Answers From Lawyers Who Defend Against RIAA Suits
You had some excellent questions for attorneys Ty Rogers and Ray Beckerman, who maintain the Recording Industry vs The People blog. Here are their answers, verbatim, as they were sent to us by Mr. Beckerman.
1) Guilty?
(Score:5, Interesting)
by PrinceAshitaka
If you are completely guilty and are sued, but do not have the money to pay, what are your options?
Beckerman:
One option is to defend yourself, relying on the affirmative defenses. If you can find a pro bono lawyer, great. If not, go in to the pro se clerk at the courthouse and ask for a jury trial. Another option, if it's acceptable to you, is to default. They will usually get a default judgment against you for the exhibit A list (the songs they downloaded) x $750 plus court costs.
2) Biggest Mistake?
(Score:5, Interesting)
by eldavojohn
What's the biggest mistake you've seen people make historically in cases where they're charged by the RIAA?
Beckerman:
It's hard to generalize about that, because each person's facts, each person's personality, each person's intellect and ability, are different. Generally, there is no real good way to handle these cases, so anything anyone does is a mistake, in that sense. But in another sense, there are no mistakes, because there is no right answer.
3) How can we prevent needing your services?
(Score:5, Interesting)
by Software
What should we do to prevent needing your services? Another way of putting this is, how do we avoid getting sued by the RIAA?
Beckerman:
All of the cases that I have seen stem from people who are using a Fast Track sharing program such as Kazaa, Imesh, Gnutella, LimeWire, etc., having a shared files folder with copyrighted songs in it, even if the song files were obtained legally. So even making sure to pay for all of your downloads wouldn't protect you from a lawsuit. The only way I know to avoid the present litigation wave is to avoid having shared files of copyrighted songs.
4) Systemic Problem?
(Score:5, Interesting)
by ZachPruckowski
Do you see the current situation as a systemic problem in the current torts system? Specifically, do you think we need legislative intervention to correct the "money bias" in our legal system?
I mean, there doesn't seem to be much of a way to fight an RIAA lawsuit money-wise. It always seems to end quickly: Either the defendant ist so obviously innocent they drop the case or he/she settles for "pennies on the dollar". When do you think we'll see a few definite trials to answer the hanging legal questions about investigative tactics and what an IP proves?
Beckerman:
I think some good rulings by the judges would shut the whole thing down, so no I don't think it's necessary to revise the statutes. I do think it's important for our society to get behind the defendants financially, because if they don't there are going to be a lot of wacky rulings by judges which are going to dismember the internet as we know it.
5) Lawyers from outer space?
(Score:5, Funny)
by hawkeye_82
You guys are lawyers AND like to help people? What's it like on your home planet ;) ?
Beckerman:
Lawyers are just like any other people. There are good people and bad people. The people who come out the strongest against 'trial lawyers' are the big corporations' PR departments. They want the 'common folk' to think ill of lawyers, because the law -- as imperfect as it is -- is the only equalizer left. And it's being eroded rapidly. And people dissing lawyers all the time helps that process.
6) allofmp3
(Score:5, Interesting)
by giafly
What's the position of Americans who buy from legal offshore music sites, such as allofmp3 [allofmp3.com]?. Is this safer than downloading "free"?
Beckerman:
I don't know what you're talking about. The litigation wave is worldwide. The RIAA isn't American. 3 of the 4 members of the cartel are "offshore corporations". There are different versions of the RIAA everywhere. In France, and certain other places, they bring CRIMINAL cases, not civil ones.
7) Gray Area Questions
(Score:5, Interesting)
by Four_One_Nine
Over the years I have attempted to educate some of the 'younger' generation about the do-s and don't-s of music copying and sharing. The following questions have come up out of real experiences and I have never had anyone provide a reasonable (justifiable) answer.
1. If I purchase a CD and it is subsequently stolen (along with my 5 disc changer *@$#!!) do I retain any rights to listen to that music?
. a. Are the .mp3 files of that CD on my computer legal or do they now belong to the thief too?
. b. Can I re-burn a CD from the .mp3s and is that legal?
. c. Does me having a backup copy of the files on my computer mean I can't make an insurance claim?
. d. What if it is destroyed (for example by a fire) rather than stolen?
2. If I purchase a CD and it is subsequently scratched or broken to the point where it is not playable, can I legally download the songs from that CD from a file-sharing network?
3. If I purchase the DVD for a movie, could I legally download songs from the soundtrack for that movie from a file-sharing network?
4. If I purchase a CD that our entire family listens to, and then my daughter leaves for College, can she legally take a copy of an .mp3 ripped from that CD with her on her computer? or - similarly - could she take the disc and could I keep the .mp3 on my computer?
Beckerman:
Isn't this kind of a multiple question?
You shouldn't be trying to educate the younger generation about this stuff. The law is unsettled. Even lawyers don't know how it's all going to play out. Plus you seem to have a general misunderstanding about the basic principles of copyright law. When you buy a copy of something you have rights in the copy, that's it. No metaphysical rights to listen, reproduce additional copies, etc. I don't know what gives you this idea.
1. There's no such thing as a listening right, I don't know where you get that from.
a. I don't know what MP3 files you are talking about, how do you know you were entitled to make those copies legally?
b. See b above
c. Ask your insurance co.
d. Same answers.
2. I doubt it.
3. I doubt it.
4. I don't know.
8) Why aren't you going on the offensive?
(Score:5, Insightful)
by Civil_Disobedient
Instead of playing Whack-a-Mole by defending clients that are being extorted by these thugs in Gabardine, why aren't you doing anything about stopping it in the first place? Why haven't you petitioned the Attorney General to bring RICO charges against the members of the RIAA?
Beckerman:
I'm an ordinary lawyer doing the best I can. How do you know who I've gone to or spoken to? As far as going to the Attorney General, haven't you been reading? The US Attorney General is on the RIAA's side. See Statement of Interest of U. S. Dept. of Justice in Elektra v. Barker.
9) Evidence?
(Score:5, Insightful)
by eldavojohn
I hear a lot that the RIAA has the weakest evidence ever in these cases. Such as screen shots of dynamic IP addresses - http://www.cdfreaks.com/news/13747 - taken from Kazaa. How the hell do judges across this country uphold these cases with such lack of concrete evidence? I mean, give me five minutes in photoshop and I'll make you a "screenshot" of Kazaa with www.whitehouse.gov's IP address listed over and over on it. Can't an expert witness cause this evidence to be thrown out quickly?
Beckerman:
I've tried, eldavojohn, I've tried. Look at our court papers in Motown v. Does 1-149. The judge didn't want to hear a word I was saying. You are absolutely correct that the entire underpinning of each case is a joke. An astute judge would laugh them out of court, as the Netherlands and Canadian courts have done.
10) Other drive content and RIAA fishing expeditions
(Score:5, Insightful)
by BenEnglishAtHome
When I heard that the RIAA wanted to physically take possession of the equipment belonging to people they sued for discovery purposes, I was less than happy with that prospect. I use a hardware-encrypted hard drive that requires a bootup password. Without my cooperation, no one will every see what's on my drive. Given that the revelation of other content on my drive would place me in far greater jeopardy than anything having to do with pirated music (Assume the worst if you wish; you wouldn't be correct), I would never cooperate with such discovery.
Is there any mechanism by which the court can compel my cooperation and are there any penalties for steadfastly refusing to provide it?
Beckerman:
There will probably be a lot of litigation over privacy issues in the hard drive inspection thing. But if you just want to play hardball, the judge would probably just strike your answer and give the RIAA a money judgment by default.
1) Guilty?
(Score:5, Interesting)
by PrinceAshitaka
If you are completely guilty and are sued, but do not have the money to pay, what are your options?
Beckerman:
One option is to defend yourself, relying on the affirmative defenses. If you can find a pro bono lawyer, great. If not, go in to the pro se clerk at the courthouse and ask for a jury trial. Another option, if it's acceptable to you, is to default. They will usually get a default judgment against you for the exhibit A list (the songs they downloaded) x $750 plus court costs.
2) Biggest Mistake?
(Score:5, Interesting)
by eldavojohn
What's the biggest mistake you've seen people make historically in cases where they're charged by the RIAA?
Beckerman:
It's hard to generalize about that, because each person's facts, each person's personality, each person's intellect and ability, are different. Generally, there is no real good way to handle these cases, so anything anyone does is a mistake, in that sense. But in another sense, there are no mistakes, because there is no right answer.
3) How can we prevent needing your services?
(Score:5, Interesting)
by Software
What should we do to prevent needing your services? Another way of putting this is, how do we avoid getting sued by the RIAA?
Beckerman:
All of the cases that I have seen stem from people who are using a Fast Track sharing program such as Kazaa, Imesh, Gnutella, LimeWire, etc., having a shared files folder with copyrighted songs in it, even if the song files were obtained legally. So even making sure to pay for all of your downloads wouldn't protect you from a lawsuit. The only way I know to avoid the present litigation wave is to avoid having shared files of copyrighted songs.
4) Systemic Problem?
(Score:5, Interesting)
by ZachPruckowski
Do you see the current situation as a systemic problem in the current torts system? Specifically, do you think we need legislative intervention to correct the "money bias" in our legal system?
I mean, there doesn't seem to be much of a way to fight an RIAA lawsuit money-wise. It always seems to end quickly: Either the defendant ist so obviously innocent they drop the case or he/she settles for "pennies on the dollar". When do you think we'll see a few definite trials to answer the hanging legal questions about investigative tactics and what an IP proves?
Beckerman:
I think some good rulings by the judges would shut the whole thing down, so no I don't think it's necessary to revise the statutes. I do think it's important for our society to get behind the defendants financially, because if they don't there are going to be a lot of wacky rulings by judges which are going to dismember the internet as we know it.
5) Lawyers from outer space?
(Score:5, Funny)
by hawkeye_82
You guys are lawyers AND like to help people? What's it like on your home planet ;) ?
Beckerman:
Lawyers are just like any other people. There are good people and bad people. The people who come out the strongest against 'trial lawyers' are the big corporations' PR departments. They want the 'common folk' to think ill of lawyers, because the law -- as imperfect as it is -- is the only equalizer left. And it's being eroded rapidly. And people dissing lawyers all the time helps that process.
6) allofmp3
(Score:5, Interesting)
by giafly
What's the position of Americans who buy from legal offshore music sites, such as allofmp3 [allofmp3.com]?. Is this safer than downloading "free"?
Beckerman:
I don't know what you're talking about. The litigation wave is worldwide. The RIAA isn't American. 3 of the 4 members of the cartel are "offshore corporations". There are different versions of the RIAA everywhere. In France, and certain other places, they bring CRIMINAL cases, not civil ones.
7) Gray Area Questions
(Score:5, Interesting)
by Four_One_Nine
Over the years I have attempted to educate some of the 'younger' generation about the do-s and don't-s of music copying and sharing. The following questions have come up out of real experiences and I have never had anyone provide a reasonable (justifiable) answer.
1. If I purchase a CD and it is subsequently stolen (along with my 5 disc changer *@$#!!) do I retain any rights to listen to that music?
. a. Are the .mp3 files of that CD on my computer legal or do they now belong to the thief too?
. b. Can I re-burn a CD from the .mp3s and is that legal?
. c. Does me having a backup copy of the files on my computer mean I can't make an insurance claim?
. d. What if it is destroyed (for example by a fire) rather than stolen?
2. If I purchase a CD and it is subsequently scratched or broken to the point where it is not playable, can I legally download the songs from that CD from a file-sharing network?
3. If I purchase the DVD for a movie, could I legally download songs from the soundtrack for that movie from a file-sharing network?
4. If I purchase a CD that our entire family listens to, and then my daughter leaves for College, can she legally take a copy of an .mp3 ripped from that CD with her on her computer? or - similarly - could she take the disc and could I keep the .mp3 on my computer?
Beckerman:
Isn't this kind of a multiple question?
You shouldn't be trying to educate the younger generation about this stuff. The law is unsettled. Even lawyers don't know how it's all going to play out. Plus you seem to have a general misunderstanding about the basic principles of copyright law. When you buy a copy of something you have rights in the copy, that's it. No metaphysical rights to listen, reproduce additional copies, etc. I don't know what gives you this idea.
1. There's no such thing as a listening right, I don't know where you get that from.
a. I don't know what MP3 files you are talking about, how do you know you were entitled to make those copies legally?
b. See b above
c. Ask your insurance co.
d. Same answers.
2. I doubt it.
3. I doubt it.
4. I don't know.
8) Why aren't you going on the offensive?
(Score:5, Insightful)
by Civil_Disobedient
Instead of playing Whack-a-Mole by defending clients that are being extorted by these thugs in Gabardine, why aren't you doing anything about stopping it in the first place? Why haven't you petitioned the Attorney General to bring RICO charges against the members of the RIAA?
Beckerman:
I'm an ordinary lawyer doing the best I can. How do you know who I've gone to or spoken to? As far as going to the Attorney General, haven't you been reading? The US Attorney General is on the RIAA's side. See Statement of Interest of U. S. Dept. of Justice in Elektra v. Barker.
9) Evidence?
(Score:5, Insightful)
by eldavojohn
I hear a lot that the RIAA has the weakest evidence ever in these cases. Such as screen shots of dynamic IP addresses - http://www.cdfreaks.com/news/13747 - taken from Kazaa. How the hell do judges across this country uphold these cases with such lack of concrete evidence? I mean, give me five minutes in photoshop and I'll make you a "screenshot" of Kazaa with www.whitehouse.gov's IP address listed over and over on it. Can't an expert witness cause this evidence to be thrown out quickly?
Beckerman:
I've tried, eldavojohn, I've tried. Look at our court papers in Motown v. Does 1-149. The judge didn't want to hear a word I was saying. You are absolutely correct that the entire underpinning of each case is a joke. An astute judge would laugh them out of court, as the Netherlands and Canadian courts have done.
10) Other drive content and RIAA fishing expeditions
(Score:5, Insightful)
by BenEnglishAtHome
When I heard that the RIAA wanted to physically take possession of the equipment belonging to people they sued for discovery purposes, I was less than happy with that prospect. I use a hardware-encrypted hard drive that requires a bootup password. Without my cooperation, no one will every see what's on my drive. Given that the revelation of other content on my drive would place me in far greater jeopardy than anything having to do with pirated music (Assume the worst if you wish; you wouldn't be correct), I would never cooperate with such discovery.
Is there any mechanism by which the court can compel my cooperation and are there any penalties for steadfastly refusing to provide it?
Beckerman:
There will probably be a lot of litigation over privacy issues in the hard drive inspection thing. But if you just want to play hardball, the judge would probably just strike your answer and give the RIAA a money judgment by default.
The interview reads like Phoenix Wright but with less murder. It truely is a shame that so many judges seem to lack the technical knowledge required in these cases, but the US must be thankful that they are not criminal cases just yet and remain civil (criminal=prison, civil=fines). France has some very media-related politicians and are normally at the forefront of oppressive european legislation (along with the UK). One of the French politicians is actually married to one of the main players in the music distribution industry which is just a bit of a conflict of interest in these sorts of cases.
Warhammer forums
While I applaud these lawyers (that hurt me to say) I get the feeling that they are just as powerless as we. Everyone knows these cases should be thrown out, but they aren't. That's the real issue, not just successfully defending people. The entire practice of suing people over music needs to die a horrible death. I hope you can hear us Superman!
http://religiousfreaks.com/... who didn't get anything from that? Who needs lawyers, I can answer every question with a synonym for "depends" myself. I realize, the law is incredibly complicated (i'm a criminal justice student myself), but come on - "I don't know what MP3 files you are talking about, how do you know you were entitled to make those copies legally?" - well fuck i don't know, was I? Stop answering questions with questions and i'll stop talking shit about lawyers.
So what does fair use mean? He just said we can't backup our CDs! Dose this mean that you are not aloud to put music on your mp3 player?.
When a lawyer answers "I don't know" or "it depends", you know they're honest; when you're offered a guarantee its time to start running in the opposite direction. (note: this advice also applies to medical professionals).
He also reaffirmed my suspcisions that the justic system is highly subjectie to the whims and personalities of the justices preciding. Thank goodness for the right of appeal!
John Maynard Keynes: "When the facts change, I change my mind. What do you do?"
It seems strange to me that a copyright lawyer hasn't heard of the fair use rights granted by US copyright law (Title 17, section 107).
The person asking the legal question is better informed than the lawyer!
A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
Do you think it is truly wise to play game the system with a judge who has considerable discretion in issuing contempt citations?
How does the Slashdot Effect happen given that no slashdotters ever RTFA?
Seeing the subject, that a lawyer was going to answer questions, I fully expected to see a lot of non-answering beating-around-the-bush-type answers.
And I wasn't disappointed at all.
No lawyer is going to give you a definitive answer, and that's half the problem. The other half is no Judge wants piss off the rich, they want to piss ON the poor which can't defend themselves.
I think the point made was that when you purchased the CD, you have rights to THAT COPY. You did not buy rights to ANY copy. So if THAT COPY is destroyed/stolen, then you lost the rights to THAT COPY.
All of the cases that I have seen stem from people who are using a Fast Track sharing program such as Kazaa, Imesh, Gnutella, LimeWire, etc., having a shared files folder with copyrighted songs in it, even if the song files were obtained legally. So even making sure to pay for all of your downloads wouldn't protect you from a lawsuit. The only way I know to avoid the present litigation wave is to avoid having shared files of copyrighted songs.
I think that cinches it. If you don't want to get harassed by the RIAA, don't let other people download their music from your computer. That's been the common sense answer for quite some time, but it's interesting that he says all the cases have stemmed directly from sharing songs, not downloading them.
What I find more interesting is that the lawyers don't believe that buying a CD gives one the fair use right to rip it to MP3s for playing on another device. That, to most slashdotters, is a fundamental fair use right, but perhaps to the law it doesn't technically exist. I suppose it all comes down to whether EULAs are valid contracts or not. If not, then obviously everyone has the fair use right to copy the CD for their personal use because the data *has* to be copied into hardware registers, modified (especially during error correction), and then converted to analog audio at some point. If EULAs are valid, then I guess you can't buy used CDs because the imaginary EULA that comes with every new CD probably doesn't "allow" that. We definitely need a strong anti-EULA case to go through the courts, preferably one like this where it's blatantly obvious that the necessity of a EULA to play a CD or DVD is an undue burdon and against fair use rights.
Well I must confess that I was probably being facetious because I was annoyed at his question. I was annoyed that (a) he was counseling young people when his own view of copyright law is basically fictional, (b) he's counseling them on issues that even experienced copyright lawyers don't know the answer to, because the law is unsettled, and (c) he's going around spreading false ideas that will just get people into more trouble. So I apologize. I should have been more respectful.
We are in a time of flux, and the issues are being hammered out in cases where the content providers have all the money for expert witnesses, teams of lawyers, etc., and their opponents have nothing.
If the computer industry doesn't get into the fight of helping the RIAA victims, the copyright law is going to be expanded and twisted to such an extent that the internet as we know it will cease to exist. See amicus brief of US Internet Industry Association and Computer & Communications Industry Association in Elektra v. Barker.
Ray Beckerman +5 Insightful
There is no answer. What is so hard to understand about that? The case law is unsettled; he said that. This is not about simple murder, kidnapping, etc, this is about laws which are changinga ll the time, as fast as the *AA can push their changes and keep things changing. Until the *AA stop changing things, he can't answer the question. So yes, the answer could be summarized as "stay squeaky clean", but any other answer would be wrong.
Why is that so hard to understand?
Even simple murder, kidnapping, etc, aren't simple. Look how many different kinds of murder there are: various degrees of murder, of mansalughter, voluntary, involuntary, willful, whatever. And that is law which is mostly settled. How can you possibly expect new law to be as well settled?
Reality is that unless you stay squeaky clean, they can amke a case against anybody they want under whatever corner they have pushed the law into; and even then, if they lie, they can make your life miserable.
Infuriate left and right
On behalf of the Slashdot community, I apologize that you received so many stupid and useless questions.
You're losing the thread of what was said.
I said:
"When you buy a copy of something you have rights in the copy, that's it. No metaphysical rights to listen, reproduce additional copies, etc. I don't know what gives you this idea."
His response wasn't "what about making a copy on your hard drive and copying that to your ipod?" If he'd asked that question I would have said "there is no legal answer to that question at this time."
Instead his response was:
"It seems strange to me that a copyright lawyer hasn't heard of the fair use rights granted by US copyright law (Title 17, section 107). The person asking the legal question is better informed than the lawyer!"
Ray Beckerman +5 Insightful
I mean correct answers that are properly written, don't act like the poster is an idiot, don't "answer" (quotes intended) the question in glib sentences that hint at the poster being uninformed or stupid. It's easy to do (b) and (a) at the same time, and do it competently.
This is the worst Slashdot interview I've seen in a long, long time. It looks like you spent no time whatsoever reviewing a single answer and threw out the whole thing in five minutes.
I'll get on your case if I damn well please because I'd like to see a good discussion of this but this is not it. I'm also sick and tired of low-quality "I know everything, you're a fucking moron" attitudes in discussions.
i am a soviet space shuttle
1. If I purchase a CD and it is subsequently stolen (along with my 5 disc changer *@$#!!) do I retain any rights to listen to that music?
1. There's no such thing as a listening right, I don't know where you get that from.
The listening right his question refers to is the right to "space shift". In other words, the right to "listen" to a recording at work on my iPod, or in my car on a burned CD-R, all while the original CD itself sits on a shelf at my home. This is a frequent topic of discussion amongst Slashdot regulars so I'm not so surprised you didn't know what he meant. According to Wikipedia we have this right based on the judgement in the case, "Recording Indus. Ass'n of Am. v. Diamond Multimedia Sys., Inc., 180 F.3d 1072, 1079 (9th Cir. 1999)". It gave us the right to make an electronic backup copy for personal use.
The current RIAA website says "If you choose to take your own CDs and make copies for yourself on your computer or portable music player, that's great. It's your music and we want you to enjoy it at home, at work, in the car and on the jogging trail. "
Once the original is detroyed do we still have the right to keep our backups? Of course this question itself is a paradox because once we destroy the original we need the backup. However do we then have the right to even possess the backup if we can't prove we ever had the original? We don't know the answer to this, and that's what he was asking. However I don't believe this has been tested in a court yet.
Regardless of any of this, his question is actually off topic because (to my knowledge) the RIAA is only "going after" people who are
sharing files, not people who are possessing personal backups. Correct me if I'm wrong there.
There has never been a fair use right for any copyrighted material that worked that way. Say you had a book that you accidentally dropped in the bathtub and was ruined, or maybe it was in your bookbag that was stolen. You don't have some fair use right to another copy, whether a new paperback or a digital one, just because it wasn't your fault that you lost the original copy; it's tough luck, buy another book. In fact, with music, you actually have an extra *statutory* right -- the right to make a backup. You still can't photocopy or scan an entire book to make a "backup" of it!
The key point to remember that often gets lost on people, and this is what the lawyer was referring to when he said he didn't know where the questioner was getting his/her preconception, is that copyright gives the copyright owner the right to control the making of *copies* of original works. All the questions of the questioner seem to be missing this fundamental point (although they do end up touching that important copyright issue of fair use). Unfortunately, I suspect that the idea of a license to copyrighted works -- particularly the way licenses are used with software -- has kind of screwed up people's understanding of copyrights.
It's a pleasure to see ignorant slashdotters basically get their asses handed to them by people who actually know what they are talking about. There are so many false (or at least hasty) assumptions about illegal file trading that get repeated here with every story about the **AA. Eventually, they come to be perceived as established fact. If the lawyers' answers have any effect, hopefully it will humble some of you, and show you that much of what you thought you knew was uncertain, if not just plain wrong. (Knowing the typical slashdot ego, though, it's not very likely.)
Thanks for the interview but I have to admit that I'm left feeling a bit disappointed by the answer to question 7 (the buisness about CDs getting stolen or burned in a fire). I realize that the law might be unsettled in this area but I think the questioner was asking for a legal analysis. What are the relevent questions that would have to be decided to answer these questions? What statues apply?
In particular it is my understanding that fair use has long been understood to include a right to make a backup copy of your software or music. Certainly this fair use notion only makes sense if there are SOME situations in which it is legal to restore your software from a backup. Since it is a well accepted canon of legal interpratation that one shouldn't interpret laws to have absurd consequences or to render clauses meaningless when possible it seems this provides strong reason to believe that it is okay to restore your mp3s if your CD was destroyed in a fire.
The question about the insurance company should follow pretty easily from any answers to the other questions. Surely the insurance company wishes to minimize the money it pays out and if you still retain a large fraction of the value of your music collection they will pay you less money. On the other hand if you no longer have the right to legally play/burn the music on your CDs you have lost all the value contained therein and if this sort of loss is covered by your policy they have to pay up.
The question about whether you can download music you legally own is the most interesting as it goes to the heart of what it is that you purchase when you buy the CD. Is it a physical object or some limited rights to intellectual property. Either way has some serious consequences. Many of the claims by software companies that attempt to restrict your rights to do as you want with the software you purchase rest on the notion that you are just purchasing certain limited rights to make use of the IP while if what you are purchasing is more like physical possession of a CD it puts reselling that CD on firmer ground. Now if the CD had a specific EULA banning downloading the music on the CD that would be one thing but if that isn't the case things get very interesting.
It would be nice to say that one had purchased a single right to listen to the music contained therin but copyright law doesn't work like this, generally it governs the making of copies. Thus I would guess the question comes down to whether the copy made by downloading from the internet is legal. However, if it is legal for you to copy the data from your CD to your computer what makes this case different?
Anyway the point is that there are a lot of interesting questions here and I was hoping to see some quality legal analysis not my vague musings. Maybe I've just gotten spoiled by hanging out on law blogs but I'm kinda disappointed.
If you liked this thought maybe you would find my blog nice too:
In fact, that fundamental problem came up in question #7 as well.
That's why when I tried to re-work communication laws (including copyright), I developed the idea of a human-experinced message, separate from the "concrete parts" that make up a message, to resolve this.
In summation, I assert that a computer shouldn't have any legal or ethical standing anyhow, so who cares how many copies a computer makes of something? What matters is human experience. Under my model, "piracy" (skip the word debates, please) is not the act of downloading something, it's the act of actually viewing/hearing it. If you download something and immediately delete it, it's not piracy.
(Note that this is really necessary anyhow; suppose you download something claiming to be public domain, yet you discover it's actually last year's top movie, and delete it immediately upon discovering that. You really shouldn't be charged with piracy. Under the law today, you are. The fact that it can be difficult to determine whether something was actually consumed is honestly the legal system's problem; it seems to be able to reasonably determine "intent" in other contexts.)
If they think they can win on it, I wouldn't put it past them to argue that personal copies are an infringement.
I posted about this earlier in the thread, but this requires a specific response. If the RIAA can get a court to agree that personal copies of a work are illegal (despite the existance of the fair use right to make a backup copy), they will be in a prime position to be sued on the legality of EULAs in general. If it is illegal to make a personal copy of a work, then it is also illegal to decode the work and listen to it because the decoding and possible decompression require making temporary copies in the memory or hardware registers of the decoder. Not only that, but there is a physical copy of the work either existing as sound waves in the air or an image on a video display. Not only that, but in the end the human brain translates and stores a copy of the work internally. The ears transform the work into frequency data, and the eyes make a copy on the retina, and then further transform it into internally meaningful thoughts and concepts. To make personal copies illegal would require the EULA From Hell(TM) to cover all the "allowed" paths that the media could enter the human brain, and in what form the copies could reside in the brain just so that someone could listen to a CD. At that point, it's quite likey that a judge with some common sense would invalidate EULAs in general. When I say EULA, I mean the legal "contract" that one "agrees" to by taking the plastic off a CD or software package or by clicking a button when installing software. Just see how much media the cartels can sell when each and every one of their customers must be over 18 and sign a legally binding contract just to purchase a CD.
The argument can be reduced to a simple one about books. To read a book, the reader must make a temporary copy of the work on their retinas, and then translate the words into internally meaningful thoughts which most likely will remain in the brain for some time. If fair use covers the human sensory system, why should it not extend to the devices the human sensory system uses to view the work? After all, the eyes and ears are merely tools the brain uses to interpret the world, and computers and CD and DVD players are merely the tools that the eyes and ears use to interpret digital media. If the human sensory system is chosen as the arbitrary limit for fair use, it just pushes the argument back a few years until genetic modification and implants allow the human sensory system to interpret and copy digital media directly. Making copies of information is a natural process, and trying to artifically regulate it to the point of authoritarian social control will simply fail.
If you go read the documents he links to in that answer, where he says "We tried, we tried..." you'll find that it was in the discovery process where the screenshots were being shown to the court. At this point in the case, the plaintiffs had only a list of John Does, associated with an IP address. Each IP address had a list of songs that the plaintiffs - the RIAA - had downloaded from the host at that address. The court ruled that for discovery to proceed, all the RIAA had to do was show prima facie evidence that a case could be made. The statures say that prima facie evidence consists of (a) proof of the plaintiffs rights to the song downloaded and (b) the infringing copies of the songs. Boom, that's prima facie evidence that there is a case. Now all that needs to be discovered is who is the defendant. But making the argument during discovery that the evidence of IP address is insufficient to prove infringment on the part of the John Doe misses the point, according to the judge. The court at this point is just trying to identify the defendant, but the attorney for the defense is arguing that the case should be dismissed before the plaintiff learns who he is suing.
Wrong argument, wrong point in the case. This needs to be argued after an identified someone gets to court to defend themselves against the suit.
I am disappointed in the answer he gave, and the case he cited to support his contention that "the court won't listen."
Edith Keeler Must Die
Seriously people, show some fucking appreciation for someone with specialized knowledge who took time out to answer your questions.
If you don't like the answers, well maybe it has something to do with the questions. Every question was modded either +5 "Interesting", or "Funny".
Not a single question was modded "Insightful". And one of the questions insulted him for being a lawyer. Another stupidly asked why he doesn't contact the US Attorney General for help in fighting the RIAA.
Of the good questions, he gave informative and helpful answers.
Maybe it's just the nature of the issue (RIAA and filesharing) that brings out the most moronic of the slashdot crowd, but I am seriously irritated by the stupidity that's been displayed here.
Gee i wonder why people think that lawyers are condescending elitest assholes...
Just because hes the articles author we are going lax on down mods? that was a pure classic troll. no information and a loaded emotional opinion. God forbid you'd have to explain your point to us little people.
I guess my point is why even post comments if all your going to do is troll?
I'll just use my special getting high powers one more time...
Look at the answer to Question 7, with the multi-part question about copying CD's. I'm sure all of us would have liked to know if we can legally copy a scratched CD, etc.
Instead of producing any useful information, Mr. Beckerman simply tells the questioner that he is wrong. Fancy that. You ask a question, hoping to get info which is right, but realizing that you have to judge for yourself whether the answer is right or wrong. Instead, he says that your question is wrong.
And that first sentence in Answer #7, "Isn't this a multiple question?" What the heck? First of all, are you charging by the question? Maybe you are. Maybe you set a limit of 10 questions and are annoyed that we're sneaking multiple questions in one.
But, more tellingly
In fact, it seems that for all of the questions and comments, Mr. Beckerman has processed the words and given some more words as output, which are all correct but fail to grasp the intent behind the words. Is he, as a law geek, outgeeking us, or is it just that I'm such a geek that I can see the various questions meanings which are not obvious to the lay person?
And then
Okay, so
I'm trying to imagine me treating my patients the same way:
"Doctor, I have this really bad chest pain when I try to breathe! Am I going to die?"
"No."
"What's causing the pain?"
"Firing of receptors in the nerve endings."
If I ever talk that way to my patients, someone please fucking kill me with a flying chair or something.
Mr. Beckerman says: "They want the 'common folk' to think ill of lawyers
No, Mr. Beckerman: your apparently inability to look beyond the words that form our queries, and your obvious need to be correct at the expense of being helpful, is what is greatly helping that process of obliterating any respect I might have for you and your colleagues.
_____
Two people in a hot air balloon drifted into a thick fog and became hopelessly lost. Presently, they noticed that they were drifting next to a tall building looming out of the fog, and decided to ask the inhabitants for help. Spotting a man standing at one window gazing through the fog at them, one of the balloonists called out:
"Excuse me! Where are we?"
The man in the building stood in thought for a while, and then replied: "You're in a hot air balloon."
The balloonist called back: "Ray Beckerman, is that you?"
404555974007725459910684486621289147856453481154 in hex is "You sank my Battleship?"
[GPG key in journal]
When your last car was worn down to rust did you also expect a free replacement from Toyota?
Flawed analogy because the cars innate value does not reside in the copywritten material encoded on the cars surface or within the car, per se. The car's value is derived in its physical ownership. A CD, in contrast, is worth pennies naturaly. The content on the CD is what is being purchased. Do you expect new food from McDonald's if the food inside the wrapper is bad (another totally flawed analogy). What about demanding new underpants because "My So Called Life" was cancelled (obligatory nonsensical response).
I thought about writing, "if the fair use act" made a provision for cars then, sure I would expect a new Toyotoa. I suppose the paragraph above counters better, especially since I said before I'm not even sure what fair use explicitely provides. It seems like it only mentions libraries;
(b) The rights of reproduction and distribution under this section apply to three copies or phonorecords of an unpublished work duplicated solely for purposes of preservation and security or for deposit for research use in another library or archives of the type described by clause (2) of subsection (a),
Again, not a lawyer, but that's the only section I found relating to legal backups.
You are implying the india recordings aren't covered by copyright, and the indie labels won't do the same thing the RIAA is doing. Both of which is false.
The Kruger Dunning explains most post on
Believe it or not, CDs and DVDs can be "read" using the same basic mechanisms. You can shine a light on the disk, observe the arrangement of the bits with a microscope and "decode" it yourself. No CD or DVD "player" is required. All that is required are the instruments I mentioned and some determination, but hey, it took some determination to learn to read conventional media as well...
Well, technically you can't read a DVD because I doubt you're personally licensed to use the CSS algorithm. But that's just another wonder of our magnificent copyright and patent system.
It's time people realised that when you buy RIAA music on CD etc. you pay a lot for not much at all. [In other parts of the world we don't even have the fair use / format shift rights that the US (sort of, maybe) consumer has].
/the CD ? Too bad, stuff breaks, buy another.
...and so on
When you buy music on CD you are buying the following:
The limited right (no public performance etc.) to listen to the music on that CD by playing that CD in a device that will play it.
Thats it.
CD doesn't play in your player ? Too bad - use one that plays it.
But I broke / scratched
But the CD got nicked ? Too bad, stuff gets nicked, talk to your insurer, buy another.
But what if you don't sell it anymore ? Well, sorry we lost a sale but hey, lots of things are irreplacable. Jaguar probably can't replace your E-Type either, but they'll have some nice new models. We have some nice new music, wanna buy ?
But what if I want it in MP3 for my MP3 player ? Well why didn't you buy it in MP3 ?
No, I mean I want it in MP3 _as well_ as CD ? So buy both (when did you last see "buy the hardcover get the softcover free") ?
But you don't sell it in MP3 ? - We're very sorry we've missed a sale, see above.
Maybe if we educated people as to what (little) to RIAA are actually selling, rather than pretend they're selling something much more useful, people would wake up and buy from independents who can/do offer far more and not from RIAA.
Questions 6 and 7.
I've thought a lot about the many comments which related to my manner of responding to questions 6 and 7, and I accept their verdict : I was rude and disrespectful.
Then I asked myself why, since I'm not usually quite that obnoxious.
Here's why I think it happened.
1. I go into everything public assuming that anything is being monitored by the RIAA, because it is.
2. I assume that everyone who asks me questions or makes comments could be an RIAA troll, because some of them are.
3. Both questions seem to ask questions about how to skirt the law. The first about whether doing something illegal from an "offshore" site would stand on a different legal footing than doing it from an American site. The other about whether buying a cd gives you rights in the songs that were contained on the cd, such as a perpetual right to get new copies from any source you like, based upon a perpetual "listening right". I found both questions to be rather odd.
I found it hard to believe that either question was an honest, good faith question, and responded sarcastically and impatiently.
I guess the fact that the questions were so positively moderated, and ultimately selected by the Interviews editor, indicates that they were honest, good faith questions from real Slashdotters so I should have just answered them respectfully. So to the questioners, if you are good guys, I apologize. And to those who complained about me, those of you who are not RIAA trolls, I apologize as well.
I've also noticed a lot of frustration, and anger, for not telling people that it's ok to make copies from a cd to your computer, keep them and use them on your computer, and keep them and use them on your mp3 player as you see fit, so long as it's for your personal use. Some people seem to assume it's because I don't know anything about the law, or don't know what an mp3 is, or something like that. After all, it seems like a simple enough question, and common sense would dictate that the answer should be yes, that it's ok. But there are no cases on the subject, and there is caselaw to the effect that your computer is not a personal audio device like an iPod is. And if you see the EFF article on the subject, "RIAA Says Ripping CDs to Your iPod is NOT Fair Use", you'll see that the RIAA has flip flopped on this issue.
So I could go ahead, act knowledgeable, and tell you "sure, go ahead, that's perfectly legal". Or I could also go ahead, act knowledgeable, and tell you "no, that's absolutely illegal".
In either case I would be guessing, and I would be dishonest in pretending to know the answer to a question on which the jury is still out. So I would appreciate your cutting me some slack.
Ray Beckerman +5 Insightful
If you ask me what is, I will answer to the best of my ability. If I don't know the answer I will tell you.
If you want me to guess, my guess is..... the RIAA will get crushed on every argument they have ever made or ever will make, and the courts will put them and their lawyers in jail, and everyone will be able to make as many copies of everything as they like, for free.... and after you've digested that, I have a bridge I'd like to sell you.
Ray Beckerman +5 Insightful
As an audiophile, I truly believe that focusing on the root cause of all this RIAA gestapo BS would be fruitful: mp3s are NOT an exact duplicate of the digital quality of CDs, not by a long shot. I think the crux of it is that IF the RIAA can shut down Napster because individuals downloaded mp3s, THEN, by the same logic, the RIAA should shutdown radio stations because individuals tape songs off the radio (uh... cassette tapes... anyone rememeber those?).
The reason they can't/don't shut down radio stations is because the copy off the radio is not "digital quality." I submit that mp3s, while digital, are NOT the perfect digital copies the RIAA claim they are (listen to the high-end... cymbols sound like glass breaking, all fuzzy, also, even at higher bit rates the low end becomes less defined), the compression completely changes the original waveform to create something that doesn't sound NEARLY as good as the original uncompressed waveform. mp3s are just about at broadcast quality, but not the digital quality of CDs
I'm not sure, but I'd guess that any disinterested audio engineer would agree... mp3's suck compared to the original digital source. If this is the case (and I guarantee you that it is), then just like radio, mp3 sharing sites will actually help sell music, because once you hear a substandard copy of a song you like, the probability increases that you will purchase CD to hear the quality you desire.
To my knowledge, no one has even attepted the technology argument, or objected to the RIAA's claims that mp3s are "perfect digital copies" of the source waveform. From the initial introduction of this litigation, the RIAA has hoodwinked us, and no one even noticed!
If this argument has never been used... why not?
The Admin and the Engineer