New X-Files Movie

An anonymous reader writes to let us know that a new X-Files movie is in pre-production, directed and written by Chris Carter and starring David Duchovny and Gillian Anderson. Duchovny said in an interview that his understanding is that filming will start in November for a summer 2008 release. The article notes that in an earlier interview, Anderson said the film "would stay away from the series' (and first film's) sometimes tortured mythology" (quoting the article, not Anderson).

Comments

Wow!

[j0nkatz]

I want to believe!

Wait, what?!

[LordPhantom]

Ok, so if the 2nd movie will be staying away from the "tortured mythology" of the series and the first movie.... how is it an X-Files movie?

God help us if this turns into some John Cusak-esque romantic comedy (with a dash of aliens).

Re:Wait, what?!

[aichpvee]

Better than what I first read. I was still groggy from a nap and read "New X-Men movie starring starring David Duchovny and Gillian Anderson." Worse still, my first thought at that wasn't that I'd read something wrong but rather "who cares if Solid Snake isn't writing this one?"

Re:Wait, what?!

[arivanov]

At least you did not read it as "X-File themed episode of Red Shoe Diaries" starring David Duchovny and Gillian Anderson.

Oh man, I Think I Just....

[N8F8]

Had a geekgasm!

Lost its edge

[Tablizer]

Part of the fun of the original series was the non-closure (no solid proof or clarity) and the tension between believer and skeptic. They drifted away from this later in the series, and even the first movie. At the end of the series, Scully became the believer and the new guy the skeptic, but it never quite worked right. For one, there was no sense of sexual tension between the new dude and Scully like there was in the original pair.

So what's the point?

[frovingslosh]

said the film "would stay away from the series' (and first film's) sometimes tortured mythology"

So what's the point, other than to cash in on the franchise? Way bother to have an X-files move if you don't folow the X-files back story in it? It would be like taking some scifi space move that was completely unrelater to the star trek universe, casting a couple of aging trek actors, and slappimg the Star Trek name on it.

Re:So what's the point?

[g0at]

So what's the point, other than to cash in on the franchise?

In the film industry, sequels get created precisely for that purpose: to cash in on the franchise.

Executive producers greenlight these types of films because they're virtually guaranteed a certain audience.

-ben
(BCIT Film)

Duchovney & Anderson

[Bitsy Boffin]

Meh. I never really liked Fox Mulder, Dana Scully was hot initially, but over time she got older, and whinier, and then the whole hooking up with Fox, and the child and the.... oh man, totally sucked the hot right out and replaced it with booooring.

An X-Files movie would be great. But you don't need Fox or Dana to do it. Fresh faces, fresh talent, less annoying. Although, if they could get W. B. Davis back as the C.S.M in a major plot part that would be fine by me, I liked that guy. It could be a pre-quel, before the X-Files, examining some aspect of the origins of the whole back story. That'd be cool.

Re:Duchovney & Anderson

[suv4x4]

An X-Files movie would be great. But you don't need Fox or Dana to do it. Fresh faces, fresh talent, less annoying.

Yup. Other movie ideas I'm having along the same approach:

X-Men movie but swap the DNA mutations for emo culture and hard metal/rock underground.
Batman movie without costumes and gadgets, about the struggles of a billionaire Bruce Wayne to increase his company revenue.
James Bond prequel. Like, how his parents met up and married or something?
Toy Story movie about alcoholic toys in mid-life crisis, sexual problems and physical abuse.
Star Wars movie set in the wild west.
Jurassic Park, but instead of real dinosaurs, it turns out Dr. John Hammond hired ILM to make elaborate fake computer dinosaurs and escape abroad with hundreds of millions of investor funding.
Saw 4, where it turns out everything in Saw 1, 2, 3 was a dream sequence of a poor patient dying of cancer, and telling the story of a cancer patient finding true love in his last days of life.

Re:Aliens won't probe anymore

[sTalking_Goat]

she only going to be 40. She's not that old.

it's funny

[caitsith01]

There has always been a big division amongst fans.

Myself, I have always loved the conspiracy arc in the x-files, and I know a lot of others who feel the same way. Although it got rather convoluted with the bees and so on, some parts of it (such as Tunguska and all that stuff with Krycek, and the shifting role of the Cancer Man/X/Deep Throat/Bill Mulder) were fascinating and were definitely what kept me tuning in week after week.

Yet some people hated that stuff, and loved the "locals tell of the mythical swamp monster... and here it is!!!!11!!!1!" type episodes, the "monster of the week" as someone called it here (also "serial killer of the week" at times). Personally I feel like those episodes were frequently poorly done, and the sfx never really carried the silly plotlines adequately. There are some notable exceptions of course (I loved the Loch Ness Monster episode, but of course that was great mostly because they never show the thing).

Of course some of the better episodes had a bit of both - a "monster of the week" which turned out to be part of the broader conspiracy arc, or segued into it.

My perception is that more hard core fans tend to prefer the aliens, casual fans prefer the wolf-man stuff. Maybe it's an attention span thing too. It will be a shame if the new episode does nothing to move the conspiracy arc forward - of course, it may well be set earlyish in the series, rather than at the end.

Re:it's funny

[Pfhorrest]

I think your portrayal of those intrigued by fictional worlds as "self-absorbed" is just a nasty a slight as the person to which you're replying.

While meandering about a library once I picked up some book vaguely related to Lord of the Rings or Tolkien or some such and read a bit of it wherein Tolkien was lamenting the popular (at the time of his writing) disdain for fictional worlds as works of art in their own, and the insistence that all fictional stories serve some allegorical purpose of illustrating something about some particulars here in the real world. (If anyone can cite the passage I'm trying to recall I'd much appreciate that!) Of course all stories, no matter what "world" they're set in, will touch on and illustrate themes about "human" nature, whether or not the characters are actually human, because for the story to be engaging at all they've still got to be recognizable as people and thus will have (and act according to, and suffer the consequences of) psychological traits just like humans in the real world do. But the War of the Rings doesn't have to be an allegory for World War II; Sauron's Orcish army doesn't have to be a representation of the German war machine; Gandalf is not Jesus Christ come to guide the West against the forces of evil! Certainly real-world events and history can influence the creation of a fictional world - e.g. Tolkien's mythology draws clear inspiration from real-world mythology, both Christian and pagan - but that doesn't mean the fictional world has to be somehow a proxy for the real one. Maybe someone just wanted to tell a cool story against a cool backdrop. Or maybe, as was the origin of Middle-Earth, maybe someone just wanted to create a cool backdrop. Reading real-world mythology isn't always that engaging, but it paints an interesting and sometimes beautiful picture of the world.

This debate seems to me like arguing whether portraits or landscapes make for better paintings; or more accurately, whether representational painting (of real things that actually exist before the painter) is better than purely imaginative painting (of things that exist nowhere but in the artist's mind). Each sort requires a different kind of talent and is useful to different ends: a representational painter must be able to accurately reproduce the details of the real things before him, and as such talk about the details of his painting, if it's well done, can serve as proxy for talk about the real thing. But an imaginative painter who creates fanciful images from whole cloth has a level of creativity and inspiration that someone who can only paint representationally lacks, and such fanciful art is great for - you said it - escapism, which is a perfectly fine recreational activity. Likewise with portraits vs landscapes - different levels of scope, different levels of detail, both valid art forms.

Some people like vast, epic stories that flesh out grand worlds; some people like close, character-driven stories instead; some people like stories set in the real world, during real events, with which the reader is familiar to some extent; others like stories created ex nihlo which transport you into a wholly original, novel experience. All of these things have their appeal, and arguing for one over the other is as silly as arguing over favorite colors or ice cream flavors.

Re:it's funny

[Himring]

There are some notable exceptions of course (I loved the Loch Ness Monster episode, but of course that was great mostly because they never show the thing).

There was not an actual episode on the Loch Ness monster that I remember. It was rather an episode on 'a' lake monster (one like nessy). And they did indeed show it, at the very end of the episode after Mulder and Skully finished a great dialogue wherein Skully compared Mulder to Ahab and his quest the white whale. They leave the lake area and then the thing pops up.

I re-watched the entire series recently. The running mythos episodes were indeed good ... at times. Rather, they were good until the movie. The "jump the shark" episode for the x files is arguable, but to me the movie was it. The mythos worked until that point, but afterwards you could sense Carter losing a grip on things. The writers actually admitted to killing off the syndicate because it made no more sense and they couldn't keep up with all the complexities themselves.

You must remember, the mythos migrated from uncovering the government hiding aliens, to bees being used to inject the black oil alien and enslave the human race (no, wait, they were going to be used to inject the green stuff from the movie and convert all humans to sleestacks -- see my point?), to a government plot in building super soldiers, to all sorts of junk in-between.

Carter fell into the trap of keeping a series alive by never really revealing anything, but making fans think you were gonna -- the "revealing for revealing's sake." Underneath all the mystery and revealing, there was nothing there. There was no big "aha!"

Were the mythos episodes good? Yes, at first, but they fell apart and the last couple of years -- the super soldiers episodes -- were taxing at best. Now, what were always good about the mythos were some of the characters. CSM, Krychek & TLG were awesome no matter how sucky the mythos episode.

The stand-alone episodes were always up in the air, but by-and-large had staying power. Some were incredible and, yes, some sucked. To me, my best memories of x-files are from these stand alones. The Chung episode, the genie episode in the last year of Mulder, even the Burt Reynolds episode. These are some of my favorites.

I have always suspected, though, that Carter was inspired by Oliver Stone's JFK. I re-watched it a few years back and the scene between Costner and Southerland's character is like watching Mulder talking to Mr. X or the CSM. "You're closer to the truth than you realize" says Southerland to Costner. My gosh, put that into any x-files mythos episode.

Re:Aliens won't probe anymore

[clickclickdrone]

>Gillian Anderson has got to be pretty old by now.
Well I wouldn't climb over her to get to you.

Re:The conspiracy stuff....

[packeteer]

The weird sci-fi ones were the best. I liked the one where the bugs would come if they didn;t have light, or the arctic research lab with the worm that made people go nuts, or even the one on the dead tanker where the water was poisonous. Those episodes are the ones that were really scary because it was a "what if" kind of effect. It was plausible that it could happen and so it was interesting. Thats good science fiction to me. Don't get me wrong, space operas like star wars are cool and all but thats all people see as sci-fi these days.

Re:"hot" women

[Sponge Bath]

If you want consistently "hot" women then try watching porn

The truth really *is* out there.
I just didn't expect to find it on Slashdot.

but as I always say...

[misanthrope101]

Beauty is only a light-switch away.

Age aside, I lost my fascination with Sculley when they made her vulnerable and emotional. The ice-maiden thing was quite the draw, but when I saw her crying and needy...hell, I can find that anywhere. Cerebral and aloof? Sign me up.