera with a cheap lense is a senseless mix, it will waste memory in each shot but will not give quality pictures. And, while I have not had a chance to evaluate this particular device, in general CMOS devices have a much poorer quality than CCD devices. So unless this chip somehow manages to give much better results than we have any reason to expect, it will only be used to hype "8 megapixels" and waste memory space with each shot, not provide better quality pictures.

    --
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    1. Re:Dead wrong by david.given · · Score: 4, Informative
      The truth is that the camera on the NASA MARS rover that has retured all of those great pictures of the red planet (or the studio mock-up of the red planet if you prefer) is 1.3 mega pixes, as was reported here previously on /.

      You may be unaware that although those cameras do have really great optics, those startlingly good images are mostly made by taking lots and lots of 1.3 megapixel images and then painstakingly piecing them together (by hand) into a mosaic back here on Earth. There are a hell of a lot of pixels there.

      One of the rovers is, I belive, doing a major pan right now. It's taking about two weeks to take all the pictures and transmit them back home.

    2. Re:Dead wrong by coult · · Score: 3, Insightful

      Technically you are correct that the rovers' main camera is 1.3 megapixel...however, the camera takes color images by snapping 3 different pictures with 3 different filters. This corresponds more accurately to a 3.9 megapixel consumer camera, since all but a few consumer digital camera have one third of their pixels for red, one third for green, and one third for blue; the final full RGB image is created by interpolating the missing colors, so the true resolution of a 3.9 megapixel consumer camera is probably about the same as the rovers' 1.3 megapixel camera, assuming identical optics.

      Another poster made the point that most of the images you see from the rovers are actually multiple images stitched together, resulting in even more 'megapixels' per image.

      On a separate point, what distinguishes good from great cameras is not megapixels but optical quality. A terapixel camera with a pinhole lens would produce much lower resolution photos than a 6 megapixel Nikon with mulithousand dollar glass attached.

      --

      All is Number -Pythagoras.

    3. Re:Dead wrong by coult · · Score: 3, Funny

      >Nope. It's 1/4 red, 2/4 green and 1/4 blue.

      Crap! Well, forget everything I said then.

      --

      All is Number -Pythagoras.

  20. Re:Quality? by Gordo_1 · · Score: 4, Informative

    You're mostly right, but the larger sensor size is also a major advantage in favor of dSLRs. When you squeeze 8 megapixels into something half the size of your pinky nail (which is approximately the sensor form factor most point-and-shoot digitals use) the pixels' close spacing causes interference which translates into higher overall noise (especially with higher ISOs).

    When you increase the size of photoreceptors so they fill a larger APS or 35mm format sensor (typical of most dSLRs), there is less interference, which translates into smoother output independent of such factors as number of megapixels, sensor technology (CMOS vs CCD), lens size/quality, metering instruments/algorithms, etc...

  21. Re:CMOS? by Myrv · · Score: 3, Informative

    CMOS sensors suffer from "fixed pattern noise" since each pixel has its own amplifier and not all of the amplifiers work at an equal level. This noise can be partially removed in post signal processing (Cannon I believe actually takes images 10 ms apart when you click the button, one lit and one dark and subtracts them, or something like that). CCD sensors suffer from charge migration (or smear) where some of the charge from one pixel can migrate to it's neighbours during the read process.

    CCD sensors have a higher fill factor (close to 100%) and offer greater sensitivity to light (although they can also suffer from over exposure - haloing). CMOS have much lower filling factors since each pixel needs the amplifier and processing circuitry packed in beside it. These lower fill factors are not as much an issue when you have a large sensor as in most SLR cameras.

    CCD sensors tend to be more expensive because they require a unique manufacturing process whereas CMOS sensors can leverage the existing CMOS manufacturing capacity. You can also build logic processing into a CMOS chip (offering higher chip integration) whereas all processing is done offchip for CCD's. And CMOS sensors tend to consume less power.

    Which is better? Darned if I know.

  22. Re:Where's the useful cut-off point? by Ced_Ex · · Score: 4, Funny

    CSI blows up 2 pixel images from grainy security cameras to look into the reflection on the suspect's eye to read the licence plate of the getaway car.

    You can only imagine what they can do with an image from 8MP sensor! Anyone holding electron microscope stocks can kiss their profits good-bye!

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  23. Re:Where's the useful cut-off point? by plumby · · Score: 3, Insightful

    In theory, that's true. However, I've got a Sony 3mega-pixel camera a later model Sony 7 mega-pixel one. I've taken identical photos on both of them on max detail and resulution. The picture quality is almost exactly the same (although the file sizes aren't!) - I've tried zooming in and that makes no difference. However, I've also got an 8 mega pixel Canon digital SLR, and the picture quality is vastly superior - I can zoom in far further at an acceptable quality than with the 7 MP Sony.

  24. Sensors? Pfft... by Locus+Mote · · Score: 5, Interesting

    In terms of high-end photography, there are several requirements which rate MUCH higher than simple FPS:

    Input Dynamic Range. This is the range of light values in a scene which the sensor "sees" and is able to record. In order to understand this, think of light at dusk reflecting off wet pavement in the distance. The super bright orange glare hitting your eyes is extremely high intensity light, while the shadowed sides of houses and trees and things are low intensity light. Both of these elements have detail that can be recorded. With a low dynamic range, one or the other can be exposed properly. With a high dynamic range it is possible to capture the detail in very dark shadows and very bright highlights without clipping. (Clipping is truncation to flat black or white pixels with no detail). Chemical film, especially positive film (slide film), has a dynamic range which obliterates the best digital sensors.

    Falloff. This is the ability to clip gracefully. When using any type of transducer, whether it's a microphone, a square of film or a digital sensor, there is a response curve which maps values input values (light/sound) into recordable output values. In the age of analog (vacuum tubes, vinyl records and chemical film) the response curves were all based on Calculus. They literally rolled off (logarithmic) at the ends. This meant that as the microphone, vacuum tube or film overloaded, it did so gracefully with a smooth transition to clipping. In the digital world, our chips are "dumb". They can only do algebra, not calculus. Their falloff is linear. 8-bit = 256 values, 16-bit = 65536 values, etc. Anything above or below this is immediately clipped to white or black, on or off. The digital world is flat, if your input source is flat, you sail right off the edge into infinity.

    Single Pixel Resolution. 99.99% of digital camera sensors use a single layer of matrixed sensors (Bayer array). These sensors are located in gangs of three, similarly to the pixels on an old CRT television. The problem is that each sensor can only see red, green or blue. There is a lot of jibber-jabber that I could go on with, but essentially, bayer sensors really only see 1/3 of the picture information their lenses dump on them. Chemical film is stacked in layers, thus each pixel location "sees" all three RGB. Currently only the Foveon X3 sensor in Sigma digital cameras is capable resolving all the information in each color channel at each individual pixel location.

    Now, even if this new Matrix chip performs at even the sub-par level of today's CCD camera sensors, simply buying a camera with one in it does not by any means guarantee quality photography. Back when the sensor (film!) was interchangable from camera to camera, there was still intense competition between camera and lens manufacturers. This is because the sensor can only "see" the image that the lens and camera body deliver to it. The most important factor is the lens! Imagine rubbing vaseline on your glasses and walking around like that all day. This is life with a cheap camera lens. There's a reason why most professional lenses, without a camera body, cost betweed two and ten times as much as an entire point and shoot camera. If a lens is a valve for light, then a professional lens is like a firehose, a prosumer is like a garden hose, a point and shoot is a drinking straw and a cameraphone is a hypodermic needle.

    --

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  25. Re:Where's the useful cut-off point? by modecx · · Score: 3, Interesting

    Where is that cut-off?

    There is no cut-off. That's the point. It may be that in our future, we have higer resolution displays, holograms, holo-deck, whatever. Who cares.

    Personally, I won't say "That's Enough" until I can capture an entire landscape with such resolution that you can zoom in and clearly see the eyes of every damn ant that happened to be crawling around that day... Or better yet, print the whole thing at life-size, to cover a skyscraper or something. Okay, so that's probably not going to happen, and even if it did happen, it might not even be useful, but goddamn, it WOULD be cool.

    Now, 8MP in a phone camera probably isn't going to be more useful than say, a 5MP sensor in a phone, as the resolution will certianly be limited by the cheap-ass plastic lens they put in front of it--and by any pocket-lint that it may have gained. The size of the aperture will limit the amount of light it can collect, and the noise generated by all those tiny sensors packed in there will probably not be a good thing for image quality--you'll just get even larger grainy, blury photos than you would with the 5MP sensor, which would be useful if you wanted to take big-ass grainy photos, I guess. I'm sure someone will find an art in it.

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  26. Re:Where's the useful cut-off point? by Em+Adespoton · · Score: 4, Insightful
    What is lacking is a way to scale down photos for such uses that Joe Winblows User/Best Buy Shopper can understand.

    You must use Linux. On Windows, the OS says, "I see you're trying to email a picture. Would you like me to scale it down for you?"; on MacOS, there's a Resolution menu available when you attach a picture for mailing. Same thing happens with slideshow presentations on both platforms.

    The problem *I* have is that when I ask someone to email me the original photo, I invariably get a 640x480 copy that their computer has automatically scaled down for emailing.

  27. Re:Where's the useful cut-off point? by DrDitto · · Score: 3, Interesting
    300dpi is considered a high-quality print.

    Which means for an 8x10, you need an image that is 2400x3000 (or 7.2 megapixels).

    Many claim that the human eye can indeed resolve the differences between 300dpi and 400dpi. At 400dpi, an 8-megapixel sensor falls well short of an 8x10 print.

    Personally I shoot with a large-format 4x5" camera. This gives me 20" inches of film area, and when scanned at a modest 2400dpi, this gives me 115 megapixels. And my equipment (besides the scanner and film) is 30+ years old.

  28. Re:Where's the useful cut-off point? by drsquare · · Score: 3, Insightful

    Why are you assuming that monitors will not increase in resolution/DPI?

  29. Re:Where's the useful cut-off point? by swillden · · Score: 4, Interesting

    However, I've also got an 8 mega pixel Canon digital SLR, and the picture quality is vastly superior

    What lens do you have on that? I just bought a Rebel XT and although I was really impressed with the quality of the images, it was pointed out to me that the 18-55mm f/3.5-5.6 lens it came with really isn't a very good lens. It's not very sharp, especially in the corners, it's a slow lens, doesn't have very good depth of field, etc. At a friend's suggestion, I bought an inexpensive 50mm f/1.8 prime (non-zoom) lens, and I have been amazed by how much better the image quality is. I've shot the same scene with both lenses and the difference isn't subtle at all. Not only is the 50mm much sharper, but when you look at the pictures side by side, it's obvious that the 18-55mm gathers light unevenly. The picture is darker in all of the corners and in the right and left edges. Pictures with high contrast edges show pretty obvious color distortion with the 18-55 as well.

    Oh, and if you're taking pictures indoors, that f/5.6 is just way too slow. You need a lot of light with that lens.

    Note that I'm not actually knocking the 18-55; compared to my old camera (which wasn't junk, either) it takes *fantastic* pictures. But experimenting with the 50/1.8 has made me realize that the optics matter -- a lot. That seems like kind of a stupid thing to say, in retrospect, since it should be utterly obvious that optics are important to a camera, but I kind of assumed that the differences between lenses, other than zoom power, were subtle and maybe even subjective. They're not. Which makes it obvious that the tiny lenses that can be crammed into a compact camera are always going to be limited. No matter how many megapixels the sensor can capture, if the glass can't focus the light onto it properly, the pictures aren't going to be very good.

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