Teens Don't Think CD Copying is a Crime
An anonymous reader writes "An article in the Orlando Sentinel reports on a poll done by the LA Times and Bloomberg. The informal study looked at teenager attitudes towards copying media. Only 31 percent said they thought it was illegal to copy a CD borrowed from a friend who had purchased it. Attitudes about ill-gotten media were less clear, and the article admits than even the legal system is slightly fuzzy on this issue." From the article: "Among teens aged 12 to 17 who were polled, 69 percent said they thought it was legal to copy a CD from a friend who purchased the original. By comparison, only 21 percent said it was legal to copy a CD if a friend got the music for free. Similarly, 58 percent thought it was legal to copy a friend's purchased DVD or videotape, but only 19 percent thought copying was legal if the movie wasn't purchased. Those figures are a big problem for the Recording Industry Association of America and the Motion Picture Association of America, both of which have spent millions of dollars to deter copying of any kind. The music industry now considers so-called 'schoolyard' piracy -- copies of physical discs given to friends and classmates -- a greater threat than illegal peer-to-peer downloading, according to the RIAA."
... hard at work!
This is not the greatest
You want to know what is a crime? I'll tell you what is a crime. It's a crime that these large organisations reap the profits from pressed pieces of plastic onto which are recorded hideous noises that sound like gang-warfare in Harlem and Watts, and then use this money to harass families and children for every last red cent so they can line their pockets.
So yeah, copying a CD is not a crime.
The numbers should be 100% 'legal/OK' for copying a bought CD/DVD.
I thought it was ok to copy CD's and VHS, didn't they decided that was legal in the 80's? As far as I know that hasn't been overturned. The only thing that makes copying DVD's illegal is the encryption. Regular CD's are still fair game, right?
What's funny is that we suddenly have 10 year olds with a criminal record because they took advantage of a service available on pretty much every computer. I'm not putting a dent in studio sales by downloading a movie. They hardly make anything on the DVD sales compared to ticket sales. Didn't they teach us on Sesame Street to share?
The teenage demographic is their prime target. They want these kids to continue to consume the music they put out without questioning it, thusly creating a pattern for them to follow their entire lives.
Thankfully, these kids have decided that it's more reasonable to think that sharing music with friends of yours isn't a crime. This creates panic in the RIAA because if enough people come to think that way, it suddenly won't be illegal. As much as you can say that the law will still be on the books, if enough people are breaking the law, how well does that law hold up?
These kids are just exhibiting common sense, and common sense is the enemy of the **AA's.
The RIAA brought this on themselves with an aging business model where media sells for far more than its worth to many consumers.
I wonder if on the grand scheme of things whether the RIAA et al's resistance to free copying will end up being an endnote in history books because later generations will simply ignore them, thinking (and rightly so) that they are living in the past?
Why should they have to limit themselves simply because the recording companies refuse to adapt?
It's better to vote for what you want and not get it than to vote for what you don't want and get it.
- E. Debs
I personally don't go to any concerts because the price of a ticket is inflated. I'd pay 10$ for a show of musician I wanted to see, but not $50 and upwards per seat. At $10 a seat, the musicians and everyone involved would still get paid. I think the problem comes in that if they add in additional supply(extra days playing concert), the demand would be satisfied too much, and they'd be unable to charge the inflated price for the tickets. So instead of playing a $50 concert one day, and a $10 one the next, they'd be playing maybe two concerts for $20 a piece for a loss of $20 per ticket and extra work involved(theoretically). I know they're aiming for the profit mark on the supply/demand curve and not caring about the public's greater interest. I guess this is where fanboys come in. They buy the tickets for the inflated price, never knowing its inflated, while the people who have some demand, but less are left to skip the concert and listen to the CD. Even if mega musicians in today's age never sell an album because of piracy, they could technically just start playing more concerts and still make way more money than your average man.
God spoke to me.
IABAL, but I thought that under the default definition of copyright, you can't legally make a copy. That's why the GPL has to spell it out. So, your statement would be more properly stated as "No, it is not legal, unless the Copyright holder of the work on that CD explicitly permits it."
Of course enjoying the fruits of someone's work without paying for it (when they expect to be paid) isn't theft!
Last night I went to see a movie I've been looking forward to all summer. And the cool part was, it was free! You see, the guy who takes the tickets at the theater is kind of old and it's easy to sneak by him. Geez, they're not even going to try to protect their rights! Anyway, it's not theft, because there were empty seats in the theater, so they weren't going to get any money even if I didn't go. And besides, everything Hollywood produces is crap.
Then I took the subway home. It didn't cost me anything because I jumped the turnstile. One of my friends said I was committing "theft" -- obviously he can't think for himself. I mean, the city was running the train anyway, and there were empty seats. Besides, the subway sucks, and they fill the route with lots of stops I'm not interested in (I only want to pay for the stop next to the theater and the one near my apartment).
There used to be a bus line that was more convenient, but the city shut it down, with some lame excuae about not making enough money to justify the expense. That just shows that they suck and don't deserve my money anyway! Fight the Man! Transportation wants to be free!
I probably won't go to that theater any more. I heard they're installing some new "security system" to prevent people from getting in without paying. That really pisses me off! How dare they! It just goes to show how evil they are. And besides, it serves them right if they lose money -- watching movies in a big theater with other people is an outdated business model!
sample size?
"None are more hopelessly enslaved than those who falsely believe they are free." -- Goethe
. . . that said P2P file sharing was a silver bullet that was going to destroy their whole business? Now they are saying that 'Schoolyard Piracy' is more of a threat? Schoolyard Piracy has been around Forever. Ever since cassette recorders hit wal-mart shelves, people have been copying each other's purchased music. And it was probably going on before then, but I wasn't around so I wouldn't know. Even though people were copying music from each other in this physical, sneakernet, manner, the recording industry (and, comparatively, software industry) flurrished. And aside from the occational 'copying is bad' print ad, the music industry never cared. What changed? People also used to record songs off the radio all the time. Now XM is in trouble for simply providing a device capable of it. What changed? Personally, I buy music if I think it's good enough to buy, which is actually quite often. I like owning the physical cd, and I don't like getting music that is DRM protected because I don't like the lack of trust I'm being given. So if I buy music online it's from emusic.com. Just last week a friend of mine copied an album for me- it's awesome, I decided after listening to two songs I wanted to buy it- but it's not available on emusic, so I've been spending the week trying to physically find it so I can give the artist and record label money for it. The only reason they don't have my money yet is because they refuse to make it available in a reasonable format online. Who's fault is the lack of this sale? You know what happened when software companies started acting like this? Open source software started showing up. . .
Then, finally, show a music executive, laughing, having lunch at some expensive restaurant, drinking fine wine, getting some young artist to sign on the dotted line. "Copyright Infringement" [fade to black] "It's NOT theft."
"
You've got the wrong image, there. You need footage of a teenager actually getting to meet his all-time favorite talent. You know, right there in the green room, for a one-on-one with, say... I don't know, Green Day or Avril Lavigne. The teenager says to Green Day, "Dudes! You guys totally rock. You're like the soundtrack of my life - I listen to you all the time, and I really can't wait for that next CD you're working on. I know you've been working on it all year and everything, but you won't mind if I just rip my copy off, right? I mean, I love you guys, just not enough to actually pay you what you're asking for your work. You know, a buck a song is totally unfair to me, personally, even though I want you to entertain me even more in the future, cuz you guys just totally kill with your songs about The Man and everything. Hey, are you going to eat that extra back-stage food? One of those club sandwiches would go great with my $3.75 half-caffe-double-shot-no-whip-skinny-iced-latte.
Don't disappoint your bird dog. Go to the range.
I would guess that:
1. Is just wrong. Surely a good fraction of people have tried to market their artistic work at some point. And in slashdot, I would expect that proportion to be nearly 100% given the nature of the audience.
2. With or without any experience trying to sell an artistic work, surely an even larger proportion of the population has at least created an artistic work and can appreciate the effort involved. And surely many can appreciate the joy of seeing their materials being copied, rather than feeling wretched. Not everyone is a control freak, and real artists want their works to be appreciated by as wide an audience as possible, regardless of recompense.
3. Would obviously need to be settled by experiment, but I think the experiment is doomed due to the definitional difficulties (just how much selling of their own materials is required?)
"Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
I have no mod points, so I will simply reply with a "lol!"
Because yes, indeed, I did laugh out loud. Parent, that was the perfect response to Grandparent, bravo!
I remember sigs. Oh, a simpler time!
Let me stake out a consumer viewpoint...
Perhaps you've got some talent that is vaguely interesting to me...
I don't owe you anything, but I choose to SUPPORT your expression by listening/reading/watching and sharing the news with others...
At some point in the process you are just pleased as hell that anybody cares at all...
Soon your art is broadcast over airwaves onto my property, into my car, on commercials between my kids cartoons, on my elevator and your excerpts are slipped into the pages between jumk mail that's dropped in my mailbox uninvited. You sell your services to advertisers/promoters who are trying to take my money. Your clothes line is produced by third world sweatshops and sells for 3X more than the generic brand. You are trying to sell me a perfume with your name on it (and some pimple cream too) and you have a commercial on the air urging me to imbibe addictive substances so I can get a "free" mp3. You sell pictures of your frigging baby to the news media.
Do I protect your financial interests when my friend asks to copy a song? Probably not...
Wait, you're not THAT artist? You're struggling, selling CDs at your show and living at home waiting for your big break? Ah, then, nevermind, because nobody is copying your damn CD!
ART is not some magic invisible soul cream. If you are selling your art, then you are selling your thoughts. Good luck to you on that, but don't cry about how people are stealing your thoughts. That's just crazy talk. Unless someone steals the plastic you bought and put your thoughts on, then they didn't steal anything from you. A law may say that its theft to listen/read/watch your creativity uninvited, but laws also once valued some people at a fraction of the value of others. Laws are just constructs of the general consensus, and that consensus is changing.
"Don't you know you're going to shock the monkey?"- Peter Gabriel
Being a jew also was a crime, ad even punished by death penalty...
1. Get everyone to produce their own content
2. Find out the world of hell distribution is.
3. They all understand that the internet is a miracle from god to spread their work.
4. The world is a better, more culture rich place
5. Profit???
"how can they call it a MINE if everything here is THEIRS?!?!" -Straight Jacket
Among teens aged 12 to 17 who were polled, 69 percent said they thought it was legal to copy a CD from a friend who purchased the original.
Man, I just love these kids. Wait a sec, I'll tel you while.
As a quick intro, I'm not even 30 yet, but I still remember the good old days when we used to record dozens of casette tapes with songs from the radio, play it for ourselves, play them on parties, copy it to other friends. Then, if someone managed to get an original tape from somewhere (where I grew up these things were really not that easy to get) we just were just exstatic, everybody copied it and we listened to it till the tape rotted away. We never ever felt we were doing anything that could be labelled as s crime, crime is when you kill someone, not when you listen to music.
These days I buy CDs. I have CDs from most of the bands that we were listening to when we were kids too. If I weren't listening to them on those tapes, I probably wouldn't have bought these disks. If one of my friends would ask me to borrow him a disk, I would do it with no second thought, they would do the same. I know some associations would label us as criminals, still, while I rarely would download music these days, I would still like to know what I'm buying before I'm buying it. I make oggs and mp3s of them to listen to on my portable and on my laptop. If somebody would label me a criminal, I'd smack'em. Still, if I couldn't make a copy or I couldn't lend it to a friend, I'd rather not even buy it.
So, why I love these kids ? Because they are not that brainwashed yet to forget what fair use should mean. In time, they will be, they have no escape. Still, I hope someday someone will realise that drming everything and dog, constraining people up to their necks [well, ears in this case], closing down everything and trying to control and watch everything and everybody is not a solution to anything. Instead of trying to establish even more harder lockdowns, they should just sit down, use their brains and figure out a bussinness model that suits every side - artists, listeners, studios. Yes, I didn't include associations in that list.
I am putting myself to the fullest possible use, which is all I can think that any conscious entity can ever hope to do.
Copyright infringement is one issue where personalising it is actually misleading. The biggest reson that copyright infringement is not theft isn't connected to bad analogies with car theft, but with the fact that infringements also act as advertising, and often the infringer wouldn't have bought it anyway.
Strangely enough, the displacement of sales and the advertising effect appear to counter each other almost exactly. However, copyright infringement remains an abuse of trust, so it is still wrong; it is simply mistaken to believe that it leaves the artist out of pocket.
I will say here, to make my position clear, selling pirated goods is theft. What is different? People appear to have a certain sum of money that they spend on music/videos etc; if pirated goods are bought, that money is redirected from the artist or his/her representative, since that cash is no longer in the hands of the purchaser. Accordingly, I would have profiting from piracy be a crime with a fine proportional to the money made, rather than the degree of infringement.
Wikileaks, no DNS
I'd stop jaywalking and driving over the speed limit. Prostitution is illegal in Illinois, but if I could afford a hooker I'd hire one. The fucking President of the United States doesn't care about "legal", why in the hell should I?
When did they outlaw taping, anyway? And what country are we talking about here; legal WHERE? I understand they collect a tax on blank media in Canada. And what happened to the Home Recording Act of 1976 in the US?
Does somebody have a link to the actual law against taping? Because if it's against the law, I've been breaking it a lot longer than any teenager has been alive, and will CONTINUE to do so. I'll also continue to vote against asshats who want to outlaw NONCOMMERCIAL copying.
mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
... a crime would be what the majority of the people believes to be a crime.
Screw the FSM - Real geeks believe in the Invisible Pink Unicorn
I actually tried this, and got knocked back!
I'm a huge fan of a Melbourne (Australia) 3-piece punk/rock/rockabilly band, and I copied their CDs several times to give them to friends overseas. When I met the lead singer/guitarist of this band at a pub, I told him about it and offered to give him $20 AUD, or at least buy him a drink. He politely declined, and told me he was happier that I was spreading good word-of-mouth for the band.
I've bought enough merch and been to enough concerts that my conscience is fine with giving my mates copies of this band's music - and, having spoken to the other band members of several occasions, they don't mind either - but I got the impression that small-scale copying of CDs isn't a huge deal for relatively-sucessful artists.
Maybe these guys are unusually generous, or maybe they get more dosh from tours than from CD sales, so I can't condone my course of action for _all_ artists... but, hell, if illegally copying one CD leads to one new fan (who would otherwhise not exist, such as in the case of my international friends), isn't that a net win for the band/artist?
Antiquis temporibus, nati tibi similes in rupibus ventosissimis exponebantur ad necem.
You know why teens don't think CD copying is a crime?
Because it isn't.
Not inherently, anyway. The natural state of information is free. The pigopolists have made up (read: bought) laws that create an artificial crime out of duplicating otherwise freely available bits. It's all in their imagination, of course, but they've managed to make their farce a reality. Teens see right through that farce and are just ignoring it. Good for them.
Tired of FB/Google censorship? Visit UNCENSORED!
Re: the clip: Funny that they should mention Tetris as one game which might disappear if it were copied, since that was subject to its own copyright infringement by various software houses back in the late 80s. An infringement which ultimately led to its mainstream exposure, perhaps? It's OK for them but not for us? http://en.wikipedia.org/wiki/Tetris#History
There will ALWAYS be music and musicians. One cannot say with any certainty that there will always be a music industry.
Just a thought.
Heard any good sigs lately?
The one problem is that the AHRA really does not apply to computers:
As for computers themselves:
Computers as a whole don't fall within subsection (3) because their digital recording function is not "designed or marketed for the primary purpose of
There was a court case about all this some years back. The RIAA was arguing that computers and computer peripherals such as mp3 players did fall within AHRA. They wanted this to be the case so that they could 1) get royalties, 2) require computer and peripheral manufacturers to implement the SCMS system of DRM that is mandated by the AHRA. In the case, RIAA v. Diamond, both the district and circuit courts found that computers were outside of the AHRA. The cases are worth reading. They even look at the legislative history in which Congress, in debating the law, also said that this law wouldn't apply to computers.
What the AHRA does apply to are Audio CDRs, whether or not you use them in computers or in standalone Audio CDR burners.
Oh, and if you also use those audio CD-R discs for downloaded music, then that would be legal, too!
Of course, if the computer that the downloads go through has RAM or a hard drive that's involved with the downloading, you might still be screwed. The AHRA only protects you against infringement suits with regards to fixation in the AHRA-compliant media. Fixation in other media wouldn't qualify unless you had a sympathetic court that isn't fond of the MAI v. Peak line of cases. The 4th Cir. maybe?
Oh, and jZnat is correct re: how to cite the USC.
-- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
Think about it--what is more important--the questions about the 2004 vote or copying a CD?