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DRM Critique Airs On National Public Radio

An anonymous reader writes to point out that a critique of Digital Rights Management made it onto the mainstream media this morning. NPR's Marketplace Morning Report ran a piece noting that with the demise of the VHS format we risk losing fair-use rights since we now have only digital media. From the article: "As our country moves forward to regulate digital copying, I urge us all to bear in mind T. S. Eliot's famous saying. 'Good poets borrow; great poets steal.'"

353 comments

  1. Missed it. by sporkme · · Score: 5, Interesting

    RealMedia, barf. How appropriate that a commentary on the restrictive nature of digital media should be distributed in that format.

    I think they are looking at the past through rose-colored glasses a bit here. The owners of copyright material have always made efforts to restrict duplication, even in the not-so-good-ol-days of analog tape. Drop a quick "VHS copy protection" into Google and you will see countless references of the restrictive nature of that media, both on the audio and video tracks. Analog audio tapes included a pleasnt high-pitched screeching boobytrap (spoiler signal) for would-be copiers.

    It is not the death of the analog media that represents the end of part of our culture--and the risk of lost rights--as the commentary claims. It is the lack of spine in our leaders to stand up for what is right. It is the lack of foresight and hindsight on the part of the copyright owners and the consumers that patronize them. Make some noise about that, NPR.

    I would also like to point out the self-destructive nature of the analog media they are pining over. About one third of the VHS tapes that remain in my collection are playable. The first DVD I ever bought does not skip once.

    1. Re:Missed it. by Anonymous Coward · · Score: 5, Informative

      They have a podcast, so you can download the segment as MP3 (for now):

      12/19/06 Marketplace Morning Report 2

      The segment is at 5:40 if you want to skip directly to it.

      After all, it's produced using taxpayer money, it better be publicly accessible.

    2. Re:Missed it. by MysticOne · · Score: 5, Informative

      Well, for one, this isn't NPR content. It's American Public Media, which is part of Minnesota Public Radio. While their public radio stations usually play NPR content, and these shows are usually syndicated, they aren't NPR programs. On top of that, public radio only gets a small portion of its funding from tax payer money. The majority of funding comes through donations during the pledge drives.

    3. Re:Missed it. by Ingolfke · · Score: 4, Insightful

      It is not the death of the analog media that represents the end of part of our culture--and the risk of lost rights--as the commentary claims. It is the lack...

      Everything after that was wrong...

      The threat to your "rights" and the rights of copyright holders is low cost digital duplication and distribution. Guess what, 100 years ago copying a book required that you buy the physical materials to print the book on and an expensive printer to print the book. It wasn't cheap. Enter VHS and VCRs... all of sudden where copyright holders had been protected by the high cost of copying their products they're now exposed to easy ultra-low cost duplication means. Enter p2p and you're totally fucked if you create ideas and content and hope to sell it.

      The model has been that you create content that people are willing to pay for, and you limit the distribution of that content, and people buy it. If you kill off the ability to limit the distribution of that content then you've killed off the incentive to invest resources into commercial media.

      Sure, you'll have all types of mix-ins and exciting mashups and derivative works for the first few years, but who is going to invest in the next Star Wars? The only people with money to invest in expensive media projects that will not return direct profits will be corporations and the rich. Star Wars... in a Ford Focus far far away...

      Copyright is good. Protecting it is good. DRM is not inherently evil. Yeah, the media giants are a pain in the ass and generally despicable, but that doesn't make copyright bad and it doesn't mean that they aren't going to be forced to change over time.

    4. Re:Missed it. by russotto · · Score: 5, Insightful
      The threat to your "rights" and the rights of copyright holders is low cost digital duplication and distribution. Guess what, 100 years ago copying a book required that you buy the physical materials to print the book on and an expensive printer to print the book.
      So our rights were safe as long as we didn't have the means to effectively exercise them. As soon as we could exercise them, they were taken away. Thank you, Joseph Heller. Of course the fact that you put our rights in scare quotes and left their rights unadorned pretty much gave away what you think is important.
      Copyright is good. Protecting it is good. DRM is not inherently evil.
      The DMCA is inherently evil. The DMCA (or something like it) is the only way to protect the integrity of DRM, so DRM must also be evil. If DRM is the only way to protect copyright, then copyright must be evil.
    5. Re:Missed it. by Anonymous Coward · · Score: 4, Funny

      "Sure, you'll have all types of mix-ins and exciting mashups and derivative works for the first few years, but who is going to invest in the next Star Wars?"

      If the death of copyright means that the like of Episodes 1 & 2 will never occur again, I'm probably okay with that.

    6. Re:Missed it. by Ingolfke · · Score: 3, Interesting

      So our rights were safe as long as we didn't have the means to effectively exercise them.

      What are you talking about? Since the inception of copyright you did not have the right to copy a copyrighted work and distribute it without permission. But, the costs made doing this in any large scale impractical and therefore made copyright infringement more uncommon and easier to identify and prosecute... and thereby protect the copyright holder. Low cost and readily available means of duplication and distribution completely blew that inherent protection out of the water. So now copyright is being infringed upon left-and-right.

      The DMCA is inherently evil. The DMCA (or something like it) is the only way to protect the integrity of DRM, so DRM must also be evil. If DRM is the only way to protect copyright, then copyright must be evil.

      Why is the DMCA inherently evil? The DMCA is NOT the only way to protect the integrity of DRM... and what kind of logical transference principles did you just manufacture here. DRM is not the only way to protect copyright (they've been doing that for years without it). Your logic is laughable and indicative of a anti-DRM fanboi.

      Look... I understand that DRM can be used by copyright holders to limit the use of a piece of media and create all types of other fees and crap. I understand that and it's an issue that needs to be considered and looked into. That said... they still have a right to protect the content they've created or invested in. The law says they do... tossing out DRM and copyright all together isn't realistic.

    7. Re:Missed it. by heinousjay · · Score: 1

      Where, exactly, did the right to distribute other people's work originate? I think you've confused your desire for free entertainment with the fair use rights that exist.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    8. Re:Missed it. by cpt+kangarooski · · Score: 5, Insightful

      Where, exactly, did the right to distribute other people's work originate?

      God, apparently. That right is part of the right of free speech and press, which is inherent in humanity. Copyright is an infringement on this right, as it is a right by an author, not to create works (which he already had) but to deny other people their equally inherent right to copy them. It is an acceptable infringement under the right circumstances, but its true nature should not be forgotten. And under the wrong circumstances (i.e. bad, overexpansive copyright law) the artificial right of copyright is not an acceptable infringement on our natural rights.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    9. Re:Missed it. by Anonymous Coward · · Score: 0

      First, I agree with you in general. There is no good reason that digital media cannot be at least as reliable as analogue media but it isn't.

      would also like to point out the self-destructive nature of the analog media they are pining over. About one third of the VHS tapes that remain in my collection are playable. The first DVD I ever bought does not skip once.

      My experience with rentals is the opposite. I would say that there is nothing more frustrating than not being able to watch a DVD because the previous renter let their pet chimp chew on it but that's not the case. The most frustrating thing is returning the defective DVD after endless frustration and missing half the movie and being told that you will be given credit to get a fresh copy of the same title only.

      I've taken to inspecting the disk before I leave the store since I am renting a movie to watch it not test it. Even then, it can be a huge pain in the ass. The other night at Rogers I opened the case at the counter to find a thoroughly and deeply scratched disk covered in kid finger prints. The clerk did offer to clean it but looked really put out when I showed her that the disk was badly scratched and asked to exchange it for a different copy. I actually had to go through a full blown sign-for-it exchange process and I'm willing to bet that she went and put the wrecked disk right back on the shelf.

      Back to the point, VHS always plays. Sometimes the tape is worn but I would rather deal with a couple of rough spots near the beginning than having to skip three or four scenes.

    10. Re:Missed it. by absoluteflatness · · Score: 1

      I would think that, in general, people view downloading or making copies of movies as wrong, both morally and legally, and as a result, most people do neither. Taking DVDs specifically, the technology for consumers to easily make copies of video have been around for years, and I'm pretty sure that the DVD purchase and rental markets are still cash cows for movies. Your assertion that, in a world without DRM, no one would want to "invest in the next Star Wars" makes no sense. The DRM on DVD had been essentially broken long before the creation of the latest Star Wars film, so that investment has already been made.

      In addition, your assumption that the removal of DRM would cause "all sorts of mix-ups and exciting mashups and derivative works" also makes no sense. Amateurs have long been producing this type of content with both music and movies as source material, with DRM in place. If you are claiming that theses types of combinations could suddenly be professionally produced and widely released, that's just plain wrong. Copyright protects its holders by itself, without the help of DRM. (Anyone remember the Grey Album?) Just because the companies only care to use legal force on large-scale or mainstream distribution doesn't mean they have no protection against consumers without DRM.

      Most of your post only makes sense when viewed through the lens of total abolishment of copyright, which is so unwise that few rational people even consider the concept for long. I support copyright (with some reasonable term, but that's another argument), and I think it is the right of the media companies to try to protect that right in whatever way they please. I draw the line when the law steps in to criminalize the circumvention of DRM. That allows companies to restrict fair use of media, amongst other things, and makes the DMCA a radical departure in copyright law.

    11. Re:Missed it. by snarkth · · Score: 1

      The sharing of information between sentient/sapient beings shall not be repressed. Doing so benefits the few at the expense of the whole.

        snarkth

    12. Re:Missed it. by Danse · · Score: 4, Interesting
      Copyright is good. Protecting it is good. DRM is not inherently evil. Yeah, the media giants are a pain in the ass and generally despicable, but that doesn't make copyright bad and it doesn't mean that they aren't going to be forced to change over time.

      Wrong. Copyright refers to copyright law. Copyright law WAS good at one point. It doesn't even remotely resemble what it used to be. So no, copyright is not good. Protecting it is not good. DRM may not be inherently evil, but that doesn't matter a bit since it has only been used to enforce the perversion of copyright law that exists now. Furthermore, the evil media giants will only be forced to change if we stop supporting this crap they're calling copyright law, and stop pretending that it's a good thing and that it deserves to be respected. They got greedy and deserve to be punished for it. Retroactive copyright extensions? Terms longer than a human lifespan? Where the hell did the bargain between artists and the public go? They were supposed to get protection for a limited time, and then the work was supposed to become part of the public domain, and free for all to do whatever they want with. Nothing that was copyrighted has passed into the public domain for decades. We're supposed to be OK with that? I'm certainly not. It's not going to get any better if everyone keeps accepting the status quo either.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    13. Re:Missed it. by Sydney+Weidman · · Score: 5, Insightful
      The model has been that you create content that people are willing to pay for, and you limit the distribution of that content, and people buy it. If you kill off the ability to limit the distribution of that content then you've killed off the incentive to invest resources into commercial media.

      Hooray. Commercial, one-way media of all kinds deserve to die, or at the very least stop multiplying like virii.

      Some random thoughts on this topic:

      Money encourages production, not creativity.

      What is owned cannot be culture. For me that's an axiom.

      Own it if you want, but don't pretend that its got anything to do with culture. If I have to ask someone's permission to use it, it isn't culture. Culture *is* that which can be freely shared.

      If you pay me to say it, I'll eventually end up lying.

      Money encourages production, but it often encourages the production of crap. The "market" doesn't impose any standard of quality on what gets produced.

      The reason we give people a monopoly on copying is so that eventually we have lots of free stuff. Unless you can show that the benefit of increased production outweighs the harm of restricting freedom, don't dare talk about extending copyright in time or space. In fact, we should reduce the term and reach of copyright to the minimum level required to encourage production. *That* makes sense to me. The idea that all this shrink-wrapped blather is someone or other's private property seems to me to be a parlour game gone bad.

      Creativity can be encouraged in many ways. In Canada, parents are paid to spend time (a year or something) with their newly born child. Why couldn't individuals be given sabbatical to produce something of cultural importance? If you don't produce, your time off is repaid from source deductions.

    14. Re:Missed it. by Petrushka · · Score: 4, Insightful

      Copyright is good. Protecting it is good. DRM is not inherently evil.

      You need to start realising that the third sentence here has nothing whatsoever to do with the first two sentences.

      DRM, inherently evil? You bet it is. DRM is an imposition on the rights of the public way beyond the restrictions imposed by copyright. It's double-dipping.

      Copyright is saying, "I own this, so you're not allowed to make money out of it"; DRM is saying, "It doesn't matter whether I own this or not, but if you do anything with it that I choose to prevent you from doing, you're a criminal."

      Copyright is a compromise that in a reasonable world should promote creativity. DRM is designed precisely to impose obligations and restrictions on the public that have nothing whatsoever to do with copyright, but everything to do with greed and taking away legitimate rights.

    15. Re:Missed it. by Sydney+Weidman · · Score: 1
      Most of your post only makes sense when viewed through the lens of total abolishment of copyright, which is so unwise that few rational people even consider the concept for long.

      Why is it unwise? Rational people lived for several thousand years without copyright. Yeah, people who support copyright term extension are doing so for good reasons -- which would make them rational in a sense -- but not because they care about artists or culture. The US needs to copy DVDs to compensate for its massive trade deficit. No wonder so many people credulously accept this ideology -- their lives depend on it. See http://ansuz.sooke.bc.ca/lawpoli/finance/ip-vs-inf lation.php

    16. Re:Missed it. by BalanceOfJudgement · · Score: 1
      What is owned cannot be culture. For me that's an axiom.

      Own it if you want, but don't pretend that its got anything to do with culture. If I have to ask someone's permission to use it, it isn't culture. Culture *is* that which can be freely shared.


      Oh for the love of Joe, would somebody please give this person mod points..
      --

      We are the fire that lights our world.. and we are the fire that consumes it.
    17. Re:Missed it. by wordsnyc · · Score: 1

      Copyright is a compromise that in a reasonable world should promote creativity. DRM is designed precisely to impose obligations and restrictions on the public that have nothing whatsoever to do with copyright, but everything to do with greed and taking away legitimate rights.

      ... and your DVD will still be locked when the copyright term elapses. There's the most obvious violation of the bargain.

      --
      Sent from the iPad I found in your car.
    18. Re:Missed it. by Jah-Wren+Ryel · · Score: 5, Interesting

      Guess what, 100 years ago copying a book required that you buy the physical materials to print the book on and an expensive printer to print the book. It wasn't cheap. Enter VHS and VCRs... all of sudden where copyright holders had been protected by the high cost of copying their products they're now exposed to easy ultra-low cost duplication means. Enter p2p and you're totally fucked if you create ideas and content and hope to sell it.

      So, what you are saying is that when the copyright social contract was made a few hundred years ago, the average Joe really didn't give up much because it was next to impossible for him to make a copy anyway. Joe gave away something of no value (the right to make copies that he couldn't possibly make in the first place) in exchange for encouraging creators to create.

      So, now that any Joe can make as many copies as he wants for almost zero cost, don't you think it is time for the contract to be renegotiated? After all, what was a good deal for Joe 100 years is no longer a good deal anymore. Isn't that what a smart businessman would do in the same situation?

      After all, copyright only exists at Joe's discretion anyway. If the public collectively decides that copyright is no longer a worthwhile bargain, well, that would be the end of copyright now wouldn't it?

      --
      When information is power, privacy is freedom.
    19. Re:Missed it. by multisync · · Score: 2, Insightful
      If DRM is the only way to protect copyright, then copyright must be evil.


      Copyright that never expires is theft from the Public Domain. So copyright is theft, at least. (Or is that 'at best'?)
      --
      I don't care why you're posting AC
    20. Re:Missed it. by fyngyrz · · Score: 2, Insightful

      The reason we give people a monopoly on copying is so that eventually we have lots of free stuff.

      Well, just don't forget that the reason a lot of people create things is to make money. Not to share culture, not to enter into some agreement, long ago cobbled together by people they didn't know and had no input to or representation with. DRM is bad - even evil - when it makes stuff you buy not work on equipment you own, or makes you unable to archive it; but optimism aside, if creating something doesn't provide a sufficient return, creative types are going to turn to other modes of earning a living.

      Some things we can all do to reduce copy protection problems: Do not support HDMI. Buy displays and players that provide component connections. Component connections are analog, and they don't support copy protection, whereas HDMI enables HDCP, which is death on toast for the rights you accept as normal. Got an iPod? Do not buy from iTunes. Buy a CD; copy the tracks to your iTunes, then your iPod. Above all, don't copy creative works and give them away. These are the keys. Every time some loser copies a movie or a song and "shares" it, the honest members of the market are made to suffer the attempts to compensate for said losers.

      Me, I'm 100% component. I've a big screen home theatre, all manner of stuff connected to it, and a huge media library. I don't "lend" movies or CDs, and I do move content onto my iPod, PSP and palm in various ways, for my legitimate use.

      --
      I've fallen off your lawn, and I can't get up.
    21. Re:Missed it. by Anonymous+McCartneyf · · Score: 2, Insightful

      But if copyright did expire, then it would only be borrowing from the Public Domain until expiration day. It's only outright theft when it doesn't expire in an average human lifetime.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    22. Re:Missed it. by 10101001+10101001 · · Score: 5, Insightful

      So our rights were safe as long as we didn't have the means to effectively exercise them.

      What are you talking about? Since the inception of copyright you did not have the right to copy a copyrighted work and distribute it without permission.

      He said "book", not "copyrighted book". Further, his main point was that "fair use" becoming a widely available option to people, with the availability of digital content, was counteracted by the DMCA and DRM blocking the ability to legally (at least, questionably legally) exercise such "fair use".

      But, the costs made doing this in any large scale impractical and therefore made copyright infringement more uncommon and easier to identify and prosecute... and thereby protect the copyright holder.

      Not exactly. Copyright came about precisely because it was so easy for publishers to print up "pirated" copies of works. In the American colonies, there were enough printing presses that a large share of the populace read daily newspapers. The fact that computers are now their own printing press certainly has greatly magnified that initial problem, but even today it's possible to track down the source of copyright infringement in many cases. The real problem is that there are so many infringers and that they don't have any direct commercial gain (even if it were merely the cost of the supplies to make the copies), that there's very little motivation to go after every last outfit that's mass copying works.

      The DMCA is inherently evil. The DMCA (or something like it) is the only way to protect the integrity of DRM, so DRM must also be evil. If DRM is the only way to protect copyright, then copyright must be evil.

      Why is the DMCA inherently evil?

      The DMCA is inherently evil because its vague wording could be taken to make computers illegal. More generally, it makes it illegal to use the key included with content or the hardware to use said content, except in a narrow scope of exceptions. Further, it is illegal to provide information to others the information to find or use said key, even if they use it only under the narrow scope of legal exceptions. Together, this greatly hinders the ability to speak and effectively cuts off the ability of a vast majority of people to fair use, as they are too computer illiterate to discover on their own the techniques necessary to exercise their rights, and it's not possible to directly teach them the information to take advantage of their rights.

      The DMCA is NOT the only way to protect the integrity of DRM....

      From a practical standpoint, the DMCA isn't an effective way to protect the integrity of DRM as the same means that allows copyright infringement which DRM is meant to stop can be used to either (a) disseminate the cracked DRM-protected content or (b) disseminate the information to crack the DRM-protected content. From a legal standpoint, it provides further basis to punish copyright infringers as well as a stronger legal basis to shut down organizations that collaborate to break DRM schemes. From a technical standpoint, DRM is technologically flawed because it includes the key with the lock.

      DRM is not the only way to protect copyright (they've been doing that for years without it).

      As stated, DRM is not an effective way to protect copyright. In reality, there's no means of protecting copyrighted works. From a legal perspective, DRM is superfluous, as copyright infringement is already illegal. However, also from a legal perspective, the DMCA provides a means of effectively banning all varieties of DRM-cracking technology so long as there exists as least one copyrighted work protected by said DRM scheme. As such, the DMCA provides a very effective legal blockade to greatly hinder the open operation of technology that would allow people to perform le

      --
      Eurohacker European paranoia, gun rights, and h
    23. Re:Missed it. by cgenman · · Score: 1

      Not to sound too perverted, but money does not encourage the creative arts. It facilitates them. Every creative person that I know of would be doing exactly the same thing if money were no issue.

    24. Re:Missed it. by jfmiller · · Score: 5, Insightful

      Wrong Question. Throughout most of recorded history it has been accepted that the replication of information was not only permissible but encouraged. There are at least a couple saints whose claim to the title rests in their prolific ability to copy not only the bible but scholarly books as well. The value of a late medieval musician was in his ability to remember the words and tune to a song after only a single hearing. It has only been in the past 200 years where copying has become a sin. It comes from the industrialization of creativity. Instead of paying people to create we are now paying for the commodity of the created work. Notice that it is the commodity whole saler (RIAA,MPAA) and not the creator that are spending the most effort to protect the commodity market. Copyrights are artificial monopolies granted by the government to encourage commodity production. Lets write this again copying is the historical universal human right, copyrights are the limiting of those rights.

      Please go study a bit of history. (You'll probably have to pay to do this, because you don't have the right to read it freely any more.)

      JFMILLER

      --
      Strive to make your client happy, not necessarly give them what they ask for
    25. Re:Missed it. by Pofy · · Score: 5, Insightful

      >Why is the DMCA inherently evil?

      One new thing the DMCA and many similar laws introduced was a new "right" for the copyright holder, that of access. It is not really given as a new right, instead they are given the right to control the access but that is for the most part quite similar since it dissallows others the right to access. The right to access a work has not existed in most copyright laws before.

    26. Re:Missed it. by Technician · · Score: 1

      Yeah, the media giants are a pain in the ass and generally despicable, but that doesn't make copyright bad and it doesn't mean that they aren't going to be forced to change over time.


      I've always had problems with the music industry and their total rejection of providing any way to license content for in public use.

      Want to put together a slide show for a wedding and set it to music?
      Want to play a bunch of CD's for the dance following the reception? Want to include a few CD's the guests brought because your library is too small or does not include their genre?
      Want to syncronise your christmas lights to a TSO song? Want to publicly play or broadcazst the music for the light show. Want to post the result on YouTube?

      Just try to get a license for any of the above applications of their product. All of them are outside the license included with the disc which states for private home use only.

      If you are a pro DJ, you can get an expensive license to do the reception at wedding parties, but having a CD collection and trying to do a reception for a friend is pretty much out of the question.

      --
      The truth shall set you free!
    27. Re:Missed it. by Anonymous Coward · · Score: 0

      Anything that will prevent future Star Wars is alright in my book.

      The Betamax decision allowed fair use copying in the analog age. There is quite a bit of justified fear that Betamax won't make it into the digital world, i.e., the DRM. The issue isn't the need for copyright, but the need for fair use allowances.

    28. Re:Missed it. by Garrett+Fox · · Score: 1

      They got greedy and deserve to be punished for it.

      While I sympathize with your main point, I disagree with the "punishment" part. Thinking of the situation this way leads to the notion of millions of teenagers thinking, "I'm gonna pirate the latest music album and it's not wrong, because I'm sticking it to the Man and those big corporations deserve to be punished!" If we go around abusing fair use and just taking things without paying for them -- not that that's what you're advocating, but the wording makes it sound like that -- then the media companies in question are right to think we're thieves, aren't they? If we really support the idea that the creators of ideas should be able to make a living at it, and that we shouldn't be supporting companies that use coercive content restrictions, then doesn't it make sense to focus on an "opt-out" strategy instead of vindictiveness? Don't buy music from big record labels! Don't buy software with obnoxious licensing terms! A lot of the stuff is not worth your money, anyway. This part sounds a lot like what you're saying, but let's focus on fixing the problem by amending copyright law and turning our backs on bad industry practices rather than somehow "inflicting punishment."

      --
      Revive the Constitution.
    29. Re:Missed it. by Dracul · · Score: 1

      The problem however is that many Governments have agreed to the terms of the WTO TRIPS agreement that requires the imposition of laws protecting DRM and imposing criminal penalties. Any Government that does not, risks a trade embargo imposed by the WTO.

    30. Re:Missed it. by Anonymous Coward · · Score: 1, Insightful

      Let me break this down for you.

      Most people are inherently good and will be happy to compensate people for their work if they feel the deal is fair. The idea behind copyright makes this obvious.

      Many people seem to think that the power is in the hands of the artists and content creators. That's simply not true. Once you release something, it's out of your control. The public is doing you a favor by paying you for your work, because they want you to continue making more works. It's understood that any "control" you "have" is granted to you by the public.

      Copyright term extensions, lobbied and paid for by the content creators or the people funding them, have changed the very essence of how copyright was intended to work. It's an unreasonable term and recent developments make this extremely obvious. The ideas behind copyright are good, the current incarnation in the USA is not.

      You claim:
      P1 Copyright is inherently good.
      P2 DRM protects copyright.
      C DRM is inherently good.

      I disagree, and I will take issue with premise 2. 'DRM protects copyright'.
      DRM does not protect copyright, and it never will. So long as our sensory organs are not some sort of digital input, all media and content will have to be converted to sound waves we can hear, or light we can see.

      ------------

      Here, I will predict who will be affected by p2p:

      Shitty Hollywood movies that are going to suck.
      Shitty bands that can't play music live (lol!)

      Oh noes, investors will have to be a bit more careful about what they put money into. This will raise the bar for bands/scripts to get corporate sponsorship.
      Fortunately, technology also lowers the barrier to entry for independent works.

      Ideally, you will see a decline in the quantity of corporate sponsored creative works. You will hopefully see a rise in the quality, and most importantly an emphasis on live performances with recordings being used to promote those shows. There will also be a rise in the quantity of indie works.

      The sky is not falling. The industry is not dying. Record executives will still get rich. Bands will still get fucked on their record deals. You will continue to pay $30 after you buy the treats for you and your woman to go see a movie. After you pay $30, you will still be harassed by ads telling you not to "steal" from the poor guy making the ROCKY BALBOA set.

    31. Re:Missed it. by Petrushka · · Score: 1

      I realise this -- sigh ... I rant because I'm still seething over the article earlier on about New Zealand's DMCA copycat law -- I live there. (I'm contemplating circulating an e-mail to everyone in my faculty suggesting that they write to the select committee evaluating the bill, when everyone comes back from their summer holidays, though I wonder if that wouldn't be counterproductive.)

    32. Re:Missed it. by dcam · · Score: 1

      If you pay me to say it, I'll eventually end up lying.

      But if you provide me with no means or hope of being payed for what I say then I may never say it.

      --
      meh
    33. Re:Missed it. by b.burl · · Score: 1

      You might want to google 'cd rot' and 'dvd rot' before you put too much faith in the 'provides a lifetime of listening pleasure' slogan.

    34. Re:Missed it. by umghhh · · Score: 1

      I see your statment about public making decisions as a fallacy. Public does not make decisions in such matters, at least not ones that become law as public has no real influence on laws and their interpretation. Unless of course you define 'public' as lawyers for big fat cats only - then such statement becomes true. OC that is not valid for all cases but 'only' for majority of important ones.

      OTOH such thing as public making whatever colectively does not exist because there is not one object here that does things - there are plenty that by moving around randomly generate pressure on walls of the cylinder like a gas and like a gas can be compressed or released by use of physical force and operating the valve (the walls of a cylinder and the valve are laws).

      Whether CR is good or evil, this and that. It all depends on its implementation i.e. among others on DRM. All this however makes me think twice before I buy anything or more and more often it makes me think and then I do not buy.
      I still have to pay a fee for CD/DVD burning HW even if I do not copy anything that is copyrighted. How is this right and how I agreed to do so?

    35. Re:Missed it. by itlurksbeneath · · Score: 1

      Copying a book of knowledge or virtues when these kinds of books have very limited circulation to make available to a wider audience is a little different than copying a Pink Floyd album that you can buy in any Wal Mart or Target.

      Not saying that I agree with DRM, the RIAA or any of their ilk - just saying that your argument isn't quite on the mark

      Instead of paying people to create we are now paying for the commodity of the created work.

      I think this is close, but IMO, we are paying a huge corporate conglomerate instead of paying the people that created the work. These days, artists get a pittance for every copy sold with the bulk of the money going to the distributor/producer/rights holder. Also, artists don't hold rights to their works any more it seems like - their production company does (right to distribute or not, right to keep the band from signing with another label, etc).

      --
      Have you ever considered piracy? You'd make a wonderful Dread Pirate Roberts.
    36. Re:Missed it. by Digital+Vomit · · Score: 1
      Sure, you'll have all types of mix-ins and exciting mashups and derivative works for the first few years, but who is going to invest in the next Star Wars?

      You're right. After years of online video piracy we have yet to see any new Star Wars movies after Return of the Jedi.

      What's that?

      They made three more Star Wars movies since online movie sharing became prolific?

      B-b-b-but my argument!

      Information sharing has been going on for decades (cassette tapes, VHS, internet, etc) and it has not appreciably reduced the market for any commercial media like movies and music. If anything, it has increased it. This "no one is going to make any more movies/music if copyright doesn't last until infinity+1" nonsense just simply doesn't hold up to decades of evidence.

      Limited copyright is good. What we have now is not.

      --
      Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    37. Re:Missed it. by Skye16 · · Score: 1

      Actually, I took his comment to be utterly different.

      I had in mind a baseball bat to the mean bean machine, personally. I guess I just feel that, when a group of people becomes so exceptionally greedy, they deserve an exceptionally vindictive response. I hold no allusions that business was any different "back in the day". People were always willing to sacrifice morality for "phat loots". But just because that's the way it has always been doesn't mean we can't aspire to something greater. Sometimes it is debatable whether some ideal is "greater" than the status quo or not (take, example, abstinence before marriage - some people believe in this with an almost unmatched fervor, where others find it a ridiculous idea in general), but I think we can all agree that, while self-interest is good, there comes a point where it morphs from purely looking out for your family and into a true perversion. (Tycho, Adelphia, Enron, etc). It is in these cases, I think, we bust out the beanbag bat. And then every few weeks for a year, someone ninjas out from behind a garbage can and wacks them in the goody sack and then /flees.

      As far as boycotting music from big record labels and bypassing software with obnoxious terms go - that's fine, up until they start blaming the dip in sales on "theft". Talk about a plan that backfires! The more you do to pinch their bottom line, the stronger their position for protection comes. I don't know the answer to this particular (pseudo-)paradox, but that doesn't mean it isn't there.

    38. Re:Missed it. by sauron_of_mordor · · Score: 1

      "but who is going to invest in the next Star Wars?"

      WTF? Ep III grossed $850m, so me, if I had the cash. Its a film - it should be making profit from the cinema alone, the ability to raise such large ammounts of additional revenue from a dvd release is a relatively new thing in the film industry, not an always-been-there-suddenly-undermined-by-the-inter net.

      The problem here is that artists/filmmakers have constructed a situation where one needs massive investment in special effects and production (to cover over the lousy artistic qualities of the product), and that the artists have to get paid *massive* ammounts of money.

      Was Billy Shakespeare as well off as Georgie Lucas? No. Was he a better artist? Yes. Why do you think George and gang deserve to be so rich?

    39. Re:Missed it. by Ingolfke · · Score: 1

      Star Wars as a performance art peace by your local amateur community theater.

      Note that without copyright laws and controls once the media was produced the theaters could show the movie and keep every penny made selling tickets without giving anything back to the people who created it.

    40. Re:Missed it. by Anonymous Coward · · Score: 0

      Under the assumption that copyright is good and is law as it were, why isn't it enough? Why do we now need DRM? To make a backup copy for myself and myself only is my fair use of spending my hard earned money on a copyrighted product and wanting to protect my investment. DRM now removes that right from me, as a law abiding citizen, who is willing to pay the creator of a copyrighted work for their efforts, but simply wishes to have my own rights remain intact as well. Now DRM is a slap in my face as if to accuse me of the fact that I will violate a law (copyright) before I have even had the chance to violate it. Guilty before proven innocent in a sense. It would *almost* be analogous to placing speed bumps in every road across the country because at some point someone is going to break the already existing law of speeding and we can simply assume everyone is guilty and stop them before they even have the option of speeding. Sure their are the ones who will speed, or who will pirate a copyrighted material, but shall we punish everyone for the actions of a few?

    41. Re:Missed it. by paganizer · · Score: 1

      Very, Very well said.
      And even then, it would not apply to copies made for "fair use".

      --
      Why, yes, I AM a Pagan Libertarian.
    42. Re:Missed it. by Anonymous Coward · · Score: 1, Interesting

      "DRM is not inherently evil."

      You're right. IF the technology were able to perfectly distinguish between all allowed and disallowed uses, there would be nothing inherently wrong with it. It is merely enforcing the law regarding copyright.

      The problem is, I've NEVER seen a DRM technology that successfully reflects both specifically licensed and fair use activities. Such technology simply doesn't exist, and I doubt that it ever could, short of some magical artificial intelligence emulating copyright lawyers and a judge. Face it: a technological solution isn't going to be able to recognize that the copy I'm making does fall under fair use, and should therefore be allowed. Instead, current DRM technologies, and all future ones I can think of, will block my efforts and therefore deny me my fair use rights. And "fair use" IS a right.

      Examples: Years ago, when DVD players were first being introduced, I merely wanted to pipe a video signal through my VCR so I could switch the multiple inputs from DVD to VCR with my remote control, without having to flip the cables around. No dice, thanks to Macrovision protection built into the VCR hardware and DVD content. I wasn't copying the content. It was going to the TV. Of course this is allowed. But nooooo, the signal was continuously corrupted on the off chance I might try to hit "record" someday. Modern examples of the same thing include HDMI, but content owners have been "nice" enough not to enable it, because they know people will be pissed off for the same legitimate reasons as I was. The technology now is no better. Another one recently in the news is the Zune's application of DRM protections to shared files no matter where they came from or who owns the content. Stupid.

      Legitimate situations like this mean DRM is defective. Furthermore, even if these particular instances could be fixed, there will always be fundamental limitations. "Fair use" means you can do things that might otherwise be illegal. If I need a short clip of the news to make a parody or for educational purposes the equipment will prohibit my legitimate use.

      Yes, DRM isn't "inherently evil", but in all practical applications of it, it is evil, stupid, and wrong. Content owners that implement it are trampling on my rights -- rights which are just as strongly expressed and protected in copyright law as their rights are.

      When the issue is complex and subtle, you can't substitute a dumb technological solution (DRM) for good, old fashioned human judgement.

    43. Re:Missed it. by paganizer · · Score: 1

      I may be way, way off here, but the usual argument is that DRM & by association the DMCA are Evil because they can restrict your "fair use" rights.
      The reason it sucks that analog recorders are going away is that even though copy protection schemes for VCR's exist, they are laughably easy to get around, thereby providing a means to exercise your Fair Use rights.
      Unfortunately, DRM is starting to get to the point where it is NOT easy to get around; DRM 11 is actually damn near impossible to get around, thereby making it near impossible to exert your fair use right to make a backup of something you have purchased; without a analog recording device, you won't be able to exploit the analog hole and make a low res fair use copy either.

      --
      Why, yes, I AM a Pagan Libertarian.
    44. Re:Missed it. by Ingolfke · · Score: 1

      Copyright law says that you cannot make duplicate copies of a piece of media and distribute them. If a company made a movie downloadable from their website, distributable via bittorrent, but would only play for those people who purchased the movie and would freely transfer the playability of the movie to any device owned by that person would that be wrong or a poor use of DRM?

      DRM is designed precisely to impose obligations and restrictions on the public that have nothing whatsoever to do with copyright, but everything to do with greed and taking away legitimate rights.

      How is a company that has invested millions of dollars into a producing a piece of media supposed to protect it's content when it can be digitally reproduced and distributed by anyone to anyone with a $350 PC and a connectiont to the Internet? The answer is DRM! It makes sense... it's not inherently evil. Maybe an implementation of it sucks, but he concept itself is ok.

    45. Re:Missed it. by CmdrGravy · · Score: 1

      copying a Pink Floyd album that you can buy in any Wal Mart or Target. I think the copyright is to ensure that society benefits from artists, musicians and authors work and encourages them to produce material and release it to the public.

      In the case of Pink Floyd and other bands I'd say that pretending to be Pink Floyd and playing concerts of Pink Floyd music would certainly harm Pink Floyd and encourage them not to share their music that widely.

      The thing is though I think copying only hurts them up to a certain level, if Pink Floyd are making money from their concerts then they're likely to continue making music regardless of whether or not their CD's are being copied and distributed without them earning any money from them. All that is likely to do is increase the number of people at their concerts and earn them more money.

      As far as society is concerned the only thing we want is for artists, musicians and authors to continue to share their work with us. Luckily you don't actually need to provide much in the way of protection for people to actually create things like that but unluckily the distribution companies have managed to create an entirely uneccessary environment for their musicians to operate in.
    46. Re:Missed it. by Ingolfke · · Score: 1

      So, now that any Joe can make as many copies as he wants for almost zero cost, don't you think it is time for the contract to be renegotiated?

      I'm not opposed to renegotiating copyright. In fact that makes sense. I still think we need copyrights, but we need to reduce the copyright back to a reasonable amount of time 20-30 years. We need to clearly define the rights a copyright holder can retain under copyright law, and those that are considered to be fair use.

    47. Re:Missed it. by andcal · · Score: 1


      I would also like to point out the self-destructive nature of the analog media they are pining over. About one third of the VHS tapes that remain in my collection are playable. The first DVD I ever bought does not skip once.



      If the first DVD you ever bought does not skip once, you must not have any children.



      At one point, I had grand ideas of converting every VHS tape I own into a DVD, and saving a ton of shelf space. These days, any time I come across a DVD that I own with no scratches on it, I can't help think to myself, "I should make a copy of this on VHS, so the kids can't scratch it up."


      Needless to say, we stopped buying new DVDs for the kids (since they refuse to take care of them properly)

      --
      --something witty
    48. Re:Missed it. by Ingolfke · · Score: 2

      Well reasoned and complete response. thanks.

    49. Re:Missed it. by Ingolfke · · Score: 1

      I mixed in an argument made by another poster about abolishing copyight... wich was a mistake... leave copyright intact and allow for DRM and the incentive remains for investing in media works.

    50. Re:Missed it. by Anonymous Coward · · Score: 1, Interesting

      Copyright is good.

      I agree; copyright is good. But in the United States, it's way, WAY too long. I think 50 years from the time it is first put onto a fixed medium (LP records, tapes, published in a book, recorded on film, digital, etc.) is more than enough "limited times" for copyright.

      Also, I'd like to see intellectual property have some kind of property tax attached to it. Can you imagine how the RIAA and MPAA will change their tune to say intellectual property isn't the same as real, tangible property if a property tax was proposed for it?

    51. Re:Missed it. by mgiuca · · Score: 3, Interesting

      Exactly. I think copyright is OK when you have one man creating his work, he deserves to be able to profit from it - maybe for the rest of his life time, maybe for a limited time. I don't know.

      What I hate is when you see the grandson's family complaining that "oh, those nasty pirates are stealing our deserved income." What the hell? Since when do you deserve to get rich off something your grandfather created decades (centuries?) ago?

      Copyright aside, DRM is inherently evil because it quite obviously has "side-effects" which go far beyond what copyright is supposed to protect. (Bought a new MP3 player? Buy all your music again! Bought a PSP? Buy your movies again on UMD!) Clearly these aren't just random side-effects - DRM was created to make this happen.

    52. Re:Missed it. by Anonymous Coward · · Score: 0

      Who will invest in the next Star Wars? Are you serious? Look around the internet. We're just starting to see the first people creating professional-level art without pay and distributing it for free. The point is that Star Wars sucks. It's funny that you use Star Wars as your example since the fact that Lucas was getting paid ruined his work.

    53. Re:Missed it. by argStyopa · · Score: 1

      "public radio only gets a small portion of its funding from tax payer money"

      A not-insignificant part of their 'spendable money' comes from the fact that they are not taxed.

      Granted, they may not get as much (anymore) directly from the feeding trough of Congress in the form of handouts, but when all of their competition is taxed at the corporate rate of approximately 40% this is a tremendous fiscal advantage and is, in fact, a subsidy - in essence a double whammy since they get all this extra money to spend, and the government has to raise everyone ELSE's taxes a teeny bit to make up for this lost revenue. Corporate Welfare is welfare, no matter how it's handed out.

      --
      -Styopa
    54. Re:Missed it. by Anonymous Coward · · Score: 0

      I don't think you have any clue how corporate accounting works.

      If you really believe the logic in your idiotic rant, I strongly suggest that you take a freshman level class, or read a short pamphlet on the matter.

    55. Re:Missed it. by Anonymous Coward · · Score: 3, Informative

      They don't pay taxes because they are a non-profit not because congress has a soft spot for Public Radio. To advocate taxing Public Radio would be to advocate taxing most non-profits. (This may be your opinion but to discuss why that's a bad idea is out side the scope of this topic)
      I don't think NPR stations have an advantage when it comes to cash given that they don't run commercials. (Yes I know they do run "This program supported by a grant from. . ." at the top and bottom of each show) I would guess that most commercial stations have budgets that far out strip you average NPR station (KJZZ's (the Phoenix AZ station) budget in 2004 was just over 3.1 mil)

    56. Re:Missed it. by Jah-Wren+Ryel · · Score: 1

      I'm not opposed to renegotiating copyright. In fact that makes sense. I still think we need copyrights, but we need to reduce the copyright back to a reasonable amount of time 20-30 years.

      A term of of 20-30 years would, at best, be no better than the original term of US copyrights which I believe were 17 years plus an optional 17 year renewal if the author was still alive to request it.

      A return to the original terms doesn't at all seem like renegotiation that takes into account the significant change in the value given up by the public.

      --
      When information is power, privacy is freedom.
    57. Re:Missed it. by Jah-Wren+Ryel · · Score: 1

      I see your statment about public making decisions as a fallacy.

      If the majority of the public flouts a law, then law is effectively void. It is already the situation that there are not enough lawyers in North America to prosecute all the people violating copyright in a single day.

      --
      When information is power, privacy is freedom.
    58. Re:Missed it. by Jah-Wren+Ryel · · Score: 1

      Copying a book of knowledge or virtues when these kinds of books have very limited circulation to make available to a wider audience is a little different than copying a Pink Floyd album that you can buy in any Wal Mart or Target.

      The context you are missing is that at the time these religious texts had the highest circulation of any genre. Compared today, they were all very limited circulation, but in the context of the day the copying that was considered the most virtuous was of books that were the most common - the Bible being first among such.

      --
      When information is power, privacy is freedom.
    59. Re:Missed it. by Maxo-Texas · · Score: 3, Informative

      Good points all.

      I would only add two mildly tangental comments.

      1) They keep extending the length of copyright and somehow treat creative works as different than other inventions (patents have a much shorter period and may be much more valuable than a book).

      2) The idea of copyright is changing. Up until 30 years ago it was very common for songs to "steal" melodies from each other (hell most of blues is based on a small number of stolen phrases and would not exist if the first song that invented them locked them down). Then suddenly they started suing over small sequences of notes. The net result is that an interesting set of (7? 11?) musical notes is basically locked down for over a hundred years now. It may be legal but I don't think it is moral.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    60. Re:Missed it. by swillden · · Score: 1

      If a company made a movie downloadable from their website, distributable via bittorrent, but would only play for those people who purchased the movie and would freely transfer the playability of the movie to any device owned by that person would that be wrong or a poor use of DRM?

      It's not the application that makes the DRM wrong, it's the details of the rules enforced by the DRM. If the DRM system enforces rules that are not found in copyright law, then it's wrong.

      I have no problem with DRM systems that accurately enforce copyright law. I have no problem with DRM being used as an alternative to legal protection (i.e. copyright and/or contract law). I have a big problem with DRM being used as an end run around the important loopholes encoded into copyright law, particularly given that copyright law now props up the DRM.

      The problem with DRM and the current law is that the law supports whatever rules the DRM implements, rather than the DRM implementing the rules the law defines.

      What we need is a digital consumer's bill of rights that guarantees our right to format shift, time shift, and make backups. This bill of rights shouldn't outlaw DRM that doesn't preserve users' rights, instead it should simply specify that circumventing such DRM is not illegal and neither is trafficking in circumvention devices.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    61. Re:Missed it. by Gr8Apes · · Score: 1

      Since the inception of copyright you did not have the right to copy a copyrighted work and distribute it without permission. You know, I went about reading the copyright acts after this, and near as I can tell, nothing prohibits you from copying a copyrighted work (the exclusive right to copy appears to be explicitly bound to distribution due to the fair use clause in 107. If the copied work has no effect on the market, there is no infringement. It's that simple.

      The DMCA appears to violate clause 107 in several ways, which it attempts to address via some byzantine clauses. Someone more knowledgable than I will probably proffer their counter opinion on this matter.

      --
      The cesspool just got a check and balance.
    62. Re:Missed it. by swillden · · Score: 1

      I'm not opposed to renegotiating copyright. In fact that makes sense. I still think we need copyrights, but we need to reduce the copyright back to a reasonable amount of time 20-30 years. We need to clearly define the rights a copyright holder can retain under copyright law, and those that are considered to be fair use.

      Software copyrights have particular need for renegotiation. A fundamental idea underlying copyright law is that it protects only the expression, not the ideas, which allows others to learn from the ideas. That's an important part of how copyright encourages Progress. The theory is that the public funds copyright enforcement because it's a good way to get all of those ideas published where others can learn from them and build upon them.

      But the authors of that law never contemplated a form of creative work that could be published without exposing the ideas that comprise it. How can an author write a book that uses interesting plot devices, sentence structures, or themes while keeping them secret from a reader? That's exactly what happens with software published in binary form only. Authors of such software can obtain copyright protection for their work while hiding the ideas inside it from the world.

      IMO, copyright protection should not be extended to software published without source code. Those who really feel a need to keep their code secret can use contract and trade secret law instead. That places more of the enforcement burden on the owner of the code, and less on society which seems appropriate since society benefits less. I think that under such a regime most would choose to publish source and use copyright law, and my bet is that such an approach would actually *reduce* copyright infringement in software, because it would be visible. At present, it's easy for closed-source software to hide infringement. I know that more than one of the apps I've worked on contained infringing code, mostly unlicensed copies of development libraries. And I'm sure that there's lots of illegally-copied F/LOSS code embedded in commercial apps these days.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    63. Re:Missed it. by Maximum+Prophet · · Score: 3, Insightful

      Dude, you are never, ever going to be paid for that post. Ever. Yet you posted. Why?

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
    64. Re:Missed it. by multisync · · Score: 1
      It's only outright theft when it doesn't expire in an average human lifetime.


      Oh, for sure. I think copyright is an excellent bargain for everyone if done correctly. Give the creator (or their 'sponsor') a temporary monopoly as an incentive to continue creating work, and in exchange it becomes public (blech, I hate to use this word) "property" at the end of the term. Much like patents, the idea is to ultimately fully disclose (or make freely available) the work once the creator has been given a chance to make a buck. The alternative would be to try to protect a secret (in the case of patents) or create work only for a small, exclusive group of people who would pay the artist and share the work only with those they chose to (which, come to think of it, is not that far from the current situation).

      BTW, I like your sig. Is that where the line "it's a fine line between clever and stupid" from This Is Spinal Tap came from?
      --
      I don't care why you're posting AC
    65. Re:Missed it. by squiggleslash · · Score: 1

      Yeah, the movies that were made a thousand years ago were every bit as good as the ones made today...

      --
      You are not alone. This is not normal. None of this is normal.
    66. Re:Missed it. by Hoi+Polloi · · Score: 1

      If you think they should be taxed then I hope you also push for taxing churches that provide goods and services that conflict with commercial ones and higher ed institutions that make money on licenses, etc.

      --
      It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
    67. Re:Missed it. by Java+Ape · · Score: 3, Insightful
      Excellent comment Danse,

      My wife is a best-selling author, and depends on copyright for her living, so believe me when I say that we understand the importance of protecting her work. However, the point of copyright is to encourage new creation, which was intended to become part of the public domain. The public basically grants a short-term monopoloy on duplication in exchange for the eventual use of the product. This deal was fair and mutually beneficial.

      Big business has bought the government, and the deal is altered past all bounds of recognition or sanity. DRM is the icing on the cake, insuring that even when our current insane copyright terms finally allow ancient works to fall into the public domain, they'll be 'protected' by additional restrictions, assuming terms aren't extended indefinitely.

      Even people who need copyright to make a living are shaking their heads and wondering what flavor of Kool-Aid is being passed around the government. Artists don't need 200-year monopolies and draconion punishment of their audience to make a living. I'm not sure who these provisions are supposed to benefit. . . the great-great-great grandchildren of famous movie-makers maybe? Why should the public commons be eliminated for their sakes? Something's not right.

    68. Re:Missed it. by Moofie · · Score: 1

      "Corporate Welfare is welfare, no matter how it's handed out."

      Uh huh. I think we can find some bigger welfare recipients than NPR, who operates on the Fed's couch fishing proceeds.

      --
      Why yes, I AM a rocket scientist!
    69. Re:Missed it. by TFloore · · Score: 2, Interesting

      Copyright law WAS good at one point.

      I'll accept that without specifically endorsing the viewpoint. There were a lot of people even at the beginning of our country's history that didn't like copyright at all. It took... a few decades (someone may correct me if this thread isn't too old) before the United States even recognized foreign copyrights registered in the US. Americans made lots of money printing European books in the US, in violation of copyright. This is fairly normal practice for developing nations, incidentally, you can watch it playing out in China right now. Back then England was saying to us similar things to what we are saying to China about copyright protections now.

      Retroactive copyright extensions?

      Agreed, these serve no purpose towards the stated goal in the Constitution. I do not like them.

      Terms longer than a human lifespan?

      Ahh... this one I'm going to take a silly/stupid position, just because I wonder if some people in corporate America really think like this...

      Consider things this way:
      Original copyright was 14 years, plus an optional 14 year extension, giving a total of 28 years. For someone that produced a copyrighted work in their mid 30s, they could expect that work to stay covered by copyright approximately until they died. Statistically, probably a few years before they died, but not by too much. (Ignoring skew from infant mortality, if you lived to be 20 years old, you had a pretty good chance of living to see 65, in the late 1700s in America.) So 28 years of copyright covered you until you died, for something produced in your prime working years.

      That worked great for copyright held by humans.

      Now, we have copyrighted works that are, for major money-making stuff, held by corporations, instead of by people. Which rule are we going to change? The number of years, which is obviously an artificial construct, or the basic (implied) theory that copyright should last until around the death of the author.

      The government, through careful application of lobbyist dollars, has decided that the proper part to hold on to is "death of the copyright holder" and, since corporations don't die, it is therefore logical that copyrights should go forever.

      This is pretty much how it works right now... Every time the first Mickey Mouse movie is in danger of losing copyright protection, the copyright term gets (retroactively) extended, and the work is still/again protected for the life of the copyright holder. Because, really, you aren't changing the rules of the game... you're simply recognizing that the copyright holder is living longer than had originally been expected.

      See? Makes perfect sense when looked at like that, doesn't it?

      Okay, I'm done with my silly/stupid position, and I can stop feeling slimy. Eww. I need a shower. But it does give you at least a little bit of understanding of a possible defensible position that the corporate copyright holders could have. Ignoring the fact that they are mostly power-mad money-grubbing soul-sucking scum. :)

      I wonder if anyone really does think like that.

      --
      This is my sig. There are many like it but this one is... Oops. Frank, I've got your sig again! Where's mine?
    70. Re:Missed it. by Ingolfke · · Score: 1

      It's not the application that makes the DRM wrong, it's the details of the rules enforced by the DRM.

      I agree with this statement and the rest of your post... excellent clarification.

    71. Re:Missed it. by Gizzmonic · · Score: 1

      You are correct, public radio gets "handouts" from Congress.

      All the other TV and radio conglomerates get from the government is a license to broadcast in perpetuity on public airwaves at no expense. They get to copyright the "intellectual property" that goes over the public airwaves. In addition, they are permitted to charge others to broadcast commercial messages, without giving any cut back to the taxpayers who own the airwaves (nominally of course, if you actually try to broadcast something you're a 'pirate' and the FCC goons will shut you down in a heartbeat.)

      This is the ultimate form of corporate welfare: a massive spin machine that's beaming into every American's household 24/7. It may be the biggest scam perpetrated by the government against its own people in history. Of course, we don't teach media literacy in this country until the college level, and even then, only in specific degree programs, so few people understand the free ride that commercial stations get.

      What could be done to fix this problem?

      Libertarian: Sell off the spectrum, as they do with cell phone communication lines. Make the groups who are using the airwaves pay for them.

      Left wing: Revoke FCC licenses, tighten media ownership laws and start awarding grants for use of the spectrum.

      Technological: Get rid of old modulation systems and come up with a digital system that makes it easy to broadcast without stepping on anyone else. The TV becomes more like the Internet.

      Just a few suggestions of mine, but please understand that Corporation for Public Broadcasting is not the biggest beneficiary of these government handouts. The corporate media is, and they will never publicize this fact.

      --
      (-1, Raw and Uncut is the only way to read)
    72. Re:Missed it. by tinkerghost · · Score: 1
      The DMCA appears to violate clause 107 in several ways, [snip]

      Supersedes, the word you wanted was supersede not violate. When a new law comes out it supersedes the old law. Usually, the new law will explicitly state that particular issue - if it's recognized as being in direct conflict when it's written.

      The issue with loosing rights is really with the dumb-ass judge who said - "yes you have the right to copy DVDs for personal use, but nobody can sell you the tools to do it with." If it's legal to do, the tools to do it with should be legal by default.

    73. Re:Missed it. by mapkinase · · Score: 1

      LOL. The whole Western industrial revolution was based on the development of craftsmen groups with very restricted access to any craft secrets. The secrets of the particular craft were protected at the highest level.

      Religious texts in their unchanged form originate from Allah, and He commanded to spread this knowledge (think of it as extreme version of GPL). This is specific permission (and command) from copyright holder (in this case, Allah, The God).

      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
    74. Re:Missed it. by FLEB · · Score: 2, Insightful

      Well put, but I disagree with this as a solution:

      Technological: Get rid of old modulation systems and come up with a digital system that makes it easy to broadcast without stepping on anyone else. The TV becomes more like the Internet.

      I don't really know what this would solve. The only reason TV remains superior to the Internet, especially in the days of simple rich-media ability in the hands of most anyone, is that the high barrier to entry and the limited spectrum available makes fewer overwhelming choices for the viewer, and presents distinct definitive sources for information. Television already has become "like the Internet"-- in that people are putting broadcast-style media on the Internet already. However, there's still the MP3.com-style problem of an overwhelming crapflood, and no real central definitive "channels". In television, the small selection creates a social byproduct, as well, as the limited choice forces a common cultural ground of "what was on TV."

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
    75. Re:Missed it. by Gr8Apes · · Score: 1

      Nope, supercedes is not the word I wanted. It doesn't supercede, it directly contradicts certain aspects of clause 107, and with some byzantine clauses attempts to address certain issues that are part of clause 107, but were brought forward by interested parties.

      Whether in the long run the DMCA supercedes the Copyright Act is for judges to decide. As far as I know, the Copyright Act still holds, except when a work has some form of DRM attached.

      However, this makes me wonder: If I put a Sony Rootkit CD into my Mac or Linux box, am I violating the DMCA or exercising my 1978 Copyright Act Clause 107 Fair Use rights when I convert the CD to a harddrive losslessly compressed artifact? How about on a Windows machine with Autoplay turned off? How about on a Windows machine with a CD Ripper program that explicitly overrides OS control of the CDROM, thus leaving Autoplay "on", but effectively disabled for the controlled drive?

      Questions like this merely highlight how flawed the DMCA is.

      --
      The cesspool just got a check and balance.
    76. Re:Missed it. by saltydogdesign · · Score: 1

      Huh? You're saying Star Wars wasn't a derivitive work? You must have missed, oh, most of the history of cinema and fiction before that.

      --
      // This is not a sig.
    77. Re:Missed it. by Gizzmonic · · Score: 1

      The only reason TV remains superior to the Internet, especially in the days of simple rich-media ability in the hands of most anyone, is that the high barrier to entry and the limited spectrum available makes fewer overwhelming choices for the viewer, and presents distinct definitive sources for information.

      "Distinct definitive sources" between ABC, CBS, NBC news? Pardon me if I can't tell the difference. I know stuff like Fox is supposed to be "conservative" and CNN "liberal," but they all seem to exhibit the same oversimplification of the issues and cheerleading and fearmongering.

      Perhaps you are worried about the fragmentation of culture, too many choices creating a sort of neo-provincialism, eroding societal consensus. It's a worthy point to consider, but I'm still convinced that the disease (top-down, autocratic communication through mass media) is still worse than the cure.

      --
      (-1, Raw and Uncut is the only way to read)
    78. Re:Missed it. by Intron · · Score: 1

      You are right. When are we going to outlaw pdf? It is a perfect digital reproduction of a book and will kill the publishing industry. Something needs to be done to forestall this threat to our rights. Also, did you know that you can create digital images? This will kill the photographer's business if it becomes widespread. Imagine if someone starts putting risque pictures on the web!

      --
      Intron: the portion of DNA which expresses nothing useful.
    79. Re:Missed it. by Anonymous+McCartneyf · · Score: 1

      Thanks. I like both your opinion and the compliment. 8-)
      No, "it's a fine line between clever and stupid" came first. This Is Spinal Tap and its contents were released approx. 1984. Macca's quote is from the song "Fine Line," which came off the album Chaos and Creation in the Back Yard; they were released in 2005.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    80. Re:Missed it. by Anonymous+McCartneyf · · Score: 1

      I think that the idea is to minimize the ammo the MPAA and RIAA can use. If they're claiming that all their monetary losses are due to "theft," then their position will hold no water if there isn't any "theft" to speak of. But if it's already known that there is a significant amount of "theft," then they can claim that the known amount is just the tip of an iceberg.
      (I use "theft" in quotes because "copyright infringement" is much longer to type.)

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    81. Re:Missed it. by Anonymous Coward · · Score: 0

      Equally valid syllogism:

      DRM weighs the same as a duck, therefore it floats, therefore it's made of wood, burnable, a witch, and thus evil.

    82. Re:Missed it. by Anonymous+McCartneyf · · Score: 1

      It's not the photographers who are having problems because of digital imaging. It's the makers of camera film.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    83. Re:Missed it. by Anonymous Coward · · Score: 0

      Just a minor niggle, but you might try staying away from net slang when trying to make a serious argument. Calling your opponent a fanboi belittles the hell out of him. Otherwise, good points.

    84. Re:Missed it. by jfmiller · · Score: 1

      The US Copyright laws that we have imposed on most of the developed world are based in Western European common law, so I stand by my original statement.

      However, you right of Religious texts. I hope you will accept my apologies for my limited knowledge of Islam, it was not something I had the opportunity to study in seminary. The way you write about these texts implies that you are thinking of canonical texts (the Qur'an), but are not Islamic scholars and poets renowned for their contributions to sciences and the fine arts. These works were also copied freely. There was no need of copyrights.

      Perhaps you can help my understanding. I know that in the Qur'an there are a number of commandments that relate to the fair practice of trade. What does your holy book say about trade in knowledge, or is the concept even present?

      JFMILLER

      --
      Strive to make your client happy, not necessarly give them what they ask for
    85. Re:Missed it. by jfmiller · · Score: 1

      I think the copyright is to ensure that society benefits from artists, musicians and authors work and encourages them to produce material and release it to the public. Ah, but does it do that? I would like to think that I am a decent amateur singer. I'll never have a big recording gig but, I'll sing in the church choir. Having copyright to my music is worse then worthless. It certainly doesn't encourage me to sing.

      So then what about Pink Floyd. Would they have been a hit music group if they had only been able to make $50,000? Of course they would have! They are a very talented group of artists whose music has wide appeal. The money didn't make them great (as copyright proponents claim) they got money because they were great. Further, I posit that even if their music was all in the public domain, their fans would be willing to pay the artists to continue to perform.

      Finally, the question can dead artists be encouraged to produce? I state that J.R.R. Tolkien will never write another book no matter how much money we pay his estate. Why then do we continue to allow copyrights to be held (remember the only reason to have them is to encourage artiste to produce material) by the estates of people who are dead.

      I think a good balance could be struck by reducing the term of copyright to 3 years on published music and fictional literature, until time of death for performance and all other works. Further copyright ought to be non-transferable publishers would be allowed exclusive license for a copyright, but could never own it.

      JFMILLER
      --
      Strive to make your client happy, not necessarly give them what they ask for
    86. Re:Missed it. by FLEB · · Score: 1

      What I'm saying is not a value judgement on any particular media outlet, but I'm just saying that the reason why a television presence remains more "valuable" than an Internet presence is that the small number of choices available to a large range of people means that each individual station has more popularity, stature, and influence, by simply existing in the small pond of television.

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
    87. Re:Missed it. by mapkinase · · Score: 1
      The US Copyright laws that we have imposed on most of the developed world are based in Western European common law, so I stand by my original statement.
      Seems to be no argument about that. US Copyright laws, Western European common law, laws of medieval craft corporations are on all in line on protection of intellectual property.

      Islamic texts. Traditionally Islamic knowledge was spread in terms of verbal communication between teacher (Shaykh) and student. The relationships like that were very close. Many times students and teachers shared the residence, students serving the teachers in daily routine. I have never heard somebody paying someone for formulating a religious opinion.

      The payments related to the spreading of Islamic texts, as far as I know, are done only to cover costs of media production. The Web has a lot of Islamic texts translated to English, Qur'an of course, six canonical collections of ahadith. Ten times more texts are available on the Web in Arabic.

      As for CDs: CD's with lectures are costly, but most of the people I know consider payment for CDs as donation to support the cause, not under the threat of legal persecution of copyright violation. Many servants of Allah cannot afford the prices of CDs, so they borrow them from their friends.

      Same for video materials.

      What does your holy book say about trade in knowledge, or is the concept even present?
      Nothing comes to mind from the top of my head. Religious knowledge is quite different category from science-based knowledge (technology or knowldedge that leads to them). You cannot make money of your religious knowledge. Scholars in Islamic states were on the sustainance of the state or donations. In fact, it is a great sin to acquire religious knowledge for worldly purposes. Well known ahadith places three type of people who have accomplished exceptionally great good deeds in Hell: a martyr in Jihad, a generous philantropist and a scholar of knowledge, all of them because the intentions behind their actions were other than to please Allah.

      Summarizing, religious knowledge in Islam cannot be a matter of business. This follows from traditions of the Prophet, sal Allahu 'alaihi wa sallam. I suddenly realized that I am not even sure why religious knowledge is even brought to this. Seems like apples and oranges.
      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
  2. We lost our fair use rights years ago... by MinutiaeMan · · Score: 5, Informative

    Most people don't realize that even certain VHS tapes had DRM -- or at least a basic form thereof. Many years ago, for a high school video project, I wanted to splice a little scene from "Return of the Jedi" into our project. (The scene with the Ewoks bowing and scraping to Threepio, as a metaphor for the Aztecs greeting Cortez.) But when I tried to record it onto the family VHS video camera for splicing and transfer (we were using our VCR and the camera to create a very basic editing system; this was 1996!), the camera would quit recording after a few seconds, saying something about a "protected" video or something.

    I forget how I got around it, but it was a pain in the ass. All for less than thirty seconds of fair-use footage for a damn high school project!

    1. Re:We lost our fair use rights years ago... by ConceptJunkie · · Score: 2, Informative

      Google "Macrovision", before creating various forms of digital rights management, as well as acquiring InstallShield for some strange reason, they were the leading name in "analog rights management", i.e., screwing up VHS tapes to prevent dubbing.

      --
      You are in a maze of twisty little passages, all alike.
    2. Re:We lost our fair use rights years ago... by StinkiePhish · · Score: 5, Informative

      Yep. It started in 1983 with the establishment of Macrovision Corporation.

      From Wikipedia...
      "The 1984 film "The Cotton Club" was the first videocassette to be encoded with the Macrovision technology when it was released in 1985"

      "A VHS videotape or DVD (no laserdisc or video CD players implement it) or digital cable/satellite boxes receiving a data stream encoded with Macrovision will cause a VCR set to record it to fail (excluding very old models, modified VCRs, or those approved for "professional usage"). This is usually visible as a scrambled picture as if the tracking were incorrect, or the picture will fade between overly light and dark. A 6-head or 8-head VCR (most are 4-head) can minimize this fluctuation, so it is not as noticeable. A DVD recorder will simply display a message saying the source is copy-protected, and will pause the recording."

      http://en.wikipedia.org/wiki/Macrovision

    3. Re:We lost our fair use rights years ago... by WilliamSChips · · Score: 1

      Analog, especially VHS, is the ultimate form of DRM. With normal DRM, there is a possibility that you will be able to crack the product due to the power of DVD Jon et al. With VHS, it will always look like grainy shit with horrible sound. (Vinyl is a bit better in this respect but playing it on any but the most expensive laser record players will decrease the amount of useful information and make it that more likely to skip. (CDs skip too, but something that you scratch to play by definition will lose more information upon playing.)

      --
      Please, for the good of Humanity, vote Obama.
    4. Re:We lost our fair use rights years ago... by Anonymous Coward · · Score: 0

      no no, that was just the gayness alert.

    5. Re:We lost our fair use rights years ago... by porl · · Score: 1

      and in the same way that drm can screw over legitimate customers, i cant watch macrovision tainted dvds on my old tv because i have to run it through a video player to convert the composite signal to the old tv-aerial type, which of course has the same effect as if i was copying it (changing brightness etc).

    6. Re:We lost our fair use rights years ago... by omeomi · · Score: 2, Insightful

      Vinyl is a bit better in this respect but playing it on any but the most expensive laser record players will decrease the amount of useful information and make it that more likely to skip.

      The irony here is that the people buying these laser record players are the same ones complaining about how CD's sound "digital", and how vinyl is just so "warm"...while going out and buying a record player that basically turns their records into giant CD's.

    7. Re:We lost our fair use rights years ago... by Anonymous+McCartneyf · · Score: 1

      Lasers are not in themselves digital; they are no more discontinuous than any other light source. It's how the info is recorded on CDs and DVDs that make those formats digital. Vinyl records are still analog when they're played through a laser.
      Of course, many modern records are digitally mastered. I doubt those would sound analog in any format whatsoever.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    8. Re:We lost our fair use rights years ago... by omeomi · · Score: 1

      Lasers are not in themselves digital; they are no more discontinuous than any other light source.

      Never said they were digital. However, in practice, the laser-based turntables that I'm aware of do, in fact, convert the signal to digital before converting it back to analog and amplifying it for output. I'm actually not sure how you would create a laser-based reader that didn't digitally sample the signal received from the laser, but I'm not an EE, so what do I know...

      http://www.laser-vinyl.com/Turntables/Laser/HowItW orks.htm Two Tracking Laser beams are directed to the left and to the right shoulders of the groove of the record. Only the part of the beams that reach the groove are reflected to two PSD (Position Sensitive Detector) optical semiconductors. The part of the beams that fall on the land area of the record are deflected and not picked up by the PSD devices. The signals are sent to a microprocessor via analogue to digital converters, then to servos to maintain the reader head position directly above the groove. This part of the player is digital.

    9. Re:We lost our fair use rights years ago... by Anonymous+McCartneyf · · Score: 1

      Yeah, an analogue-to-digital converter would make a laser record player digital. Touche.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    10. Re:We lost our fair use rights years ago... by Viv · · Score: 1

      I'm actually not sure how you would create a laser-based reader that didn't digitally sample the signal received from the laser, but I'm not an EE, so what do I know... Instead of feeding the sensor into an A/D-DSP-D/A setup, just feed it directly to an analog system that performs the same function as the digital setup.

      If you really wanted to, you could do it with analog components, it's just probably not worth the trouble. If all you really what is high fidelity, just use a DSP system that quantizes with more bits; instead of quantizing at 16 bits like a CD, quantize at 64 or 128.

      Use enough bits in the processing of the signal, and no human will be able to tell the difference. (see "quantization noise" for details)
    11. Re:We lost our fair use rights years ago... by BlackSnake112 · · Score: 0

      if one two VHS machines (or a DVD player and a DVD recorder) connect to their TV via the cable or RCA connections you can still make recordings. Play protected video on one player. Then record on second player using the input from the RCA or cable connection. I think it'll work if you also have s-video in on the recorder. You may loose some quaility but it should work to copy the video. No high speed copy this way though. Also how many people have more then one VCR/DVD player on the same TV?

      I have seen VCR repair shops (back in the 80's) do this all the time. One VCR played the movie while anywhere from 1-20 were recording the video. I guess the same would work for DVD (and HD-DVD/Blue Ray/what ever the next medium is) recorders.

      I think that is what the DRM is doing controlling the content through to and including the display device.

    12. Re:We lost our fair use rights years ago... by acvh · · Score: 2, Informative

      Your excerpt from the linked article describes the TRACKING lasers - if one continues to read:

      "Two additional laser beams are directed at the left groove wall and the right groove wall just below the tracking beams. Modulation on the individual grooves is reflected to scanner mirrors and onto left and right photo optical sensors. The variations of the modulated light cause the audio sensors to develop an electrical representation of the mechanical modulation of the grooves. The entire sound reproduction chain is analog."

  3. demise of vhs? wtf? by rucs_hack · · Score: 2, Insightful

    I've still got a vhs recorder, tons of tapes, and a large library, recorded and bought. Plus I don't see any reduction in the places that I can buy tapes.

    VHS isn't dead, nor will it be for a very long time. There's a big difference between DRM supporting companies wishing it would die, and it actually dying.

    Incidentally, we have a record shop in town that does a brisk trade in the vinyl media that *ahem* 'died' a few years back....

    1. Re:demise of vhs? wtf? by WilliamSChips · · Score: 1

      The sale of VHS is down to nearly nothing now. It's a complete niche market. Analog is worse than DRM because DRM can be cracked but Analog always looks and sounds crappy.

      --
      Please, for the good of Humanity, vote Obama.
    2. Re:demise of vhs? wtf? by the_humeister · · Score: 4, Funny

      I still have an 8-track player and a whole collection of tunes on 8-track tape. And silly people kept saying 8-track was dying...

    3. Re:demise of vhs? wtf? by Anonymous Coward · · Score: 0

      we have a record shop in town that does a brisk trade in the vinyl media that *ahem* 'died' a few years back

      Yeah brisk trade, Grandfather dies, kids sell vinyl.

    4. Re:demise of vhs? wtf? by Jesselnz · · Score: 1

      Vinyl is far from dead, I actually prefer them over cds. Aside from the superior sound quality, most people enjoy the large cover art, posters, etc that come with vinyl versions of albums.

    5. Re:demise of vhs? wtf? by blugu64 · · Score: 1

      I prefer the inexpensivity (it's a word now) of used records. In Dallas there is a place that sells them for as little as 50 cents per album!

      --
      "Personal ownership is a hallmark of conservative capitalism. And I don't believe I am entitled to anything that I did n
    6. Re:demise of vhs? wtf? by Anonymous+McCartneyf · · Score: 1

      That's the spirit! 8-)
      If I recall correctly, there were at least ten years between when Betamax lost the consumer format war and content-provider support, and when the tapes themselves ceased to be sold. (Since they stopped selling consumer-level players before then, I am not sure.) So, you should have many years of videotaping TV programs ahead of you yet.
      There's a brisk trade in record players, too. I considered vinyl dead in the early-to-mid '90s, but I was clearly wrong.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    7. Re:demise of vhs? wtf? by SkyDude · · Score: 1
      Vinyl is far from dead, I actually prefer them over cds. Aside from the superior sound quality, most people enjoy the large cover art, posters, etc that come with vinyl versions of albums.


      Words like that make this old dinosaur of the 60s and 70s feel real good.
      --
      == First cross river, then insult alligator.
  4. T.S. Eliot's J. Alfred Prufrock said it best. by Anonymous Coward · · Score: 0

    The beloved J. Alfred Prufrock said it best: "And so your Constitution, your Laws. They are naught but derivatives of English Common Law."

    It's an interesting point. Here in America we have laws forbidding the copying of literature and other media, to the point where innovation and creativity is stifled. Yet those laws preventing such copying and modification were, in their early forms, near duplicates of existing legislation in other nations. It's really food for thought.

    1. Re:T.S. Eliot's J. Alfred Prufrock said it best. by Guppy06 · · Score: 1

      "The beloved J. Alfred Prufrock said it best: "And so your Constitution, your Laws. They are naught but derivatives of English Common Law.""

      What the fuck?!

      I mean, couldn't you pull some bullshit Oscar Wilde quote out of your ass instead? Surely you could make something up and make it stick to him better than you can claim it came from a poem about a Slashdotter trying to meet women!

  5. The DMCA became law in 1998 by troll+-1 · · Score: 2, Funny

    Thank you, Rip Van Winkle.

  6. A thousand Slashdot readers curse T.S. Eliot.... by ElBuf · · Score: 5, Funny

    Good poets borrow; great poets violate copyright, which is nothing like stealing!!!

  7. Mainstream Media? by rossz · · Score: 3, Insightful

    When did NPR become part of the mainstream media?

    --
    -- Will program for bandwidth
    1. Re:Mainstream Media? by StikyPad · · Score: 2, Insightful

      Hello, National. Public. Radio??? Home of "All Things Considered" and "Wait, Wait... Don't Tell Me!" What alternate reality have YOU been hiding in?

    2. Re:Mainstream Media? by Ingolfke · · Score: 1

      Yeah... I always thought is was part of the Liberal Media. When did it change affiliations?

    3. Re:Mainstream Media? by Anonymous Coward · · Score: 0

      Since NPR started growing at ~10% a year(2001) in audience

    4. Re:Mainstream Media? by Belial6 · · Score: 1

      I would describe NPR as being alternative media the same way that I would describe those "non-conformists" that dress and act exactly like all the other "non-conformists".

    5. Re:Mainstream Media? by StikyPad · · Score: 4, Funny

      Likewise, I'd describe ambiguous inapplicable analogies with no supportive statements the same way that I would describe fruit.

    6. Re:Mainstream Media? by jamstar7 · · Score: 1
      I would describe NPR as being alternative media the same way that I would describe those "non-conformists" that dress and act exactly like all the other "non-conformists".

      Dood, we dress this way because it's our uniform.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    7. Re:Mainstream Media? by 2short · · Score: 1

      I can understand your confusion, since "mainstream" typically implies "unutterably horrid", but this is not actually a requirement. Despite being occasionally worth listening to, NPR must be considered mainstream by it's number of listeners alone. (As should the particular peice of the donation-supported-non-profit-radio world that produced this piece, which as I undertand it, is not actually NPR)

    8. Re:Mainstream Media? by Valdrax · · Score: 1

      Hey, don't get me wrong, I love NPR and am a Marketplace / All Things Considered addict but...

      Hello, National. Public. Radio???

      [Your State]. Public. Television. Just because it services a wide geographic area doesn't mean that it's mainstream. People have to actually listen to / watch it for something to be mainstream. I'd be overjoyed if nearly as many people listened to NPR as did to partisan radio or watched cable news, but, sadly, good journalism still isn't exactly mainstream.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
  8. VHS has little to do with it. by mr_matticus · · Score: 4, Insightful

    The 'demise of VHS' is about as relevant to the erosion of "fair use" as the price of canvas was to the demise of sailing ships.

    People are willing to sell away anything to get a lower initial price--they're willing to accept more restrictive use if it means saving a buck. It's not just media entertainment, but food, furniture, and almost anything that involves the exchange of money. They'll reserve the right to complain later, but the remedy of that complaint can NEVER be raising the prices to fix what consumers voluntarily sold off.

    Yeah, we can sue McDonald's for making us fat, or we could stop thinking that paying $15 for a restaurant meal that won't kill you is some great injustice. We can complain all we want about outsourcing support jobs to wherever, but good god, don't charge us $20 more for our computers. We can balk at the several hundred dollar price of hardwood furniture and complain about deforestation, but IKEA still gets frowned upon for its "cheap" quality in comparison (when in fact, many of their products are surprisingly durable for being made of sawdust and paper).

    Price is all-important, and anything that gets us a lower price is a good idea...until we realize that what we threw out the window to get there might actually have been important. Then we want it back, but we want someone else to eat the costs involved with bringing it back.

    1. Re:VHS has little to do with it. by laughingcoyote · · Score: 1

      Of course, the difference being, it really is more expensive to purchase better ingredients for better food, it really is more expensive to purchase hardwood than sawdust, and it really is more expensive to build a computer in the US than in China.

      DRM actually would raise production costs-it would be more expensive to develop, program, test, and refine DRM systems, and then make deals to have them implemented in hardware, than to simply produce unencumbered media. The same would apply to leasing someone else's systems. The other circumstances you are describing are companies spending less money to produce a product of less value. The scenario here is spending more money to make a product of less value.

      --
      To fight the war on terror, stop being afraid.
    2. Re:VHS has little to do with it. by Rayonic · · Score: 1
      Yeah, we can sue McDonald's for making us fat, or we could stop thinking that paying $15 for a restaurant meal that won't kill you is some great injustice.

      Most restaurant food out there is in the same range of unhealthiness as McDonalds food. And I'm not just talking about Denny's here. Practices such as glazing vegetables with fat are very common.
    3. Re:VHS has little to do with it. by mr_matticus · · Score: 3, Interesting

      Not quite. The cost of DRM itself is minimal and a predictable consequence of digital media--not a necessary restriction on fair use rights. People are willing to do anything to drive down the cost of purchasing music, including accepting narrower usage.

      The fewer rights you transfer from the owner, the lower the sale price of the artwork. Media price isn't tied to production costs (if it were, small indie artists would be much more expensive, because their relative costs per unit would be way higher than the "big" pop artists). Instead, it's tied to the level of the licensing. Copies for renting out or public performance are substantially more expensive than the "home use" versions (even dating back to VHS and vinyl), even though they contain the exact same product. Likewise, digital files contain the same content (ignoring the low quality currently offered) for a lower price because they are transfers of fewer rights. This isn't to say that the labels' pricing for mp3s isn't greedy; that's a separate issue, but the point is that the price is lower, and by enough that it's starting to make a difference.

      It's not solely about materials cost, and it isn't in other markets, either. The ingredients McDonald's purchases aren't the big reason why the food's bad for you--it's the method. Same reason why good furniture is expensive: the wood is expensive, but so is the craftsmanship and the process.

    4. Re:VHS has little to do with it. by mr_matticus · · Score: 1

      Well, that's a bit of an overstatement. Granted, if you go to Applebee's and order a burger and fries, you aren't making tremendous improvements...but what I meant (but left out for concision) was that much of the public balks at paying $15 for salads or healthy portions of sensibly prepared chicken and meat when they go out to eat. That in itself would be fine many years ago when people ate at home most of the time, but now that eating out is habitual in many families, it's become a value-per-dollar-per-minute venture, Walmart style. I eat at what I consider midrange restaurants (~$25 per person including tip), but what I notice is that for most families, that's a "treat" and lower end restaurants which are best for convenience and what I call "road food" have become standard fare.

    5. Re:VHS has little to do with it. by laughingcoyote · · Score: 1

      Actually, "renting out" is an inherent right under First Sale doctrine, just like reselling is. Most of the rental chains do indeed pay fees to the movie conglomerates, but those are for "priority" treatment and large bulk discounts on the videos-it's not a legal requirement. If someone wanted to purchase a bunch of videos at retail and start renting them out that would be perfectly legal.

      That aside, of course, your premise is basically correct. Here's the problem, however. Under First Sale, you do have the right to resell, rent, or give away a copyrighted item, provided you either destroy your backups or transfer them along with the original. DRM usurps this right-even if I get sick of a song purchased off iTunes, and am perfectly willing to delete my copy after transferring it to you, I can't do that. iTunes is not reduced in price either-a buck a song is about par for the course on CD's, which can be readily resold to the used-CD shop, given away to a friend that likes it, and so on. It also makes other fair uses difficult-I may not have the right to publicly display a DVD, but I do have the right to back it up in case it gets scratched. I may not have the right to burn and sell copies of a CD, but I do have the right to resell, trade, give away, or loan out the original. I may not have the right to put on a movie exhibition and charge admission, but I do have the right to use a scene as part of a school project which is commenting on the movie, or to do so in a critical review.

      The main problem here is not when DRM usurps rights people don't have anyway-it's when it usurps rights people do have. We simply don't run into that in the other scenarios. If you buy a McDonald's hamburger, or a gourmet meal in Paris, you have the right to eat it, and you get to. I think people would be pretty upset if the meal came with 3/4 of it encased in glass so that it could not be gotten to! However, that's exactly what we have here. When you purchase a copyrighted item, you're by definition purchasing rights under First Sale and Fair Use in addition to the "personal enjoyment" type rights consumer media is told with. DRM takes the ability to use those rights away, and that's what people are upset about-not that DRM prevents them doing things they have no right to do, but that it prevents them doing things they do have the right to do.

      --
      To fight the war on terror, stop being afraid.
    6. Re:VHS has little to do with it. by mr_matticus · · Score: 1

      Well, aside from DFS not being universally applicable, you're essentially correct. There certainly is a logistic issue with transferring DRMed files through resale, but at the same time, no one has really bothered to ask for a solution. Most people don't seem to care about "resale value" or even the capability to resell digital tracks. The consumer culture has shifted in this regard, and that might just be the natural evolution of the market. DFS certainly matters when you have something sitting on your shelf that you'd like to get rid of at a yard sale--the difference being that you can't transfer rights independent of the disc. You can sell the CD you bought, but you can't strictly speaking sell the limited rights you purchased (they are automatically transferred when you sell the CD, because the CD symbolizes your rights to the music it contains). It's a minor semantic point, but a major legal distinction.

      But back to the immediate issue--you should be able to tell iTunes that you no longer want tracks x,y, and z and you want instead to transfer them to user B. Apple certainly has the infrastructure to do so (it could deauthorize the track on your account and authorize user B), but the difference as far as I know is that online venues have terms of sale and license agreements which expressly prohibit resale. This in and of itself is not a violation of First Sale, copyright law, or the Home Recording Act, as it is possible to provide for more limited terms if an explicit and legal agreement is made with consideration between the parties (in other words, terms forbidding resale are not automatically and categorically illegal, as fair use and DFS rights are not bulletproof--see Wall v. LA).

  9. Any proof of your claims, Bub? by Anonymous Coward · · Score: 0

    The sale of VHS is down to nearly nothing now. It's a complete niche market.

    Do you have anything to back that up, or are you just pulling those claims out of your ass?

    I don't think what you're saying is necessarily the case. I have several relatives who run a small chain of dollar stores. One of the stores is in southern California, one is in Wisconsin, and another in Georgia.

    The who runs the store in Wisconsin visited us this past Thanksgiving. The topic of VHS tapes came up during dinner. She was saying that they were selling more VHS tapes now than they were in the early and mid 1990s, even though the town they're in has suffered a fairly significant economic downturn over the past decade due to industrial concerns moving production to Asia.

    I was sort of surprised by this, so I called up the other relatives in Georgia and Cali. Both of them reported the same thing. The one in Georgia knew that a lot of football and basketball fans bought them to tape games that they were too busy to watch live. That makes sense to me. In smaller, blue-collar towns, many people can't afford to dump several hundred dollars on a TiVo or some other device. So they use their 15-year-old VCR if it still works.

    1. Re:Any proof of your claims, Bub? by Anonymous Coward · · Score: 0

      Yes, dollar stores are exactly where to find stats on how well VHS is doing. It's doing better than every apparently. They have the illustrious dollar store market locked up.

  10. Incorrect by geekoid · · Score: 2, Insightful

    We did not loose fair rights.
    Companies have been preventing us from exercising them.
    I know the difference is very subtle.

    You must know this and get used to saying it bacause from a legal, and political view point, you still ahve those rights. SO when you say we 'lost our rights' it makes you look ignorant, and can be rubutted with "No we didn't you still ahve the right to do that."

    Also, you can make the corporations l;ook bad and not the politicians, which is a better way of communicating with your elected officials. You have been writing to your elected officials..right?

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    1. Re:Incorrect by mrchaotica · · Score: 4, Insightful
      You must know this and get used to saying it bacause from a legal, and political view point, you still ahve those rights.

      No, we lost them -- go read the DMCA. All the copyright holder has to do is say "this was ROT13 encrypted twice" and you have no Fair Use rights anymore.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    2. Re:Incorrect by node+3 · · Score: 5, Insightful
      You must know this and get used to saying it bacause from a legal, and political view point, you still ahve those rights. SO when you say we 'lost our rights' it makes you look ignorant, and can be rubutted with "No we didn't you still ahve the right to do that."
      I agree, in general, with the rest of your post, but disagree with this point.

      If you have a right, but are prevented from using it, you really *don't* have that right anymore. Just being written down somewhere doesn't make a right a right. The written form is just the description of the right. A right is only a right when it can actually be exercised. Regarding the topic at hand, the corporations have actually taken away (violated) our right to fair use.

      The flaw in your argument, as I see it, is the implicit assumption that only the government can take away or grant rights. In reality, it's those with power that grant or take away rights. It just so happens that usually it's the state that has ultimate power, but if the state leaves things to their own devices (ie: free market fundamentalism), all they have done is given the crown of ultimate power over to the next in line, which in the case of America, is the corporations (in other countries, the next in line might be corporations, organized crime organizations, warlords, etc).

      Your argument, while it does make the corporations look bad, also absolves them of any legal (which for some, equates to moral) wrong-doing, and undermines efforts to have the government step in to protect our rights.
    3. Re:Incorrect by Anonymous Coward · · Score: 0
      Just being written down somewhere doesn't make a right a right.

      Yes it fucking does, you idiot. Just as having a writen law saying, e.g. you can't cross the street between intersections says you do not have a right to jaywalk.

      I retain all my rights, even when kidnapped.

    4. Re:Incorrect by toddhunter · · Score: 1

      SO when you say we 'lost our rights' it makes you look ignorant,
      And when you say 'We did not loose fair rights' it just makes you look stupid.

    5. Re:Incorrect by Anonymous Coward · · Score: 0

      You do realize just how much your typing makes you look ignorant? Pot, meet kettle.

    6. Re:Incorrect by Mr2001 · · Score: 2, Interesting

      Not really. First off, double-ROT13 doesn't "effectively control access to a work", and it'd be trivial to prove that in court - but you were joking about that, right?

      Seriously, though, you still have fair use rights. The DMCA blocks one possible avenue of exercising those rights, but there are others. You can't crack the encryption on a DVD to extract a clip for your review, but you can still connect the DVD player's analog output to a capture card, or point a camcorder at the screen.

      --
      Visual IRC: Fast. Powerful. Free.
    7. Re:Incorrect by mr_matticus · · Score: 1

      And then you take them to court for improper use of security measures. If you can find a lawyer to sue you for breaking copyright, you can find a lawyer who will sue on your behalf for improper and illegal use of legal protections for the express purpose of restricting your legal rights. The media doesn't cover these kinds of suits, because they're boring non-stories, but I assure you they happen.

    8. Re:Incorrect by Jesselnz · · Score: 1

      If you have a right, but are prevented from using it, you really *don't* have that right anymore. Just being written down somewhere doesn't make a right a right. The written form is just the description of the right. A right is only a right when it can actually be exercised.

      No, everyone has rights. If your government doesn't protect your rights, it doesn't mean you don't still have them.

    9. Re:Incorrect by Babbster · · Score: 0
      You can't crack the encryption on a DVD to extract a clip for your review, but you can still connect the DVD player's analog output to a capture card, or point a camcorder at the screen.

      Yeah, but then it's analog, and I bought digital content, and I should be able to copy that digital content as much as I want, and I should be able to pass copies around to my friends, and they should be able to pass them around to their friends, and copyright laws are fundamentally wrong, and art should be created for its own sake, and artists should be supported by voluntary contributions, and why isn't everything free like Linux?
    10. Re:Incorrect by Elemenope · · Score: 3, Interesting

      Yes. Yes, it does. And before this degenerates into a 'yes it does, no it doesn't' slapfest, it might be best to analyze the underpinnings of the two sides.

      The 'no' side is predicated upon the basic (and I believe ultimately erroneous) assumption that some rights are 'inherent'; that is, they literally inhere to (i.e. dwell within) certain classes of beings by virtue of those beings merely existing. This is the only way that one could argue that an unexerciseable right is still a right; it ontologically exists but is 'suppressed' in a manner of speaking by prevailing local conditions. It is certainly *possible* that this view is correct, but I think it problematic because it requires a large degree of epistemic faith, that is, that certain things exist of which we have absolutely no detectable evidence and yet are firmly believed must still exist. Such claims are always rooted in metaphysical arrogance and basically cash out as follows: "the world *must* work this way (despite lack of evidence that it does) because if it didn't, my word-view would collapse!" American society, and world-view, is predicated upon the inherency of certain rights, some of which are listed explicitly in black-and-white in the Declaration of Independence, and others are implied strongly in the Bill of Rights.

      The 'yes' side posits the epistemologically more reasonable position that rights adhere to their subjects, and are created, maintained, divested, and destroyed by some agency independent of mere existence. That is, either the agent or some agency on behalf of the agent must use force (take action in any form) to guarantee that the 'right' adheres to the agent and has functional substance. Absent that force, the right dissipates. This seems much more in keeping with evidence observable through the course of human history.

      Rights are only such if they can be cashed out into reality. Otherwise, they are just pretty words on paper. I agree with you on the very limited point that rights don't depend on just government, and so your statement "If your government doesn't protect your rights, it doesn't mean you don't still have them." is quite true. There are other means to project force to secure the practical adherence of a right beyond the reliance upon a government, and in fact it would be foolish in many cases to depend on the government to secure some of those rights. But, it does not then logically follow that, as you state, "everyone has rights". There are some people who do not use force and for whom no force is expended to adhere rights to them. Victims of genocide come to mind as the easiest example. They are deprived of rights; literally, they do not possess any.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    11. Re:Incorrect by Mr2001 · · Score: 1

      Yeah, but then it's analog, and I bought digital content, and I should be able to copy that digital content as much as I want Yes, you should, especially for the purposes that have been laid out as fair use. I'm not saying the DMCA isn't a horrible law--it is. It just isn't The End Of Fair Use Forever.

      and I should be able to pass copies around to my friends, and they should be able to pass them around to their friends, and copyright laws are fundamentally wrong, You should, they should, and they are. I know you're being sarcastic, but what you've written here is right on the money. There are legitimate reasons for restricting speech (falsely shouting fire, etc.) but eliminating competition for people who want to sell that same speech isn't one of them.

      and art should be created for its own sake, and artists should be supported by voluntary contributions, and why isn't everything free like Linux? Come on now, I think we all know there are ways to fund the production of art other than donations, volunteer work, and government-enforced monopolies on speech.

      For example, if you're a band and you expect your next album to cost $50,000 to produce and sell 5000 copies, then instead of recording it at your own expense and hoping to break even by selling copies for $10, just collect $10 from 5000 of your fans ahead of time and eliminate the risk. It's certainly possible - political campaigns can raise millions of dollars from individual contributions, and those contributors know their money will be wasted if their guy doesn't win. These contributors can get their money back if the band cancels production.
      --
      Visual IRC: Fast. Powerful. Free.
    12. Re:Incorrect by Babbster · · Score: 2
      There are legitimate reasons for restricting speech (falsely shouting fire, etc.) but eliminating competition for people who want to sell that same speech isn't one of them.

      Oh, please. If I'm a writer and spend a year of 40+-hour weeks to write a book, should I not be able to profit from that effort if I choose? With no copyright law, I'm pretty much screwed once I show the book to any publisher or sell my first self-published copy to someone who decides to "share" because there's nothing illegal about doing so.

      For example, if you're a band and you expect your next album to cost $50,000 to produce and sell 5000 copies, then instead of recording it at your own expense and hoping to break even by selling copies for $10, just collect $10 from 5000 of your fans ahead of time and eliminate the risk.

      And that helps a band with their first album, how? And without copyright (which you imply in the quote above should be done away with), how does even the established band with fans that you describe make any money beyond their costs?

      If you believe that people shouldn't be able to profit from their jobs that's fine, but that belief doesn't fit into the economy, or society, of the US or the rest of the "western" world.
    13. Re:Incorrect by TheDugong · · Score: 1

      In fact Women In Docs sort of did this.

      They said to their fans via a mailing list "We need $X to make the album which we will be selling for $Y. Anyone who prepays will get their name printed on the album cover. Once we have enough prepayers we will make the album."

      My girlfriend has her name on the album... which we ripped to flac to play through our squeeze box :).

    14. Re:Incorrect by Sydney+Weidman · · Score: 0

      Oh, please. If I'm a writer and spend a year of 40+-hour weeks to write a book, should I not be able to profit from that effort if I choose? No, you should not be able to profit simply because you choose to write a book. Its not a matter of your own choice exactly because other peoples' freedoms are restricted by your choice. Whether or not society decides to afford your book copyright protection is a decision that must involve all those whose life it affects.
    15. Re:Incorrect by Babbster · · Score: 1

      It's posts like yours that actually make me appreciate a little more the idiots in Congress. Better a 100-year copyright term than no copyright at all.

    16. Re:Incorrect by dircha · · Score: 1

      "There are some people who do not use force and for whom no force is expended to adhere rights to them. Victims of genocide come to mind as the easiest example. They are deprived of rights; literally, they do not possess any."

      You suggest, "They are deprived of rights; literally, they do not possess any."

      Your twisted language does nothing whatsoever to clarify the matter. I fail to see what is accomplished by attempting to ascertain the ontological status of rights. I do not believe we can ascertain the ontological status of rights; I'm not even sure what it would mean to do so.

      Instead of trying to tell other people what they can and can not mean by what they say, why don't you try listening to what they have to say? Or perhaps you were more interested in trying to assert a little control and power over others than trying to understand them.

      There are many different senses in which the word seems to be used.

      We might say that I have a limited right to freedom of speech. We might say I have this right even - especially - when the government jails me for attempting to exercise it. In this scenario the point of concern, it seems, is not that I do not have the right. The point of concern is precisely that I have this right but have been prevented from exercising it, in a way that we agree is illegitimate. This seems to be the common usage.

      If it were not the case that we agree I have this right, it is not clear what might be the point of concern. We might say, "I ought to have the right, but do not," but that is not how the word is typically used in a scenario like this. In the scenario in which the law is changed to make no mention of a right to freedom of speech, and in which we believe that the right to freedom of speech derives from the law, I suppose we might say, "I ought to have the right, but do not." But this doesn't seem helpful, as I do not often encounter people who express the belief that whether someone has the right to freedom of speech is dependent upon the law of the land, and I do not believe anyone in this dicussion has expressed this view, yourself included.

      Following back to your example, I, like the poster you responded to, believe that a victim of genocide has rights. When I say that a victim of genocide has inherent rights, I mean first that I believe the victim of genocide ought to be able to exercise those right. I mean second that a victim of genocide ought to be able to exercise those rights even if I and everyone else in the world stop believing that he or she ought to be able to. Would the victim of genocide be able to exercise those rights in such a world? Maybe not, but that does not change my belief that he or she ought to be able to; that he or she ought to be able to is precisely my meaning.

      It is you who are going off about the ontological status of rights. It is you who are exhibiting metaphysical arrogance, by your own criteria.

      No one outside your freshman philosophy course is interested in playing word games about the ontological status of rights and epistemological basis for belief in rights. Maybe you should go get a paper towel to clean up after yourself now.

    17. Re:Incorrect by Mr2001 · · Score: 1

      Oh, please. If I'm a writer and spend a year of 40+-hour weeks to write a book, should I not be able to profit from that effort if I choose? Think about what you're saying. Would it make sense if you were asking about any other profession on earth?

      "If I'm a barber and I spend a year of 40+ hour weeks cutting hair, should I not be able to profit from that effort if I choose?" Yes, of course you're able to profit, by charging for your work as you do it. You don't work for nothing for a year and then worry about the money.

      With no copyright law, I'm pretty much screwed once I show the book to any publisher or sell my first self-published copy to someone who decides to "share" because there's nothing illegal about doing so. Why would you be screwed if you've already been paid for writing that book (or at least signed a contract with someone who's promising to pay)? And if you haven't been paid, why are you working for free?

      And that helps a band with their first album, how? Why should a band with their first album get any more special treatment than a barber performing his first haircut or a CEO running his first company? They may have to lower their asking price to compensate for their lack of a track record, or build up a portfolio to prove they can do quality work, but that's no different from just about any other field of endeavor.

      And without copyright (which you imply in the quote above should be done away with), how does even the established band with fans that you describe make any money beyond their costs? By building a profit into the amount they're collecting. If their actual costs to write and record an album are $50,000, then they can tell their fans they need $60,000 and pocket the difference. Again, this is the same way everyone else makes a profit from their work - charging more than it actually costs to perform.

      If you believe that people shouldn't be able to profit from their jobs that's fine, but that belief doesn't fit into the economy, or society, of the US or the rest of the "western" world. I don't believe that, and I've said no such thing.
      --
      Visual IRC: Fast. Powerful. Free.
    18. Re:Incorrect by kimvette · · Score: 1

      You can use the interoperability clause. You had to break the encryption in order to create web-friendly videos in accordance with your Fair Use rights. It's easy enough since the DMCA provides plenty of wiggle room to use the law against itself.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    19. Re:Incorrect by Mr2001 · · Score: 1

      And it's posts like yours that reinforce my belief that most support for copyright is based on greed and laziness. You're happy to restrict everyone else's rights--to remove certain speech from the public vocabulary until years after everyone who's living today has died--as long as it means you can create one thing and milk it for the rest of your life instead of finding real work like everyone else.

      --
      Visual IRC: Fast. Powerful. Free.
    20. Re:Incorrect by Arker · · Score: 1

      Another way to look at it, and one more in line with what the founding fathers had in mind in their writings, is that rights inhere, but are a statement of morality or ethics, not as you seem to think a statement of existential reality. That is to say, the fact that I have the right to speak, but am prohibited from doing so, is not contradictory - it simply means that my rights are being violated.

      Now, what you seem to be saying is that if a right can be violated, it doesn't exist. I don't know where this idea comes from, but it seems to be increasingly common. Just because a law is altered and no longer honours human rights, doesn't mean that human rights no longer exist - it simply means that the law has become evil.

      Victims of genocide are not people without rights, they're people whose rights have been heinously violated.

      --
      =-=-=-=-=-=-=-=-=-=-=-=-=-=-
      Friends don't let friends enable ecmascript.
    21. Re:Incorrect by melikamp · · Score: 1

      Why did you have to go all epistemological on our ass?

    22. Re:Incorrect by Elemenope · · Score: 1

      No one outside your freshman philosophy course is interested in playing word games about the ontological status of rights and epistemological basis for belief in rights...

      While it is incidentally fun to play with ideas and see where they lead, I don't think in the strict sense it can be considered a 'word game'. And I haven't been in a freshman philosophy course for a long time.

      To answer your question, ascertaining (if possible) the ontological and epistemic qualities of things under discussion is helpful for figuring out what assumptions lie behind statements in common language, which tends to be frustratingly ambiguous about what precisely is being asserted. People talk about rights all the time, in various senses, but if there is no discussion about what a right is, or how we could identify one if we were to happen upon it, how can any conversation about them beyond that be more than accidentally productive?

      Of course, it is also rarely productive to insult people who you have never met but for a short number of written paragraphs on screen, much less ascribe to them motivations about which you can have literally no knowledge.

      Back to the argument for a second, you assert as many others do that victims of genocide have rights. I assert that they, being dead, can possess nothing, including rights. They may have had a moral claim that someone (perhaps even themselves) should have acted to invest them with rights, but the claim to deserve something is different altogether than the claim to possess something. If you wish to claim that they had 'rights' such as for example a 'right to not die violently', what precisely does that mean, if clearly the possession of those rights did not benefit them (since the hypothetical possession of that right did not prevent them from becoming dead violently)?

      All metaphysics is at its base somewhat arrogant (because it requires the assertion of ungrounded assumptions) but its arrogance is directly proportional to the amount of ungroundedness that is present in its basic structure. So, asserting there are 'rights' which inhere to humans by being human, even when there is no evidence whatsoever of such an occasion's actual existence, goes beyond the simple arrogance of positing any metaphysic.

      And I hope you are kidding that you believe there aren't many people who think that, for example the freedom of speech, isn't rooted in law instead of something deeper. That view is widespread in the West, certainly, but the West isn't the whole world, and many people out there would gladly challenge the presumption (and not just people in power, mind you).

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    23. Re:Incorrect by Elemenope · · Score: 1

      Another way to look at it, and one more in line with what the founding fathers had in mind in their writings, is that rights inhere, but are a statement of morality or ethics, not as you seem to think a statement of existential reality.

      Well, and we sort of agree on this. I was striving to make a distinction between moral claims, which many people call human rights, and legal rights that delineate how governments may act and provide for redress of grievances. I have real problem with the conflation of the two, and I think the word 'right' is a very poor descriptor of the first species of entity.

      Nearly everybody agrees that all people can make certain moral claims that do inhere to the status of being human, such as 'it would be better for me to be alive than to die' and 'it would be better for me to be free than to be oppressed', etc.. For me, in order to make the leap from a moral claim to a moral right, there must be some concept of justice, which entails as necessary some mechanism for a redress of harm against a moral claim. Usually that sort of justice is codified into a system of laws, hence most 'rights' (including moral ones) are legal rights. It is possible for there to be an alternate system of moral redress; warfare is one such mechanism (and an extremely problematic one at that). Absent any ability to reclaim moral redress for a denied moral claim, under this theory, there is no right; the person experiencing conditions of genocide has nobody, including themselves, to appeal to except perhaps God (if one believes) for moral redress, and it is in this sense that I mean they have no rights.

      What you find troubling I also find troubling, but for perhaps very different reasons. That a person can say (and as you point out, many people do say) once a right lacks a mechanism to be defended it no longer exists is dangerous, because absent a system of redress many people do not see any way to validate the moral claim underlying the legal right. That people are so morally vacuous that they cannot stand up for others simply because the predominant system for defending moral claims is damaged or absent is deeply troubling to me; I used the example of genocide pointedly because it is deeply problematic in precisely this sense. Respect for national sovereignty overrrides the moral sense of people who ought to interfere to assert a moral claim on behalf of defenseless people; sovereignty is a useful legal concept in many ways but here it becomes morally problematic.

      I would assert that victims of genocide are people whose moral claims are being heinously violated, in a darkly ironical way, by a legal system of national rights which prevent the victims from ever having rights adhere to their moral claims.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    24. Re:Incorrect by Arker · · Score: 1

      Well, and we sort of agree on this. I was striving to make a distinction between moral claims, which many people call human rights, and legal rights that delineate how governments may act and provide for redress of grievances. I have real problem with the conflation of the two, and I think the word 'right' is a very poor descriptor of the first species of entity.

      I'd agree with everything but the last clause. The word 'right' is exactly the proper descriptor of the first class of entity, and of no other. Law does not create rights, it either respects them or it violates them.

      Nearly everybody agrees that all people can make certain moral claims that do inhere to the status of being human, such as 'it would be better for me to be alive than to die' and 'it would be better for me to be free than to be oppressed', etc.. For me, in order to make the leap from a moral claim to a moral right, there must be some concept of justice, which entails as necessary some mechanism for a redress of harm against a moral claim.

      The most basic mechanism for redress is also a fundamental right - the right to defend oneself. Any legitimate law enforcement function consists of acting as an agent of the victim.

      Respect for national sovereignty overrrides the moral sense of people who ought to interfere to assert a moral claim on behalf of defenseless people; sovereignty is a useful legal concept in many ways but here it becomes morally problematic.

      I'm not sure where you follow this rationale. I would say that true sovereignty vests with the individual. 'National sovereignty' is a useful concept only when it applies exclusively to relationships between states. But if you're suggesting that, for instance, the US (or any other) government should be going around the world disregarding national sovereignty and intervening in other countries on humanitarian grounds, I must disagree completely, for many reasons.

      I would assert that victims of genocide are people whose moral claims are being heinously violated, in a darkly ironical way, by a legal system of national rights which prevent the victims from ever having rights adhere to their moral claims.

      <pedant>Ironic is already an adjective, the -al ending is not needed with it.</pedant>

      But yes, although I wouldn't frame it in exactly that way, I think we fundamentally agree. Such episodes demonstrate quite starkly exactly what consequences follow when humans exist without a framework of respect for the basic human rights of their fellows.

      --
      =-=-=-=-=-=-=-=-=-=-=-=-=-=-
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    25. Re:Incorrect by jez9999 · · Score: 1

      I'd agree with everything but the last clause. The word 'right' is exactly the proper descriptor of the first class of entity, and of no other. Law does not create rights, it either respects them or it violates them.

      Bizarrely, the American Heritage Dictionary seems to agree with you, as the main definition:
      1. That which is just, morally good, legal, proper, or fitting.

      However, I would argue that this is not a very useful definition for 'right', because then you raise the substantial issue of who defines that which is just, morally good, proper, or fitting. My definition would be much close to:
      2.g. Something that is due to a person or governmental body by law, tradition, or nature.

      Why it's down as 2.g. I don't really know; when I've encountered the word, it's generally meant this instead. If you look down the page a bit, 'WordNet' defines this as the #1 meaning.

      So basically, it looks like the whole problem with this is a simple one - the definition of the word 'right'. Shame we can't settle on one, but I'd argue that 2.g. is the most useful definition as I've described above.

      The most basic mechanism for redress is also a fundamental right - the right to defend oneself. Any legitimate law enforcement function consists of acting as an agent of the victim.

      You could define it that way, but the trouble is that then you have to agree with the sentence (as far as I can tell), "It's a paedophile's right to rape any child they want." This right is enforced by their own self-defence. Of course, that sounds nonsensical and it is, because we commonly think of rights as things that are morally acceptable to 'most people', but that's such a grey definition that it's pretty useless. More useful to say that a right is a government-enforced guarantee, and that if it's not but you think it should be, just say, "I think they should have the right..."

    26. Re:Incorrect by Arker · · Score: 1

      That particular dictionary has a praisewourthy tendancy to be a bit conservative. This explains why they list my definition first - it is the time honoured definition of the word. The definition you prefer is a recent 'innovation' designed to confuse issues for political means. You see, rights are a key concept of traditional liberalism, and the marxist-socialist forces around the turn of the century consciously attempted to commandeer that terminology with an entirely different meaning, divorced from that frameword entirely. Their definition is the one you are endorsing here.

      Now I'm not going to tell you that traditional liberalism is perfect, but it's better than 'modern' marxist-socialism passing as liberalism. And I won't coöperate with the efforts to make the literature of traditional liberalism nonsense by changing the meaning of the words after the fact.

      However, I would argue that this is not a very useful definition for 'right', because then you raise the substantial issue of who defines that which is just, morally good, proper, or fitting.

      I don't agree. That's an entirely separate question. It may be raised in association with any question of morality and ethics - yet we do not conclude as a result that morality or ethics are unuseful. And we can agree on the definition of a right - I would phrase it very precisely as 'a moral claim of such force and certainty that violence may be morally used to enforce it' - and yet disagree on exactly what rights we properly have, and on what justification. So I'm afraid I don't see your objection as valid at all.

      You could define it that way, but the trouble is that then you have to agree with the sentence (as far as I can tell), "It's a paedophile's right to rape any child they want."

      You could make that claim, if you wish. You can make any claim you wish. However, the claim would be false on its face. No one using any recognisable variant of the classical liberal paradigm would consider it valid.

      There is no right to rape anyone. There is only a right to not be raped. This is what we mean when we say that 'rights are negative' - they don't obligate others to do things for you, or to waive their own rights in favour of your own (true rights never conflict) - they obligate others merely to leave you in peace, as long as you do the same. Rights are about non-invasion or non-coërcion. If I demand that you refrain from raping me, I am in no way intruding on your rights, as they do not extend into my body. Because rights are fundamentally derived from non-coërcion and self-ownership, they can never conflict - your rights end before mine begin. One may claim whatever one wants, but no amount of claiming can alter the fact that rape is wrong and any claim to have a right to rape is self-contradictory and invalid.

      To the contrary, in order to make the statement that a pædophile has a right to rape children valid, one must instead adopt the second definition of rights you cite. With that definition, all you need to do is get a legislature to vote for that proposition and voilá! the right is created, and by that definition it becomes perfectly correct and valid to claim a right to rape children. It is no longer contradictory (since this definition of rights does not contradict rape, or anything else) and, as long as the legislature approves it, it is by definition now valid.

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    27. Re:Incorrect by rizole · · Score: 1

      Oh no it doesn't!

    28. Re:Incorrect by giorgiofr · · Score: 1

      Fine. He'll write his book and sell it at $ 50K to his closest, richest friends/art lovers/commissioners: *THEY* will not copy and share it because they paid it so much and they just don't care about you. Is that what you want?

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    29. Re:Incorrect by paganizer · · Score: 1

      There ARE other reasons.
      I have a few provisional patents for stopping denial of service attacks; the reason I don't do anything with them is that there would be no way to keep it out of government hands, and by definition the concept can be used to really put the hurt on freedom of speech. ...and I'm keeping the patent so that if anyone else comes out with it, I can sue them into oblivion, or failing that, release it into the wild.
      And I see a problem with your statement; what about someone like Robert Heinlein? when he died, his copyrighted works went to supporting his wife of a gazillion years, ginny, which I just can't see anyone having a problem with.

      --
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    30. Re:Incorrect by Speare · · Score: 1

      The term 'effective' in this situation does not mean what Webster says it means. Its legal usage is different from its street usage. To us, 'effective' means it can do the job, but if it can be cracked and lawsuits ensue, it wasn't effective, was it? To a lawyer, 'effective' means you took documented steps to effect it (not affect it): we're discussing a silly example but if you can prove that you actually ran cat myfile | rot13 | rot13 > myfile.txt , then you would be a protected rights holder under the DMCA.

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    31. Re:Incorrect by Anonymous Coward · · Score: 0

      Victims of genocide come to mind as the easiest example.

      So what you are saying is that rights can't be intrinsic to existence because if you kill the person they cease to have rights? Yet by killing them, do they not cease to exist as a living human? Once they are a corpse, truly, what right remains to them, intrinsic or not?

    32. Re:Incorrect by Abcd1234 · · Score: 1

      You can't crack the encryption on a DVD to extract a clip for your review, but you can still connect the DVD player's analog output to a capture card, or point a camcorder at the screen.

      I assume you've never heard of HDMI?

      Trust me, the media conglomerates are working on this problem. If they had their way, everything would be encrypted right up until the picture is displayed on your TV and the sound is coming out of your speakers.

      Of course, you could always set up a camcorder, right? It'd look like shit, sure, but it's something... until they embed watermarks in the image which cause the camcorder to stop recording, at which point it's game over.

    33. Re:Incorrect by Elemenope · · Score: 1

      So what you are saying is that rights can't be intrinsic to existence because if you kill the person they cease to have rights?

      No, what I am saying is there seems to be no *evidence* that there exists intrinsic rights on the basis that if such a right did exist, it doesn't seem to have any practical effect on whether the genocided victim becomes dead or not. I'm making this point because most people assume rights have causal efficacy, which I also include in my definition of right. I'm arguing that the legitimate moral claim "I'd rather be alive than dead" does not rise to the status of right because it has no causal efficacy to affect whether I become dead or not.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    34. Re:Incorrect by Endo13 · · Score: 1
      Making money off whatever brilliant ideas we happen to come up with is not an inherent right. It's a privilege.

      And that helps a band with their first album, how? And without copyright (which you imply in the quote above should be done away with), how does even the established band with fans that you describe make any money beyond their costs?

      Oh please. It's entertainment. If you can make money off it at all you should consider yourself fortunate. It's not unreasonable in the least to demand that a new band proves itself before they get paid. Most profitable bands have had to do free entertainment before they got paid for anything.

      If you're really that concerned about someone "pirating" your "hard work" in your book-writing, maybe you should leave the authoring to people who actually care about what they're writing instead of just making money for sitting at a desk.

      If something is really worth being said/written/produced, the artist will almost invariably produce his work whether he gets paid for it or not. Making money off his passion is just an added bonus. If he doesn't care enough about his work to do it without assurance of money, it's usually not worth producing at all.

      That being said, I do support copyright - with reasonable limitations. Durations of 75 years after the death of the creator isn't even close to being reasonable. Ten years total duration, with a possible extension to fifteen would be reasonable.

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    35. Re:Incorrect by jez9999 · · Score: 1

      However, I would argue that this is not a very useful definition for 'right', because then you raise the substantial issue of who defines that which is just, morally good, proper, or fitting. I don't agree. That's an entirely separate question. It may be raised in association with any question of morality and ethics - yet we do not conclude as a result that morality or ethics are unuseful.

      But when one is debating morality and ethics, one makes it quite clear in one's language that whatever they are advocating is their opinion. It's not a very useful word if the noun 'right' assumes that whatever it describes is basically defined by the speaker.

      and yet disagree on exactly what rights we properly have, and on what justification.

      Quite. The law clarifies exactly what legal rights we properly have, and seems by far the best definition as to what a 'right' is. It's unfortunate that that particular word has been used because it's identical to the adjective that isn't necessarily the same thing at all; not all rights are right, and not everything that's right is a right. :-) But it has.

      You could make that claim, if you wish. You can make any claim you wish. However, the claim would be false on its face. No one using any recognisable variant of the classical liberal paradigm would consider it valid.

      What about something more grey, then, like an individual's right to retain copyright on a work for 50 years after their death? Now nobody agrees, and your definition of a 'right' becomes rather worthless.

      This is what we mean when we say that 'rights are negative' - they don't obligate others to do things for you, or to waive their own rights in favour of your own

      What about the 'right to bear arms'? That gives people an ability to easily inflict serious physical damage on others. Or are you about to seriously argue that it's a 'negative' right because bearing arms isn't actually the same thing as firing them (which is an obvious common result of the former)?

      If I demand that you refrain from raping me, I am in no way intruding on your rights, as they do not extend into my body.

      What about my free speech in a public place? Does that 'extend' into your body because you can't avoid hearing me if you walk past, and get offended?

      One may claim whatever one wants, but no amount of claiming can alter the fact that rape is wrong and any claim to have a right to rape is self-contradictory and invalid.

      According to whom is rape wrong? I doubt most rapists would agree.

      With that definition, all you need to do is get a legislature to vote for that proposition and voilá! the right is created, and by that definition it becomes perfectly correct and valid to claim a right to rape children.

      Yes, I think I would agree with that definition. I just don't see what is wrong with it, exactly. Just because the state declares a 'right to rape children' doesn't mean you can't say, "that right is utterly wrong and should be repealed."
    36. Re:Incorrect by Damvan · · Score: 1

      I agree. As an engineer, I get paid once for the work I put into the design. I don't get paid every time someone looks at the building, or walks inside. Why should the creative arts be any different?

    37. Re:Incorrect by Babbster · · Score: 1
      That being said, I do support copyright - with reasonable limitations. Durations of 75 years after the death of the creator isn't even close to being reasonable. Ten years total duration, with a possible extension to fifteen would be reasonable.

      In other words, you don't disagree with me at all. Note that I never stated agreement with the current, ridiculous copyright laws which are created to profit corporations instead of aiding artists in making a living...Well, we disagree a bit since I would consider 20-25 years a better term, but that's what negotiation is for.

      I get that artists work for the love their art, but I consider copyright a smart way of allowing them to at least potentially make a living from doing so. Without copyright, all you're left with are live performances, and let's face it: Fine authors would starve if they were required to entertain people in person in order to make a living.

      The bottom line is that society values its entertainment as much as - sometimes more than - other, physical products, and copyright allows some measure of ownership of products that are more ephemeral. In our society, I honestly believe that without copyright we'd lose a lot more than we gain, and that art (particularly music, literature, movies and TV - oh, and videogames, which many on this site value) would stagnate, and a couple of those industries would contract significantly or die outright. Just as an example, it would take a team of hobbyists working in their spare time 10 years or more to produce a game on the level of a Final Fantasy, and the likelihood is that it would just never happen. Without copyright, NONE of the videogame companies would have a reason to exist since their product could be copied and distributed by anyone, in the open and without fear of reprisal.

      Art for art's sake doesn't feed an individual, let alone a family.
    38. Re:Incorrect by Endo13 · · Score: 1

      What about the 'right to bear arms'? That gives people an ability to easily inflict serious physical damage on others. Or are you about to seriously argue that it's a 'negative' right because bearing arms isn't actually the same thing as firing them (which is an obvious common result of the former)? Having the right to bear arms does not give you the right to attack with them. The right to bear arms is the right to defend yourself, your family, and your property with them. As in, you have the right to carry a firearm to defend yourself in case someone tries to rape you. It's basically a provision to allow you to defend your own rights if no one else will defend them for you.

      What about my free speech in a public place? Does that 'extend' into your body because you can't avoid hearing me if you walk past, and get offended? If you're forcing someone to listen to you, then yes you're violating their rights. But if you happen to be yelling your views in the middle of Times Square, no one is being forced to listen to you. They are after all perfectly capable of not walking there, or at least wearing some kind of hearing protection.

      According to whom is rape wrong? I doubt most rapists would agree. According to most people, rape is wrong. Even most sane rapists would agree that it's wrong. We all do things we consider wrong. But your question does serve to illustrate one of the problems most of Western Civilization faces today. We do seem to have a need (or at least a tendency) to base rights and morals on something beyond human authority. History has proven that no one person (or even group of people) will have a perspective sufficiently objective and unbiased to base human rights or morals on. Which begs the question... what should we use as the ultimate basis for human rights?
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    39. Re:Incorrect by Sydney+Weidman · · Score: 1

      Fine. He'll write his book and sell it at $ 50K to his closest, richest friends/art lovers/commissioners: *THEY* will not copy and share it because they paid it so much and they just don't care about you. Is that what you want? Absolutely. Someone who is that focused on getting paid for their ideas obviously can't have anything of importance to say to humanity. If you have anything at all of importance to say, your deepest instinct as a creator -- your primal need -- will be to say it to the widest possible audience. The very purpose of art is to speak to humanity not just the rich or the well-connected.

      In short, I have no objections to keeping such works private because they cannot ultimately be of much value.

      Like I said in another post: If it is owned, it *cannot* be culture.

    40. Re:Incorrect by Mr2001 · · Score: 1

      I know what effective means in this context, but I'm pretty sure you're still wrong.

      The test of whether something controls access to a work is whether you need to deal with that thing to gain access. The Lexmark case, for example, showed that even though a printer manufacturer might design their drivers (or USB interface chips or whatever) to limit access to the code stored in the printer's ROM, preventing anyone using a third-party ink cartridge from invoking it, that doesn't count as an access control because the owner of the printer can still pull out the unencrypted ROM chip and read it directly. The fact that Lexmark took steps to protect the code is irrelevant because those steps don't actually prevent anyone from accessing it, they only limit one possible avenue of use.

      In the silly case of double-ROT13, it's trivial to show that the output is the same as the input by definition. You don't need to guess a key, crack a code, or circumvent anything to access the plaintext, you just have to read it - it's right there in front of you, indistinguishable from the original.

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    41. Re:Incorrect by Mr2001 · · Score: 1

      I assume you've never heard of HDMI? Indeed I have, and it's one reason I don't own anything "HD".

      Trust me, the media conglomerates are working on this problem. If they had their way, everything would be encrypted right up until the picture is displayed on your TV and the sound is coming out of your speakers. Which still wouldn't mean the end of fair use, as you note below.

      Of course, you could always set up a camcorder, right? It'd look like shit, sure, but it's something... until they embed watermarks in the image which cause the camcorder to stop recording, at which point it's game over. Sure. If we ever come to a point where all video output is watermarked and all camcorders are mandated to stop recording once they see those watermarks, then maybe I'll agree that it's the end of fair use.
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    42. Re:Incorrect by Mr2001 · · Score: 1

      Just as an example, it would take a team of hobbyists working in their spare time 10 years or more to produce a game on the level of a Final Fantasy, and the likelihood is that it would just never happen. Without copyright, NONE of the videogame companies would have a reason to exist since their product could be copied and distributed by anyone, in the open and without fear of reprisal. Wrong.

      Ask yourself this: Is there demand for games like Final Fantasy? Are people willing to pay for the ability to play them?

      Obviously there is, and they are. Now, you don't have to be a free market fundamentalist to realize that as long as there's demand, there will be a way for that money to flow to the people who perform the service of making those games. Whether it happens after the service is performed (Square creates the game at their own expense and then tries to make their investment back by selling copies) or before (Square calls for contributions and starts work once they've made arrangements to be paid for it) is pretty much irrelevant.

      You seem to think that in a world without copyright, it'd be impossible for anyone who currently creates copyrighted works to get paid, but that simply isn't true. They'd just have to do what the rest of us do: find someone willing to pay them for working.

      If I want to work for the city as a landscaper, I can't just go down to the park, rake some leaves, and then show up at city hall expecting to be paid for it; I have to apply for a job first in order to be sure that I'm not just wasting my time working for free. For some reason, though, many people seem to think musicians, artists, and programmers are incapable of doing that, so they think it's normal to give them special treatment - but as a programmer, I sure don't need any special treatment.
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    43. Re:Incorrect by Mr2001 · · Score: 1

      I have a few provisional patents for stopping denial of service attacks; the reason I don't do anything with them is that there would be no way to keep it out of government hands, and by definition the concept can be used to really put the hurt on freedom of speech. If the government wants to use your invention to put the hurt on freedom of speech, do you really think a patent is going to stop them?

      And I see a problem with your statement; what about someone like Robert Heinlein? when he died, his copyrighted works went to supporting his wife of a gazillion years, ginny, which I just can't see anyone having a problem with. You don't think anyone could object to restricting everyone's speech in order to subsidize Mrs. Heinlein?

      Look, everyone else who wants to support their loved ones after they die has to either buy life insurance or invest their money while they're still alive. They can't just expect payments to keep rolling in for work they did decades earlier even after they're dead. I can't believe so many people, especially here on Slashdot, think it's fine for certain occupations to get special treatment like this.
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    44. Re:Incorrect by Babbster · · Score: 1

      Again I ask, though, how much can Square charge for something that, without copyright protection, is freely available once the first copy is "in the wild?" They would have to do something like distribute the game on a medium which is only readable by a single device and add "DRM" like crazy.

      Everyone wants to tell me how people will make money somehow without specifying where that money is going to come from or why the money would be paid.

      Heck, maybe a company like Square, with an established base of rabid fans, could continue to make money by building their games. But, that doesn't help a company just starting out that might be capable of making the greatest game of all time - fans won't pay money in advance on pure speculation, investors won't pay money when there's no decent business model light at the end of the tunnel (well, going by the past, smart investors wouldn't), who's left with an interest in getting a game made?

      Until I see a reasonable answer to the above, then I have to consider anti-copyright arguments foolish and short-sighted.

      Oh yeah, and programmers have been making software on spec and getting paid later once they can start selling their programs (made possible by both copyright and patent laws, by the way) for a very long time - again, without those laws they'd have made diddly for those efforts. Thus, your job, in particular, is a poor example to hold up on this issue. The number of software products that would never have been made without copyright protection and the concomitant chance to make money from selling copies is staggering.

    45. Re:Incorrect by Mr2001 · · Score: 1

      Again I ask, though, how much can Square charge for something that, without copyright protection, is freely available once the first copy is "in the wild?" They would have to do something like distribute the game on a medium which is only readable by a single device and add "DRM" like crazy. No, they wouldn't. You seem to be stuck on the idea of selling copies; what I'm proposing is not selling copies, but selling the act of writing the game in the first place.

      It doesn't matter to Square whether the game can be copied for free once the first copy becomes available, because everyone who made it will have already been paid by then. Furthermore, it doesn't matter to the people paying either, because they're not paying for a copy of the game (which they can make on their own for free), they're paying to live in a world where that game exists. It's like paying a physicist to figure out the value of some natural constant - his effort is still worth paying for, even if you can't charge for access to the number he comes up with.

      Everyone wants to tell me how people will make money somehow without specifying where that money is going to come from or why the money would be paid. The money can come from anyone who believes he'll benefit from the availability of a new game. Most obviously, the players benefit because they're the ones who'll directly use it, but funding might also come from other parties: for example, if Sony thinks the arrival of a new Final Fantasy game for PS3 would sell thousands of new consoles, they might be willing to fund its development too.

      But, that doesn't help a company just starting out that might be capable of making the greatest game of all time - fans won't pay money in advance on pure speculation, investors won't pay money when there's no decent business model light at the end of the tunnel (well, going by the past, smart investors wouldn't), who's left with an interest in getting a game made? Again, let me remind you that this is exactly the situation faced by anyone who starts out in any other field of work. If you can't convince someone to pay your asking price because you have no track record of success, then you'll have to lower your price (at first), or prove that you can create something good by putting together a portfolio at your own expense.

      Until I see a reasonable answer to the above, then I have to consider anti-copyright arguments foolish and short-sighted. Well then, do you have a "reasonable answer" for all the first-time barbers, mechanics, CEOs, accountants, etc. out there -- people who also must face the fact that potential customers/employers might be hesitant to pay them with no proof of their skill?

      Or are you just demanding special treatment for artists, musicians, and programmers, while leaving everyone else out in the cold?

      Oh yeah, and programmers have been making software on spec and getting paid later once they can start selling their programs (made possible by both copyright and patent laws, by the way) for a very long time - again, without those laws they'd have made diddly for those efforts. Yes, and it's been foolish all along; they're lucky to have made anything for their effort. Anyone could've seen from the beginning that any business founded on maintaining a monopoly over information--which anyone can duplicate for free without being detected or stopped--is fundamentally built on shaky ground, and yet they decided to join in, hoping they could get rich before the bubble burst.

      Thus, your job, in particular, is a poor example to hold up on this issue. My job is a great example, actually, because I practice what I preach. I'm not in the business of selling copies. If every program I've ever worked on became freely available for download, my income wouldn't be affected at all.
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    46. Re:Incorrect by giorgiofr · · Score: 1

      Wow, basically you just said that there was no art up to and during the Renaissance. Besides, "the very purpose of art" has been debated for centuries and no definitve answer has come up yet, so I doubt you can dismiss the issue in 4 rows. "Your deepest instinct as a creator -- your primal need -- will be to do X" is a constantly wrong statement, seeing as creators are not created equal. It reeks of arrogance on your part to believe you speak on the whole world's behalf.
      But really, your gem: "Someone who is that focused on getting paid for their ideas obviously can't have anything of importance to say to humanity". Now I understand, the only problem is that hippies think they can speak with any authority about, oh, anything at all. Luckily nobody even considers your opinions.

      --
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    47. Re:Incorrect by jez9999 · · Score: 1

      Having the right to bear arms does not give you the right to attack with them. The right to bear arms is the right to defend yourself, your family, and your property with them.

      I'm sorry, but often, the line between 'attack' and 'defend' is to blurry for me to tell which is which.

      If you're forcing someone to listen to you, then yes you're violating their rights. But if you happen to be yelling your views in the middle of Times Square, no one is being forced to listen to you. They are after all perfectly capable of not walking there, or at least wearing some kind of hearing protection.

      Not really. If you're unaware before you enter that I'm yelling stuff, you will be forced to listen to me at least once. That's like saying the victim didn't have to enter the corridor where they were raped.

      Which begs the question... what should we use as the ultimate basis for human rights?

      I can't see any better solution than a current human authority. I'd much rather have that than some arbitrary text written down in some book by a handful of people (religion).

    48. Re:Incorrect by Endo13 · · Score: 1

      I'm sorry, but often, the line between 'attack' and 'defend' is to blurry for me to tell which is which. That's your own personal problem, which actually has nothing to do with this debate.

      Not really. If you're unaware before you enter that I'm yelling stuff, you will be forced to listen to me at least once. That's like saying the victim didn't have to enter the corridor where they were raped. True. I'll give you that one. But I guess generally rape is considered worse than being forced to listen to someone else's views on whatever topic for a few seconds or a minute.

      I can't see any better solution than a current human authority. I'd much rather have that than some arbitrary text written down in some book by a handful of people (religion). Heh. The irony in that is pretty funny. You do realize that "arbitrary text written down in some book by a handful of people" is exactly what all current human authority is? Pretty much the only claim you can try to make here is that today's human authority is better than the authority in religion because it's a couple thousand years newer, but history has shown us that current human authority really hasn't done much to improve things over what various religions gave us hundreds or even thousands of years ago (in many cases, current human authority has actually made things worse). So you might want to rethink that point.
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    49. Re:Incorrect by jez9999 · · Score: 1

      I'm sorry, but often, the line between 'attack' and 'defend' is to blurry for me to tell which is which. That's your own personal problem, which actually has nothing to do with this debate.

      No, it's got something do do with it, because we were discussing whether this right was a 'negative' one, which it isn't if it can be deemed to infringe upon somebody else's territory.

      True. I'll give you that one. But I guess generally rape is considered worse than being forced to listen to someone else's views on whatever topic for a few seconds or a minute.

      Still, you must retract your earlier point about 'all rights being negative'.

      Heh. The irony in that is pretty funny.

      What I missed out that I meant to say was 'written down over 2000 years ago and never changed (certain selective removals from the text notwithstanding)'.

      history has shown us that current human authority really hasn't done much to improve things over what various religions gave us hundreds or even thousands of years ago

      I shall not rethink that point, because I'd far rather be living in a liberal Western society today than in the Middle East 2000 years ago. Abolished death penalty (in Europe), legalized drugs (in the Netherlands), more freedom of speech (Quran occasionally mentions murdering infidels, although is inconsistent), etc. And as previously mentioned, religious texts are indeed inconsistent. At least modern texts can be changed if they are inconsistent, making the principle of defining our current morality by them far more sound. And yes, human morality does change over time, perhaps as we discover new knowledge or just plain evolve. I don't really see that as a problem.
    50. Re:Incorrect by Endo13 · · Score: 1

      No, it's got something do do with it, because we were discussing whether this right was a 'negative' one, which it isn't if it can be deemed to infringe upon somebody else's territory. No actually, we weren't. Maybe you're getting me confused with someone else?

      Still, you must retract your earlier point about 'all rights being negative'. I never made that point. Perhaps you should check post history a bit more carefully.

      I shall not rethink that point, because I'd far rather be living in a liberal Western society today than in the Middle East 2000 years ago. Abolished death penalty (in Europe), legalized drugs (in the Netherlands), more freedom of speech (Quran occasionally mentions murdering infidels, although is inconsistent), etc. And as previously mentioned, religious texts are indeed inconsistent. At least modern texts can be changed if they are inconsistent, making the principle of defining our current morality by them far more sound. And yes, human morality does change over time, perhaps as we discover new knowledge or just plain evolve. I don't really see that as a problem. This is where we'll definitely have to agree to disagree. In time we'll truly see the entirety of the effects of current human authority. Personally I'm going to have to guess that we'll have seen history repeat itself yet again.
      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
  11. Re:demise of 8-track? Yes. by GodWasAnAlien · · Score: 1

    VHS is dead, as are cassettes, 8-track and records.

    The real DRM of VHS and the others, was the degrading quality.

    The quality degrades with watching it, degrades with copying it, degrades with time.

    DVD's now have effectively no DRM.

    CD's have no DRM.

    MP3's have no DRM.

    So the current effectively unencumbered base of digital media is DVD's ,CD's , and MP3's (and OGG ...).

    For HD-Blue-DVD to really replace DVD, it has to be effectively unencumbered as well. Until then people will buy DVD's because they are less limited.

    But no, there has been no reason to use tapes for a while.

  12. A small nitpick... by alerante · · Score: 5, Informative

    Marketplace isn't an NPR program; the show is produced and distributed by American Public Media. Though many public radio stations air programs from both NPR and APM (as well as other orgnizations like Public Radio International), the two are distinct entities.

  13. Great poets steal by Anonymous Coward · · Score: 0

    This isn't at all surprising, and this trend has been in the process many years. The view of 'ownership' has changed dramatically in the past two centuries or so. The most obvious example of this is plagiarism. In nearly all schools, honor codes, punishments, and many other items exist to discourage 'plagiarism'. When we look at history, many of the great works in history are based in this plagiarism, just look at Shakespeare. This trend has just continued to grow. Ownership should be disregarded, and things should be placed into the public sphere for the enjoyment of all the public. Of course, this will never occur, as capitalism destroys this. Ahh the wonders of idealism...

    1. Re:Great poets steal by Ingolfke · · Score: 1

      Ownership should be disregarded, and things should be placed into the public sphere for the enjoyment of all the public.

      Why?

    2. Re:Great poets steal by Ingolfke · · Score: 1

      So all people who invest time and money into a non-physical project such as a book, a recorded song, a piece of software are "greedy fucks"?

    3. Re:Great poets steal by Anonymous Coward · · Score: 0

      So all people who invest time and money into a non-physical project such as a book, a recorded song, a piece of software are "greedy fucks"? If they think they should keep making money off it 50 years after they're dead then yeah, greedy fucks.
    4. Re:Great poets steal by westlake · · Score: 1
      many of the great works in history are based in this plagiarism, just look at Shakespeare. This trend has just continued to grow. Ownership should be disregarded, and things should be placed into the public sphere for the enjoyment of all the public. Of course, this will never occur, as capitalism destroys this. Ahh the wonders of idealism...

      Not one of Shakespeare's plays was published in his lifetime. They were the prime assets of his theatrical companies. His livelihood.

    5. Re:Great poets steal by Petrushka · · Score: 1

      I get the impression that, indirectly, you're agreeing with the gpp. I'd venture a guesstimate that before the 20th century, most artists -- literary, musical, and otherwise -- made the bulk of their income out of performance, rather than publication.

      On second thought, that's way too generalised, but I'd still bet on performance representing a hefty percentage of income.

  14. Yet another thing... by The+Master+Control+P · · Score: 4, Insightful

    Yet another thing that Congress made illegal and which law enforcement makes no meaningful attempt to enforce. Which means it will go the same way as most of the rest of the US legal code: Never actually enforced until the cops (or the ones holding their leash) really, REALLY want to get someone (for reasons good or for bad); Then a careful search of the legal code is all but gauranteed to reveal something that makes you a criminal.

    After all, it's impossible to control people who aren't criminals. You see it on Law & Order all the time: If someone isn't cooperating, they threaten to enforce some other law unless the guy does cooperate. As shit laws like these pile up, the state becomes fascist through no particular malice or evil intent. You being a thorn in their side? Well, I'd sure hate to take your entire DVD collection to make sure they weren't pirated. And you better have receipts, too.

    Dead serious: Before any new law may be passed, the legal code shall be reviewed in it's entirety and thoroughly checked for existing laws serving the same purpose. If any such law shall exist, the proposed law may not be passed. If multiple laws serving the same purpose are found, they shall be reconciled into one non-self-contradictory law with the eldest law taking precedence. Not only will Congress be too preoccupied by this to do any more damage, but eventually the legal code will become understandable again. Imagine... justice returns as rich/well-funded criminals can no longer appeal their sentences for 25 years before they go to jail. To help initial implementation, I suggest forming a "council" of 1000 lawyers covering every legal field, and directing them to find contradictory and/or redundant laws.

    The problem is that as the legal code grows, the most general search becomes O(N^2) because you need to compare every law with every other law. This needs to happen before N becomes so large that the only way to finish before the End of Time is to completely reboot. Queue arguments that we're already there...

    1. Re:Yet another thing... by bhmit1 · · Score: 2, Insightful

      I'll second that. My philosophy was similar:

      Before any additional law (or tax, regulation, etc) two other laws must be canceled, until such a time as the general public has a firm understanding of all of the laws they are required to obey. At that point, every new law must cancel a previous law in order to be entered into the books. The end result should be a 200 page paper back book that is required reading for a high school student. Enforcement of the law should be done by the letter of the law and not by looking over past cases. If a law is ambiguous, it should be clarified and replaced with a new law.

      Consider what would happen to the bureaucracy if the most complex tax return was 5 pages long, how much better the legal system would be if anyone could defend themselves without knowledge of years of case law, and what would happen to the special interest if you had to fight against every other special interest for the little space left in the law books left for exemptions.

      Of course, that is about as likely to happen as congress voting for a pay cut or the two party system implementing a ranking voting method that doesn't have a built in bias for the two party system.

    2. Re:Yet another thing... by Original+Replica · · Score: 1

      I'll gladly vote for you if that's your platform, but good luck getting any professional politicians to allow us to make that into law.

      --
      We are all just people.
    3. Re:Yet another thing... by Ingolfke · · Score: 1

      Wow... the concept of having a 200 page manual on the law... even if that was just the primary law and duty for each citizen, and there were seperate manuals for more complex issues (business for example). That would be outstanding!

    4. Re:Yet another thing... by The+Master+Control+P · · Score: 1

      Although your meaning in mentioning a congressional pay cut is clear, haven't the Democrats planned to tie Congress's pay raises to the minimum wage? I'm not entirely certain about the whole thing, but figured it's worth mentioning.

    5. Re:Yet another thing... by slamb · · Score: 2, Interesting
      Dead serious: Before any new law may be passed, the legal code shall be reviewed in it's entirety and thoroughly checked for existing laws serving the same purpose. If any such law shall exist, the proposed law may not be passed. If multiple laws serving the same purpose are found, they shall be reconciled into one non-self-contradictory law with the eldest law taking precedence. Not only will Congress be too preoccupied by this to do any more damage, but eventually the legal code will become understandable again.

      Have you heard of a lawspeaker? Here's a good article:

      Rationalizing regulation: In ancient Iceland, the people would gather together in an assembly, the Althing, once each year to hear their corpus of law recited from memory by a professional lawspeaker. If a law was forgotten during the hours-long proclamation and no Icelander objected then it lost its force, limiting the number of rules that could be pronounced before the speaker dropped from exhaustion. Thus, only rules that concerned the people and advanced the public good could remain "on the books".

      I'm inclined to agree with you; our laws are the legal equivalent of spaghetti code. They're poorly crafted - too permissive in places, too restrictive in others, too complicated altogether. When most citizens break laws during the course of a normal day, something's wrong with the laws.

    6. Re:Yet another thing... by ConceptJunkie · · Score: 1

      How about this: Every time Congress wants to pass a new law, they should extract 1 pound of flesh from Ted Kennedy, that way by 2011, we'll have a lot fewer laws being passed and America's Favorite Swimming Coach won't have to buy his pants at that special store that also sells muu-muus.

      Seriously, though, the law we need is that all members of Congress must do their own taxes, handle their own insurance claims and every other piece of bureaucratic hoop-jumping they thoughtlessly pile on us at a whim.

      Oh, and John McCain must spend 4 hours a day browsing YouTube for inappropriate material.

      --
      You are in a maze of twisty little passages, all alike.
    7. Re:Yet another thing... by mr_matticus · · Score: 1

      Unfortunately, this is impractical and impossible. You cannot govern a country in 200 pages, period. The constitutions alone of most countries approach 100 pages. A five page tax code sounds like a good idea, but the fact of the matter is that our current legal system, Byzantine though it may be, is inadequate to account for all the infinite permutations of events in our country.

      The law can't ever be made black and white, and even if there were just 200 pages of statutory law, case law would remain the governing body of legal discourse. This planet is quite diverse in terms of cultures and histories and even dispositions--the reason you know that such a simplistic legal system wouldn't work is that it doesn't exist in practice. Libertarianism is an unattainable ideal, just like communism. It doesn't make people any more free than any other system--it just changes which small subset is on top.

    8. Re:Yet another thing... by cpt+kangarooski · · Score: 4, Insightful

      Well that's just idiotic. The right amount of laws to have is what works best to establish and maintain a desirable society and polity, not some arbitrary number you've clearly pulled out of your ass.

      Besides, your idea is unworkable on its face: laws are lengthy and complex when there is a desire for certainty. When laws are short and simple, there is less certainty as to what they mean (which, incidentally, means that you want to use caselaw, since then the courts will be able to all agree and take a largely uniform approach, rather than varying wildly as they all take their best guess, which will differ).

      Saying that the law should be as you describe is as stupid as if I said that the source code for an entire, fast, efficient, feature-packed OS, windowing UI, and apps (office suite, web browser, media player, etc.) should all fit, uncompressed, on a single floppy, and be human-readable, and easily understood by any average high school graduate. It would be nice, but it's a foolish demand to make, and probably can't even be done because some things are simply complicated, and that's how life is.

      A legal system can be simple, consistant, just, and efficient, but not all at the same time. In our society, and pretty much every other civilized society, we've chosen to go for just and consistant and where possible, efficient. Most simple and efficient legal systems tend to be of the 'might makes right' or 'eye for an eye' variety, and usually are not very consistant or just.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    9. Re:Yet another thing... by slughead · · Score: 2, Interesting

      Yet another thing that Congress made illegal and which law enforcement makes no meaningful attempt to enforce. Which means it will go the same way as most of the rest of the US legal code: Never actually enforced until the cops (or the ones holding their leash) really, REALLY want to get someone (for reasons good or for bad); Then a careful search of the legal code is all but gauranteed to reveal something that makes you a criminal.

      For more information on this, there is a fantastic Cato Book Forum on this subject.

      Here's a great quote from FDR's attorney general, Robert Jackson (mentioned in the video):

      With the law books filled with a great assortment of crimes, a prosecutor stands a fair chance of finding at least a technical violation of some act on the part of almost anyone. In such a case, it is not a question of discovering the commission of a crime and then looking for the man who has committed it, it is a question of picking the man and then searching the law books, or putting investigators to work, to pin some offense on him. It is in this realm--in which the prosecutor picks some person whom he dislikes or desires to embarrass, or selects some group of unpopular persons and then looks for an offense, that the greatest danger of abuse of prosecuting power lies. It is here that law enforcement becomes personal, and the real crime becomes that of being unpopular with the predominant or governing group, being attached to the wrong political views, or being personally obnoxious to or in the way of the prosecutor himself.

      Keep in mind, he made that speech, the body of federal criminal law was less than half the size it is today.

    10. Re:Yet another thing... by Anonymous Coward · · Score: 0

      You mean attempting to give themselves a 60% pay raise like they plan on giving the min. wage a 60% hike? What a delightful idea!

    11. Re:Yet another thing... by QuasiEvil · · Score: 1

      I like your plan. I'd only add one thing - all laws have a 10 year sunset at most. They must be explicitly renewed (no omnibus renewal bills) by a full vote of the Congress and a signature by the Prez. Not sure how you make that "explicitly renewed" clause work, since often any given bill includes hundreds of provisions, but... If you can't take the time to discuss something once a decade, it probably isn't that important and deserves to be stricken from the books.

    12. Re:Yet another thing... by bandannarama · · Score: 1

      Nit: It's far, far worse than O(n^2), it's O(n!).

      --
      Bandannarama
    13. Re:Yet another thing... by KonoWatakushi · · Score: 1
      Before any new law may be passed, the legal code shall be reviewed in it's entirety and thoroughly checked for existing laws serving the same purpose. If any such law shall exist, the proposed law may not be passed. If multiple laws serving the same purpose are found, they shall be reconciled into one non-self-contradictory law with the eldest law taking precedence.

      This is a great idea, and it can be taken further. Aside from searching for duplicate laws, some entity should be tasked with factoring existing laws.

      Laws only get more complex now, and as you point out, it simply isn't scalable. Another advantage of de-duplicating laws, and re-factoring them, is that more attention will be paid to the intent of the law, rather than the letter of the law. No doubt, this is a huge undertaking, but it needs to be done, and we are certainly not short on lawyers. (Though, we may be short on honest ones.) I wouldn't mind if they all dropped dead, but this would be a much more productive activity for them. (Ok, not all lawyers are inherently evil, but a very small fraction of them are actually improving our lives.)
    14. Re:Yet another thing... by The+Master+Control+P · · Score: 1

      Afer thinking about this, I believe that it's a great idea on the surface but won't work in practice. I forsee two problems in it: Burnout and laws that *shouldn't* come up for renewal.

      If every law comes up for renewal every 10 years, lawmakers will end up blindly renewing everything because no one cares about the 12th renewal of that stupid National Grange-era farm subsidy statute unless someone (be it lobbyists, PACs, or their constituents) makes a stink about it. Then we have a situation where the sunset clause loses it's meaning because it becomes so routine. Every 10th year, Congress will walk in like Zombies to almost mechanically recite "Yea" to renew everything. We could also see a system where monied [Is it monied or moneyed?] interests will try and kill old but important laws. Imagine the MAFIAA lobbying congress about the 11th renewal of the Sherman Antitrust Act in 2015 or so... Who else but lawyers will even remember what that is?

      Second, what about laws that should never be up for renewal? This creates a no-win situation. Some givens: we can probably agree that some laws should be forever-until-repealed and never face renewal (e.g. Bill of Rights). The B.o.R. hadn't been in effect for 20 years when Congress shat all over it with the Alien and Sedition acts - Imagine if they could've simply not-renewed it. Imagine Bush refusing to re-sign the 8th Amendment because he wants to be able to torture Guantanamo Bay detainees. But given this, and the existence of a "safe harbor" where laws (not necessarily just Amendments) will not face constant renewal-or-death, can you guess where congress will try to append everything because they hate renewing ten thousand bills every ten years?

      I think the solution lay in a middle road... You have the Constitution and it's Amendments and Treaties. Then you have "established" laws which pass renewal X number of times and no longer face renewal. Then laws that are sort of on probation pending renewal X times. Thus, even if you do get bad laws like the unPatriot Act that are renewed once, a timespan of 20 or 30 years should weed out such transient mistakes. I say 20 or 30 years because that's long enough for the sort of mass panic and hysteria that tends to prompt such seriously malformed laws to pass and for reason to take hold again. This way, laws that are written by a congress that's over-reacting to a disaster (perceived or otherwise) will not have a genuinely lasting effect, whereas good laws (Sherman Antitrust act, child labor laws) will remain in power. Imagine if the DMCA faced renewal in 2008, 2018, and 2028 before it became permanent.

    15. Re:Yet another thing... by asuffield · · Score: 1

      What you are proposing is to bury Congress in bureaucracy until they can no longer do anything, on the basis that anything they do is always bad for people. While both the basis and the objective are laudable, this method is needlessly complicated and expensive. I find this to be a simpler and more effective method:

      Split the legislature in half. Give one half the ability to grant laws, requiring a 2/3 majority, and the other half the ability to repeal laws, requiring only a 1/3 vote to do so (so in the two-party system, if *anybody* thinks this is a bad law, it's gone). They'll waste most of their time fighting each other, and in the process the number of bad laws on the books will gradually decrease. Any new nonsense that gets passed will be thrown out so many times that it'll take them years to polish it enough, by which point any short-term interests will have expired - effectively, a law can only be written for the long term. Lobbying now costs a fortune and takes forever, so it's not really practical any more (and as soon as you *stop* paying for it, the law gets thrown out again). Note that the repealing house will have to repeal stuff all the time in order to have something to brag about next election.

      Yes, this effectively castrates the legislature. It's supposed to. That's got to be an improvement over the current plutocracy.

      The trick to dealing with politicians is always to exploit the fact that there's nothing a politician would rather do than fight another politician, given a reason to do so. Most of the time you just need to give them a reason.

    16. Re:Yet another thing... by syousef · · Score: 1

      I'd argue after several hundred years and more changes in the last few decades than ever before, it's time for a reboot. Sure take bits of the existing code to come up with the new code.

      Of course I have no confidence that any of this will happen in my life time, or without bloodshed.

      --
      These posts express my own personal views, not those of my employer
    17. Re:Yet another thing... by The+Master+Control+P · · Score: 1

      Although what I propose would bury everyone in bureaucracy for some time (until the legal code were reduced to quasi-manageability again), that isn't it's purpose. Yes, at the present time most of what Congress does is bad. Not all, but I feel that the bad outweighs the good, if only because bad laws generally get more coverage and have a much greater potential for negative impact. But my objective is not to completely break the legislature via red tape tsunami.

      I ended up proposing a second change in another post below here, with renewal-or-death for laws at regular intervals for a time before they become permanent (My post ended up with renewals after 10, 20, and 30 years before permanency). If you combine this with a code being reduced and cleaned up, the intent is not to bury the legislature but create a system where laws must be favored over a long period of time before becoming permanent. This acheives your objective of making lobbying much more difficult, because a bad law would have to be pushed through 4 times rather than once at long intervals. And by this, it would also help make it more difficult for Congress to do harm, intentionally or otherwise, because shit laws would probably get thrown out or forgotten.

      Ultimately, I believe it comes down to most things in need of legislation already having been legislated. As far as things that happened historically up until now, we've pretty much got the civil and criminal bases covered. Of course, new things come onto the scene (Biotechnology, the Internet, soon nanotechnology), but Congress, slothful as it may be, can legislate faster than things in need of legislation happen. We need a way to use up their excess time, because the way they take it out now, by passing redundant gobbledegook, is (Danger inbound cliche) Destroying America. With nothing else to do, it seems they spend most of their time dreaming up novel punishments for having drugs and (over)reacting to whatever tragedy has grabbed the spotlight for the next 15 minutes (Terry Schaivo, anyone?)

      What I'm getting at is that although creating two bickering Congresses would prevent anything from getting done, anything includes good as well. After getting past the initial hump of getting our crazy legal system under control, my changes would have the effect of allowing Congress to perform it's function (writing useful laws) while impeding the bad and safely burning off Congress's spare time in red tape. If I might jump to a nuclear analogy, I propose to insert the control rods far enough to get the reactor back under control rather than flood the moderator with hafnium nitrate solution.

    18. Re:Yet another thing... by bhmit1 · · Score: 1
      A legal system can be simple, consistant, just, and efficient, but not all at the same time. In our society, and pretty much every other civilized society, we've chosen to go for just and consistant and where possible, efficient.
      If I had to choose, I'd pick simple and just. As long as I'm able to understand the law and it's applied fairly I'd be willing to give up some consistency if it means I get to actually know I'm breaking the law in advance. If the common person is unable to tell you what case law applies from the past 20 years and if they are breaking the law, then what's the point in being consistent.

      I fully admit that this system will never come into existence, but more because of how congressmen do their jobs than for practical reasons. If you have a suggestion for how one should fix the system, feel free to say it. Otherwise, you're encouraging an environment where the difference between breaking the law and being a good citizen is how much the police like you. While that's worked well for me in the past (cop reducing a speeding ticket), that doesn't mean that it's right, or even consistent, or even just, and I'm incline to think it's pretty inefficient when you look at our courts.

      The James Madison quote mentioned below basically sums up my philosophy. I'm throwing out one possible implementation of it, but there are certainly others that are easier to implement and result in a better system.
    19. Re:Yet another thing... by jez9999 · · Score: 1

      Oh, and John McCain must spend 4 hours a day browsing YouTube for inappropriate material.

      I think he does that already.

    20. Re:Yet another thing... by vertinox · · Score: 1

      The problem is that as the legal code grows, the most general search becomes O(N^2) because you need to compare every law with every other law.

      I think that is the key problem with the US government (and all governments that I know of) is they always make laws permanent or with no review in the future without considering possible changes to society, geopolitics, or technology.

      Short term for 10 to 20 (or even 50 years) but we are dealing with laws that end up being around for eternity without any consideration things do change.

      Currently our only recourse is for people to challenge laws in court as unconstitutional and this is a very slow process.

      Considering the amount of laws Congress and state bodies are passing without expiration dates (to be fair certain legislation such as gun control bills often have renew dates in them for compromise but these are rare) and Congress never bothers to really revoke laws.

      The simply add them.

      So in 100 years our law system will be so burdened that no amount of lawyers or Supreme Court overturnings can really fix it.

      What we really need is something like the Anti-Congress legislative body whose only job is to revoke laws by popular vote and approval by the president.

      Or perhaps a constitutional amendment that says all laws passed after certain date will expire unless re-approved by congress.

      --
      "I am the king of the Romans, and am superior to rules of grammar!"
      -Sigismund, Holy Roman Emperor (1368-1437)
    21. Re:Yet another thing... by rawtatoor · · Score: 1

      The end result should be a 200 page paper back book that is required reading for a high school student.
      I can see it now... a book which teaches teens about such topics as beastiality and the myriad deviant human behavior. Pat Robertson will be behind this 100%.
  15. Re:A thousand Slashdot readers curse T.S. Eliot... by Brandybuck · · Score: 2, Interesting

    People say "steal" because it is one syllable, as opposed to the six for "violate copyright". No, it's not synonymous with armed robbery, but it is stealing. Get a dictionary and look it up! If copyright is a property, then copyright violation can indeed be stealing. If copyright isn't a property, then stop according property rights to your creative works (such as using the GPL).

    Last week I went to a wedding. While there I stole a kiss from the bride. So why can I steal a kiss but I can't steal a poem?

    I for one, am praising T.S. Eliot!

    --
    Don't blame me, I didn't vote for either of them!
  16. Great Bootlegs... by __aaclcg7560 · · Score: 3, Funny

    Good poets borrow; great poets steal.

    Maybe that's why the underground economy in China is so great.

  17. Re:A thousand Slashdot readers curse T.S. Eliot... by ygslash · · Score: 1

    Wow, you are really angry at t. s. elliot - you spelled his name with Capital Letters.

    Hmm, I guess the author of TFA doesn't like him very much, either.

  18. Still not yelling loud enough. by Chuqmystr · · Score: 2, Informative
    Call me wrong if I am but it seems to me that most folks who listen to NPR are at least somewhat familiar with what DRM is and all that accompanies it. At least for myself and the other NPR listeners I talk to that's he way it is. Still, good to see the word is getting out beyond just the Internet. Forgive me for stating the obious but what really should be done concerning rights management as far as media is concerned would be campaigns on the order of the bullshit the which the RIAA and MPAA have been spewing, sans the bullshit of course. Perhaps this is a step in that direction. Keep it up NPR.

    As for the Real Media encoding from what I remember it was the only useable and widely accepted option around when NPR first started offing audio content online. Still, much better options abound these days. They should at least transition to them over a few weeks or months time if they're woried about pissing off listeners who are unaware and set in their ways. -C

    1. Re:Still not yelling loud enough. by ygslash · · Score: 1

      As for the Real Media encoding... much better options abound these days. They should at least transition to them over a few weeks or months time [for] listeners who are... set in their ways.

      Or offer a choice. Like WCLV, a mainstream classical music radio station that offers a choice of a Windows Media stream and an Ogg stream on their site. The Windows Media stream has two links, one convenient for IE/Windows users and another for other browsers.

      I think they used to offer also Real Media, but they discontinued that long ago.

    2. Re:Still not yelling loud enough. by amper · · Score: 1
      As for the Real Media encoding from what I remember it was the only useable and widely accepted option around when NPR first started offing audio content online.


      Bullshit.

      QuickTime has *always* been better than anything Real has come up with, not to mention the fact that it's vastly cheaper, even if you use the Apple-branded version. To top it off, you can even use the open source Darwin Streaming Server if you are so inclined.

      NPR used to offer all their content in QuickTime format, up until a couple of/few years ago.
    3. Re:Still not yelling loud enough. by Chuqmystr · · Score: 1

      Okay, yes, quicktime too, I forgot about that. But I'm talking about '96/7 or so when I first remember trying NPR streams and as I remember it Real was the only thing out there that could (kinda) stream (sort-of) reliably over the type of connections we had back then on windoze boxes. I was still wandering around in windoze-land back then, just starting to play with Linux and Mac was a far off and pricey dream then to me. I remeber some quicktime streaming but I seem to associate it mostly to postage-stamp video then, at least on the windows side of things. Honestly, I pretty much avoided streaming for the most part then because it was such a pain in the ass at the time. So was audio streaming (similar to what we have now) at the time more prevalent with Quicktime? Like I said, I mostly avoided it then so my perception could be way off. As for Real, I can't stand them. Never did like 'em. I like to think they stunted growth in multimedia content delivery more than help it. They were a pain in the ass then too and still are today. -C

  19. Re:A thousand Slashdot readers curse T.S. Eliot... by ygslash · · Score: 1

    I'm sorry. Using the word steal in this context is polititically charged, and reinforces the FUD that the media cartel is spreading.

    So I must agree with the grandparent poster.

    As for t. s. elliot, of course, he had no idea that his words would be so misused in today's world. But yes, now that quotation has become unfortunate.

  20. Re:A thousand Slashdot readers curse T.S. Eliot... by Anonymous Coward · · Score: 1, Informative

    Only T.S. Eliot was really allowed to spell his name using lowercase for the T, S, and E. Anyone with an English poetry and literature background knows that the proper way to refer to him is as "T.S. Eliot", unless you're reproducing a work of his where he wrote his name as such. It's considered disrespectful for others to use his lowercase name when referring to him.

  21. The choice is simple... by Lodragandraoidh · · Score: 2, Insightful

    The choice is simple - either continue to accept the old business model, or don't. It is up to all of us to make that choice for ourselves.

    --

    Lodragan Draoidh
    The more you explain it, the more I don't understand it. - Mark Twain
    1. Re:The choice is simple... by The+Living+Fractal · · Score: 1

      You know what else? They need to take commericals out of the previews for movies. I don't go to a movie theater to watch commericals. Three billion previews is bad enough. Now I have to watch ads for pepsi and apple? BHAUIBGHZZARGH!!L!AH!!!

      If we all just stop going to movie theaters until they get rid of the commericals before the movie maybe we can get them gone for good.

      Personally, I find it's much easier to get movies from... ahem... well anyway, to watch them in the comfort of my home on my 60" HDTV, with no commercials or previews, and the option to pause the movie to go to the bathroom. Not to mention no more loud, annoying fat women behind me who talk during the whole movie and laugh like hyenas at everything even if it's not funny. (ok that was harsh, but I'm telling you, it has happened)

      I'm all for it. There needs to be a website to schedule this.. Boycott movies due to commericals. Boycott DVD etc due to the horrible DRM. In fact, I think I'll make one. I'll come up with a good name, something memorable, and let's see if this 'simple' idea works ;)

      TLF

      --
      I do not respond to cowards. Especially anonymous ones.
    2. Re:The choice is simple... by dircha · · Score: 1

      "The choice is simple - either continue to accept the old business model, or don't. It is up to all of us to make that choice for ourselves."

      I couldn't agree more. People who respond to DRM in products with grandiose statements about inalienable rights, to me come off as perhaps in the same situation as heroin addicts complaining about the hassle of getting clean needles - the difference being I feel more sympathy for the heroin addicts.

      These people are addicted to the very products they deride and claim are ethically deficient.

      And they continue to pour billions of dollars of their hardearned money into these morally bankrupt companies just to get another fix of the product.

      It is very hypocritical and it is working at cross-purposes to their cause.

  22. See, This is What Happens... by Bob9113 · · Score: 5, Funny

    Now do you see? Now do you understand why we have to get rid of this particular evil? This simply cannot be allowed to survive, because it is standing in the way of progress.

    As long as we continue to have media outlets that are not owned by corporations, we will continue to have reports like this that fail to toe the corporatist line. Were it not for NPR, reports like this, critical of DRM, would be relegated to the backwater of Internet blogs and college-town weeklies. We have failed to completely destroy NPRs credibility as a media outlet despite our constant efforts. We must stamp it out altogether, or face continued non-corporate-approved reporting.

  23. Good poets borrow, ..., fantastic /. editors... by EmbeddedJanitor · · Score: 0, Redundant

    dupe!

    --
    Engineering is the art of compromise.
    1. Re:Good poets borrow, ..., fantastic /. editors... by Anonymous Coward · · Score: 0

      If you (the editors) would stop duping, we (the posters) wouldn't make comments that you (the moderators) mark as redundant.

      Savvy?

  24. Re:A thousand Slashdot readers curse T.S. Eliot... by ElBuf · · Score: 1
    At the risk of getting into an argument (which I'm not going to do), and in an effort to be clear (which, apparently, I wasn't): you do not agree with me. I was joking, poking fun at what I regard as a distinction without an ethically substantive difference.

    regards, Grandpa.

  25. Good poets borrow... by Anonymous Coward · · Score: 0, Funny

    As I always say. Good poets borrow; great poets steal.

  26. Who are the real thieves? They are! by Simonetta · · Score: 5, Insightful

    With all the talk about 'theft' and 'piracy' it's easy to lose track of who the real thieves are here. It's the global media corporations who stole the public domain by bribing the politicians to implement a permanent extension of copyright.

        Suppose that you buy a car on 'time' and agree to make five years worth of monthly payments. After five years (if you don't miss payments) then the car is yours. Suppose that after four years and six months, the finance company bribes the local legislature to extend the amount of time that you have to make payments for another five years. Emmimently fair for them; a rip-off for you. If you refuse to make another payment after the initial five years of payments have come to completion, they call you a thief and get the local law to take your car at gunpoint and put you in jail.

        Copyright works the same way. Agreement is made to make payments for an agreed time period for the use of the films, books, or recordings. After that period is up, the films, books, and recordings are paid for and can be used by the public freely. The material enters the public domain.

      Paying off politicians to extend this period is theft: it is theft of the public domain. The global media companies have relentlessly and successfully lobbied and bribed for 'extensions' of the copyright period in individual countries throughout the world. They keep extending the time period that the public must pay them in total violation of the spirit of the balance between copyright and public domain. They are the real thieves here, not someone burning a CD or downloading a movie. Never forget this.

        Criminals don't get to chose which laws are enforced for all the rest of us. Nor do we have to pay serious attention to the justifications that they use to legitimize their criminal behavior.

    1. Re:Who are the real thieves? They are! by Ingolfke · · Score: 1

      So your point is good, that copyright holders have used the political process to extend their benefits to what seems to be the deterement of everyone else.

      That doesn't mean that you have a legal right to copy copyrighted material. So you can feel free to ignore the law of "criminals" but the reality is that you could still be held accountable, regardless of your own justification.

    2. Re:Who are the real thieves? They are! by Jah-Wren+Ryel · · Score: 2, Insightful

      That doesn't mean that you have a legal right to copy copyrighted material.

      But it does make a pretty good argument for a moral right to copy copyrighted material.

      --
      When information is power, privacy is freedom.
    3. Re:Who are the real thieves? They are! by russotto · · Score: 2, Insightful
      So your point is good, that copyright holders have used the political process to extend their benefits to what seems to be the deterement of everyone else.
      That doesn't mean that you have a legal right to copy copyrighted material. So you can feel free to ignore the law of "criminals" but the reality is that you could still be held accountable, regardless of your own justification.
      Ahh, the "they bought the law fair and square" argument. The point isn't that people violating the (bought and paid-for) law can't be held accountable. In fact, not only can they, but the people who bought the law get to set the value of the accounting. The point is that due to their activities there is no longer any moral or ethical backing to the law. It's pure might-makes-right and violating it is at worst a morally neutral act.
    4. Re:Who are the real thieves? They are! by Ingolfke · · Score: 1

      I made no moral statements. I simply said if you voilate the law, whether your agree with it or not, you still could suffer the consequences. If I don't think it's morally wrong to burn down churches that doesn't mean that I will not be put into prison for my actions.

      I support strong DRM and short copyrights, and a requirement to clearly and accurately communicate what rights are transferred to the purchaser at the point of purchase. In the short term, the big media morons will do all sorts of idiotic things to make a few extra bucks... but the end result is likely to be the ability to download massive amounts of content and new and high quality content that didn't exist before, but can exist now because an investment in creating the content could result in a return with strong DRM. Then again... maybe they'd just lease everything to you and you'd have to pay monthly for that Paris Hilton song you love so much :)

    5. Re:Who are the real thieves? They are! by mr_matticus · · Score: 1

      All well and good, if the 'car' in your analogy is 'media corporation' or 'prolific artist' in the real world. Really, it's more like Ford is going to sell cars for five years and then keep making those same models (with no improvements), but giving them away for free. Then later they change their mind.

      If copyright were shortened too much, sales would decline immensely and many artists would fold entirely. There has to be a balance--people have to be willing to pay a sufficient amount in compensation in order to create suitable incentive for artists to continue working. Using power to force artists into a narrower and tightly confined set of rights, and wrestling absolute control at the price of $10 a copy is abuse of artist rights and tyranny of the majority.

      Of course, everyone here can hide behind the "it's the labels we're attacking; not the artists" but that has nothing at all to do with the laws people want to abolish. If you want to correct the big injustice, take out the MPAA/RIAA/etc. Make sure that the artists get their fair share, and the exorbitant "middle man" prices will vanish. Everyone will be happy. Going apeshit about copyright law will squeeze out the artists and harm consumer choice and relevance LONG before it'll correct the true evils in this scenario.

    6. Re:Who are the real thieves? They are! by Anonymous+McCartneyf · · Score: 1

      Strong DRM and short copyrights?
      This could get interesting. If the copyrights for everyone were cut down to 28+28 (explicit renewal required), but the anti-circumvention clause of the DMCA remained intact--then in 28 years, many of us will really know what it means to have DRM on public-domain works!
      Of course, many corporations, esp. the ones in the MPAA, will renew everything they can. We'll have to wait 56 years for the films. But imagine the fight to unearth thirty-year-old forgotten songs hidden under DRM!
      In short, if we're going to have strong DRM, we'll have to issue a few trusted people licenses to break DRM schemes. Locksmiths for DRM...

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    7. Re:Who are the real thieves? They are! by Ingolfke · · Score: 1

      Good point. You would need a government agency or some type of commercial store house to store each piece of content and release it DRM free after it had expired.

    8. Re:Who are the real thieves? They are! by Dhalka226 · · Score: 0, Flamebait

      If anybody had called illegally downloading a copyrighted song theft, Slashdot posters would be up in arms. There would be a dozen posts about how copyright infringement isn't theft and it's not at all the same as, oh I don't know... stealing a car.

      But saying that getting a law changed to extend copyright is theft of the public domain, that's +5 Insightful. Equating it to them depriving you of your car... yeah, +5 Insightful.

      You know, I even agree with your point. What they're doing is not right. I'm just completely disgusted with the constant double standards around here. This sort of thing is exactly the reason why this site has become such a joke to so many people. When some groups can do nothing wrong and some can do nothing right--even when they are doing the same things--then we have a problem with intellectual honesty.

      Okay, mods. Since it is inevitable that calling /. hypocrisy out results in being modded down, I guess I'll help you out: The one you're looking for is "Offtopic." That way not only do you get to mod me down, you'd even be technically right about it.

    9. Re:Who are the real thieves? They are! by Anonymous+McCartneyf · · Score: 1

      Yes. And to make sure all that content is stored, we will have to require that all copyrights be registered again.
      Before the Sonny Bono Copyright Act (IIRC), for a work to be registered and copyrighted, a copy had to be submitted to the Library of Congress. This requirement was lifted when the requirement to register was because everything whatsoever is copyrighted on being written, including the epherema. We don't want to force the Library of Congress to store every shopping list ever written.
      So, we reinstate the old 28+28 terms for all persons, human or corporate, with explicit renewal after the first 28. We also require that for any copyright to be valid, the Library of Congress must have a DRM-free copy on archive. The Library of Congress will then be required to preserve everything they have in storage. We will charge for copyright registration and renewal, though not so much that a human being can't afford to register or renew.
      Noncommercial works can be released without any copyright at all; if, after being posted in public forums, they then become insanely popular, well, the creator didn't expect it. Commercial works will be registered; whether they are re-registered will depend on if the holder of the copyright wants to bother with it. RIAA members might let go of their older non-hits. MPAA members won't let go of anything because of what happened with It's a Wonderful Life; they have since learned how to spark long-term interest in almost any film they choose. Smaller corps. (and humans) might have no choice but to release some works from copyright if they are prolific; copyright fees can add up. ;)

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
  27. Re:A thousand Slashdot readers curse T.S. Eliot... by Ingolfke · · Score: 1

    Hear hear... a voice of reason amidst a sea of peasant tyrannts.

  28. Gee, no hypocrisy here. by e9th · · Score: 1

    If you live in a large city, chances are your local "public radio" station(s) offer HD broadcasts. But try using them at home with your own sound system. They've chosen the Ibiquity [rhymes with iniquity] proprietary format to prevent anything beyond "listen once" use.

    1. Re:Gee, no hypocrisy here. by Anonymous Coward · · Score: 1, Informative

      I don't know what you're talking about. Public radio offers nearly all of its broadcasts in unrestricted MP3 format.

  29. DRM is completely unconstitutional by dpilot · · Score: 2, Insightful

    The Constitution says "for limited time." That means that some sort of copyright expiration means is necessary in DRM, so that after the copyright expiration the medium becomes free and unencumbered - public domain. AFAIK there is NO expiration mechanism whatsoever in current DRM, therefore it violates the letter and spirit of the Constitution.

    This is most likely moot, because in order to properly test this in court, we'd need DRM-protected media of material with an expired copyright. That hasn't happened, and probably never will happen. Congress has asserted their right to extend copyright as much as they wish, and the Supreme Court has agreed - 1 day less than eternity is "limited."

    As long as the ??AA funnels money to Congress, and as long as Congress accepts it, copyrights will never expire, and the Public Domain is effectively DEAD.

    --
    The living have better things to do than to continue hating the dead.
    1. Re:DRM is completely unconstitutional by Original+Replica · · Score: 1

      "This is most likely moot, because in order to properly test this in court, we'd need DRM-protected media of material with an expired copyright."

      Any Mozart CD's with DRM?

      --
      We are all just people.
    2. Re:DRM is completely unconstitutional by man_ls · · Score: 2, Informative

      That doesn't count. The representation of Mozart contained on that CD has a unique, modern copyright.

    3. Re:DRM is completely unconstitutional by Anonymous+McCartneyf · · Score: 1

      Maybe if you look hard enough in the dollar store, you'll find something to make your case with. They sell dollar DVDs. Most of the cost of a DVD is licensing the content; therefore, dollar DVDs are likely to be public domain.
      Alternatively, you could try to remove a public domain film from a DVD that contains both the film and newer material (commentary tracks, documentaries, etc.). Such DVDs tend to carry the copyright date of the newer material, but if an untouched public domain work is there...
      Your example work often won't be of great quality. When a film gets remastered, the resulting DVD can get re-copyrighted to the year when the remastering was done, and it often is. DVDs containing only public-domain work will often contain things like snow or strange edits as well.
      Music that has been remastered can be re-copyrighted also. Since almost all digital music is either recent or remastered, it'll be a while before you can strip WMADRM or Fairplay off a song.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    4. Re:DRM is completely unconstitutional by Anonymous+McCartneyf · · Score: 1

      I meant digital music with DRM. The dollar store CDs don't count because they aren't DRMed.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    5. Re:DRM is completely unconstitutional by Petrushka · · Score: 1

      Any Mozart CD's with DRM?

      Oddly enough, probably not. DRM on classical music CDs is very very rare. I've never yet come across an example. (I once thought I did, but it turned out to be a physical flaw on the CD.)

      Having said that, DRM on DVDs of Mozart operas ... well, that's another matter.

    6. Re:DRM is completely unconstitutional by zenyu · · Score: 1

      The Constitution says "for limited time." That means that some sort of copyright expiration means is necessary in DRM, so that after the copyright expiration the medium becomes free and unencumbered - public domain. AFAIK there is NO expiration mechanism whatsoever in current DRM, therefore it violates the letter and spirit of the Constitution.

      There is a very simple solution for this. We simply need to make it legal to break DRM schemes, and we need to pass a second law that says that copyrighted or patented works may not be transmitted or stored in an encrypted form once published. Then a publisher must choose whether to accept copyright protection for their work or use a DRM scheme of some sort to protect their work. If they choose to use a DRM scheme then they can force additional restrictions on the user of the work but can not sue anyone else that distibutes the work, if they choose copyright then they a legal monopoly to distrubute the work so retain the ability to sue anyone that distributes a copy of the copyrighted work.

      I would also like to shorten copyright to something on the order of an initial 5 years; with an optional extension for an additional 5 years for $100,000 adjusted for inflation/deflation, but only if the author is still alive and wants to extend the copyright. It should also be illegal to force an author to extend their copyright under any contract; that should prevent the copyright holder from some of the abuse they are known to subject authors too. But I see this as a completely seperate issue from the DRM problem. Solving the copyright length issue will require negotiating international treaties, eliminating copyright protection from DRM works could be done in an hour by a vote of congress and a signature from the President.

    7. Re:DRM is completely unconstitutional by dpilot · · Score: 1

      Unfortunately, there is one beginning point for ANY copyright extension legislation:

      The copyright on "Steamboat Willie" will NEVER expire. That's most likely not just a "lifetime of the Disney corporation" issue, because their property holdings, physical and IP, are so great that whoever buys their carcass someday will have the same interests.

      So for a more reasonable goal, I'd like to see initial copyrights shortened. For Mickey's sake, there need to be "Eternity - 1 day" extensions available. But I'd like to make those extensions require some pain. Not enough pain to prevent Disney from buying into the idea, but enough pain so that EVERYONE will consider, "Do I really want to pay to extend this particular copyright?"

      As it stands, the Public Domain is dying 20 years at a time. Maybe it would be nice to roll back copyright duration, but that just ain't gonna happen in this reality, in this decade, maybe century.

      So I'd like a small victory, to at least see SOME material progressing out of copyright into the Public Domain.

      --
      The living have better things to do than to continue hating the dead.
  30. His quote bears true... by ItMustBeEsoteric · · Score: 5, Insightful

    Being that Eliot *actually* said, "Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different."

  31. Weve been here before DRM == marijuana tax act. by eadint · · Score: 1

    In the 60's timothy leary chalenged a law called the marihuana tax act http://en.wikipedia.org/wiki/Marijuana_Tax_Act which basically stated that you had to break the law to exercise your rights. in a way DRM is like this you have to break the law in order to exercise your rights to copy. i am surprised that lwyers haven t used this case to set presedent and dismantle DRM. this is the real problem with drm and sonner or later someone will do what leary did and then it will be up to the government to change the law or eliminate it.

    1. Re:Weve been here before DRM == marijuana tax act. by Anonymous+McCartneyf · · Score: 1

      Hmmm. Mr. Leary challenged a law which made marijuana legal, but made buying or selling it illegal or impractical.
      The law was successfully struck down. It was then replaced with a law that, among other things, outlawed marijuana outright.
      If the law that Mr. Leary had challenged had never been overturned, the people trying to use medical marijuana would not have as much trouble they do now, since they aren't trafficking it.
      Therefore, if we try to overturn the DMCA in court, we had better make sure that Congress doesn't replace it with something stronger. We don't want the law of unintended consequences to strike again.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
  32. Re:A thousand Slashdot readers curse T.S. Eliot... by ygslash · · Score: 1

    Understood. No argument, my posts here are also with a smile.

    Too bad that it's black humor, though.

  33. Oops, premature posting. by mr_matticus · · Score: 1

    The point I was making there is that the "liberal" use we on Slashdot expect as standard fare in software/music/video purchases has fallen into that same "too expensive and irrelevant for the mass market" niche as the cheapest restaurants I eat at.

    We have been supplanted by the "fast food" and "Denny's/Applebee's/Friday's" consumers, who prefer the more convenient, cheaper alternatives even if it's actually worse in the long run. We stare in amazement at the mass market, but we're now the odd ones out, not everyone else.

  34. Re:A thousand Slashdot readers curse T.S. Eliot... by ygslash · · Score: 1

    OK, good, thanks. It's about time us geeks improve our English poetry and literature backgrounds.

  35. Fair use is a defence, not a right by driptray · · Score: 1

    You are under the mistaken assumption that the doctrine of Fair Use is a right. It is not, and never has been, a right. It is a defence to the charge of copyright infringement.

    This legal distinction appears to be lost on most who contribute to the neverending copyright debate on slashdot.

    1. Re:Fair use is a defence, not a right by node+3 · · Score: 3, Informative
      You are under the mistaken assumption that the doctrine of Fair Use is a right. It is not, and never has been, a right. It is a defence to the charge of copyright infringement.
      You are wrong on two counts.

      First, that I am unaware of the actual legal standing of fair use.

      Second, that it does not grant rights. It, in fact, does. I am allowed the *right* to copy copyrighted works, if my copying falls under fair use.

      This *right* has been repeatedly affirmed by the courts.

      This legal distinction appears to be lost on most who contribute to the neverending copyright debate on slashdot.
      Not in any generally meaningful way. While people do tend to misunderstand the details of fair use, the fact that it exists and allows for some rights for the consumer is both fact and law.
    2. Re:Fair use is a defence, not a right by cpt+kangarooski · · Score: 1

      No, technically fair use isn't a right.

      Free speech is a right. Copyright is a restriction on that right. Fair use is a limitation to the scope of the restriction. It's not a right in itself, it's just that when fair use (or other limits to copyright, inclusive of even the furthest limits of its extent having to stop somewhere) applies, nothing restricts the underlying right of free speech anymore, and you can exercise your free speech by, say, copying works.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    3. Re:Fair use is a defence, not a right by node+3 · · Score: 1
      No, technically fair use isn't a right.
      I grant the distinction you are trying to make (between different types of rights). But I don't see that distinction as having any bearing on the matter at hand.

      Fair use isn't one of the "inalienable rights" enumerated in the Constitution (which is what I believe you are referring to). It is still a right, however. Specifically, I have the right to copy works for which I do not own the copyright, under certain circumstances. That right, unlike the rights specifically enumerated in the Constitution, can be revoked or transferred (it is alienable).
    4. Re:Fair use is a defence, not a right by driptray · · Score: 1

      You're still not getting it.

      Rights are things you can claim in the absence of any restriction. They stand alone. Fair use is only a defence - it doesn't come into effect until somebody accuses you of copyright infringement.

      I'm not saying this because I believe it to be a good thing - I'd be more than happy if fair use was a right. Unfortunately it's not.

    5. Re:Fair use is a defence, not a right by Endo13 · · Score: 1
      Really? So the right to Free Speech only exists when someone tries to censor you? Following your logic, one would have to say that Free Speech is only a defense - it doesn't come into effect until someone accuses you of saying something illegal.

      Free Speech and Fair Use are exactly the same in this regard. They both only come into effect when someone tries to restrict you from exercising them.

      Copying someone else's work is still making use of a "fair use" right, whether or not copyrights even exist.

      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
    6. Re:Fair use is a defence, not a right by driptray · · Score: 1

      Free speech is the perfect example to illustrate my point. It is explicitly constructed as a right in the US Constitution, unlike Fair Use, which is part of the US common law.

      Let me put it this way - a right means you can do something and nobody can stop you. Free speech is a right because the Const says it is.

      A defence means you can stop somebody from doing something to you. Fair Use is a defense because the US common law says it is.

    7. Re:Fair use is a defence, not a right by Anonymous Coward · · Score: 0

      Fair use is free speech.

      Copyright is a restriction on free speech.

      Fair use is an exception to that restriction.

      The underlying right is free speech.

      The right you exercise when you make a fair use is your right to free speech.

    8. Re:Fair use is a defence, not a right by Endo13 · · Score: 1
      Sorry, but that has absolutely nothing to do with your post that I was responding to. Maybe you don't even remember or understand your own posts?

      You're still not getting it. Rights are things you can claim in the absence of any restriction. They stand alone. Fair use is only a defence - it doesn't come into effect until somebody accuses you of copyright infringement. I'm not saying this because I believe it to be a good thing - I'd be more than happy if fair use was a right. Unfortunately it's not. You were trying to make a claim that the right to Fair Use is somehow different from the right to Free Speech because it only gets exercised as a defense. The problem with your claim is that all rights really only come into effect when needed as a defense. Like for example your right to not have your house searched without a warrant. Yeah, I'm sure you're constantly exercising that right every day. Every morning you make a special trip to the police department just to let them know that they can't search your house without a warrant, right? Or how about your right to not have troops stationed at your house without your consent. Do you make sure you exercise that right every day? Or maybe... just maybe... you'll wait to do anything about that right until they actually do try to station troops at your house? All of this and your bogus claim has absolutely nothing to do with how much weight the various rights carry, or whether they're listed in the Constitution or some other US law. Sorry, but your "fair use is only a defense" argument is about as sturdy as a two-legged stool.
      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
  36. Re:demise of 8-track? Yes. by Tempest429 · · Score: 0

    Two things to note:
    Records are not dead. Most DJ's still use them for ease of beat-matching, scratching, etc. I realize there is also a large number of more modern technologies out there, but for now there is still a lot of people who love vinyl.

    Secondly, People will continue to buy DVD's because they're cheaper. Nearly every computer you can buy has at least a DVD player most have writers as well. In order for HD-DVD or Blu-Ray to succeed they need two things:
    1) Cheaper players. ~$1000 for a fancy new DVD player is outrageous.
    2) Good movies.
    On the whole though you do raise some good points about the current state of DRM.

    --
    You have just received the Amish virus. Since we have no electricity or computers, you are on the honor system.
  37. DRM is the least of your worries by Anonymous Coward · · Score: 0
    Losing copyright "fair-use" rights, as a practical matter, is happening, and everyone here is up-in-arms...

    Meanwhile, you can't literally be "up in arms" anymore, in many places, due to the erosion of the amendment rights.

    Next, you have many restrictions on "free speech", in the form of election laws. Heaven forbid you have money to spout your viewpoint and spend some money the wrong way to do it.

    Then there are property rights... Kelo anyone?

    The parent is correct, To summarize; Idiot voters are giving away our rights.

    First they came for the guns
    and I did not speak out
    because I do not like guns.
    Then they came for the cigarettes
    and I did not speak out
    because I do not like smoke.
    Then they came for fatty foods
    and I did not speak out
    because, um, fatty foods arent good for you.
    Then they slapped DRM on all my music
    and I spoke out, but no one cared.
    because if I didn't care about
    tangible stuff, they knew I wouldn't
    do anything about about just bits

    appolgies to Martin Niemöller

  38. Big money will always win until... by hAckz0r · · Score: 1
    Big money will always win until its obvious that the number of votes will not get the incumbent reelected. At that point the laws will be in our favor again, and only then the courts will recognize "our rights" again and pass judgment in our favor. As long as money influences the "law" that is being written we will continue to slide ever so closer to the edge of despair. Voice that opinion and we will all be better off sooner rather than later. You can complain here on slashdot until the cows come home, but until the politicians know about it your voice is still mute.


    Sorry for poping the bubble, but thats the "LAW" we are talking about here. Who is right makes no difference until the law makers agree. Your voice counts, but not here in this forum. Go make a difference where it counts. Sad, but true.

  39. playable dvds by falconwolf · · Score: 1

    I would also like to point out the self-destructive nature of the analog media they are pining over. About one third of the VHS tapes that remain in my collection are playable. The first DVD I ever bought does not skip once.

    Unlike you I've had a number of dvds go bad on me whereas none of my tapes aren't playable. Currently my oldest tape is more than 15 years old and it still plays however I've bought brand new dvds I had to return because they wouldn't play. Now I'll admit my first dvd plays fine but others don't.

    Falcon
    1. Re:playable dvds by omeomi · · Score: 1

      I've bought brand new dvds I had to return because they wouldn't play. Now I'll admit my first dvd plays fine but others don't.

      I think sometimes this has more to do with the player than the discs...I have two DVD players, and while I generally use one of them, I'll occasionally run into a disc that will only play on the other player...can't explain it, but it's happened a handful of times over the past few years.

    2. Re:playable dvds by falconwolf · · Score: 1

      I think sometimes this has more to do with the player than the discs...I have two DVD players, and while I generally use one of them, I'll occasionally run into a disc that will only play on the other player...can't explain it, but it's happened a handful of times over the past few years.

      I'd think that that could be it except that I've had two dvd players and the first dvd I had trouble playing had the problem on both players. What are the odds of having two different players have trouble playing the same dvd without there being something wrong with the dvd? It also makes it hard to believe it's the player when the replacement dvd does work in the same player.

      Falcon
  40. MOD PARENT UP. by Kozz · · Score: 1

    THANK YOU for pointing out these errors. Big difference between APM, MPR, NPR. I listen to Wisconsin Public Radio and they get as much as 30% of their funding directly from pledge drives.

    --
    I only post comments when someone on the internet is wrong.
    1. Re:MOD PARENT UP. by Danse · · Score: 1
      THANK YOU for pointing out these errors. Big difference between APM, MPR, NPR. I listen to Wisconsin Public Radio and they get as much as 30% of their funding directly from pledge drives.

      I thought most public radio stations would get more than that from their semi-annual pledge drives. Are you including business contributions? I listen to Texas Public Radio, and IIRC, they get more than 70% of their funding from individual and business contributions.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    2. Re:MOD PARENT UP. by Your+Pal+Dave · · Score: 1

      THANK YOU for pointing out these errors. Big difference between APM, MPR, NPR. I listen to Wisconsin Public Radio and they get as much as 30% of their funding directly from pledge drives.

      I thought most public radio stations would get more than that from their semi-annual pledge drives. Are you including business contributions? I listen to Texas Public Radio, and IIRC, they get more than 70% of their funding from individual and business contributions. I'll bet that pledge drives mainly drive individual contributions. The stations do year around fundraising, I get mailers outside of pledge weeks fairly regularly. Throw in stuff like vehicle donations and endowments, and the proportion directly due to pledge drives could be relatively small.
    3. Re:MOD PARENT UP. by Hatta · · Score: 1

      THANK YOU for pointing out these errors. Big difference between APM, MPR, NPR.

      Really? It all just sounds like public radio to me.

      --
      Give me Classic Slashdot or give me death!
  41. When Grammar Nazis Attack! by Anonymous Coward · · Score: 0

    You're right. We didn't loosen fair use rights; however the capitalist corporations did loosen our ability to exercise such rights in the sense of making these rights less precise. Thus, we have lost (past tense of lose) a limited amount of our capacity to effectively use such rights.

  42. public radio is not produced with taxpayer money by consumer · · Score: 4, Informative
  43. Re:demise of 8-track? Yes. by westlake · · Score: 1
    People will continue to buy DVD's because they're cheaper.

    How much more (or less) expensive than the first-generation DVD player is the HD-DVD or Blu-Ray player? Adjusted for inflation.

    Check the prices at Amazon.com. The A-list titles begin at $20. Check sales of HDTV and the XBox 360 at your big box retailer. Fast-forward to the $200 HD add-on for the XBox and sales of the PS3 in December 2007.

    The geek may place the right bet on sales of the Wii console, but he is often a poor judge of trends in the home market.

  44. If it's property... by Belial6 · · Score: 5, Interesting

    I always say that if it is property, then there should be a property tax on it. Let the copyright holder declare the value of their "intellectual property". If they set the value at $100, then they can only sue for $100. If the set the value at $100,000,000 then they can sue for $100,000,000, but they also have to pay property taxes on $100,000,000 worth of property. Of course they should be able to abdicate their ownership at any time both relieving them of copyright and tax liability.

    This would limit copyright holders from hording just for the sake of hording, as they would have to pay for it. We would see large numbers of works currently under copyright, pushed out to the public domain as a tax savings. It would not prevent anyone that is currently making a profit from their works from continuing to do so as they would be encourage to declare a fair market value for their works to properly balance protection and tax liability. It would limit the outrageous lawsuits as the value of the work would be pre-determined.

    1. Re:If it's property... by Ingolfke · · Score: 1

      That's a very very interesting idea. Create some kind of motivation to not keep items under copyright into perpetuity.

    2. Re:If it's property... by great+om · · Score: 1

      This sounds like an idea with some merit. The only problem I can see with this is the situation wherin an author cannot afford to pay the tax (for a fair value) on his or her copyrighted work, but where it would not be fair to immediately put the work in the public domain.

      As an example: In college, in order to graduate in my undergraduate program (English Literature), I had the choice of doing a standard thesis paper, or --with permision-- I could write a novella, under the proper faculty supervision. I choose to write the novella. Admittedly, it probably is not publish-worthy at this moment, but, someday, it might be nice (if unlikely :() if the thing were published --especially if there were a profit to be made from it. Currently, how much should I have to pay to retain my copyright?

      Perhaps we should not assess a tax until a work is published or broadcast -- so, currently there would be no tax for me to retain copyright until some fair cutoff date (what that would/should be, I've no idea.

      --
      ------- Oh damn.... the Sigfile escaped... -Great OM
    3. Re:If it's property... by atomicstrawberry · · Score: 1

      A better idea might be not to charge tax on intellectual property until it's actually being exploited for money.

      The problem I see with this is simply that it's got the potential to end up being unfair to a lot of artists. They'd have to seriously devalue their property in order to actually afford to pay the tax. In an ideal world, they would then ramp up its value proportional to the income they make off it. The problem is that it's not an ideal world. A big media company discovers this struggling artist that only values their IP at, say, $500. Being the morally bankrupt individuals that we know they are, they could quite possibly look at that as simply the cost of doing business. Rip it off, and the artist can only sue them for damages on $500 worth of property. You can guarantee that if you tried to somehow address this issue, the same big media companies would twist the laws back into their favour, and in the end nothing would change.

    4. Re:If it's property... by scharkalvin · · Score: 1

      Another idea....
      No property tax need be paid, except under trigger conditions.
      1: you sue someone for copyright violation.
      2: you distribute your property under DRM'ed media.
      The tax would be a one time tax, using a capital gains type calculation.

      If you ever put the property into public domain, it is considered a
      donation and you may take a tax write-off on it. The value of the tax
      write off is the remaining value in the property at the time of the donation.

    5. Re:If it's property... by dragonsomnolent · · Score: 2, Interesting

      I like this idea, however, as some have pointed out in this thread, there should be triggers, time limitations, etc... I agree with the poster who said that after it is published you should pay the tax. Make the value something to the tune of the cost of publication, plus x amount for time spent creating the work. Maybe even allow the tax to be paid out over a short length of time. The idea does have merits, and if the bugs got all worked out, I would welcome this with open arms.

      --
      I got nuthin
    6. Re:If it's property... by mandelbr0t · · Score: 1

      Of course the difference between this "Intellectual Property" concept and real property is what happens when it's stolen. So long as everyone plays fair, only one person will be profiting from the "property" at that time. It can't be in both my possession and the thief's possession simultaneously. I can prove that the thief stole it by producing some kind of record of acquisition (a receipt, perhaps) and show that the thief has possession of it unlawfully.

      This doesn't work too well with theft of "Intellectual Property". Look at the way SCO tries to push the same argument about Linux -- you're a Linux user, so you're in possession of our property. The receipt in this case is quite vague, however. SCO is not being very specific about what's in my possession unlawfully as a Linux user.

      If I work with someone on a project, we're both in possession of the same "Intellectual Property" throughout the course of our collaboration. If the collaboration ends, who "owns" the "property"? If there's fundamental disagreement among team members about what should be done with the "property", both of us can exercise our decision independently, even if the two views are mutually inconsistent. For instance, I might decide to release some code under the GPL, while my ex co-worker takes the same code and sells it to someone. It's a lot harder to enforce the GPL here, because two of us "own" the same "property".

      That's why the term "Intellectual Property" is so misleading. The only way I could remove the "property" from my ex co-worker's possession if a judgement was made that I "owned" said "property", would be to hit him in the head really hard and hope for amnesia. I'm not saying that there's no laws about ownership of software and other digital content, just that the comparison to physical "property" is rather flawed.

      mandelbr0t

      --
      "Please describe the scientific nature of the 'whammy'" - Agent Scully
    7. Re:If it's property... by Belial6 · · Score: 1

      Don't be confused. I think that the idea of "intellectual property" is just plain silly. Unfortunately, that is battle that the sane have lost. Given that people are now considering property, and thus the idea that they only had a limited monopoly on a public access is becoming common, we must figure out how do live in a world where this happens.

      As for more than one person owning the same "property" at the same time... This is dealt with all the time. With real property (e.g. land), it is called being "tenants in common" or "owners in common". In many states, it is the only way married couples can own land. While hitting your ex-spouse on the head and hoping for amnesia is one way of dealing with shared ownership of property, there are more legal ways of dealing with shared property, up to and including court ordered sale.

  45. Re:demise of 8-track? Yes. by Tempest429 · · Score: 0

    This is true. There is always those that buy at the first opportunity.
    My point is that the mass market, not just those that must have the latest (not always greatest), will adopt whichever platform is cheaper and has the movies they like. As you pointed out, at this point it looks like the Xbox 360 and it's HD add-on is winning.
    However, it is still to early to tell who has won the format wars.

    --
    You have just received the Amish virus. Since we have no electricity or computers, you are on the honor system.
  46. DRM will kill itself by bensafrickingenius · · Score: 4, Interesting

    I bought Neil Stephenson's Baroque Cycle trilogy in Adobe ebook format from Amazon a couple of years ago (I bought each book as it came available, actually). Well, that all started 3 laptops and 2 Palm PDAs ago. I got the urge to read the trilogy again last month, and found that I could no longer activate my Adobe ebooks. Seems that I'd accessed them on too many devices. Adobe tech support basically told me to go fuck myself. So I bought the dead tree versions of the books. I then emailed Adobe copies of the Amazon invoices for the ebooks and the subsequent hardcover purchases, along with a note explaining that I'd bought my last ebook. No surprise that I haven't heard back, but I'm sure they'll get the point when more and more of their paying customers have a problem with their legally purchased books being stolen from them by Adobe. Anyway, I'm praying that things change, and the sooner the better.

    --
    I am not left-handed, either!
    1. Re:DRM will kill itself by Technician · · Score: 1

      No surprise that I haven't heard back, but I'm sure they'll get the point when more and more of their paying customers have a problem with their legally purchased books being stolen from them by Adobe. Anyway, I'm praying that things change, and the sooner the better.


      Did you also let them know you are using a scanner with OCR software to replace the e-books so you still can use the search functions?

      --
      The truth shall set you free!
    2. Re:DRM will kill itself by Anonymous Coward · · Score: 0

      Great idea! But I was trying to drive home the "I'm an honest, paying customer, and you're stealing from me, and causing me to no longer be a customer of yours" point. Might have lost some oomph if I'd then gone on to say I was going to circumvent their DRM, even though of course we know I'd be in the right. Oh well.

    3. Re:DRM will kill itself by Technician · · Score: 1

      But I was trying to drive home the "I'm an honest, paying customer, and you're stealing from me, and causing me to no longer be a customer of yours" point.

      That is my point exactly. You sent them a bill for the broken product after you requested it be repaired to run on your new hardware. They neither refunded or repaired the product. Telling them you bought a new copy is pointless. The PHB and accounting department will love it. Tell them you are fixing it yourself and you are pissed at the lack of consumer support is killing future relationship is the message to get across. Don't tell them you bought another copy. If they send a lawyer to see who you copied from, produce both reciepts and explain one is broken and not fixed to your satisfaction. and again ask for the refund.

      Most important, make noise about the situation online. A blog of the whole affair goes a long way in the PR campaign to sell the defective products. Don't lie. Posting a smear campaign can cause lots of legal problems. Posting the facts may raise the threats, but there is no smear in the truth. Keep reciepts and all communications.

      --
      The truth shall set you free!
    4. Re:DRM will kill itself by swillden · · Score: 1

      I hope you're right that DRM will kill itself, because there is a better way. For a look at how electronic books *should* be done, check out Baen. No DRM, explicit permission to share with friends, a library of completely free material to get you hooked, the first few chapters of *every* book are free, innovative ideas that really take advantage of the nature of electronic publishing, like electronic advance reader's copies -- read your favorite author's next book 4-6 months before it hits the shelves, and see it exactly as it came from the author's word processor.

      Best of all, Baen's approach isn't just innovative and good for consumers, the publisher and authors are making money, too. Some of the authors have commented that their monthly royalty checks from electronic versions sometimes now exceed their royalty checks from paper versions. This in spite of the fact that the electronic editions still turn a much lower volume. And we're talking about books that are on the shelves in every Border's, Barnes & Noble, etc. in the US.

      Note that my only affiliation with Baen is that I've spent more money than I want to think about since discovering their electronic books.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    5. Re:DRM will kill itself by cjsm · · Score: 1

      That's interesting. I once posted on a thread about ebooks that I thought they wouldn't take off because they'ed be DRMed to death, and your example is what I meant. I was modded down (I think labled a troll) for that comment. I often see this on Slashdot, someone with a reasonable but negative comment on something being modded down or labled a troll. Well, glad you got modded up.

      --
      This ad space for rent.
    6. Re:DRM will kill itself by Ruie · · Score: 1

      You might find the following site useful: http://www.webscriptions.net/ - lots of e-books in HTML, at prices below hardcopy versions.

  47. I know funny... good thing it only works on text by Fallen+Kell · · Score: 1

    I mean seriously, I am glad ROT13 is only a useful text encryption format. Because with data, well, ROT13 a hex encoded byte... Doesn't decrypt too well with another ROT13 does it...

    --
    We were all warned a long time ago that MS products sucked, remember the Magic 8 Ball said, "Outlook not so good"
  48. Tired of this whole issue by petrus4 · · Score: 1

    DRM is nothing more than a bogeyman that the FSF can use to try and intimidate mainstream society into accepting positions which the FSF knows that the mainstream population would not be willing to accept otherwise. DVD copy protection has been broken, WGA in its' various incarnations has been broken and/or worked around, and the fact that no legal jurisdiction on the planet with antitrust laws would tolerate a situation where Microsoft can completely remotely control people's computers is conveniently overlooked. It is totally baseless fearmongering, plain and simple...and I utterly reject both it, and the people promoting it.

    As far as evangelism is concerned, the single main problem facing Stallman and the FSF is that they are, to put it delicately, one hell of a long way off the mainstream radar. Because of this fact, they need to resort to fearmongering in order to try and coerce normal people into listening to them...they are aware that without said fearmongering, their fellow Marxist aberrations are the only group they'd be able to get airtime with.

    I've said before that it isn't a coincidence that DRM only really became a serious pet topic of the FSF after the start of the War on Terror...Guess where Stallman got the idea from?

    (Of course, I am anticipating that Stallman's resident enforcers here will mod me down as always. You'd better hurry up, guys; the more time this post spends above -1, the more people are likely to read it and potentially be influenced by it...and we just CAN'T have that, can we?)

    1. Re:Tired of this whole issue by Valdrax · · Score: 1
      I've said before that it isn't a coincidence that DRM only really became a serious pet topic of the FSF after the start of the War on Terror...Guess where Stallman got the idea from?

      Strange. Stallman must've used his GNU powered time machine to go back to 1997 after the DMCA was passed to right "The Right to Read." Not that I'm a fan of Stallman and his stringent philosophy, but you do deserve to be modded down for peddling outright nonsense. The FSF was fighting against DRM long before the "GWoT," and Slashdot was worked up about the DMCA years before we had more scary things to worry about.

      Personally, I've been worried for years that our time will be the dawning of a new historical Dark Age based on the following factors:
      1. The overabundance of data making it hard to find the truly significant data in the wash.
      2. The impermanence of modern data storage vs. printed or written works from the past.
      3. The inability to read propietary formats centuries or even decades in the future.
      4. Mass use of encryption to secure documents, making data mining of historical records impractical.
      5. The voluntary extinction of historically significant works by chagrined rights owners. (See Disney's "Song of the South.")
      DRM is a major part of this, and while I don't support the FSF on everything, this is the good fight.
      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    2. Re:Tired of this whole issue by petrus4 · · Score: 1

      The impermanence of modern data storage vs. printed or written works from the past.

      This one I can see, definitely...although I don't see books going anywhere any time soon. Mind you, I'd agree with you that even if they stay around, they are by no means a total solution.

      The inability to read propietary formats centuries or even decades in the future.

      In the late 70s/early 80s, I might have agreed that such was a possibility...however, first ASCII and now Unicode are fairly powerful deterrents to such a future scenario, methinks. To me PDF is a large potential threat there...I consider it unlikely however that anything that's likely to be of importance centuries from now will use Microsoft Word as its' sole format.

      Strange. Stallman must've used his GNU powered time machine to go back to 1997 after the DMCA was passed to right "The Right to Read."

      I've read "The Right to Read." The dating of that particular story aside, I stand by my original assertion that the FSF's current level of militancy doesn't date back much further than 2002. There *has* been a change...The message itself isn't so much it...it's the degree of volume, and also his degree of tolerance for people who hold ideas that differ from his own, which in turn has created a new level of division that wasn't there earlier to the same degree.

      DRM is a major part of this, and while I don't support the FSF on everything, this is the good fight. (Emphasis mine)

      Bingo. Exactly. You expressed it perfectly. DRM is a subject about which there can only possibly be one perspective, right? Opposition. In other words, it's an utterly perfect rallying point. There in fact has possibly never been a better one, because with either Communism or Al Quaeda there were people who were sympathetic to both of those. Outside of corporations anywayz, *nobody* thinks of DRM (at least the type that Microsoft advocates) as a potentially good thing.

      In other words, although you might not agree with Stallman on the rest of his ideas, you *do* agree with him that DRM is a bad thing. Thus, he has a foot in the door with regards to potentially (at some point later) getting you to agree with the rest of his philosophy as well.

      By starting from a position where he has a group of people who have disparate perspectives on other issues, but who are willing to agree (and agree forcefully, even better) with him on one point, he thus has an opportunity to persuade people to accept the rest of his ideas over time. One idea slowly becomes two, two gradually becomes three, and before you know it, you're an unquestioning footsoldier in the GNU army.

      The degree of fear which people feel with regards to DRM makes this far more powerful and effective, and in that sense, promoting the idea of being people's Messiah in the face of the unspeakable evil that is DRM sets up a mutually reinforcing loop. Because Stallman only wants to do the right thing and save you from this monstrous DRM, and because people keep talking about what a truly miraculous programmer he is, (altruistic *and* a genius...he's looking more like God by the second) you end up thinking that it's just a lot easier if you allow *him* to make all those messy ideological decisions for you...especially considering that he knows how to save you from such evil things as DRM. After all, you're also obviously nowhere near either as supernaturally intelligent or as divinely, altruistically good as he is, are you? Freedom is so important to him...you don't need to worry about maintaining (or defining) that yourself any more. He'll take good care of it.

    3. Re:Tired of this whole issue by Anonymous Coward · · Score: 0

      Of course, I am anticipating that Stallman's resident enforcers here will mod me down as always. You'd better hurry up, guys; the more time this post spends above -1, the more people are likely to read it and potentially be influenced by it...and we just CAN'T have that, can we?

      This sort of post makes me wish we had a +1 "Look at this flaming idiot" moderation option, which raised the post's visibility but reduced the poster's karma. In the absence of that, the poster's suggestion that he be quickly moderated to -1 is a good one, since his premises are erroneous and his conclusions non sequiturs.

    4. Re:Tired of this whole issue by Valdrax · · Score: 1

      In other words, although you might not agree with Stallman on the rest of his ideas, you *do* agree with him that DRM is a bad thing. Thus, he has a foot in the door with regards to potentially (at some point later) getting you to agree with the rest of his philosophy as well.

      That doesn't logically follow at all, nor does its partisan implication that one must reject ALL of somebody's ideas to retain purity against the ones that you don't like. I hate to go straight to Gowdin, but there's no better way to cast a light on the ridiculousness of your position. Hitler was kind to animals, a vegetarian, and frequently tweaked dining mates over how the meat they ate was made. Does that mean that going vegan means a door is open for coming to agree with him about the extermination of the Jewish people?

      That's essentially what you're saying with Stallman. If you agree with his stance on DRM, then you're only steps away from saluting the idea that all proprietary software is a robbing of freedom and furthermore that he's " truly miraculous programmer [...], (altruistic *and* a genius...he's looking more like God by the second)." That's indefensible nonsense.

      Your alternative is the close-minded bigotry of the partisan. You have decided that Stallman is "not on your side," and are categorically rejecting any ideas of his without consideration of them independent from the rest of the man. Worse, you seem to be actively rejecting a good cause for no other reason than that he supports it. I've seen nothing in your arguments about why DRM is a good thing -- only that Stallman is fearmongering against it.

      In the late 70s/early 80s, I might have agreed that such was a possibility...however, first ASCII and now Unicode are fairly powerful deterrents to such a future scenario, methinks. To me PDF is a large potential threat there...I consider it unlikely however that anything that's likely to be of importance centuries from now will use Microsoft Word as its' sole format

      PDF is an open, documented standard. I have no fear that it will be readable in the future -- as long as it's not DRM protected like some Adobe eBooks. MS Word, I do worry about. A lot of corporate and legal documents are done in Word. Who knows how much of a future President's early career may be lost to us?

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    5. Re:Tired of this whole issue by petrus4 · · Score: 1

      Does that mean that going vegan means a door is open for coming to agree with him about the extermination of the Jewish people?

      No, because being vegan and the extermination of the Jews have nothing to do with each other. Hardware DRM on the one hand and licensing on the other both have to do with the unrestricted circulation (or lack thereof) of software. That's why if he gets people's agreement about DRM, it's going to be easier to get it about the GPL...because they *are* related...he wants them to be.

      " truly miraculous programmer [...], (altruistic *and* a genius...he's looking more like God by the second)." That's indefensible nonsense.

      No, it isn't. Go and read Stallman's article on Wikipedia...the people who maintain it have an opinion of him which is entirely subjective and irrational...and if anyone does try to inject another opinion, it is immediately removed. Among his faithful, he *is* worshipped, and dissent/critical opinions of him are not tolerated.

      Worse, you seem to be actively rejecting a good cause for no other reason than that he supports it. I've seen nothing in your arguments about why DRM is a good thing -- only that Stallman is fearmongering against it.

      For starters, as I've said I do not consider it a truly legitimate threat. Microsoft have already come under extensive legal fire for being a monopoly; I can in no way envision a scenario in any legal jurisdiction where Microsoft's remote control of computers which other people have paid for would be tolerated. It simply is not going to happen. Yes, it might be tolerated with regards to individual files...it might even be accepted with regards to preventing piracy of the operating system. It will *not*, however, be accepted in any scenario where Microsoft have the ability to remotely render a computer entirely physically inoperable against the wishes of the individual who paid money for it.

      The other area where the scenario within the story, "The Right to Read," is proven to be rubbish is that Stallman is apparently oblivious to the fact that piracy laws have never been, and will never be, enforceable on the basis of more than isolated cases. This is true for the simple reason (if for no other) that there are far more people interested in committing acts of piracy than there are people interested in the prevention of said acts...it therefore simply comes down to an economy of scale; the number of people working to prevent piracy are hopelessly outnumbered by those pirating.

      This was demonstrated not so long ago with the MPAA congratulating itself over having destroyed the largest server on the EDonkey peer to peer network, Razorback 2. The other servers in the network merely absorbed the destroyed server's traffic, and continued on, entirely without interruption. That also does not even mention the amount of piracy that takes place on IRC networks, Bit Torrent, and Direct Connect. The media industry might as well try and bale out the North Atlantic with a teaspoon; they'd probably have better chances of accomplishing that, quite seriously. Piracy benefits a much larger number of people than it hurts...that more than any other single reason is the main reason why it is largely impossible to prevent.

      To summarise, I *don't* believe that DRM is a good thing. However, I have sufficient confidence in human intelligence that I feel that when faced with something that is as blatantly detrimental to them as DRM is, people will universally reject it. We have already heard about how poorly the Zune is faring in the marketplace. Stallman has never given the intelligence of human beings other than himself enough credit, and it is insulting.

      MS Word, I do worry about. A lot of corporate and legal documents are done in Word. Who knows how much of a future President's early career may be lost to us?

      Not that I'm advocating the loss of such material, but I find myself wondering how possible it really is to establish a genuinely objective assessment of

  49. Re:A thousand Slashdot readers curse T.S. Eliot... by Brandybuck · · Score: 1

    T.S. Elliot was a master of words far beyond what you or I ever will be. Thus I defer to his greatness.

    --
    Don't blame me, I didn't vote for either of them!
  50. A few people did hear it! by Anonymous Coward · · Score: 0

    Well I suppose about 5 or 10 people did hear it. It probably would have been more effective to shout from a streetcorner in NYC. *Nobody* who matters listens to NPR!

  51. Non-copyrighted products by sauge · · Score: 1

    People are going to figure out how to make money off of stuff with non-enforced copyrights (such as someone's non-recording contract youtube.com song) or realize it is worth it to put "old stuff" out there to introduce the viewer to the new stuff (I discovered The Daily Show on the net and am now a bona fide regular viewer on Comedy Central.)

    This isn't a remarkably new concept. The Grateful Dead managed to make a lot of money on the live recording swaps that promoted their music to millions of fans. (And no, I'm not a dead head but I am a student of unconventional business methods.)

    There is also a lot of works being produced under the Creative Commons ideas.

    IBM, Sun, and a slew of new companies managed to make money on "remixing" software found in the open source/free software movement - there will be plenty of companies who will start mixing their goods in with other's as a value add in the video, music, and print world I am sure.

  52. Similar idea by janolder · · Score: 1
    I had a similar idea a while back:

    Simply restrict the total body of law to n words. If the limit is reached, no new law can be passed until some other law is repealed. Reduce n by 2% annually until a reasonable minimum is reached.

  53. OH! The Ugliness! by Nitewing98 · · Score: 1

    The true ugliness of this DRM debate is this: (warning, DMCA example follows!)

    The media companies got the DMCA pushed through and now we are prohibited, say, from snipping a portion of a DVD movie for a film class review of said movie. We can't review the movie and use portions to support our position that the plot sucks or is derivative, or the film is poorly acted. We can't use it in a review classroom to show what TO do or what NOT to do except by showing the actual work (and don't show the WHOLE thing to a classroom or you're violating the copyrights).

    However, the media companies PROVIDE clips to "official" journalists/reviewers (Ebert & Roper, et al) in order to drive traffic to the movie. And they show us clips on our cable systems' "on demand" menu, or on the internet or before ANOTHER film to drive traffic to the movie.

    Folks, I'm hoping that now that the Congress has changed hands, we can get this stupid law repealed or majorly revised. We're nothing but "traffic" to these media giants, we're the Eloi for them to feed on. We're nothing but cattle and they treat us with all the respect we'd give to a cow.

    I'm NOT for flagrantly disregarding copyright. I AM for fair use. Would Shakespeare, John Milton, or Arthur Miller have been as popular as they were if their publishers had prohibited the study and review of their works by pointing the finger of theft at English professors and students?

    Rather than gripe here, write your elected officials and let them know that you object to the provisions of the DMCA. Read the DMCA and quote specifics to your representatives. Give examples pulled from reality.

    The way to fight this isn't to just gripe and then copy music or movies as you like. It's to attack this thing legally.

    --

    Nitewing '98

    Everything works...in theory.

    1. Re:OH! The Ugliness! by The+Master+Control+P · · Score: 1

      Don't be too sure that the Democrats will do any better on digital freedom at the moment.

      Clinton and Gore pushed for the clipper chip, which would've given the NSA a backdoor into any public-key hardware encryption. The DMCA was passed by both parties and signed by a Democrat. The media have their hands in both the Democrat's (CNN et al) and Republican's (FOX) pants. Hollywood is filled with limosine liberals who got rich in content production.

      With a handful of exceptions on both sides of the aisle, both parties are out to destroy your digital rights. The MAFIAA see where the Internet is going - It's on the verge of making them all irrelevant, they're terrified of it, and they're desperate to control it before they finally sink. They're coopted both parties to help them.

      In about 7 more years, large numbers of people who have no memories of the time before either ubiquitously available computers nor the ubiquitous Internet can run for House representative. We were born around 1987-88 - The big thing that happened when we were kids was the Internet exploding to power. We're "clued in." That's when things start looking up. Until then, we just have to make sure that all institutional DRM fails utterly.

    2. Re:OH! The Ugliness! by Nitewing98 · · Score: 1

      We were born around 1987-88 - The big thing that happened when we were kids was the Internet exploding to power.

      Actually, I'm 46 next month, born in 1961. I just happen to be one of the "first wave" that "get it." Some of us were surfing bulletin boards before the 'net was opened to the general public.

      But you're right, of course, re: DMCA. Both sides of the aisle are trying to lock us up (digitally speaking). I guess we just have to be smart enough to stay one step ahead of them. (Shouldn't be hard)

      When they figure out Napster, we invent Gnutella. When they figure that out, we move to torrents. They are doomed to always play catch-up because WE'RE THE ONES DESIGNING THIS SHIT.

      (heh heh).

      --

      Nitewing '98

      Everything works...in theory.

  54. Re:A thousand Slashdot readers curse T.S. Eliot... by Jah-Wren+Ryel · · Score: 1

    If copyright isn't a property, then stop according property rights to your creative works (such as using the GPL).

    While many of RMS's critics like to portray him as a zealot, he is in fact a pragmatist through and through. The whole reason for the creation of the GPL is that RMS realized that such property rights are not going to go away on their own any time soon.

    So, instead of raging pointlessly against the machine, he decided to turn the machine on itself. The GPL is a hack of copyright law, that he intended it as a hack is evident in the name he gave it -- copyleft. That's not right and left as in the political simplification, it is one direction versus the other direction. The copyleft takes copyright in a direction directly opposite of where most copyright supporters want it to go.

    With that background, it should be easy to understand that RMS would have no problem if all the property rights of copyright law were to be made void tomorrow. The expectation is that in a free market for software (i.e. not one artificially constrained by copyright) the benefits of Free software would completely dominate. Just as no one would ever think of buying a car with the engine-compartment completely welded shut, no one purchase software that was not Freely modifiable.

    You may not believe in that vision, but that doesn't make it any less part of the reasoning behind the GPL. Thus arguments like yours that the GPL requires copyright law are technically true, but are ignorant of the actual intent of the GPL and Copyleft.

    --
    When information is power, privacy is freedom.
  55. Re:A thousand Slashdot readers curse T.S. Eliot... by Anonymous Coward · · Score: 0

    T.S. Elliot was a master of words far beyond what you or I ever will be. Thus I defer to his greatness.

    So-crates was one of the greatest philosophers ever, but I still wouldn't accept uncritically any cocktail suggestions he had.

  56. The "Progress Clause" by Garrett+Fox · · Score: 5, Interesting

    I have to question you on this one. There are two main theories of where "intellectual property" comes from, and the debate over patent/copyright is contentious enough that law professors can't even agree on whether to refer to the Constitution's "IP Clause" or "Copyright Clause" or "Progress Clause." (I favor the latter.) Jefferson compared knowledge to a lighted taper [candle], that can be spread with no harm to the original holder; Franklin was a printer of pirated books. The actual wording that made it into the Constitution is ambiguous: patent/copyright law exists to "promote the progress of science and the useful arts," which suggests that ownership rights in ideas are not fundamental rights, but ones established through the government as a form of subsidy for creativity. The fact that these rights are "for a limited time" supports this notion. The other theory emphasizes the wording about "securing rights" as though people did have innate rights to exclusive control over their work. In either case, it's not "God" creating the rights but a social contract/natural law.

    And in either case, you apparently do not have a Constitutionally protected right to copy media even under the First Amendment, because the Progress Clause grants "the exclusive right" to the creators. So, does the First Amendment override and destroy the Progress Clause? Or did the Founders understand the First Amendment to not cover copyright (which means there was a large hole knocked in it from the beginning)? I don't know the answer here, but there's troubling ambiguity even just from trying to figure out the original intent of the Constitution.

    --
    Revive the Constitution.
    1. Re:The "Progress Clause" by Jah-Wren+Ryel · · Score: 1

      The Roo talks about natural rights, those originating from the Creator as Jefferson would have said. You talk about constitutionally protected rights, those originating from the law of Man that are only in part recognition of natural rights. I'm pretty confident that natural rights trump constitutional rights, especially in places outside the jurisdiction of the US constitution.

      The right to express ones self exists as the default state, no government force required to allow it in the first place. At this point, someone usually comes along and says that private real property is dependent on government enforcement and not the default state, but saying that ignores the inherently rivalrous nature of private real property that a property of ideas does not share.

      --
      When information is power, privacy is freedom.
    2. Re:The "Progress Clause" by mirkob · · Score: 1
      Based on historical data derived by many articles pubblished in baen univers (www.baen-univers.com) and some others by the same autor on http://www.baen.com/library/

      IF I remember them well: the copyright problem is older than the american costitution, it derives from an old english laws,

      promoted by the book printer corporation (ex scribe corporation) to force other to cease the printing of books (to conserve their monopoly in spite of the new printing tecnology),

      they introduced the "copyright" and buyed them from the authors (at a cheap price) than the law forced anyone else to cease printing those books, monopoly reestablised!

      and that had many dire consequences, for example, if the corporation ceased the pubblication of a real good work and everyone is forced not to publish it an entire generation of people never had occasion to know it.

    3. Re:The "Progress Clause" by cpt+kangarooski · · Score: 1

      Personally, I've always felt that the securing language is due to the history of state copyright law, which predates the federal Constitution. But I don't think that the framers would've bought into the (utterly bogus) argument that there's an inherent right to copyrights, or better still, patents. In fact, has anyone ever seriously argued, even now, that there is an inherent right to patents? I don't believe that even the French have, and while I've no problem with them generally, they're the world leaders in stupidity in copyright law, so you'd imagine it would be them.

      In any event, n.b. the difference between natural rights, which is what I wrote about, and constitutionally protected rights, which is what you're talking about, what the First Amendment deals with, etc.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  57. Re:A thousand Slashdot readers curse T.S. Eliot... by Anonymous Coward · · Score: 0

    Copyright infringement is not stealing. It's infringement, and it used to be a merely civil offense. That's why it wasn't criminal.

    When you steal, you deprive someone of the use of their property-- a car ,a boat, a cd. With file sharing, that doesn't happen. That's why it's not stealing, it's infringement.

    Unless you take the only copy of a poem, you're not stealing it. The author still has access to it.

  58. A snappy quote to support your post by LordLucless · · Score: 1

    "It will be of little avail to the people that the laws are made by men of their own choice if the laws be so voluminous that they cannot be read, or so incoherent that they cannot be understood."

    - James Madison

    --
    Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
  59. If Money Were No Issue... by Garrett+Fox · · Score: 2, Informative

    Counterexample: I write stories. I make very little money at it so far, and I keep writing despite that fact, because it's something I love. In fact, I would like to devote more time to it, but so far I'm forced to earn money by doing something uncreative instead. If I were able to make a living as a writer, my time and therefore my output would be greater. So, the money does encourage creative production.

    --
    Revive the Constitution.
    1. Re:If Money Were No Issue... by Weedlekin · · Score: 1

      "So, the money does encourage creative production."

      Up to a certain point, i.e. earning enough money to live on from creative works encourages more of them, but creativity does not increase beyond that point in line with the amount of income. It could reasonably be argued that income beyond a certain level actually decreases creativity because those with more money than they need and a significant income from royalties on existing works frequently only produce new stuff because they are contractually obliged to do so, hence the fact that so many authors/musicians/hollywood types end up bashing out formulaic crap when they become successful and wealthy.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    2. Re:If Money Were No Issue... by BlackSnake112 · · Score: 1, Insightful

      entertainment types are a bad example. Image is everything with them. For those that image matters most, creativity is not going to matter much. Leave the entertainment business (writers/hollywood/musicians/TV/sports) and there are other creative people in the world who could do a lot more if they had more money.

      If all the money disappeared (like Earth on Star Trek) do you think the world would be more creative? I think that if everyone could do what they wanted to do and still be able to live/eat/be healthy/have clothes/a home that life would be all good until the tasks that no one wanted to do would cause chaos. How many people really want to clean out the sewers or other necessary but not so pleasing/rewarding jobs?

    3. Re:If Money Were No Issue... by cgenman · · Score: 2, Informative

      Not to re-cover grounds that my brother post covered so well but...

      If you're currently writing stories and making no money at it, then money is not your motivating factor. It's a limiting one, but not a motivating one.

  60. Re:A thousand Slashdot readers curse T.S. Eliot... by Petrushka · · Score: 1

    I still wouldn't accept uncritically any cocktail suggestions he had.

    Oh, I'd give 'em a try. He was a hell of an experienced drinker -- that's one thing the Bruces' Philosophers' Song certainly got right. Scenario: Socrates and a bunch of friends at a party. They basically find that it's impossible to get him drunk -- he drinks them all under the table, and then wanders off on his usual daily round without even having a nap. (It's all in Plato, all in Plato. My word, what do they teach them in these schools?)

  61. Dead Letter / Jefferson's Taper by Garrett+Fox · · Score: 3, Interesting

    Would you say, then, that the Progress Clause (or whatever we should call it) has always been a dead letter, overridden completely by the First Amendment? It's a legally plausible position, as you'd be saying that the Amendment (which came after the Clause) eliminates and blocks all restrictions on freedom of the press, therefore canceling the authority that the Clause gives Congress to grant exclusive reproduction rights to media. But if that's so, then all copyrights are unconstitutional, and possibly even patents.

    A letter by Jefferson presented his idea that "the exclusive right to invention [is] given not of natural right, but for the benefit of society." He wrote that "natural law" or "universal law" or "nature" was the source of our rights. He distinguished between those rights "derived from nature" and those from "the gift of social law," putting patent/copyright firmly in the latter category and questioning its practical worth even in that capacity.

    --
    Revive the Constitution.
    1. Re:Dead Letter / Jefferson's Taper by Artifakt · · Score: 4, Interesting

      One thing to remember here is that the standard conservative position is that it's desireable for the Supreme Court judges to read letters such as the one you reference to help determine the framer's original intent. It's the standard liberal position that the constitution is a living document - for text book liberals, that doesn't mean the court shouldn't refer to intent, but that intent doesn't always govern.
            There are some very ignorant (or possibly just plain malicious) people who have started attacking the liberal viewpoint over the living document position - I say ignorant not because the 'original intent' position is necessarily wrong, but because they have opposed it by making original intent something the court should guess at in a near vacuum. Only certain other documents are supposed to be relevant to helping determine intent, and often judges who refer to other documents, such as the letter you mention, are falsely characterized as liberal activist judges who are not sticking with original intent at all.
            So you've given a very good arguement for the user's right to copy being a natural right, and creator copyright for a limited term being a gift of social law. It's actually an old style conservative arguement. At this point, it's not conservative enough for the 'right wing', and half the Fox comentators would call you a liberal. Now for the 64 dollar question. How do we fix the copyright system, if we let someone re-define the centrist position so that it's to the right of practically every poster to this thread.

      --
      Who is John Cabal?
  62. Remember one thing. by PopeRatzo · · Score: 3, Insightful

    Even at 8 percent taxpayer funding, I hope the Free Market Radicals and Capitalist Pigs among us remember that this important story has been TOTALLY ignored by the mainstream commercial media, demonstrating that there is some value to Socialism after all.

    Now you can go back to playing with your Milton Friedman action figures.

    --
    You are welcome on my lawn.
    1. Re:Remember one thing. by NDPTAL85 · · Score: 2, Funny

      It might help to get your message across if you could inject some actual emotion, perhaps rage, into your comments next time. Your post was so completely devoid of personal feeling that I wonder if you even mean what you said.

      --
      Mac OS X and Windows XP working side by side to fight back the night.
    2. Re:Remember one thing. by Anonymous Coward · · Score: 0

      Wow, you're awesome. I hope to be like you when I turn 12-years-old too.

    3. Re:Remember one thing. by Anonymous Coward · · Score: 0

      [ On the NPR ]
        remember that this important story has been TOTALLY ignored by the mainstream commercial media, demonstrating that there is some value to Socialism after all.


      Speaking as an anarchist (and therefore a socialist) ... How is that socialism? Do the people working on the broadcasts at NPR own the studio and transmitter themselves? No? Then it sounds like they've missed the whole Socialism boat.
        Socialism != Da Gubmint. Socialism is the belief that the workers should own the means of production. I.E., democracy applied to the workplace instead of the feudalism of corporations or the monarchism of single-owner businesses.

        Of course, your point about the value of NPR itself stands. A voice in media which has no vested interest in commerce is a useful counterpoint to the massed chorus of voices that do.

    4. Re:Remember one thing. by ducomputergeek · · Score: 1

      Which is a perfect example of why socialism is evil. Sincerely, Your Big Friendly Media Giant

      --
      "The problem with socialism is eventually you run out of other people's money" - Thatcher.
    5. Re:Remember one thing. by PopeRatzo · · Score: 1

      Of course it's not socialism. But ask anyone who listens to conservative radio or reads National Review and they'll tell you that NPR is one step away from Karl Marx.

      --
      You are welcome on my lawn.
  63. Complexity in tax by Anonymous Coward · · Score: 0

    is ONLY created to pay off some section of society.

    Given the friction losses in a complex tax system, wouldn't it be better to NOT give special groups special tax breaks and reduce the cost of governance so that the overall burden is lower?

    The intended effect usually doesn't appear since only some people who can apply for it will apply (because they don't hear about it, or they can't understand it applies to them or the burden of proof is more than the benefit) and the unintended consequence is that you open a tax loophole.

  64. Re:A thousand Slashdot readers curse T.S. Eliot... by Goaway · · Score: 1

    Here, have a cookie.

  65. Economic problem by TaoPhoenix · · Score: 1

    At the heart of 75% of full time activities is the economic equation of fixed Home+Auto expense, Vs variable income. You are paying a specific landlord/bank to live. What did your activities Tuesday 9-4 do towards that obligation?

    The minute that someone snaps this equation open is when Web 3.0 will be here. One place to look is that someone cannot possibly consume content they have never heard of; therefore forcing a sales model also restricts the production side.

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  66. Re:Missed it. (Holy Freudian Slip Batman!) by Maxo-Texas · · Score: 1

    Wow!

    That's really cool the way "rights" and rights are different! It's almost like looking right into your brain and likely employment!

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  67. So *you*'re the strawman I keep hearing about. by Grendel+Drago · · Score: 1

    And yet providing an exclusive right to a subset of that information (creative works) for a limited time seems to benefit the whole more than it costs them.

    Copyright is a good idea. It's ridiculously long and overly broad, but there are better ways to fix it than to abolish it altogether.

    --
    Laws do not persuade just because they threaten. --Seneca
    1. Re:So *you*'re the strawman I keep hearing about. by ShieldW0lf · · Score: 2, Interesting

      And yet providing an exclusive right to a subset of that information (creative works) for a limited time seems to benefit the whole more than it costs them.

      Exactly.

      You know what the problem with a religion is? It's not that the advice it gives is good or bad, it's that the absence of the consideration of why it's good or bad that goes with wholesale acceptance of it leads people to not realize when the world has changed and the good advice is no longer good advice.

      As a way to administer who in a population you entice to create, it's not an entirely bad idea. But it has limits on its effectiveness and costs that must be considered, and it must be allowed to become obsolete and die as a cultural meme if we are going to grow and progress.

      The time is fast approaching where you could fit the sum of all human creativity into a small cheap piece of material with a reader no more sophisticated than a cheap electronic toy and put one in the hands of every man, woman and child on earth. Copyright law would make this impossible. That's a pretty big cost to pay. Particularly in consideration that copyright isn't what supports those artists, but rather one possible mechanism to determine who we collectively support.

      We need to create a practical mechansim that would allow for humanity to support creativity in people in a fair and sustainable fashion that doesn't carry the necessity to deprive humanity of access to the majority of works, as the current system does.

      To choose to do otherwise is to needlessly transform (maintain?) our neighbours into (as) ignorant, dependent and uneducated peasants that, rather than participating in mutually beneficial civilized exchange out of enlightened self-interest, instead attack their oppressors in an attempt to break free of a structure that separates them from culture, education and the capacity for more intelligent behavior, again, out of enlightened self-interest.

      If he gives you fishes but refuses to teach you to fish and refuses to let you try and teach yourself, the enlightened person will gather their neighbours, stab him spears, pillage his hut for his equipment, then try to muddle it out for themselves and enable everyone in the village to be empowered.

      Progress occurs when they finally succeed.

      --
      -1 Uncomfortable Truth
    2. Re:So *you*'re the strawman I keep hearing about. by snarkth · · Score: 1

      Thank you for explaining that so eloquently, that's exactly what I was thinking...

        In fact, given the dismal state of education in the US, it's an even more important point than it was even five years ago; and it's a matter of survival, just as in your analogy.

        I actually like the Canadian model myself. I'd be perfectly willing to put some of my tax money towards paying for access to as much content as I have time to look at :=)

        Cheers!
        snarkth

  68. Numbers don't lie by patiodragon · · Score: 1

    Clearly, these "corporations" are (8/92 * 100)% over budget.

  69. Re:A thousand Slashdot readers curse T.S. Eliot... by TheGreatOrangePeel · · Score: 1

    My minor in college was English and my focus was on 20th/21st century poetry. That said, I guarantee you that (real) poets never steal. Its an homage but only so long as the phrase in question is used in such a way as to make it "their own" (which is to say, in the simplest of terms, it holds a different meaning under the new context).

    If the phrase is altered slightly, it's tpyically considered an allusion to another work.

    The phrase can be both an homage and an allusuion when (typical) left unaltered and the phrase in question first has it's own unique meaning in the new context and gains further meaning from the original work.

    This is all to say that a 'poet' that sues another poet for copyright infringmnet is no poet at all.

  70. Back to the Middle Ages by Hoi+Polloi · · Score: 1

    Culture and knowledge should only be available to an elite few. I look forward to going back to the days before Gutenberg liberated the written word from handwritten copies and the Church lost it's intellectual monopoly on religious writings that were previously only kept in Latin.

    --
    It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
  71. Re:Missed it. (Holy Freudian Slip Batman!) by Ingolfke · · Score: 1

    No slip. Copyrights given to the holder of the copyright are explicit. Fair use rights were clarified and added later. In this discussion people toss around the term "rights" when it comes to what they can do with someone else's intellectual property.

    Come by my office at the RIAA and I'll explain it to you. :)

  72. Re:A thousand Slashdot readers curse T.S. Eliot... by markbt73 · · Score: 1

    T.S. Eliot's name was always capitalized. You're thinking of e e cummings.

    --
    "Oh boy! Are we going to try something dangerous?"
  73. Blessed are the loopholes by beefpants · · Score: 1

    "A few years ago, a Judge issued a catch-22 ruling: Yes, she said, we can copy commercial DVDs too. But no one can sell the software to do that."

    Catch-22, indeed. Conveniently, the judge said nothing about simply giving away the software to do that. . .

    Milo Minderbinder, eat your heart out.

    --
    "What's good for M&M enterprises is good for the country"

  74. It's all about scarcity by greenbird · · Score: 1

    The model has been that you create content that people are willing to pay for, and you limit the distribution of that content, and people buy it. If you kill off the ability to limit the distribution of that content then you've killed off the incentive to invest resources into commercial media.

    This is where you go wrong. In the old model the scarcity is what made the value. There was a high cost involved in getting creative works to the public. This cost required an investment that had to be recouped. To get a book published you had to find someone who was willing to take a risk on spending the money to publish, distribute and market your book. Copyright laws were designed to allow for a period of time over which the person or entity that made the investment could recoup that expense. Without copyright laws as soon as a book became popular everyone could publish it and the original investor would be unlikely to recoup those initial expenses. This would make it unlikely that anyone would make th investment to get anything published. That's the old model.

    But with modern technology this model doesn't fit any more. The era of scarcity is over. It's relatively cheap and easy for anyone to create, publish, distribute and market creative works. I think this is a good thing since in the new non-scarce model creative works will become successful based on the merits of the work rather than on someone making the decision to invest in it. There should be a much larger variety of creative works available. The successful ones won't be required to make enough money to support the archaic publishing empire that the old model required. It just has to make enough to satisfy the actually creator and not support a huge publishing bureaucracy that produces nothing but sucks huge amounts out of the creative works.

    The problem is everyone's trying to force the scarcity model onto a reality where scarcity no longer exists. DRM and and it's ilk are an attempt to force scarcity onto a technology that eliminated scarcity. This is being done by the old bureaucracy in an attempt to preserve their no longer needed or justified jobs. Creative artists can make money off there work without the old bureaucracy. They may not become the ultra-rich pop stars created by the old model publishing bureaucracy but a lot more of them will be able to make a decent living off their art.

    --
    Who is John Galt?
  75. Sorry, you're wrong. by paladinwannabe2 · · Score: 1

    If I want to compare every combination of 2 distinct laws out of N laws, it will take me N(N-1)/2 comparisons to do so, which is O(N^2).

    --
    You are reading a copy of my copyrighted post.
  76. Can we please get audio clips that work in mplayer by Anonymous Coward · · Score: 0

    The fucking clip plays for like 4 seconds and stops.

  77. And us small guys by ducomputergeek · · Score: 1

    I like copyright and frankly I'm getting to the point where I'm agreeing with the DMCA more and more. I'm a small fry video producer that relies on copyright to protect the works I sell. I have had others try and pirate and use some of my works, particularly digital art preproduced on T-shirts, etc.. That is annoying because this guy made a few hundred dollars off my works and I got $0. I am in the business of creating original copyrighted materials that I use to earn a living. Whether it is from writing articles, some of which I get paid for, or selling videos I create, that is how I make my living. Six years ago I was screaming against the DMCA, also was in college at the time, but now on the other side of the tracks....

    --
    "The problem with socialism is eventually you run out of other people's money" - Thatcher.
  78. Re:A thousand Slashdot readers curse T.S. Eliot... by ygslash · · Score: 1

    Ha, you're right! What a geek I've become!

  79. You must be new here by rawtatoor · · Score: 1

    Well reasoned and complete response. thanks.
    No no no. This is the internet. We don't tolerate that kind of response around here.
  80. Licensable Bear (tm) Weighs In by Garrett+Fox · · Score: 1

    This is silly, but there's a comic called Licensable Bear (tm) arguing for innate "intellectual property" rights. (The link goes to a comic from the same issue, the only one I've seen; the scene in question isn't on display there.) The character makes the devil's advocate argument: You can't own ideas! Property rights only apply to physical objects, of course, and we get the right to the raw materials by owning land, which we get either by royal charter or by conquest. At this point his audience is thinking, "Hey, how is it we can legitimately own land because our tribe conquered it, yet we can't own something we created from nothing?" It's tongue-in-cheek, but there's some truth to it. I would consider an argument for recognizing "fundamental rights" in ideas made tangible in the form of writings and inventions, rather than saying that those ideas are totally unprotected or protected only in violation of freedom of speech.

    --
    Revive the Constitution.
    1. Re:Licensable Bear (tm) Weighs In by cpt+kangarooski · · Score: 1

      Well, a copyright is nothing more or less than the right to deny other people the ability to do things. That's why it is called an exclusive right -- it's a right to exclude. If it is a right to exclude, then the underlying right it is excluding people from practicing must have some other, more fundamental origin. If you look at the reasons for having copyright, the history of copyright, the mechanics of how copyright works, it's an inescapable conclusion that it is not a fundamental or inherent right; it's an artifical, utilitarian right. An author no more deserves a copyright than a utility company deserves a monopoly. Instead, they're simply granted such monopolies by the government because it suits their purposes to grant them. No one would ever give Comcast a cable tv monopoly because they're such romantic figures. Authors are no different when looked at rationally. The romantic idea of an author is just bunk.

      It's a simple fact that copyright is an infringement of freedom of speech. Nevertheless, it may be an acceptable infringement, and an infringement permitted notwithstanding the guarantees of the First Amendment, but only up to a certain point.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  81. Re:A thousand Slashdot readers curse T.S. Eliot... by Anonymous Coward · · Score: 0

    i like my diction when it is with your
    diction. It is so quite a new thing.
    Spelling better and capitals more.
    i like your diction. i like what it does,
    i like its hows. i like to feel the shift
    of your keyboard and its caps, and the trembling
    -firm-uppercase ness and which i will
    again and again and again
    read, i like reading the T. and the S. of you,
    i like,, slowly stroking the, shocking caps
    of your Eliot sur name, and what-is-it comes
    over parting flesh . . . . And eyes big Shift-crumbs

    and possibly i like the thrill

    of upper case T S E quite so new